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By Suzanne

Rockmond Dunbar

Interview with Rockmond Dunbar, who plays Eli on "Sons of Anarchy" on FX 10/18/12

I was all ready for this call, phoned in, and then they had to cacncel it. They reschedueld for the next day, but then something came up so I couldn't go. Bummer! This is a great show and Dunbar is one of the many fine actors in the cast. Also, I learned he was in one of my favorite shows, "Earth 2"! I don't remember him in it, but that was another show with a huge cast, and I probably saw it 20 years ago...

FX NETWORK: Sons of Anarchy
October 18, 2012/10:00 a.m. PDT

Stephanie Kelly
Rockmond Dunbar – ‘Eli Roosevelt’


Moderator Ladies and gentlemen, thank you for standing by. Welcome to the Sons of Anarchy call with Rockmond Dunbar. At this time, all participants are in a listen-only mode. Later, we will conduct a question and answer session. Instructions will be given at that time. As a reminder, this conference is being recorded.

I would like to now turn the call over to your host, Ms. Stephanie Kelly. Ma’am, you may begin.

S. Kelly Hi, everyone. Thank you so much for logging on and having a conference call this morning with Rockmond Dunbar, who plays ‘Eli Roosevelt’ on the hit FX show Sons of Anarchy, which airs Tuesday nights at 10:00 p.m. only on FX. For now, we will turn the call over to you and begin the question and answer session with Rockmond. So, we will begin. Thank you very much again for participating.

Moderator Our first question comes from Earl Dittman of Wireless Digital. Please proceed.

E. Dittman Rockmond, how are you this morning?

R. Dunbar What’s up, Earl? How are you feeling, man? Where are you right now?

E. Dittman Great. Doing great. What a great episode, a really great turn for your character. I guess without giving too much away, tell us a little bit about where you think your character is going?

R. Dunbar I have no idea.

E. Dittman Really?

R. Dunbar Yes. I really don’t. This is one of those shows–let me give you an example. Last night, we were shooting a scene; we just wrapped up the finale–we were shooting a scene, and I was in the scene with Jax and also Tara. We were having a lot of dialogue about the scene, and Tara looked at Kurt and said, “Hey man, I wish we (break in audio)…” what’s going to happen, and Kurt didn’t even know what was going to happen. He was like, “Look; I’m leaving the doors open on this.” Alright, so there’s four different options of–and different directions of where he could go and take this moment that played out last night.

So, I never know what’s going to happen until I get to the read-through and sit down with Kurt and the rest of the cast members and go through the script; I don’t know. I didn’t know last year. I thought I was going to die after 10 episodes; a horrible death. That was it, but I’m here, and I signed on to do six episodes and ended up doing about eight. My character is finding a nice little arch.

E. Dittman That’s great. As an actor though, do you like that kind of element of surprise to where you don’t have to–that you find out when you’re getting ready to do it?

R. Dunbar There’s not that many surprises that you get in life, so it kind of doesn’t work if you’re an actor who really loves to put in the work and create a character, but if you’re really good on your feet and you love doing the work and if you have a full life, then it really doesn’t matter. I have so many different little projects going on right now where I just got into the groove of the S.O.A. crew, and you pull together what you can at the last minute and you make it happen.

E. Dittman Before I let you go, did Kurt call you to come to audition or did you audition on your own or how did you become involved with Sons?

R. Dunbar I originally–I was shooting a film, an independent film, and I just finished Terriers; I’m not sure if you remember that show with Shawn Ryan. Alright?

E. Dittman Yes.

R. Dunbar Then I get a call from my agent saying, “Hey, Kurt Sutter wants to talk to you about a role on Sons of Anarchy.” I went to go see him, sat in his office and he was like, “Hey look, I called Shawn Ryan; what about this kid Rockmond Dunbar, do you think he’d do a job?” Shawn gave me the stamp of approval. Kurt and I sat in his office, and talked a little bit and he was like, “Hey, got to wardrobe.” It was a straight offer; meet and greet type of situation. I didn’t have to audition, which was great; most actors love to get to that… where they’re not auditioning. So, it was a great meeting of the minds, and we made it work.

E. Dittman That’s fantastic. Well, I’ll let you go and let someone else have you, but thanks again, and I’ll probably be talking to you in a bit. Thanks a lot.

R. Dunbar I appreciate you, brother. Thank you, sir.

Moderator Our next question comes from Michael Gallagher of Please proceed.

M. Gallagher What do you think sets this show apart from other television dramas?

R. Dunbar The average–that we probably kill about six people every time the show comes on. I don’t know any other show that does that unless a plane crashed or something, but it’s just so intense. I remember the writing on Prison Break during the first and second season was so good because they painted characters in a corner, and you never knew if they were going to be able to get out.

I didn’t know if there was another show that could basically be like that and keep its intensity, but in the fifth season, Sons is continuing to do that. These writers are really incredible. They paint characters in a corner, and you think, oh my God, they’re gonna either kill this character or lose this character. How can you do this to your lead character, the hero or the heroine? They do it, and you wait to see what’s gonna happen the next week, and if they’ll be able to get out of this–the trouble, the danger or the death box.

M. Gallagher You’ve had a chance to play some pretty cool characters throughout your career. What’s been the most rewarding part about being an actor for you?

R. Dunbar The most rewarding part I think to me is just to see my mom and my dad’s face and them expressing that they’re proud of me, that I did something that they approve of in my life. That makes me very happy, very, very happy. I think out of everything, out of the money, out of the gift bags, so I think that’s the most important thing to me; that it’s just my mother and father being happy.

M. Gallagher Thank you.

R. Dunbar You got it, man.

Moderator Our next question comes from Earl Dittman of Wireless Digital. Please proceed.

E. Dittman Boy, I got ya quicker that I thought. Talk to me a little bit about your career before Sons of Anarchy. I mean obviously I’ve looked over your bio, but tell me a little bit about–did you–I know you’ve done a lot of films–did you intend on getting on a series or did you–how did you start; let’s go to the beginning, did you always want to be an actor?

R. Dunbar Yes. I’m going to turn this a little bit backwards. In high school I wanted to be a commodities executive, and then I started hanging around guys who wanted to be litigators; they wanted to be attorneys in high school, so we would all do …court together.

Then I stepped on stage my senior year, and I had the pleasure of creating six characters on stage in a play called “… poet” and that was only because a friend of mine, Wesley Ballard made me audition for this school play. I wanted to go and have lunch; he was like, “No, dude, you gotta audition for this play; you’re taking this acting class, you gotta go for the play.” And I was like, “Well, you know, I’m only taking acting classes because I don’t want to take gym anymore.” I ended up doing those roles and decided I wanted to go to Morehouse College to study theatre, which at that time–I mean not study theatre, I studied poli-sci and was going to become a litigator.

In my first year, I booked the lead role in a play over at Spelman College called The Blue Vein Society. I called some of my friends back home and said, “Hey, look man; I got this play it’s awesome I beat out all these upperclassmen, and I get to kiss two girls.” This is awesome. This is great. My friend Terrell who I was telling this story to, he said, “Rock, let me ask you a question, man. Is it the law that you love and that’s why you want to be a lawyer or is it acting like a lawyer?” That question changed my life. I knew instantly within my heart that it was acting like a lawyer. I got off the phone, and I called my mom and I said, “Mom, I’m gonna change my major.” She was like, “Well you’re just a freshman, don’t worry about it; you change your major a number of times.” Then I was like, “Mom, I’m gonna change my major to acting.” The very first line that came out of her mouth was, “You didn’t go to school to become an actor; period.” My retort was, “Mom, when you first saw me on stage, what did you think?” The longest pause ever, with the most beautiful thing she ever said to me was, “You know; I knew that was what you were going to do for the rest of your life, when you stepped on stage; I knew it.” I’m sorry?

E. Dittman Isn’t it amazing how mothers are so perceptive, and they see those things and we don’t?

R. Dunbar Yes, definitely. My mother is very intuitive and such a great woman. After that, I just attacked it. I started studying as much as I possibly could, and doing more plays and transferred to the College of Santa Fe where I got my butt kicked. I booked my first television role my sophomore year with Steven Spielberg, it was a show called Earth 2; Clancy Brown, Deborah Farentino, Antonio Sabato, Jr., Rebecca Gayheart and Jessica Steen were all on the show at it was a great show. I did that show for a full season.

I had a little bit of a problem because I broke a scholarship to study at the Royal Academy the same year, so I had to make a decision if I was going to go study at the Royal Academy, or if I was going to take this television series. For me, I worked really hard to get that scholarship and I really wanted to study theatre, so I chose to go to London, but I had two guys who literally changed my life and gave me some really good advice.

Walter Beakel and Ted Flicker pulled me aside my sophomore year, and they were like, “Hey, you know; we want to have lunch with you. Sit down.” They said, “Look, kid, this opportunity of a television series –yeah I know you don’t see it yet, but it is something that you shouldn’t take lightly. If you really want to go to the Royal Academy and study, I’m sure the scholarship will still be there. Do the television series, even if it’s not there, you’ll be able to pay your way into that program.” That was pretty much it. I stayed with that show for about a year.

I learned a hard lesson of coming to LA thinking that the show was supposed to move or it was supposed to move to Los Angeles so everyone came back here to LA. It’s my first time in LA; moved everything. I heard on Entertainment Tonight that the show got cancelled and … so I went back to New Mexico and enrolled in the University of New Mexico and started taking some more acting classes. I decided to come back to LA a little bit later and nickel and dime my way into a pretty decent career.

E. Dittman Well, that’s fantastic. Before I let you go, we’ve heard how Kurt Sutter runs–you mentioned, too, about how Kurt Sutter runs a set, which is a lot different than a lot of producers and creators. For you, how does he inspire you, Kurt, in the way he works on set?

R. Dunbar I’ll tell you this, one of the best directors I’ve ever worked with. He’s multi-talented. Not only does he play Otto, which he kills that role, by the way, on Sons of Anarchy, he’s created the show. His wife is on the show, and he directed the finale.

There was a scene just last Friday with Ron Perlman, Katey Sagal, myself and Theo, which was one of –I would have to say, I could’ve shot that scene all night, and it was because the way Kurt organized the scene, choreographed the scene and wrote the scene. He’s an incredible dude and my hats off to him. I hope to have half the career he has when I start getting more and more into producing and creating.

E. Dittman That’s great. Well, thank you again, Rockmond, I appreciate it.

R. Dunbar No problem, man, definitely. Thank you.

Moderator Our next question comes from Terri Schwartz from Spinoff Online. Please proceed.

T. Schwartz Hi, Rock, and thanks so much for speaking with us today.

R. Dunbar Hey, no problem.

T. Schwartz I guess Tuesday’s episode, we already have seen like a major change in Eli’s behavior after his wife got killed, and I was just wondering if you can tease how that major event will change the direction of the character is headed in for the rest of the season–if it changes it?

R. Dunbar This dude is spiraling out of control, and he’s literally taking no prisoners. He’s lost everything that he built his life for. He took a job close to home where he thought that would bring his relationship to his wife a little bit closer. They’re trying to have a baby. She finally gets pregnant and then she’s killed. He has nothing. He has absolutely nothing. So, what do you do when you’re stripped away and who are you when you’re stripped away with all those things that you think created your life. So a lot of characters really need to be careful and to look out for this guy because he’s on the edge.

T. Schwartz Does he go over the edge at all? Are we going to see him maybe going beyond the law to try and right this terrible wrong?

R. Dunbar I can tell you, he definitely invites evil into his world.

T. Schwartz Okay. Last question, is he going to realize –don’t answer if you can’t, but is he going to realize that he has a common enemy with the Sons or is that just set him more against them?

R. Dunbar Ooh, yeah, Kurt would like literally jump into my trailer tonight and scare me if I told you that one. You don’t want to blink. You don’t want to blink on this one. The way that they position the character, the suspense that they have with the storytelling is going to pay off and really worth wait; definitely.

T. Schwartz Okay, great; can’t wait to see it.

R. Dunbar Okay, cool–cool.

T. Schwartz Thanks.

R. Dunbar You got it.

Moderator Our next question comes from Lance Carter of the Daily Actor. Please proceed.

L. Carter Nice talking to you.

R. Dunbar You, too. How’s it going?

L. Carter It’s going alright, not too bad. You said besides Sons, you have a bunch of other stuff in the works. What do you have going on?

R. Dunbar I’m shopping around two pilots right now, which are near and dear to my heart. I’m also getting on a plane tomorrow to go and finish another series that I helped put together called For Richer, For Poorer on the Gospel Channel Network. Right after that, I go back to The Game, so I’ll finish out the year with them. The Game is on BET. It’s been a series that has been out for a little while; doing pretty well.

January, I’ll do another feature with Russ Parr called Definitely Divorcing. It looks like I’ll go back, sit back in the director’s chair for a script that my girlfriend penned, which is absolutely hilarious called Tying the Knot. We’ll see what the season brings for Sons of Anarchy next year. If I can get these two pilots up and running, we’ll see.

So far, we’re having some good traction and there’s a movie that I directed called Pastor Brown several years ago, which we have gone through some litigation, cleared out all of the legal aspects after I shot the film which was my directorial debut. That’s having distribution next year, I think it’s going to be like April. So, we’re sitting down at the table, doing the finishing touches on the distribution deal today actually. That’s it.

L. Carter Man, so when do you sleep?

R. Dunbar When my girlfriend knocks me over the head. I just try to get it in where I can.

L. Carter What’s your advice to actors?

R. Dunbar My most important advice and I’ve said this for a long time; if you’re creative, if you love doing it, then act like it. Do it because you love it. Don’t do it for the money. Don’t do it for the fame. Don’t do it outside of anything for creating and giving back and being the best. Tenacity is everything. Of course, we know the ratios and the statistics of how many people make it in Hollywood and create a lifestyle and a career with acting, creating, writing, producing and all that stuff, but just don’t give up if you really believe in it; don’t give up. If you have to have it as a hobby, just make sure you don’t put yourself in harm’s way trying to live off of …and bash in your kidneys. Just do it in a safe and healthy way and just do it for the right reasons.

L. Carter Cool. Hey, thanks, man. I appreciate it.

R. Dunbar You got it, brother.

Moderator We have a followup question for Earl Dittman of Wireless Digital. Please proceed.

E. Dittman I can’t leave ya alone, man.

R. Dunbar It’s all good.

E. Dittman You also completed a couple of films Highland Park and Cheaters’ Club. Are those scheduled for release pretty soon and can you give us a little capsule of what they’re about?

R. Dunbar Highland Park, we finished that a little while ago. I’m not sure where it’s at right now. It surfaces and then it kind of goes away. Hopefully there’s some type of distribution deal on the table. It’s a great movie.

E. Dittman That’s with Billy Burke; right and Parker Posey?

R. Dunbar Yeah, Yeah. Super talented. Great talent. Danny Glover was in it; Kimberly Elise. It has some decent talent. It had a lot of … in it. I’m not sure where it is, but we’ll see.

I’m not sure where Cheaters’ Club is. It’s a small independent film, which I actually met my girlfriend on.

E. Dittman I was going to ask you, if mind me asking, is your girlfriend in the business; do we know her?

R. Dunbar Yes. Her name is Maya Gilbert. She was the lead actress of Cheaters’ Club.

E. Dittman Oh great.

R. Dunbar Yeah, yeah. We’re working together now, which is really great. She’s a much more talented actress–I mean writer than she is an actress. She’s over here looking at me right now, like how dare you. She’s super talented and really nice and kicks my ass just because. I love the way she’s looking at me right now; I wish you guys could see this. Anyway, I’m not sure what’s happening with that movie. Hey, do you know what’s happening with it? It’ll be out in 2013; okay. There ya go; it’ll be out in 2013.

E. Dittman When is it now?

R. Dunbar Cheater’s Club 2013, I’m not sure which month; I have no idea. It’s hard for me to track things if I’m not working on it.

E. Dittman That’s great. Before I let you go, obviously, you’ve had a great career before Sons of Anarchy, have you noticed that your appearance on Sons of Anarchy has raised your profile even more?

R. Dunbar I hope so. You hope that you choose jobs that will get you some more star power so you can continue to work. That’s pretty much how it works. I’m happy to be on the show, man. Even though I’m only recurring; I’m not a series regular on it or anything like that, but I’ve had some great opportunities and worked with some really great people, and we’ll see how long that goes.

E. Dittman I hope they don’t kill you off anytime soon. We love seeing you on there; you’re great.

R. Dunbar Thank you. Keep your fingers crossed. You got it.

E. Dittman Thanks.

Moderator I’m showing no further questions.

S. Kelly Okay, we can wrap it up then. I want to thank everyone again for calling in to speak with Rockmond this morning, and if there are no further questions–just make sure to tune into Sons of Anarchy ever Tuesday night at 10:00 p.m. only on FX. Thanks again and thank you to Rockmond for your time this morning.

R. Dunbar No problem. Thank you so much. Have a good day.

S. Kelly Thank you. Take care everyone. Bye, Bye.

Moderator That does conclude our conference for today. Thank you for your participation and for using AT&T Executive Teleconference. You may now disconnect.

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