Y&R Transcript Monday 6/23/03--Canada; Tuesday 6/24/03--USA

Provided By Eric

Mac: This feels so good, being close to you.

Billy: I don't, uh, I don't want you to catch a chill.

Mac: God, I still can't believe this. We're actually married. At the end of the ceremony, when the minister said, "ladies and gentlemen, may I present to you mr. And mrs. William abbott," I will never forget how happy I was at that moment, knowing you and i will be together forever. I love you so much.

Billy: No, I can'T...

Mac: What's wrong? Billy?

Billy: There's something I need to say.

Mac: We could talk later.

Billy: No, mac, mac, I can'T. You and I, uh... we can't do this.

Mac: Do what?

Billy: We can't have sex. We can'T.

Mac: Billy, I-I don't understand.

Mac: Oh, wait, is this about what I said earlier about being a little nervous? Billy, it's okay. I'll be fine. I have some butterflies, but I' b be--

Billy: Don't, mac, don'T. No.

Mac: Make love to--

Billy: Mac, stop. Stop.

Esther: There you go, mrs. C. (Chuckles) that's good, huh? You know, we could take a walk through the gardens if you like. It's a beautiful night, but I don't want it to be too much for you. I don't want you to overdo with the wedding and everything, and--well, you know what? We'll just sit here, and then you can just relax.

Esther: I'll be right back, mrs. C. You stay away from her, jill. She doesn't need your abuse. The doctor said she needs T.L.C, and that doesn't stand for "taunting little comments."

Jill: I'm not gonna be mean to her, esther.

Esther: Well, that'll be a first.

Jill: Look, I am too tired to argue. Please, just go. Let me have a moment with katherine.

Jill: Please, that's all I need, just a moment.

Esther: (Sighs) well, all right, but I'll be nearby, and move her away from the window 'cause it g ght be drafty.

Jill: Fine.

Michael: Johnny, my friend, that was not a double. Help me out here.

Diane: Hello, counselor. Fancy meeting you here.

Michael: I am so not in the mood.

Diane: I can see that. What you need is some company.

Michael: No, no, that's the last thing I need is company.

Diane: I disagree. Why don't you join me at a table, and we can talk? Could I please get a glass of chardonnay? Come on.

Michael: Okay. All right.

Diane: Thank you.

Diane: So did you manage to calm down our mutual friend?

Michael: Who?

Diane: Who? Isabella, of course. She was freaking out when she called your office. I hope you believe me now. Thank you. The woman is totally losing it. I have a solution, though. You and I should join forces and convince her to just let paul have his divorce. She should leave genoa city. Otherwise, she could be in some danger. What's the matter?

Michael: I'm afraid it's too late.

Mary: Well, if isabella is missing, I hope it's for good.

Hank: Why would you say that, mrs. Williams?

Paul: Mom, he just said they suspected foul play.

Mary: Oh, sure. It's just another one of her cries for pity. She's probably enjoying all the trouble she's causing.

Lynne: Detective, how do you know it was foul play?

Mary: Maybe it was one of isabella and michael's legal schemes.

Paul: Mom, would you just--

Mary: They're trying to keep...

Paul: Would you be quiet, please, and let the man speak?

Mary: His son away from him.

Hank: Well, I just came from your apartment, paul, and there were signs of a struggle, a violent one, and there was a pool of blood on the floor.

Mary: Oh.

Paul: My god. Good afternoon. An elderly man is dead - and police are looking for the driver who hit and killed him. The man was standing on a curb in millwoods when he was mowed down this morning...+++premier klein's on a road trip to the united states. He's headed for washington and a meeting with the u-s vice president. He's going to plead with the americans to reopen their borders to canadian beef.+++ Hope you can join us tonight for all the day's top stories on global news at six.

Phyllis: Jack, you're really gonna bring this work home?

Jack: Oh, yeah. Big powwow tomorrow.

Phyllis: So I'm gonna be lying on the bed... in my red lace teddy and you'll only have eyes for your files?

Jack: Well, wait. The red lace teddy, my favorite?

Phyllis: Mm-hmm. You're paying attention, aren't you?

Jack: Just--look, two files. It'll take me 30 minutes, tops.

Phyllis: Okay. What's the powwow?

Jack: None of your beeswax.

Phyllis: Oh, okay. Is this the tuvia kind of powwow?

Jack: I thought we were going to keep our business and our person l lives separate?

Phyllis: We are. We are, to a fault.

Jack: But you, what, you can't help asking?

Phyllis: No, I can'T. Why don't you just slap the cuffs on me?

Jack: How about later, hot stuff?

Phyllis: Okay. You're the one who's infringing on our love life.

Jack: Okay, so since I know I can trust you not to speak to anyone...

Phyllis: Absolutely.

Jack: We are meeting with our major buyers for the biggest department store chains. They come by every so often. We show 'em what's new, we show 'em what they have to look forward to, and they seem to enjoy it since jabot is the bread and butter of their cosmetics aisle.

Phyllis: Oh, my. So do you have some golf game setup or catered lunch?

Jack: Oh, no, no, no, these are very, very busy people.

Phyllis: Right.

Jack: Heavy hitters every one.

Phyllis: Right, right, right. Are you bringing in your secret weapon, mr. Genius chemist?

Jack: Damon? Hey, that's not a bad idea.

Phyllis: Oh, you're welcome.

Jack: Not a bad idea at all.

Phyllis: Oh.

Jack: He's a pretty amazing guy.

Phyllis: Oh, I'm sure he is. Of course, I don't know because I've never met him.

Jack: Oh, well, trust me, damon porter is a force to be reckoned with.

Phyllis: Uh-huh. Why don't you just rub it in? (Telephone rings)

Jack: Gee, I'd like to. Excuse me. Jack abbott. Yeah, dad, what's up? Yososound kind of... what kind of emergency? But you're all right? Okay, yeah, yeah. I'm getting out of here right now. I'm on my way.

Phyllis: What's going on?

Jack: Some kind of family emergency. I guess I'll find out. I gotta go.

Phyllis: All right. You want me to follow you?

Jack: Oh, that's right, we're in two cars. You know what? There's no reason to rush. It didn't sound like a life or death emergency. Just-- well, get there when you can. I gotta go.

Phyllis: Yeah.

Jack: Wait a second. (Bangs desk drawer)

Jack: Locked up tight.

Phyllis: Oh, yeah, make sure that's locked.

Jack: Who's joking? See ya. Bye-bye.

Esther: Jill...

Jill: You know, when charlotte spoke to me, her voice was like music, and it made me feel so good inside. I think that's why I was so sure she was my real mother 'cause of how it made me feel, but you, katherine... your voice has always been like a meat grinder in my ear, and all it ever made me feel was nauseous.

Jill: How can there be this connection? How could I possibly be your child?

Jill: And yet... there is a connection. I mean, we've been at each other's throats forever... and people just don't put themselves through that unless they're family. Is that why you've always been such a big part of my life?

Jill: When charlotte told you that I was your daughter... did it shock you? I mean, did it literally blow your mind?

Jill: Damn it, talk to me! I need to know. I need to hear it from you. Is it the truth? Is it? Are you my mother? Qtxxsesqgtcç ñ this is t there on global - I'm seanna collins. This will

Damon: Hello. I'm damon porter, the new guy.

Phyllis: Yeah, right.Damon: And you are?

Phyllis: Uh, hi. Yes, you are damon porter. Um, I've heard a lot about you. You're the r & d guy, right?

Damon: Mm-hmm.

Phyllis: Yeah. How do you like it here?

Diane: Oh, my god, michael, how horrible. Did you call the police?

Michael: Yeah, of course I called the police.

Diane: And isabella was nowhere in the apartment?

Michael: Look, all I saw was a bunch of stuff thrown around and, uh, blood.

Diane: Her blood?

Michael: Yeah, unless she trucks it in, it was her blood.

Diane: All right, all right, all right. Well, what did the police say? I mean, isn't it possible that isabella had some sort of accident?

Michael: Diane, listen to me. There was a bloody candelabra, her purse was still there, her cawawas still in the garage, so it's-it's pretty obvious that she was attacked and then dragged out of there.

Diane: Oh, my god. To where?

Michael: A forensics team is investigating. We'll find out. All I know is you don't get that much blood out of a cut finger.

Diane: Do the police know the hell that isabella's been going through with her husband pushing for a divorce?

Michael: Yeah, I told them. I told them, and I also told them about the restraining order. So if this is whwhat it looks like, paul williams better have an ironclad alibi.

Diane: Well, and what about christine?

Michael: What about her?

Diane: Well, after everything that's happened lately, I would say that she's the number one suspect.

Michael: It's not a chance.

Diane: Didn't you tell the police how she tried to choke isabella?

Michael: Look, diane, forget it. Christine's not involved.

Diane: You're trying to protect her.

Michael: Look, if anyone harmed isabella, it was paul. He's pretty much the loose cannon in the bunch.

Diane: You didn't even mention christine to the police, did you? How she's been harassing isabella?

Michael: As a matter of fact, I kept her name out of it.

Diane: Why? Oh, my god, michael, what are you trying to hide?

Mac: Did i do something wrong?

Billy: No, mac, no.

Mac: Well, then why did you push me away?

Billy: My mom was here.

Mac: When?

Billy: While you were taking a bath.

Mac: I should have known this had something to do with jill. What did she have to say this time?

Billy: She had, uh, just gotten some news, some unbelievable news.

Mac: What was it?

Billy: You know my mom found out that she was adopted.

Mac: Right.

Billy: She thought her birth mother was charlotte, but it turns out that she thinks her mother might be someone else, someone you know.

Mac: Well, who is it?

Billy: Your grandmother... katherine.

Lynne: You're saying michaebabaldwin was there first?

Hank: Well, apparently, mrs. Williams called him at his office and asked him to come over. She said she was terrified and feared for her life.

Paul: All right, what else did you find at the apartment? What about isabella?

Hank: We haven't located her yet.

Mary: Ah, so that's her game. She's run off.

Hank: Why would you say that, ma'am?

Mary: Knowing the woman the way I do, she's probably attacked someone, and now she's on the run.

Paul: Mom, would you just stop it, please?

Mary: (Laughs)

Paul: So what do you think happened?

Hank: Well, paul, we're pursuing the possibility that your wife was attacked and taken from the premises.

Mary: Lord knows she had enough enemies.

Hank: I understand from mr. Baldwin that you're one of them, ma'am, and I'm aware of the restraining order filed against you and your son.

Lynne: Yeah, but did you know what isabella did to provoke them?

Hank: So you're saying it was provoked?

Lynne: No, wait, I didn't mean--I--

Hank: Can you three account for your whereabouts earlier this evening?

Mary: Oh, why would you ask that? Surely you don't think any of us had something to do with her disappearance?

Hank: Well, given the animosity you all cleary felt for the woman, and the fact that she didn't want you anywhere near her, I wouldn't be doing my job if I didn't take that under consideration.

Damon: It's going rather well so far.

Phyllis: Good to hear it.

Damon: Is jack around? I wanted to give him an update.

Phyllis: Uh, no, he had to go home.

Damon: I see. Well, I'll just leave this on his desk, then.

Phyllis: Absolutely.

Phyllis: So what do you think about jabot?

Damon: Quite an operation.

Phyllis: Oh, yes. Yes, it is.

Damon: I'm sorry. I didn't get your name.

Phyllis: Phyllis is my name. What do you think of the lab? Did ashley set it up for you?

Damon: Yeah, well... you know ashley.

Phyllis: Yes, yes, button-down, by-the-book.

Damon: And what department are you in?

Phyllis: Excuse me?

Damon: I assume you work at jabot.

Phyllis: I, um, have interests here at jabot.

Damon: Well, that sounds intriguing.

Phyllis: Yes, it is, but not half as intriguing as the potions you're concocting downstairs in the lab.

Damon: Potions?

Phyllis: Yes, yes. If they're half as inspired as the potions you created for satine, then, well, jabot'S...

Damon: Ah. Now, now, now. See, you have me at a distinct disadvantage.

Phyllis: I'm sorry. Why is that?

Damon: Well, you seem to know quite a bit about me.

Phyllis: Well, your reputation precedes you.

Damon: Oh, well, thank you. I'd just like to know who I'm talking to.

Phyllis: Oh, really? You don't seem like you're a guarded man.

Damon: Guarded? No, no. Prudent, perhaps.

Phyllis: Prudent, right, especially standing in the C.E.O.'S office.

Damon: That's right, especially.

Phyllis: Exactly. Um, well, you know, jack is a really sweet guy, and this company is his life.

Damon: Well, it's a family business. That sort of only makes sense.

Phyllis: Of course. You know, I work for a family business myself, um, newman enterprises. I'm sure you've heard of it.

Damon: Speaking of satine cosmetics.

Phyllis: Yes. Well, I'm busted, obviously. I have permission to be in here, though.

Damon: Those interests you spoke of.

Phyllis: Of course. And yours are?

Damon: Sorry?

Phyllis: Your interests, I mean, are you here for the long haul?

Damon: Here at jabot?

Phyllis: Yes. I mean, do they have you nailed down? Short-term contract? Long-term contract? I mean, how... how long are you gonna stay? I mean, probably just until you see how you like it here, right?

Damon: So far, so good.

Phyllis: Good. Good. Good! I was here before. I worked for jabot.

Damon: Did you?

Phyllis: Yes, yes. Short term, just like you.

Damon: Greener pastures? Why you left.

Phyllis: Well, um... let me be honest with you, damon. I can call you damon, right? Yeah. Um... if you get restless here, I just want you to know there's, um... well, there's life after jabot. You're looking live at edmonton from our skytracker atop manulife place.Good afternoon. I'm lesley mamacdonald. Is saddam hussein alive or dead? There are conflicting reports today about the fate of the former iraqi leader.And it was a story that shocked many. Now the trial begins for a texas woman charged with hitting a man with her car and then leaving him lodged in her windshield to die. Those stories and more.......coming up on from being

Mac: Okay. Let me get this straight. Jill told you that my grandmother is her mother? Billy, that's--

Billy: I know it sounds far-fetched.

Mac: Well, that's the most ridiculous thing I have ever heard.

Billy: That's what I thought, too.

Mac: So why are we even talking about this?

Billy: What if she's right?

Mac: You're not saying you think she could be?

Billy: Apparently, when katherine was young, she had a baby.

Mac: You mean my dad.

Billy: No. There was another child. She put it up for adoption.

Mac: Billy, that's impossible. My grandmother would have told me.

Billy: She didn't want anybody to know. Back then, charlotte and katherine were friends. Charlotte put her name on the baby's birth certificate.

Mac: And that baby was jill?

Billy: There's a good chance.

Mac: "A good chance"?

Billy: Well, they don't know for sure yet.

Mac: Well, there you go. Billy, come on. This is another one of your mom's tricks. Ohh!

Billy: I don't know, mac.

Mac: This is so like her!

Billy: Well, why would she concoct this whole elaborate story?

Mac: Because she's desperate, billy. She'll stop at nothing to come between us including making up some lie about my grandma.

Billy: Well, what about my dad? I called him just now. He said that everything my mom told me could be true.

Mac: He didn't want us to be married either.

Billy: My dad wouldn't lie to me, especially about something like this.

Mac: So... that means if... if my grandmother is jill's mom, then you and I...

Billy: Yeah.

Mac: But we don't know for sure.

Billy: Not yet.

Mac: So it's possible that jill could be wrong.

Billy: Yes. Mac, but until we know for certain, we... we can'T...

Mac: What? We can't what, billy? Just say it.

Billy: We can't be together. Mac, we can't make love.

Liz: Jill, you're not going to get any answers out of katherine, not today.

Jill: (Sighs) it's so frustrating.

Liz: Yeah. It sure is.

Jill: Mama, didn't I do a pretty good job of accepting that I was adopted?

Liz: You were shocked and upset.

Jill: Well, I admit that, and I acted out a little bit, but I could have gone off the deep end, and I didn'T.

Liz: You handled it real well, honey.

Jill: I mean, sure, I wanted to believe that charlotte was my birth mother, but now when I think of it, she just used me.

Liz: In the end, she was honest.

Jill: Yeah, and she gave up a lot, didn't she? You gotta give her credit for that. Still, I... what do I do now?

Liz: You roll with the punches, I guess.

Jill: I don't know how to do that.

Liz: Tell me something. If katherine could talk, what would be happening now?

Jill: We'd probably be screaming at each other.

Liz: Well, that is going to have to change.

Jill: Oh, I hope you don't think we're gonna turn into some great mother/daughter team.

Liz: Well, who knows? But I'm not talking about the future, I'm talking about right now. You have an obligation.

Jill: Oh, no.

Liz: Yes, to take care of her.

Jill: I thought you and esther were--

Liz: Oh, that was before.

Jill: So what's different?

Liz: You're going to have to form a new relationship with katherine.

Jill: How can I form a relationship with a veg--

liz: You j-- don't you say that! Don't you ever say that.

Jill: With a person who is totally out of it?

Liz: This is katherine chancellor... my good friend... and your biological mother! You will treat her with respect! Now, you said that you were excited about seeing me. I'll bet you're excited about seeing that!

Rod: A new car! ( Cheers and applause ) b: Thre

Bo

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dessert is full of fun and it's just begun... do the cool whip!

Michael: I'm not trying to hide anything. I just don't think there's any point to bringing chris into this. She would just be a distraction to the police.

Diane: You're the one she's distracting, michael.

Michael: It is obvious that she is not a suspect.

Diane: Oh, well, she would be if the police knew the truth. She had her hands around isabella's throat, for god's sake, and don't forget what I told you in your office.

Michael: What?

Diane: The last time I spoke to isabella, it was christine she was most afraid of. In fact... she was a basket case, michael. She was... she was literally trembling with fear. I mean, why didn't I-- why didn't I stay with her? Or why didn't i make her come with me or... why didn't I do more to help her? Why didn't you?

Michael: Neither of us could have predicted this.

Diane: We could have. We both know how scared she was. You know what? I don't care what you say. I am going to the police with what I know-- that christine williams attacked isabella.

Michael: Now you listen to me. You listeno o me! Whatever went on between those two in the past, I can assure you that christine would never involve herself in anything this-- this is just not in her character.

Diane: You are so convinced that paul's the guilty one?

Michael: He is pretty much a thug these days. You've seen him blow up before, remember? Look, plus, he's got motive. He is the obvious, logical suspect. I just hope the police recognize this before someone like you sends them on a wild goose chase, because if what happened to isabellisis... if it's as serious as it seems, I'll be damned if I'm going to let paul get away with it.

Mary: For heaven's sake, mr. Sergeant or lieutenant or whatever you are, you're being ridiculous.

Hank: I still would like to know where you were earlier this evening, ma'am.

Mary: Well, I'm not going to tell you that. I'm going to bed.

Paul: Mom, this is no joke. I mean it. You settle down right now.

Mary: All right.

Paul: Look, lynne and i were together at my office.

Hank: You only have each other to vouch for that?

Lynne: Your phone call to chris, paul.

Paul: Oh. I called my ex-wife here at the house-- christine williams. She was here with my mother.

Hank: But you only spoke with her on the phone, not in person?

Paul: Well, actually, right after that, I came over here and, uh, well, by the time I arrived, she had left.

Hank: And your mother?

Paul: Oh, she was gone, too.

Hank: Did you go somewhere, mrs. Williams?

Mary: I'm not going to be party to any more of this nonsense.

Hank: What happened to your arm, mrs. Williams?

Paul: She was mugged. She took a drive, and she was mugged.

Lynne: Teenagers. They jumped her, and they stole her purse.

Hank: Okay. Did you report it, ma'am?

Mary: Well, I was too upset. I plan to in the morning.

Hank: That'll do it for now.

Mary: Thank goodness you're finally leaving.

Hank: I'm going to have to ask you to accompany me down to the station, ma'am.

Paul: Are you sure that's necessary?

Mary: What on earth for?

Paul: Well, look, mom, just do what he says, okay?

Mary: No, it most certainly is not okay.

Paul: I'll tell you what. You're going to have to go with him, and I'll be right behind you right after I call john silva.

Mary: You know, my husband was a genoa city police detective.You know that?

Hank: Yes, ma'am, I know.

Mary: And he would never allow you to humiliate me like this.

Paul: Come on. Let's go.

Hank: I'll have someone take a look at your arm when we get downtown, ma'am.

Paul: I'll be right there. Come o

Lynne: Go on, mrs. Williams.

Mary: (Groans)

Paul: All right, she doesn't have a purse because it was, uh... thanks. (Door closes)

Lynne: They can't hold her for long, paul.

Paul: No, probably not.

Lynne: You know, I'm just really glad that michael baldwin didn't mention christine's name to detective weber when he was telling about those restraining orders. Considering the way christine's been acting lately, I mean--what? What did I say?

Paul: I just wish I could find chris. Where the hell is she?

Lynne: I don't-- I'm calling john silva.

Damon: Well, I'll keep that advice in mind, phyllis.

Phyllis: Good. Good. You do that.

Damon: It's been interesting meeting with you.

Phyllis: Is this interview over?

Damon: Oh, is that what you're doing, interviewing me?

Phyllis: Well, you're interviewing me.

Damon: And what position would you be available for?

Phyllis: Well, that's a very provocative question.

Damon: Something tells me you have a very provocative answer.

Phyllis: Oh, I thought I was the dangerous one.

Damon: You are. You have a lovely evening.

Phyllis: I will.

Liz: Jill? I'm thinking maybe my being here gets in the way. You need to come to terms with katherine. Oh, honey, you will always be my little girl, and I will always be the woman who raised you, but I think that you need this time without me.

Jill: No, mama.

Liz: It's been a long time since I was in london, and when I was there, a lot of people I care a lot about didn't even know if they'd see me again.

Jill: Okay. I understand. You'll please hurry back?

Liz: You've gotten along without me for a lot of years.

Jill: But everything's different now.

Liz: Honey, you have to start over with katherine. Now you two share something really powerful. Remember, love and hate are so close!

Jill: Oh, I could never love her! Never! Ugh.

Liz: Start out slowly. Help to take care of her. It's going to take time, but katherine will be reborn again. I firmly believe that, and you can help that happen. It could be just the ticket.

Jill: No. This is too much. This is too much. You can't ask me to turn my whole life around. I mean, katherine and the way I feel about katherine, that is a huge part of who I am.

Liz: Yes, but you said you wanted to find your birth mother to learn more about yourself. Well, it seems to me you have got a doozy of an opportunity here.

Jill: I can'T. Oh, don't ask me to do this. Don't ask me to take care of katherine chancellor! I mean, this is a woman that I've wanted to murder on a daily basis. I can't even look at her right now. It makes me ill.

Liz: Oh, now stop that.

Jill: Listen, mama, she may have given birth to me,but she abandoned me, okay? I don't owe her anything, nothing at all. I cannot take care of her.

Jill: Mama, I don't want to do this!

Billy: Mac...

Mac: No. No. This... it-it can't be.

Billy: Talk to me.

Mac: It's a lie. Billy, it's all a filthy lie! Do you hear me?

Billy: Mac--

Mac: It has to be, because if this is true... I couldn't handle it. Billy, I couldn't handle it. Finding out that the man that I just married, the man that I love with all of my heart is someone that I can never be with?! (Sobbing) I will never be able to kiss you again, never feel your touch, never know what it feels like to wake up next to you?

Billy: I'm sorry. I had to tell you.

Mac: No. No! I'm in a nightmare! I feel like I'm in a nightmare, and any second I'm gonna wake up and find out that this isn't real. Billy, please tell me that none of this is real. Please!

Billy: I can't do that, mac. I can't do that.

Mac: No! No! No! Don't touch me. I'm sorry, I just can'T. I'M... please don't look at me.

Billy: Mac, it's okay. Look--

Mac: No. I have to get out of here. I can't stay here, billy. I'm sorry.

Billy: Mac, wait!

Mac: I'm gonna be sick! (Door slams)

Next on "the young and the restless"...

Nick: I've changed my mind. I've decided to accept my d's offer.

Victor: A unified family is his best interest.

Nikki: Victor, can we ever really be unified if sharon is in the picture?

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