Y&R Transcript Wednesday 3/26/03--Canada;
Thursday 3/27/03
Provided By Eric
(Telepho r rings)
Larry: Hell chancellor residence.
Jill: Larry?
Larry: Jill, hey, what's going on?
Jill: Is my mother still there?
Larry: Yeah, mrs. Foster's here. She went in to freshen up.
Jill: Good, you tell her that you have to go out.
Larry: I do?
Jill: Yes. Katherine is here.
Larry: Where?
Jill: At gina'S. I am here to meet my birth mother.This is possibly the most important meeting of my entire life. I barely get seated, and that old crone shows up. You gotta help me.
Larry: All right. How?
Jill: Get herre.
I mean, if she sees me,
she's gonna come or
and stick her nose in,
and if my birth mother
sees one minute
of how katherine and i
are together,
she will head for the hills.
Larry: Well, you could always try being ce to mrs. Chancellor.
Jill: That wouldn't change anything.
Larry: Are you sure? I mean, have you really tried?
Jill: Are you gonna help me or not?
Larry: Look, let me check on mrs. Foster, make sure she's okay, and then I'll head over.
Jill: Hurry.
Jill: Oh, that's ghght, gina. Just sit her down, make her all nice and comfortable.
Frederick: Stop it.
Anita: A little distracted, are we?
Frederick: If you're here for round three--
Anita: Actually, I've come about brittany.
Frederick: You have news?
Anita: (Sighs) I was hoping I might. One of her friends mentioned rianna.
Frederick: Riann--rianna?
Anita: Mm-hmm.
Frederick: Yeah, those two used to be inseparable. You thk k that's where brittany might have gone?
Anita: Unfortunately, no. I've already checked, but, still, it was nice to know that we haven't exhausted all the possibilities.
Frederick: Yeah, I suppose it's comforting also knowing that there are other concerned people who want to help.
Anita: Yes, it is.
Frederick: Which friend was it?
Frederick: Anita?
Anita?
Oh, now who's distracted?
Cody: Hey, how's it going? Yo, J.T.
J.T.: Huh?
Cody: Snap out of it, dude.
J.T.: Oh, sorry, man. I'm just having kind of a weird night.
Cody: Oh, yeah? What's up?
J.T.: Man, you wouldn't even believe it if I told you.
Cody: Try me.
Lauren: Or me. You know I'm always ready for the newest installment.
Cody: Yeah, yeah, the adventures of J.T.
J.T.: Yeah, well, maybe you guys are, but I'm not ready.
Lauren: Uh, can I get some more hot water and something for our friend? I've got the distinct impression he's got a story to tell. (Doorbell rings)
Chris: (Sighs)
Chris: This is a surprise.
Michael: Well... not an unpleasant one, I hope.
Chris: No, of course not. Come on in.
Michael: Thank you.
Michael: I come bearing flowers and sustenance.
Chris: Well, you're sweet, and the bouquet is beautiful. Thank you.
Michael: Well, I didn't know if you'd be hungry or not.
Chris: Chinese, right?
Michael: Ah, beijing bistro.
Chris: You are a mind reader. I got so caught up in work, I forgot all about dinner. Let me put some plates together--
Michael: Wait. You know, wait. Chris, wait. You know, there'S... there's no rush.
Chris: I know, but I want
to get these in water.
Michael: No, no. In a minute. Uh, right now... there's unfinished business between us. You know, something we need to talk about. Paul. We need to talk about what happened.
Paul: (Humming) there he is. Fresh as a daisy. Diaper's all clean.
Isabella: Well, thank you.
Paul: You know something? You are one handsome dude. You're just like a chip off the old block.
Isabella: (Laughs) yes, you two are pretty cute.
Paul: You know
what I was thinking about
doing this weekend?
Going to the park and, maybe,
here you go,
feeding the ducks...
getting a couple
of killer burgers
and maybe even walking the dog.
Isabella: We don't have a dog.
Paul: Well, we can always etetend.
Isabella: (Laughs)
Paul: What are you smiling at?
Isabella: I just forgot how nice it is to make plans... as a family.
Paul: You know, I still feel awful after everything I put you through.
Isabella: No, please, don't spoil our day by talking about that. It's over. It's in the past.
Paul: Yeah, I wish that were true.
Isabella: What do you mean?
Paul: There's something I need to talk to you about.
Isabella: Please, tell me
this doesn't have to do
with christine.
Paul: I'm afraid so.
Isabella: What is it this time?
Paul: I have to see her again. Mother would be appalled.But it says...
Colleen: (Humming) (doorbell rings)
Lily: Hi.
Colleen: Hey, lily, what are you doing here?
Lily: Huh, very funny. Ready to get started?
Colleen: Um, started on what?
Lily: Duh! The assignment ms. Ellis gave us-- compare and contrast two emily dickinson poems. She said we could work on it together.
Colleen: Oh, right.
Lily: Did you forget I was coming over?
Colleen: Kind of.
I'm so sorry, lily.
Lily: It's okay. You can make it up to me with a large bowl of ice cream. I'm starving.
Colleen: Actually, I can't work on the assignment tonight.
Lily: Why not?
Colleen: I was on my way out.
Lily: Since when does your dad let you out of the house on a school night?
Colleen: Since today.
Lily: Why are you smiling?
Colleen: Oh, it's so cool, lily. You are not gonna believe everything that's happened.
Lauren: Sit down. Come on. Too many pretty girls to wa o on at the boutique today?
J.T.: Work was fine.
Lauren: So...
why do you seem so out of it?
J.T.: It's just totally bizarre.
Lren: What is?
J.T.: This whole day. I can't even deal with it.
Lauren: What happened to get you in this mood?
J.T.: It's brittany's fault. Why'd she have to take off, you know? She's not the only one with problems. Now everybody's screwed up.
Lauren: You're upset because of brittany?
J.T.: Look, I just don't like being under this kind of pressure.
Lauren: What pressure? I didn't think the two of you were that close.
J.T.: We're not, but since I'm the last person that saw her...
Lauren: So
who's pressuring you--raul?
J.T.: No, not really.
Lauren: Okay, so the only other person I could think of is brittany's mother. Has she been hounding you?
Frederick: And you accuse me of being preoccupied.
Anita: I'd say I have reason, wouldn't you?
Frederick: Well, obviously, we both do. I mean, brittany and this disappearing act of hers, we share that concern.
Anita: That's why I'm here.
Frederick: I realize that, and I'm grateful, anita. I apprecia y you keeping the lines of communication open.
Anita: Well, we have to.
We're the only two people
who understand, frederick,
how horrible it is to be
so concerned and so infuriated
at the same time.
The way brittany
has thrown away her life,
I don't know
what's wrong with her.
It's like she's possessed.
Frederick: Well, we have to face the facts that we've played a role in all of this.
Anita: Are you saying this to hurt me, frederick?
Frederick: I'm just saying that as upsetting and difficult as all of this is, that maybe if we're honest with ourselves, we can learn. Maybe some good can come from it.
Anita: Wow, you're just full of new insights this evening, aren't you? So tell me, where are they coming from, or should I guess? Is it your new best friend jill abbott?
Jill: Gina.
Jill: What is she doing here?
Gina: Well, in case
you hadn't noticed,
this is a restaurant,
and katherine is having dinner.
Jill: You don't understand. I have a meeting here. It is a very, very important meeting, and I do not want katherine chancellor anywhere near me.
Gina: Why not?
Jill: I just don'T.
Gina: Well, there's a nice french restaurant a couple of blocks down the street. It's quiet and intimate.
Jill: I can't do that. We're all set up for here.
Gina: Well, what do you want me to do? I'm not tossing katherine out. She's my friend.
Jill: All right, all right. I I understand. God, I hope she's late.
Gina: Your dinner companion?
Jill: Oh,
she's more than that,
believe me.
She's much more than that.
All right, but, listen,
don't serve the old troll
any food, okay?
Because she will not be staying.
I promise you.
Isabella: Why do you have to see christine again?
Paul: It's about closure. That has been the problem all along. She was gone. I... didn't have an opportunity to settling things between us.
Isabella: But you've seen her since she's been back. Why didn't you settle things then?
Paul: Because I was so shocked to find her back in town, and I had other things to talk about.
Isabella: Like the night of ricky's christening, when you forced yourself on her and freaked her out so badly she left town?
Paul: Isabella,
I told you before,
the guilt
was eating me up inside.
I needed to know
how she was coping.
Isabella: Well, what about how I was coping, paul? I'm your wife. Did you care at all that I was suffering, too? I mean, my god, all those months I was trying to figure out what was wrong-- maybe I did something wrong, maybe I was the one to blame.
Paul: Look, would you listen to me?
Isabella: No, no, what good will it do? You keep making all these beautiful promises-- how you want to be a better husband and how ricky and i are all that matter to you, and five minutes later, you want to go running to christine.
Paul: You know,
I really don't think
you have anything
to worry about.
After what I did to her,
I'm sure she doesn't even
want to see me.
Isabella: Then give her a break and stay the hell away from her.
Paul: Isabella, I don't want you to feel insecure. I want to do everything I can to make you feel safe... loved.
Isabella: You know, when our son was born and we got married, I felt like my life was almost a fairy tale. But lately, I'm just watching my life crumble right before my eyes. And I keep having these visions that I'm gonna raise our son by myself, and you're gonna be a weekend dad and all the other terrible things that come from a broken marriage.
Paul: Look, don't do this
to yourself.
Isabella: All right. If you absolutely have to see her again, just do me a favor.
Paul: Name it.
Isabella: If you realize you still have feelings for her, for god sakes, admit it. I am tired of begging you for love and affection. Either you want this marriage or not. Once and for all, just make up your mind.
Michael: I know this isn't a comfortable subject for you.
Chris: Then why bring it up?
Michael: Well, because if we don't geththis out on the table and dealt with, you and I won't be able to go on with our lives together.
Chris: Are you sure
that's what you still want,
knowing what happened
between paul and me?
Michael: I'm as sure as I ever was. That's one thing you don't need to worry about. I just hope it is still what you want.
Gina: Here u go, my dear.
Kay: Thank you, gina.
Gina: Well, you certainly have an admirer here.
Kay: Oh, where?
Gina: Over there.
Kay: Oh, god. Jill. I'd hardly call her an admirer.
Gina: Well, I was just pulling your leg.
Kay: How does she seem?
Gina: Well, actually, I-- she seemed a little upset.
Kay: Why, any idea?
Gina: Because you're here.
Kay: Oh, I see.
Gina: Apparently,
she doesn't want you
to witness a meeting
that she's having here
this evening.
Kay: Is that a fact?
Jill: Thank you.
Jill: No, no, stay away from me. Stay away.
Kay: Why? Why? I mean, is there some reason you don't want me to join you? show. Anyway out on the west coast ther the weather. A mad scram tbl to get over here.
Claire: I just cut my finger.
This is the last place on earth you'd want to be these days. Unless you're patrick graham. One of the few journalists within baghdad. Coalition troops are at the edge of the city. He's already inside.
Lily: Well, don't keep me
in suspense.
What happened?
Colleen: Oh, gosh, I don't know where to start. Um, I guess I have mac to thank.
Lily: Thank mac? Okay, now you have to tell me.
Colleen: All right, so I ran into her at the coffeehouse, and we had this amazing conversation, and she actually helped me set up a meeting with J.T.
Lily: Which was amazing, of course.
Colleen: Of course. Anyway, it gets better. So when I got home, brad and ashley were here.
Lily: How is that better?
Colleen: Well,
you gotta let me finish.
So at first, I lied, and I said
that I was at the coffeehouse
with some friends.
And then I was, like,
no, I am so tired
of sneaking around,
and I don't want
to do that anymore.
So I turned around,
and I told them everything.
Lily: Everything?
Colleen: Well, not everything everything. I--they don't need to know about that, but I did tell them that I was with J.T., And that I had been sneaking around to see him. And for the first time ever, they actually treated me like I wasn't completely immature.
Lily: Wow. That's great.
Colleen: So I told them I should be able to see J.T., And it took awhile, but they finally agreed.
Lily: For real?
Colleen: Yeah, I mean,
I'm on probation.
I have to, you know,
prove I can be trusted,
but I am not
gonna break the rules.
Lily: That's awesome.
Colleen: God, I cannot wait to tell him. I mean, we can go to the movies and go out to dinner and other stuff.
Lily: That'll be nice.
Colleen: Are you kidding? It's gonna be great. We can finally act like a normal couple.
Lily: Yeah, normal if you have a great guy like J.T.
Colleen: Hey, you are gonna meet a guy, lily. It is bound to happen.
Lily: Yeah, right. Ever since I moved to genoa city, I haven't met any cool guys... except for one I met online the other day.
Colleen: Ooh, a cyber romance.
Lily: Yeah, I know,
it's pathetic.
Colleen: Hey, a lot of couples meet online, and there are some cool guys in this town.
Lily: Well, they're definitely not at walnut grove.
Colleen: Well, what about other schools? I mean, have you ever tried meeting any of them?
Lily: No.
Colleen: Well, there you go. Hey, let's make it our goal this spring to meet at least one interesting guy who doesn't go to walnut grove.
Lily: Nice try, but that sounds--
Colle: : Hey, no buts. We are gonna do this, and, plus, it'll be a great way for us to meet new people.
Lily: Well, I guess you can't have too many friends.
Colleen: Uh-huh.
Lily: Anyway, aren't you supposed to be somewhere?
Colleen: Oh, right, tell J.T. The good news.
Lily: I'll take a bus with you.
Colleen: Uh, no, no, no. We're taking a cab.
Lily: Whoa there. That's a lot of money.
Colleen: What can I say? I'm in a good mood, and I feel like splurging.
Lauren: I know she's desperate to find her daughter, but if anita has been hassling you--
J.T.: Look, I should go.
Lauren: No, J.T., Please. Something obviously has you upset. Just talk to me, okay? Come on. Sit down.
Lauren: Is this about anita?
I mean, because I know
that she was very rude to you
the other day at the boutique.
J.T.: She came by again.
Lauren: When, today?
J.:.: I guess she was hoping I-I might know something.
Lauren: And did you?
J.T.: Well, not then, but I told her I'd call her if I remembered anything.
Lauren: Good. So at least you got her off your back.
J.T.: Yeah, yeah, t t then later... look, I was talking to colleen about rianna, and it suddenly hit me that brittany mentioned her. You know, I thought it might mean something, so I called.
Lauren: Who, anita?
J.T.: God, I should have just-- I should have just told rr over the phone.
Lauren: Are you saying
that you met with her?
Wait a minute.
Where did you meet her?
J.T.: At the lodge.
Lauren: 'Cause, you know, I was with her earlier, and she got a call on her cell phone. Was that you?
J.T.: Yeah, probably.
Lauren: Okay, all right. Just, uh, go back to the rianna thing. Did that pan out?
J.T.: Look, it kind of made sense that brittany would be up there, you know, where rianna goes to school, but she wasn'T. It turns out they haven't even talked. Brittany's mom was pretty upset.
Lauren: Well, I hope she didn't take it out on you.
J.T.: No, no.
Lauren: Because, you know,
we both know
she has a very sharp tongue.
J.T.: Look, it wasn't like that. It was more... lauren, just forget it, okay? Forget it.
Lauren: No. No, when... when you said that she was upset, was she acting strangely?
J.T.: How do you mean?
Lauren: Well, when i was with her earlier, you know, at first she was rude, as always. Then by the time I left, it was almost as if she were grateful. I don't know. She was just all over the map. Was she like that with you?
J.T.: Let's just say I didn't expect...
Lauren: Expect what?
J.T.: All over the map,
yeah, that's a good way
to put it.
Lauren: You know, J.T., The woman's child is missing. She's been under a terrible strain, and when you go through some sort of crisis like that and feel like you're all alone--
J.T.: Look, you don't have to explain it, lauren, okay? I know that things are bad between her and her husband.
Lauren: And how do you know that?
J.T.: Because she told me.
Lauren: Anita told you what?
J.T.: What's going on between the two of them, or more like what's not going on.
Jill: Katherine, please.
Kay: Oh, please, what?
Jill: No. Go away.
Kay: Oh, you mean go back to my table?
Jill: No, further than that.
Go away away.
K kay: Why?
Jill: Because I'm busy.
Kay: You're alone.
Jill: I'm going to be busy.
Kay: Doing what?
Jill: I'm meeting someone.
Kay: Who?
Jill: It's none of your business.
Kay: Well, you're obviously very anxious about this meeting.
Jill: Please, katherine, do you hear me asking you, with sugar on top? I know, you can go to the colonnade room. Order anything on the menu. I will pay for it.
Kay: I can afford to buy anything the colonnade room--
Larry: Hey, you two.
Kay: Well, larry, what a pleasant surprise.
Larry: Um, not really,
mrs. C.
It's, um, my job
to get you out of here.
Lauren: Anita confided in you about her sex life?
J.T.: Could we please just not talk about this, lauren, please?
Lauren: Wel y you know, I just find this so implausible that she would discuss this with someone so inappropriate.
J.T.: Look, I guess she just felt frustrated, scared, alone, like you were saying.
Lauren: Yeah, well, be that as it may, you would think that she would exercise better judgment. Your her daughter's friend, an 18-year-old friend.
J.T.: Look, I don't know what to tell you, lauren. That's what we got into.
Lauren: You said before
that you were feeling pressured.
Is-is this
what you were talking about?
J.T.: Kind of.
Lauren: It must have been very disconcerting.
J.T.: Yeah, it was pretty weird, all right.
Lauren: Oh, I think it was a little bit more than weird, or you wouldn't be this upset.
Frederick: You're not gonna dredge all that up again, are you?
Anita: No, I'm honestly curious.
Frederick: Yeah, right.
Anita: It's true, frederick.
You have to admit,
you've been spending
quite a bit of time
with the woman,
which tells me you have
certain feelings for her,
be it admiration or friendship.
Now I realize that I have
reacted rather strongly to that,
perhaps unfairly so,
and now I would like to try
and discuss it a bit.
Frederick: Discuss what exactly?
Anita: For starters, what about your meeting today, the one about the search for jill's birth mother? That's a rather daunting task I would imagine. One that could keep the two of you at it for quite some time.
Frederick: Are you being sarcastic?
Anita: Not deliberately.
Frederick: Well, believe it or not, the search is over. I was able to reach out to some contacts of mine, cut through a lot of red tape. Jill's meeting with the womanthis evening.
Anita: Really?
Frederick: Yes.
Even as we speak,
jill abbott is having
the most profound
and exciting evening
of her life.
Kay: Get me out of here? What on earth do you mean?
Jill: Gee, larry, could you be any less subtle?
Larry: Jill wants you not to be here now.
Kay: Well, how do you feel about it?
Larry: Have you told her yet?
Kay: Tell me what?
Jill: No, I have not told her because it is none of her business. I did, however, offer to pay for her dinner at the colonnade room. I have an idea. Why don't the two of you go?
Larry: Forget it. I don't want to go and get all dressed up, and--
Kay: And forget it because I'm not gonna be run out of gina'S.
Jill: Okay, all right,
all right.
I can see
that I will have to satisfy
your unwholesome curiosity.
I am about to meet
my birth mother here tonight.
Kay: Your birth mother? Really?
Jill: Yes, really, and I don't want her first impression of me to be... the way I am around you.
Larry: Come on, mrs. C. Let's give jill a little breathing room here.
Kay: Is this your first meeting?
Jill: Yes. Yes.
Kay: Well, then, how will you know her?
Jill: Well, I won't know her. She's gonna find me.
Kay: She could be here already.
Jill: Why, I suppose she-- oh, my lord. I hope she's not. Larry, please, take her home.
Kay: I am curious,
after all these years,
to see the woman
who dared give birth
to the likes of you.
Jill: Well, I am curious, too, all right? I am damn curious, and I don't want you anywhere around when she comes.
Larry: Calm down, jill.
Jill: I would like to calm down. I can't calm down with her around.
Larry: Mrs. C., Please, let's go home. Mrs. Foster's there, and I'm sure she'd love to see you.
Kay: Elizabeth is out of the hospital?
Larry: Yeah, I think she got out a day early. I--
Kay: Does she know that you're here to meet this other woman?
Jill: Yes.
Kay: Well, enen...
I should go and hold her hand.
I'm sure your mother
is feeling very forsaken
now that you've gone
rooting around in the past,
digging up things
that were best left--
Jill: Yes, yes, yes. Go. Go home. Hold her hand. Go home and do anything. Just go home, okay?
Kay: Must be hell to be stuck in the middle. Come on, larry. Let's go.
Larry: Are you sure?
Jill: Yes, larry, she's sure.
Jill: Oh, my god.
She's late.
Oh, my god.
Is it possible
she's not even coming?
I'm C.C. Ecole holy cross
school is now accepting
registrations for their late
french immersion program entry
in grade 7. The school is
ideal for non-bilingual
families. They are having an
open house this evening 7:30
pm . Call 489-19-81.******
Edmonton christian school is
now accepting registration for
the 2003-2004 school year.
They welcome children from all
christian backgrounds and
levels of ability. The school
is located at 143 st. And 109
ave. Call 476-62-81.*****The
alberta school for the deaf
will be an open house this
evening from 7 to 8 pm.
Everyone is welcome to stop by
and see what deaf education is
all about., The hohool is
located at 62-40-113 st. Call
439-33-23.*****The edmonton
art gallery's popular series,
after dark is making history.
This years event avant-garde
provides a once in a lifetime
opportunity to tour the
masters works. Join them on
friday at 7 pm. Concert start
starts at 9 pm. For tickets
and more info call 422-62-23.
***And the st. Albert senior
citizen's club is having their
annual general meeting on
friday 10 am in the
auditorium. If you are
interested in attending call
459-043.*****That's all for
now. Enjoy the rest of your
wed.
Lauren: What floors me is that how anita hodges, a woman who should know better, could put you in such an uncomfortable position. I mean, going on to a kid your age about her marital problems.
J.T.: It's getting really late, lauren. I think I'm gonna take off.
Lauren: No. I want to get to the bottom of this.
J.T.: It was just talk, okay? That's it. It was no big deal. I don't even know why I got so freaked out.
Lauren: Well, the point is,
is you were,
and you still are.
And it's no wonder.
I mean, how did the subject
even come up?
Did she just blurt it out?
Did she?
J.T.: No.
Lauren: Well, then, what was the conversation that led up to it?
J.T.: A whole bunch of things, lauren. We were talking about me, my problems.
Lauren: With colleen?
J.T.: I told her my girlfriend. I didn't say who, and mr hodges was, like, well, cool, you know. She said she could relate.
Lauren: Why, 'cause you're both so frustrated? God. It's so contrived. I mean, your situations are nothing alike.
J.T.: She wasn't, like... look, it wasn't like that, okay?
Lauren: What was it like?
J.T.: I don't know.
Like two adults.
Mrs. Hodges was saying
it's too bad
that you can't get everything
out of relationships you want,
things like that.
Lauren: So you were bonding over your respective relationships? And then what?
J.T.: And then nothing. I left. Why are you jumping all over this, lauren?
Lauren: Because you're ready to dive out a window because of a conversation, and that's not like you. Now I want to know-- what else went on with anita hodges to make you react this way?
Isabella: All I ask is that you leave me a shred of pride. I won't hang on to you if your heart is still with christine.
Paul: Look, I can understand
why you might think that,
but, isabella,
if you can just stick it out
and give me a chance to prove
that I am sincere,
I'll do everything I can
to make it up to you.
I will be a real husband
to you again.
Isabella: Oh, paul, I want that so much, but as long as christine is in the picture, that's not going to happen.
Paul: Well, look, there's something el we need to talk about, something that we really haven't discussed.
Isabella: What's that?
Paul: Kelly simmons-- who she is, and what she's really all about.
Chris: This is so delicious.
Michael: Mmm.
Chris: Thank you for saving me from starvation.
Michael: Oh, that's me, all right. I am your savior.
Chris: Mmm. Dinner and flowers to boot. How lucky am I?
Michael: Lucky, lucky,
lucky, lucky.
Chris: (Laughs)
Michael: You're avoiding talking about it.
Chris: That's right, I am.
Michael: You know, I meant what I said before. I can understand how it happened.
Chris: Well, good. Then we really don't have to discuss it any further, do we?
Michael: As long as that means that paul's finally and completely out of your life. Uh, the truth is, I feel that it's partly my fault.
Chris: Your fault?
Michael: Yeah.
Here I was,
the happiest man on earth.
The woman of my dreams, you,
had accepted my proposal
of marriage,
but, yeah, that wasn't enough.
I had to show up
at ricky's baptism,
even though you'd asked me
not to do it.
I just had
to rub it in paul's face.
Chris: Well, you shouldn't have done that.
Michael: (Sighs) I know. Because what I did... what I did set in motion the whole chain of events that led paul to feel that he just had to see you again. I understand. Nature took its course. (Sighs) all those unresolved feelings between you and paul, uh, they just exploded, and, um... you ended up in bed together, uh, making love one more time.
Michael: Hmm. Oh, lo,, sweetheart, I'm sorry. I'm sorry. I don't want you to beat yourself up about this.
Chris: I'm not.
I am not beating myself up.
Could we just drop this?
Michael: Okay, but why are you getting so upset?
Chris: Because this conversation is upsetting to me. Maybe you should just go.
Michael: Oh, christine, come on. I just--
Chris: No, I told you over and over again that I don't want to talk about it. It happened, all right? It's over. I don't want to think about that--
Michael: No, wait a minute. What is all this? There's something you're not telling me.
Cisis: There's nothing you need to know.
Michael: Nothing
I need to know?
What does that mean?
How can you tell me that?
Oh, god.
Oh, dear...
you can't talk about it
because something terrible
happened that night.
Chris: You know what? We're not gonna get into this.
Michael: What are you keeping from me?
Chris: We're not gonna get--
Michael: What did paul do to you?
Chris: Could you leave?
Michael: No! I'm sorry. I'm so sorry. There's only one thing that explains all of these thisgs. There's only one thing. Um... did, uh, paul force himself on you? Is that what happened that night? Did, did, did... god. Is that what happened? Did paul force himself on you?
Anita: Well, frederick,
for you to pull this off
so quickly
just reminds me
how capable you are
when you're properly motivated,
which, in this case,
you obviously were.
Frederick: Meaning?
Anita: What do you think it means?
Frederick: I don't know, but I'm starting to hear those little knives in your tone again. If you want to accuse me of sometngng, then we'll--
Anita: Accuse you of what, being a good samaritan? I bet jill was very impressed.
Frederick: Does that surprise you?
Anita: Oh, don't be
so defensive, darling.
I'm just trying to put myself
in her shoes.
A woman in need reaching out
to a man like yourself,
who's not only offering to help,
but putting in the effort
to deliver.
I think if I were jill,
I would be terribly impressed.
I think I would be very,
very grateful.
Did she kiss you?
Frederick: (Laughs) good lord, anita, would you stop with all of this?
Anita: I was just wondering.
Frederick: Yeah? Well, don't, and if you want me home at a reasonable hour, let me get back to work.
Anita: Fine. Fine. I'll see you later.
Frederick: Right.
J.T.: I just want to drop this, lauren, please?
Lauren: But why? What happened with anita? I mean, it's becoming more and more apparent that something did.
Colleen: Yes! You're here. I am so happy to see you. Wait till you hear my good news. It's the best.
Jill: Thank you. Where are you?
Gina: Excuse me.
I'm here, jill.
Jill: Oh, gina, never mind.
Gina: Look, I'm sorry. I thought you just might like to place an order.
Jill: Not at the moment.
Gina: Well, I see you've managed to, uh, scare katherine out of here. Now what would you like me to do? Go hide in the kitchen?
Jill: You know what? I am in no condition to be harassed.
Gina: Okay, well, why don't you just let me know when you want to be harassed?
Charlotte: Jill abbott?
Jill: Yes.
Charlotte: I believe you're expecting me.
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