Y&R Transcript Monday 2/24/03--Canada; Tuesday 2/25/03--USA

Provided By Eric

 Nikki: I don't understand this. What does your father have to do with cassie being on the ice?

 Nick: Everything.

 Nikki: So you're implying it was his fault?

 Victor: That is how our son feels.

 Nikki: Why?

 Victoria: Mother, a lot's happened since you've been gone.

 Nikki: Well, yes, apparently. Is somebody going to fill me in? Look, nicholas, I know something is going on between you and your fatr.R. Is that what this is about?

 Victoria: Mom, look, why don't we just concentrate on cassie right now? I was on my way to the chapel. You want to come with me?

 Nikki: Yes, I want to go to the chapel, but before that, I want some answers, and I want them now!

 Paul: You were ready for me to figure out who you were, weren't you, chris? You were ready to drop the disguise so you could open up to me. Because I think you know where things stand. You know how you feel about me, about us, about all of it. (Door opens)

 Chris: (Southern accent) hello, mrs. Williams.

 Isabella: Miss simmons, what are you doing here?

 Paul: You two know each other?

 Isabella: Not exactly.

 Chris: We've met.

 Paul: Oh, you get around.

 Isabella: What the hell's going on here, paul?

 Paul: Nothing.

 Chris: We were just having a chat.

 Isabella: About what?

 Paul: Oh, uh, nothing--

 Isabella: What, like the last time you were here?

 Chris: I better leave.

 Paul: I think that's a good idea.

 Isabella: No, wait. Wait, miss simmons! What's the rush? What lies has she been telling you, paul? Who are you now? Hmm? Are you a justice of the supreme court? Are you an envoy from the white house? Tell us! Tell us who the hell you really are, miss simmons.

 Jack: Oh, we are

definitely interested. I will have our legal department update the documents that we submitted you before. Should be done the end of next week at the latest. Great talking to you, too, clarence. All right, we'll be in touch.

 Ashley: Clarence peabody?

 Jack: Satine cosmetics is back on the market.

 Ashley: Ooh, do we get first crack?

 Jack: The senseasas they were pretty chagrined that the last deal fell through.

 Ashley: This would be such a great alliance for us.

 Jack: Ash, they're talking about acquisition, not merger.

 Ashley: That's even better. Our african-american teen line's done so well for us.

 Jack: Exactly. Perfect time for an expansion.

 Ashley: Here, here.

 Jack: Talk about serendipity. You will never guess who stopped by here earlier to look into modeling work-- drucilla winters.

 Ashley: I hope you told her we didn't have anything.

 Jack: Well, we just may now.

 Ashley: Not if I get a vote. Unh-unh.

 Colleen: Oh, did you want a refill?

 Lily: I'm cool.

 Colleen: You know, you've been really quiet today.

 Lily: I have a history test tomorrow.

 Colleen: That's never stopped you from yakking.

 Lily: Truth?

 Colleen: Yeah.

>>Ilily: I know if we start, you're just going to make the conversation be about J.T.

 Colleen: Am I that bad?

 Lily: Look, I'm glad you had a good time at the valentine's dance and all, but this is just--

 Colleen: Oh, come on, you had a good time, too, didn't you?

 Lily: Well, I didn't have anyone singing to me, if that's what you mean. It was okay. Would've been better if the kids in this town weren't so lame.

 Colleen: Here we go again.

 Lily: Hey, you asked.

 Colleen: Okay, okay. New topic. So, lily, tell me, hos s life at home? All that. Give me all the details.

 Lily: Know what? I've decided not to worry about what the adults are doing. I'm just not going to pay any attention.

 Colleen: How realistic is that? I mean, you're living with your mom and your dad.

 Lily: Yeah, the whole one-family-under-one-roof thing they've cooked up.

 Colleen: Not working out, huh?

 Lily: It's okay. I'm enjoying being around my dad.

 Colleen: It's a little irird.

 Lily: Mom and dad sleeping in different bedrooms? Mom's boyfriend in a hotel down the street? Darn right it's weird.

 Colleen: It's a transition.

 Lily: Give me a break. No one's doinghahat they really want to do, all supposedly so I'll be well-adjusted when I grow up, but how much sense does that make?

 Dru: Get back in the bed!

 Neil: Well, you said you were starving.

 Dru: Yeah, not for food.

 Neil: But you know what? You left our dinner in the oven.

 Dru: Yeah, it's probably dry as hell right now, right?

 Neil: Rack of shoe leather.

 Dru: Ha ha ha! I'm gonna shoe leather you if you don't get back into bed.

 Neil: Baby, what about peanut butter and jelly sandwiches?

 Dru: Peanut butter and jelly?

 Neil: What? Yes!

 Dru: That's all the dessert you got for me?

 Neil: Oh, baby, do I have some dessert for you or what?

 Dru: That's more like it. That's what I'm talking about.

 Neil: Ready for round two?

 Olivia: Tell me we didn't just do that.

 Wes: We didn't just do that.

 Olivia: Now you lie to me.

 Wes: You all right?

 Olivia: I'm shocked.

 Wes: Horrified?

 Olivia: Oh, god, no, no. Are you?

 Wes: Shocked covers it.

 Olivia: Oh, god. What have we done?

 Wes: Well, I think we started with you on top of me--

 Olivia: Wesley carter, this is not the time to make jokes.

 Wes: You seem upset.

 Olivia: No, I don't know what I am. I mean, you're my sister's-- I mean, you and she...

 Wes: Yeah, yeah. And I just slept with her sister.

 Olivia: Well, gee, now that we've got that sorted out...

 Wes: Time to get down to the real nitty-gritty, huh? 

 Chris: I'd best be going.

 Isabella: Oh, sure, slip out the door. Paul, are you gonna let her do this?

 Paul: Do what, isabella?

 Isabella: Come around here, sticking her nose into our business.

 Paul: You know, I honestly have no idea what you're talking about. I think miss simmons should leave.

 Isabella: No, I want an explanation!

 Paul: I think it would be in all of our best interests if she would take off right now.

 Isabella: No, no, paul.

 Paul: I said yes.

 Chris: Thank you, mr. Williams.

 Isabella: Paul, I don't understand. You're a detective. Don't you want to know why this woman is masquerading around here?

 Paul: What do you mean "masquerading"?

 Isabella: Oh, god. Paul, she's so obviously a phony. Can't you see th?

 Nikki: I was aware that something was brewing between you and nicholas before I even left town. What is it?

 Victoa: Mother, this isn't the time.

 Nikki: Obviously, you know something. You know something that you don't want me to know.

 Victoria: Look, just I don't think this should be our priority right now.

 Nikki: I want to know why this happened!

 Nick: I already told you that.

 Nikki: Yeah, you said it has to do with your father. I don't know what that means.

 Nick: You know, maybe vic's right. We should just let it alone for now.

 Nikki: You are all hiding something from me. What are you hiding? Damn it! Will you tell me?

 Victor: There's no sense...

 Nikki: What?

 Victor: In getting into it now. It'll only make things worse.

 Nikki: This is absolute insanity. I come back to town to hear that cassie may be dying, and not one member of my family can be honest with me and tell me what is happening? What the hell is wrong with us?

 Jack: What's with all the attitude toward drucilla?

 Ashley: Well, she's not the only black model around. Besides, she's hardly a fresh face.

 Jack: Hey, if that's a slam on her age, she does kind of fit the demographic.

 Ashley: Don't you think she's a little long in the tooth?

 Jack: Well, obviously, you do.

 Ashley: If this acquisition goes through, we're gonna be launching a very important new cosmetics line, and we have to make sure we have exactly the right persona to represent us.

 Jack: I agree with everything you just said.

 Ashley: You didn't promise her anything.

 Jack: I cannot believe all this negativity.

 Ashley: Well, why? Her experience lies mostly in europe in high fashion. Very little cosmetics work.

 Jack: With the audience we're going after, that's a dual advantage. She's high-profile in that community, and she hasn't been associated with any of our direct competitors.

 Ashley: Okay, okay, lelet's just think about other options before you put a pen in her hand, please. That's why I'm here.

 Jack: What are these, concept tests?

 Ashley: Yeah, would you tweak the descriptions before I start recruiting? Oh, I'm sorry. Am I boring you? Jack: Not any more than usual.

 Ashley: Very funny. Oh, I get it. Sleepless nights, huh? Not easy having a toddler in the house?

 Jack: You, on the other hand.

 Ashley: What?

 Jack: I don't know. You seem kind of--

 Aleley: Happy?

 Jack: Is that the word I'm looking for?

 Ashley: Well, things are going pretty well for brad and me.

 Jack: Really? When did this happen?

 Ashley: Just lately. Our issues are not behind us, but we've recommitted to our marriage.

 Jack: Well, no wonder you're glowing. Honestly, you look like a million bucks.

 Ashley: Well, if I'm glowing, it's because of another reason. I'm pregnant.

 Jack: What?

]

 Paul: You know, isabella, I don't understand why this miss simmons has you so upset. What's the history between you two?

 Isabella: She was here the other day, came knocking at the door, making me believe she was a parole officer, asking bogus questions about my ex-husband.

 Paul: And you're sure it's the same person, and not confusing--

 Isabella: I'm not blind. Yes, I'm sure. She didn't ask you anything about me, about us?

 Paul: No, no, nothing. We were chatting at the coffeehouse.

 Isabella: There's something strange about that woman, paul, something I don't buy, and I can't put my finger on it.

 Paul: So why would she make you wanna believe that she was a parole officer?

 Isabella: I don't know. That's why I have michael looking into it for me.

 Paul: Baldwin?

 Isabella: Yes, and he checked her out, and she's a phony.

 Paul: So why the hell did you go to baldwin?

 Isabella: Because I can't come to you, at the level we've been communicating at these days--

 Paul: Oh, still baldwin? You could have come to me.

 Isabella: What would have been the point? No, you are not there for me. So you don't get to diatate who I can talk to.

 Paul: You know what? You're the one that walked out on ricky and me.

 Isabella: Because you admitted to having sex with christine!

 Paul: Fine!

 Isabella: And you still have to see her again. You call that being there for me, being a husband?

 Paul: So you told baldwin about what happened between chris and me?

 Isabella: No, don't act like you're the victim, paul. It didn't "happen." You did it!

 Paul: Oh, yeah, right. You know, there's something getting even there. That's why you went to baldwin.

 Isabella: No, I just needed someone to talk to.

 Paul: Someone to talk to? About a parole officer inquiring about your ex-husband, not about my personal life.

 Isabella: You k ow what? I don't need to explain to you why I went to michael and told him what I told him! I needed advice! I needed help! I needed someone to talk to! That's all I'm gonna say about it.

 Paul: So...

 Isabella: So I didn't come here to fight with you.

 Paul: No, sure, you came here to see ricky. He's in the bedroom.

 Isabella: Yeah, but I don't want to just visit my son. This is my he.E.

 Lynne: I thought I heard-- chris, are you all right?

 Chris: Yeah, it's been kind of a rough night.

 Lynne: You too?

 Chris: Paul knows.

 Lynne: That kelly simmons is you?

 Chris: There is no more kelly simmons.

 Lynne: Aren't you kind of relieved?

 Chris: I suppose.

 Lynne: I admire you for having the guts to tell paul.

 Chris: I didn'T. It was like I had a tiger by the tail. I didn't know how to let go and say, "surprise, guess what? It's me."

 Lynne: So then what happened? He saw thrghhehe disguise?

 Chris: Yeah, it's a miracle that he didn't before now.

 Lynne: Yeah, he's had so much on his mind. It's kind of ironic, in fact. I mean, you've been on his mind so much, he couldn't see it was you standing right in front of him. Are you gonna tell me how it went?

 Chris: Ask isabella. She was there, too.

 Nikki: Obviously, something is very wrong here. Victor, will you please tell me what nicholas means? Why is it your fault thatassie e was on the ice?

 Victor: She overheard an argument between your son and me.

 Nikki: An argument about what? What? Tell me!

 Victor: It was about sharon.

 Nikki: Is sharon in there with cassie?

 Nick: No.

 Nikki: Well, where is she?

 Victoria: Sharon's gone. She left. She left nicholas a note.

 Nikki: What? What do you mean she's gone? Where is she?

 Victoria: Who knows? She didn't say.

 Nikki: Are you saying that she just walked away from her family? She abandoned her family?

 Nick: That's exactly what we're saying.

 Nikki: Why on earth would she do such a thing?

 Colleen: I know you really like your mom's boyfriend.

 Lily: It's like my dad wants us all to forget about wesley, like he and my mom never got divorced.

 Colleen: Is wes, like, competing with your dad?

 Lily: Not enough. Everyone's being all nice.

 Colleen: Tough position for you to be in. I mean, you want wes to be happy, but that means your dad has to lose out.

 Lily: Hey, he and my mom got divorced. If they didn't mean it, they shouldn't have done it.

 Colleen: What do you mean? Are they gonna get back together?

 Lily: Who knows? They're not apart. That's for sure.

 Colleen: Yeah, but you said they were sleeping in different bedrooms.

 Lily: For now, but my dad's got ideas.

 Colleen: How do you know that?

 Lily: He's falling all over himself trying to impress my mom. You should see him.

/Cleleen: Okay, maybe you're right. Let's concentrate on your history exam. Forget all about the adults.

 Lily: God, it's like I want to say to them, "this is your idea of a stable environment for your crazy teenager? Think again."

 Colleen: I know. I mean, they think that they know what's best for you.

 Ly:Y: Sometimes I think my mom's just doing all this to get back at me for all the trouble I've caused in paris.

 Colleen: No, she wouldn't do that, lily, not on purpose.

 Lily: Yeah, you're probably right. Still... man, I used to think adults were so in control, like they knew what they were doing. Now I wonder if they're just as confused as we are.

 Dru: I had no idea you could eat this frozen. Mmm!

 Neil: Yeah, instant gourmet. Dessert, just zap it in the microwave.

 Dru: Man, you know, remember all those years I spent learning how to cook and you knew how to do it? You were holding out on melike that.

 Neil: What are you talking about? Come on. Dru: Ooh, this is good.

 Neil: You dropped some down there. No, no, no, let me get that. Mmm!

 Dru: What?

 Neil: What?

 Dru: Man, I see you staring at me. I feel that. You wondering how I'm doing or something?

 Neil: How are you doing?

 Dru: Feel like a new woman. You'd better know that.

 Neil: Yeah, last couple of hours I showed you right. Took your mind off things, didn't I?

 Dru: Honey, the whole thing was unexpected. Thank you.

 Neil: You came home ptttty low this afternoon.

 Dru: Wanted to hang myself from the chandelier.

 Neil: Baby, we don't have a chandelier.

 Dru: Yeah, I know. I know. I know. Good thing.

 Neil: But I'm glad I could cheer you up.

 Dru: And I said it couldn't be done.

 Neil: Oh, ye of little faith.

 Dru: Well, I'm just happy that you went to such drastic measures, mr. Winters.

 Neil: Mmm. Baby.

 Dru: Mm-hmm.

 Neil: Yeah. But you know, dru, I hope you realize that this isn't exactly, you know--

 Dru: What, a tactic to get me into the sack? Mnh-mnh.

 Neil: It wasn'T. I'm trying to be serious.

 Dru: Please don'T. Please don'T.

 Neil: What?

 Dru: Oh, come on! You said I was beautiful, that I felt beautiful. I want to stay beautiful. Let's just chill, okay, honey? Let'jujust chill.

 Neil: Yeah, excuse me, but we're gonna have to, at some point, talk about things, you know?

 Dru: Okay, as long as it doesn't interfere with my illustrious modeling career.

 Neil: Well, it may interfere with something else, or rather, should I say someone else.

 Dru: Okay, wesley, right?

 Olivia: I don't think I can have a discussion right now.

 Wes: Fair enough.

 Olivia: I mean, come on, who are we kidding? We have to talk about what just happened.

 Wes: Well, doctor, in clinical terms, I think this was called a boo--

 Olivia: Okay, stop it. Stop it.

 Wes: Interesting, isn't it, the way we use humor, almost instinctively.

 Olivia: You mean when there's an awkward situation?

 Wes: There's a lot going on here, liv.

 Olivia: Yeah, you think?

 Wes: I mean, a certain vulnerability, maybe on both our parts.

 Olivia: I'm facing the reality of brad.

 Wes: And me coming to terms with some hard truths when it comes to drucilla.

 Olivia: Which doesn't give us the right to jump in the sack together.

 Wes: But we did. One of many potential responses, but you know when you consider the various dynamics involved, it may be the most logical one.

 Olivia: You know what? Do you want me to get my bust of sigmund freud out of the closet?

 Wes: You keep it in the closet? My god, woman, what is your problem?

 Olivia: Yeah, well, I didn't know he had a problem with the dark.

 Weswewell, see, now you're doing it.

 Olivia: What else can we do? Are we gonna cry, gnash our teeth, pull out our hair?

 Wes: You know, if we were in paris, we'd probably be smoking a cigarette and maybe, just maybe, enjoying each other.

 Olivia: Yeah, well, I wish we were in paris.

 Jack: Pregnant? As in...

 Ashley: Pregnant. You know, another niece or nephew r r you to spoil.

 Jack: That is wonderful. Congratulations.

 Ashley: Thank you.

 Jack: I assume the boy wonder is happy about this.

 Ashley: Oh, yeah, he's ecstatic.

 Jack: Wow. You're gonna be a mommy again.

 Ashley: Thanks for being so happy for us.

 Jack: I am. I am.

 Ashley: Why do I hear a "but" here?

 Jack: No, not a "but." I just was thinking--

 Ashley: Oh, don't do it.

 Jack: I was thinking it's a good thing that victor doesn't know about abby.

 Ashley: You just had to go there, didn't you?

 Jack: Ash--

 Ashley: You know, can't I just have five minutes of happiness before you start borrowing disaster, just five minutes?

 Jack: We could do that, yeah. We could also ignore global warming and the mideast crisis, but they aren't going to go away, either.

 Ashley: But we can't ignore that nikki needs to keep her mouth shut. I know.

 Jack: Honey, she is the man's wife. I mean, this is a pretty tall order.

 Ashley: Okay, what-- you keep it up, and I'm just--I'm never gonna allow you to baby-sit.

 Jack: You're cruel. You know that? You're also blessed.

 Ashley: Yeah.

 Jack: Congratulations.

 Ashley: Thanks.

 Nikki: Sharon abandoned her family, and you have no idea where she is?

 Victoria: No, we don'T.

 Nikki: Does she even know about cassie?

 Victor: No. Her mother's waiting by the pho, , hoping that sharon will call and so is miguel.

 Nikki: I don't believe this. You said that cassie overheard an argument about her mother.

 Victor: We're not sure what she overheard.

 Nikki: But it was about her, right? It was about her mother.

 Nick: Yeah, that's about it.

 Nikki: Well, what about her? What?

 Victoria: Why are we talking about this? None of this is going to help cassie. We just need to hope and pray that she pulls through.

 Nick: Why are you protecting him? Why are you doing that? I think mom has a right to know the truth.

 Chris: So isabella was there, but she didn't realize it was me.

 Lynne: Where?

 Chris: In their apartment.

 Lynne: I can't imagine she was happy to see kelly simmons.

 Chris: No, standing in the middle of her home, chatting with her husband, no, she wasn't happy.

 Lynne: But paul didn't blow your cover.

 Chris: No, he just wanted me out of there.

 Lynne: Poor guy. He's got the woman he's married to and the woman he truly loves in the same room.

 Chris: Oh, lynne, stop.

 Lynne: Okay, well, at least the masquerade is over.

 Chrisyeah, well, I was starting to like kelly. She's a much nicer person than I am.

 Lynne: Oh, would you stop? I'm glad she's gone.

 Chris: If you've ever had kelly and paul in the same room.

 Lynne: I was dreading it. I say we take the wig and we burn it.

 Chris: What's michael gonna think happened to her?

 Lynne: Who cares what michael thinks? She's gone. He doesn't ever need to know you were kelly. He knows way too much already.

 Chris: What does that mean?

 Lynne: Michael knows something that you probably wish he didn'T.

 Chris: Wait. Don't tell me.

 Lynne: Isabella told him that you and paul--

 Chris: Oh! Are you sure?

 Lynne: Well, he didn't say it was her, but who else could it be? Paul didn't tell him.

 Chris: Poor michael. God, he didn't ask for this.

 Lynne: What is this "poor michael"? The guy deserves everything he's getting and more.

 Nikki: All right, I've had enough of this nonsense. Somebody is going to tell me the truth right now. Victoria!

 Victoria: I don't want to be involved in this. I can't take it. Nicholas, you do whatever you want. I'll be with your daughter.

 Nikki: Okay, well, this seems to center around you, so if there's something that I need to know, I don't care how painful it is, you need to tell me. It's better than being in the dark and knowing that secrets are being kept from you. So tell me!

 Nick: I don't know if I should be the one--

 Nikki: Stop! Stop this! Stop this! What is wrong with everybody? Well, you think that I can't take it? I am a very strong person. Therisis nothing you can say that will destroy me, but I need to know what I'm dealing with right now. Tell me.

 Nick: All right, I'll tell you, mom--

 Victor: No, I will.

 Victor: It goes back to the day before you left for your trip. I had still suffered the effects of a head injury, and aron had given me a painkiller. You were very upset with me, with her. We argued. We went upstairs. I decided to have a double shot of tequila.

 Nikki: What, on top of the painkiller?

 Victor: Yeah, it was a very stupid thing to do.

 Nikki: Yes, it was. But I don't understand how that could possibly cause all this drama.

 Victor: I went down to see sharon, hoping against all hope that I could salvage the marriage between sharon and our son.

 Nikki: Yeah?

 Victor: The tragic irony that that very day, nicholas was ready to reconcile. He bought her some flowers and a gift. When he cameowowtoto the house, he looked through the window and he saw sharon in my arms. I was kissing sharon.

 Olivia: Enjoying each other. Well, that's a concept.

 Wes: I think this is the part where I use my finely honed skills at reading people to figure out just what you're thinking.

 Olivia: I'll save you the trouble. It was pretty darn good.

 Wes: Yeah?

 Olivia: Mm-hmm.

 Wes: I'm glad you didn't say "nice."

 Olivia: It was that, too.

 Wes: Yeah, but not just nice.

 Olivia: If I said "the earth moved," would you believe me?

 Wes: Little tremor, at least?

 Olivia: Well, wesley carter, I do believe you're fishing for a compliment.

 Wes: It's a guy thing.

 Olivia: Is that the title of the paper that you're delivering at the geneva conference?

 Wes: Well, in case

you were wondering, it was good for me, too.

 Olivia: Oh,eaeally? So, you know, just "good"?

 Wes: Very, very good.

 Olivia: Okay, that's better.

 Wes: Damn... listen to us.

 Olivia: What?

 Wes: We're still analyzing.

 Olivia: And me without a cigarette in the house.

 Wes: I don't know what this means for us, liv.

 Olivia: I don't, either. But if you don't mind, I'm gonna take your advice and just enjoy the moment.

 Neil: Drucilla, he is an interested party, or at least I thought he was.

 Dru: Okay, neil, can we not go there right now, please?

 Neil: All right, all right, all right, maybe you're right.

 Dru: You know, wes and I--

 Neil: What about some more cheesecake?

 Dru: No, I'm stuffed. You know, I don't want to talk about anyone or anybody. I just want to try to stay in the now.

 Neil: All right, but before we do that, I got a little story to relate to you. You know, when I was in rehab in my therapy sessions, we talked about living life in the gray. Now some people can't do that. It's all black and white for them. They need to know where things stand every minute of every day just to feel comfortable in their own skin. They self-medicate.

 Dru: Kind of like you and the booze, huh?

 Neil: Baby, I had a lot of gray iny life when I started drinking. A lot of pain and confusion. One of the things that I work on on a daily basis is learning to let go. You know what I'm saying? Let things unfold how they're supposed to. So when you say to me, you know, "let's chill. Let's savor the moment," my knee-jerk reaction--

 Dru: Is to talk me to death. What is this, shakespeare, man? Come on.

 Neil: Oh, I see, you know me so well.

 Dru: Yeah, I think control is very important, but there's a lot to be said for spontaneity.

 Neil: Oh, you got that right.

 Dru: Well, let's be spontaneous.

 Chris: You and I are never going to agree about michael.

 Lynne: You're right. Not now, but maybe one day wh y you and paul are back together, and things are normal again, you'll be like, "oh, my god, what was I thinking? Michael baldwin."

 Chris: He loves me, lynne, okay?

 Lynne: Oh, he wants you. He's got the hots for you. He desperately wants to be the kind of guy who would have someone like you on his arm. That is not love in my book. Paul loves you.

 Chris: God, you should work for a collection agency, because you never give up.

 Lynne: All right. I'll stop now, while I'm ahead. Because paul knows you're back in town, and there are no more disguises. Then you and paul-- you're closer again in a very special way. I'm gonna have faith in love and let nature take its course.

 Chris: Well, thank you. I appreciate that.

 Lynne: I also have some dinner heating in the oven. Would you care to join me?

 Chris: Thanks.

 Chris: "Closer again, in that special way"? Paul wasn't special. Or was it something else?

 Isabella: Luckily, he's still sleeping like a little log.

 Paul: Well, last night was a different story.

 Isabella: Teething?

 Paul: With a vengeance. I barely slept at all. I tell you, it was one bout to the next. But I talked to the babysitter and she said that he was in a good mood for a big chunk of the day. And he ate a lot, and then he went down again. So...

 Isabella: If only our lives were so simple.

 Paul: Yeah. So you thinking about sticking around?

 Isabella: Is that all right with you?

 Paul: Well, as you said, it's your home, too.

 Isabella: Sometimes I wonder.

 Paul: What do you mean?

 Ibebella: Paul, the ghost of christine is everywhere. Sometimes it's like I can feel her in this place, like her presence.

 Paul: You mean here?

 Isabella: Anywhere you are-- in your office, in your head, in your heart. It kills me.

 Paul: I don't know what I co o about that.

 Isabella: Are you telling me that you can't let go of your ex-wife?

 Paul: Oh, isabella--

 Isabella: I mean, if that's the case, why did you marry me? Okay, you know what? I said I didn't come here to fight and I meant that. I just want to see our son. So I'm gonna sleep on the couch tonight.

 Paul: No. No, I'll sleep on the couch.

 Isabella: Okay. Good night.

 Paul: Good night.

[ People chattering ]

 Neil: Spontaneity, huh?

 Dru: Yeah, food for the soul.

 Neil: Baby, you want some more dessert?

 Dru: You just put it away, tiger.

 Neil: No, I ain't talking about the cheesecake. What I said...

 Dru: Oh, you're talking about if I had enough dessert.

 Neil: And have you?

 Dru: Well, let's see now. I can always make room for more. (Telephone rings)

 Dru: I'll get that.

 Neil: I'll get it. No, I'll get it.

 Dru: Stop.

 Neil: Come here, you. (Ring)

 Dru: Hello? Winters residence.

 Jack: Drucilla?

 Dru: Jack. Stop it. Jack!

 Jack: I'm sorry. It didn't sound like you.

 Dru: I was working out. You know, a girl has to keep her figure. What can I do for you?

 Jack: My sister and i were talking earlier, and I think it might be a good idea for you to drop by and see me at some point this week. I have an interesting proposal to run by you.

 Dru: Oh, really?

 Jack: So call my secretary and we'll set up an appointment. Drucilla?

 Dru: Yeah. Yeah, jack, I'll do that. Thank you. Jack abbott!

 Neil: Jack abbott?

 Dru: Yeah. He wants to talk to me.

 Neil: Talk to you about what, modeling for jabot?

 Dru: I think so.

 Neil: Come on, get out of here! There it is.

 Dru: You know what?

 Neil: What, baby?

 Dru: I thought I was done. But you know what you are, neil winters?

 Neil: What?

 Dru: You are my fine, sexy...

 Neil: Lay it on me.

 Dru: Luckchcharm.

 Neil: That's me.

 Dru: Get busy.

 Nikki: You were kissing sharon?

 Victor: Yes.

 Nikki: You mean, like...

 Nick: Yeah, like sexually. That's exactly what it means.

 Nikki: Is that true?

 Victor: Yes

 Nikki: You were-- you were coming on to sharon. Is that--is that what you're saying happened?

 Victor: Obviously, with the liquor and the pain pills, I wasn't myself.

 Nick: Like hell you weren'T.

 Nikki: Okay, wait a minute. You...

 Nikki: Were making a move on sharon, knowing about all the problems in that marriage and sheded total disrespect to me. You took her in your arms and you kissed her, and nicholas saw this? And that's why he's been angry enough to want to kill you, is that what you're saying? Am I getting this absolutely right? Is that what you're saying?

 Victor: Yes.

 Nikki: You bastard!

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