Y&R Transcript Wednesday 2/13/91  

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Episode #1.4547 ~ Drucilla crosses paths with a newly hired Neil Winters at Jabot. Katherine receives disturbing news about Brock, and Olivia and Nate share a difference of opinion.

Provided By Suzanne

[ Ringing ]

[ Telephone ringing ]

Jill: Jill abbott.

Victor: Hello, jill.

Jill: Victor. It's nice to hear from you.

Victor: Listen, I know this is rather short notice. Would you mind stopping by my office today?

Jill: Well, yes, I think i could manage that.

Victor: I look forward to seeing you.

Jill: I look forward to seeing you, too. This is it. Oh, god. This is it. I can feel it. He's gonna give me brad's job. He must have decided against jack and he's offering the position to me. What else could it be? Ohh. You did it. You made it. Who would have ever thought that jill foster would one day be working for the great victor newman?

Esther: Mrs. Chancellor.

Kay: [ Gasps ]

Esther: I'm sorry, but are you alright?

Kay: I'm just distracted.

Esther: You seem awfully nervous.

Kay: Esther, I am just distracted.

Esther: Why?

Kay: Don't ask me why. I just am, that's all.

Esther: I'm sorry.

Kay: No, esther, please. I... I'm sorry. I am the one who is sorry. I snapped at you, and I'm sorry.

Esther: Mrs. Chancellor, you're very upset. Is there anything I can do?

Kay: No, dear, there is nothing. Just please don't ask any more questions.

[ Door closes ]

Esther: [ Whispering ] Mr. Sterling. Talk to me.

Rex: What?

Esther: Shh, shh, shh. She's not herself today. I mean, she's really upset about something, and I don't know what.

Rex: Okay. I'll take it from here. Thank you, esther. Thank you.

Gina: Brock, why won't you believe me when I tell you that clint has changed?

Brock: Gina, I know it's what you want.

Gina: It's the truth!

Brock: You loved this man once, and --

Gina: I am in love with him!

Brock: Gina, you're letting it interfere with your better judgment. You're harboring a convicted felon here. He's a fugitive from the law. If you really cared about this woman, you wouldn't put her in that position.

Gina: Please stop this. Please?

Brock: Don't you see what he's doing? He wants you to believe that he loves you. But he's using you, just like he did before. Can't you see that, gina?

Clint: No, man, you are wrong. I am in love with gina. God knows that I am.

Brock: Oh, you talk a good game, radison, but I don't buy it.

Gina: Do you think for one minute that I would allow him to stay here with me if he hadn't been anything but wonderful?

Brock: What else is he gonna do? He needs you to hide him from the police. He's not gonna show his true colors until he takes off again, leaves you behind.

Clint: It's not gonna happen like that.

Brock: No. No, no. You're just gonna take her with you, right? You're gonna go from town to town and you're gonna spend the rest of your lives hiding out? Now, is that the kind of life you're gonna offer this woman with your great, unselfish love? And, look, if you really cared what's best for this woman, you wouldn't be here. You are gonna fall, mister... 'cause your luck is not gonna hold out forever. And what's really sad is you're gonna drag her down with you.

Clint: I can understand why you hate me so much.

Brock: You -- you --

[ Scoffs ] You kidnapped my mother and you held her captive for months. Her life was in jeopardy. You put an imposter in her house, and because of that, her marriage was destroyed. She hasn't been the same since. I don't think she ever will be. Why? All because if you -- your plan, your scheme. Clint the mastermind. And you've got the guts to come here, just escape from prison, and you think that I'm gonna allow you to stay here just like nothing ever happened because you tell me that you're a changed man?

Gina: He has changed. He's been living with me. I know.

Clint: Whether you want to believe it or not, brock, it is the truth. I am a different man, and all I'm asking is a chance to prove it to you. That's all I want.

Brock: I'm sorry, gina.

Gina: What are you talking about?

Brock: I have to think of my mother's well-being. I have to think of your well-being.

Gina: No.

Brock: You are a dangerous man, clint, and I can't ignore that, so when I leave here, I'm going right to the police. That's what I'm gonna do.

Gina: Brock, please. Please don'T. Brock.

[ Door closes ] Oh, my god.

John: Hello, drucilla. I said, "hello, drucilla."

Drucilla: Oh, hi, mr. Abbott. I must be out to lunch or something.

John: You seem to have a lot on your mind.

Drucilla: You got that right.

John: Anything I could help you with?

Drucilla: No, I don't think anybody can help me with this one, mr. Abbott. This is serious.

John: Now, drucilla, now, you're not in any trouble?

Drucilla: No, no. Not that kind of trouble, but trouble just the same.

John: Sometimes it helps to talk about it.

Drucilla: You won't say anything about it, will you?

John: No. I'm sworn to secrecy.

Drucilla: Okay, then. I kind of like nathan, and I did this really stupid thing.

John: What is that?

Drucilla: Well, he don't look at me the way that I look at him, so I thought I'd just sort of push things along a little bit and ask him to show me how to dance.

John: Teach you to dance?

Drucilla: Y-yeah. Well, I told him there's this guy that really digs slow dancing that wants to take me out, and I told nathan I don't know the first thing about slow dancing, and so he said he'd show me how.

John: I see.

Drucilla: Well, everything was going along real swell, you know. I was in his arms. We were swaying to the music. And don't this beat all? He wants to meet this guy.

John: Mm-hmm. And there is no guy.

Drucilla: I told him that me and romeo was going out tonight, and now he wants to double-date with us.

John: Well, it seems to me, drucilla, that you, uh -- you have got quite a problem.

Drucilla: Tell me about it, mr. Abbott! I have got to find me a smooth, slow-dancing man by 8:00 tonight.

Nathan: Hi. Still upset with me?

Olivia: I'm not upset. I'm just disappointed.

Nathan: Because I think that your sister's telling the truth and you don't?

Olivia: Oh, nathan, open your eyes. Dru doesn't have any slow-dancing boyfriend, and if she if she did, why wouldn't she ask him to teach her how to dance?

Nathan: Because she's embarrassed and she doesn't want to make a fool of herself.

Olivia: She's clever is what she is. I got to hand it to her. She knows how to manipulate men.

Nathan: Manipulate?

Olivia: She made up that whole story with one objective -- to get your arms around her body.

Nathan: You are wrong, olivia, and you know what? I'm gonna prove to you? You're off tonight, right?

Olivia: Yep.

Nathan: How would you like to go dancing?

Olivia: Now, how is that gonna prove anything?

Nathan: Because we're doubling with your sister and her date.

Olivia: What?

Nathan: That's right. We're meeting drucilla and her boyfriend for dinner and dancing.

Olivia: Well, how did that happen?

Nathan: Well, I just asked her, "when's the next time you're gonna see this guy?" And she said, "tonight," so I invited us along.

Olivia: And dru agreed to this?

Nathan: I didn't give her much choice. Look, I want you to see that she's not as sneaky as you think she is.

Olivia: Hmm. She's gonna bring this phantom boyfriend?

Nathan: Oh, come on, olivia. Obviously, this guy is for real. Look, she wouldn't allow us to come along if there was no boyfriend.

Olivia: No. I guess not.

Nathan: Well, I'm looking forward to seeing this guy. Aren't you?

Olivia: Yes...I am. More than you know.

[ Telephone rings ]

Cassandra: Hello?

Brad: Cassandra, it's brad.

Cassandra: I recognize the voice.

Brad: I was wondering if i could stop by.

Cassandra: Of course. I'd like that.

Brad: I'm on my way.

Cassandra: I'll be waiting. You wouldn't accept an incomplete job from anyone else.

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Victor: I'm glad you could come.

Jill: And I am thrilled to be here.

Victor: Why don't we jump right in?

Jill: See, that is what i love about you. You're direct. You're to the point.

[ Sighs ]

Victor: Jill... um... I asked you to come here so that I could --

Jill: Before you say another word, may I just say how proud I am to be a part of newman enterprises? I-I know that jack was after the same position. The fact you selected me over him, it just --

Victor: Jill... I'm sorry, but I'm gonna have to interrupt you.

Jill: Of course. I'm sorry. I'm just babbling. I'm just so excited. I'm anxious to get started.

Victor: Jill... brad carlton is not leaving newman enterprises.

Jill: What?

Victor: He has decided to stay on with us. So, therefore, the position is no longer open.

Gina: I'm sorry. I'm so sorry, baby.

Clint: What are you sorry for, huh?

Gina: That you had to listen to all those terrible things that brock had to say.

Clint: What, that he still thinks I'm dangerous?

Gina: Well, I know you're not.

Clint: He doesn't believe I've changed, gina.

Gina: But you have!

Clint: Put yourself in brock's place. Would you believe it?

Gina: The mere fact that you asked the question proves that you've changed.

Clint: Maybe to you, sweetheart. But I don't think there's anything I can say or do that's gonna prove it to brock... especially not as long as I'm a fugitive.

Gina: Okay. What are we gonna do?

Clint: "We"?

Gina: You heard me -- "we." We're in this together. I'm your wife. Listen, I'll say and do anything you want me to do, but, please, you've -- you've got to take me with you. Please?

Clint: Listen to me. Listen. We've got to be realistic. We've got no life with me on the lam. How's anyone gonna believe that I've changed when all I'm doing is running from the police? If I want people to believe I'm a different man, I've got to prove to them that I'm a different man. I got to turn myself in, baby.

Gina: No. Absolutely not. No, you're not gonna do this.

Clint: Baby, please. Brock is right. There's only one answer, and it's not to keep running. I've got to stay here, and I've got to face up to what I did.

Gina: No. Please don't, honey. Please don't do this. Oh.

Clint: Gina... just listen to me. Don't you see it is the only way? If I go back and I serve my time... I can come back here a free man... and we can start a new life together, just the two of us. Just the two of us...

Gina: No.

Clint: ...If you're willing to wait for me.

Gina: [ Crying ] No. Please don'T. Don't do this. Please, honey. Please.

Clint: Oh, my god.

Gina: What?

Clint: A man with a gun.

Gina: What?!

Clint: And he's headed straight for brock!

Gina: Oh, my god.

John: Couldn't you just tell nathan the truth?

Drucilla: And let him find out that I've been messing with his mind? No can do, mr. Abbott.

John: Alright. Then why can't you just back out of the double date? Just say that the young man couldn't make it.

Drucilla: That's not gonna cut it, either.

John: Well, why not?

Drucilla: Because nathan and olivia are tight. In fact, that's who he's bringing on this double date. She thinks I'm trying to move in on her man.

John: Well, are you?

Drucilla: Well, yeah, but i don't want her to catch me at it.

John: [ Chuckles ]

Drucilla: She thinks I made up this whole thing so I could get close to nathan.

John: Sharp sister.

Drucilla: Which is why if i don't show up with this fine man tonight, they're gonna know that I was faking it, and then nathan won't believe another word I ever have to say.

John: Well [Sighs] I wish i could help you.

Drucilla: I don't expect you to come up with a boyfriend for me, mr. Abbott, but it was nice of you to listen. See you later, mr. Abbott.

Jill: Victor... did I hear you correctly?

Victor: Yes, jill. Unfortunately, you did. You see, brad has had a change of heart. He has decided not to join his wife at ra-tech after all.

Jill: My god. The way I just went on and on.

Victor: Well, please don't be embarrassed about that, because your enthusiasm is one of your most positive traits.

Victor: Yes, along with my uncanny ability to stick my foot right in my mouth.

Victor: Well, if it's any consolation to you... I want you to know that I was seriously considering you for this job.

Jill: [ Sighs ]

Victor: You're a very good businesswoman, and I seriously admire the work you've done at jabot.

Jill: Thank you.

Victor: Who knows what the future may bring?

Jill: That's right. And if there ever is another position...

Victor: You are the first one that I would consider.

Rex: Hi, katherine.

Kay: Rex, I didn't realize you were home.

Rex: Yeah, I know.

Kay: [ Sighs ] How long have you been standing there?

Rex: Well, long enough to see that you're awful upset about something, and I suspect I know what that's really all about.

Kay: Do you?

Rex: Mm-hmm. I would lay odds that it has something to do with the fight that I walked in on between you and my daughter, hmm?

Kay: Oh. Then you stayed with gina when I left?

Rex: Mm-hmm. Sure. You saw her. She was very distraught.

Kay: Well, if you're gonna blame me for that, I am terribly sorry.

Rex: Whoa, whoa, whoa, whoa!

Kay: I had absolutely nothing to --

Rex: You don't have to be defensive. What's this all about?

Kay: I-I just know you were upset that gina -- the fact that we were arguing, I assume.

Rex: Yeah, I got a little ticked off -- that's true -- but it certainly wasn't about your -- you know, I didn't disagree with you about clint radison. I mean, the way I see it, that man's the worst human being on this earth. Unfortunately, my daughter's in love with him. For me to stand there and tell her what I think of him, though, is not gonna help anything, and, you know... know what I mean?

Give me your money, your watch, anything you got.

Brock: No.

Shut up. Just give me your money now.

Brock: [ Grunts ] Okay. Okay, okay. It's my back pocket. It's in my back pocket!

Hurry up. Hurry up. Hurry up. Come on! I haven't got all day! Come on! Come on! Chicago!

Neil: [ Sighs ]

Drucilla: Hey, man, would you watch where you're going?!

Neil: Me? Why don't you watch where you're going, young lady?

Drucilla: I was watching, but you was just blur coming around that corner. Now, what's your hurry?

Neil: I have a meeting to go to.

Drucilla: Oh, really?

Neil: Uh-huh.

Drucilla: Well, I used to have a whole day's work of mail that was very organized until you came racing around the corner.

Neil: Uh-huh.

Drucilla: Well, are you gonna help me pick it up, or are you gonna stand there with your mouth hanging open?!

Neil: Who are you?

Drucilla: I'm drucilla barber. I work here.

Neil: I've never seen you here before.

Drucilla: Well, I'm not surprised. You don't look where you're going. You don't look, period.

Neil: [ Sighs ] Alright, I'll help, but I only got a couple of minutes. Come on.

Drucilla: Oh, lucky me.

Neil: You know, I want you to know that I'm -- I'm gonna be late because of you.

Drucilla: I'm sure the meeting will be just fine without you.

Neil: Mr. Abbott called this meeting.

Drucilla: You and mr. Abbott are very tight?

Neil: Right, and I play squash with jack abbott a couple nights a week.

Drucilla: [ Scoffs ]

Neil: Well, that looks like it's it.

[ Sighs ] Maybe we'll run in to each other again sometime.

Drucilla: Whoa, whoa, whoa. You're really going to john abbott's meeting?

Neil: Yes, but I'm not that late. I just like to be the first one there.

Drucilla: You don't want to miss the doughnuts, you mean.

[ Chuckles ]

Neil: I'm trying to make a good impression.

Drucilla: Yeah, me too. Hey, maybe you can help me out with something.

Damn plastic, man. Where's the rest of the cash?

Brock: That's all I've got.

A lousy 30 bucks? Man, there's got to be more!

Brock: That's all I've got.

[ Grunts ]

[ Grunts ]

[ Gasping ]

Get up. Get over here. Okay, the watch, huh? Yeah, give me the watch.

Brock: Okay. You're welcome to it.

Jewelry, a ring, huh?

Brock: That's all I have.

Oh, you're a stinking liar, man. You're a stinking liar. You know what happens to liars, huh? You know what happens to liars, huh?

[ Gunshot ]

Clint: [ Grunts ]

[ Grunts ]

[ Gunshot ]

Clint: [ Grunts ] Ah.

[ Breathing heavily ]

Cassandra: Brad, I'm glad you're here. Please come in. Your timing's perfect.

Brad: Why is that?

Cassandra: I was just thinking about you. Look, uh, there's something i want to say to you, brad.

Brad: Well, that's good, because there's something I want to say to you, too.

Gina: Clint! Oh, my god. Brock? Brock? Brock?

[ Siren wailing in distance ] Oh, oh, oh, god. Oh, god. Get -- some-- somebody get me some help! Get me some help!

Here comes the police!

Gina: Please, please! He's bleeding to death! Now! Hurry! Oh, honey, please, wake up! I'm phil mickelson.

"The young and the restless"

will continue.

Neil: Help you out, huh? How?

Drucilla: How do you know how to slow-dance?

Neil: You mean like, uh, cheek to cheek?

Drucilla: Yeah, like they do in the movies.

Neil: Well, sure, but, you know, I'd rather jam, you know?

Drucilla: Well, maybe you could help me out with something.

Neil: Like what?

Drucilla: Be my boyfriend tonight.

Neil: Uh, ah, are you coming on to me?

Drucilla: Oh, man, would you get past yourself? I'm trying to ask you to do me a favor.

Neil: What kind of favor?

Drucilla: I can't explain right now, okay? But I do need you to take me out dancing. It's important, man! My future could depend on this.

Neil: Wait a minute. Let me get this straight. You -- you want me to take you out tonight?

Drucilla: Yeah! Is it a deal or no?

Neil: Dutch?

Drucilla: No, man! Slow dancing, american-style.

Neil: No, no, no, no. I mean, um, that we both pay our own way -- dutch.

Drucilla: Don't worry about that. The other people that are going with us -- he'll pick up the tab.

Neil: So, this is a double date, then?

Drucilla: Yeah, but that's no problem. We just have to be tight, you know, like we've been going out for weeks.

Neil: Oh, weeks, huh?

Drucilla: Yeah, and you got to be crazy about me. You know what I'm saying? You got to really dig me. You got to be making passes at me all night long. We got to make it look real.

Neil: Oh, okay. I get it. You're trying to make this other guy jealous, right?

Drucilla: Yeah, well, it ain't such a bad idea. But the thing of it is, is that I told him I had this guy that really digs me and wants to take me out slow-dancing.

Neil: Only he doesn't believe there is another guy?

Drucilla: He will now. And, honey, you're it.

Is he gonna make it?

He's lost a lot of blood. Vitals are weak. We got to move!

Yeah.

[ Siren wailing ]

[ Police radio chatter ]

Are you gina roma?

Gina: Yes.

This is your restaurant?

Gina: Yes. Why?

Did you see what happened?

Gina: What?

Did you see what happened?

Gina: No, no. I-I mean, I got down here... and it was over, and -- and then I found brock, and he had all this blood coming from him. I think he's hurt really bad. He's --

You know the victim?

Gina: Huh? I-it's brock reynolds... katherine chancellor's son.

I'll radio in the I.D.

There's nothing else you can tell us?

Gina: No. No.

Did anybody see what happened here?!

Yes, officer! I did! I-I saw it all from my window up there.

What did you see, ma'am?

I heard some sounds and looked out. I saw this man holding a gun, and right before he shot, another man came out from nowhere and jumped on top of him and knocked him over.

So there was another person involved.

Did you get a look at his face?

No, not from up there.

Well, how many shots did you hear?

Two. There were definitely two.

The victim was only hit once.

Well, what happened to this man -- the one who tried to stop the robbery?

He was lying there for a minute, and then he got up and ran away.

Did you see where he went?

No.

Well, thank you very much for your cooperation. I'm gonna need to get your name. We might need you to come down to the station later.

[ Police radio chatter ] These fudge brownie m&m's are really fudgey

Drucilla: So, are you gonna help me out or what?

Neil: Well, uh, since we're so hot and heavy, I guess i don't have a --

Drucilla: See? I knew you wasn't gonna let me down. Do you know how to slow-dance?

Neil: Yeah. Don't worry about it. I can handle it. Yeah.

Drucilla: Unh-unh. Show mama the goods. Put down the briefcase. Let's go.

Neil: Mama, the goo-- what -- what, here, right now?

Drucilla: Nobody's watching, and tonight is too important for me to be taking any chances.

Neil: God.

[ Clears throat ]

Drucilla: [ Humming ] That's good. You're doing okay. Okay. Now you got to hold me close. You got to hold me close -- make it look real. There it is.

[ Humming ]

Neil: Yeah. I feel, uh, completely ridiculous here. You know that?

Drucilla: [ Humming continues ] Okay, okay. You'll do.

Neil: Oh, gee. Thanks. That's very kind. Uh, so, tell me, what time does this performance begin?

Drucilla: 8:00 sharp, so meet me at gina'S. You know where that is?

Neil: Yeah, I know.

Drucilla: You'll be there?

Neil: I don't know why, but I'll be there.

Drucilla: Hey, what's your name?

Neil: Neil. Neil winters.

Drucilla: Okay. 8:00 sharp, mr. Neil winters. Thank you.

Cassandra: I've been doing a lot of thinking since you left. Brad, there'S... there's so much I want to say to you.

Brad: Cassandra, I've seen an attorney. I'm here to discuss an annulment.

Cassandra: Oh.

Brad: That or a divorce -- whichever's quicker.

Cassandra: Brad --

Brad: Look, cassandra, if you fight me on this, the papers are gonna have a field day. Now, naturally, I would prefer what happened between us to be left unsaid -- more importantly, unpublished. I'd like to think we can get out of this thing with a little dignity.

Cassandra: I wouldn't have it any other way.

Brad: Good.

Cassandra: So, your mind is definitely made up, then?

Brad: Very definitely.

Cassandra: You're still angry at me, aren't you?

Brad: Cassandra, my decision is not based on anger.

Cassandra: Oh, brad, if you would stop and think about this --

Brad: Oh, believe me, I have done a lot of thinking -- about tainted champagne, a phony flight attendant, a farce of a wedding, lies, deception, conspiracy.

Cassandra: Oh, come on. We have been through that. Can't you get the circumstances of our marriage out of your mind?

Brad: [ Scoffs ] Can't you think about what we have together... how it feels when we're in each other's arms, the passion that we share? Brad, we could have an incredible life together.

Brad: I'm not interested.

Cassandra: Why don't you give it 30 days?

Brad: Cassandra, I ain't gonna give it 30 seconds. I want out of this marriage now. (Vo) imagine a visibly healthier pet in 28 days.

Rex: Alright, katherine. I've got to run out again, but before I go, I want you to have this. This is absolute surefire cure-all for whatever ails you.

Kay: What is it?

Rex: Oh, well, this is dr. Rex'S... nerve-smoothing, it's stress-removing, absolutely world-famous... herb tea.

[ Chuckles ]

Kay: Glad you're not angry with me anymore.

Rex: Well, no, but... I got to tell you, I'm a little concerned. I mean, that heated of an argument between you and my daughter -- you know, she looks to you for support, katherine.

Kay: Well, I'm afraid I can't support her in certain areas, rex.

Rex: Well, clint radison, yeah.

[ Sighs ] No, I absolutely agree, lady. And I don't begin to understand the attraction. She tells me she's -- she's in love with that scum radison. I don't have to look back very far to the time when he was draining the life out of that kid. I got to tell you this, too -- if I ever catch that pig, I'll kill him! Let's hope the police get him soon. The sooner we all forget about clint radison, the better off we're all gonna be.

Cassandra: Do you realize what you're giving up here? Forget about our personal relationship for a moment and think about this from a business perspective. With my company and your vision, we could build an empire together.

Brad: What makes you think i want to build an empire?

Cassandra: I know you better than you think I do. Brad, you're as ambitious as you are attractive. And you've heard enough hedge-clipper jokes to last you a lifetime. You want this. I know you want what I can offer you.

Brad: Not enough to forget that I was conned into a marriage.

Cassandra: You'd give up a lifestyle that people dream about... because of your pride?

Brad: My pride is important to me. Look, I-if you'd let things develop naturally, who knows? I mean, maybe we could have made a go of it. But you tricked me into a marriage that you decided you wanted. Cassandra, it is demeaning and emasculating, and I want no part of it.

Cassandra: I don't know what else to say, brad. I care very much about you.

Brad: All I want is a simple divorce. Look, cassandra, you're a hell of a woman. But you're not the woman for me.

Cassandra: Alright. Alright. If divorce is what you want, I won't contest it. I will contact my attorney. I'll have it handled quickly, privately, and... with the utmost dignity for all concerned.

Brad: Thank you. Cassandra... I'm sorry.

Cassandra: I'm very sorry, too, brad -- very sorry.

[ Telephone rings ]

Kay: Yes. Hello?

Mrs. Katherine chancellor, please.

Kay: [ Sighs ] Speaking.

This is ms. Banks at genoa city memorial.

Kay: Ms. Banks, please, what can I do for you?

Your son brock was brought in a short time ago.

Kay: What? What's happened?

It's a gunshot wound.

Kay: Gunshot...? My god. How serious?

Well, I think you should get here as quickly as possible.

Kay: No. Oh, god, not brock. Not brock. Please, god. Uh, uh, li-- now, listen. Listen carefully. I want you to do everything that you can for him. I want you to bring in any specialist that you have to, but, please, I-I beg of you.. don't you dare let anything happen to my son. Who? Who would want to shoot my son? Who would want to shoot brock? Who would dare -- who would dare? Clint. He went... he went -- he went to see clint. Uh... clint! Clint!

[ Object clatters ] Clint!! Oh, god, clint! Oh, god, clint.

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