Guiding Light Transcript Thursday 11/8/01

PLEASE CLICK TO DONATE TO OUR SITE!!!!

Provided by Linda
Proofread by Tanya

Danny: Hey, you okay?

Michelle: Yeah. I'm right behind you. What's the matter? We've hit a wrong turn?

Danny: No, we're okay. We're okay. I was just thinking about what would happen to us if Aitoro were to catch us. I can't believe we're doing this: Stealing $25 million from Alan Spaulding, the one person in this whole town who gave me a job when no one else would.

Michelle: Honey, it's not like we have a choice.

Danny: I know.

Michelle: We either still this money for the mob or they kill us. And we're not going to get caught. Tony's on the case, remember?

Danny: You sure Tony understands what he was getting into?

Michelle: Yes, yes. I'm positive. He said Romeo would take care of it. The one thing we do not have to worry about tonight is Gus Aitoro.

Romeo: Damn. Oh, no, not the lady cop. Got to get you out of here before somebody comes.

(Knock at door)

Josh: Reva, it's Josh! Are you in there? Hello? Anybody home? Shayne? Reva! What the hell is... ...Going on.

Reva: I can't stay here with you, Jack. But you can come with me.

Jack: Where?

Reva: Someplace where I know you'll be safe. I can't explain now because it's too complicated, but it will all be clear soon. Just please, Jack, please say yes. Regina... Regina was here when you were gone. She knows we're leaving and she went to get Hudson. And when he gets back here, it will be too late. We'll be caught and we'll be shot.

Jack: Regina was here?

Reva: Yes.

Jack: When did she leave?

Reva: Ten minutes ago.

Jack: The streets are still empty. We can go if we leave now. We have to leave right now.

Reva: No, Jack. No, no. It's pointless. Hudson owns this city. It won't matter where we go, he'll find us. There's only one way... One way out of here. Only one place that we can be safe together. We have to go through... Through here. Don't ask questions.

Jack: Reva...

Reva: Don't. Don't. Just come with me, Jack. Come with me, please. Now.

Jack: I don't know what you're...

Reva: We have to hurry, Jack. Just hang on.

Jack: But you're not making any sense.

Reva: No, I do. You just don't understand because there's things I know that you don't.

Jack: What things?

Reva: You remember when we met, we talked about fate. That I was sent here, but for what purpose?

Jack: So we could find each other.

Reva: I'm here for a reason, Jack. And I know now why. I don't know all of it, but I know that there's a reason that I'm here and that reason is to keep you safe, is to keep you from being killed.

Jack: Reva, slow down. Explain.

Reva: I can't, because you won't believe me anyway. But I can show you. I'll show you. Just watch.

Jack: How did you do that?

Reva: Do you believe in destiny, Jack?

Jack: I don't know.

Reva: Well, I do. Come with me and you will too. Come with me before it's too late.

Reva: I'll explain everything once we get there.

Jack: My God.

Reva: Jack, please believe me. Take this leap of faith with me. I was right about Regina, wasn't I? I was right about the dispatches, and I'm right about this, too. I am here, Jack, because I know you better than anyone.

Jack: How did you do that?

Reva: Look at me. Look in my eyes. You know these eyes. Because you've always known them. You know what I'm saying is true. Everything that we've talked about, everything we've felt about each other is because it's always been that way. You can see it in my eyes, Jack, what I'm saying is true. Trust me. Trust your heart.

Jack: Lead the way. I'll follow you anywhere.

Hudson: There are the traitors. Seize them!

Josh: Billy. You're not going to believe this.

Danny: Okay.

Michelle: How much further?

Danny: We're almost there. See these two grills? Okay, these should be... Yeah, there's the corridor. These are the two grills for the outside corridor, which is just outside the secure room. So after this, we're going to pass one more grill and we should be inside the secure room. Okay?

Michelle: Okay.

Danny: You doing all right?

Michelle: Mm-hmm.

Danny: Okay. This one.

Buzz: Hey, wait. Do you have A... Excuse me. Do you have a minute.

Claire: A minute, yes.

Buzz: I'm babysitting Zach and he's really not feeling good. I think it's his throat, because he says it feels like a pin sticking in it. And I looked inside and it's red with white spots, I can't get a hold of the doctor that Harley usually uses...

Claire: Strep.

Buzz: And so I left them...

Claire: Strep.

Buzz: Strep?

Claire: Yeah.

Buzz: Just like that, it's strep?

Claire: Mm-hmm. I'm a doctor, that's what they pay me for. It's very treatable and it's quite common this time of year.

Buzz: Thank you, that's a relief. I'm nervous when I'm taking care of Harley's kids. You know, I just... You know if they want... If I'm not on my toes with them, watching them, she'll hurt me.

Claire: (Laughing) you have kids. I mean, surely you've been through the childhood illnesses before.

Buzz: No, I have to admit I missed most of that. I'm learning more as a grandfather than I did as a dad.

Claire: Well, at least you have that chance.

Tony: I gave you one simple job to pull.

Romeo: Give me a break, all right? I've never used one of those things before! I thought I had it set to the right voltage.

Tony: Shh. Well, you didn't all right. And now not only is Aitoro up, but so is Cooper. She's a cop.

Romeo: I know that, all right. But the question is what do we do now.

Tony: We get the hell out of here. We're going to figure out what we do next.

Harley: Aitoro? Wake up.

Gus: (Mumbles)

Harley: What? What? What?

Gus: I didn't know you were into this kind of thing. It's kinky.

Harley: You know, Aitoro, I bet there are situations when even you think that your trademark sarcasm is inappropriate.

Gus: You think so?

Harley: Try making this one of them, because in case you hadn't noticed, we've been abducted.

Gus: Oh, is that what's going on? I thought you were just living out one of your crazy fantasies.

Harley: Of us tied back to back.

Gus: Well, I don't know what you're capable of, what little tricks you know, but you know, I'm a quick learner.

Harley: Okay, good. When we're untied we can start with me smacking you and we'll go from there.

Gus: Don't be embarrassed, Cooper. I like handcuffs, too. You know I'm just... Okay, I'm sorry. I'll be serious now.

Harley: Good. Now, not only do we have to figure out where we are, but why we are here and who would do this. Do you have any ideas?

Gus: No, I don't know.

Harley: You didn't see anything before they stunned us?

Gus: No, I was looking at your... I was just looking at you.

Harley: Okay, well, they used a stun gun, not your typical urban assault weapon, but they used it. They must've been after you. Do you have any idea who in this town might want to hurt you? (Laughs)

Gus: Could be the cable company. I haven't paid my bill for the last three months. No I don't know. Wait, no, I do know who it is. It could be...

Harley: Who? Who?

Gus: It could be somebody that just thinks we should be spending more time together.

Harley: Stop it. Please stop it. It's not funny anymore.

Gus: Oh, lighten up. Would you just lighten up, Cooper, please. You know what your problem is?

Harley: No, why don't you tell me what my problem is.

Gus: You know what your problem is?

Harley: Now's a great time to dissect my personality.

Gus: Your problem is that you think about things too much. You think... Like what is this deal with Rick.

Harley: Rick is off limits. Off limits.

Gus: Rick is like a big, thumping boar. Okay? You know what your problem is? Are you one of those people that takes a legal pad, you draw a line right down the middle of it and you put the pro's on one side and you put the con's on the other side. And you look at it, and you do, like, a little mathematical equation. You divide by six and then you come up with your choice. You don't even follow... You don't even do what you feel like you want to do inside your heart, what's meant to be for you, you don't do that.

Harley: And that would be you.

Gus: Well, you know it is. You know it is

Harley: Because you are so irresistible.

Gus: Thank you, Cooper.

Harley: Of all people to be tied up with!

Gus: Oh, please. You know how many women would die to be in your position right now? Huh?

Rick: Yeah, that's my big boy. Do you remember this place, Jude? This is where your mommy and I brought you the day you were born. You met your uncle Frank and your Grandpa Buzz. What? What's that? Oh, Grandpa Buzz, he's the kooky one, yeah. But he makes a mean bowl of chili, and you're going to live on that stuff when you get older. Yeah. Once you're off the bottles and onto the solid food. Oh, had a little accident here. Daddy will take care of that. Everything's going to be okay, son. Hey.

Mel: Hey. So, this is your son.

Rick: Yes, it is. This is Jude.

Mel: Hey, cutie. Oh, he's adorable.

Rick: Thank you. Jude, this is Dr. Mel Boudreaux. And Mel, this is Jude Cooper- Bauer.

Mel: He has your last name. Of course, he does. Well, I've got to get back to the hospital.

Rick: You pulling a double shift?

Mel: Yeah, just came to refuel. Well, I'll catch you later.

Rick: Bye. Hey, Mel, let's just stop playing this game.

Mel: What game?

Rick: The one where we pretend we're not attracted to each other.

Guard: Nothing. Oh, well.

Danny: Okay, the guard is gone.

Michelle: That was a close call.

Danny: Honey, we've got to move. We've got to get through this section before he circles back, okay? Let's go. Just take it real easy.

Michelle: Okay.

Hudson: Arrest them! Arrest them!

Reva: The painting! Come on! Hurry!

Jack: I love you. Go!

Reva: No! No! (Struggling)

Hudson: It's over, Jack. Prepare to meet your maker.

Josh: It's the weirdest thing I've ever seen. The woman in the portrait looks exactly like... Reva. I'll call you back. Reva, are you all right? What happened? Where did you come from?

Reva: (Breathing heavy) Jack, oh, I have to...

Josh: Reva, who's Jack?

Reva: I have to get back to him.

Josh: Wait, wait, hold on, hold on, hold on.

Reva: No! Will you let go! Don't get in my way! Get out of my way!

Josh: Stop!

Reva: I have to get back to him!

Josh: Stop! Who is Jack?

Reva: Don't hurt him, please! Jack!

Josh: What are you talking about?

Reva: Jack! Jack! Oh, Jack.

Josh: Shh.

Reva: Let go! Let go!

Josh: Reva, calm down.

Reva: Let go! I have to get back to you!

Josh: To me?

Reva: Him!

Josh: Reva...

Reva: Jack, I have to save him!

Josh: Reva, you're talking crazy!

Reva: Oh, no, please. (Sobbing) no, please, please, don't do this to me. Please, don't do this to me. Not now. Oh, please, no. Don't kill him. Please, done kill him.

Josh: Reva...

Reva: ...Please, don't kill him. Jack! Please don't hurt him! Oh, please, God, don't kill him! (Sobbing)

Gus: Oh, don't do that!

Harley: Okay, well, answer me this. Answer me this Mr.. Answer for everything...

Gus: Riddle me this, riddle me that. What?

Harley: Why is it that you feel like you constantly have to put on an act? Whether we're on a stakeout or in a courthouse or in a stupid warehouse...

Gus: Don't call it a stupid... This is... It's got a certain charm and ambiance about it. It's kind of romantic...

Harley: See, that's exactly what I'm talking about. Don't you ever get tired of the quips and the sarcastic comebacks?

Gus: Who says it's an act, Cooper, huh?

Harley: Harley. My name happens to be...

Gus: Well, don't call me by my last name all the time.

Harley: It's not even your real last name!

Gus: And I won't call you by your last name, okay? And who says it's a... Who says it's an act? Who says it's just not who I am? Who says it's not me? Did that ever occur to you that it's me?

Harley: Yes, it did, but I dismissed it.

Gus: Why?

Harley: Because one night when you were feeling vulnerable and all alone, you poured out your heart to me, remember? You told me that you had watched your father die, and that you had lost the one person in the world who really loved you and those feelings were real! That was not an act. No wisecracks to hide behind.

Gus: Well, I'm glad you fell for it.

Harley: What? Oh, oh, oh, oh... So that... That was the act? So that night was the act and this is the real you. Mr. Obnoxious guy's the real you? No, no, no, I'm not buying it, nope.

Gus: I always said you had great instincts.

Harley: You know what your problem is? You want to talk about a problem? This is your problem...

Gus: You know what, don't, don't...

Harley: You work so hard not to feel anything, not to feel anything at all. I mean, it may have worked for when you were young...

Gus: You know, I wish they would have taped your mouth shut instead of your hand...

Harley: ...Father died, maybe that worked for you because you had stuff down all your feelings so you could just deal, but now that you're a grownup, I mean...

Gus: Harley...

Harley: I just think... How do you relate...

Gus: Harley...

Harley: ...To people in that superficial way?

Gus: Harley!

Harley: It's ridiculous.

Gus: Will you shut it? Can you shut up?

Harley: (Whispers) don't tell me to shut up.

Gus: Do you want to get out of here? Because I think I see a way how.

 Claire: So, you're rather involved. I mean as a father/grandfather and all that, huh?

Buzz: Yes, I am.

Claire: But, you just told me that you have two boys living out of the country, though.

Buzz: Yes, they are.

Claire: What's wrong with this picture?

Buzz: I just... Frank and Harley turned out so great without me being around when they were growing up. The fact that Lucy turned out so well is just... That's pure luck. So I think there's something inside me, I guess, that thinks that maybe they're better off without me.

Claire: Yeah, I know how you feel. I felt that way when I handed Michelle over to Ed and Maureen.

Buzz: Maureen, I heard about her. I heard she was a great gal.

Claire: Please, the patron saint of Springfield. No, I could never live up to the excellence of motherhood that she provided for Michelle. I mean, I don't think Michelle will ever consider me her mother. I try, but, you know, she was there during all those formidable years with this perfect woman. I would love to be like Maureen but I... I can't.

Buzz: But you're not, you're you.

Claire: A fact that has not served me very well in this town, unfortunately. I don't think I'll ever be forgiven for the mistakes I've made in the past.

Buzz: Been there.

Claire: Yes, okay, I'll give you that. But, you know, in a way you haven't because you, like many other people in this town, have been given another chance, I mean to redeem yourself in a way. I mean, to have another chance, start over again. I mean look at Carmen Santos, the criminal of Springfield, for crying out loud. She's doing much better in the mother department than I am.

Buzz: (Laughs) so, you want a chance to smooth things over with Michelle?

Claire: I would love that chance, yes, of course I would. It's the only reason I came back to this town. And it's the only reason I'm staying.

Buzz: Okay. Well, all I know is I had things to learn before I became the person that my kids wanted in their lives. Maybe you have work to do, you know? You know medicine. Maybe ought to relax a bit. Become more of a person. Maybe then your daughter will want to come close to you. I mean, Michelle's a good kid. She wants a nice, normal life. I'm sure there's a place for you there.

Danny: Honey.

Michelle: What is it?

Danny: I don't know. I don't know. I think we... I don't understand. That grill should be over the secure room. We should be right over the secure room. We're not. I don't... I don't understand.

Michelle: Shh! Listen, listen, listen. What's that noise? You hear that?

Danny: No, honey, I don't hear anything.

Michelle: It's like humming. Somebody's humming. Is that another guard?

Danny: No, no, no, it's the computer. We found it.

Michelle: Oh, my God.

Danny: We're here. It's this way.

Michelle: Which way? This way?

Danny: Yeah. Okay, it's this way. Come on.

Michelle: Danny, what do you see?

Danny: Jackpot, honey. It's Showtime.

Michelle: We're here?

Danny: Yeah. Honey, hand me that bag. Here, I'll take this one.

Michelle: Okay.

Danny: Okay, all right. The first thing we need to do is we got to activate this transmitter.

Michelle: For the surveillance cameras?

Danny: Yeah. This will switch the feed on the monitors to a continuous loop.

Michelle: To show an empty room.

Danny: Right.

Michelle: Okay.

Danny: Okay, should be working. This way if a guard looks at the monitors, the room will appear empty even if you're in there. Okay, next I got to get this grate off. Where's the screwdriver? Check that bag.

Michelle: Okay.

Danny: Is it in there?

Michelle: Yeah.

Danny: You have it?

Michelle: Here. Wait. We can do this. And we will do this. And then we're going to be free.

Danny: Okay. Just hang in there.

Michelle: Okay.

Danny: Oh, man, I pray I measured this right. Okay, yeah, good. Okay, you know, I'm going to need your help.

Michelle: Okay.

Danny: Up here. Can you get up here?

Michelle: Yeah.

Danny: Okay.

Michelle: Okay. Okay, let me just get... Grab on to me.

Danny: All right?

Michelle: Okay.

Danny: Here's what we're going to do.

Michelle: Okay.

Danny: Lean there against me.

Michelle: Okay.

Danny: Okay. Hold this. And you're going to have to hold this tray. So that when I loosen the screw, you've got to hold this level so that...

Michelle: Level, level, I know, I know.

Danny: ...The screw doesn't drop, so that it hits the floor and trip off alarms.

Michelle: I know, I can do this, honey. You've practiced this with me blindfolded. Don't worry, I can do it.

Danny: All right, all right, it's level.

Michelle: Okay, gotcha, I got it.

Danny: It's level.

Michelle: Okay.

Danny: Just hold it right there.

Michelle: Okay.

Danny: Right there. Okay, good. It's about to drop, honey. You got to keep it level.

Michelle: Okay, I'm trying, I'm trying.

Danny: Hold it, okay, honey, just hold it there, hold it there, don't move. I got it. Okay, I got it.

Michelle: You got it?

Danny: Yeah, yeah, yeah. Okay.

Gus: All right, there's a piece of glass over there. Can you see it?

Harley: "Can I see it?" I'm facing in the opposite direction.

Gus: All right, mouth. I'm telling you, there's a piece of glass over there and it's going to be sharp enough to cut through this tape. So, what we have to do is we have to get over close to it somehow, okay?

Harley: Okay.

Gus: All right.

Harley: We'll... We'll just roll.

Gus: We'll what?

Harley: We'll roll. We'll roll. I'll roll over you, you roll over me, I roll over you.

Gus: Okay, so you want to roll with me?

Harley: Yeah, yeah, yeah, yeah.

Gus: I could say something, but I'm not going to say it. All right, all right, okay, because I'm not a wisecracking kind of guy...

Harley: Yeah, yeah, yeah, yeah. You ready? You ready?

Gus: Yeah, on the count of three.

Harley: Yeah.

Gus: Okay, one...

Harley: One, two...

Gus: You're going to roll on top of me?

Harley: Yes, on three.

Gus: One, two...

Harley: Three!

Gus: Come on.

Harley: Move it! Oh. Okay, okay.

Gus: Okay.

Harley: Wait a second.

Gus: What?

Harley: I just realized something. You can't roll on me.

Gus: What?

Harley: You can't roll on me!

Gus: Okay, why?

Harley: I'm a girl.

Gus: Okay, okay, okay, so you'll get squished, okay, I understand. So, this is what we're going to do. We're going to wriggle now.

Harley: Okay.

Gus: We're going to wriggle.

Harley: Okay.

Gus: And what I mean by that, is we're going to use our shoulders and our feet and kind of like break dance our way over to the left, okay?

Harley: To the left?

Gus: Yes.

Harley: Your left of my left?

Gus: Both the same lefts, Cooper.

Harley: Okay.

Gus: So ready? On three, it's like inchworm. Ready? One, two, three. (Struggling) come on. Okay, okay. Okay, that's good, that's good. That's good!

Harley: Okay.

Gus: Okay, are you okay?

Harley: Yeah, I think so. Peachy.

Gus: Need a breather?

Harley: No, no, let's just do it, let's just do it, I just want to get out.

Gus: Okay, we're going to roll, okay? We got to rock at the same time. We need countdown, ready? So it's three...

Harley: One... Oh, on three.

Gus: One!

Harley: Two.

Gus: Two.

Both: Three! (Struggling)

Gus: Okay? Okay? You didn't land on the glass, did you? What?

Harley: No, no.

Gus: Okay.

Harley: No.

Gus: All right, is it there?

Harley: Yeah...

Gus: Just get it under us.

Harley: I can't feel it.

Gus: Okay.

Harley: Can you feel it?

Gus: No. Ah! Yeah, yeah. It's cool. I'm not cut. I'm all right, okay. All right, it's sharp. Okay, but it's going to be sharp enough to cut through this tape. Okay? All right. Let me just work on this for a second. I don't want to cut you by accident, so just move your hands separate.

Harley: It's fine, just keep doing it...

Gus: Keep your hands apart, okay? Are they clear? Because I don't want to cut you.

Harley: I don't know if I'm clear, just do what you got to do, I'll stop you.

Gus: I'm going to just... Just kind of saw it for a second.

Harley: You know, I think that whoever... Whoever was going after you... They were definitely going after you, if you know what I mean because I never made any enemies in this town. This had to be... Ow, that's my thumb!

Gus: I'm sorry. I'm sorry. Are you clear?

Harley: Watch my wrists! Watch my wrists because, you know, I definitely like not to bleed to death if you know what I mean? I have children depending on me.

Gus: Yeah, yeah, and of course you got Rick waiting for you, too. Rip roaring riot of a Rick.

Harley: Well, rip roaring riot of a Rick sounds pretty good to me right now.

Gus: You got...

Harley: Oh! Thank you.

Gus: Okay, okay. Okay, I got this... Okay, just stay still till I get the feet, all right? Okay.

Harley: Oh!

Gus: Hold on, hold on.

Harley: Thank God.

Gus: I got to get your arms.

Harley: Oh, Mommy. Mommy.

Gus: All right, all right.

Harley: Oh.

Gus: Let me see... Let me see your hands.

Harley: Thank you.

Gus: That's okay.

Harley: Ow.

Gus: Oh, yes, you have two hands, that's good.

Harley: Oh.

Gus: You've beautiful hands, Cooper.

Harley: Thanks.

Gus: Nice and scratched, though.

Harley: Yeah, a little.

Gus: All right. Look, I hate to roll, wriggle and run, but I got to go. I got someplace to be.

Harley: What? What? What?

Gus: I'll be right back. I'll be back.

Harley: Wait a second. Wait a second. You can't go. We just got kidnapped. We have to call the police. We have to call Frank.

Gus: You know that they were after me. You're going to be fine. Look, I got to be somewhere... I'm going to send some help back for you...

Harley: Aitoro, wait... Wait a second.

Gus: Do not leave. Stay here, wait for help.

Harley: Aitoro! Wait! Ugh!

Rick: There you go, that's a good boy. Are you going to be okay right here? Such a trooper, yes, you are.

Mel: You're really good with him. I can tell you're going to be a good dad.

Rick: Mel...

Mel: And I know that's what you want.

Rick: About the other night...

Mel: You don't have to explain.

Rick: Yes, I do, I think I do.

Mel: Why? Because we kissed? Big deal, what is that? Look, whatever there is between us or was, I know it can't be compared to what you have with Harley, obviously. And now that you moved in with her, you're going to have it all, the whole thing, the real deal. And that's the way it should be. You made your choice and it's the right one.

Rick: Mel, you just don't know the whole story. You just don't.

Mel: Well, maybe not, but I've seen enough to get the picture.

Rick: My relationship with Harley is not cut and dry.

Mel: Then somehow I thought you were different. So, what are you saying, Rick? Are you saying you want to play both sides of the field?

Josh: Reva, you got to stop this now. You're not making any sense. Come on.

Reva: I know, I know how it seems. But it's you, Joshua. Jack is you or you're Jack. But he's in so much danger and if I don't get back to him...

Josh: Slow down...

Reva: ...He's going to die.

Josh: Slow down and breathe.

Reva: I can't.

Josh: Just breathe.

Reva: I can't!

Josh: Breathe. Look at me. Don't look at the picture, look at me. Okay, now tell me about this guy, Jack. Who is he?

Reva: He's a Colonel...

Josh: A Colonel?

Reva: ...In New Orleans and Hudson... General Hudson's going to put him in front of a firing squad and kill him unless I get back to him. I... And it's all because of her!

Josh: Because of Olivia?

Reva: Regina.

Josh: What?

Reva: Regina. Regina! She looks like Olivia, but it's... But it's... She's not... She's.... But she is... Oh, God, the soldiers have probably already dragged him out of the house...

Josh: Okay, okay.

Reva: ...Or else they've already...

Josh: Okay. I'm going to call a doctor. You need a sedative or something. I'm going to take you to the hospital...

Reva: No!

Josh: ...And we're going to...

Reva: No! No! No!

Josh: Reva!

Reva: The only place I'm going is back there before it's too late...

Josh: No! No! No! No! Come here. Come here. Come on. (Reva sobbing) shh! Stop it, stop it.

Rick: Do you think for a second I would suggest that I would go out...

Mel: That you'd fool around with me while you shack up with Harley? I don't know, but I've got news for you, that is definitely not my scene.

Rick: Well, it's not my scene either. I take my responsibilities and my relationships very seriously, Mel, all of them. I never meant to mislead you. When you and I first started dating...

Mel: They weren't dates.

Rick: ...Harley and I weren't even speaking to each other. And the other night when we kissed, maybe it shouldn't have happened. But I can't apologize for it, because I liked it, Mel, I liked it a lot and I like you a lot.

Mel: But?

Rick: This thing with Harley, it's...

Mel: You love her.

Rick: No. Well, yes, I do, but...

Mel: You have a connection to her, a strong connection.

Rick: We're friends, Mel, we're just good friends. And now... And now Jude's in the picture. Do you understand...

Mel: And you want to raise him together. And that's a good thing, a wonderful thing and you don't have to apologize for it.

Rick: I'm not.

Mel: I mean, take a look at your son and just tell me you're not happy.

Rick: Of course I'm happy.

Mel: And you should be. Because you have everything you've ever wanted.

Rick: No, not everything...

Mel: And about the kiss, sure, a kiss can mean a lot or it could mean very little, or something in between...

Rick: What did the kiss mean to you, Mel?

Mel: Just a warm and friendly way of saying, "hey, I think you're great," and I do. I think you're great.

Rick: And I think you're great, too.

Mel: And you have a great son and you're going to be a great dad and everything is just great, really, okay?

Rick: Okay.

Mel: Okay, then.

Rick: Okay, all right.

Mel: Bye.

Tony: It's quiet. They must still be out. What?

Romeo: They're gone!

Tony: Oh, Aitoro could be anywhere by now! And I can't get to Danny!

Danny: Honey, honey, this is sliding. It's all right there. Just hold it. Okay. Okay.

Michelle: You got it?

Danny: Okay.

Michelle: Oh, God, please tell me that is the last close call, because I can't take much more of this. Oh, God.

Danny: Come on.

Michelle: Okay. Tell me where it goes.

Danny: Right there.

Michelle: Okay.

Danny: Okay.

Michelle: Can you see it?

Danny: Yes.

(Beeping)

Gus: Gotcha, Danny.

Josh: Listen, listen, listen. We're going to go in the other room away from this portrait. We're going to talk quietly about this, okay?

Reva: I have to...

Josh: No, no, no, no...

Reva: Jack...

Josh: No, no, no, we're going to talk about this quietly, Reva. You're going to tell me what's going on with you and I'm going to listen, and I'm going to understand, I promise, but not here, not in front of this portrait. But come with me now, come on.

Reva: But Jack...

Josh: No...

Reva: ...Needs me.

Josh: Nobody needs you, Reva, nobody needs you. Nobody needs you! There is no Jack! What you need to do now is you need to listen to me! You need to stop fighting me, Reva. Okay?

Reva: Okay.

Josh: Stay calm... No, Reva...

Reva: Oh!

Josh: Reva? Reva.

Back to The TV MegaSite's Guiding Light Site

Try today's short recap or detailed update!