General Hospital Transcript Friday 7/7/00

Provided by Laura

SONNY: OH.
WHOA, WHOA, LOOK, LOOK.
SEE OVER THERE?
ALL THOSE BOATS ON THE RIVER,
HUH?
THAT'S THE PIER.
YOU SEE THAT TALL, TALL
BUILDING?
MICHAEL: YEAH.
SONNY: WE LIVE AT THE TOP.
MICHAEL: LIVE AT THE --
LIVE AT TOP?
SONNY: YEP.
CARLY: HAVE YOU NOTICED HOW
MUCH SONNY LOVES MICHAEL?
LETICIA: I SEE IT EVERY DAY.
AND MICHAEL LOVES HIM BACK.
THEY'RE SO NATURAL TOGETHER.
IT'S LIKE THAT LITTLE BOY GREW
UP WITH MR. CORINTHOS.
CARLY: THAT'S BECAUSE SONNY
MAKES MICHAEL FEEL SAFE.
MY SON THINKS THE THREE OF US
ARE A FAMILY.

ROY: HEY, HEY.
BOBBIE: YOUR LIMO AWAITS.
ROY: MY LIMO AWAITS?
BOBBIE: WELL, ACTUALLY,
IT'S MY CAR, BUT WHO CARES ABOUT
MINOR DETAILS ON A DAY LIKE
THIS?
ROY: YEAH, IT'S --
IT'S ALREADY TIME?
BOBBIE: WELL, ACTUALLY,
I'M EARLY, BUT I JUST FIGURED,
YOU KNOW, IF WE HAVE TO WAIT,
WE MIGHT AS WELL WAIT
AT THE AIRPORT.
WE CAN GO IN AND LOOK AT TACKY
SOUVENIRS AND HAVE A DRINK
AND WATCH THE PLANES TAKE OFF
AND ANTICIPATE OUR BOARDING
CALL.
ROY: AS IF WE WERE GOING
TO HAWAII, YOU AND ME.
WHO SAYS DREAMS DON'T COME TRUE.
BOBBIE: I NEVER WOULD.
NOT ANYMORE.
ROY: LOOK, UNFORTUNATELY
I GOT A COUPLE THINGS THAT
I HAVE GOT TO WRAP UP HERE
BEFORE I CAN SHOVE OFF.
I'M SORRY.
BOBBIE: OK.
WELL, THEN I'LL JUST GO OVER
TO KELLY'S, AND I'LL SEE
IF TAMMY HAS ANY LAST-MINUTE
QUESTIONS.
ROY: OK.
AND TELL HER THANKS FOR ME.
SHE'S BEEN GREAT ABOUT COVERING
FOR YOU.
BOBBIE: OK.
DON'T BE LONG.
ROY: YEAH, I WON'T.
I'LL BE READY.
I'LL BE READY.

LUCKY: HEY.
ELIZABETH: HEY.
IS EVERYTHING ALL RIGHT
TH EMILY?
LUCKY: AS FAR AS I KNOW.
UNLESS I'M MISSING SOMETHING.
ELIZABETH: OH, NO, NO.
I SPOKE WITH HER EARLIER,
AND SHE SEEMS TO BE DEALING.
I JUST ASSUMED YOU WERE HERE
BECAUSE OF EMILY.
LUCKY: NO.
BECAUSE OF YOU.
ELIZABETH: ME?
LUCKY: WELL, YOU KNOW,
EVERYBODY'S BEEN SO WORRIED
ABOUT EMILY, AND RIGHTLY SO.
I MEAN, I'M NOT TRYING TO TAKE
AWAY FROANYTHING THAT SHE'S
GOING THROUGH.
BUT I ALSO DON'T THINK ANYBODY'S
STOPPED TO WORRY HOW ALL THIS
MIGHT BE AFFECTING YOU.
ELIZABETH: I'M FINE.
LUCKY: YOU'RE AMAZING,
ELIZABETH.
YOU'RE THE BEST FRIEND ANYONE
COULD HAVE.
AND EMILY IS BENEFITTING
FROM THAT RIGHT NOW.
BUT THE REALITY IS
YOU WERE RAPED A COUPLE
YEARS AGO.
AND FOR THE LAST THREE DAYS,
YOU'VE BEEN HELPING EMILY DEAL
WITH THE FACT THAT SHE COULD
HAVE POSSIBLY BEEN RAPED, TOO.
AND IT JUST HIT ME --
A LOT OF BAD MEMORIES COULD BE
SNEAKING UP ON YOU.
SO I GUESS I'M HERE TO ASK
YOU IF YOU NEED A FRIEND.

WOMAN: SO QUIET.
SO INTENSE.
AND SO VERY FAR FROM ME.
WHAT CAN I DO TO BRING YOU BACK?
STEFAN: I'M RIGHT HERE.
WOMAN: IN YOUR BODY, YES.
BUT YOUR MIND IS WHERE?
WITH YOUR MOTHER?
STEFAN: YOU'RE VERY
PERCEPTIVE.
WOMAN: NOT SO MUCH.
WHAT HAS THIS HELENA DONE NOW?
STEFAN: WELL, THAT'S
PRECISELY THE PROBLEM.
I DON'T KNOW.
LETTING MY MOTHER BELIEVE
SHE SUCCEEDED IN POISONING ME IS
GOOD STRATEGY.
PRESUMED DEAD, I CAN TAKE
HER UNAWARE.
BUT IT EFFECTIVELY ISOLATES ME
FROM HER PLAYING FIELD.
WOMAN: OH, BUT WHAT CAN
YOU DO?
YOU CANNOT REVEAL YOURSELF.
STEFAN: I NEED AN INSIDE
SOURCE.
WOMAN: BUT YOU HAVE ONE --
ANDREAS.
STEFAN: WHO IS IN MY MOTHER'S
BED AS WELL AS HER EMPLOY.
I NEED SOMEONE
LOYAL ONLY TO ME.

HELENA: NOW, PLACE THE ROSES
THAT JAX SENT ME ON THAT TABLE.
I WANT THEM TO BE THE FIRST
THING HE SEES WHEN HE ARRIVES.
OH, AND YOU KNOW HOW I FEEL
ABOUT CANDLELIGHT.
DON'T OVERDO.
JUST MAKE IT FLATTERING
BUT SUBTLE.
ANDREAS: MADAM IS RIGHT.
I DO KNOW YOUR PREFERENCES,
LIGHTING AND OTHERWISE.
HELENA: YES, YOU DO,
MY DARLING.
OH, COME HERE.
NOW, THERE'S NO NEED
FOR JEALOUSY.
YOU AND JAX ARE APPLES
AND ORANGES.
ANDREAS: I'M NOT JEALOUS.
HELENA: NO?
THEN WHAT WOULD YOU CALL IT?
ANDREAS: ENVIOUS, PERHAPS.
MR. JAX IS MORE FORTUNATE THAN
HE KNOWS.
HELENA: YES, BUT I WISH
HE WEREN'T QUITE SO RELUCTANT.
AH, WELL.
THERE'S SOMETHING TO BE SAID
FOR A CHALLENGE.
ANDREAS: WELL, I'M SURE MADAM
WILL HAVE NO TROUBLE.
HELENA: MY, SUCH CONFIDENCE.
WELL, I MAY USE THAT
AS INSPIRATION.
NOW, REMEMBER, NO INTERRUPTIONS,
EVEN IF LIFE AS WE KNOW IT
CEASES TO EXIST.
ANDREAS: OF COURSE, MADAM.
HELENA: I DON'T WANT TO KNOW
UNTIL MORNING.
ANDREAS: AS YOU WISH.
IS THERE ANYTHING ELSE YOU NEED?
HELENA: NO.
EVERYTHING LOOKS PERFECT.
ANDREAS: ENJOY YOUR EVENING.
HELENA: I INTEND TO.
EVERY DELICIOUS,
LONG-AWAITED MOMENT.

[KNOCK ON DOOR]
ALEXIS: GOOD, I'M GLAD
I CAUGHT YOU.
IS CHLOE HERE?
JAX: NO, SHE'S WORKING LATE.
ALEXIS: GOOD, THEN WE CAN
TALK FRANKLY.
I THINK I'VE FOUND A WAY
TO DECOY HELENA FROM WHATEVER
HELL SHE HAS PLANNED FOR YOU.

JAX: OK.
YOU'VE GOT MY ATTENTION.
WHAT'S YOUR IDEA?
ALEXIS: SIT DOWN.
I AM GOING TO OFFER HELENA
THE ONE THING THAT SHE WANTS
MORE THAN YOU --
TRUSTEESHIP OF THE ENTIRE
CASSADINE FORTUNE.
AT THE MOMENT, I AM IN CHARGE,
AND I HAVE NO PROBLEM CONCEDING
IT IF IT MEANS THAT CHLOE WILL
GET THE MEDICATION THAT
SHE NEEDS.
JAX: OK, I DON'T LIKE THIS
ALREADY.
ALEXIS: WHAT IS TO DISLIKE
ABOUT AN OFFER THAT HELENA CAN'T
REFUSE?
SHE HAS WANTED CONTROL
OF THE CASSADINE MONEY EVER
SINCE SHE FOUND OUT MY FATHER
AND STAVROS WERE DEAD AND THERE
WAS NOTHING TO STAND IN HER WAY.
ALTHOUGH SHE NEVER GAVE STEFAN
THE CREDIT HE DESERVED FOR BEING
A THREAT.
BUT FORGET IT.
I DIGRESS.
JAX: I DON'T WANT YOU MAKING
THAT KIND OF COMPROMISE FOR ME,
OK?
ALEXIS: THIS IS NOT
A COMPROMISE.
THIS IS A FAR BETTER SOLUTION
TO WHAT HELENA IS ASKING OF YOU.
JAX: YOU FIGURED IT OUT?
ALEXIS: THE PRICE TAG IS
WRITTEN ALL OVER YOUR FACE.
JAX: WELL, I HOPE I'M NOT
THAT TRANSPARENT TO EVERYONE.
FOR OBVIOUS REASONS, I HAVEN'T
TOLD CHLOE.
I TRUST YOU HAVEN'T, EITHER.
ALEXIS: THAT'S NOT MY PLACE.
BUT I DO HAVE A RIGHT TO DO
ANYTHING HUMANLY POSSIBLE
TO STOP THIS TRAVESTY.
THE THOUGHT OF YOU SERVICING
HER IS -- IS --
WRONG, AND I THINK IT'S
ACTIONABLE.
JAX: IF IT MEANS SAVING
CHLOE'S LIFE, THEN I'LL DO
WHATEVER HELENA WANTS.
ALEXIS: FORGET IT.
IT'S UNACCEPTABLE.
AND CHLOE WOULD HAVE A FIT
IF SHE THOUGHT YOU WERE EVEN
CONSIDERING IT.
JAX: WELL, THAT'S WHY I'M
TRUSTING YOU NOT TO TELL HER.
ALEXIS: WELL, THAT'S A SAFE
BET, BUT DO YOU THINK HELENA'S
GOING TO KEEP QUIET?
I DON'T KNOW -- I'M PICTURING
VIDEOTAPE CAMERAS ALL OVER
THE CEILING AND THEN HER BOY TOY
STANDING OUTSIDE WITH STAMPS
AND MAILING LABELS SO SHE CAN
SEND THE TAPES AROUND
FOR HER AMUSEMENT.
THESE ARE JUST BOMBS THAT ARE
GOING TO BLOW UP IN YOUR FACE.
JAX: I WON'T LET THAT HAPPEN,
OK?
ALEXIS: YOU DON'T HAVE TO LET
THAT HAPPEN, OK?
WHAT I'M OFFERING HER SHE IS
GOING TO WANT.
YOU DON'T HAVE TO SACRIFICE
YOURSELF.
AND I DON'T CARE ABOUT THE MONEY
AT ALL, AND NEITHER DOES
NIKOLAS.
JAX: ARE YOU SPEAKING FOR HIM
AS WELL?
ALEXIS: YES.
NO.
MAYBE.
JAX: WHAT?
ALEXIS: YOU KNOW WHAT?
HE'S GOING TO BACK ME ON THIS.
PLEASE LET ME HELP YOU.
JAX: THANK YOU.
ALEXIS: MY PLEASURE.
I TAKE IT YOU'RE MEETING
HER TONIGHT?
JAX: I WAS ON MY WAY OUT
TO SEE HER WHEN YOU SHOWED UP.
ALEXIS: IMPECCABLE TIMING
FOR ONCE.
ALL RIGHT, HERE WE GO.
THIS IS A SIGNED AFFIDAVIT
RELINQUISHING UNCHALLENGED
CONTROL OF THE --

CHE: WHAT'S GOING ON?
ROY: HEY, THANKS FOR STOPPING
BY.
MIKE: NO PROBLEM.
SO --
HAVE YOU MADE A DECISION ABOUT
OPENING THE BACK ROOM?
ROY: YOU KNOW, THAT'S STILL
UNDER ADVISEMENT.
BUT, MEANWHILE, I NEED TO ASK
A FAVOR.
MIKE: SHOOT.
ROY: BOBBIE AND I ARE GOING
TO TAKE OFF FOR A FEW DAYS.
MIKE: OH, THAT'S NICE.
ROY: YEAH, YEAH, COULD BE.
SHOULD BE -- WILL BE, AS LONG
AS I DON'T HAVE TO WORRY
THE WHOLE TIME I'M GONE THAT
I BAILED ON A PROMISE
TO A FRIEND.
MIKE: SO THAT'S WHERE I COME
IN.
ROY: I KNOW YOU RUN YOUR OWN
ESTABLISHMENT, BUT DO YOU THINK
IT'D BE TOO MUCH TROUBLE TO ASK
YOU TO KEEP AN EYE ON THIS PLACE
WHILE I'M GONE?
LUKE MADE ME PROMISE UNDER
PENALTY OF DEATH THAT I WOULD
NEVER LEAVE CLAUDE ALONE
TO HANDLE THE CLUB.
MIKE: FEAR OF BOY BAND?
ROY: MORE LIKE RAGING
PARANOIA.
MIKE: YEAH, OK.
HEY, I'LL BE HAPPY TO HELP.
ROY: THAT'D BE GREAT, MAN.
THANK YOU.
MIKE: HOWEVER, FAIR
WARNING --
I MIGHT NOT RATE AS SUFFICIENT
BUTT COVERING IF LUKE DECIDES
TO GET TICKED ABOUT YOU TAKING
OFF.
ROY: WELL, YOU KNOW, MY MAN
WILL HAVE TO DEAL WITH THAT
BECAUSE MY FIRST AND ONLY
OBLIGATION AT THIS POINT IN TIME
IS TO THIS TRIP, WHICH HAS
LITERALLY BEEN 20 YEARS
IN THE MAKING.
THERE'S NO WAY I CAN MISS IT.

LUCKY: WHEN I WALKED
INTO THE MOTEL ROOM, I DIDN'T
SEE EMILY AT FIRST.
THEN SHE SAID MY NAME,
AND I TURNED.
IT WAS LIKE BEING THROWN BACK
IN TIME.
SHE WAS SCARED AND HURT
AND FRAGILE, JUST LIKE THE NIGHT
I FOUND YOU IN THE PARK.
AND I THOUGHT TO MYSELF,
"THANK GOD ELIZABETH ISN'T HERE
TO SEE THIS."
ELIZABETH: THAT MEANS A LOT
TO KNOW YOU'D EVEN CARE.
LUCKY: WELL, OF COURSE
I CARE.
THAT WAS NEVER THE ISSUE.
ELIZABETH: RIGHT.
IT'S ABOUT THE DEGREES OF CARING
OR SOMETHING.
I DON'T PRETEND TO UNDERSTAND.
BUT WITH EMILY --
AND MOSTLY WHAT MY RAPE DID WAS
MAKE ME EMPATHETIC TO WHAT
SHE WAS GOING THROUGH, I GUESS.
I CAN'T SAY IT DIDN'T BRING BACK
MEMORIES --
THAT INITIAL DAYS OF SHOCK,
SITTING IN A STERILE ROOM
WAITING FOR AN EXAMINATION
YOU SO MUCH DON'T WANT.
AND ALL THE BAD STUFF --
GOING BACK TO THAT PLACE
AND HAVING TO RELIVE IT.
YOU GOT ME PAST THAT.
LUCKY: I NEVER WANTED TO HELP
ANYONE AS MUCH AS I WANTED
TO HELP YOU THAT NIGHT.
ELIZABETH: LUCKY,
YOU FLAT-OUT SAVED MY LIFE.

LAURA: HI, ELIZABETH.
ELIZABETH: HEY.
LAURA: I'M MEETING SOMEONE
HERE, BUT I DON'T MIND WAITING
OUTSIDE.
LUCKY: WELL, I MEAN,
IT'S A PUBLIC PLACE.
I HAVE NO AUTHORITY ABOUT WHO
STAYS OR GOES.
LAURA: OK.
THANKS.
SEE YOU.
BOBBIE: OH, HI, LAURA.
I WANTED TO GIVE YOU A NUMBER
IN CASE LUKE CALLS.
LAURA: YOU THINK HE WILL?
BOBBIE: WELL, WITH
MY BROTHER, YOU NEVER KNOW.
LAURA: YEAH, I GUESS YOU'RE
RIGHT.
SO, WHERE ARE YOU AND ROY GOING?
BOBBIE: I CAN'T EVEN SAY
THE WORD WITHOUT GETTING THIS
BIG, STUPID GRIN ON MY FACE.
LAURA: STUPID GRINS ARE GOOD.
BOBBIE: HAWAII.
LAURA: HAWAII.
OH.
YOUR HONEYMOON.
BOBBIE: GOD, YOU REMEMBER
THAT?
LAURA: OH, YES.
THAT'S ALL YOU TALKED ABOUT.
YOU WENT AROUND TALKING ABOUT IT
CONSTANTLY -- THAT AND HOW
WONDERFUL ROY WAS.
BOBBIE: YEAH, WELL,
CONSIDER ME WALKING PROOF THAT
THE MORE THINGS CHANGE, THE MORE
THEY STAY THE SAME.
LAURA: I'M HAPPY FOR YOU,
BOBBIE.
YOU BOTH DESERVE THIS.
BOBBIE: THANK YOU.
I THINK SO, TOO.
OH, THERE'S SCOTT.
I HOPE HE'S ALL RIGHT.
LAURA: WHY WOULDN'T HE BE?
SCOTT: HEY, LUCKY, WHAT DO
YOU SAY?
LAURA: HI.
SCOTT: TWO OF MY FAVORITE
GIRLS FOR THE PRICE OF ONE.
BOBBIE: HEY, SCOTT.
SCOTT: HIYA, BOBBIE.
HIYA, LAURA.
LAURA: HI.
BOBBIE: YOU HOLDING UP OK?
SCOTT: PARDON ME?
BOBBIE: YOU HOLDING UP OK?
SCOTT: OH, BAD NEWS TRAVELS
FAST IN THESE PARTS, HUH?
BOBBIE: YEAH, WELL, I HEARD
YOU BROKE UP WITH LUCY.
I'M SORRY.
SCOTT: WELL, TOUGH TIMES
RIGHT NOW.
YOU CALLED.
MUST BE IMPORTANT.
BOBBIE: WELL, YOU GUYS,
GOT TO GO.
LAURA: BOBBIE, IF I DON'T SEE
YOU, HAVE A GREAT TIME, OK?
BOBBIE: OK, I WILL.
SCOTT: WHERE ARE YOU GOING,
BOBBIE?
BOBBIE: HAWAII.
ALOHA.
HERE'S THE NUMBER.
SCOTT: HAVE A NICE FLIGHT.
BOBBIE: THANKS.
LAURA: WELL, I REALLY
APPRECIATE YOU SHOWING UP
SO QUICKLY, ESPECIALLY SINCE
YOU'RE OBVIOUSLY GOING THROUGH
YOUR OWN STUFF RIGHT NOW.
YOU SHOULD HAVE TOLD ME
SOMETHING.
SCOTT: WHAT WAS I GOING
TO SAY?
LAURA: I DON'T KNOW.
YOU COULD HAVE TOLD ME TO GO
AWAY, YOU WERE NURSING A BROKEN
HEART.
I CERTAINLY KNOW WHAT THAT'S
LIKE.
I WOULDN'T HAVE INTRUDED.
SCOTT: NAH, I WOULD NEVER SAY
SOMETHING LIKE THAT.
BESIDES, I THINK A DISTRACTION
IS GOOD.
LAURA: OH.
OK.
SCOTT: OK.
SO LET'S GO OVER HERE, SIT DOWN,
AND WE'LL TALK, ALL RIGHT?
LAURA: OK.
LAURA: YOU KNOW WHAT?
I THINK MAYBE THIS IS WRONG.
WE SHOULDN'T DO THIS.
SORRY.
SCOTT: NO, COME ON, COME ON.
I'M HERE. YOU'RE HERE.
LET'S TALK.
LAURA: OK.
WELL, I GUESS YOU KNOW THAT LUKE
WAS ACCUSED OF STEFAN'S MURDER?
SCOTT: YEAH, I HEARD
SOMETHING ABOUT THAT.
I ALSO HEARD THAT HE'S --
HE'S ON THE RUN.
LAURA: HE NEEDS A LAWYER,
SCOTTY.
WOULD YOU CONSIDER REPRESENTING
HIM?

LUCKY: THAT'S WEIRD.
I DON'T EVEN WANT TO THINK ABOUT
WHAT THAT MEANS.
ELIZABETH: WHY?
LUCKY: SCOTT BALDWIN
AND MY MOTHER WERE MARRIED.
ELIZABETH: I'D FORGOTTEN.
LUCKY: SHE WAS MARRIED TO HIM
WHEN MY FATHER RAPED HER.
THERE'S SOME KIND OF BIZARRE
ARMED TRUCE ABOUT IT.
THEY ALL PRETEND LIKE NOTHING'S
WRONG.
PASS EACH OTHER ON THE STREET,
SMILE, SAY GOOD MORNING.
I MEAN, WHAT'S A LITTLE RAPE
BETWEEN FRIENDS, RIGHT?
STILL, THERE'S GOT TO BE
SOMETHING INSIDE THAT GUY THAT
MAKES HIM HATE MY FATHER.
AND HE SHOULD.
ELIZABETH: WELL, I'M SORRY
IF SEEING THEM MAKES YOU UPSET.
LUCKY: NO, IT'S NOT THAT.
MY PARENTS' SICK PAST DOESN'T
MATTER TO ME ANYMORE.
YOU DO.

EMILY: OH.
I AM SO GLAD TO SEE YOU GUYS.
I COULD NOT STAY IN THAT HOUSE
WITH MY FAMILY ONE MINUTE LONGER
AND PRETEND LIKE NOTHING WAS
WRONG.

CHLOE: DID I INTERRUPT
SOMETHING?
ALEXIS: NO. NOT AT ALL.
JAX: NO, NOTHING.
CHLOE: ARE YOU SURE?
BECAUSE THE TWO OF YOU LOOK
A LITTLE GUILTY.
ALEXIS: NOT ME.
JAX: NOT -- NO.
ALEXIS: OH, JAX IS GOING OVER
SOME PAPERWORK.
I NEEDED HIM TO LOOK THAT OVER.
HE'S FUNDING A GRANT FOR GENERAL
HOSPITAL.
JAX: YEAH, YOU KNOW,
THANKS FOR BRINGING THIS
BY BECAUSE IT HAS BEEN
ON MY MIND.
ALIS: I KNEW THAT.
CHLOE: WHAT, YOU'RE LEAVING
ALREADY?
ALEXIS: MM-HMM.
IT'S SOMETHING YOU SAID.
CHLOE: WHAT?
ALEXIS: THAT'S A JOKE.
CHLOE: OH, OK.
ALEXIS: I KNOW IT'S HARD
TO TELL.
I'LL SEE YOU LATER.
CHLOE: OK, IS IT ME, OR WAS
ALEXIS ACTING A LITTLE WEIRD?
JAX: NO MORE THAN USUAL.
I THOUGHT YOU WERE WORKING LATE.
CHLOE: I WAS, BUT I DECIDED
I WOULD RATHER COME HOME AND TRY
TO CONVINCE YOU TO GO
TO MANHATTAN TONIGHT.
WE STILL HAVE TIME.
JAX: YOU KNOW, CHLOE,
I'D LOVE TO, BUT I HAVE
A MEETING.
IT'S ABOUT YOUR MEDICATION.
THERE'S NO WAY I'M BLOWING IT
OFF.
CHLOE: OK.
I'LL BE FLEXIBLE AND GO
WITH YOU.
JAX: NO.
CHLOE: WHY NOT?
JAX: BECAUSE WE WON'T BE ABLE
TO SPEND ANY QUALITY TIME
TOGETHER.
BESIDES, IT'S ONLY --
IT'S A QUICK TRIP TO CANADA.
AND THE MEETING IS GOING TO TAKE
FOREVER, SO --
I'LL BE BACK IN THE MORNING.
AND TOMORROW NIGHT, WE CAN DO
WHATEVER YOU WANT, WE CAN GO
WHEREVER YOU WANT.
CHLOE: ALL RIGHT.
AS LONG AS IT'S KNOWN THAT I WAS
AGREEING UNDER DURESS.
JAX: OK.
CHLOE: WILL YOU AT LEAST
HURRY BACK?
JAX: I WILL COME BACK AS FAST
AS I CAN.
AND I'LL HAVE THE MEDICATION
YOU NEED.
CHLOE: DO YOU HAVE ANY IDEA
HOW MUCH I LOVE YOU?
JAX: AND I LOVE YOU.
YOU'RE EVERYTHING TO ME.
YOU REMEMBER THAT.

JOHNNY: BENNY CALLED
THREE TIMES SO FAR.
HE REALLY NEEDS TO SPEAK TO YOU.
SONNY: ALL RIGHT, I'LL CALL
HIM BACK.
ANYTHING ELSE?
JOHNNY: NOTHING THAT CAN'T
WAIT TILL YOU GET SETTLED.
YOU LOOK GOOD.
CARLY: THANK YOU.
SONNY: ALL RIGHT.
I LOVED THE PLANE RIDE.
HOW ABOUT YOU, MIKE?
BUT I'M TIRED.
SAY GOOD NIGHT, HONEY.
ALL RIGHT, I'M GOING TO TAKE
YOU STRAIGHT TO BED.
HERE'S YOUR AIRPLANE GUY.
YEAH.
YOU'RE GETTING HEAVY, BOY.
SONNY: YOU KNOW WHAT, CARLY?
THIS IS NO GOOD, AND YOU KNOW
IT.

CARLY: WHAT'S NO GOOD?
SONNY: IT WAS TOO SOON
TO BRING YOU BACK HERE.
CARLY: WHAT ARE YOU,
MY SHRINK?
I'M FINE.
SONNY: YOU KNOW,
CARLY, SOMETIMES YOU'RE A MORE
CONVINCING LIAR THAN OTHERS.
CARLY: THAT'S NICE.
INSULT ME?
SONNY: THAT'S NOT WHAT I'M
TRYING TO DO.
CARLY: WHAT ARE YOU TRYING
TO DO, THEN?
WHY DON'T YOU MAKE YOUR POINT?
SONNY: I DID.
YOU SHOULDN'T BE HERE.
THIS PLACE -- IT HURTS, OK?
I KNOW BECAUSE IT HURTS ME.
I'VE BEEN THINKING A LOT
THE LAST COUPLE OF NIGHTS,
AND I KNEW WE'D HAVE TO LEAVE
THE ISLAND EVENTUALLY.
AND I'M NOT SAYING I HAVE ALL
THE ANSWERS OR I KNOW HOW
TO COPE WITH IT ANY BETTER THAN
YOU DO, BUT I THINK THE TRICK IS
THAT WE --
WE SHOULDN'T LOOK AROUND AND SEE
EVERYTHING THAT'S MISSING.
WE SHOULD CONCENTRATE ON WHAT'S
LEFT.
CARLY: YOU MEAN MICHAEL?
SONNY: YOU LOVE HIM.
TAKE HIM TO THE PARK.
WATCH HIM GROW.
YOU CAN TURN THAT EMPTY ROOM
UPSTAIRS INTO, YOU KNOW, A PLAY
PALACE.
AND I'M NOT SAYING WE SHOULD
REPLACE THE SON WE LOST WITH,
YOU KNOW, PAINT JOBS
AND FURNITURE OR FORGET ABOUT
HIM.
NO, THAT FEELS WRONG.
BUT I --
BUT I THINK
IT'S OK TO FOCUS ON WHAT'S GOOD.
I THINK THAT HONORS HIM SOMEHOW.
CARLY: YOU'RE RIGHT.
THANK YOU FOR REMINDING ME.
SONNY: IS THERE ANYTHING
I CAN DO FOR YOU, CARLY?
I MEAN --
TELL ME WHAT'S WRONG.
I CAN MAKE IT BETTER.
[TELEPHONE RINGS]
SONNY: LET IT GO.
IT'S ALL RIGHT.
CARLY: NO, IT'S NOT ALL
RIGHT.
IT'S PROBABLY BENNY
FOR THE FOURTH TIME.
YOU KNOW HOW HE IS.
HE'LL JUST KEEP CALLING.
SO I'M GOING TO GO CHECK
ON MICHAEL.
SONNY: I DON'T HAVE TO ANSWER
THE PHONE.
[RING]
SONNY: WHAT, BENNY?
WHAT IS SO IMPORTANT THAT
YOU COULDN'T WAIT TO HEAR
FROM ME?

EMILY: SO I'M WALKING AROUND
THE HOUSE, BEING HAPPY,
SMILING, PUTTING OTHIS -- THIS
FACADE IN FRONT OF EVERYBODY,
BUT I DON'T KNOW IF
THEY BELIEVED IT.
I KNOW GRANDMOTHER DIDN'T.
THAT'S FOR SURE.
ELIZABETH: WELL, DID SHE ASK
ANY QUESTIONS?
EMILY: WELL, SHE ASKED ME
IF I WAS ALL RIGHT, AND I JUST
TOLD HER THAT I WAS REALLY
TIRED.
I'M NOT SURE IF SHE BELIEVED IT.
AND THEN I WENT UPSTAIRS TO TRY
AND TAKE A NAP.
EVERY TIME I CLOSED MY EYES,
I WOULD JUST IMAGINE THAT GUY'S
DEAD ARM ON ME.
LUCKY: WELL, IT SOUNDS LIKE
YOU NEED A DISTRACTION.
CAN YOU HANG TIGHT FOR A WHILE?
EMILY: ARE YOU KIDDING ME?
I JUST GOT HERE.
I COULD NOT WAIT TO GET HERE.
I'M NOT LEAVING, ESPECIALLY NOW
THAT I KNOW YOU GUYS ARE HERE.
LUCKY: OH.
EMILY: THANKS.
LUCKY: THAT'S THE WAY IT'S
SUPPOSED TO BE.
I'LL BE RIGHT BACK.
ELIZABETH: OK.
EMILY: PLEASE TELL ME I JUST
DIDN'T INTERRUPT SOMETHING
LIFE-CHANGING.
ELIZABETH: I WISH.
EMILY: OH, ELIZABETH,
I'M SO SORRY.
I REALLY DIDN'T MEAN TO BE
A DRAG.
ELIZABETH: OH, EM, STOP IT.
SOMETHING HORRIBLE HAPPENED
TO YOU, AND I UNDERSTAND WHAT
THAT'S LIKE.
YOU NEED YOUR FRIENDS RIGHT NOW,
AND WE ARE HERE TO HELP YOU.
EMILY: I REALLY DON'T MEAN
TO SUCK THE AIR OUT OF THE ROOM
EVERY TIME I WALK IN, BUT I JUST
CAN'T STOP THINKING ABOUT IT.
ELIZABETH: MAYBE IT'S NOT
SUCH A BAD THING IF IT HELPS
YOU REMEMBER.
EMILY: YEAH, BUT I DON'T,
AND THAT'S WHAT I HATE.
IF I REALLY DID HELP THAT GUY
SHOOT UP, THEN I'M RESPONSIBLE
FOR HIS DEATH.

SCOTT: SO, HYPOTHETICALLY,
IF HE WAS ON BOARD,
WHAT HE WOULD WANT ME TO DO IS
GO DOWN TO THE DISTRICT
ATTORNEY'S OFFICE AND CUT SOME
KIND OF A DEAL SO HE'S NOT
PENALIZED FOR TAKING OFF.
LAURA: YEAH, RIGHT.
THAT'S WHAT I WAS THINKING.
CAN YOU DO THAT?
SCOTT: WELL, LAURA,
I WOULDN'T WANT TO BE THE ONE
THAT SENDS LUKE TO SING SING.
YOU KNOW, I'M NOT EXACTLY
AT THE TOP OF MY GAME.
LAURA: OH, YOU MEAN
BECAUSE OF LUCY?
SCOTT: YEAH.
I'M ABOUT TO LOSE ANOTHER
MARRIAGE HERE, AND IT'S TOUGH.
IT'S TOUGH, YOU KNOW?
YOU JUST --
SUPPOSED TO JUST WALK AWAY?
LAURA: I KNOW.
I REALLY DO.
SCOTT: BY THE WAY,
HAPPY ANNIVERSARY.
LAURA: OH, MY GOSH.
I DIDN'T THINK YOU REMEMBERED
THAT.
SCOTT: HOW COULD I FORGET,
YOU KNOW?
TWO KIDS IN THE PARK
WITH A CROWD OF PEOPLE --
WELL-MEANING CROWD --
LAURA: MM-HMM.
SCOTT: SAYING, "WHAT ARE
YOU DOING?
YOU'RE MAKING A MISTAKE."
LAURA: YEAH.
"YOU'RE TOO YOUNG TO KNOW HOW
YOU REALLY FEEL."
SCOTT: YEAH.
"WHAT DO YOU WANT, A BALL
AND CHAIN AT YOUR AGE?"
LAURA: OH, STOP IT.
YOU KNOW WHAT?
I DON'T REGRET IT.
I REALLY DON'T.
DESPITE HOW IT TURNED OUT.
SCOTT: I'M GLAD YOU SAID
THAT.
BECAUSE I GOT TO TELL YOU,
BEING YOUNG AND IN LOVE
AND MARRIED TO YOU --
THAT WAS THE BEST TIME
OF MY LIFE.

[HELENA HUMS]
[DOOR OPENS]
HELENA: OH, JAX.
YOU ARE EVERY BIT AS HANDSOME
IN THAT TUX AS I IMAGINED.
ALTHOUGH A TAD MORE GRIM.
BUT NEVER MIND.
I HAVE DECIDED TO CONSIDER
YOU A CHALLENGE.
JAX: I'M HERE BECAUSE WE HAVE
A DEAL.
I ASSUME YOU'RE STILL PREPARED
TO LIVE UP TO IT?
HELENA: OH, THE SALES
AGREEMENT AWAITS YOUR SIGNATURE.
JAX: SHOW IT TO ME.
HELENA: ALL IN GOOD TIME.
BUT I ASSURE YOU, EVERYTHING IS
IN ORDER.
JAX: AND THE MEDICATION?
HELENA: THERE'S MORE THAN
ENOUGH MEDICATION ONBOARD
TO START CHLOE'S TREATMENTS
IMMEDIATELY, BUT YOU'LL HAVE
TO TAKE MY WORD FOR THAT
AS WELL.
CHAMPAGNE?
JAX: NOT SO FAST.
I HAVE ANOTHER PROPOSAL I'D LIKE
TO PUT ON THE TABLE.
THE SALES AGREEMENT PLUS
THE MEDICATION FOR CHLOE
IN EXCHANGE FOR THIS.
IT'S A SWORN AFFIDAVIT.
ALEXIS IS PREPARED TO STOP
FIGHTING YOU FOR GUARDIANSHIP
OF THE CASSADINE ESTATE.
IT'S WHAT YOU'VE ALWAYS WANTED,
HELENA --
COMPLETE CONTROL OF THE FAMILY
FORTUNE.
I'M SURE YOU'LL AGREE THAT IT'S
A MUCH BETTER WIN FOR
YOU IN THE LONG RUN.

HELENA: THIS
IS INSULTING.
ALEXIS IS NO THREAT.
OH, SHE'S AN ANNOYANCE AT BEST.
I WILL TAKE CONTROL
OF THE FAMILY ESTATE WHETHER
ALEXIS CHOOSES TO FIGHT IT
OR NOT.
NOW, THE ORIGINAL TERMS
OF OUR DEAL ARE THE ONLY ONES
I'M INTERESTED IN PURSUING --
ONE NIGHT WITH YOU IN EXCHANGE
FOR THE PURCHASE AND OWNERSHIP
OF MY PHARMACEUTICAL COMPANY
AND THE MEDICATION THAT CHLOE
NEEDS.
NOW, IF YOU'VE CHANGED
YOUR MIND, I SUGGEST YOU LEAVE.
JAX: VERY WELL.
WE'LL DO IT YOUR WAY.
HELENA: SPLENDID.
I'VE LEFT ORDERS THAT WE NOT BE
DISTURBED, SO WHY DON'T
WE FORGET ALL OF THIS
UNPLEASANTNESS AND PRETEND THAT
YOU JUST ARRIVED.
WELCOME, JAX.
FINALLY.

CARLY: HEY.
MICHAEL WANTED TO SAY GOOD
NIGHT.
SONNY: OH.
CARLY: JUST SO YOU KNOW,
HE'S PRETTY ATTACHED
TO THE BOAT.
SONNY: OH, REALLY?
CARLY: YEAH.
SONNY: THAT'S BECAUSE HE HAD
SO MUCH FUN ON THE WATER.
BUT DON'T YOU WORRY.
YOU KNOW WHY?
BECAUSE I GOT A BOAT, TOO.
MICHAEL: NO.
SONNY: YEAH.
AND I'M GOING TO TAKE YOU OUT
ON IT IN THE SUMMERTIME.
GET YOU A LITTLE CAPTAIN'S HAT,
MAYBE STEER THE BOAT
IF YOU WANT.
MICHAEL: NO.
SONNY: WHAT, YOU LIKE THAT?
LOOK AT HIS HEAD.
LITTLE REDHEAD.
AND I'LL TELL YOU WHAT.
IN THE FALL, WE'RE GOING TO GO
BACK TO THE ISLAND, AND I'M
GOING TO BUILD YOU A SAND CASTLE
SO BIG THAT UNCLE JOHNNY IS
GOING TO WAVE FROM THE OCEAN.
CARLY: I THINK THIS LITTLE
BOY IS GOING TO HAVE REALLY GOOD
DREAMS TONIGHT.
SONNY: WELL, THAT'S
IF HE EVER GETS TO SLEEP FIRST.
OK, COME ON.
LET'S GO.
LET'S GO TO SLEEP.
CARLY: GOING TO CARRY HIM UP?
MICHAEL: LET'S SLEEP.
SONNY: YOU COMING, MAMA?
ALL RIGHT.
MICHAEL: NO.
SONNY: YEAH.
MICHAEL: NO.
[SONNY LAUGHS]

SCOTT: YOU KNOW, HOW --
HOW YOUNG WERE WE TO THINK THAT
THINGS WOULD NEVER CHANGE?
OF COURSE --
LAURA: YEAH.
SCOTT: I'M VERY HAPPY THAT
I MET DOMINIQUE AND I MARRIED
HER.
I GOT SERENA.
AND THEN LUCY.
LUCY DRIVES ME CRAZY, THOUGH.
LAURA: OH, THAT MAY BE A SIGN
THAT IT'S NOT REALLY OVER
BETWEEN THE TWO OF YOU.
SCOTT: I HOPE NOT.
BUT, YOU KNOW, SHE'S BLAMING ME
FOR OUR DAUGHTER BEING
KIDNAPPED.
AND I MEAN, THAT'S --
SHE'S NOT MAKING ANY SENSE.
I MEAN, SHE'S NOT ACTING OUT
OF ANYTHING THAT'S -- THAT'S
LOCAL ANYMORE.
SHE'S -- KIND OF SEEMS TO ME
LIKE SHE'S LOSING HER MIND.
LAURA: YEAH, BUT PEOPLE SAY
AND DO CRAZY THINGS WHEN THEY'RE
GRIEVING.
YOU KNOW, THE NIGHT THAT
WE THOUGHT THAT LUCKY DIED
IN THE FIRE, LUKE FOUND ME
BECAUSE HE WANTED TO BE THE ONE
TO TELL ME, AND HE WAS
WONDERFUL.
HE WAS SO STRONG, AND HE HELD
ME, AND I CRIED.
AND LATER ON THAT NIGHT WHEN
WE WERE AT THE MORGUE, I FLIPPED
OUT AND I SLAPPED HIM
AND I BLAMED HIM FOR OUR SON
DYING.
I WOULD GIVE ANYTHING TO TAKE
THAT BACK NOW.
ALL I'M SAYING IS DON'T HOLD
EVERYTHING THAT LUCY'S SAYING
AGAINST HER.
SCOTT: I'M TRYING NOT TO.
IT'S JUST THAT SHE SAID SOME
REALLY HORRIBLE THINGS,
THAT'S ALL.
LAURA: I REALLY AM SORRY.
SCOTT: YEAH. ME, TOO.
LAURA: WELL, I GUESS
I'D BETTER GET GOING.
I WANT TO CHECK ON MY DAUGHTER.
IS THERE ANY CHANCE YOU MIGHT
RECONSIDER REPRESENTING LUKE?
SCOTT: LISTEN, LAURA,
LOOK AROUND, OK?
IF YOU CAN'T FIND ANYBODY,
CALL ME AGAIN.
LAURA: THANKS.
SCOTT: OK.
COME ON, I'LL WALK YOU OUT.
LAURA: OK.
LAURA: BYE.

ELIZABETH: BYE, LAURA.
EMILY: YOU KNOW, I KEEP --
I KEEP RETHINKING THAT NIGHT,
BUT I JUST DON'T REMEMBER
ANYTHING.
I MEAN, FROM THE TIME THAT TED
LAID ME DOWN ON THAT BED,
IT'S JUST --
I DON'T KNOW --
IT'S ALL BLANK.
I DON'T REMEMBER PICKING UP
THE NEEDLE, LET ALONE INJECTING
HIM WITH IT.
ELIZABETH: WHAT ABOUT
ANYTHING PHYSICAL?
EMILY: NOT EVEN A KISS.
ELIZABETH: NO, NO, I MEAN
FEELINGS.
LIKE DO YOU REMEMBER BEING
AFRAID?
EMILY: THAT'S THE WEIRD PART,
ELIZABETH.
I DON'T THINK THAT I WAS AFRAID
AT ALL.
I JUST THOUGHT THAT TED WAS SOME
REALLY NICE GUY.
OH.
HOW DID I GET MYSELF IN THIS
MESS?
I DON'T UNDERSTAND IT.
I AM SMART ENOUGH TO KNOW NOT
TO DRINK AND THEN TAKE OFF
WITH SOME STRANGER.
ELIZABETH: WELL,
EMILY, IT'S NOT LIKE YOU EXACTLY
MADE THE CHOICE.
I MEAN, THE GUY DRUGGED
YOU AND THEN HE TOOK ADVANTAGE
OF YOU.
IF YOU ASK ME, YOU'RE LUCKY TED
DIED BEFORE HE DID DO SOMETHING
HORRIBLE TO YOU.
EMILY: THAT'S EXACTLY HOW
I FEEL.
DOES THAT MAKE ME A BAD PERSON?
ELIZABETH: NO, NOT IN THIS
ROOM.
EMILY: I'M REALLY LUCKY
TO HAVE YOU GUYS --
YOU AND NIKOLAS AND LUCKY.
I WOULD NOT BE ABLE TO GO
THROUGH THIS WITHOUT YOU GUYS.
ELIZABETH: YES, YOU COULD.
BUT THAT'S BESIDES THE POINT
BECAUSE YOU DO HAVE US
AND WE ARE GOING TO TAKE CARE
OF YOU.
ALL FOR ONE AND ONE FOR ALL,
RIGHT?
EMILY: RIGHT.
ELIZABETH: NO ONE ELSE WILL
KNOW WHAT HAPPENED IN THAT ROOM.

BOBBIE: ARE YOU FINISHED?
ROY: AH, WELL --
BOBBIE: DON'T EVEN ANSWER
BECAUSE IT DOESN'T MATTER.
BECAUSE AS OF THIS MINUTE, I AM
DECLARING YOU OFFICIALLY
ON HAWAII TIME.
ROY: HAWAII TIME.
LOOK WHAT HAPPENED TO MY HANDS.
OK, WHAT DO I NEED?
WHAT DO I NEED?
BOBBIE: TICKETS.
ROY: TICKETS.
BOBBIE: SO, I'VE NEVER
ASKED -- HAVE YOU EVER MADE IT
THERE IN THE LAST 20 YEARS?
ROY: HAWAII?
NO, NO.
THE F.B.I., YOU KNOW,
THEY WEREN'T BIG ON LETTING
YOU CHOOSE YOUR OWN LOCATION.
BESIDES, THERE WAS NO WAY
I NTED TO GO THERE
WITHOUT YOU.
BOBBIE: SAME HERE.
ROY: SO WHY DON'T WE BLOW
THIS POP STAND.
COME ON.

LUCKY: HEY.
EMILY: HEY.
ELIZABETH: HEY.
EMILY: I WAS THINKING YOU GOT
LOST OR SOMETHING.
LUCKY: WELL, YOU KNOW,
THESE ARE A LITTLE HARD TO FIND
THIS TIME OF NIGHT, BUT --
EMILY: WHAT? OH.
ELIZABETH: OH.
WHAT?
LUCKY: A LITTLE-KNOWN EMILY
FACT -- SHE'S A SUCKER FOR GRAPE
POPSICLES.
EMILY: THAT IS VERY,
VERY TRUE.
EVER SINCE WE WENT OUT WEST
TOGETHER LOOKING FOR MY AUNT,
THERE'S SOMETHING ABOUT
HAVING -- I DON'T KNOW -- PURPLE
LIPS MAKES ME FEEL BETTER.
LUCKY: SEE IF IT STILL WORKS.
[TELEPHONE RINGS]
ELIZABETH: EXCUSE ME,
YOU GUYS.
EMILY: VERY THOUGHTFUL.
LUCKY: I'M JUST TRYING
TO MAKE YOU SMILE.
ELIZABETH: EMILY -- PHONE.
EMILY: WHICH ONE OF MY FAMILY
MEMBERS IS IT?
ELIZABETH: I DON'T KNOW.
IT'S SOME GIRL.
I DON'T RECOGNIZE HER VOICE.
HERE YOU GO.
EMILY: THANKS.
HELLO?
GIRL: EMILY QUARTERMAINE?
EMILY: YES?
GIRL: I WAS THERE LAST
FRIDAY.
I SAW WHAT YOU DID.

HELENA'S VOICE: I HAD
THE MOST INTERESTING RUN-IN
WITH CHLOE MORGAN TONIGHT.
SHE WAS SITTING ON THE BENCH
OVERLOOKING THE BLUFF
AT WYNDEMERE.
ANDREAS' VOICE: WHY WOULD
SHE BE THERE?
HELENA'S VOICE: SHE CLAIMED
TO BE SKETCHING IN THE DARK,
WHICH IS PATENTLY ABSURD.
MORE IMPORTANTLY, SHE SOMEHOW
KNEW STEFAN HAD BEEN POISONED.
ANDREAS' VOICE: BUT THAT'S
IMPOSSIBLE.
HELENA'S VOICE: IT WOULD SEEM
SO.
IN ANY EVENT, I'LL HAVE TO KEEP
A MUCH CLOSER EYE ON HER.
STEFAN: GET ME EVERYTHING
YOU CAN ON CHLOE MORGAN.

CARLY: WHERE DO YOU EVEN COME
UP WITH SOME OF THESE BEDTIME
STORIES?
SONNY: WELL, YOU KNOW, I HAVE
AN IMAGINATION.
BESIDES, I KNOW WHAT MICHAEL
LIKES, AND I JUST KIND OF WING
IT FROM THERE.
CARLY: HE'S GOING TO MISS
YOUR BEDTIME STORIES.
SONNY: WHY?
I'M NOT GOING ANYWHERE.
CARLY: WE ARE.
SONNY: OH, YEAH?
SINCE WHEN?
CARLY: YOU WERE RIGHT.
IT'S NO GOOD ANYMORE.
I CAME HERE BECAUSE OF THE BABY,
AND THE BABY'S GONE.
SO,
I THINK THAT THE BEST THING
FOR MY SON AND ME
IS TO MOVE OUT
AS SOON AS POSSIBLE.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

TIM: WHAT DO YOU THINK?
LAURA: THINKING IS NO FUN.

ELIZABETH: EM, WHO WAS THAT?
EMILY: SOMEONE WHO SAW ME
KILL TED.

CARLY: I KNOW WHY I CAME,
BUT WHY AM I HERE NOW?

HELENA: THESE NEXT FEW HOURS
ARE GOING TO BE VERY
ILLUMINATING.
JAX: I HAVE A FEW SURPRISES
FOR YOU, TOO.

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