General Hospital Transcript Friday 6/30/00

Provided by Laura

(Sorry, the first minute is
missing from this transcript.)

STEFAN IS NOT SETTING UP LUKE.
MAC IS, AND HE SEEMS VERY
DETERMINED ABOUT IT.
STEFAN IS DEAD, AND LUKE IS
BEING FRAMED BY A VERY JEALOUS
POLICE COMMISSIONER.
STEFAN: SO TRUE, MOTHER.
BUT NOT.

HELENA: WELL, EXACTLY
THE EFFECT I WANTED TO ACHIEVE.
YOU HAVE A FINE EYE FOR DETAIL,
ANDREAS.
ANDREAS: YOUR INSTRUCTIONS
ARE EXTREMELY PRECISE, MADAM.
HELENA: AND YOU HAVE FOLLOWED
THEM TO THE LETTER.
WITH THE SOLE EXCEPTION OF THIS.
ANDREAS: OH, BUT I TRIED
TO FIND --
HELENA: I KNOW, I KNOW.
IT COULDN'T BE HELPED.
STEFAN DRAINED THE LAST DROP
OF HIS FATHER'S FINEST PORT.
WELL, JAX WILL HAVE TO MAKE DUE
WITH A LESSER VINTAGE.
FORTUNATELY, HE WILL BE
IN NO POSITION TO OBJECT.

CHLOE: HEY.
JAX IS ON HIS WAY.
WE DON'T HAVE MUCH TIME.
THANK YOU FOR COMING SO FAST.
ALEXIS: DO YOU FEEL AS AWFUL
AS YOU SOUNDED?
CHLOE: I AM JUST TOO
EMOTIONAL.
WHEN I ARGUE, I COME FROM HERE.
YOU ARE CRISP AND LOGICAL.
I NEED YOU ON MY SIDE.
ALEXIS: I GUESS I DON'T HAVE
TO ASK YOU WHAT THIS IS ABOUT.
CHLOE: JAX IS MAKING A DEAL
WITH THE DEVIL FOR A MEDICATION
THAT MAY NOT EVEN WORK.
ALEXIS: CHLOE, YOU SAID
YOURSELF THAT THIS COMPOUND IS
THE THING THAT CAN SAVE
YOUR LIFE.
CHLOE: NO.
I WOULD RATHER GO BLIND THAN
HAVE JAX RISK HIS LIFE.

CARLY: SONNY, CALM DOWN.
IT'S 100 DEGREES OUT HERE.
SONNY: 80, 85 TOPS.
COME ON.
CARLY: BUT, STILL --
SONNY: COME ON, MICHAEL.
CARLY: IT'S WAY TO HOT
FOR MICHAEL TO CATCH A CHILL.
SONNY: YEAH, BUT WE GOT
TO KEEP HIM WARM.
LETICIA: HI, MICHAEL.
SONNY: HERE YOU GO.
AND THEN HE'S GOING TO TAKE
A BATH, GET A STORY, AND GO
STRAIGHT TO BED.
CARLY: MICHAEL, HONEY,
I'D PLEAD YOUR CASE, BUT UNCLE
SONNY'S REAL OLD SCHOOL.
SONNY: YOU MIGHT WANT --
THERE MIGHT BE SOME SAND
IN HIS HAIR.
LETICIA: I'LL TAKE CARE
OF IT.
SONNY: ALL RIGHT.
LETICIA: DID YOU HAVE FUN,
MICHAEL?
CARLY: YOU'RE STARTING
TO REMIND ME OF MY GRANDMOTHER.
SONNY: YOU NEVER HAD
A GRANDMOTHER.
BESIDES, A 2-YEAR-OLD NEEDS
HIS SLEEP.
CARLY: MICHAEL AND I ARE
NIGHT PEOPLE.
SONNY: OH, YEAH? SINCE WHEN?
CARLY: SINCE TONIGHT.
LETICIA: WE'LL BE BACK.
SONNY: ALL RIGHT, BUT NOT TOO
LONG BECAUSE, YOU KNOW,
TOMORROW'S A BIG DAY.
CARLY: WHAT'S TOMORROW?
SONNY: "WHAT'S TOMORROW?"
CARLY: YEAH.
SONNY: MAYBE THE SAME
AS TODAY.
CARLY: WORKS FOR ME.
TONIGHT WAS SO AMAZING.
IT WAS UNBELIEVABLE.
OH, MY GOD.
I GOT TO TELL YOU, WHEN
YOU FIRST THREATENED ME
WITH THAT WHOLE CAMPING OUT
THING --
SONNY: WELL, ACTUALLY I SAID
COOKOUT, NOT CAMPING OUT.
CARLY: WHATEVER.
I WAS TOTALLY PICTURING RAW FISH
AND EYEBALLS ON STICKS.
NOT A BEAUTIFUL TABLE,
DINNER, CHINA, FLOWERS.
SONNY: WELL, TOMORROW,
YOU KNOW, YOU GET YOUR RAW FISH
WITH THE EYES BULGING OUT.
CARLY: YOU KNOW HOW I USUALLY
FEEL ABOUT FISH.
SONNY: YOU KNOW, FOR SOMEBODY
WHO HAS A LIMITED PALATE,
YOU KIND OF EAT A LITTLE BIT.
I MEAN --
CARLY: YOU TOOK ALL THE TIME
TO CATCH THE THING.
IT WAS THE LEAST THAT I COULD DO
WAS PARTAKE.
SONNY: YEAH, BUT DID YOU HAVE
TO PARTAKE IN THREE HELPINGS?
CARLY: I WAS BEING POLITE.
SONNY: AH.
CARLY: IT WAS GOOD.
SONNY: YEAH?
CARLY: YEAH.
WHAT'D YOU DO TO MAKE IT TASTE
LIKE MT?
SONNY: I COOKED IT.
CARLY: HMM.
SONNY: YOU LIKE EVERYTHING
I MAKE.
CARLY: DON'T --
YOU KNOW WHAT?
DON'T GET CARRIED AWAY
WITH YOURSELF JUST BECAUSE
MY SON THINKS THAT YOU'RE MAGIC.
I COULDN'T HELP BUT NOTICE THAT
LOOK ON HIS FACE WHEN YOU WERE
REELING IN THAT -- WHATEVER IT
WAS.
SONNY: YOU KNOW, WHEN
I WAS SMALL, THIS --
THE KID NEXT DOOR USED TO GO
FISHING WITH HIS DAD, AND I --
AT THE CRACK OF DAWN THEY'D BE,
YOU KNOW, HEADING OUT.
AND I'D LOOK OUT THE WINDOW.
MAYBE I COULD TAKE MICHAEL
SOMETIME.
I MEAN, YOU KNOW, WHEN HE'S
OLDER.
YOU CAN COME ALONG.
I MEAN, WELL, ONLY IF MICHAEL
SAYS IT'S OK BECAUSE HE MIGHT
WANT IT TO BE A GUY THING.
CARLY: YOU KNOW, THIS WHOLE
FUTURE THAT YOU IMAGINE
WITH MICHAEL IN IT?
I WOULDN'T EVEN BE IN IT IF IT
WEREN'T FOR YOU.
I CAME THIS CLOSE TO TRASHING
MY LIFE.
HOW CAN I THANK YOU FOR STOPPING
ME?

ELIZABETH: HEY.
LUCKY: YOU --
YOU LOOK INCREDIBLE.
ELIZABETH: AS IN NOT TO BE
BELIEVED?
LUCKY: AS IN GORGEOUS AND
COMPLETELY COOL WITH IT --
LIKE I ALWAYS KNEW YOU COULD BE.
[MUSIC PLAYS]
JUAN: SORRY.
JUAN: EXCUSE ME.
EMILY: WHAT EXACTLY ARE
WE SUPPOSED TO BE EXPERIENCING
HERE?
JUAN: YOU'RE KIDDING, RIGHT?
EMILY: NOT COMPLETELY.
JUAN: CAN'T YOU FEEL IT?
FEEL THE FLOOR.
EMILY: WHAT?
JUAN: THROUGH THE SOLES
OF YOUR FEET.
YOU FEEL THAT?
EMILY: WHAT, THE BASS?
JUAN: THE PULSE, THE CROWD,
THE LIGHTS, EVERYTHING, AND ALL
ROLLED UP INTO ONE.
IT'S LIKE -- IT'S LIKE A LOUD,
HUMONGOUS HEARTBEAT.
SORRY.
EMILY: ARE YOU SURE YOU'RE
REALLY FEELING THIS?
THIS ISN'T JUST SOMETHING
YOU READ IN "ROLLING STONE"?
JUAN: GIVE IT A CHANCE,
ALL RIGHT?
EMILY: DO YOU KNOW ANYBODY
HERE?
JUAN: NOT YET.
EMILY: NEITHER DO I.
MAYBE WE SHOULD GO LOOK
FOR NIKOLAS AND ELIZABETH
OR SOMETHING.
JUAN: IS LUCKY STILL COMING
WITH THEM?
THAT WOULD BE NO.
WHAT'S UP, DUDE.
EMILY: WHY DON'T YOU GIVE
LUCKY A CHANCE?
JUAN: THANKS. I'LL PASS.
EMILY: WHY DON'T WE GO
SOMEWHERE THAT'S A LITTLE MORE
QUIET.
JUAN: LIKE WHERE?
THE LIBRARY?
I DON'T THINK SO.
EMILY: NO.
NO, SOMEPLACE WHERE JUST
YOU AND ME CAN BE ALONE
TOGETHER.
JUAN: WE TRIED THAT.
EMILY: WHAT, I DON'T GET
A SECOND CHANCE?
JUAN: CAN WE TALK ABOUT THIS
ANOTHER TIME?
EMILY: I HAVE MONEY ON ME
RIGHT NOW.
WE CAN GO GET A HOTEL ROOM.
WHY CAN'T WE GET A HOTEL ROOM?
JUAN: BECAUSE 10 MINUTES
AFTER WE GET THERE,
YOU'RE PROBABLY GOING TO WANT
TO COME BACK HERE.
EMILY: NO, I'M NOT GOING
TO WANT TO COME BACK HERE.
TRUST ME, I'M NOT GOING TO WANT
TO COME BACK.
JUAN: WHAT IS YOUR PROBLEM
WITH THIS PLACE?
EMILY: I -- I JUST DON'T GET
IT, THAT'S ALL.
JUAN: IT'S NOT THAT
COMPLICATED.
WE'RE HERE TO HAVE FUN.
LOOK AROUND.
SEE?
OR IS THAT SOMETHING THAT
YOU CAN'T DO THESE DAYS?
ALISON: OH, LOOK.
THE EVENING CAN START NOW.
JUAN: HEY, ALISON.
ALISON: MEET THE BLAZING NEW
LIGHT OF THE MUSIC WORLD,
TEMPORARILY DETAINED
AT PORT CHARLES HIGH, OF COURSE.
GIRL: NO INTRODUCTIONS
NECESSARY.
JUAN: SHERRY AND I WERE
IN CALC CLASS TOGETHER.
SHERRY: CALC?
IS THAT WHAT WE WERE SUPPOSED
TO BE DOING?
JUAN: WELL, THAT'S WHAT
THE BOOK SAID.
SHERRY: AH, THERE WAS A BOOK.
I MISSED A LOT.
I WAS SPENDING THE WHOLE
SEMESTER STUDYING YOU.
ISON: POOR SHERRY.
SHE'S A SLOW STUDY.
LUCKILY FOR YOU, I'M EXTREMELY
FAST.

EMILY: SO, DID YOU -- DID
YOU FLUNK THE CLASS?
SHERRY: IS IT OVER?
EMILY: THE CALC CLASS.
SHERRY: DO I GET EXTRA CREDIT
FOR COMING TO YOUR CONCERT?
JUAN: IT WASN'T ACTUALLY
MY CONCERT.
SHERRY: IT WAS FOR ME.
MUCH AS I LOVE EDDIE MAINE,
YOUR OPENING ACT WAS
THE HIGHLIGHT OF THE SHOW.
JUAN: THANK YOU, THANK YOU.
IT WAS REALLY LAST-MINUTE,
THOUGH.
EDDIE WAS LATE, AND EMILY PUSHED
ME OUT ON THE STAGE.
SHERRY: WELL, YOU'RE GOING
TO BE HUGE.
ALISON: YEAH.
WHERE DO WE SIGN UP
FOR YOUR ENTOURAGE, HUH?
EMILY: TAKE A NUMBER.
ALISON: OK.
HOW ABOUT ONE AND TWO?
JUAN: ONE'S TAKEN.
THIS IS MY GIRLFRIEND EMILY.
ALISON: EMILY WOULD BE
THE DEER IN HEADLIGHTS.
EMILY: EXCUSE ME?
ALISON: WELL, NO OFFENSE,
BUT YOU SEEM A LITTLE
OVERWHELMED.
IS THIS TOO MUCH FOR YOU?
EMILY: NO, NOT AT ALL.
ALISON: WELL, THEN, WHY ARE
YOU STANDING THERE LIKE
A STOP SIGN?
THE IDEA IS TO MOVE YOUR BODY
PARTS JUST A LITTLE BIT.
EMILY: I DON'T NEED RAVE
LESSONS FROM YOU, OK?
ALISON: GOOD, BECAUSE
I ACTUALLY DON'T TEACH
THE RHYTHMICALLY CHALLENGED.
JUAN: EMILY IS ACTUALLY
A GREAT DANCER.
ALISON: YEAH, IF YOUR IDEA
OF DANCING IS DOING THE RHUMBA
AT THE NURSES' BALL.
EMILY: OH, WHAT,
INSTEAD OF BEING A COUNTRY CLUB
PRE-DEB FOXTROTTER?
SOME OF US AREN'T AS COOL
AS YOU ARE, ALISON.
ALISON: WELL.
I WANT TO DANCE.
EMILY: GOOD LUCK FINDING
A PARTNER.
ALISON: WELL, ACTUALLY,
I'VE ALREADY GOT ONE PICKED OUT.
JUAN, YOU WANT TO GO?
JUAN: UH -- MAYBE LATER.
ALISON: WELL, MAKE IT SOON,
ALL RIGHT?
COME ON, GIRLFRIEND.
EMILY: THANK YOU VERY MUCH.
JUAN: WHAT?
WHAT DID I DO?
EMILY: YOU LET THAT LITTLE
WITCH DISS ME.
JUAN: SHE WAS JOKING.
IT WAS JUST PLAYING.
EMILY: OH, I THINK YOU FIND
THAT AMUSING?
JUAN: IT LOOKED TO ME LIKE
YOU WERE HOLDING YOUR OWN.
EMILY: THEN OBVIOUSLY
YOU DON'T KNOW ME VERY WELL.
JUAN: WELL, YOU DON'T MAKE IT
TOO EASY.
I MEAN, MAYBE YOU SHOULD TRY
BEING HONEST FOR A CHANGE.
EMILY: WHAT IS THAT SUPPOSED
TO MEAN?
JUAN: IT'S SUPPOSED TO MEAN,
WELL, WHY DID YOU COME HERE
TONIGHT?
I COULD'VE COME BY MYSELF.
WHY DO YOU FAKE LIKE YOU'RE
INTO DOING THINGS WHEN YOU'RE
NOT READY TO?
EMILY: SO THIS REALLY ISN'T
ABOUT TONIGHT, IS IT?
WHY DON'T YOU JUST COME OUT
AND SAY IT!
JUAN: LOOK, HOLDING HANDS
AT KELLY'S IS GREAT, BUT NOT
EVERY MINUTE OF OUR LIVES.
I'D LIKE TO BRANCH OUT,
TRY OTHER THINGS.
DOES THAT MAKE ME A CRIMINAL?
EMILY: WELL, DON'T LET ME
STOP YOU.

ELIZABETH: COME IN.
SO, HAVE YOU EVER BEEN
TO A RAVE?
LUCKY: FAISON PREFERRED
MAHLER TO TECHNO.
ELIZABETH: I MEANT AFTER.
LUCKY: HELENA -- WITH HELENA?
ELIZABETH: OK, BEFORE.
LUCKY: I SPENT ALL MY TIME
WITH YOU.
SO, IS THERE ANY KIND OF FORMAL
CODE OF BEHAVIOR?
ELIZABETH: YOU MEAN FOR US?
LUCKY: RULES OF RAVE?
ELIZABETH: I'M THE LAST
PERSON WHO'D KNOW.
LUCKY: OH, COME ON.
AN ART STUDENT ON THE CUTTING
EDGE?
ELIZABETH: YEAH, WITH TWO
PART-TIME JOBS ON TOP OF SCHOOL.
LUCKY: YOU DON'T GIVE
YOURSELF MUCH TIME.
ELIZABETH: TIME'S THE LAST
THING I NEED.
I MEAN, I KEEP MYSELF BUSY.
I LIKE TO.
LUCKY: I KNOW WHAT IT'S LIKE,
YOU KNOW, FILLING SPACES.
YOU GOT TO DO WHAT YOU GOT
TO DO.
IT'S LIKE ME WITH CHESS,
YOU KNOW?
ELIZABETH: AND MARTIAL ARTS?
LUCKY: YOU DO WHAT YOU NEED
TO KEEP SANE.
YOU STILL AFRAID OF DOWN TIME?
ELIZABETH: YOU KNOW,
THE WHOLE CHLOE THING IS A GREAT
OPPORTUNITY, BUT I STILL FEEL
MORE AT HOME AT KELLY'S.
AND TAMMY -- SHE'S JUST
THE BEST.
LUCKY: OH, SHE'S GREAT,
ISN'T SHE?
SHE'S SO PERCEPTIVE AND SMART.
YOU KNOW, SHE'S THE ONE WHO
FIRST GOT HOW I FELT ABOUT YOU.
SHE'S THE ONE WHO --
ELIZABETH: GO ON.
LUCKY: I'M SORRY.
ELIZABETH: WHY?
LUCKY: IT'S WRONG FOR ME
TO KEEP BRINGING THIS UP.
ELIZABETH: IT'S NOT
AS IF I'VE FORGOTTEN.
I MEAN, IT'S ALL STILL THERE
FOR ME.
LUCKY: IT'S OVER.
ELIZABETH: WELL, NOT FOR ME.
LUCKY: YOU KNOW --
YOU KNOW, IT'S MY FAULT.
I KEEP GIVING MIXED SIGNALS.
IT'S NOT FAIR.
ELIZABETH: HEY, DON'T WORRY
ABOUT FAIR.
JUST BE YOU.
LUCKY: I'VE GOT TO LET GO.
ELIZABETH: WHY?
I DON'T WANT TO LET GO.
AND IF YOU'RE HAVING A HARD
TIME, THEN MAYBE THAT SAYS
SOMETHING.
[KNOCK ON DOOR]
LUCKY: I'LL GET THAT.
ELIZABETH: OK.
LUCKY: WHAT, ARE
YOU OPERATING ON PRINCE TIME?
YOU WERE SUPPOSED TO BE HERE
A HALF AN HOUR AGO.
NIKOLAS: SOME OF US HAVE REAL
JOBS.
LUCKY: OH, LIKE PEDDLING
C.D.s TO SLACKER TEENS?
NIKOLAS: NO, MAINTAINING
THE L&B LABEL.
LUCKY: AH.
THE NEXT WAVE OF GENIUSES LIKE
JUAN?
NIKOLAS: SPEAKING OF WHIC--
YOU LOOK PHENOMENAL.
ELIZABETH: WELL, THANK YOU.
AND I THINK EMILY AND JUAN ARE
ALREADY THERE, SO SHALL WE?
NIKOLAS: LET'S DO IT.
I'M READY.
LUCKY: LET'S GO.
ELIZABETH: LET'S GO.
COME ON.
CAN YOU GET THE LIGHTS?

SONNY: HERE YOU GO.
CARLY: YOU KNOW,
FLOATING IN THE SURF
AND WATCHING THE STARS COME OUT,
SEEING THE LIGHT IN MICHAEL'S
EYES, YOU KNOW, LISTENING TO HIM
LAUGH --
I WOULD HAVE MISSED ALL THAT
IF IT WEREN'T FOR YOU.
SONNY: YOU HAD SOMETHING
TO DO WITH IT.
CARLY: YEAH, I CAME THIS
CLOSE TO WASTING A.J. AND
MY BABY'S ENTIRE CHILDHOOD ALONG
WITH HIM.
SONNY: BUT YOU DIDN'T, CARLY.
CARLY: I ALMOST BLEW IT,
SONNY.
HUGE, ENORMOUS CHUNKS
OF MY BABY'S LIFE GONE.
THE FIRST TOOTH THAT HE GETS --
YOU KNOW, THE FIRST MISSING
TOOTH.
TRIP TO SAA CLAUS, THE EASTER
BUNNY.
FIRST DAY OF SCHOOL.
I ALMOST THREW THAT ALL AWAY.
SONNY: BUT YOU STOPPED
YOURSELF.
CARLY: YOU STOPPED ME.
I'D BE IN FERNCLIFF RIGHT NOW
IF YOU HADN'T STEPPED IN.
AND YOU KNOW WHAT?
I'D BELONG THERE.
THERE ARE PEOPLE WHO WOULD SWEAR
THAT I DO.
SONNY: THEY WOULD BE WRONG.
CARLY: OK, BUT THEY'D HAVE
A POINT.
YOU KNOW HOW FIXATED I GET WHEN
SOME CRAZY PLAN TAKES HOLD
OF MY HEAD.
IT'S LIKE IT DOESN'T MATTER HOW
CRAZY OR HOW SELF-DESTRUCTIVE.
IT'S LIKE -- IT'S LIKE A --
FULL STEAM AHEAD, YOU KNOW?
LIKE A RUNAWAY TRAIN.
AND EVEN IF I SEE THAT
THE TRACKS ARE HEADING OFF OVER
A CLIFF, IT DOESN'T MATTER.
NO ONE AND NOTHING CAN STOP ME.
SONNY: OK, YOU KNOW WHAT?
MAYBE YOU USED TO BE THAT WAY,
BUT NOW YOU'VE GOTTEN MORE
SENSE.
CARLY: I HAVEN'T CHANGED
IN A WEEK.
I'M STILL WHO I AM.
THE DIFFERENCE ISN'T HERE.
IT'S HERE.
IN MY WHOLE LIFE, THERE HAS
NEVER BEEN ANYONE WHO COULD MAKE
ME STOP AND THINK.
NOT MY MOM.
NOT TWO MOMS, YOU KNOW?
NOT MY FEW FRIENDS THAT I'VE
HAD.
NOT -- NOT A MAN.
SONNY: JASON?
CARLY: NO.
I LOVED HIM, YOU KNOW, BUT
HE COULD NEVER MAKE ME TURN
AROUND AND CHANGE MY MIND ABOUT
ANYTHING THAT I HAD MY MIND SET
ON.
AND IN HIS OWN WAY, HE TRIED.
IT'S NOT LIKE I DIDN'T FEEL
SORRY FOR THE THINGS THAT I DID
AND IT'S NOT LIKE I DIDN'T
REGRET IT, BUT I JUST PUSHED
RIGHT ON THROUGH ANYWAY,
YOU KNOW?
SONNY: WHAT DOES THAT MEAN?
CARLY: I DON'T KNOW.
SOMETHING.
LETICIA: ALL CLEAN AND READY
FOR BED.
SONNY: HEY.
LETICIA: COULDN'T GET HIM
TO CHOOSE JUST ONE BOOK.
CARLY: OH, HI, BABY.
SONNY: WELL, MICHAEL'S
FAVORITE WORD IS "MORE,"
YOU KNOW.
JUST LIKE -- HIS MOTHER TAUGHT
HIM THAT ONE.
CARLY: YOU CAN BE REASONED
WITH, CAN'T YOU, BIG BOY?
ALL IT TAKES IS THE RIGHT
APPROACH.

CHLOE: YOU'VE KNOWN HELENA
MOST OF YOUR LIFE.
HAS SHE EVER DONE ANYTHING KIND?
ALEXIS: SHE WAS DEVOTED
TO STAVROS.
CHLOE: OK, BELIEVE ME WHEN
I SAY SHE DOES NOT SEE JAX
AS A SON.
HAS SHE EVER OUT OF THE GOODNESS
OF HER HEART JUST HELPED
AN ACQUAINTANCE?
ALEXIS: SHE SAVED KATHERINE
BELL'S LIFE.
CHLOE: HMM, BUT SHE HAD
AN ANGLE, RIGHT?
ALEXIS: YEAH.
SHE USED HER AS HER TOOL.
CHLOE: AND WHEN SHE WASN'T
USEFUL ANYMORE AS A TOOL,
SHE ARRANGED FOR HER TO DIE.
ALEXIS: THAT'S NOT PROVEN.
CHLOE: ALEXIS, YOU TOLD ME
YOURSELF THIS IS WHAT
YOU BELIEVE.
ANY CONCESSIONS THAT HELENA
MAKES TO JAX ARE ULTIMATELY
GOING TO COST HIM TOO MUCH.
ALEXIS: MAYBE THAT'S A PRICE
THAT HE'S WILLING TO PAY.
CHLOE: WELL, I DON'T CARE
IF HE'S WILLING TO PAY IT.
I'M NOT WILLING TO PAY IT.
ALEXIS: JAX IS RISK-ADVERSE.
HE THRIVES ON BEATING THE ODDS.
I'M SURE HE THINKS THIS IS SOME
HIGH-STAKE GAMBLE THAT HE'S
GOING TO WIN, CHLOE.
CHLOE: HELENA HAS TRIED
TO KILL JAX TWICE.
SHE HAS TARGETED YOU HOW MANY
TIMES?
THIS THING IN MY HEAD IS NOT
GOING TO KILL ME.
HELENA IS THE KISS OF DEATH.
ALEXIS: AND JAX ALREADY KNOWS
THAT.
SO YOU TELL ME, WHAT MORE CAN
I ADD?
CHLOE: IT'S NOT WHAT YOU SAY.
IT'S HOW YOU SAY IT.
YOU HAVE HIGH CREDIBILITY.
I KNOW YOU CAN GET THROUGH
TO JAX.
JAX: GET THROUGH TO ME ABOUT
WHAT?
NO, YOU KNOW WHAT?
ON SECOND THOUGHT, I DON'T WANT
TO KNOW.
CHLOE: JAX --
JAX: CHLOE, I LOVE
YOU DEARLY.
AND, ALEXIS, YOU'RE VERY CLOSE
TO MY HEART.
BUT, REALLY, I DON'T WANT TO BE
THE OBJECT OF A TWO-WOMAN
ARM-TWISTING JOB.

ALEXIS: WE WERE NOT GETTING
READY FOR HAND-TO-HAND COMBAT.
JAX: NO, IT WAS MORE LIKE
MIND-TO-MIND.
NOW, WHERE'D YOU TWO GET
THE IDEA THAT I CAN'T TAKE CARE
OF MYSELF?
ALEXIS: JAX, YOU DO KNOW THAT
HELENA IS A SOCIOPATH.
JAX: YEAH.
CHLOE: MM-HMM.
JAX: BUT, YOU KNOW,
I SURVIVED THE CRASH
IN THE DESERT.
SAVED YOUR LIFE, I MIGHT ADD.
I SURVIVED HELENA'S ASSASSINS
IN GREECE, AND I BROUGHT CHLOE
BACK IN ONE PIECE.
SO, YOU KNOW, IF I HAVEN'T
PROVEN TO YOU YET THAT I'M
A MATCH FOR HELENA, I DON'T KNOW
WHAT ELSE I CAN DO.
CHLOE: YOU CAN HUMOR ME.
HOW ABOUT THAT?
AS AN ANTI-STRESS MEASURE.
STRESS IS REALLY BAD FOR ME
GETTING BETTER.
JAX: THE ENEMY ISN'T STRESS,
CHLOE.
IT'S NOT EVEN HELENA, FOR THAT
MATTER.
THE ENEMY IS A GROWTH
IN YOUR HEAD WITH A FINITE
AMOUNT OF TIME TO ARREST IT.
DO I HAVE TO REMIND YOU THAT I'M
GOING AFTER THAT COMPOUND
TO SAVE CHLOE'S SIGHT?
CHLOE: WE DON'T KNOW THAT.
WE DO KNOW HELENA, AND HER GOAL
IS TO GET HER HANDS AROUND
YOUR THROAT.
ALEXIS: JAX, HELENA HAS
YOU EXACTLY WHERE SHE WANTS YOU.
YOU KNOW THIS IS A TRAP,
AND YOU KNOW THAT EVERY DROP
OF THAT COMPOUND COULD COST
YOU A POUND OF YOUR FLESH.
JAX: I'LL DEAL WITH IT, OK?
QUICKLY AND EFFICIENTLY.
AND I'LL TRY NOT TO ENDANGER
ANYONE IN THE PROCESS,
INCLUDING MYSELF.
BOTTOM LINE IS YOU'RE JUST GOING
TO HAVE TO TRUST ME.
CHLOE: I ABSOLUTELY TRUST
YOU.
JAX: OK, GOOD.
THEN EVERYTHING WILL BE FINE.
ALEXIS: YOU WILL BE AWARE
OF ALL OF THE DANGERS.
JAX: I KNOW WHO I'M DEALING
WITH.
ALEXIS: I TRIED.
CHLOE: THANK YOU.
ALEXIS: CALM DOWN.
CALL ME IF YOU NEED ANYTHING.
CHLOE: THANK YOU.
I WILL.
JAX: NOW, YOU REALIZE THAT
WAS A COMPLETE WASTE OF TIME.
I AM GOING AFTER THAT COMPOUND.
I CAN'T STAND TO FEEL POWERLESS,
CHLOE.
I'VE WATCHED YOU FIGHT THIS
DISEASE ALL BY YOURSELF, AND NOW
I CAN FIGHT IT WITH YOU.
NO ONE'S GOING TO STOP ME --
NOT HELENA, NOT EVEN YOU.
OK?
SO PLEASE UNDERSTAND.
I HAVE TO DO THIS.
YOU'LL HAVE YOUR MEDICINE SOON.

CARLY: "AND THEY FLEW HIGH UP
OVER THE RED ROCK MOUNTAINS" --
[TELEPHONE RINGS]
CARLY: "PAST ALL THE PINK
MARBLE CLIFFS, ACROSS
THE BLUE-BLACK SEA TO A GOLDEN
GARDEN ON A MAGICAL ISLAND."
SONNY: HELLO.
HEY, BENNY.
CARLY: "AND A CASTLE
WITH WALLS OF SUNSHINE
AND TOWERS OF TWINKLING STARS."
SOUNDS LIKE THIS ISLAND,
DOESN'T IT?
UNCLE SONNY'S OWN PRIVATE LITTLE
PARADISE.
SONNY: WELL, IF IT CAN'T
WAIT, THEN I GUESS I GOT TO COME
HOME AND HANDLE IT.
CARLY: I LIKE IT AS MUCH
AS YOU DO, MICHAEL.
I DON'T CARE IF WE NEVER GO
BACK.

EMILY: HEY.
EMILY: THANKS.
JUAN: HEY.
EMILY: AH -- WHAT?
JUAN: YOU DON'T USUALLY
DRINK.
EMILY: YEAH, WELL, I HAVE
MILK SHAKES AT KELLY'S, DON'T I?
BUT SOMETIMES I LIKE THINGS
DIFFERENT.
DOES THAT MAKE ME A CRIMINAL?
HUH?
JUAN: WHAT IS YOUR PROBLEM?
ALISON: TIME'S UP.
LET'S DANCE.
EMILY: EXCUSE ME.
WE ARE TALKING RIGHT NOW, OK?
ALISON: I'M SORRY.
DOES THE HUMAN STOP SIGN SPEAK
FOR YOU OR --
EMILY: YOU KNOW WHAT?
JUST BECAUSE YOU'RE SOCIALLY
SMOOTH OR WHATEVER YOU THINK
YOU ARE DOESN'T MEAN YOU HAVE
TO ACT LIKE A LITTLE TWIT.
LUCKY: THE MUSIC'S
INCREDIB.
ELIZABETH: YEAH, BUT IT'S
ALMOST TOO LOUD TO HEAR YOURSELF
THINK.
NIKOLAS: YEAH, WELL,
YOU SHOULDN'T BE THINKING.
THINKING IS NOT ALLOWED.
EMILY: THAT'S NOT WHAT
I SAID!
ELIZABETH: WAS THAT EMILY?
EMILY: YOU CAN HAVE ANY GUY
THAT YOU WANT HERE.
YOU CAN DANCE WITH ANYBODY,
BUT NO.
JUAN: YOU NEED TO CALM DOWN.
ALISON: LOOK, I WANT TO DANCE
WITH THIS ONE, OK?
EMILY: [MOCKING ALISON]
NO, IT'S NOT OK.
JUAN: WHY ARE YOU MAKING SUCH
A BIG DEAL ABOUT THIS?
EMILY: [NORMAL VOICE]
BECAUSE IT IS A BIG DEAL TO ME.
JUAN: WELL, IT'S NOT A BIG
DEAL TO ME, SO YOU NEED
TO LIGHTEN UP AND STOP ACTING
LIKE A BRAT.
LUCKY: YOU STOP ACTING LIKE
A JERK.

JUAN: DID SOMEBODY SAY
SOMETHING TO YOU?
LUCKY: YEAH, I PERSONALLY
DON'T LIKE IT WHEN MY FRIENDS
GET JERKED AROUND.
JUAN: YEAH, WELL,
UNLIKE EMILY AND THE REST
OF YOUR FAN CLUB, I DON'T GIVE
A DAMN WHAT YOU LIKE.
LUCKY: YEAH?
WHAT DO YOU CARE ABOUT,
JUAN, OTHER THAN YOUR OVERFED
EGO AND YOUR SO-CALLED MUSIC
CAREER?
YOU KNOW, FOR SOME REASON EMILY
CARES ABOUT YOU, SO I SUGGEST
YOU TREAT HER LIKE A HUMAN
BEING.
JUAN: YEAH, I SUGGEST YOU GET
OUT OF MY FACE.
ELIZABETH: LOOK, WHY DON'T
WE ALL JUST CHILL OUT.
LUCKY: IF YOU WEREN'T EMILY'S
BOYFRIEND, I WOULDN'T EVEN GIVE
YOU THE TIME OF DAY.
JUAN: HERE'S AN IDEA --
DO US BOTH A FAVOR, PRETEND LIKE
YOU DON'T KNOW ME.
BECAUSE IF YOU KEEP GETTING
IN MY BUSINESS, I'M GOING
TO HAVE TO GET INTO YOURS.
LUCKY: APOLOGIZE TO EMILY.
JUAN: WHO ARE YOU,
THE BOYFRIEND POLICE?
YOU NEED TO CLEAN UP YOUR ACT,
BUDDY.
YOU HAVE NO RIGHT PASSING
JUDGMENT THE WAY YOU MESS
WITH ELIZABETH'S HEAD.
LUCKY: YOU DON'T KNOW
ANYTHING ABOUT ME AND ELIZABETH!
JUAN: I KNOW YOU'RE
CONSTANTLY BREAKING HER DOWN!
ELIZABETH: JUAN, DON'T.
JUAN: EVERY TIME I GET
A MINUTE WITH EMILY, HERE COMES
ELIZABETH IN TEARS OVER YOU.
ELIZABETH: YOU DON'T SPEAK
FOR ME.
JUAN: WHAT, ARE YOU SURPRISED
TO HEAR THAT?
YEAH, THEY KEEP YOU T
OF THE LOOP, BUDDY.
THEY DON'T WANT TO TELL
YOU THE REAL DEAL BECAUSE
THEY KNOW YOU'LL FREAK OUT.
EMILY: SHUT UP!
JUAN: EVERYBODY KNOWS YOU'RE
A NUT CASE.
I THINK THAT'S WHY EMILY LIKES
YOU SO MUCH.
HALF HER FAMILY'S DYSFUNCTIONAL.
SHE LIKES PICKING UP AFTER
MISFITS.
LUCKY: YOU WOULD KNOW
ABOUT --
JUAN: GET OUT OF MY FACE,
MAN.
ELIZABETH: HEY -- HEY!
NIKOLAS: HEY, HEY, HEY!
BACK OFF!
JUAN: LOOK, I'M SORRY.
I DIDN'T -- I WASN'T --
EMILY: GET OUT!
JUAN: FINE, I WILL.
YOU SAID SOMETHING ABOUT
A DANCE?
EMILY: I AM SO SORRY,
YOU GUYS.
HE'S JUST OUT OF HIS MIND.
LUCKY: AND I'M THE POSTER BOY
FOR MENTAL HEALTH.
YOU KNOW, I HANDLED THAT ALL
WRONG.
EMILY: NO, NO, NO, NO, NO.
THIS HAS BEEN GOING ON WAY
BEFORE YOU GUYS SHOWED UP.
NIKOLAS: IF YOU DIDN'T DO
ANYTHING, I WOULD HAVE.
LUCKY: I JUST COULDN'T STAND
HIS ATTITUDE ANYMORE, EMILY.
HE DOESN'T --
YOU DESERVE BETTER THAN THAT.
ELIZABETH: EM, HE WAS WAY OUT
OF LINE.
NIKOLAS: LOOK, LET'S GET OUT
OF HERE.
EMILY: NO. NO. NO.
I'M NOT GOING ANYWHERE UNTIL
I HAVE SOME FUN.

SONNY: WELL, IF I DON'T HEAR
FROM YOU, THEN I ASSUME
YOU WORKED IT OUT.
YEAH, I'LL CALL YOU TOMORROW
TO CONFIRM.
I DON'T HAVE A RETURN FLIGHT
BECAUSE I'M HERE AS LONG AS,
YOU KNOW, CARLY NEEDS ME.
[DOOR OPENS]
SONNY: BYE.
LETICIA: IS MICHAEL READY
FOR BED YET?
SONNY: HE'S NEVER READY,
BUT IT'S TIME.
LETICIA: OK.
CARLY: HE'S STRUGGLING
TO KEEP HIS EYES OPEN.
SONNY: ALL RIGHT.
TIME TO STOP FIGHTING, MIKEY.
LETICIA: COME HERE, BUDDY.
CARLY: OH, BIG BOY.
LETICIA: COME ON.
CARLY: GIVE ME LOVE.
LETICIA: GIVE A KISS.
CARLY: LOVE YOU.
LETICIA: GOOD NIGHT.
SONNY: BYE, BOY.
CARLY: WHO WAS THAT
ON THE PHONE?
SONNY: AH, JUST BUSINESS.
CARLY: WHAT BUSINESS?
SONNY: MINE.
CARLY: YOURS.
WHAT ELSE IS NEW?
GOD, THIS WHOLE PLACE IS YOURS.
THE PEOPLE, THE PLANTS,
THE ANIMALS, THE WATER,
THE FISH.
THINGS THAT WALK, THINGS THAT
CRAWL.
EVERYTHING'S YOURS.
SONNY'S OWN PRIVATE LITTLE
PARADISE WHERE HE'S KING
OF THE WORLD.
SONNY: YOU GOT A PROBLEM
WITH THAT?
CARLY: WHAT'S IMPORTANT
TO YOU BESIDES BEING IN CHARGE?
WELL, THAT'S
A SILLY QUESTION.

CARLY: CAN I ASK
YOU A QUESTION?
SONNY: CAN IT WAIT?
CARLY: NO.
HOW'D YOU FIND THIS PLACE?
SONNY: THAT CAN WAIT.
CARLY: HOW DID YOU FIND IT?
SERIOUS.
DID YOU CLOSE YOUR EYES AND SPIN
THE GLOBE AND JUST LET
YOUR FINGERS WANDER RANDOMLY?
SONNY: NO.
CARLY: COME ON. TELL ME.
SONNY: WHAT?
CARLY: TELL ME.
HOW DID YOU FIND THIS MAGICAL
PLACE?
SONNY: WHAT, A STORY?
CARLY: NO, TELL ME HOW
YOU FOUND THIS MAGICAL ISLAND.
SONNY: WHAT MAKES YOU THINK
IT'S MAGIC?
CARLY: IT'S THE WAY IT MAKES
ME FEEL.
SONNY: WHICH IS?
CARLY: HAPPY.
ALIVE, YOU KNOW.
HOPEFUL.
SONNY: YEAH.
CARLY: FEELINGS I DIDN'T
THINK WOULD EVER COME BACK.
SONNY: A LITTLE SUNSHINE,
A LITTLE SEA, YOU KNOW,
FRESH FISH EXPERTLY PREPARED,
HUH?
CARLY: YEAH, BUT IT'S MORE
THAN THAT.
IT'S IN THE AIR.
I WANT TO SAY THINGS THAT I'VE
NEVER SAID, YOU KNOW,
THAT I DIDN'T EVEN KNOW BEFORE.
SONNY: LIKE WHAT?
CARLY: LIKE YOU'RE GOOD
FOR ME.
SONNY: GOOD HOW?
CARLY: LIKE I NEED YOU,
SONNY.
[TELEPHONE RINGS]
[RING]
CARLY: ALL RIGHT, ALL RIGHT,
OK.
SONNY: WHAT?
CARLY: QUIT!
SONNY: WHAT?
CARLY: GET THE PHONE.
I'LL GET THE CHAMPAGNE.
I'LL RACE YOU.
WINNER TAKES ALL.
OK?
[RING]
CARLY: YOU BETTER GO NOW.
YOU'RE NOT GOING.
[RING]
SONNY: HELLO.
BENNY, WHAT?

LUCKY: SO IT'S TRUE WHAT JUAN
SAID?
NIKOLAS: HE WAS EXAGGERATING.
LUCKY: I'M BAD FOR ELIZABETH.
NIKOLAS: NO. NO.
LUCKY: SHE'S IN TEARS ALL
THE TIME?
NIKOLAS: NO, SHE'S --
OCCASIONALLY, ALL RIGHT?
LOOK, SHE'S CONFUSED,
AND SHE GETS THAT YOU ARE, TOO.
LUCKY: I'VE GOT TO STOP.
NIKOLAS: QUIT PUSHING
HER AWAY.
LUCKY: I'VE GOT TO BACK OFF
TOTALLY.
NIKOLAS: NO, LUCKY,
THAT'S NOT WHAT I MEANT.
LUCKY: JUST WE'RE NOT RIGHT
TOGETHER ANYMORE.
NIKOLAS: MEANING WHAT,
THAT YOU DON'T LOVE HER ANYMORE?
LUCKY: LOVE ISN'T THE POINT.
NIKOLAS: THEN WHAT IS?

BOY: ISN'T THAT YOUR SISTER
OVER THERE IN THE RED?
GIRL: THAT GIRL DOESN'T LOOK
ANYTHING LIKE MY SISTER.
BOY: NO?
I KIND OF THOUGHT IT DID
A LITTLE BIT.
GO AHEAD. DRINK UP.
ELIZABETH: EMILY, HEY.
ARE YOU OK?
EXCUSE ME.
EMILY: NOT EXACTLY.
ELIZABETH: I CAN'T BELIEVE
JUAN.
I KNOW HE WAS PRETTY HORRIBLE.
EMILY: WELL, IT WAS MY FAULT.
ELIZABETH: I DON'T SEE HOW.
EMILY: FOR BAILING ON SEX.
ELIZABETH: YOU'RE NOT READY.
SO WHAT?
THAT DOESN'T GIVE HIM
THE RIGHT --
EMILY: BUT I TOLD HIM I WAS,
ELIZABETH, WHICH IS UNFAIR
AND IMMATURE.
AND THEN I DRAGGED MYSELF DOWN
HERE SO THAT I COULD GET
IN HIS FACE, AND THAT JUST MADE
THINGS ALL WORSE.
ELIZABETH: COULD YOU STOP
JUST BLAMING YOURSELF?
EMILY: IS LUCKY ANGRY?
ELIZABETH: NOT WITH YOU.
EMILY: I'M SORRY.
ELIZABETH: HEY, JUAN'S
THE ONLY ONE THAT SHOULD BE
SORRY RIGHT NOW, OK?
EMILY: HE'S NOT USUALLY LIKE
THAT, ELIZABETH.
ELIZABETH: SO, YOU HAVING FUN
YET?
EMILY: RIGHT.
ELIZABETH: YOU THINK YOU'RE
GOING TO?
HOW ABOUT WE CALL IT A NIGHT.
COME ON.
EMILY: FINE.
ELIZABETH: LET'S GO.
COME ON. LET'S GO.
EMILY: NO.
ELIZABETH: EMILY --
EMILY: I AM SO SORRY.
I'M SORRY.
BOY: I'M NOT.
EMILY: OH, YOU JUST RAN
INTO THE BIGGEST KLUTZ
IN THE ENTIRE WORLD.
BOY: NO, NO, I --
I WAS HOPING TO MEET YOU.

HELENA: WELL, I'M DELIGHTED
TO SEE YOU, JAX.
JAX: BUT SURELY NOT
SURPRISED.
DOES HE DO "SIT" AND
"ROLL OVER," TOO?
HELENA: DO YOU CONSIDER
YOURSELF PREDICTABLE?
JAX: ARE WE PRETENDING I HAD
A CHOICE HERE?
HELENA: NO ONE HELD A GUN
TO YOUR HEAD.
JAX: I'M HERE FOR
THE COMPOUND ONLY.
HELENA: THEN PREPARE TO BE
DELICIOUSLY SURPRISED.
CLEAR-CUT GOALS ARE ADMIRABLE,
BUT ATTAINING THEM IS HALF
THE FUN.
A TOAST.
SHALL WE?
JAX: AND WHAT WILL WE DRINK
TO, HELENA?
HELENA: DELICIOUS SURPRISES.
ALL RIGHT.
TO SAVING CHLOE'S VISION.
JAX: OH, TO SAVING CHLOE'S
SIGHT.
HELENA: AND ALL THAT NOBLE
MISSION ENTAILS.

WOMAN: I'D LI TO LISTEN
TO SOME MUSIC.
STEFAN: AS YOU WISH.
HELENA'S VOICE: NOW THAT
WE'VE DISPOSED OF STEFAN --
STEFAN: NO, NO, NO.
HELENA'S VOICE: I CAN DEVOTE
MYSELF TO MORE ENJOYABLE THINGS.
BEGINNING, OF COURSE,
WITH JASPER JACKS --
STEFAN: JASPER JACKS.
HELENA'S VOICE: RESOLVING
OUR CONFLICT TO MY SATISFACTION.
WOMAN: THAT'S NOT MY IDEA
OF MUSIC.
STEFAN: NO.
IT'S NOT MUSIC.
BUT IT IS SOOTHING NONETHELESS.
IT MEANS THAT MY MOTHER WON'T BE
INTRUDING ANYTIME SOON.
SHE WILL BE CONSUMED
WITH AN ATTRACTION THAT BORDERS
ON OBSESSION.
HELENA: WHAT WOULD YOU SAY
IF I TOLD YOU I HAD POISONED
YOU?
JAX: I'D SAY YOU WERE LYING.
HELENA: WHY?
JAX: WHAT WOULD YOU GAIN
FROM MURDERING ME?
HELENA: A SURGE OF ABSOLUTE
POWER.
JAX: IT'S TOO FLEETING
TO SUIT YOU.
HELENA: HOW RIGHT YOU ARE.
JAX: WHAT DO YOU WANT
FOR THE COMPOUND?
HELENA: YOU.
JAX: I BEG YOUR PARDON?
HELENA: THAT'S MY PRICE.
YOU --
FOR ONE NIGHT.

SONNY: I'LL CALL YOU WHEN
WE LAND.
CARLY: CHAMPAGNE EMERGENCY.
SONNY: CARLY, WE GOT TO TALK
A LITTLE BIT RIGHT NOW.
CARLY: NO. SHH.
I DON'T WANT TO HEAR IT.
NO, NO, NO.
NOT AT LEAST UNTIL AFTER YOU'VE
HAD SOME OF THIS.
YOU HAVE THAT VERY SERIOUS
BUSINESS LOOK ON YOUR FACE.
I WANT IT TO GO AWAY.
SONNY: WE GOT TO GO BACK
TONIGHT.
I'M SORRY.
CARLY: NO.
NO.

ELIZABETH: HEY -- HAS EMILY
COME BY THIS WAY?
LUCKY: WHAT, WE LOST
HER AGAIN?
ELIZABETH: WELL, SHE WAS
ABOUT READY TO GO HOME UNTIL
SHE SPOTTED JUAN AND ALISON LIP
TO LIP.
YEAH, AND THEN SHE TOOK OFF.
LUCKY: YOU KNOW WHAT?
I'M GOING TO GO LOOK FOR HER.
YOU GUYS STAY HERE JUST IN CASE
SHE COMES BACK.
JUAN: THIS IS FOR ALL
THE WRONG REASONS.
ALISON: WHO NEEDS A REASON
TO FEEL GOOD?
JUAN: IT'S JUST NOT RIGHT.
BOY: YOU DON'T DO THIS TOO
OFTEN, DO YOU?
EMILY: WHAT'S THAT SUPPOSED
TO MEAN?
BOY: WELL, NOTHING.
I JUST -- YOU KNOW, I HAVEN'T
SEEN YOU AROUND.
I DO A LOT OF RAVES.
EMILY: YEAH, WELL, I'M AT ALL
THE ONES THAT YOU'VE MISSED.
WHY, DO I SEEM RHYTHMICALLY
CHALLENGED?
REALLY, LIKE, NAIVE
OR SOMETHING?
LIKE A DEER CAUGHT IN
THE HEADLIGHTS?
BOY: YOU KNOW, I KNOW WHERE
THERE'S A BETTER PARTY.
EMILY: THEN WHY ARE YOU HERE?
BOY: TO MEET YOU.
EMILY: I LIKE THIS PARTY.
BOY: WELL, YOU DON'T LOOK TOO
HAPPY.
EMILY: I WAS UNTIL
MY BOYFRIEND --
NEVER MIND. I'M FINE.
BOY: YOU KNOW, I COULD HELP
YOU WITH THAT.
EMILY: MY BOYFRIEND?
BOY: THE "FINE" PART.
FEELING BETTER, YOU KNOW?
EMILY: SO I'M NOT COMPLETELY
HOLESS?
BOY: OH, I SEE GREAT HOPE
FOR YOU.
ESPECIALLY IF YOU COME WITH ME.
EMILY: THEN WHAT ARE
WE WAITING FOR?
LET'S GO.
LUCKY: EMILY!

>> ON THE NEXT
"GENERAL HOSPITAL" --

EMILY: WHY ARE YOU BEING
SO NICE TO ME?
JUAN: YOU GUYS SEEN EMILY?
ELIZABETH: AS IF YOU CARE.

CARLY: YOU REALLY DON'T MIND
STAYING?

HELENA: YOU DRIVE
A HARD BARGAIN.
JAX: YOU BETTER BELIEVE IT.

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