General Hospital Transcript Tuesday 4/25/00

Provided by Laura

CHLOE: DOBRAYE UTRA.
JAX: DOBRI DYEN, I THINK.
CHLOE: OH.
YOU'RE RIGHT.
WE HAVE MISSED HALF THE MORNING.
JAX: OH.
YOU KNOW WHAT?
WE COULD JUST CLOSE THE DRAPES
AND PRETEND IT'S STILL NIGHT.
CHLOE: HMM.
WE'VE ALREADY MISSED HALF
THE DAY.
JAX: HEY, I PROMISE WE WILL
SEE EVERYTHING IN
ST. PETERSBURG, OK?
WE'LL SEE EVERY PALACE,
EVERY BRIDGE, AND EVERY CANAL.
CHLOE: BE CAREFUL
WITH YOUR PROMISES.
WE MAY NEVER GET TO MOSCOW.
JAX: WELL, WE COULD JUST STAY
RIGHT HERE UNTIL THE WHITE
NIGHTS OF JUNE.
CHLOE: YOU SAY THAT NOW.
JAX: YOU KEEP DOING THAT,
WE'LL NEVER GET UP.
YOU DON'T HAVE A PROBLEM
WITH THAT, DO YOU?
CHLOE: WELL, I DO LIKE THIS
BED.
JAX: YOU TIRED?
CHLOE: I'M EXCITED.
I JUST HAD A BEAUTIFUL,
DREAMLESS SLEEP.
DO YOU WANT TO GO SEE THE SUMMER
PALACE TODAY?
JAX: SURE.
OR TOMORROW
OR THE DAY AFTER THAT.
CHLOE: TIRED?
JAX: NO, I'M JUST --
[JAX WHISPERS]
CHLOE: THAT WORKS FOR ME.
JAX: YEAH?
CHLOE: YEAH.

NIKOLAS: MAN, IT'S SO QUIET.
IT'S UNREAL.
ELIZABETH: YEAH, IT'S ALMOST
EERIE.
LIKE AN EMPTY STAGE BEFORE
THE PLAY BEGINS, YOU KNOW,
WHERE ANYTHING COULD HAPPEN
OR NOTHING AT ALL.
NIKOLAS: THE PLACE WILL BE
PACKED IN AN HOUR.
ELIZABETH: RIGHT.
LIKE YESTERDAY AND THE DAY
BEFORE -- HUNDREDS OF FACES JUST
PASSING BY, NOT NECESSARILY
THE ONE WE WANT.
NIKOLAS: HEY, SOONER OR LATER
LUCKY IS GOING TO SHOW UP.
ELIZABETH: TELL ME WHY AGAIN?
NIKOLAS: OK.
THE GIRL AT THE DINER SAID SO.
LUCKY IS FOCUSED ON THE FUTURE
RIGHT NOW.
YOU TWO PLANNED YOUR FUTURE
RIGHT HERE.
ELIZABETH: WE PLANNED A LOT
OF THINGS THAT DIDN'T HAPPEN.
NIKOLAS: NOT YET.
OK, SO WHERE DO YOU WANT TO SET
UP?
SAME AS YESTERDAY OR --
ELIZABETH: YEAH, RIGHT HERE.
I WANT TO BE CLOSE TO THE CENTER
SO THAT LUCKY CAN SEE US
FROM ALL SIDES.
THAT IS IF HE SHOWS UP AND I'M
NOT KIDDING MYSELF.
NIKOLAS: LUCKY'S DRAWN
TO THIS PLACE.
YOU SAID SO.
ELIZABETH: YEAH, BUT --
HE USED TO BE.
I MEAN, WHAT IF --
WHAT IF HE'S CHANGED?
WHAT IF EVERYTHING'S JUST
DIFFERENT?
NIKOLAS: HE LOVES YOU.
ELIZABETH: I'M SORRY.
I FEEL LIKE I'M MAKING YOU SAY
THESE THINGS THAT I'M
SO DESPERATE TO HEAR.
AND IT'S NOT YOUR JOB, AND IT'S
NOT FAIR.
I KNOW.
NIKOLAS: NO, I DON'T SAY
THINGS BECAUSE YOU WANT TO HEAR
THEM.
I BELIEVE THEM, AND DEEP DOWN
SO DO YOU.
ELIZABETH: IT'S JUST THAT
I FELT SO POSITIVE THIS MORNING,
YOU KNOW?
AND NOW --
NIKOLAS: YOU WERE RIGHT.
TODAY IS THE DAY.
ELIZABETH: YOU REALLY THINK
SO?
NIKOLAS: YOU KNOW, WE NEED
SOMETHING TO CATCH LUCKY'S EYE.
A PASTEL OF LULU.
WHAT DO YOU THINK?
ELIZABETH: ACTUALLY, I HAD
ANOTHER IDEA.
YOU REMEMBER THAT DINNER
AT KELLY'S -- YOU AND EM,
LUCKY AND ME?
NIKOLAS: MM-HMM.
THAT WAS AN INCREDIBLE,
AMAZING NIGHT.
ELIZABETH: WHO WOULD HAVE
GUESSED IT'D BEEN OUR LAST.
NIKOLAS: IT WASN'T.
WE KNOW THAT NOW.
ELIZABETH: THAT NIGHT STARTED
OUT SO MAGICAL.
NIKOLAS: WELL, THEN, MAKE IT
WORK MAGIC FOR US NOW.

SANDY: YOU PLAY?
BUT NOT FOR AN AUDIENCE, RIGHT?
LUCKY: NO, I'M JUST
MESSING AROUND.
SANDY: OH, DON'T STOP,
DON'T STOP.
THAT POOR GUITAR -- NOBODY'S
TOUCHED IT IN YEARS.
LUCKY: CAN YOU BELIEVE THAT
THIS WAS ONCE MY CAREER PLAN?
SANDY: TUNING LONELY AXES?
LUCKY: PLAYING FOR MONEY
IN GREENWICH VILLAGE.
SANDY: YOU MUST BE GOOD.
LUCKY: MY GIRLFRIEND THOUGHT
SO.
SANDY: SO, SHE CHANGE
HER MIND?
OR DID YOU AND YOUR GIRLFRIEND
BREAK UP?

STEFAN: WE WERE HOPING TO SEE
YOU RIGHT AWAY.
MM-HMM.
IMMEDIATELY.
IT'S URGENT.
ALEXIS: HAVEN'T I HEARD THAT
BEFORE.
STEFAN: THANK YOU.
WE'LL SEE YOU SOON.
ALEXIS: WHO'S "WE"?
STEFAN: MAKE YOURSELF
COMFORTABLE.
ALEXIS: THAT'S GOING TO BE
NEARLY IMPOSSIBLE TO DO
ON 4 1/2 HOURS OF SLEEP.
NEXT TIME MY PHONE RINGS BEFORE
DAWN, I'M GOING TO RIP IT OUT
OF THE WALL AND THEN I'M GOING
TO COME OVER HERE AND KILL YOU.
STEFAN: WE'RE EXPECTING
A VISITOR, ALEXIS.
ALEXIS: I EXPECTED TO SEE
HELENA WITH A DAGGER
TO YOUR THROAT.
STEFAN: HELENA'S IN CHECK
FOR THE MOMENT.
ALEXIS: WHY AM I HERE, THEN?
STEFAN: WE HAVE A MEETING
WITH A DOCTOR WHO EXAMINED
LUCKY.
ALEXIS: I HOPE HE'S
A PSYCHIATRIST.
STEFAN: NO.
ALEXIS: THAT'S UNFORTUNATE.
THEN I WON'T FIND OUT WHY
YOU ARE STILL OBSESSED.
STEFAN: DR. GLADSTONE IS
REPUTED TO BE A KEENLY OBSERVANT
MAN.
ALEXIS: GOOD.
I HOPE HE'LL BE ABLE TO READ
LUCKY'S MIND, THEN, AND TELL US
WHERE HE IS.
STEFAN: WELL, I'M SURE
THEY'VE HAD CONVERSATION.
ALEXIS: THIS FIXATION
WITH LAURA HAS GOT TO STOP.
STEFAN I WILL WASH MY HANDS
OF LAURA AS SOON AS SHE ADMITS
SHE WAS WRONG -- WHEN I PROVE
THAT LUCKY'S KIDNAPPING WAS
HELENA'S DOING.
ALEXIS: AND YOU THINK THIS
DOCTOR IS GOING TO HELP YOU?
STEFAN: I HAVE A THEORY.
ALEXIS: SO DO I.
IT'S TIME TO MOVE ON.
STEFAN: AS SOON AS I GRASP
THE MASTER PLAN.
ALEXIS: THAT COULD TAKE
YOU THE REST OF YOUR LIFE.
STEFAN: OR IT COULD FALL
INTO PLACE IN AN HOUR.

SONNY: DO ME A FAVOR.
TIGHTEN SECURITY UNTIL WE GET
THE LOWDOWN ON THE RECOVERY ROOM
SHOOTING.
JOHNNY: DONE.
TELL MIKE I'M GLAD HE'S OK.
CARLY: DO WE REALLY NEED
THESE BORING DRAPES?
DRAPES ARE SO PASSE.
I COULD RIP THEM DOWN
AND REPLACE THEM WITH
KARMA BEADS.
SONNY: YOU COULD SHAVE
YOUR HEAD.
HAIR IS PASSE, TOO.
CARLY: GOOD.
DO I HAVE YOUR ATTENTION
FOR JUST A MINUTE?
I WANT TO KNOW WHAT YOU THINK
ABOUT THIS.
SONNY: THAT BOOK AGAIN?
CARLY: MM-HMM.
SONNY: WHAT?
CARLY: THIS.
SONNY: CUTE.
CARLY: YEAH?
SONNY: YEAH.
CARLY: THE WALLPAPER
OR MY WINDOW TREATMENT IDEA?
ALL RIGHT, YOU ASKED FOR IT.
DOWN WITH THE DRAPES.
SONNY: NO, NO.
I GOT WORK TO DO, CARLY.
CARLY: WELL, SO DO I, SONNY,
AND I HAVE A DEADLINE.
SONNY: WELL, WHATEVER
YOU WANT IS ALL RIGHT WITH ME.
CARLY: REALLY?
SONNY: YEAH.
CARLY: THAT'S FINE WITH ME.
SONNY: RIGHT.
CARLY: I WANT YOU TO THROW
A PARTY FOR ME AND INVITE ALL
THE PEOPLE WHO HAVE EVER BEEN
MEAN TO ME -- MY SECOND-GRADE
TEACHER, THE BAKER TWINS,
THAT WITCH THAT KICKED ME OFF
THE CHEERLEADING TEAM.
THE LIST IS LONG.
WE MIGHT NEED A BALLROOM.
IN FACT, A STADIUM.
AND I WANT YOU TO LINE THEM UP
AND MAKE THEM APOLOGIZE TO ME,
ONE BY ONE.
SONNY: I COULD MAYBE LIVE
WITH THE KARMA BEADS.
CARLY: YOU GOT AN APOLOGY OUT
OF MONICA.
I THINK YOU CAN BRING ANYONE
TO THEIR KNEES.
SONNY: OH, YOU WANT THEM
ON THEIR KNEES, TOO, NOW?
CARLY: YEAH, AND WHILE
THEY'RE DOWN, THEY CAN KISS
MY FEET.
OW.
OW.
SONNY: WHAT?
CARLY: OH, I GOT A CRAMP.
UGH.
SONNY: THE BABY?
CARLY: I DON'T KNOW.
SONNY: OK, YOU KNOW WHAT?
CARLY: I'VE NEVER FELT
ANYTHING LIKE THIS, SONNY.
IT HURTS.
SONNY: NO, NO, GRAB --
COME HE, COME HERE.
CARLY: NO, LET ME SIT.
SONNY: GRAB ON --
NO, NO, GRAB ON TO ME.
CARLY: OW.
SONNY: FORGET THIS.
WE'RE GOING TO THE HOSPITAL.
CARLY: AH.
SONNY: YOU ALL RIGHT?
CARLY: YEAH.
SONNY: HOLD ON.
CARLY: OH, MY GOD.
SONNY: OH, BOY.
JOHNNY, GET THE CAR.

ALAN: AUDREY.
AUDREY: OH, YES?
ALAN: IS MONICA OUT
OF THE O.R.?
AUDREY: WELL, I'M NOT SURE.
SHALL I PAGE HER?
ALAN: NO, PLEASE.
RAE: GOOD, YOU GOT
MY MESSAGE.
ALAN: NOW IS NOT THE BEST
TIME FOR THIS.
RAE: WHY?
THERE WAS COMPLICATIONS?
ALAN: I'LL SAY.
RAE: HOW BAD?
ALAN: WE'RE BARELY TALKING
TO EACH OTHER.
I MEAN, YOU SAW HOW IRRATIONAL
MONICA IS.
RAE: NO. NO, NO, NO.
I CAME TO SEE TONY.
ALAN: BUT YOUR MESSAGE --
RAE: I JUST WANTED A HEADS-UP
ON THE SURGERY.
THAT WAS ALL.
ALAN: OH.
IT WENT VERY SMOOTHLY, I'M TOLD.
RAE: YOU KNOW WHAT?
YOU SCARED ME.
ALAN: I'M SO EMBARRASSED.
RAE: NO, DON'T BE. DON'T BE.
YOU KNOW WHAT?
I'M STARTING TO FEEL LIKE
A FEMME FATALE HERE.
ALAN: YOU THINK MY MARRIAGE
IS DYSFUNCTIONAL?
RAE: I THINK IT'S FUNCTIONING
ON CERTAIN LEVELS VERY WELL.
YOU HAVE A PASSIONATE
CONNECTION.
PASSION'S GOOD, ALL RIGHT?
YOU FEEL BETTER?
TONY: HELLO.
ALAN: HEY.
RAE: TONY.
SHOULDN'T YOU BE RESTING?
TONY: OH, MY HAND IS RESTING.
THE REST OF ME HAS THINGS TO DO.
RAE: YOU LOOK GOOD.
TONY: IN MY SLEEPWEAR?
ALAN: SHE MEANS FOR A POSTOP.
OBVIOUSLY, BECAUSE YOU'RE
WALKING AROUND, MORRISSON GAVE
YOU A LOCAL.
TONY: OH, YEAH.
I WAS AWAKE FOR THE WHOLE
PROCEDURE.
RAE: GIVING ORDERS ALL ALONG
THE WAY, I'LL BET.
ALAN: YEAH.
YOU'RE A LONG WAY FROM
NEUROLOGY.
TONY: PHYSICAL THERAPY'S
RIGHT DOWN THE HALL, THOUGH.
ALAN: WELL, I THINK IT'S
A LITTLE TOO SOON FOR THAT.
TONY: IT'S NEVER TOO SOON
TO PENCIL IT IN.
RAE: OH, MY.
EARLY BIRD, ETC., ETC.,
YOU KNOW.
LISTEN, I MADE SOME HEADWAY,
TOO.
I FOUND THE ELUSIVE BIBLE,
AND YOU'RE NOT GOING TO BELIEVE
WHERE IT WAS.

SONNY: SHE WAS FINE.
THEN SHE DOUBLED OVER.
CARLY: I DON'T UNDERSTAND
WHAT'S HAPPENING.
DOCTOR: WELL, THAT'S WHAT
WE'RE GOING TO FIND OUT.
I'LL LET YOU KNOW WHEN THE EXAM
IS DONE.
SONNY: THE BABY'S GOING TO BE
ALL RIGHT, CARLY.
CARLY: ARE YOU SURE?
SONNY: HANG IN THERE.
OH, MAN.

NIKOLAS: IF YOU HAD TOLD ME
A COUPLE YEARS AGO THAT I COULD
MISS MY BROTHER THIS MUCH --
ELIZABETH: YOU WOULDN'T HAVE
BELIEVED ME.
YOU HAD TO FIGURE IT OUT
ON YOUR OWN.
NIKOLAS: LUCKY WAS
THE INTRUDER WHO STOLE MY MOTHER
AWAY, THE SON THAT SHE LOVED
INSTEAD OF ME.
ELIZABETH: SHE LOVES BOTH
OF YOU.
NIKOLAS: WELL, YEAH,
EVENTUALLY I FIGURED THAT OUT.
BUT I STILL SAW MY BROTHER
AS THE ENEMY.
ELIZABETH: THE TWO OF YOU HAD
A LOT OF BAGGAGE.
NIKOLAS: ALL INHERITED --
THE WORST KIND.
ELIZABETH: BUT YOU GOT RID
OF IT.
NIKOLAS: WELL, LUCKY GOT RID
OF HIS FIRST.
ELIZABETH: IT TOOK HIM
A WHILE.
NIKOLAS: YEAH, HE WAS WORTH
THE WAIT.
ELIZABETH: HE STILL IS.
NIKOLAS: AND YOU HANG
ON TO THAT THOUGHT.
ELIZABETH: I AM.

LUCKY: ELIZABETH AND I DON'T
SEE EACH OTHER ANYMORE.
SANDY: WELL, WHAT WENT WRONG?
DID SHE MEET SOMEBODY ELSE?
LUCKY: NO.
I DON'T THINK SO.
SANDY: DID YOU?
LUCKY: THERE'S NO CHANCE
OF THAT.
SANDY: WHAT'S SHE LIKE?
LUCKY: SHE'S BRIGHT,
LIKE THE SUN.
AND BRIGHT LIKE INTELLIGENT,
TOO.
SENSITIVE, FUNNY,
BEAUTIFUL.
AND SHE'S AN ARTIST.
SANDY: ANY GOOD?
LUCKY: AWE-INSPIRING.
I BELIEVE SHE COULD BE FAMOUS.
SANDY: WELL, SO FAR
SHE SOUNDS ALMOST PERFECT.
SO, WHAT WENT WRONG?
WHY AM ISKING ALL THESE
QUESTIONS?
IT'S NONE OF MY BUSINESS.
LUCKY: WE WERE BASICALLY TOO
YOUNG TO KNOW ANYTHING.
SANDY: AND WHAT HAVE
YOU LEARNED SINCE THEN?
SORRY.
FEEL FREE TO TAPE UP MY MOUTH.
LUCKY: IT WAS A LONG TIME
AGO.
SANDY: JUNIOR HIGH SCHOOL?
CAMP?
LUCKY: LAST YEAR.
SANDY: SUGAR, I GOT CLOTHES
IN MY CLOSET I AIN'T IRONED
IN THAT LONG.
LUCKY: ARE --
DO YOU NEED ME FOR ANYTHING,
OR CAN I SPLIT FOR THE REST
OF THE DAY?
SANDY: I DON'T THINK
THE PLACE WILL FALL DOWN
IF YOU GO.
GET OUT OF HERE.
LUCKY: I'LL SEE YOU LATER.
SANDY: HAVE FUN.

[KNOCK ON DOOR]
CHLOE: OH!
WHOEVER THAT IS HAS THE WRONG
ROOM.
JAX: OH.
IT'S THE GHOST OF
PETER THE GREAT.
CHLOE: WELL, I DON'T
ENTERTAIN GHOSTS IN MY BOUDOIR,
SO TELL HIM TO MEET US SOMEWHERE
ELSE.
JAX: REALLY?
CHLOE: MM-HMM.
JAX: AND RISK OFFENDING
A TYRANT?
CHLOE: DEAD THOUGH HE MAY BE?
JAX: THAT'S ALL THE MORE
REASON.
CHLOE: WHEN DID YOU CALL ROOM
SERVICE?
JAX: I NEVER MADE ANY CALLS
FROM THAT PHONE.
CHLOE: THEN WHY ARE
YOU ANSWERING THAT DOOR?
JAX: BECAUSE I DON'T WANT
TO OFFEND THE GHOST
OF PETER THE GREAT.
DO YOU KNOW HOW MANY PEASANTS
HE DID IN?
CHLOE: JAX, WAIT!
JAX: PETER WAS ALSO GREAT
IN THE KITCHEN.
CHLOE: YOU CALLED
FROM YOUR CELL PHONE.
JAX: NO, I HAVE NOT MADE
A CALL SINCE WE'VE LANDED.
THERE YOU GO.
BLINI WITH CAVIAR AND
SOUR CREAM.
CHLOE: THE REAL BREAKFAST
OF CHAMPIONS.
JAX: YES.
RUSSIAN STURGEON CHAMPAGNE SOUP.
CHLOE: OH, THE PERFECT LUNCH.
THIS PETER THE GREAT COULDN'T
HAVE BEEN THAT BAD.
JAX: WELL, HE PERSONALLY
TORTURED HIS OWN SON, BUT THEN
AGAIN NO ONE'S PERFECT.
DOES A PRETTY GOOD STROGANOFF,
THOUGH.
CHLOE: MMM.
JAX: OK?
DINNER IS SERVED.
DIVE IN.
CHLOE: YOU CALLED
FROM PORT CHARLES, YOU SNEAK.
JAX: SO, WOULD YOU LIKE
TO START WITH BREAKFAST?
THE RED CAVIAR OR THE BLACK?
CHLOE: BOTH.
JAX: OK.
[SPEAKING RUSSIAN]
JAX: MMM.
JUST GO STRAIGHT TO DINNER
WITH YOU.
CHLOE: YOU GOT TO CATCH ME
FIRST.
JAX: HEY, I'LL CATCH YOU --
CHLOE: OH!
JAX: AND FEED YOU WITHIN
AN INCH OF YOUR LIFE.
CHLOE: OH, FORCE-FEEDING?
SEE, I KNEW IT.
PETER THE GREAT WAS YOUR ROLE
MODEL.
ADMIT IT.
JAX: HE STARVED PEOPLE.
WATCH THE FORK!
CHLOE: NO, NO, NO, NO.
OK. IMPALE ME.
JAX: REALLY.
YOU KNOW, PETER WOULD APPROVE.
YOU JUST WANT TO STAY IN BED ALL
DAY?
CHLOE: YES.
JAX: DO YOU WANT TO SEE THIS
TOWN?
CHLOE: YES.
JAX: BECAUSE THERE'S A CAR
WAITING, YOU KNOW.
CHLOE: HOW LONG WILL IT WAIT?
JAX: IT'LL WAIT AS LONG
AS WE TELL IT TO.

ELIZABETH: OK. LOOK AT IT.
NIKOLAS: WE'RE THERE.
ELIZABETH: MM-HMM.
NIKOLAS: EVERYONE'S HAPPY.
ELIZABETH: RIGHT.
NIKOLAS: WE'RE ALL LAUGHING.
ELIZABETH: MM-HMM.
NIKOLAS: LIFE IS GOOD.
ELIZABETH: YOU THINK LUCKY
WILL REMEMBER?
NIKOLAS: WELL, HOW COULD
HE NOT?
ELIZABETH: SO IF HE HAPPENS
TO CATCH IT OUT OF THE CORNER
OF HIS EYE, HE MIGHT --
NIKOLAS: UH-UH-UH-UH-UH.
NOT IF. WHEN.
ELIZABETH: GOD, I HOPE YOU'RE
RIGHT.
YOU KNOW THOSE LITTLE GLASS
GLOBES WITH TINY LITTLE SCENES
IN IT, AND THEY'RE FILLED
WITH WATER, AND WHEN YOU SHAKE
IT UP THE SNOW GOES FLYING ALL
AROUND?
NIKOLAS: YEAH.
ELIZABETH: THIS NIGHT,
IN THIS GROUP, JUST THE FOUR
OF US, IS LOCKED IN A SNOW GLOBE
IN MY MIND.
NIKOLAS: A PERFECT MOMENT,
PERFECTLY PRESERVED.
WELL, LET'S TACK IT UP.
COME ON.
ELIZABETH: OK.
NIKOLAS: ALL RIGHT.
THERE YOU GO.
THIS
IS A MESSAGE TO LUCKY.
"COME BACK.
IT'S TIME. WE NEED YOU."
ELIZABETH: "WE'RE WAITING.
IT'S SAFE.
THE COAST IS CLEAR."
NIKOLAS: HE'S HEADED THIS WAY
RIGHT NOW.
ELIZABETH: WHEN YOU SAY THAT,
I SO BELIEVE IT.
OFFICER: EXCUSE ME, MISS.
MAY I SEE YOUR PERMIT?
WITHOUT A PERMIT, YOU'LL HAVE
TO LEAVE.

CHLOE: ONE STEP FORWARD,
THREE STEPS BACK.
JAX: HEY, WE'VE MADE
PROGRESS.
I MEAN, WE GOT DRESSED.
CHLOE: YEAH, THAT'S PRETTY
GOOD.
WE WON'T BE FOR LONG AT THIS
RATE.
DOESN'T PETERHOF CLOSE AT SOME
POINT?
JAX: WELL, WE'LL JUST BRIBE
A GUARD TO GIVE US A PRIVATE
TOUR.
CHLOE: CRASS YANKEES
CORRUPTING THE LOCALS.
JAX: YEAH.
CHLOE: TERRIBLE.
[KNOCK ON DOOR]
CHLOE: WHAT, IS PETER
THE GREAT COMING TO DO
OUR DISHES?
JAX: CZARS DON'T DO DISHES.
CHLOE: EVEN THE DEAD ONES?
JAX: YEAH, ESPECIALLY DEAD
ONES.
CHLOE: OH.
BELLHOP: FAX.
JAX: SPASIBA.
BELLHOP: SPASIBA BOLSHE.
JAX: DOBRI DYEN.
CHLOE: SO MUCH FOR THE SUMMER
PALACE.
JAX: THAT'S WHAT THE NAZIS
THOUGHT.
THEY KEPT SACKING IT,
BUT THE RUSSIANS KEPT
ON BUILDING IT BACK.
CHLOE: THEY DIDN'T HAVE FAXES
THEN.
JAX: I WASN'T GOING TO OPEN
THIS.
NO, I WASN'T --
I'M NOT OPENING THIS.
SHALL WE?
CHLOE: SPASIBA.
JAX: SPASIBA TO YOU.
LET'S DO IT.
CHLOE: YEAH.
JAX: COME ON.

TONY: IT'S ALMOST LIKE THAT
GERMAN SONG WITH THE FRAULEIN
WHO DROPS HER RING INTO
THE RHINE, AND THEN SHE DIVES
IN.
BUT A FISH SWALLOWS IT, AND THEN
THE FISH IS SWALLOWED
BY A WHALE.
RAE: I DON'T THINK THEY HAVE
WHALES IN THE RHINE.
DO THEY?
TONY: DETAILS.
A FISHERMAN CATCHES THE WHALE --
RAE: UH-UH --
TONY: THE BIG FISH. OK?
RAE: THANK YOU.
TONY: HE SERVES IT
FOR DINNER.
AND, LO AND BEHOLD, HIS DAUGHTER
BITES DOWN ON THE ENGAGEMENT
RING.
RAE: AND THERE'S ALSO
A VERSION, YOU KNOW,
THAT THE RING IS MAGIC, AND THEN
THE FRAULEIN GETS TO MAKE
A WISH.
TONY: WHY DIDN'T YOU TELL ME
YOU ALREADY KNEW THE SONG?
RAE: OH, STOP IT.
YOU KNOW, YOU'D TELL A GREAT
BEDTIME STORY.
TONY: YOU'RE GOING TO FIND
YOUR DAUGHTER.
RAE: WELL, I DID FIND
THE FISH.
TONY: ISN'T IT AMAZING THAT
THAT BIBLE WAS ON RUSKIN'S
TABLE?
I MEAN, FATE IS ON YOUR SIDE.
RAE: OK.
FOR THAT I'M GOING TO BRING
YOU A GOURMET BRUNCH, ALL RIGHT?
WHICH HAND CAN YOU EAT WITH?
TONY: OH, I'M AMBIDEXTROUS.
RAE: REALLY?
TONY: IT'S A GIFT.
IT'S LIKE PERFECT PITCH.
RAE: OH, COME ON.

MONICA: WHAT'S THIS,
A FOLLOWUP ATTACK?
SONNY: NOT NOW, MONICA.
MONICA: OH, OH, I GET IT.
THREATENING MY SON IS
YOUR HOBBY, BUT YOU DON'T ENJOY
IT UNLESS CARLY'S AROUND.
SONNY: MONICA.
CARLY MAY BE LOSING THE BABY.
MONICA: UM -- I'M SORRY.
I'M SORRY.

ELIZABETH: YOU CAN'T NEED
A PERMIT JUST TO BE HERE.
OFFICER: NO, BUT TO SELL
YOU DO.
ELIZABETH: OK, THEN I'LL GIVE
MY PICTURES AWAY.
OFFICER: IN NEW YORK, WE CALL
THAT A SALE.
NIKOLAS: THE ART'S JUST A WAY
TO ATTRACT PEOPLE.
OFFICER: WELL, IT WORKED.
YOU ATTRACTED ME.
LOOK, YESTERDAY I CUT YOU SOME
SLACK, BUT YOU'RE STARTING
A PATTERN I DON'T LIKE.
NIKOLAS: LOOK, WE DON'T HAVE
TO CHARGE ANYTHING.
THE MONEY IS NOT THE POINT.
OFFICER: IT'S ALL ABOUT
CREATIVE EXPRESSION.
ELIZABETH: OFFICER,
WE'RE LOOKING FOR SOMEBODY.
WHEN PEOPLE APPROACH US, WE SHOW
THEM THIS.
OFFICER: NICE-LOOKING KID.
NIKOLAS: HE'S MY BROTHER.
WE'RE TRYING TO TRACK HIM DOWN.
WE THINK THAT HE'S IN
THE NEIGHBORHOOD.
OFFICER: WHAT'S HIS LAST
ADDRESS?
NIKOLAS: WELL, WE'RE ALL
FROM PORT CHARLES.
MY BROTHER HAD DISAPPEARED.
ELIZABETH: THIS IS
HIS FAVORITE SPOT.
OFFICER: KIDS, I WISH YOU ALL
THE LUCK, BUT YOU GOT TO KNOW
THE ODDS ARE SLIM.
NIKOLAS: LOOK, IT'S JUST
A HUNCH.
YOU GET THEM, RIGHT?
POLICEMEN GO ON HUNCHES ALL
THE TIME.
OFFICER: YOU WATCH A LOT
OF TV.
NO SALES, OK?
TAKE CARE.
ELIZABETH: THANKS.
OH.
NIKOLAS: WELL, THAT WASN'T
TOO BAD.
ELIZABETH: HE FELT SORRY
FOR US.
NIKOLAS: YEAH, BUT HE DIDN'T
MAKE US LEAVE.
ELIZABETH: YEAH,
WELL, BECAUSE HE THINKS WE'RE
GOING TO GIVE UP ANYWAY.
MAYBE WE SHOULD.

STEFAN: THANK YOU FOR SEEING
US ON SUCH SHORT NOTICE.
DR. GLADSTONE, MY SISTER ALEXIS.
DR. GLADSTONE: IT'S GOOD
TO MEET YOU.
ALEXIS: OH, THE PLEASURE IS
ALL MINE.
MY BROTHER THINKS THE WORLD
OF YOU.
STEFAN: WELL, I'VE HEARD
OF YOUR EASE WITH PATIENTS.
YOU'RE REPUTED TO BE ONE
OF THE BEST.
DR. GLADSTONE: I HOPE I CAN
HELP.
ALEXIS: WE'RE DEEPLY
CONCERNED ABOUT THE SPENCER BOY.
DR. GLADSTONE: I'VE JUST BEEN
REVIEWING HIS FILE.
AND CONSIDERING THE TRAUMATIC
EXPERIENCE HE'S BEEN THROUGH,
THE YOUNG MAN'S IN REMARKABLY
GOOD HEALTH.
STEFAN: PHYSICAL HEALTH.
DR. GLADSTONE: THAT'S
MY AREA, YES.
ALEXIS: BUT AREN'T THE BODY
AND THE MIND INTERTWINED?
DR. GLADSTE: THE YOUNG
MAN'S EXPERIENCING EMOTIONAL
DIFFICULTIES?
STEFAN: WELL, THAT WOULD BE
THE LOGICAL ASSUMPTION SINCE
HE'S INEXPLICABLY DISAPPEARED.
NOW, WE WERE HOPING HE MIGHT
HAVE MENTIONED SOMETHING --
A DESTINATION, A PLAN.
DR. GLADSTONE: IT DIDN'T COME
UP.
I'M SORRY.
ALEXIS: DID LUCKY SHOW ANY
SIGNS OF EMOTIONAL STRESS?

SONNY: HEY.
WHATEVER IT IS, WE'LL HANDLE IT,
OK?
DO THEY NEED TO CHECK YOU IN?
CARLY: I'M SORRY.
SONNY: SO THERE'S NOTHING
THEY CAN DO?
CARLY: NO, YOU WERE RIGHT.
THE BABY'S FINE.
SONNY: LET'S GET OUT OF HERE.
CARLY: NO, WE CAN'T GO.
THEY TOOK SOME TESTS, SO WE HAVE
TO STAY.
SONNY: WHAT KIND OF TESTS?
CARLY: I DON'T KNOW.
SOMETHING --
SONNY: YOU'RE SURE THE BABY'S
OK, THOUGH, RIGHT?
CARLY: THAT'S WHAT
DR. MEADOWS SAID.
SONNY: WHAT, YOU DON'T
BELIEVE HER?
CARLY: DR. MEADOWS DOESN'T
KNOW WHAT I DID.
THE BABY DOES, YOU KNOW?
I --
YOU DON'T KNOW, EITHER.
I ALMOST ABORTED IT.
SONNY: WELL, ALMOST DOESN'T
COUNT.
CARLY: I MEAN, I WENT
TO THE CLINIC, AND I MADE
AN APPOINTMENT, AND --
SONNY: YEAH, BUT YOU DIDN'T
GO THROUGH WITH IT.
WHAT, DO YOU THINK OUR BABY'S
GOING TO HOLD GRUDGES?
HE'S NOT.
I'M TELLING YOU THAT.
YOU HOLD GRUDGES.
I HOLD GRUDGES.
YOU KNOW, BUT WE CANCEL EACH
OTHER OUT.
TWO NEGATIVES MAKES A POSITIVE.
IT'S SCIENTIFIC FACT.
YOU KNOW WHAT I MEAN?

ALAN: WHAT HAPPENED?
MONICA: OH, UH --
THEIR BABY'S IN TROUBLE.
ALAN: I KNOW. I WAS HERE.
I WAS JUST --
DID DR. MEADOWS ADMIT CARLY?
AUDREY: NOT AS FAR AS I KNOW.
MONICA: THEN THE BABY'S ALL
RIGHT.
AUDREY: NO, CARLY WAS
CRAMPING.
THAT'S JUST WHAT I HEARD.
MONICA: MY TWO LEAST FAVORITE
PEOPLE IN THE WORLD, BUT NO ONE
SHOULD GO THROUGH THIS.
ALAN: LOSING A CHILD'S GOT
TO BE THE ULTIMATE HELL.
MONICA: MM-HMM.
YOU DIDN'T SLEEP LAST NIGHT.
ALAN: NEITHER DID YOU.
MONICA: ARE WE GOING TO LOSE
A.J.?
ALAN: OUR SON WILL GET
THROUGH THIS.
NOW YOU HAVE TO TELL ME.
MONICA: I DON'T HAVE ANY
CONTROL OVER A.J., SO I TAKE IT
OUT ON YOU.
ALAN: YOU'RE SCARED.
SO AM I.
MONICA: FORGIVE ME
FOR BEHAVING LIKE A MANIAC.
ALAN: MANIACAL BEHAVIOR
REDUCES STRESS.
MONICA: NOT FOR THE OTHER
PERSON.
ALAN: I'M USED TO IT.
MONICA: I LOVE YOU, TOO.

DR. GLADSTONE: YOU ACTUALLY
SAW HIM STRIKE HIS FATHER?
STEFAN: NO, HIS MOTHER
RECOUNTED THE INCIDENT
TO MY NEPHEW.
ALEXIS: LUKE AND LUCKY WERE
ON VERY GOOD TERMS.
NOW, SUDDENLY, THIS RAGE.
SO, WHAT IS THAT ABOUT?
DR. GLADSTONE: THE YOUNG MAN
I EXAMINED WAS NOT HOSTILE.
ALEXIS: ARE YOU PERIENCED
WITH MIND CONTROL?
DR. GLADSTONE: I'M AFRAID
MY EXPOSURE IS LIMITED.
STEFAN: SO YOU'VE NEVER
ACTUALLY OBSERVED A CASE?
DR. GLADSTONE: A CLASSIC
CASE, YES.
I'VE SEEN SEVERAL INSTANCES.
THE SIGNS ARE UNMISTAKABLE --
ROBOTIC SPEECH, LACK OF AFFECT.
A PROFILE THE PATIENT DID NOT
FIT.
ALEXIS: SO YOU THINK THAT
WE'RE WRONG?
DR. GLADSTONE: NOT
NECESSARILY, NO.
THERE ARE MORE SUBTLE FORMS
OF MENTAL CONDITIONING.
THE LITERATURE IS FULL
OF INSTANCES.
ALEXIS: WHAT DO YOU MEAN,
SUBTLE?
DR. GLADSTONE: THE SUBJECT
APPEARS TO BE NORMAL --
NO ANOMALIES OF MANNER
OR SPEECH.
THEN AN IMAGE APPEARS OR A CODE
WORD -- THE QUEEN OF SPADES
OR BLACK.
IT TRIGGERS THE MENTAL
PROGRAMMING AS IF A BUTTON WERE
PUSHED.
STEFAN: THAT'S VERY HELPFUL.
DR. GLADSTONE: IS IT?
ALEXIS: YOUR INSIGHTS MAY BE
INVALUABLE.
STEFAN: THANK YOU, DOCTOR.
DR. GLADSTONE: NOT AT ALL.
I HAVE PATIENTS WAITING.
STEFAN: DON'T LET US TAKE ANY
MORE OF YOUR TIME.
DR. GLADSTONE: IF ANYTHING
ELSE OCCURS TO ME --
STEFAN: YOU WILL CALL ME,
NIGHT OR DAY.
THANK YOU.
ALEXIS: YOU KNOW, IT'S FUNNY.
IN THIS CHAIR, I CAN ACTUALLY
HEAR WHAT YOU'RE THINKING.
STEFAN: THE BIG PICTURE IS
BEGINNING TO EMERGE.

DR. MEADOWS: WELL, GO HOME,
TAKE A NAP, AND WORRY ABOUT NEXT
YEAR'S TAXES.
YOUR BABY HAS NO MAJOR PROBLEMS.
SONNY: TELL US ABOUT
THE MINOR PROBLEM.
TONY: YOU'RE ON A ROLL,
SO WHY LEAVE NOW?
RAE: WELL, I'VE GOT TO GO
FIND A GROWN WOMAN WHO USED
TO BE MY BABY GIRL.
TONY: WELL, AND NO CHANCE
SHE'S IN PORT CHARLES?
RAE: WELL, I DO HAVE TO CHECK
ONE THING.
TONY: OK.
I SUPPOSE I'M NOT SUPPOSED
TO ASK FOR SPECIFICS HERE --
RAE: LIKE WHO THE FATHER IS,
FOR INSTANCE?
I HAVE ADMIRED YOUR RESTRAINT
IN ALL THIS.
TONY: WELL, WOULD YOU STILL
ADMIRE ME IF I HAD NO RESTRAINT
AND WANTED TO KNOW THE DETAILS?
RAE: WELL, I THINK I'LL --
I'LL PLEAD SELECTIVE MEMORY
LOSS.
TONY: OH, THAT'S A BRAIN STEM
PROBLEM.
RAE: YES, AND YOU CAN
OPERATE, YOU KNOW, WHEN YOU GET
YOUR HAND BACK.
TONY: YES.
AND WHEN I DO, I'D HAVE TO TELL
YOU THAT I OWE YOU THE THANKS.
RAE: I'LL BE IN TOUCH, YOU.
TONY: YOU'D BETTER.
BYE, GRETEL RAE.
CARLY: POTASSIUM,
LIKE IN BANANAS?
DR. MEADOWS: AND RAW POTATO
JUICE, AMONG OTHER THINGS.
HERE'S A LIST.
SONNY: AHEM.
SHE DOESN'T LIKE TO COOK.
SHE LIKES TO, LIKE, EAT OUT
OF A BAG.
DR. MEADOWS: THINK POTASSIUM.
SONNY: OH, LIKE POTASSIUM
TART, POTASSIUM SOUFFLE --
CARLY: I'M SORRY I FREAKED.
DR. MEADOWS: MORE POTASSIUM,
LESS STRESS, AND SHE'LL BE FINE.
SONNY: WHAT ABOUT,
LIKE, KEEPING HER IN BED
FOR A WHILE?
DR. MEADOWS: LET'S NOT GO
OVERBOARD.
CARLY: TOO LATE.
HE'S ALREADY THERE.
DR. MEADOWS: TAKE CARE
OF HER.
SONNY: THAT'S THE PLAN.
CARLY: THANK YOU.
I FEEL LIKE DANCING.
SONNY: WELL, AFTER
YOU DELIVER, YOU CAN DANCE.
TILL THEN, YOU REST.
CARLY: AH!

CHLOE: OH.
THE CEREMONIAL STAIRCASE.
THE SUN GOING DOWN OVER
THE GRAND CASCADE.
OH, I WILL NEVER FORGET THIS
TRIP, JAX.
JAX: EVEN IF YOU DO,
THEN WE'LL JUST HAVE TO COME
BACK.
CHLOE: YOU KNOW HOW STARS,
SOMETIMES THEY AREN'T REALLY
THERE BUT YOU SEE THEM ANYWAY?
THEIR LIGHT JUST BURNS SO BRIGHT
THEY WORE THEMSELVES OUT,
BUT THEY'RE STILL SHINING OUT
THERE?
JAX: YES, IT HAS TO DO
WITH THE SPEED OF LIGHT.
YOU SEE --
CHLOE: NO, NO.
DON'T GIVE ME SCIENCE.
THIS IS -- THIS IS BIGGER.
JAX: OK.
CHLOE: THE PLACES YOU TOOK ME
TO TODAY I'LL SEE FOREVER,
EVEN IF -- EVEN IF I LOSE
MY SIGHT, I --
CHLOE: I WILL NEVER LOSE
THE SUMMER PALACE, THE BRONZE
HORSEMEN, RASTRELLI'S STAIRS.
THIS TRIP WILL BE WITH ME
FOREVER.
YOU HAVE GIVEN ME SOMETHING
FOR LIFE.
JAX: AND I'M ONLY JUST
STARTING.
CHLOE: WHAT HAVE YOU DONE?
DID PETER THE GREAT GIVE
YOU THIS?
JAX: NO.
A ROMANOV PRINCESS GAVE THIS
TO ME.
CHLOE: AH.
OH.
OH, MY.
THIS IS EXQUISITE.
IS THIS FOR THE NURSES' BALL?
JAX: WELL, I HAD A DIFFERENT
OCCASION IN MIND.
CHLOE: SOMETHING SOON?
JAX: IS TONIGHT TOO SOON?
CHLOE: OH.
OH.
[CHLOE LAUGHS]
JAX: YOU LIKE IT?

RAE: SO, DO I GET TO SAY
GOOD-BYE TO YOU, OR SHOULD
I WRITE YOU A SECRET LITTLE
NOTE?
ALAN: MONICA AND I HAVE
CLEARED THE AIR.
RAE: GOOD.
I KNEW YOU WOULD.
ALAN: WHAT IS THIS ABOUT
GOOD-BYE?
RAE: I'M MOVING ON.
ALAN: MORE RESEARCH, OR DO
YOU HAVE EVERYTHING NOW?
YOUR FAMILY HISTORY -- WAS IT
IN THE BIBLE?
RAE: THE BIBLE WAS CERTAINLY
AN EXCELLENT START.
ALAN: CONGRATULATIONS.
RAE: YOU, TOO.
ALAN: FOR WHAT?
RAE: SMOOTHING THE WRINKLE
IN YOUR MARRIAGE.
ALAN: AH, WELL, WE'RE A WORK
IN PROGRESS.
RAE: SO IS LIFE.
ALAN: IT WAS WONDERFUL TO SEE
YOU AGAIN.
RAE: TAKE GOOD CARE
OF YOURSELF, ALAN.
ALAN: YOU, TOO.
RAE: ALAN?
NEVER MIND.

CARLY: YOU KNOW WHAT?
I DON'T CARE IF YOU SPIN IT
INTO COTTON CANDY.
BREWER'S YEAST IS OUT.
SONNY: YOU --
CARLY: AND BRUSSELS
SPROUTS -- FORGET ABOUT IT.
SONNY: YOU WILL EAT THEM,
AND YOU WILL LIKE IT.
AND I WILL COOK THEM,
SO, YOU KNOW, YOU WON'T EVEN
KNOW.
CARLY: I ALWAYS KNOW WHAT I'M
EATING.
SONNY: YOU DO?
CARLY: YES.
SONNY: WELL, THAT'S
BECAUSE YOU READ IT ON THE SIDE
OF THE BAG.
GIVE ME THE --
GIVE ME THAT, GIVE ME THAT.
CARLY: NO, I'M READING IT.
SONNY: GIVE ME THE LIST.
CARLY: FINE, OK?
BUT YOU KNOW WHAT?
THE FRUIT I'LL EAT, AND THE REST
OF IT IS A TOTAL WASTE
OF YOUR TIME.
SONNY: YOU WON'T TELL ME HOW
TO COOK, AND I WON'T MAKE YOU GO
UP TO BED.
SEE, THE CATCH IS I WANT YOU OFF
YOUR FEET.
COME ON. COME ON.
CARLY: I'M OFF MY FEET.
SONNY: NO, YOU'RE NOT.
RIGHT, RIGHT.
JUST HAVE A SEAT OVER HERE, OK?
THERE YOU GO.
HOW'S THAT?
CARLY: GOOD.
SONNY: NO, NO, NO, NO.
IT'S TOO HEAVY.
I'LL PICK THAT UP.
PUT YOUR FEET ON THE BEAUTIFUL
OTTOMAN THAT YOU LOVE SO MUCH.
THAT A GIRL.
CARLY: HMM.
SONNY: OK.
CARLY: YOU KNOW WHAT?
WE DON'T NEED A BALLROOM.
SONNY: WHAT?
CARLY: I THINK YOU SHOULD
JUST LINE THEM UP FROM THE LOBBY
TO THE FRONT DOOR HERE.
WHEN THE SUPPLICANTS COME
TO KISS MY FEET, I WANT TO BE
SITTING RIGHT HERE.
SONNY: OK.
CARLY: WHAT ARE YOU DOING?
SONNY: WHAT DOES IT LOOK LIKE
I'M DOING?
CARLY: WHAT'S WRONG
WITH YOUR DESK?
SONNY: I CAN'T SEE
YOU FROM THERE.
CARLY: OH.
SO I'M UNDER 24-HOUR WATCH NOW?
SONNY: YOU GOT A PROBLEM
WITH THAT?
CARLY: GIVE ME A MINUTE
TO THINK ABOUT IT.
SONNY: YOU GOT ALL THE TIME
IN THE WORLD.

JAX: YOUR COACH AWAITS YOU!
WOW.
YOU COULD START A REVOLUTION.
CHLOE: LET'S WAIT A FEW
GENERATIONS, OK?
JAX: YOU'RE FAR TOO LOVELY
FOR THE FIRING SQUAD.
CHLOE: OH, I BET YOU SAY THAT
TO ALL THE CZARINAS.
JAX: YOU'RE THE ONLY CZARINA
FOR ME.
SHALL WE?
CHLOE: MM-HMM.

STEFAN: KATHERINE SPENT
MONTHS IN HELENA'S CARE AND CAME
BACK ANOTHER PERSON.
AND NOW LUCKY EMERGES,
STRANGELY CHANGED.
ALEXIS: I DON'T KNOW WHY
THAT'S STRANGE.
HE'S ANGRY.
I WOULD BE ANGRY.
HE GOT CAUGHT IN THE CROSSFIRE
OF A FEUD THAT STARTED WAY
BEFORE HE WAS BORN, SO HE RAN
AWAY.
THAT'S ONE APPROACH TO
THE CASSADINE-SPENCER WAR.
STEFAN: NO, SOMETHING'S
WRONG.
ALEXIS: MAYBE HE'S
LEGITIMATELY ANGRY.
HE HAS A BAD TEMPER, AND THIS
CERTAINLY ISN'T THE FIRST TIME
HE'S FOUGHT WITH HIS FATHER.
STEFAN: I WOULD LIKE
TO BELIEVE THAT LUCKY IS
IN CONTROL OF HIS THOUGHTS,
BUT HELENA LET HIM GO,
FREE AND CLEAR.
NOW, WHY WOULD SHE DO THAT
UNLESS SHE THOUGHT SHE WAS
ACCOMPLISHING SOMETHING?
THE QUESTION IS, WHAT?
WHAT WAS HER GOAL?

HELENA: GOOD AFTERNOON.
DR. GLADSTONE: MRS. WYCLIFFE?
HELENA: NO, I'M HELENA
CASSADINE, STEFAN CASSADINE'S
MOTHER.
DR. GLADSTONE: AH.
HELENA: I'M HERE ABOUT ONE
OF YOUR PATIENTS -- LUCKY
SPENCER.
HE'S A CHERISHED FRIEND.
DR. GLADSTONE: WELL,
OBVIOUSLY A FAMILY FRIEND.
I JUST HAD A MEETING
WITH YOUR SON STEFAN.
HELENA: WELL, UNFORTUNATELY
I HAD TO MISS THAT MEETING,
SO STEFAN SUGGESTED THAT I COME
HERE.
DO YOU HAVE A FEW MINUTES
TO BRIEF ME?
DR. GLADSTONE: YES, I --
I SUPPOSE I DO.
HELENA: WELL, I WOULD SO VERY
MUCH APPRECIATE IT.
LUCKY IS VERY DEAR TO ME.

NIKOLAS: I THINK WE SHOULD
GIVE IT ONE MORE NIGHT,
DO A FINAL ROUND OF
THE COFFEEHOUSES.
IF WE DON'T FIND LUCKY,
THEN WE'LL JUST -- WE'LL LEAVE
TOMORROW.
HOW DOES THAT SOUND?
ELIZABETH: ALL RIGHT.
NIKOLAS: ARE YOU HUNGRY?
ELIZABETH: NO, BUT I THINK
WE SHOULD EAT.
NIKOLAS: SOME COFFEE WOULDN'T
BE BAD, EITHER.
ELIZABETH: OH, SHOOT,
THERE GOES MY PICTURE.
YOU KNOW WHAT?
JUST LEAVE IT.
I CAN DO ANOTHER ONE.
I THINK IT'S JINXED ANYWAY.
COME ON.

MAN: HOW MANY?
LUCKY: ONE.
WITH MUSTARD, PLEASE.

>> ON THE NEXT
"GENERAL HOSPITAL" --

JAX: WELCOME TO THE LAND
WHERE YOUR DREAMS COME TRUE.

A.J.: I NEED YOUR HELP,
EM, OK?

DARA: MAKE SURE YOU'RE NOT
WALKING AWAY FROM SOMETHING
YOU'RE GOING TO LATER REGRET.

NED: ALEXIS IS NOT RISKING
HER LIFE FOR YOU ONE MORE TIME.

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