General Hospital Transcript Monday 1/31/00

Provided by Laura

LUKE: ARE WE IN THE BLACK?
FELICIA: OH.
HELLO.
LUKE: HELLO!
OH, IT'SOOD TO SEE YOU.
FELICIA: I AM WAY TOO HAPPY.
LUKE: IT'S TOO LATE.
YOU CAN'T TAKE IT BACK NOW.
FELICIA: WELL, YOU'RE IN GOOD
SHAPE.
LUKE: IT'S AN ACT.
IT'S JUST A BIG BLOODY ACT.
FELICIA: WHAT'S GOING ON?
DID SOMETHING HAPPEN WHILE
YOU WERE GONE?
LUKE: NO.
NOT ENOUGH, NO.
FELICIA: WELL, OK,
IF YOU DON'T WANT TO GET
INTO IT --
LUKE: NO, IT ISN'T THAT
I DON'T WANT TO GET INTO IT.
IT'S THAT THERE'S NOTHING TO GET
INTO.
IT'S --
IT'S A HUNCH.
IT'S A CRAZY HUNCH, AND IT'S
SOMETHING THAT I -- I DON'T WANT
TO BURDEN YOU WITH.
FELICIA: PLEASE?
LUKE: IT'S A HUNCH THAT
MY KID IS ALIVE.
FELICIA: YOU CAN'T MEAN
LUCKY.
LUKE: I HAVE REASON TO HAVE
THIS HUNCH THAT MAYBE IT'S
POSSIBLE.
FELICIA: OH, MY GOD.
YOU'RE SERIOUS.
WELL, WHAT ABOUT T FIRE?
LUKE: WELL, MAYBE IT WAS
A BODY SWITCH.
FELICIA: PLEASE,
START FROM THE BEGINNING.
LUKE: ARE YOU SURE?
BECAUSE I DON'T KNOW --
FELICIA: YES.
PLEASE, TELL ME.
LUKE: IT'S AGAINST MY BETTER
JUDGMENT.
FELICIA: I WANT TO HEAR
EVERYTHING.
LUKE: ALL RIGHT.
IT STARTED WHEN FAISON CALLED ME
AFTER HE ESCAPED AND TOLD ME
TO MEET HIM AT THE PIER.
HE SAID THAT WE HAD UNFINISHED
BUSINESS.
WHEN I GOT THERE, HE GAVE ME
THE USUAL PAT ON THE BACK ABOUT
BEING A WORTHY ADVERSARY,
AND HE TOLD ME THAT HE WANTED
TO REWARD ME FOR MY ADVERSARIAL
EXCELLENCE BY TELLING ME
SOMETHING THAT I WANTED TO HEAR,
THE ONE THING THAT I WANTED
TO HEAR THE MOST --
THAT MY SON WAS ALIVE.
AND --
FELICIA: AND WHAT?
LUKE: WELL, I MEAN,
THAT'S AS FAR AS HE GOT.
AND THEN MAC SHOWED UP,
SHOOTING.
I TRIED TO STOP HIM, BUT BEFORE
HE COULD FINISH WHAT HE WAS
TALKING ABOUT, FAISON KICKED
THE BOAT INTO GEAR AND THEN --
FELICIA: AND THE BOAT
BLEW UP.
OH.
LUKE: YEAH.
FELICIA: DO YOU HAVE ANY IDEA
WHAT HE WAS GOING TO SAY NEXT?
LUKE: ANY IDEA?
SURE.
HE WAS GOING TO SAY, "YOUR SON
IS ALIVE, AND HE'S WAITING
TABLES IN CLEVELAND."
"YOUR SON IS ALIVE,
AND IF YOU HELP ME ESCAPE,
I'LL TELL YOU EXACTLY WHERE
HE IS."
"YOUR SON IS ALIVE, AND NOW
YOU CAN SPEND THE REST
OF YOUR LIFE WONDERING IF I'M
TELLING THE TRUTH"!
FELICIA: THAT'S WHY
YOU TOOK OFF.
LUKE: OH, YEAH, THAT'S WHY
I WENT TO EUROPE.
I TRACKED DOWN HIS ACCOUNTS
AND SOME OF -- SOME
OF THE CONTACTS THAT
WE BOTH HAD.
I WAS JUST LOOKING FOR ANYTHING,
A FACT TO HANG ONTO THAT --
THAT LUCKY WAS NOT DEAD.
FELICIA: YOU DIDN'T FIND
ANYTHING?
LUKE: NO, NO, I DIDN'T.
SO YOU SEE?
ALL I GOT IS THIS HUNCH.
I'VE JUST GOT A CRAZY HUNCH,
WHICH WAS REALLY THE LAST
MIND SHAG OF A PSYCHOPATH.
IT'S PATHETIC.
DO YOU THINK IT'S POSSIBLE?
DO YOU THINK THAT MY SON IS OUT
THERE WAITING FOR ME TO COME
AND GET HIM?

TAMMY: OH, HEY, ELIZABETH,
I'M GOING TO GO UPSTAIRS AND GET
READY FOR MY DATE, OK?
ELIZABETH: OK.
HOW WAS IT?
SONNY: GOOD.
ELIZABETH: DO YOU HAVE
A MINUTE?
I HAVE A COUPLE OF QUESTIONS I'D
LIKE TO ASK YOU.
SONNY: SURE.
I GOT NO PLACE SPECIAL TO BE
TONIGHT.

NURSE: DO YOU HAVE ANY FINAL
QUESTIONS?
CARLY: NO.
NURSE: ALL RIGHT, THEN I'LL
BE RIGHT BACK TO TAKE
YOU IN FOR YOUR PROCEDURE, OK?
CARLY: OK.
CARLY: WHAT AM I DOING?
WHAT AM I DOING?
I DON'T KNOW WHAT ELSE TO DO.
NURSE: READY?
CARLY: YEAH. READY.
BOBBIE: HI.
I CALLED EARLIER FROM
GENERAL HOSPITAL.
YOU HAVE A PATIENT SCHEDULED
TO HAVE AN ABORTION -- CAROLINE
MORGAN.
RECEPTIONIST: I'M NOT ALLOWED
TO GIVE OUT ANY INFORMATION
ON ANY OF OUR PATIENTS.
BOBBIE: WELL, I ALREADY KNOW
SHE'S HERE.
I'M HER MOTHER.
I WOULD LIKE TO BE WITH HER.
RECEPTIONIST: NO ONE LEFT
WORD THAT THEY'RE EXPECTING
ANYONE.
BOBBIE: I AM THE HEAD
O.R. NURSE AT GENERAL HOSPITAL,
AND I NEED TO BE WITH
MY DAUGHTER.

JAX: WELL, I HATE TO BE
THE ONE TO SAY IT.
CHLOE: I KNOW.
WE'RE ABOUT TO PART WAYS.
JAX: YES, BUT BRIEFLY, OK?
ONLY BRIEFLY.
I'LL TAKE A WALK AROUND
THE BLOCK.
CHLOE: NO, ACTUALLY,
THERE'S A BAKERY ACROSS
THE STREET.
I HAVE A CRAVING.
JAX: SOMETHING CHOCOLE?
CHLOE: WHATEVER THEY HAVE.
AND I WANT TO PICK UP SOME
PASTRIES FOR NED, TOO.
JAX: OK.
CHLOE: MY HEEL.
[TIRES SQUEAL]
JAX: CHLOE!
[CHLOE SCREAMS]
JAX: CHLOE?
SOMEONE CALL 911!

[SIRENS]
JAX: RIGHT IN FRONT
OF THE PORT CHARLES HOTEL.
NO, NO, IT WAS A HIT-AND-RUN.
THE DRIVER NEVER STOPPED.
YES, YES, I UNDERSTAND.
I'LL MAKE SURE THAT NOBODY
MOVES HER.
NO, NO, PEOPLE ARE HELPING
WITH TRAFFIC.
LISTEN, I HEAR THE SIRENS, OK?
YES.
THANK YOU.
CHLOE?
CHLOE, IT'S JAX.
CAN YOU HEAR ME?
CHLOE?
HEY.
CHLOE: Jax.
JAX: I'M RIGHT HERE.
I'M RIGHT HERE.
DON'T MOVE, OK?
THE PARAMEDICS ARE ON THEIR WAY.
JAX: OH, CHLOE.
NO, CHLOE -- CHLOE,
CHLOE, STAY WITH ME.
STAY WITH ME, CHLOE.
I LOVE YOU.
DO YOU HEAR THAT?
I LOVE YOU.
OH, COME ON.
PLEASE.
STAY WITH ME.

BOBBIE: LOOK, MY NAME IS
BARBARA SPENCER.
I AM THE SENIOR SURGICAL NURSE
AT GENERAL HOSPITAL.
RECEPTIONIST: THEN YOU SHOULD
UNDERSTAND THAT I CAN'T GIVE
YOU ANY INFORMATION ABOUT
OUR PATIENTS.
BOBBIE: BUT I ALREADY KNOW
THAT MY DAUGHTER'S IN HERE.
RECEPTIONIST: I CAN'T CONFIRM
OR DENY THAT.
I CAN'T GIVE YOU ANY
INFORMATION.
BOBBIE: COME ON.
I'M A REGISTERED NURSE.
WOULD YOU CUT ME A LITTLE SLACK?
LOOK, I'M -- I'M NOT HERE
TO ATTACK MY DAUGHTER.
AND I DON'T WANT TO
CRITICIZE HER.
AND I'M NOT GOING TO
LECTURE HER.
I JUST WANT HER TO BE OK
IN THERE.
I WANT HER TO KNOW THAT SHE'S
NOT ALONE.
SURELY YOU CAN UNDERSTAND THAT.
RECEPTIONIST: IS
YOUR DAUGHTER A MINOR?
BOBBIE: NO.
RECEPTIONIST: THEN I'M SORRY.
MY HANDS ARE TIED.
BOBBIE: WELL, THE HELL
WITH THIS BECAUSE --
RECEPTIONIST: GABE --
GUARD: I'M GOING TO HAVE
TO ASK YOU TO LEAVE.

FELICIA: OH.
THIS IS JUST SO FAISON.
LUKE: YEAH, YOU'RE RIGHT.
IT IS. IT'S CRAZY.
SO --
YOU THINK LUCKY IS DEAD?
FELICIA: OH, I DON'T KNOW.
IT'S A LITTLE HARD TO TAKE HIM
AT HIS WORD BECAUSE FAISON LOVES
NOTHING BETTER THAN TO TORTURE
PEOPLE BY TWISTING THEIR
FEELINGS.
I KNOW YOU DON'T WANT TO HEAR
THIS, BUT WE SHOULD SPEAK
TO MAC, SEE IF YOU CAN GET
THE POLICE FILES ON THE FIRE.
LUKE: YOU'RE RIGHT.
I DON'T WANT TO HEAR THIS.
NO MAC, NO COPS.
NO MAC.
FELICIA: IT COULD BE VERY
HELPFUL.
LUKE: I SHOULDN'T HAVE
TOLD YOU.
FELICIA: NO.
IT COULD BE VERY HELPFUL.
HE HAS CONTACTS THAT
YOU COULD USE.
LUKE: LOOK, I HAVE CONTACTS
OF MY OWN, FELICIA.
LUKE: I DON'T WANT LAURA
TO KNOW ABOUT THIS.
NOT YET.
AND MAC MIGHT THINK THAT WAS
THE RIGHT THING TO DO,
TO TELL HER.
AND IT WOULDN'T BE BECAUSE
SHE LOST LUCKY ONCE.
I'M NOT GOING TO PUT HER THROUGH
IT AGAIN.
I'M DOING THIS ALONE.
FELICIA: NO CHANCE.
YOU NEED HELP, AND THAT'S WHAT
I'M GIVING YOU.
LUKE: THEN NO MAC.

TAMMY: BOBBIE'S NOT HERE YET?
ELIZABETH: NOPE.
TAMMY: ELIZABETH, I NEED
YOU TO GIVE ME YOUR HONEST
OPINION, OK?
HOW DO I LOOK?
WE'RE GOING TO A MOVIE.
ELIZABETH: YOU LOOK PERFECT.
TAMMY: YEAH?
ELIZABETH: I MEAN IT.
AND I WOULDN'T JUST BE SAYING IT
BECAUSE I'D LIKE A QUICK BREAK.
TAMMY: UH-HUH.
YEAH, GO AHEAD.
BUT HURRY UP BECAUSE MIKE'S
SUPPOSED TO BE HERE ANY MINUTE.
ELIZABETH: OK.
I'LL JUST BE RIGHT OVER THERE.
TAMMY: OK.
ELIZABETH: HEY.
SONNY: HEY.
ELIZABETH: THANKS
FOR WAITING.
BOBBIE SHOULD BE HERE,
BUT SHE PROBABLY GOT HELD UP
BY AN EMERGENCY OR SOMETHING.
HOW'S THE TORTE?
SONNY: IT'S THE BEST.
MMM.
ELIZABETH: GOOD.
SONNY: WHAT'S ON YOUR MIND?
ELIZABETH: HIM.
SONNY: YEAH?
ELIZABETH: I'VE NEV HAD
A BODYGUARD BEFORE, AND I'M NOT
SURE EXACTLY HOW IT'S SUPPOSED
TO WORK.
SONNY: YOU JUST GOT
TO PRETEND HE'S NOT THERE.
AFTER A COUPLE DAYS, YOU KNOW,
YOU WON'T EVEN NOTICE.
ELIZABETH: I HAVE CLASSES
TOMORROW.
IS HE GOING TO SCHOOL WITH ME?
SONNY: UNTIL IT'S SAFE.
I'LL TELL HIM TO MAKE SURE
HE MAKES HIMSELF INVISIBLE.
HOW'S THAT?
ELIZABETH: CAN HE WAIT
OUTSIDE OF MY CLASSES?
SONNY: YEAH.
ELIZABETH: OK, I KNOW THIS IS
GOING TO SOUND PRETTY STUPID,
BUT WHERE'S HE GOING TO SLEEP
TONIGHT?
SONNY: TAMMY SAID IT WOULD BE
ALL RIGHT IF TWO OR THREE
OF THE GUYS HUNG AROUND HERE,
PLAYED SOME POKER, DID SOME
STUFF, YOU KNOW?
ELIZABETH: THIS IS SO WEIRD.
SONNY: YEAH, I KNOW, I KNOW,
I KNOW.
AND I'M SORRY.
ELIZABETH: YOU KEEP SAYING
THAT.
I WISH YOU DIDN'T FEEL SO BAD.
I DON'T.
IT WAS WORTH IT TO DO SOMETHING
FOR JASON.
AFTER ALL, HE HELPED ME.
HOW WILL YOU KNOW WHEN SOREL
GETS THE MESSAGE?
SONNY: I'LL KNOW.
DON'T EVEN WORRY ABOUT IT.
ELIZABETH: OK, SO, IF I ASKED
FRANCIS TO DO SOMETHING FOR ME,
WOULD HE?
SONNY: WHAT EXACTLY DO
YOU HAVE IN MIND?
ELIZABETH: WELL,
THERE'S A CERTAIN ART INSTRUCTOR
I WOULDN'T MIND PUTTING A SCARE
INTO.
SONNY: HMM.
ELIZABETH: HE GAVE ME
AN F LAST SEMESTER ON MY FINAL
PROJECT.
IT WAS A PORTRAIT OF LUCKY.
HE SAID IT WAS THE MOST
SENTIMENTAL, SELF-INDULGENT
PIECE OF GARBAGE HE'D EVER SEEN.
SONNY: OUCH.
ELIZABETH: MM-HMM.
I DON'T KNOW, MAYBE HE'S RIGHT.
MAYBE IT'S TIME I STOPPED
PAINTING LUCKY.
SONNY: MAYBE HE'S NOT RIGHT.
MIKE: FRANCIS.
FRANCIS: MR. CORBIN.
MIKE: THANK YOU.

FELICIA: MAC WILL UNDERSTAND
YOUR FEELINGS FOR NOT WANTING
TO TELL LAURA.
I THINK IT WOULD BE CRUEL TO GET
HER HOPES UP.
BUT YOU CAN TRUST HIM.
LUKE: YOU TRUST HIM,
BLUE EYES.
DON'T ASK ME TO.
THIS CONVERSATION ENDS HERE.
FELICIA: OK.
THEN WE'RE BACK TO WHAT I SAID.
I KNOW YOU'RE GOING TO SEE THIS
THROUGH EVEN IF YOU HAVE TO TURN
OVER EVERY ROCK ON THE EARTH.
LUKE: WHICH I CAN DO.
FELICIA: WHAT PARENT
WOULDN'T?
BUT YOU DON'T HAVE TO DO IT
ALONE.
LUKE: I DON'T KNOW,
BLUE EYES.
WE BARELY SQUEAKED THROUGH LAST
TIME.
HELL, WE DON'T EVEN KNOW IF THIS
ISN'T THE REASON FAISON CAME
HERE IN THE FIRST PLACE --
TO DELIVER THIS MESSAGE THAT
MY SON WAS ALIVE SO I'D SPEND
THE REST OF MY LIFE LOOKING
FOR HIM
AND YOU'D GET INTO IT.
FELICIA: BECAUSE I WANT
TO BE.
LUKE: THEN TELL THAT
TO YOUR HUSBAND.
[KNOCK ON DOOR]
LUKE: I'M BUSY!
STEFAN: MRS. SCORPIO,
WOULD YOU MIND GIVING US
A MOMENT ALONE?
LUKE: I SAID I'M BUSY.
WHAT DO YOU WANT?
STEFAN: I WANT TO DISCUSS
THE REAL CONNECTION BETWEEN
HELENA AND CESAR FAISON.

JAX: CHLOE?
PARAMEDIC: SIR, EXCUSE ME.
STEP BACK FOR JUST A SECOND.
DID YOU SEE THE ACCIDENT HAPPEN?
JAX: YEAH.
A CAR CAME OUT OF NOWHERE
AND RAN HER DOWN.
PARAMEDIC: HAS SHE BEEN
MOVED?
JAX: NO, NO.
BUT SHE CAME TO.
PARAMEDIC: HOW LONG?
JAX: IT WAS NO MORE THAN FIVE
SECONDS.
PARAMEDIC: OK.
WHAT'S HER NAME?
JAX: CHLOE MORGAN --
I MEAN, ASHTON. CHLOE ASHTON.
PARAMEDIC: IS SHE ALLERGIC
TO ANY MEDICATION?
JAX: I DON'T KNOW.
I DON'T THINK SO.
PARAMEDIC: ARE YOU
FAMILY, SIR?
JAX: NO, I'M HER FRIEND.
PARAMEDIC: DO YOU KNOW HOW
WE CAN REACH SOMEONE
IN HER FAMILY?
JAX: YES, YES.
I CAN TA CARE OF THAT
ON THE WAY TO THE HOSPITAL.
PARAMEDIC: ALL RIGHT,
PLEASE, STEP BACK.
GIVE US A LITTLE ROOM,
PLEASE, SIR.
JAX: CHLOE, LISTEN, IT'S JAX.
YOU'RE GOING TO BE FINE.
TAGGERT: JAX, JAX, JAX --
JAX: ALL RIGHT?
TAGGERT: I JUST GOT A COUPLE
OF QUESTIONS.
SO WHAT HAPPENED?
THE DRIVER DIDN'T STOP?
JAX: NO.
TAGGERT: DID YOU GET
A LICENSE PLATE?
JAX: NO, I DIDN'T.
TAGGERT: WHAT ABOUT THE MAKE
OF THE VEHICLE?
JAX: I DON'T KNOW.
IT WAS A CAR, A SEDAN OF SOME
SORT.
TAGGERT: WHAT COLOR?
JAX: IT WAS DARK.
I COULDN'T MAKE IT OUT.
LOOK, I HONESTLY DIDN'T PAY ANY
ATTENTION TO THE CAR.
BUT THERE'S A COUPLE BACK THERE.
YOU MAY WANT TO ASK THEM.
TAGGERT: HEY, HOW ABOUT
THE DRIVER?
DID YOU SEE THE DRIVER?
JAX: I DIDN'T SEE.
TAGGERT: MALE? FEMALE?
JAX: I DIDN'T SEE.
TAGGERT: WAS THERE MORE THAN
ONE PERSON IN THE CAR?
JAX: LOOK, ALL I SAW WAS
CHLOE WALK INTO THE CROSSWALK.
I HEARD A CAR'S ENGINE
ACCELERATE AS IF IT WAS
PULLING OUT.
AND THEN, I'M SORRY, I JUST SAW
HEADLIGHTS.
I'M SORRY THAT I CAN'T HELP
YOU ANY MORE.
TAGGERT: NOW, YOU SAID
THE CAR WAS ACCELERATING.
IT DIDN'T MAKE AN ATTEMPT
TO SWERVE?
JAX: I DON'T THINK SO.
TAGGERT: ARE YOU SURE?
JAX: LOOK, IT WAS PROBABLY
JUST A DRUNK DRIVER.
LOOK, ASK THE COUPLE.
TAGGERT: OK.
ARE YOU SURE CHLOE WAS
IN THE CROSSWALK?
JAX: YES, SHE WAS
IN THE CROSSWALK.
TAGGERT: AND YOU AND CHLOE
WERE HERE FOR DINNER
OR SOMETHING?
JAX: WE BOTH LIVE
IN THE HOTEL.
NOW, PLEASE EXCUSE ME.
CHLOE, HEY.
IT'S JAX.
YOU'RE GOING TO BE FINE.
YOU HEAR ME?
YOU'RE GOING TO BE FINE.
I'M RIGHT HERE WITH YOU.
PARAMEDIC: GET THAT I.V.,
ALL RIGHT?

BOBBIE: I'M SORRY, TAMMY.
THANKS.
BOBBIE: I'M NOT GOING TO DO
ANYTHING.
I'M JUST SO CONCERNED ABOUT
MY DAUGHTER.
CAN YOU AT LEAST TELL ME WHEN
THE PROCEDURE STARTED OR HOW
MUCH LONGER IT'S GOING TO BE
BEFORE YOU DISCHARGE HER?
RECEPTIONIST: MS. SPENCER,
IS IT?
BOBBIE: YEAH.
RECEPTIONIST: I'M STILL NOT
SAYING WHETHER YOUR DAUGHTER IS
HERE.
BUT IF SHE WERE, YOU'RE UPSET.
IT WON'T HELP HER --
BOBBIE: I'M UPSET
BECAUSE OF YOU.
MY DAUGHTER IS IN THERE,
AND SHE'S UNDERGOING A VERY
TRAUMATIC PROCEDURE.
SHE'S IN THERE ALONE, ISN'T SHE?
RECEPTIONIST: I'M GOING
TO HAVE TO ASK YOU TO LEAVE.
BOBBIE: WELL, I'M NOT
LEAVING.
OH, HONEY.
CARLY: MOM?

LUKE: YOU WANT TO DISCUSS
WHAT?
STEFAN: THE POLICE ARE
SATISFIED THAT FAISON MURDERED
KATHERINE BELL.
I DISAGREE.
FAISON WAS A MASTER CRIMINAL.
MY MOTHER DIDN'T NEED SOMEONE
LIKE HIM TO PULL OFF KATHERINE'S
MURDER.
THAT WOULD BE CHILD'S PLAY
FOR HER.
LUKE: YOU'LL GET NO ARGUMENT
FROM ME.
STEFAN: I ALSO DON'T SEE
FAISON BEING LURED OUT OF HIDING
FOR SUCH A MENIAL TASK.
THERE HAD TO BE ANOTHER
OBJECTIVE.
I'M CONCERNED THAT HELENA IS
TARGETING LAURA AGAIN.
ANY OTHER IDEA WHY FAISON WOULD
SHOW UP IN PORT CHARLES?
LUKE: YOU'RE THE ONE WITH ALL
THE ANSWERS.
STEFAN: I DON'T THINK SO.
FELICIA: NOW, WHAT DO
YOU THINK THAT WAS ABOUT?

DARA: LIEUTENANT.
HI.
TAGGERT: HEY.
WHAT ARE YOU DOING HERE?
DARA: I JUST HAD DINNER UP
THE STREET.
WHAT DO WE GOT?
TAGGERT: AUTO vs. PEDESTRIAN.
HIT-AND-RUN.
VICTIM'S CHLOE MORGAN ASHTON.
DARA: WHAT?
HOW'S SHE DOING?
TAGGERT: DIDN'T LOOK TOO
GOOD.
DARA: ANY WITNESSES?
TAGGERT: APPARENTLY,
JASPER JACKS WAS OVER THERE
ON THE SIDEWALK.
THEY'D JUST PARTED WAYS,
SAID HELLO OR SOMETHING.
THIS COUPLE HERE WAS
ON THEIR WAY INTO THE GRILL.
DARA: WHAT ABOUT THE DOORMAN?
TAGGERT: HIS BACK WAS TURNED.
I'M CANVASSING THE AREA
RIGHT NOW.
SO FAR ALL WE GOT IS
A LATE-MODEL SEDAN, DARK BLUE
OR BLACK.
EXCUSE ME.
DARA: DID ANYBODY GET
THE LICENSE PLATE?
TAGGT: NEGATIVE.
DARA: NO DESCRIPTION
OF THE DRIVER?
TAGGERT: WE WEREN'T EVEN ABLE
TO TELL IF IT WAS MALE
OR FEMALE.
JAX THINKS IT MIGHT'VE BEEN
A DRUNK DRIVER.
DARA: WHY?
TAGGERT: YOU ON SOME BAD DATE
OR SOMETHING YOU NEED TO GET
OUT OF?
DARA: JUST ANSWER
THE QUESTION.
WHY DOES JAX THINK IT WAS
A D.U.I.?
TAGGERT: BECAUSE THERE WAS
NO ATTEMPT TO AVOID MS. MORGAN.
HE SAYS THE CAR WAS
ACCELERATING.
DARA: WHAT ARE YOU THINKING?
TAGGERT: JUST KEEPING AN OPEN
MIND.
SAME M.O. IF IT'S A DELIBERATE
HIT-AND-RUN.
DARA: I DON'T KNOW MUCH ABOUT
CHLOE MORGAN, BUT SHE DOESN'T
SEEM LIKE THE TYPE THAT WOULD
HAVE ENEMIES.
I'LL RUN OVER TO THE HOSPITAL
AND ASK, OK?
TAGGERT: MUST BE SOME AWFUL
DATE.
DARA: WHO HAS TIME FOR DATES?

ELIZABETH: YOUR FATHER JUST
WALKED IN.
BUT DON'T KEEP HIM LONG
BECAUSE HE HAS A DATE, OK?
MIKE: WHAT IS WITH FRANCIS
STANDING GUARD OUTSIDE?
SONNY: SOREL MARKED ELIZABETH
AS A POSSIBLE WAY TO GET
TO JASON, SO FOR NOW FRANCIS IS
KEEPING AN EYE ON THINGS.
I ALSO GOT SOMEBODY ON TAMMY.
SHE --
AHEM -- SHE WENT AFTER SOREL
WITH A BASEBALL BAT.
MIKE: WHAT?
SONNY: SHE WAS PROTECTING
ELIZABETH.
MIKE: TAMMY.
TAMMY: HI, MIKE.
MIKE: HI.
A BASEBALL BAT?
SOREL?
TAMMY: YEAH, WELL, IT SEEMED
LIKE A GOOD IDEA AT THE TIME.
YOU READY?
I'M GOING TO GET MY COAT.
SONNY: SO IF YOU NOTICE
SOMEBODY TAILING YOU, IT'S ONE
OF MY CREW.
MIKE: WELL, YOU COULDN'T HAVE
PICKED UP THE PHONE AND TOLD ME
ABOUT ANY OF THIS?
SONNY: NO, MIKE.
MIKE: WE ARE NOT FINISHED
WITH THIS.
TAMMY: HERE YOU GO.
ELIZABETH, BOBBIE WAS SUPPOSED
TO COVER FOR ME, BUT SHE CALLED
AND SHE'S NOT GOING TO BE ABLE
TO MAKE IT, SO --
YOU'LL BE OK?
ELIZABETH: SURE.
TAMMY: THANKS, HONEY.
ELIZABETH: MM-HMM.
TAMMY: BYE, SONNY.
SONNY: SEE YOU LATER.
ELIZABETH: EVERYTHING OK
WITH YOUR DAD?
SONNY: YEAH, HE JUST WORRIES,
YOU KNOW?
IT GETS ANNOYING, BUT IT'S NOT
UNWARRANTED.
AND IF YOU TELL HIM I SAID THAT,
I'LL DENY EVERYTHING.

RECEPTIONIST: WE'RE DONE
FOR TONIGHT.
WHY DON'T YOU HELP ME LOCK UP.
CARLY: DO YOU KNOW?
BOBBIE: YEAH, HONEY, I KNOW.
COME ON.
LET'S SIT DOWN.
CARLY: HOW'D YOU FIND OUT?
BOBBIE: I'M YOUR MOTHER.
AND I'M A NURSE.
I'VE BEEN HERE AND I'VE BEEN
TRYING TO GET IN TO SEE YOU,
BUT THEY WOULDN'T LET ME.
THEY ALMOST HAD TO CALL
THE POLICE.
CARLY: REALLY?
I WISH I HAD KNOWN.
I COULD'VE USED YOUR HELP,
YOU KNOW?
IT'S REALLY HARD.
BOBBIE: WHY DIDN'T
YOU TELL ME?
CARLY: I DON'T KNOW,
YOU KNOW?
I JUST -- I FIGURED THAT IT WAS
MY PROBLEM AND, YOU KNOW, I HAD
TO DEAL WITH MY PROBLEM
ON MY OWN.
BOBBIE: I'M YOUR MOTHER,
AND I LOVE YOU.
YOU NEVER HAVE TO GO THROUGH
ANYTHING LIKE THIS ALONE.
LET'S GET YOU TO THE
BROWNSTONE, OK?
YOU CAN LIE DOWN AND GET SOME
REST.
YOU CRAMPING?
DID THEY PRESCRIBE ANYTHING
FOR YOU?
CARLY: I COULDN'T GO THROUGH
WITH IT.
BOBBIE: I KNOW, HONEY.
I KNOW.
BUT THE IMPORTANT THING RIGHT
NOW IS FOR YOU TO GET SOME REST.
CARLY: MOM, THE ABORTION.
I COULDN'T GO THROUGH WITH IT.
I'M STILL PREGNANT.

SONNY: WHO WON?
ELIZABETH: WELL, I PAINTED
THIS HUGE MURAL ALL OVER
THE WALL -- OF COURSE,
ONLY ON MY SIDE -- AND I WISELY
CHOSE SARAH'S LEAST FAVORITE
COLORS.
SHE LASTED ABOUT TWO DAYS.
I WAS -- I GREW UP BEING TOLD
I WAS BULLHEADED.
LUCKY SAID I WAS TENACIOUS.
I LIKE THAT ONE BETTER.
SONNY: SO WHERE'S
YOUR BROTHER AND SISTER NOW?
ELIZABETH: MY BROTHER IS
DOCTOR IN COLORADO,
AND MY SISTER'S IN ROME
AT SCHOOL.
SONNY: SO YOU'RE NOT
PARTICULARLY CLOSE WITH THEM?
ELIZABETH: WE ALL LOVE EACH
OTHER.
BUT I WAS ALWAYS THE ODD MAN
OUT, YOU KNOW?
MY LIFE WOULD HAVE BEEN SO MUCH
EASIER HAD I BEEN AN ONLY CHILD.
SONNY: I WAS AN ONLY CHILD.
IT'S NOT ALL IT'S CRACKED UP
TO BE.
YOU DON'T HAVE PEOPLE --
YOU GOT TO GO THROUGH EVERYTHING
ALONE.
I ENDED UP --
I ENDED UP HANGING OUT WITH THIS
FAMILY IN MY NEIGHBORHOOD NAMED
CERULLOS.
THEY HAD FIVE KIDS,
AND THEY PRACTICALLY ADOPTED ME,
NOT THAT I GAVE THEM A CHOICE.
I WAS LIKE THE -- THE NEIGHBOR
KID WHO WOULDN'T GO AWAY.
ELIZABETH: GUESS WE ALWAYS
WANT WHAT WE CAN'T HAVE, HUH?
SONNY: MY WIFE WAS AN ONLY
CHILD, TOO.
WE -- WE PLANNED ON HAVING A LOT
OF KIDS.

BOBBIE: YOU DIDN'T HAVE
THE ABORTION?
CARLY: NO.
ALL I COULD THINK ABOUT WAS
MICHAEL, YOU KNOW, WHEN HE WAS
IN THE HOSPITAL.
AND HE WAS HOOKED UP TO ALL
THOSE TUBES AND STUFF.
YOU KNOW, HE WAS SUCH A FIGHTER,
AND YET HE WAS SO VERY TIRED
BECAUSE HE HAD TO WORK SO HARD.
BUT HE DID IT, YOU KNOW,
BECAUSE HE WANTED SO BADLY
TO LIVE.
AND I STARTED THINKING ABOUT
THIS BABY, AND I JUST -- I JUST
COULDN'T DO IT.
BOBBIE: OH, HONEY.
LOOK, I KNOW THAT YOUR MARRIAGE
TO A.J. HASN'T BEEN IDEAL,
BUT, HEY, MAYBE HAVING ANOTHER
CHILD IS GOING TO MAKE IT
A LITTLE BETTER.
CARLY: THE BABY'S NOT
A.J.'S, MOM.
BOBBIE: OH.
OH.
WELL, YOU KNOW JASON WILL COME
HOME THE SECOND HE FINDS OUT.
CARLY: YOU DON'T KNOW WHAT
KIND OF MESS I'VE MADE.
BOBBIE: OH, HONEY,
ALL WE HAVE TOO IS FIND HIM.
LOOK, I KNOW IT'S NOGOING
TO BE EASY BECAUSE THE
QUARTERMAINES ARE GOING TO GO
THROUGH THE ROOF.
AND THERE WILL BE A CUSTODY
FIGHT OVER MICHAEL.
BUT JASON LOVES YOU.
HE TOLD ME HE DOES.
HE TOLD ME THAT HE COULDN'T
IMAGINE HIS LIFE WITHOUT
YOU IN IT.
CARLY: WHEN DID HE SAY THAT?
WHEN?
BOBBIE: THE MORNING AFTER
I WAS SUPPOSED TO GET MARRIED.
HE CAME OVER TO THE BROWNSTONE
TO TELL ME THE TRUTH --
THAT HE KNEW THE F.B.I. WAS
CLOSING IN ON JERRY.
AND HE ASKED IF THERE WAS
ANYTHING HE COULD DO.
CARLY: THAT WAS BEFORE.
JASON'S NOT COMING BACK NOW.
BOBBIE: WELL, WE HAVE
TO FIND HIM.
BUT I KNOW HE'LL STAND BY YOU.
I KNOW HE WILL.
CARLY: YOU DON'T UNDERSTAND.
BOBBIE: HONEY, I UNDERSTAND
THAT WHATEVER HAS HAPPENED
BETWEEN THE TWO OF YOU, HE LOVES
YOU AND HE LOVES MICHAEL,
AND HE WILL LOVE THIS BABY.
ALL WE GOT TO DO IS FIND HIM,
HONEY.
THIS IS GOING TO BE OK.
CARLY: NO, IT'S NOT GOING
BE OK.
YOU'RE NOT LISTENING TO ME.
JASON IS NOT GOING TO FIX THIS.
BOBBIE: OK.
WHAT EXACTLY IS IT THAT I'M NOT
GETTING?
EXPLAIN IT TO ME.

STEFAN: IT'S RATHER COLD OUT
ON THE WATER TONIGHT, ISN'T IT?
ANDREAS: I CAN'T BE SEEN
WITH YOU.
STEFAN: THE SOONER
YOU COOPERATE, THE SAFER
YOU WILL BE.
NOW, YOU INDICATED MY MOTHER
WOULD BE MAKING A TRIP SOON.
I WANT TO KNOW WHEN AND WHERE.

JAX: GO, GO.
PARAMEDIC: BLUNT HEAD TRAUMA,
ABRASIONS.
DEPRESSIONS TO THE LEFT
POSTERIOR FLANK.
B.P. DROPPED AND MOVED TO 92/50.
HEART RATE'S BEEN TACHY
AT ABOUT 120.
TONY: HOW LONG HAS SHE BEEN
UNCONSCIOUS?
PARAMEDIC: LESS THAN A HALF
AN HOUR.
AND APPARENTLY SHE REGAINED
CONSCIOUSNESS BEFORE WE GOT
THERE.
JAX: YEAH, I WAS CALLING
HER NAME.
SHE OPENED HER EYES, SHE SAID
MY NAME, AND THEN SHE SLIPPED
BACK UNDER.
MONICA: RESPIRATION?
PARAMEDIC: STABLE, BUT SHE'S
A LITTLE TACHY.
TONY: ALL RIGHT, PUPILS ARE
EQUAL.
MONICA: JAX? JAX?
JAX!
TONY: HAS ANYBODY CHECKED
TO SEE IF HER LUNGS ARE FILLING
UP WITH FLUID?
MONICA: HAS NED BEEN
CONTACTED?
JAX: I TRIED IN THE
AMBULANCE.
I COULDN'T GET THROUGH.
MONICA: WELL, THEN YOU TRY
HIM AGAIN.
HE'S GOT TO BE HERE.
JAX: OK.
MONICA: OK, LET ME CHECK
THE BLOOD PRESSURE.
TONY: I'M WORRIED ABOUT
HER HEAD, I'LL TELL YOU THAT.

TONY: WELL, MY CONCERN RIGHT
NOW IS HER OCCIPITAL LOBE.
RIGHT.
THAT'S PROBABLY WHERE SHE HIT
HER HEAD ON THE PAVEMENT.
HOWEVER, THE M.R.I. SCAN DID
SHOW SOME PROBLEMS IN THE SECOND
CRANIAL NERVE.
ALL RIGHT.
THANK YOU.
CHLOE'S VOICE: WHEN I FIRST
MET YOU, I THOUGHT YOU WERE
A PLAYBOY.
THE MORE I KNOW YOU, THE MORE
REAL YOU SEEM.
SO IF YOU'RE NOT -- NO HARD
FEELINGS -- BUT WOULD YOU JUST
TELL ME NOW?
JAX: YOU KNOW WHAT?
I DON'T LIKE THE WORD "PLAYBOY."
CHLOE: YEAH?
JAX: NO.
NEVER BEEN FOND OF IT.
ALTHOUGH I AM PROBABLY GUILTY
OF THAT.
I CERTAINLY KNOW HOW TO PLAY ALL
THE GAMES, BUT I AM NOT PLAYING
WITH YOU.
CHLOE: DID YOU EVER?
HMM?
JAX: OK, MAYBE FOR LIKE TWO
MINUTES IN THE GAZEBO THE FIRST
NIGHT I MET YOU.
THEN I SAW THE REAL YOU.
I THINK I WOULD DO ANYTHING
FOR YOU.
I CAN'T PROMISE THAT I'LL NEVER
HURT YOU.
BUT I CAN PROMISE THAT I'LL
NEVER MEAN TO.
DARA: JAX.
HI.
JAX: HEY.
DARA: I'M SORRY ABOUT
MRS. ASHTON.
HOW IS SHE DOING?
JAX: I DON'T KNOW.
SHE'S STILL UNCONSCIOUS.
THEY'RE EXAMINING HER NOW.
DARA: IS HER HUSBAND HERE?
JAX: NO, WE HAVEN'T BEEN ABLE
TO LOCATE HIM YET.
DARA: WELL, TAGGERT,
HE BRIEFED ME AT THE SCENE,
BUT WE STILL HAD A COUPLE MORE
QUESTIONS IF THAT'S OK.
JAX: SURE.
DARA: ALL RIGHT,
WELL, YOU WERE HEADED
INTO THE HOTEL, AND CHLOE WAS
CROSSING THE STREET.
IS THAT RIGHT?
JAX: YES.
DARA: WELL, WAS SHE MEETING
SOMEONE?
IN OTHER WORDS, COULD SOMEONE
ELSE HAVE KNOW THAT SHE WOULD BE
CROSSING THE STREET AT THAT
TIME?
JAX: SHE WAS -- SHE WAS JUST
GOING TO THE PASTRY SHOP TO GET
SOMETHING FOR HER HUSBAND.
AS FAR AS I KNOW, IT WAS
A LAST-MINUTE DECISION.
WHY?
ARE YOU SUGGESTING THAT THIS MAY
HAVE BEEN DELIBERATE?
DARA: WE'RE JUST TING
TO COVER ALL THE BASES.
TAGGERT SAID THAT YOU ASSUMED
THAT THE DRIVER WAS DRUNK.
JAX: WELL, YEAH, I MEAN,
I ASSUMED.
I DON'T KNOW FOR SURE.
TONY: JAX, WERE YOU ABLE
TO LOCATE NED?
JAX: NO, I'M SORRY. I --
MONICA: TONY?
TONY: EXCUSE ME.
MONICA: ALL THE O.R.s ARE
FULL.
TONY: ALL RIGHT.
MONICA: IS NED ON HIS WAY?
JAX: NO. WHAT'S HAPPENING?
MONICA: WELL, WE'VE GOT
TO GET HER STABILIZED AND THEN
GET HER INTO SURGERY, AND NED
SHOULD BE HERE.
JAX: ALL RIGHT, I'LL KEEP
TRYING.
TONY: YES, I KNOW.
THAT'S PROBABLY WHERE HER HEAD
HIT THE PAVEMENT.
BUT THEN THE M.R.I. SEEMS
TO SHOW SIGNS THAT SOME DAMAGE
IN THE AREA OF THE SECOND --

TAGGERT: THANKS, DARA.
HELENA: LIEUTENANT.
TAGGERT: HI.
HELENA: WHAT HAPPENED?
TAGGERT: HIT-AND-RUN.
HELENA: HOW AWFUL.
IS THE PERSON GOING TO BE ALL
RIGHT?
TAGGERT: WELL, WE'RE NOT
SURE.
MAYBE YOU KNOW THE VICTIM --
THAT DESIGNER, CHLOE MORGAN,
NED ASHTON'S WIFE.
HELENA: WELL, I MET
HER ON A FEW OCCASIONS.
TAGGERT: WHEN DID YOU GO
INTO THE HOTEL?
HELENA: OVER AN HOUR AGO.
TAGGERT: YOU DIDN'T HAPPEN
TO SEE A DARK-COLORED SEDAN
PARKED ALONG THE BUILDING.
IT'D PROBABLY BE SOMEWHERE OVER
THERE.
HELENA: NO, BUT I WASN'T
LOOKING.
TAGGERT: OK.
THANKS.
JOE, TAGGERT.
HOW'S IT GOING WITH THOSE
WITNESSES?

ANDREAS: YOU'RE GOING TO GET
ME KILLED.
STEFAN: I CAN PROTECT YOU.
I CAN MAKE IT POSSIBLE
FOR YOU TO DISAPPEAR.
ANDREAS: I DON'T WANT
TO DISAPPEAR.
NOT YET.
IF I TELL YOU SOMETHING,
DO I HAVE YOUR WORD THAT WHEN
I COME TO YOU FOR HELP YOU'LL
GIVE IT?
STEFAN: YES.
WHERE IS MY MOTHER GOING?
ANDREAS: NOVA SCOTIA.
STEFAN: WHEN?
ANDREAS: TONIGHT.
AND I SWEAR THAT'S ALL I KNOW.
STEFAN: WHAT IS IN NOVA
SCOTIA?
ANDREAS: IF SHE FINDS OUT
I TOLD YOU THAT MUCH, I'M DEAD.
NOW IT'S YOUR TURN TO HELP ME.
STEFAN: YES.
PREPARE THE JET.
I'LL BE LEAVING WITHIN THE HOUR.

LUKE: SOMETHING COUNT
VLADIMIR JUST SAID HAS REALLY
MADE ME WONDER WHY FAISON WOULD
TAKE LUCKY.
I MEAN, WHAT WOULD HIS
MOTIVATION BE?
THE FIRE THAT SUPPOSEDLY KILLED
MY SON WAS LONG BEFORE I TOOK
FAISON'S DIAMONDS.
HE HAD NO REAL REASON TO WANT ME
TO THINK THAT MY SON WAS DEAD.
HELENA, HOWEVER, HAS GOT
A BUCKET FULL OF GOOD REASONS.
"YOUR SON IS ALIVE, AND HELENA'S
GOT HIM."
WHAT IF THAT'S WHAT HE WAS
TRYING TO SAY?

ELIZABETH: ONE OF THE HARDEST
THINGS WHEN SOMEONE YOU LOVE
DIES IS HOW YOU KEEP THINKING
ABOUT WHAT MIGHT HAVE BEEN.
LUCKY AND I WERE SUPPOSED
TO MOVE TO NEW YORK LAST SUMMER.
WE HAD VERY SPECIFIC PLANS.
WE KNEW WHERE WE WERE GOING
TO LIVE.
WE WERE GOING TO TAKE LITTLE
CARRIAGE RIDES, EAT LOTS
OF PRETZELS.
I IMAGINED THE WHOLE THING LAST
SUMMER FROM THE WEDDING RIGHT
DOWN TO WHAT OUR CHILD WOULD
LOOK LIKE.
SONNY: MY -- AHEM --
MY WIFE WAS PREGNANT WHEN
SHE DIED.
AND I'VE IMAGINED A THOUSAND
TIMES, YOU KNOW, WHAT OUR CHILD
WOULD HAVE BEEN LIKE.
MY CHILD NEVER GOT TO BE BORN,
BUT I STILL MISS IT.
OK.
HERE YOU GO.
ELIZABETH: THANKS.
SONNY: I'LL SEE YOU LATER.

BOBBIE: HONEY, I KNOW YOU'RE
HURT BECAUSE JASON LEFT,
BUT AS SOON AS HE KNOWS YOU'RE
PREGNANT WITH HIS CHILD HE'LL
COME BACK.
SO ALL WE HAVE TO DO IS TELL
SONNY, AND SONNY WILL FIND HIM.
CARLY: NO.
YOU KNOW, YOU HAVE TO PROMISE ME
THE ONE PERSON YOU ABSOLUTELY
CANNOT TELL IS SONNY.
BOBBIE: WHY NOT?
CARLY: BECAUSE THE BABY ISN'T
JASON'S.
IT'S SONNY'S.

>> ON THE NEXT
"GENERAL HOSPITAL" --

CARLY: SONNY CAN NEVER KNOW
THAT THIS BABY IS HIS.

STEFAN: I NEEDED TO SEE
YOU BEFORE I LEFT TOWN.
LAURA: WHY? WHAT HAPPENED?

MAC: I HAD A FEELING YOU'D BE
HERE.
JAX: IS HER LIFE IN DANGER?
MONICA: AT THE MOMENT, YES.

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