General Hospital Transcript Tuesday 1/25/00

Provided by Laura

A.J.: HELLO, GRANDMOTHER.
HAVE YOU SEEN CARLY?
LILA: SHE'S FEELING A LITTLE
BIT UNDER THE WEATHER,
I'M AFRAID.
A.J.: YEAH, SHE'S BEEN
FIGHTING THE FLU THE LAST COUPLE
OF DAYS.
I WISH SHE'D GIVE IN AND GO
TO A DOCTOR.
OR --
OR DO YOU THINK MAYBE SHE COULD
BE FAKING IT AS A WAY TO AVOID
ME?

NED: I THOUGHT WE HAD A DEAL.
NO, NO, DON'T GIVE ME THAT.
TWO DAYS AGO, WE WERE
IN BUSINESS.
WHAT THE HELL PPENED?
WHAT KIND OF PRESSURE?
ALL RIGHT, FINE.
FINE.
YOUR LOSS.
L&B'S DISTRIBUTION DEAL JUST
FELL THROUGH.
CHLOE: WHAT HAPPENED?
NED: SOMEONE PRESSURED
THE DISTRIBUTOR TO BACK OUT.
CHLOE: IS THERE ANY WAY
TO CHANGE HIS MIND?
NED: I DOUBT IT.
EASY COME, EASY GO.
CHLOE: NO, NED.
YOU PUT A LOT OF MONEY
INTO LEASING THIS SPACE,
NOT TO MENTION THE FACT THAT
YOU GAVE YOUR ARTISTS ALL THOSE
ADVANCES BASED ON THIS DEAL
GOING THROUGH.
NED: DO YOU THINK THEY'D
UNDERSTAND IF I ASKED
FOR MY MONEY BACK?
CHLOE: THE DISTRIBUTOR SEEMED
HAPPY WITH THE TERMS
OF THE CONTRACT.
ALL HE HAD TO DO WAS SIGN.
NED: MM-HMM.
AND SOMEONE CONVINCED HIM NOT
TO.
WELL, LOOK AT THE BRIGHT SIDE.
IF L&B GOES UNDER, YOU DON'T
HAVE TO STAY MARRIED TO ME
AND YOU AND JAX CAN JUST DROP
THE CHARADE AND BE TOGETHER
WHENEVER YOU LIKE.

[WOMAN SCREAMS]
JAX: YOU ALL RIGHT?
HANNAH: YEAH.
YEAH, I'M JUST UNCOORDINATED.

EMILY: OK.
GEORGE WASHINGTON, JOHN ADAMS --
JUAN: YOU'RE CHEATING.
EMILY: THOMAS JEFFERSON.
JUAN: SO FAR, SO GOOD.
EMILY: YES!
DO I GET MY REWARD NOW?
JUAN: DO YOU THINK
YOU DESERVE IT?
EMILY: UM -- ABSOLUTELY.
JUAN: HMM.
WELL, YOU KNOW SOMETHING?
I THINK YOU DO, TOO.
ELIZABETH: AHEM.
HERE'S YOUR FRIES.
EMILY: THANKS.
JUAN: THANKS.
ELIZABETH: HOW'S YOUR ARM
DOING?
EMILY: OH, IT -- IT'S OK.
IT DOESN'T HURT TOO BADLY
ANYMORE.
ELIZABETH: YOU KNOW,
I'M RECONSIDERING TRYING
SNOWBOARDING.
HOW HIGH WAS THAT JUMP AGAIN?
EMILY: WELL, IT WASN'T
EXACTLY THE JUMP.
IT WAS MORE LIKE THE ICE THAT
I HIT AFTER THE JUMP.
LUCKILY FOR ME, JUAN WAS THERE
TO SAVE MY LIFE.
JUAN: WELL, I JUST SCREAMED
UNTIL THE SKI PATROL CAME.
I'M A MUCH BETTER HISTORY TUTOR
THAN I AM A SNOWBOARD
INSTRUCTOR.
ELIZABETH: YEAH, AND I SEE
THE TWO OF YOU ARE GETTING A LOT
OF STUDYING DONE.
JUAN: YOU JOKE, BUT MY SYSTEM
WORKS.
EVERY TIME EMILY GETS A RIGHT
ANSWER, I GIVE HER A REWARD.
ELIZABETH: OH.
EMILY: YOU WOULD BE
SO IMPRESSED.
I CAN NAME EVERY SINGLE
PRESIDENT OF THE UNITED STATES
ALONG WITH THEIR TERM OF OFFICE.
ELIZABETH: YOU KNOW WHAT?
THAT'S OK BECAUSE I BELIEVE THAT
YOU KNOW THEM ALL BY HEART.
EMILY: REALLY?
NOW, SEE, I THINK THAT MAYBE
YOU'RE JUST JEALOUS BECAUSE NOW
I'M SMARTER THAN YOU ARE.
ELIZABETH: HOW DID YOU KNOW?
PLUS I HAVE TO FINISH MY SHIFT
AND I HAVE TO FINISH A PAINTING
FOR CLASS.
EMILY: ARE -- ARE YOU GOING
BACK TO YOUR STUDIO?
ELIZABETH: WELL, WHY NOT?
JUAN: ISN'T THIS THE FIRST
TIME YOU'LL BE BACK SINCE --
ELIZABETH: SINCE THE BOMB?
WELL, THE POLICE HAVE LET ME
IN A COUPLE TIMES TO GET CLOTHES
AND ART SUPPLIES, BUT,
YEAH, I GUESS IT'S THE FIRST
TIME I'LL GO BACK BY MYSELF
TO STAY.
EMILY: YOU DON'T WANT TO WAIT
A LITTLE WHILE JUST TO BE SURE?
ELIZABETH: I AM SURE.
THIS IS MY PLACE.
I'M NOT GOING TO BE AFRAID
OF IT.

SOREL: ALL RIGHT.
JUST SEARCH EVERY INCH.
IF THERE'S ANY CLUES TO JASON
MORGAN'S WHEREABOUTS,
HIS GIRLFRIEND WILL HAVE IT.

EMILY: BUT WON'T IT BE WEIRD
GOING BACK TO THE STUDIO?
JUAN: YEAH, THE PLACE WAS
WIRED TO EXPLODE.
ELIZABETH: BUT IT DIDN'T.
AND THEY WERE AFTER JASON,
NOT ME, AND NOW JASON'S GONE.
EMILY: SO YOU BASICALLY DON'T
THINK YOU'RE IN DANGER ANYMORE.
ELIZABETH: ONLY FROM GRAM.
SHE'S STILL UPSET THAT I MOVED
OUT OF THE HOUSE.
JUAN: WELL, AT LEAST
SHE DOESN'T CARRY HANDCUFFS LIKE
MY ROOMMATE.
EMILY: HA-HA.
YOU THINK THAT'S FUNNY?
TRY HAVING A LIEUTENANT
ON YOUR BACK EVERY SINGLE
MINUTE.
I HAVE NO SOCIAL LIFE.
JUAN: OH, SPEAKING
OF A SOCIAL LIFE, MINE HAS GOT
TO COME TO AN END.
I HAVE TO GO BACK TO WORK.
BUT I'LL SEE YOU
LATER?
EMILY: YES.
I'LL SEE YOU LATER.
JUAN: BYE.
ELIZABETH: BYE.
ELIZABETH: WOW.
WHO NEEDS A LAMP WHEN WE HAVE
YOU TO LIGHT UP THE ROOM?
EMILY: I'M SORRY.
SORRY.
JUAN AND I SHOULDN'T BE SO --
ELIZABETH: SO IN LOVE
IN FRONT OF ME?
PLEASE.
DON'T BE SILLY.
EMILY: I THOUGHT IT BOTHERED
YOU.
ELIZABETH: IT USED TO --
ONLY BECAUSE IT MADE ME --
IT REMINDED ME OF BEING
WITH LUCKY.
BUT YOU KNOW WHAT?
I'M PAST THAT, AND I AM JUST
SO HAPPY FOR YOU NOW.
EMILY: WHY CAN'T EVERYBODY
THINK THE WAY THAT YOU DO?
ELIZABETH: IS YOUR FAMILY
STILL ON YOUR CASE ABOUT JUAN?
EMILY: YOU SHOULD SEE
THE LOOKS WE GET JUST HOLDING
HANDS.
IT'S LIKE EVERYBODY'S GOT
A RADAR.
NO MATTER WHERE WE GO,
SOMEBODY WALKS IN ON US
OR CATCHES US OR SOMETHING.
YOU'RE REALLY LUCKY.
YOU KNOW THAT, RIGHT?
I MEAN, YOU HAVE YOUR OWN PLACE.
I WISH JUAN AND I HAD OUR OWN
PLACE.
ELIZABETH: WOW.
I DIDN'T KNOW YOU GUYS WERE
AT THAT STAGE.
EMILY: HONESTLY, I DON'T
REALLY KNOW WHAT STAGE WE'RE
AT RIGHT NOW.
ALL I KNOW IS THAT I WANT TO BE
WITH JUAN ALONE WITHOUT HAVING
HALF OF PORT CHARLES WATCHING ME
EVERY SINGLE MINUTE.
YOU KNOW WHAT'S REALLY AMAZING?
WHEN I KISS HIM, IT IS
SO INTENSE, AND I JUST DON'T
WANT HIM TO STOP.
ELIZABETH: I KNOW WHAT THAT'S
LIKE.
EMILY: DID YOU EVER,
LIKE, REGRET YOU AND LUCKY
NOT --
ELIZABETH: NOT MAKING LOVE?
WELL, I GUESS -- I GUESS
IF I HAD KNOWN THAT
HE AND I WEREN'T GOING TO HAVE
A FUTURE, THEN, YEAH, I WISH
WE HADN'T WAITED.
EMILY: THAT'S ECTLY HOW
I FEEL.
I MEAN, IT FEELS LIKE SOMEONE'S
ALWAYS THREATENING TO TAKE JUAN
AWAY FROM ME.
AND IF HE'S GOING TO LEAVE,
ELIZABETH, I DON'T WANT TO WAIT.
ELIZABETH: YOU KNOW WHAT?
JUST MAKE SURE THAT IT FEELS
REALLY RIGHT AND THAT THE BOTH
OF YOU ARE READY.
I DON'T WANT TO SOUND LIKE
YOUR MOTHER OR ANYTHING,
BUT YOU AND JUAN CAN AFFORD
TO WAIT.
EMILY: YEAH.
WELL, I GOT TO TAKE THIS BOOK
BACK TO THE LIBRARY BEFORE IT
CLOSES, SO --
ELIZABETH: YEAH, I SHOULD BE
GETTING OUT OF HERE, TOO.
EMILY: HEY, IF YOU NEED
SOMEONE TO TALK TO TONIGHT --
YOU KNOW, LIKE IF YOU'RE ALL
WEIRDED OUT -- GIVE ME A CALL.
WE CAN YACK FOR A WHILE.
ELIZABETH: OK. THANKS.
EMILY: OH, AND BY THE WAY,
YOU DON'T SOUND LIKE MY MOTHER.
YOU JUST SOUND LIKE MY BEST
FRIEND.

JAX: I'M SORRY I GRABBED YOU,
BUT WHEN I HEARD YOU
SCREAM, I --
HANNAH: THAT'S ALL RIGHT.
ICE SKATES.
JAX: FIRST TIME?
HANNAH: YEAH, AND I THINK
IT'S GOING TO BE MY LAST.
I JUST KIND OF SPUN OUT
OF CONTROL, AND THEN -- WELL,
YOU -- YOU KNOW THE REST.
JAX: WELL, YOU KNOW WHAT
THEY SAY -- PRACTICE MAKES
PERFECT.
HANNAH: OH -- OOH.
JAX: HERE WE GO.
HANNAH: OK, NO BROKEN BONES,
NO VISIBLE DAMAGES, THANK GOD.
EXCEPT MY EGO.
I THINK I'M GOING TO TAKE
YOUR ADVICE AND PRACTICE SOME
MORE.
JAX: WELL, YOU KNOW,
YOU PROBABLY SHOULDN'T BE
SKATING OUT HERE BY YOURSELF,
ESPECIALLY IF THIS IS YOUR FIRST
TIME.
HANNAH: WELL, I LIKE
CHALLENGES.
LIKE GETTING OUT OF MY ROOM
TODAY WAS HARDER THAN THE FALL
I JUST TOOK, BELIEVE ME.
JAX: REALLY?
COULD HAVE FOOLED ME
WITH THE SCREAM YOU LET OUT.
HANNAH: OH, I'M SORRY.
BUT IT WAS WORTH IT.
JAX: SCARING ME?
HANNAH: SMILING, JUST FEELING
HAPPY.
JAX: RIGHT.
I KNOW WHAT YOU MEAN.
WHEN I'M FEELING DOWN, I JUMP
OUT OF A PLANE.
HANNAH: WITH A PARACHUTE,
I HOPE.
JAX: YES, USUALLY.
HANNAH: WELL, AT THE RATE I'M
GOING, THAT SOUNDS SAFER THAN
ICE SKATING.
JAX: YOU KNOW, I THINK I KNOW
WHAT YOUR PROBLEM IS.
I NOTICE YOUR LACES ARE NOT DONE
UP RIGHT.
HANNAH: OH.
JAX: DO YOU MIND?
I COULD DO IT IF YOU LIKE.
HANNAH: SURE, GO RIGHT AHEAD.
I COULD USE ALL THE HELP I CAN
GET.
JAX: THERE.
YOU KNOW, I DON'T THINK I CAN
LET YOU BACK OUT ON THE ICE
BY YOURSELF.
I SHOULD STICK AROUND
FOR A LITTLE WHILE,
GIVE YOU A SHORT COURSE
IN GETTING ON THE ICE
AND STAYING UPRIGHT.
HANNAH: WELL, IN MY CASE,
IT'S NOT GOING TO BE A SHORT
COURSE.
JAX: DON'T BE SO HARD
ON YOURSELF.
I'M AN EXPERT INSTRUCTOR.
I'LL HAVE YOU UP AND SKATING
IN NO TIME AT ALL.
COME ON.
HANNAH: OK, I THINK
YOUR EXPECTATIONS ARE A LITTLE
TOO HIGH, BUT IF YOU'RE GAME,
SO AM I.
OK?
JAX: OK.
HANNAH: ALL RIGHT.
JAX: HERE WE GO.
READY?
HANNAH: YEP.
JAX: OK.
HANNAH: AH!
JAX: SORRY.
HANNAH: OH.

CHLOE: WHY DON'T I CANCEL
MY PLANS WITH JAX TODAY,
AND YOU AND I CAN CHANGE
THE DISTRIBUTOR'S MIND.
NED: NO, THANK YOU.
I APPRECIATE THAT, BUT I CAN
HANDLE IT.
CHLOE: DO YOU HAVE SOMETHING
PLANNED?
NED: WELL, I'M NOT GOING
TO GIVE UP, IF THAT'S WHAT
YOU'RE WORRIED ABOUT.
CHLOE: NOT FOR A MOMENT.
NED: TOO MANY PEOPLE WANT
TO SEE ME CRASH AND BURN,
AND I REFUSE TO GIVE THEM THAT
SATISFACTION.
BESIDES, I LOVE WHAT I'M DOING
AND I WANT TO KEEP DOING IT.
CHLOE: I LIKE THAT DETERMINED
GLINT IN YOUR EYE.
NED: THEN STOP HOVERING
AND GO ENJOY YOUR AFTERNOON
WITH JAX.
CHLOE: ALL RIGHT.
WELL, IF ANYTHING CHANGES,
CALL ME?
NED: I PROMISE.
CHLOE: OK.
KNOCK 'EM DEAD, MISTER.
NED: HAVE FUN.
CHLOE: OK.
NED: GEORGE.
THE DISTRIBUTION DEAL JUST FELL
THROUGH.
I KNEW YOU WOULDN'T BE
SURPRISED.
SO, CAN YOU TELL ME WHO DID IT?
WHY AM I NOT SURPRISED?

A.J.: CARLY'S PROBABLY
STAYING IN BED AS AN EXCUSE NOT
TO SEE ME.
WE HAD A FIGHT LAST NIGHT.
LILA: OH, I'M SORRY, DEAR.
A.J.: ME, TOO.
YOU KNOW, FOR THE FIRST TIME
IN A LONG TIME, I THOUGHT THINGS
WERE GETTING BETTER BETWEEN US.
YOU KNOW, I --
IT'D BE SO MUCH EASIER
IF I DIDN'T HAVE FEELINGS
FOR HER.
THEN I WOULDN'T CARE WHAT
SHE DOES OR WHO SHE SEES.
BECAUSE I WANT TO BELIEVE THAT
WE CAN BE HAPPY.
BUT CARLY HAS THIS THING ABOUT
WANTING WHAT SHE CAN'T HAVE.
EVEN NOW.
EVEN NOW THAT JASON IS
COMPLETELY OUT OF HER LIFE,
SHE'S EATING HERSELF UP OVER
THIS GUY.
WHY?
WHY CAN'T SHE BE HAPPY WITH WHAT
SHE HAS?
LILA: MAYBE SHE WILL, DEAR,
IN TIME.
A.J.: I DON'T HAVE TIME,
GRANDMOTHER.
GRANDFATHER'S FINALLY GIVEN ME
AN OPPORTUNITY TO RUN THIS
COMPANY THE WAY I SEE FIT.
AND IF I BLOW IT, OR BETTER YET,
IF CARLY BLOWS IT THE WAY
SHE DID WITH THE EUROPEAN
PARTNERS, I'M OUT AND NED'S BACK
IN.
AND I CAN'T LET THAT HAPPEN.

EDWARD: REGINALD!
WHAT THE DEVIL HAPPENED
TO MY NEWSPAPER?
REGINALD!
NED: FORGET THE NEWSPAPER,
GRANDFATHER.
JUST TELL ME WHY YOU SABOTAGED
MY DISTRIBUTION DEAL.
EDWARD: I HAVE NO IDEA --
NED: IF YOU PLAN TO GET ME
BACK TO E.L.Q. BY BANKRUPTING
MY COMPANY, I ADVISE
YOU TO THINK AGAIN BECAUSE IT
WILL BE THE WORST MISTAKE
OF YOUR CAREER.
L&B'S DISTRIBUTION DEAL JUST GOT
TORPEDOED.
THE DISTRIBUTOR TOLD ME THAT
OUTSIDE PRESSURE WAS APPLIED
TO MAKE THAT HAPPEN.
SO I CHECKED AND I DISCOVERED
THAT THE OUTSIDE PRESSURE WAS
YOU.
EDWARD: DOES THAT SURPRISE
YOU?
NED: SO YOU'RE ADMITTING IT?
EDWARD: WELL, YOU KNOW I WAS
RESPONSIBLE FOR IT, SO WHY FIGHT
IT?
SURE, I SANK YOUR DISTRIBUTION
DEAL, AND I'LL SINK ANY OTHER
DEAL YOU TRY TO MAKE THAT
BENEFITS L&B.
NED: YOU'LL DESTROY
MY COMPANY.
EDWARD: MM-HMM.
THAT'S THE POINT.
DON'T TRY TO DUST YOURSELF OFF
AND START A NEW BUSINESS
BECAUSE I'LL COME AFTER THAT,
TOO.
NED: AND YOU THINK THIS IS
SUPPOSED TO MAKE ME WANT TO WORK
WITH YOU?
EDWARD: OH, YOU DON'T HAVE
TO WANT TO WORK WITH ME.
JUST MEET ME HALFWAY.
NED: THERE IS NO HALFWAY
WITH YOU, GRANDFATHER.
EDWARD: DON'T BE RIDICULOUS.
YOU COULD ACT AS A CONSULTANT
FOR E.L.Q. BECAUSE, YOU SEE,
THERE ARE STILL SOME
NEGOTIATIONS THAT ARE BEYOND
A.J., HMM?
NED: YEAH.
WELL, YOU SHOULD HAVE THOUGHT
OF THAT BEFORE YOU GAVE HIM
THE COMPANY.
EDWARD: OH.
YOU'RE STILL LICKING
YOUR WOUNDS, AREN'T YOU?
NED: YOU KICKED ME OUT
OF E.L.Q., AND I TOLD YOU THEN
THAT I WASN'T COMING BACK,
AND I'M GOING TO KEEP THAT
PROMISE.
EDWARD: YOU'LL BE BACK.
YOU'RE A QUARTERMAINE.
YOU NEED US.
AND YOU NEED E.L.Q., BUDDY.
EDWARD: HELLO, MONICA.
MONICA: WHAT WAS THAT ALL
ABOUT?
NED: GIVE YOU ONE GUESS.
MONICA: EDWARD WANTS YOU BACK
AT E.L.Q.
WELL, I HOPE THE NEXT THING
YOU'RE GOING TO SAY IS THAT
YOU TOLD HIM NO.

CHLOE: HEY, TAMMY.
TAMMY: HEY.
CHLOE: TWO HOT CHOCOLATES
TO GO, PLEASE.
TAMMY: WELL, EITHER YOU'RE
HAVING ONE VERY SERIOUS CRAVING
OR YOU'RE GOING ON A HOT DATE.
CHLOE: DON'T FORGET
THE MARSHMALLOWS.
TAMMY: I WOULDN'T DREAM
OF IT.
FELICIA: HELLO, THERE.
CHLOE: OH, HEY, FELICIA.
FELICIA: HOW ARE YOU?
CHLOE: HI.
GOOD.
FELICIA: CARE TO JOIN ME
FOR A CUP OF COFFEE AND A PIECE
OF CHERRY PIE?
CHLOE: OH, I'D LOVE TO,
BUT I'M MEETING SOMEONE.
FELICIA: OH.
BUSINESS OR PLEASURE?
CHLOE: OH, PLEASURE,
DEFINITELY.
OH -- AND I FORGOT TO ASK
TAMMY -- DO YOU KNOW WHERE
WILLOW POND IS?
FELICIA: WILLOW POND.
MAC AND I USED TO GO ICE SKATING
THERE ALL THE TIME.
IT IS WITHOUT QUESTION THE MOST
ROMANTIC SPOT HERE IN
PORT CHARLES, ESPECIALLY THIS
TIME OF YEAR WITH THE ICE
ON THE TREE BRANCHES.
AND AT NIGHT, WHEN THERE'S
A FULL MOON, IT'S ABSOLUTELY
MAGICAL.
CHLOE: OH, IT SOUNDS
WONDERFUL.
FELICIA: IT IS.
ESPECIALLY WHEN YOU SHARE IT
WITH THE MAN THAT YOU LOVE.
CHLOE: HMM.

HANNAH: WHOO!
JAX: OH.
OK.
WAIT UP.
HERE WE GO.
NOW, RIGHT FOOT -- RIGHT FOOT,
THEN GLIDEOK?
HANNAH: ALL RIGHT.
JAX: I'LL HOLD YOU.
RIGHT FOOT, GLIDE.
LEFT FOOT --
THERE YOU GO.
NOW YOU'RE DOING GOOD.
FANTASTIC.
OW!
I'M SORRY.
HANNAH: THIS IS SO
EMBARRASSING.
JAX: WHOA.
HANNAH: SEE, I TOLD
YOU I NEEDED THE LONG COURSE.
JAX: WELL, THERE'S ALWAYS
LESSON NUMBER TWO.
HANNAH: SO, HOW DID
YOU BECOME AN EXPERT
AT ICE SKATING?
JAX: ALASKA.
YOU EITHER LEARN HOW
TO ICE SKATE OR YOU SPEND EIGHT
MONTHS INDOORS.
HANNAH: HAVE YOU EVER SKATED
HERE BEFORE?
JAX: YEAH, MY FIANCEE
AND I -- WE USED TO COME HERE
QUITE A BIT, ACTUALLY.
HANNAH: OH, DO YOU MEAN
BRENDA?
JAX: YEAH.
HANNAH: CAN I ASK
U SOMETHING PERSONAL?
JAX: YOU CAN ASK.
IT DOESN'T MEAN I'M GOING
TO ANSWER.
HANNAH: THE FIRST TIME
YOU SAW ME OUTSIDE OF KELLY'S,
YOU THOUGHT I WAS BRENDA.
JAX: YEAH.
YOU LOOK LIKE HER.
HANNAH: AM I LIKE HER IN ANY
OTHER WAY?
JAX: WELL, NO OFFENSE,
BUT SHE'S A HELL OF A BETTER
ICE SKATER THAN YOU.
HANNAH: YOU KNOW WHAT I MEAN.
JAX: LOOK, HANNAH, I DON'T
THINK THAT I SHOULD --
HANNAH: JAX, I'M JUST
WONDING IF SONNY USED ME
AS A SUBSTITUTE FOR BRENDA
OR THAT HE REALLY LOVED ME.

ELIZABETH'S VOICE: YOU NEVER
HAD ONE GOOD THING IN YOUR LIFE
AND YOU LOST IT.
YOU NEVER HAD SOMEONE COME ALONG
WHO MADE YOU UNDERSTAND WHAT
THE POINT WAS.
DO YOU KNOW WHAT NOTHING FEELS
LIKE?
JASON: YEAH, THAT'S PRETTY
MUCH WHERE I LIVE.
[ENGINE STARTS]
JASON: IF YOU DON'T LIKE
SOMETHING, JUST YELL.
ELIZABETH: IT'S THE WIND.
JASON: IT'S NICE.
JASON and ELIZABETH: WHOA.
ELIZABETH: OH, MY GOSH.
I DID IT.
JASON: YES, YOU DID.
ELIZABETH: I CAN'T BELIEVE
I DID IT.
JASON: YOU WERE GREAT.
ELIZABETH: DANCE WITH ME.
ELIZABETH: JASON!
JASON.
OH, MY GOD.
OH, MY GOD.
THIS CAN'T BE HAPPENING.
ELIZABETH: DO YOU WANT ME
TO HELP YOU OUT WITH YOUR STUFF?
JASON: NO, I'M FINE.
IT'S NOT TOO MUCH.
ELIZABETH: DO YOU EVEN KNOW
WHERE YOU'RE GOING TO GO?
JASON: HOPING I FIGURE IT OUT
ON THE WAY.
ELIZABETH: OH, THANKS
FOR THE JACKET.
JASON: THANK YOU FOR SAVING
MY LIFE.
YOU'RE NOT LOSING ME.
I'M JUST GOING AWAY.
JASON: GOOD-BYE.

FELICIA: SO, ARE YOU AND NED
ESCAPING TO WILLOW POND
FOR A ROMANTIC RENDEZVOUS?
CHLOE: JUST TAKING A HIKE.
FELICIA: WELL, YOU KNOW,
A HIKE WITH THE RIGHT PERSON CAN
BE VERY ROMANTIC.
CHLOE: IS THIS A NEW
OBSESSION OF YOURS?
FELICIA: NO, NO, NO, NO, NO.
I'VE ALWAYS BEEN OBSESSED --
I MEAN, ABOUT ROMANTIC
CONCLUSIONS AND FAIRY TALES.
YOU KNOW, THE LOST AND LONELY
PRINCESS -- HOW SHE GETS
HER PRINCE CHARMING IN THE END.
I TRIED TO WTE A ROMANCE NOVEL
ONCE, AND IT DIDN'T REALLY WORK.
CHLOE: WHY?
FELICIA: IT WAS TOO
ARTIFICIAL.
TOO MUCH ABOUT STOLEN JEWELS
AND THE ORIENT EXPRESS.
CHLOE: OOH.
FELICIA: SO I DECIDED TO TURN
THE WHOLE THING AROUND AND MADE
IT INTO A TRUE CRIME BOOK
INSTEAD.
CHLOE: WHAT EVER HAPPENED
TO THAT?
FELICIA: WELL, I PUT THAT
ON THE BACK BURNER,
TOO, WHILE I WAS WORKING
ON LILA'S MEMOIRS, WHICH IS WHEN
I STARTED WORKING WITH LUKE.
CHLOE: ARE THINGS ANY BETTER
AT HOME?
FELICIA: UM --
WELL, I'M TRYING.
CHLOE: YEAH?
FELICIA: I LOVE MAC VERY
MUCH, AND I WANT TO STAY
WITH HIM.
BUT MY FEELINGS JUMP ALL OVER
THE PLACE, YOU KNOW?
CHLOE: YEAH.
DO YOU THINK MAC SENSES
SOMETHING?
FELICIA: HE'S VERY
PREOCCUPIED RIGHT NOW.
I -- HE'S NOT GOING TO TELL ME
ANYTHING -- ANYTHING MORE THAN
I COULD TELL HIM, YOU KNOW?
CHLOE: MAYBE YOU NEED
TO REALLY ASK HIM HOW HE FEELS.
FELICIA: THAT'S REALLY
THE BEST ADVICE.
BUT I'M SURE HE WON'T OPEN UP
TO ME, AND THERE ARE SO MANY
THINGS I CAN'T TELL HIM.
THIS ISN'T A VERY GOOD
CONVERSATION TO HAVE WITH A GIRL
WHO JUST GOT MARRIED, SO LET'S
CHANGE THE SUBJECT, OK?
CHLOE: WE CAN DO THAT.
BUT YOU NEED TO KNOW THAT I KNOW
THAT MARRIAGES CAN BE
COMPLICATED.
FELICIA: NOT YOURS.
CHLOE: WHEN TWO PEOPLE GET
TOGETHER, ADJUSTMENTS NEED TO BE
MADE NO MATTER HOW MUCH
THEY LOVE EACH OTHER.
FELICIA: OH.
IT'S THAT FAIRY TALE THING
AGAIN.
CHLOE: OH, YEAH --
FELICIA: HAPPILY EVER AFTER.
YOU KNOW, THE PROBLEM IS
THEY CONVENIENTLY FORGOT
TO MENTION THERE ARE SLIPPERY
PATCHES ALONG THE WAY.
CHLOE: YEAH, I THINK THAT'S
WHAT "FOR BETTER OR FOR WORSE"
IS SUPPOSED TO COVER.
FELICIA: "FOR BETTER
OR FOR WORSE."
YEAH.
WELL, IT'S A BEAUTIFUL DAY.
THERE'S NO SENSE IN SPOILING IT.
WHY DON'T YOU GO FOR YOUR HIKE
AND ENJOY YOUR SCENERY.
CHLOE: OK.
I WILL.
YOU FORGOT TO TELL ME WHERE
WILLOW POND IS.
FELICIA: SORRY ABOUT THAT.
DO YOU KNOW WHERE MAPLE ROAD IS?
CHLOE: MM-HMM.
FELICIA: FOLLOW MAPLE ROAD
UNTIL IT TURNS INTO A DIRT PATH.
DON'T GO OFF THE PATH,
OTHERWISE YOU WILL GET LOST
IN THE WOODS.
MAYBE YOU SHOULD TAKE BREAD
CRUMBS WITH YOU.
CHLOE: IT'S QUITE ALL RIGHT.
MY HIKING PARTNER IS TRAINED
IN WILDERNESS SURVIVAL.
FELICIA: WILDERNESS SURVIVAL.
TAMMY: TWO HOT CHOCOLATES
TO GO, EXTRA MARSHMALLOWS.
CHLOE: THANK YOU VERY MUCH.
TAMMY: YOU'RE WELCOME.
THANK YOU.
CHLOE: ALL RIGHT, I HAVE
TO GET GOING.
BUT IF YOU EVER WANT TO CONTINUE
THIS --
FELICIA: I KNOW WHERE TO FIND
YOU.
BE CAREFUL.
DON'T SPILL YOUR HOT CHOCOLATE.
HAVE A GOOD TIME.
CHLOE: THANK YOU.
BYE.
FELICIA: DON'T FREEZE.
CHLOE: OK.
BYE.
FELICIA: BYE.
YOU KNOW WHAT?
TAMMY: HMM?
FELICIA: I DIDN'T KNOW THAT
NED ASHTON WAS TRAINED
IN WILDERNESS SURVIVAL.
PERHAPS A COUNTRY CLUB.
HMM.

JAX: I'M THE LAST PERSON
YOU SHOULD BE ASKING ABOUT
SONNY.
YOU KNOW HOW I FEEL ABOUT HIM.
HANNAH: YEAH, I KNOW.
YOU MADE THAT VERY CLEAR
THE NIGHT AT THE PORT CHARLES
GRILL.
JAX: I MEANT WHAT I SAID.
YOU KNOW, YOU SEEM LIKE A NICE
PERSON.
YOU CERTAINLY DON'T DESERVE
TO GET SUCKED INTO SONNY'S
GAMES.
HANNAH: WELL, THAT'S WHAT I'M
WONDERING -- IF OUR RELATIONSHIP
WAS A GAME.
JAX: I DON'T KNOW.
YOU'D HAVE TO ASK HIM.
HANNAH: YEAH, WELL,
EVEN IF I TRIED TO ASK HIM,
I DOUBT I'D GET AN HONEST
ANSWER.
JAX: WHY'S IT SO IMPORTANT
TO YOU?
HANNAH: BECAUSE I FELL
IN LOVE WITH HIM DESPITE
YOUR WARNING, AND I NEED TO KNOW
IF HE FELT THE SAME WAY ABOUT
ME.
JAX: LOOK, IF YOU'RE THINKING
HE WAS LOOKING TO REPLACE BRENDA
WITH YOU, THEN I HONESTLY DON'T
KNOW.
ONE THING I'M CERTAIN OF IS THAT
BRENDA WAS ONE OF A KIND.
SHE WAS IRREPLACEABLE.
BUT THEN AGAIN, SONNY MAY HAVE
BEEN FOOL ENOUGH TO TRY IT.
HANNAH: I MEAN, THE WHOLE
TIME WE WERE TOGETHER, HE ALWAYS
MADE ME FEEL VERY SPECIAL.
AND I KNOW HE LOVED BRENDA,
AND I THOUGHT HE WAS OVER HER
AND THAT I WAS DIFFERENT,
AND THAT HE LOVED ME FOR ME,
NOT BECAUSE I RESEMBLED
SOMEBODY.
JAX: LOOK, I DON'T MEAN TO BE
UNKIND, BUT MY EXPERIENCE
WITH SONNY IS THAT HE ONLY LOVES
HIMSELF.
HANNAH: WELL, WHAT ABOUT YOU?
DID YOU EVER TRY TO REPLACE
BRENDA?
JAX: NO.
I'M SMARTER THAN THAT.
I MEAN, I MISS HER.
EVEN NOW.
BUT THEN, WHEN I LEAST EXPECTED
IT, SOMEONE UNIQUE CAME ALONG
AND CHANGED EVERYTHING.
HANNAH: YOU'RE HAPPY NOW?
JAX: YEAH, SHE MADE IT
POSSIBLE FOR ME.
SHE MADE IT POSSIBLE FOR ME
TO LIVE IN THE FUTURE AND NOT
IN THE PAST.

MONICA: NOW, WE HAD A DEAL,
REMEMBER?
I'M NOT GOING TO LET ALAN MARRY
GERTRUDE THE PIRANHA
FOR NO REASON.
YOU'VE GOT TO HOLD UP YOUR END
OF THE BARGAIN AND STAY AWAY
FROM E.L.Q.
NED: DON'T WORRY.
MONICA: HOW DO I KNOW THAT
YOU'RE NOT PLAYING US ALONG?
HOW DO I REALLY KNOW THAT YOU'RE
NOT AFTER A.J.'S JOB?
NED: MONICA, I USED TO HAVE
A.J.'S JOB.
NOW, IT DIDN'T MAKE ME HAPPY
THEN, AND IT'S NOT GOING TO MAKE
ME HAPPY NOW.
MONICA: BUT EVERY TIME EDWARD
CALLS, YOU COME A'RUNNING.
NED: AND WHAT DID YOU EXPECT
ME TO DO, TURN MY BACK
ON THE FAMILY?
BUT WHAT DID I GET IN RETURN?
A LITTLE GRATITUDE?
APPROVAL?
ALL I GOT WAS A CORNER OFFICE
AND A KNIFE IN MY BACK.
THAT'S SOMETHING THAT I CAN LIVE
WITHOUT.
MONICA: SWEAR?
NED: MONICA, I FINALLY FOUND
SOMETHING THAT'S MORE IMPORTANT
THAN PROFIT MARGINS.
I HAVE A JOB THAT TRULY MAKES ME
HAPPY.
MONICA: WELL, GOOD.
YOU STAY WITH THAT JOB.
AND, ACTUALLY, IT'S THE FIRST
TIME I HAVE SEEN YOU HAPPY.
NED: NOW, ARE YOU JUST SAYING
THAT BECAUSE YOU THINK IT'S TRUE
OR BECAUSE YOU'RE TRYING
TO PROTECT A.J.?
MONICA: BOTH.
ALAN: I JUST WANT YOU TO KNOW
THAT I'M DOING EVERYTHING I CAN.
THE WOMAN IS OUT OF TOWN,
AND I DON'T APPRECIATE
YOU CHECKING UP ON ME.
MONICA: WELL, ACTUALLY,
WE'RE NOT DISCUSSING GERTRUDE.
NED: BUT MAYBE WE SHOULD
BECAUSE I'M BEGINNING TO WONDER
WHY WE THOUGHT IT WAS POSSIBLE
THAT GERTRUDE COULD EVEN FALL
IN LOVE WITH YOU IN THE FIRST
PLACE.
MONICA: WELL, MAYBE
BECAUSE HE IS SO SENSITIVE
AND SEXY AND ANY WOMAN WOULD
LOVE TO MEET HIM.
ALAN: "MAYBE"?
MONICA: SHE'S GOING TO FALL
IN LOVE WITH HIM.
WHY NOT?
I DID.
NED: THIS I CAN MISS.
ALAN: THANK YOU, DARLING.
MONICA: OH, DON'T THANK ME.
IT WAS MY PLEASURE.
ALAN: WHAT DID HIMSELF WANT?
MONICA: IT WASN'T HIMSELF.
IT WAS EDWARD.
REMEMBER THE CHANCE THAT
HE PROMISED A.J.?
WELL, IT DOESN'T EXIST.

HANNAH: I GUESS I OWE
YOU AN APOLOGY.
JAX: FOR NOT KNOWING HOW
TO TIE YOUR LACES PROPERLY?
DON'T BE SILLY.
HANNAH: NO, NOT THAT.
FOR THAT NIGHT AT THE GRILL.
YOU TRIED TO WARN ME ABOUT
SONNY, AND I WOULDN'T LISTEN.
JAX: PEOPLE TRY TO WARN ME
ALL THE TIME.
I NEVER LISTEN TO THEM, EITHER.
HANNAH: WELL, DON'T LET ME
OFF THE HOOK.
I MEAN, I MAY NOT HAVE AGREED
WITH EVERYTHING YOU SAID,
BUT YOU TRIED TO LOOK OUT
FOR ME, AND I APPRECIATE THAT.
JAX: I JUST WISH YOU WOULD
HAVE TAKEN MY ADVICE.
HANNAH: WELL, IT WAS TOO
LATE.
I WAS ALREADY MADLY IN LOVE
WITH HIM.
JAX: YEAH.
IT'S HARD TO CONVINCE SOMEONE
NOT TO BE IN LOVE.
HANNAH: I STILL CAN'T
BELIEVE -- I DON'T WANT
TO BELIEVE IT.
YOU KNOW, I KEEP ASKING MYSELF,
WHAT COULD I HAVE DONE
DIFFERENTLY?
HOW COULD I HAVE STOPPED HIM
FROM HATING ME SO MUCH?
JAX: NOW YOU SOUND LIKE
BRENDA.
BECAUSE SHE WAS ALWAYS BLAMING
HERSELF FOR WHAT HAPPENED
BETWEEN HER AND SONNY.
YOU KNOW, THERE WAS A SADNESS
IN HER -- A SADNESS THAT HE PUT
THERE.
HANNAH: WELL, I'M SORRY.
JAX: DON'T LET HIM DO THAT
TO YOU, HANNAH.
SONNY IS A DESTROYER.
HE SEDUCES WOMEN, AND THEN
HE BREAKS THEM DOWN UNTIL
THERE'S NOTHING LEFT BUT MISERY
AND BLAME.
DON'T LET HIM DO THAT TO YOU.
JUST BE GRATEFUL YOU GOT FAR
ENOUGH AWAY FROM HIM.
HANNAH: I'M NOT.
I'M CRAZY ABOUT HIM.
SOMETIMES THE ONLY THING I CAN
MANAGE TO DO IS GET UP OUT
OF BED IN THE MORNING.
JAX: YEAH, BUT YOU DID.
YOU GOT UP, YOU GOT YOURSELF
HERE, YOU STRAPPED ON A PAIR
OF SKATES, AND YOU WENT FOR IT.
NOW, THAT TAKES STRENGTH,
AND CLEARLY YOU HAVE A LOT
OF IT.
HANNAH: YES, I'D LIKE
TO THINK SO.
JAX: ALL RIGHT.
HANNAH: WHY DON'T YOU POINT
ME TO THE ICE AND WATCH ME
GLIDE?
JAX: OK.
ALL RIGHT, HERE WE GO.
YOU READY?
HANNAH: YES, I'M READY.
JAX: ALL RIGHT.
GLIDE.
HANNAH: WEE!
JAX: YEAH!
ALL RIGHT!

JUAN: HOLDING ON TO YOU
NEVER LET YOU GO
STAY WITH ME
UNTIL THE MORNING COMES
LET'S TAKE ADVANTAGE OF
THE TIME THAT YOU AND I
WE HAVE TOGETHER
BABY, LET'S MAKE IT
LAST FOREVER
WE GOT THE NIGHT
DON'T HESITATE
SEEMS LIKE THE TIME
IS SLIPPING AWAY
DON'T LET OUR LOVE
JUST SLIP AWAY
WE GOT THE NIGHT
DON'T HESITATE
SEEMS LIKE THE TIME
IS SLIPPING AWAY
DON'T LET OUR LOVE
JUST SLIP AWAY
WE GOT THE NIGHT
DON'T HESITATE
SEEMS LIKE THE TIME
IS SLIPPING AWAY
DON'T LET OUR LOVE
JUST SLIP AWAY

TAMMY: OH, NOW, DON'T TELL ME
YOU MISS US ALREADY.
ELIZABETH: I GOT BACK
TO THE STUDIO AND REALIZED THAT
I FORGOT TO STOCK UP ON FOOD,
SO CAN I HAVE A SANDWICH TO GO,
PLEASE?
TAMMY: AND HERE I WAS
THINKING THAT YOU ONLY ATE SOUP.
ELIZABETH: WELL, THAT WOULD
BE NICE, TOO.
TAMMY: SO, HOW IS IT BEING
BACK AT THE STUDIO?
ELIZABETH: A LITTLE EMPTY.
TAMMY: YOU AND JASON GOT
PRETTY CLOSE, DIDN'T YOU?
ELIZABETH: I COULD TELL HIM
ANYTHING OR NOT SAY A WORD.
HE JUST GOT ME, YOU KNOW?
TAMMY: YEAH, I KNOW.
THOSE ARE THE BEST KIND
OF FRIENDS.
BUT I HAVE TO BE HONEST
WITH YOU.
YOU'RE MUCH SAFER WITHOUT HIM.
ELIZABETH: WELL, IT DOESN'T
REALLY FEEL LIKE THAT.
PEOPLE ARE IN DANGER ALL
THE TIME, FROM CROSSING
THE STREETS TO CAR ACCIDENTS.
YOU CAN'T MAKE YOUR WORLD
PERFECTLY SAFE.
THE POINT IS TO ENJOY JUST BEING
ALIVE, AND JASON MADE THAT EASY.
HE DIDN'T PRETEND THE BAD WASN'T
THERE.
HE KNEW WHAT IT WAS LIKE
TO HURT, AND HE UNDERSTOOD WHEN
I DID.
BUT HE JUST KEPT GOING,
YOU KNOW?
AND HE FOUND THE THINGS THAT
FELT GOOD, AND -- AND THAT WAS
WORTH THE RISK TO ME.
THAT WAS WORTH ALMOST ANYTHING.
TAMMY: WELL, I KNOW THAT
YOU MAY NOT SEE IT RIGHT NOW,
BUT JASON ACTUALLY DID
YOU A FAVOR BY TAKING THE CHOICE
OUT OF YOUR HANDS AND GOING
AWAY.
HE MADE YOU SAFE, ELIZABETH.
TRUST ME.
I GOT TO TELL YOU, HE REALLY --
HE DID RIGHT BY YOU.

JAX: WHOA, WHOA, WHOA!
SLOW DOWN, SLOW DOWN --
HANNAH: AGH!
JAX: I DIDN'T KNOW THAT
YOU COULD FLY.
HANNAH: NEITHER DID I.
JAX: WOW.

MONICA: EDWARD IS DETERMINED
TO GET NED BACK.
HE DIDN'T EVEN BOTHER TO HIDE IT
FROM ME.
ALAN: AND THAT SURPRISES YOU?
FATHER TOTALLY DISRESPECTS A.J.
HE THINKS HE CAN DO ANYTHING
HE WANTS AND NOBODY'S GOING
TO STOP HIM.
MONICA: WE CAN STOP HIM.
ALAN: AND WE WILL.
MARRYING GERTRUDE IS A VERY
SMALL PRICE TO PAY TO GET NED
ON OUR SIDE.
MONICA: AND IT WILL GIVE
A.J. A CHANCE TO PROVE HIMSELF
TO THE REST OF THE BOARD.
ALAN: ONLY THING IS THE LAST
THING ON THIS EARTH THAT I WANT
TO DO IS MARRY GERTRUDE.
MONICA: WELL, SOMETIMES
YOU HAVE TO MAKE SACRIFICES
FOR YOUR CHILDREN.
ALAN: AS LONG AS I DON'T
PERMANENTLY LOSE MY WIFE.
MONICA: NO CHANCE.
A.J.: AHEM.
SORRY.
SORRY TO INTERRUPT.
MONICA: NO.
ACTUALLY, THANK GOODNESS YOU ARE
HERE.
I WAS JUST ABOUT TO FALL
FOR YOUR FATHER'S FEEBLE ATTEMPT
TO TRY TO GET ME TO FORGET ABOUT
GERTRUDE.
ALAN: OH, THERE'S NOTHING
TO FORGET.
I -- I HAVE --
THERE'S NOTHING BETWEEN ME
AND THAT WOM.
MONICA: OH, COME ON.
SHE'S FAWNING ALL OVER YOU,
AND YOU ARE LAPPING IT UP LIKE
A CAT ATE THE CREAM.
ALAN: IT HAPPENS TO BE
THE CAT THAT ATE THE CANARY,
AND I DO NOT LAP.
BESIDES, I CAN'T HELP IT
IF THE WOMAN FINDS ME
ATTRACTIVE.
MONICA: WELL, JUST DON'T
FORGET WHO YOU'RE MARRIED TO.
: OH, I WOULD LIKE
TO FORGET THAT RIGHT NOW.

A.J.: COULD WE CL A TRUCE
FOR JUST A MINUTE HERE?
I NEED SOME MEDICAL ADVICE.
MONICA: ARE YOU ALL RIGHT?
A.J.: YEAH, I'M FINE.
GRANDMOTHER TOLD ME THAT CARLY
WASN'T FEELING WELL, SO COULD
ONE OF YOU CCK IN
ON HER AND MAKE SURE SHE'S ALL
RIGHT?
ACTUALLY, I THOUGHT SHE WAS
TRYING TO AVOID ME.
BUT WHEN I LOOKED IN ON HER,
SHE WAS LYING DOWN, AND I'M
STTING TO THINK THAT MAYBE
SHE REALLY IS SICK.
MONICA: OK.
WELL, I WILL CHECK IN ON HER.
BUT YOU CAN TRUST ME -- THERE'S
NOTHING WRONG WITH CARLY THAT
THROWING HER OUT OF THE HOUSE
WOULDN'T CURE.

JUAN: WHAT, NO APPLAUSE?
EMILY: HOW ABOUT A STANDING
OVATION.
THANKS FOR LETTING ME LISTEN
TO YOU SING.
JUAN: WELL, I DON'T MIND
SINGING FOR YOU.
I JUST DON'T WANT TO SHARE IT
WITH THE REST OF THE WORLD.
EMILY: OK.
WELL, I DON'T RELY AGREE
WITH THAT, BUT IT'S
YOUR OPINION.
JUAN: SO I'M SAFE FROM ANY
MORE SURPRISE AUDITIONS?
EMILY: JUAN, I TRIED TO MAKE
MY DREAM FOR YOU YOUR DREAM,
AND I KNOW THAT WAS WRONG.
I WANT FOR YOU WHAT YOU WANT
FOR YOURSELF.

TAMMY: HERE YOU GO, SWEETIE.
ONE SOUP --
ELIZABETH: THANK YOU.
TAMMY: SANDWICH TO GO.
ELIZABETH: THANKS.
TAMMY: OK, NOW, LISTEN.
IF YOU GET LONELY IN THAT STUDIO
TONIGHT, I WANT YOU TO --
ELIZABETH: YOU KNOW WHAT?
EMILY ALREADY OFFERED TO STAY
ON THE PHONE WITH ME ALL NIGHT.
TAMMY: WELL, THEN, YOU TAKE
HER UP OTHAT, OK?
HERE.
HAVE A GOOD ONE.
ELIZABETH: I WILL.
YOU, TOO.
SOREL: MISS WEBBER --
BEAUTIFUL DAY, ISN'T IT?
WOULD YOU LIKE TO TAKE A WALK?

>> STAY TUNED FOR SCENES
FROM THE NEXT
"GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

JUAN: NOTHING'S GOING
TO HAPPEN UNLESS YOU WANT IT TO.

HANNAH: OH --
JAX: WHOA --

ALEXIS: I'VE COME ACROSS SOME
INTERESTING INFORMATION.
HELENA: INFORMATION ABOUT
WHAT?

ELIZABETH: I'M NOT GOING
ANYWHERE WITH YOU, SO LEAVE ME
ALONE.

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