General Hospital Transcript Tuesday 11/30/99

Provided by Laura

FAISON: TAKE IT EASY.
REMEMBER, YOU CAN'T ESCAPE.
I DON'T WANT ANOTHER SCENE.
IT'S MUCH MORE PLEASANT LIKE
THIS, OK?
PLEASE.

MAC: HAVE YOU HEARD
FROM FELICIA?
LUKE: OH, WOW.
COMMISSIONER, YOU GOT FASTER
RESPONSE THAN 911.
MAC: YEAH, I LEFT ORDERS
TO PAGE ME IF YOU CALLED.
LUKE: IF I CALLED?
WHY?
MAC: WHY DO YOU THINK?
LUKE: I HAVEN'T HEARD
FROM HER, MAC, AND NEITHER HAS
BOBBIE.
HAVE YOU?
MAC: I GOT A MESSAGE
ON MY VOICE MAIL.
WAS IN TEXAS WITH THE GIRLS.
FELICIA CALLED WHEN WE WERE
AT CHURCH.
LUKE: DID SHE LEAVE A NUMBER?
MAC: SHE MAY HAVE THOUGHT
SHE DID.
BUT --
I DON'T KNOW, SHE PROBABLY
CALLED ON HER CELL PHONE.
THE MESSAGE JUST DROPPED OFF.
LUKE: MAC, IT WAS
THANKSGIVING.
DON'T YOU THINK SHE WOULD KEEP
CALLING UNTIL SHE REACHED YOU?
MAC: ARE YOU TRYING TO TELL
ME, LUKE, THAT MY WIFE IS OFF
DOING SOMETHING OTHER THAN
RESEARCH?
LUKE: NO.
NO, NOT AS FAR AS I KNOW,
I SWEAR TO YOU.
BUT I'VE ALSO NOTICED THAT
SOMEBODY ELSE HAS DROPPED OUT
OF SIGHT.
MAC: FAISON.

BOBBIE: SO, HOW MUCH IS IT
GOING TO COST?
ROY: WELL, THERE IS NOTNG
WRONG WITH THAT OVEN.
BOBBIE: SO WHAT WAS
THE EXPLODING SOUND AND ALL
THE OKE?
ROY: IT LOOKS LIKE LUKE TRIED
TO PROP THE DOOR OPEN --
WITH HIS CIGAR LIGHTER.
GENIUS
BOBBIE: ACTUALLY, HE WAS JUST
PROBABLY TRYING TO GET OUT
OF FILLING IN FOR TAMMY.
ROY: WELL, HOW MUCH AN HOUR
DO YOU PAY YOUR HELP?
I GOT TO BE AN IMPROVEMENT OVER
LUKE.
BOBBIE: DID YOU EVER RUN
A DINER?
ROY: I WORKED IN A KITCHEN.
BOBBIE: IN PRISON?
WAS IT AWFUL?
ROY: THE FOOD?
BOBBIE: NO.
HAVING TO DO THAT.
ROY: WELL, I LIKED IT BETTER
THAN LAUNDRY DUTY.
BOBBIE: THAT'S THE LIFE THAT
JERRY COULD BE FACING.
SO, WHAT CAN I DO --
NEVER MIND.

TAGGERT: YOU KNOW, I'M NOT
JUST TRYING TO BE A COP HERE.
I'M NOT PUMPING YOU
FOR INFORMATION.
I'M TRYING TO WARN YOU ABOUT
MORENO.
HANNAH: I APPRECIATE
THE WARNING ON MORENO.
I'LL BE CAREFUL.
TAGGERT: YOU'RE KILLING ME.

JASON: DON'T.

CARLY: I LEFT A NOTE
FOR YOU ON THE DESK.
A.J.: WELL, HOW THOUGHTFUL.
PEGGY?
OHLOOK AT YOU, BIG GUY.
CARLY: NO --
A.J.: YOU PROBABLY HAVEN'T
HAD YOUR NAP YET, HAVE --
CARLY: HEY.
THAT'S FINE.
WE'LL GO OUT THE TERRACE.
I DON'T CARE.
A.J.: PEGGY?
MICHAEL IS TIRED.
WOULD YOU PLEASE TAKE HIM --
CARLY: STOP IT!
WHAT ARE YOU DOING?
LET GO.
A.J.: BUT HE'S TIRED.
HE NEEDS HIS NAP.
MUST YOU OVERREACT TO
EVERYTHING, CARLY?
I HOPE YOU'RE WATCHING.
CARLY: EXCUSE ME,
HAVE YOU EVER SEEN ME MISTREAT
MY CHILD?
A.J.: HAVE YOU EVER SEEN
CARLY BEHAVE ERRATICALLY
IN FRONT OF MY SON?
PEGGY: I DON'T UNDERSTAND.
CARLY: OK.
MOMMY NEEDS TO TALK TO A.J. FOR
A MINUTE.
A.J.: MOMMY NEEDS TO TALK
TO YOUR FATHER.
CARLY: HERE YOU GO.
YOU KNOW WHAT?
HERE.
TELL LETICIA I'LL BE UP
IN A MINUTE TO GET HIM.
A.J.: NO, SHE WON'T.
CARLY: JUST GET HIM READY.
A.J.: THANK YOU, PEGGY.
CARLY: A.J., YOU KNOW WHAT?
I MADE UP MY MIND.
A.J.: HMM.
CARLY: AND MICHAEL AND I,
WE'RE LEAVING.
A.J.: NO, YOU'RE NOT.
YOU ARE FREE TO GO.

A.J.: WHAT ARE YOU
WAITING FOR?
OR HAS IT JUST OCCURRED
TO YOU THAT YOU MAY NOT BE
SO WELCOME EMPTY-HANDED, HMM?
GO TO JASON, FIND OUT JUST HOW
HAPPY HE'LL BE TO SEE
YOU WITHOUT MICHAEL.
CARLY: A.J.?
A.J.: HMM?
CARLY: I'LL NEVER BE
WITHOUT MY CHILD.
A.J.: OH, PLEASE, CARLY.
MOTHERHOOD HAS ALWAYS BEEN
SOMETHING YOU COULD TAKE
OR LEAVE, YOU KNOW?
HEY, WHAT WAS THE NAME OF THAT
DOCTOR AT FERNCLIFF?
UH --
EVANS, RIGHT?
GEE, I WONDER WHAT HE
AND THE COURTS WILL THINK WHEN
THEY FIND OUT THAT YOU HAVE
WALKED OUT ON OUR SON
FOR THE THIRD TIME.
CARLY: I NEVER WALKED OUT
ON MICHAEL.
I LEFT HIM WITH JASON
BECAUSE I KNEW THAT HE WOULD BE
SAFE AND HE WOULD BE LOVED.
AND YOU KNOW WHAT, A.J.?
A.J.: WHAT?
CARLY: I GAVE THAT LITTLE BOY
THE BEST FATHER HE'S EVER GOING
TO HAVE.
AND NO COURT IN AMERICA IS GOING
TO TAKE A 2-YEAR-OLD BOY AWAY
FROM HIS MOTHER AND A GUY WHO
RAISED HIM THE BETTER PART
OF HIS LIFE.
A.J.: CARLY, IT'S A MAN WHO
DOESN'T WANT YOU.
I'M JUST TRYING TO SAVE
YOU FROM YOURSELF, AS USUAL.
YOU REALLY THINK THAT IT BROKE
JASON'S HEART TO WATCH
YOU MARRY ME?
NO, I DON'T THINK SO.
NOT LIKE IT DID WHEN HE GAVE ME
BACK MICHAEL.
THAT'S THE ONLY THING THAT MADE
YOU SPECIAL, CARLY.
CARLY: NO, THAT'S HOW
YOU SEE ME.
A.J.: OH, PLEASE.
WHAT, YOU DON'T THINK JASON CAN
GET A WOMAN ANY TIME HE NEEDS
ONE, HUH?
YOU'RE JUST A MEANS TO AN END
FOR HIM.
OH, WOW.
THE USER HAS FINALLY BEEN USED.
YOU COULD HAVE HAD EVERYTHING,
CARLY -- MONEY, POWER,
EVEN LOVE.
CARLY: WHAT?
LOVE?
A.J.: I GUESS THAT JOKE'S
ON ME, RIGHT?
CARLY: LOVE?
YOU CALL THIS LOVE?
A.J.: AND NOW YOU'RE ABOUT
TO THROW IT ALL AWAY FOR A BOOT
IN THE BACKSIDE WHEN JASON FINDS
OUT THAT YOU AND MY SON ARE NOT
A PACKAGE DEAL.
CARLY: WHY ARE YOU DOING
THIS?
I DON'T EVEN -- I DON'T
UNDERSTAND, A.J.
A.J.: WHAT AM I DOING?
CARLY: WHAT ARE YOU -- WHY
ARE YOU TRYING TO KEEP ME?
WHY ARE YOU TRYING TO HURT ME?
I MEAN, DID YOU NOT GET WHAT
YOU WANTED, EVERYTHING
YOU WANTED?
YOU'RE THE C.E.O. OF
YOUR FAMILY'S COMPANY,
AND YOU HAVE AN ACKNOWLEDGED
PLACE IN MICHAEL'S LIFE,
AND YOU CANNOT BE LAMENTING
THE LOSS OF ME BECAUSE WE DIDN'T
MARRY FOR LOVE, YOU KNOW?
WE MAKE EACH OTHER MISERABLE,
ACTUALLY.
A.J.: YOU NEVER TRIED.
CARLY: OH, YOU KNOW I DID.
A.J.: NO, YOU TRIED TO FIT
IN, BUT YOU NEVER TRIED TO BE
MY WIFE.
CARLY: WELL, A.J., YOU KNOW,
YOU CAN'T TRY TO LOVE SOMEBODY.
A.J.: OF COURSE YOU CAN.
HOW THE HELL DO YOU THINK I EVER
CAME TO GIVE A DAMN ABOUT YOU?
HURTS.
CARLY: WELL, YOU'RE JUST
GOING TO HAVE TO TRY NOT TO.
A.J.: WELL, GO.
GO ON.
BE MY GUEST.
YOU'LL BE BACK.
CARLY: YEAH, I WILL BE --
WITH LAWYERS AND WITH
THE POLICE, IF NECESSARY,
FOR MICHAEL.
A.J.: HEY, SWEETHEART,
WHEN JASON SLAMS THAT DOOR
IN YOUR FACE YOU'LL BE BACK
WITH THOSE CROCODILE TEARS.
IN THE MEANTIME, YOU KNOW,
I GUESS I BETTER DECIDE JUST HOW
MUCH I'M WILLING TO MAKE
YOU GROVEL BEFORE I TAKE
YOU BACK.
CARLY: YEAH, RIGHT.
A.J.: FOR THE SAKE
OUR SON, OF COURSE.
BYE-BYE.

SONNY: THAT'S IT.
YOU SEE THAT?
SHE'S HANGING OUT WITH COPS.
YOU SEE HER TOUCHING
HIS SHOULDER?
200 YARDS FROM MY WAREHOUSE.
OBVIOUSLY SHE THINKS SHE CAN
JUST, YOU KNOW, LIE ABOUT IT
AND COVER IT UP AND I'LL BELIEVE
EVERYTHING SHE SAYS.
USING HER TO SINK MORENO --
HELL, USING HER TO CLEAN
THE KITCHEN SINK ISN'T WORTH IT.
SHE'S GONE.
I'M THROWING HER OUT TONIGHT.
JASON: OK.
SONNY: I'LL HANDLE MORENO.
I'LL KISS AND MAKE UP.
A TRUCE.
WHAT DO YOU THINK?
JASON: THAT'S WHAT HE'S
WANTED.
SONNY: I AGREED TO A MEETING
MIDNIGHT, PIER 52.
CAN YOU FILL IN FOR ME?
JASON: ARE YOU SURE?
MORENO'S NOT GOING TO LIKE IT.
SONNY: WHY THE HELL NOT?
HE'LL DEAL WITH IT.
IF HE SEES A MESSAGE IN THAT,
THEN FINE.
THAT'S GOOD, TOO.
I WANT YOU TO TAKE DARIUS
AND LEO WITH YOU.
LET ME KNOW HOW IT GOES
AFTERWARDS.
HANNAH WILL BE LONG GONE.

BOBBIE: THIS ISN'T
AN ACCUSATION, AND I DON'T WANT
TO REHASH ANYTHING, OK?
ROY: OK.
BOBBIE: I UNDERSTAND
THE DECISIONS YOU MADE --
AT LEAST, I THINK I UNDERSTAND
WHY YOU MADE THEM.
I DO.
BUT IF YOU HAD DONE THINGS
DIFFERENTLY AND I HAD KNOWN ALL
ALONG AND YOU KNEW THAT I WAS
WAITING FOR YOU FOR THE PAST
20 YEARS -- LET'S JUST SAY
YOU BELIEVE I'M CAPABLE OF THAT.
ROY: IF I DIDN'T, I WOULDN'T
HAVE BEEN WORRIED THAT YOU --
BOBBIE: I GUESS WHAT I'M
ASKING IS, WOULD THAT HAVE MADE
A DIFFERENCE?
WOULD THAT HAVE MADE THE TIME
YOU SERVED HARDER OR EASIER?
ROY: OH, WELL,
THE THING ABOUT PRISON IS
YOU NEVER STOP HATING IT,
BUT YOU MIGHT STOP WANTING
TO GET OUT.
YOU KNOW, YOU FORGET THERE'S
ANYTHING ELSE.
YOU BECOME ONE OF THOSE GUYS
WHERE HATING YOUR LIFE
AND EVERYTHING IN IT FEELS
NATURAL TO YOU.
SO DOES IT HELP TO FEEL THERE
MIGHT BE SOMETHING GOOD WAITING
WHEN YOU GET OUT?
YEAH.
I MEAN, IT MIGHT MAKE IT HARDER
IN A WAY, BUT IT WOULD
DEFINITELY MAKE IT BETTER.
BOBBIE: SO IF I COULD TELL
JERRY THAT I WOULD BE THERE WHEN
HIS TIME'S UP --
ROY: HE'D PROBABLY FEEL
YOU WERE SAVING HIS LIFE.

MAC: YEAH, SEND OUT
AN A.P.B. ON BOTH OF THEM.
AND GET AHOLD OF TAGGERT.
HAVE HIM START TRACING FELICIA'S
FOOTSTEPS.
WHEN WAS THE LAST TIME YOU SAW
FELICIA, LUKE?
LUKE: THE NIGHT OF BOBBIE'S
WOULD-BE WEDDING.
WHEN YOU WENT OFF WITH THE FEDS
AND JAX, I DROVE HER HOME.
MAC: HAVE YOU HEARD
FROM HER SINCE?
LUKE: JUST THE MESSAGE I TOLD
YOU ABOUT, SAYING SHE WAS GOING
OFF ON A RESEARCH TRIP.
MAC: FAISON LIKES TO PLAY
WITH HIS PREY.
AND IF HE HAS GOT HER,
HE'S GOING TO BE CONTACTING ONE
OF US, LUKE.
AND IF IT'S YOU, YOU BETTER MAKE
CONTACT WITH ME REAL FAST.

FAISON: PLEASE.
FAISON: APPROVED?
FAISON: I'M GLAD.
ROAST DUCK.
THAT WAS HER FAVORITE.
FELICIA: ANNA?
FAISON: I GUESS SHE LOVED IT,
TOO.
BUT, NO, SOMEONE ELSE.
THE FIRST WOMAN I EVER LOVED.
THE FIRST I EVER KILLED.

ELIZABETH: SORRY I'M LATE.
BOBBIE: ROY, YOUR RELIEF IS
HERE.
THOUGHT YOU WERE COMING
IN AT 3:00.
YOU KNEW TAMMY WAS OFF.
ELIZABETH: I KNOW, I KNOW.
I SAID I WAS SORRY.
BOBBIE: YOU COULDN'T HAVE
CALLED?
ELIZABETH: WOULD IT HAVE MADE
ANY DIFFERENCE?
ROY: I DID OK, THOUGH,
RIGHT, FILLING IN?
I MEAN, YOU DIDN'T HAVE TO STAY.
BOBBIE: YEAH, RIGHT.
I MEAN, YOU KNOW, BUSINESS WAS
SLOW.
I PROBABLY WOULD HAVE CLOSED
EARLY, SO --
ELIZABETH: OK.
ROY: YOU ON FOOT, PAL?
BECAUSE I'D BE HAPPY
TO WALK YOU.
IT'S AFTER DARK.
YOU KNOW, WITH THE WATERFRONT,
YOU NEVER KNOW.
BOBBIE: OK.
BYE.
ELIZABETH: BYE.
ELIZABETH: ROY --
HEY, ROY, YOU FORGOT --
[JAR SHATTERS]
JASON: SOMETHING BROKE.
ELIZABETH: YEAH.
I BROKE.
I CAN'T SEEM TO DO THE SIMPLEST
THINGS THESE DAYS --
GET DRESSED, GO TO THE GROCERY
STORE, PAINT.
JASON: SOMETHING HAPPEN
WITH YOUR PAINTING OF LUCKY?
ELIZABETH: HAPPEN TO IT?
NO, BUT SOMETHING PROBABLY
SHOULD.
LIKE THE DUMPSTER -- THAT WOULD
BE A GOOD IDEA.
JASON: WHAT, SOMEBODY SAID
THAT?
ELIZABETH: IT'S NOT ACCEPTED.
IT'S UNACCEPTABLE.
JASON: YOUR TEACHER DIDN'T
SAY THAT.
ELIZABETH: OH, YEAH,
AND A LOT MORE, LIKE
"SENTIMENTAL, SELF-INDULGENT,
SHOWS NO UNDERSTANDING
OF TECHNIQUE."
JASON: YEAH, WELL,
WHERE'S HIS UNDERSTANDING
OF TECHNIQUE GOTTEN HIM?
ELIZABETH: IT'S GOTTEN HIM
TO A POSITION WHERE HE CAN
FLUNK ME.
HE CAN KEEP PEOPLE FROM SEEING
MY WORK.
HE CAN KEEP THEM FROM SEEING HOW
MUCH LUCKY MEANT TO ME.
I LET HIM DOWN.
JASON: NO, YOU DIDN'T.
ELIZABETH: I DON'T MEAN
THE DAMN PROFESSOR.
JASON: I KNOW.
YOU DIDN'T LET LUCKY DOWN.
I THOUGHT YOUR PAINTING WAS
GREAT.
BUT LUCKY WOULDN'T CARE IF IT
WAS OR WASN'T.
ELIZABETH, YOU THINK ABOUT LUCKY
ALL THE TIME.
YOU CARE ABOUT HIM AS MUCH
AS WHEN HE WAS HERE.
HOW IS THAT LETTING HIM DOWN?
ELIZABETH: IF I COULD JUST
SEE HIM.
IF I COULD JUST BE WITH HIM
FOR ONE MINUTE.
JUST ONE MINUTE.
GOD, I HATE WHEN I SOUND LIKE
THIS.
JASON: WHY?
WHO WOULDN'T WISH THAT?
HE PROBABLY WISHES IT, TOO.
ELIZABETH: WOULD YOU DO
SOMETHING FOR ME?
JASON: SURE.
[MUSIC PLAYS]
ELIZABETH: DANCE WITH ME.

SINGER: CAN THIS BE TRUE?
TELL ME, CAN THIS BE REAL?
HOW CAN I PUT INTO WORDS
WHAT I FEEL?
MY LIFE WAS COMPLETE
I THOUGHT I WAS WHOLE
WHY DO I FEEL LIKE
I'M LOSING CONTROL?
I NEVER THOUGHT
THAT LOVE COULD FEEL LIKE THIS
THEN YOU CHANGED MY WORLD
WITH JUST ONE KISS
HOW CAN IT BE
THAT RIGHT HERE WITH ME
THERE'S AN ANGEL?
IT'S A MIRACLE

BOBBIE: IT'S CLOUDING OVER,
SO, YOU KNOW, IT KIND OF FEELS
LIKE IT COULD SNOW TONIGHT.
ROY: YEAH.
YOU KNOW, I CAN'T BELIEVE IT,
BUT I ACTUALLY LEARNED TO MISS
SNOW.
I DID BECAUSE THEY HAD ME
IN CALIFORNIA FOR A WHILE,
AND I MISSED IT.
BOBBIE: I MISSED IT SOMETHING
AWFUL WHEN LUKE AND I WERE
IN FLORIDA WITH RUBY.
ROY: NO, YOU COULDN'T,
REALLY.
YOU WERE TOO LITTLE WHEN
YOU WENT TO FLORIDA.
YOU COULDN'T MISS THINGS LIKE
THAT.
BOBBIE: NO, NOT REALLY.
ACTUALLY, I SWEAR, I THINK
THAT'S PROBABLY ONE OF THE MAIN
REASONS WHY I MOVED BACK.
I MEAN, I DIDN'T SKI
OR ANYTHG.
I JUST LOVED THE SNOW.
THAT'S PROBABLY WHY JERRY
THOUGHT OF TAKING ME
TO ANTARCTICA FOR OUR HONEYMOON.
ROY: FAR BE IT FROM ME
TO CRITICIZE, BUT --
BOBBIE: YEAH, I KNOW, I KNOW.
WELL, YOU KNOW, IF I'D SAID
I LIKE THE SAND, IT PROBABLY
WOULD HAVE BEEN THE GOBI DESERT
BECAUSE THAT'S -- THAT'S JUST
THE WAY HE IS, YOU KNOW?
HE'S -- HE'S EXTRAVAGANT.
IT'S THE GRAND GESTURELL
THE TIME.
EXCEPT, WITH HIM, IT'S NOT
ALWAYS JUST A GRAND GESTURE,
YOU KNOW?
IT REALLY DOES COME
FROM THE HEART.
NOBODY CAN SHOW YOU A GOOD TIME
LIKE JERRY JACKS.
AND WHEN TIMES AREN'T SO GOOD --
YOU KNOW, THERE'S SOMETHING
THAT'S BEEN EATING AWAY AT ME,
SO I MIGHT AS WELL JUST SAY IT.
ROY: WHAT?
BOBBIE: I OWE YOU AN APOLOGY.
ROY: I DOUBT THAT VERY MUCH.
BOBBIE: I DO.
ON THE FIRST DAY WHEN I SAW YOU,
I STOOD RIGHT HERE AND I READ
YOU UP AND DOWN FOR NOT LETTING
ME KNOW WHERE YOU WERE ALL THESE
YEARS, FOR DEPRIVING ME
OF THE CHANCE TO FOLLOW MY HEART
AND LEAVE A SPACE IN MY LIFE
FOR THE MAN I SAID I LOVED.
AND NOW I HAVE THAT CHANCE,
AND I DON'T KNOW IF I CAN DO IT.
ROY: OH, BOBBIE.
THIS ISN'T WHAT I WANTED.
THIS IS REALLY NOT WHAT
I WANTED.
I'M SO SORRY IT EVER HAD TO,
YOU KNOW, COME TO THIS.

HANNAH: HI.
I'M HOME.
DID YOU MISS ME?

HANNAH: WHAT'S THAT?
SONNY: IT'S FOR YOU.
HANNAH: WHAT, YOU'RE MAKING
SPECIAL TAPES FOR ME NOW?
SONNY: IT'S JUST SOMETHING
THAT I WANTED US TO LISTEN
TO TOGETHER.
HANNAH: WELL, I'M DYING TO.
HOW ABOUT RIGHT NOW?
SONNY: THAT WOULD BE GREAT.
[TELEPHONE RINGS]
HANNAH: HI.
THIS IS HANNAH.
AGENT LARKIN: I GET THAT
YOU'RE NOT ALONE, SO JUST
LISTEN.
I NEED TO SEE YOU NOW
AT THE ELM STREET PIER.
HANNAH: OK, I'LL SEE WHAT
I CAN DO.
THANK YOU.
YOU ARE NOT GOING TO BELIEVE
THIS.
SONNY: YOU NEVER KNOW.
HANNAH: THAT LAST INTERVIEW
I WENT ON, IT'S BETWEEN ME
AND ANOTHER CANDIDATE.
AND THEY WANT US TO DO THIS
PRESENTATION TOMORROW.
SO I'M GOING TO HAVE TO RUSH
TO THE LIBRARY AND DO SOME
RESEARCH BEFORE IT CLOSES.
I'M SO SORRY.
DO YOU FORGIVE ME?
SONNY: I WOULDN'T DREAM
OF INTERFERING WITH YOUR JOB.
HANNAH: I PROMISE I'LL MAKE
IT UP TO YOU.
[TAPE PLAYS]
HANNAH'S VOICE: YOU'RE NOT
CUTTING ME OFF MY CASE.
SONNY CORINTHOS IS GOING
TO PRISON, AND HE'S GOING
TO KNOW I PUT HIM THERE.

ROY: AFTER THAT -- THAT DAY
THAT, YOU KNOW, YOU -- THAT DAY
WE HAD IT OUT HERE, I SAW
YOU AT THE PORT CHARLES HOTEL.
I THINK I TOLD YOU THAT.
AND MY GUT REACTION WAS JUST
"WHAT THE HELL IS THAT GUY DOING
IN THE PICTURE?"
YOU KNOW, I JUST WANTED HIM
TO BE GONE.
YOU KNOW, I DIDN'T WANT ANYTHING
BAD TO HAPPEN TO HIM.
JUST THAT WAS MY FEELING.
BUT THEN I SAW HOW HE MADE
YOU SMILE.
I REALIZED THE GUY OBVIOUSLY
MAKES HER HAPPY, SO -- YOU KNOW,
I WANTED THAT FOR YOU.
I REALLY DID.
THAT'S TRULY --
BOBBIE: ROY --
ROY: NO, I --
BOBBIE: REALLY, I DON'T THINK
YOU'RE SECRETLY GLOATING OVER
WHAT HAPPENED TO JERRY.
I MEAN, I KNOW YOU BETTER THAN
THAT.
I KNOW YOU DON'T WANT BAD THINGS
FOR ME.
YOU NEVER WERE MEAN
AND SPITEFUL.
AND EVEN WHEN WE WERE CRAZY
AND FIGHTING, WE NEVER SAID
OR DID THINGS TO DELIBERATELY
HURT ONE ANOTHER.
IT'S JERRY'S OWN FAULT THAT
JERRY'S IN JAIL.
I DON'T KNOW, I JUST FEEL LIKE
IT'S UNFAIR OF ME, YOU KNOW,
TO GO ON ABOUT THIS TO YOU.
ROY: NO.
WHEN I NOTICE YOU BEING UNFAIR
TO ME, I'LL LET YOU KNOW,
BELIEVE ME.
BOBBIE: AND ANOTHER THING.
ROY: YEAH?
BOBBIE: I SMILED LIKE THAT
FOR YOU.
I SMILED LIKE ANYTHING.
SO DON'T SAY I DIDN'T, OK?
ROY: OK.

[MUSIC PLAYS]

ELIZABETH: I'M SORRY.
JASON: NO, IT'S FINE.
ELIZABETH: THIS IS THE SONG
THAT LUCKY AND I LAST DANCED TO.
I JUST THOUGHT THAT MAYBE
IF I --
JASON: IT'S OK.
ELIZABETH: IF I CLOSED
MY EYES AND LEANED AGAINST
YOU AND DIDN'T THINK,
JUST LISTENED, THAT MAYBE --
MAYBE FOR ONE MINUTE IT WOULD
FEEL LIKE --
BUT IT DIDN'T.
IT NEVER DOES.
NOTHING DOES.
NOT PAINTING, NOT GOING PLACES
WE USED TO GO TO OR SEEING
PEOPLE THAT WE USED TO SEE.
HE'S GONE.
AND NOTHING MAKES IT -- NOTHING
WILL MAKE HIM LESS GONE OR MAKE
THE HURT GO AWAY.
WHY DO I HAVE TO KEEP LEARNING
THIS OVER AND OVER AGAIN?
JASON: SOMETIMES THINGS ARE
TOO BIG TO GET THROUGH ALL
AT ONCE.
YOU KNOW, THEY HAPPEN FAST,
BUT YOU JUST GOT TO LIVE THROUGH
THEM REAL SLOW.
ELIZABETH: THAT ART CLASS WAS
SLOW, LET ME TELL YOU.
IF I HAD TO HEAR ONE MORE
LECTURE ON TITIAN, I SWEAR I WAS
GOING TO BLOW LIKE THE FAT NAKED
LADY MYSELF.
MY FIRST SEMESTER, MY FIRST ART
CLASS, MY FIRST F.
JASON: WELL, LOOK, YOU GOT
A GREAT PAINTING OF LUCKY OUT
OF IT.
AND YOU KNOW NOT TO TAKE A CLASS
FROM THAT GUY EVER AGAIN,
OR HE'S GOING TO HAVE A PROBLEM.
I'M NOT TRYING TO MAKE YOU FEEL
BETTER.
ELIZABETH: IT'S TOO LATE.
JASON: LOOK, I HAVE SOMEPLACE
I NEED TO BE, BUT IF YOU NEED
A LIFT HOME --
ELIZABETH: NO, MY GRAM'S
COMING TO PICK ME UP LATER.
BESIDES, I KIND OF LIKE IT LIKE
THIS, YOU KNOW -- ALL DINNER
BREAK, NO WORK.
BUT THANKS.
JASON: SURE.
ELIZABETH: JASON?
I ALREADY SAID THANKS, DIDN'T I?

HANNAH: THINGS ARE DIFFICULT
ENOUGH.
DO YOU HAVE TO MAKE THEM
IMPOSSIBLE?
AGENT LARKIN: WHAT,
BREAKING OFF WITH CORINTHOS?
THAT'S SO DIFFICULT?
WHAT'S WRONG
WITH "HASTA LA VISTA, BABY,"
AND PACKING YOUR BAGS?
JUST PACKING YOUR BAGS.
HANNAH: HE'S NOT STUPID,
LARKIN.
IF I SUDDENLY DISAPPEAR,
HE'S GOING TO WONDER WHY.
HIS GUARD'S GOING TO GO UP,
AND THEN YOU'LL NEVER BE ABLE
TO PUT ANOTHER AGENT ON HIM
AGAIN.
AGENT LARKIN: YOU'RE NOT
GETTING THE PICTURE,
AGENT SCOTT.
EITHER GET OUT OR BE PULLED OUT
AND FIND YOURSELF UP ON CHARGES.

[KNOCK ON DOOR]
SONNY: YEAH?
[KNOCK]
SONNY: JOHNNY?
WHAT THE HELL HAPPENED TO YOU?
CARLY: IS SHE HERE?
SONNY: NO.
WHY?
CARLY: I'M NOT IN THE MOOD
TO PUT UP ANY KIND OF ACT
FOR YOUR LITTLE FEDERAL
GIRLFRIEND.
SONNY: WELL, WHO INVITED
YOU HERE IN THE FIRST PLACE,
CARLY?
CARLY: SONNY, YOU KNOW WHAT?
I'M SICK OF YOU.
I'M SO SICK OF YOU, MAN.
YOU'RE -- YOU'VE GOT TO BE
THE MOST UNGRATEFUL MAN
ON THE PLANET.
IF IT WEREN'T FOR ME, YOU'D BE
ROTTING IN A PRISON CELL RIGHT
NOW, RIGHT?
FOR MURDER, RACKETEERING --
WHATEVER IT IS YOU DO.
BUT THEN, WE SHOULD PROBABLY ASK
HANNAH WHATEVER THAT IS.
SONNY: DON'T MAKE ME JUMP
OVER THAT SOFA TO MAKE YOU STATE
YOUR BUSINESS, CARLY.
CARLY: YOU THINK I'M AFRAID
OF YOU AT THIS POINT IN MY LIFE?
SONNY: YOU NEVER WERE VERY
BRIGHT.
CARLY: WHAT DO YOU KNOW ABOUT
ELIZABETH WEBBER?
SONNY: HER HEIGHT?
WEIGHT?
RING SIZE?
RELATIVES?
CARLY: WHAT IS SHE TO JASON?
COME ON.
SONNY: SHE'S BEAUTIFUL.
SHE'S NOT MARRIED.
SHE'S NOT LOUD.
SHE'S NOT IGNORANT.
CARLY: SHE'S A CHILD.
SONNY: SHE'S IN COLLEGE,
ISN'T SHE?
COME ON.
CARLY, YOU DROP-KICK THE GUY,
YOU TAKE AWAY HIS KID.
AND WHAT, YOU'RE SHOCKED THAT
HE'S GOING TO FALL FOR SOMEBODY
ELSE?
CARLY: WHAT DO YOU MEAN,
FALL?
WHAT, IS HE IN LOVE WITH HER?
SONNY: UM -- A DECENT,
PRETTY GIRL WHO ACTUALLY MIGHT
BE GOOD ENOUGH FOR HIM --
CARLY: SHUT UP, MAN.
JUST SHUT UP.
WHAT DO --
SONNY: WHAT?
CARLY: IS HE SEEING
HER BEHIND MY BACK, OR ISN'T HE?
SONNY: WHAT DO YOU CALL
"BEHIND YOUR BACK"?
YOU'RE MARRIED TO HIS BROTHER
AND ALL.
WHERE DID YOU SEE THEM TOGETHER?
WERE THEY RIDING?
CARLY: WHAT DO YOU MEAN,
RIDING?
SONNY: WELL, HE TAKES
HER ON HIS BIKE, YOU KNOW.
NOW YOU KNOW AS MUCH AS I DO.
I HOPE IT'S TRUE BECAUSE,
YOU KNOW -- THAT HE FALLS
FOR HER BECAUSE THEN HE COULD BE
RID OF YOU.
CARLY: YEAH, YOU'D LIKE THAT,
WOULDN'T YOU?
YOU'D LOVE THAT.
SONNY: YOU BETCHA.
CARLY: YEAH, BECAUSE THEN,
OH, YOU COULD STOP HOLDING
YOURSELF BACK, RIGHT?
HUH?
SONNY: HOLDING BACK?
CARLY: OH, YEAH.
COME ON, SONNY.
I KNOW WHAT YOU WANT.
I'VE KNOWN WHAT YOU'VE WANTED --
SONNY: YEAH?
CARLY: FROM THE MINUTE
YOU LAID EYES ON ME.
AND YOU HATE IT.
YOU HATE IT THAT YOU WANT
A WOMAN BECAUSE WE'RE
SO INFERIOR, WE'RE SO
UNTRUSTWORTHY, EXCEPT THOSE
LITTLE ANGELIC BEAUTIES LIKE
YOUR MOTHER, LIKE LILY
OR HANNAH -- WHOEVER ELSE,
RIGHT?
DOESN'T EVEN BOTHER YOU THAT
YOU STAND THERE DAY AFTER DAY
AND YOU LOOK AT YOUR BEST
FRIEND'S GIRL AND YOU THINK
ABOUT WHAT SHE MIGHT LOOK LIKE
UNDRESSED.
WHAT BOTHERS YOU IS -- WHAT
KILLS YOU IS JASON.
POOR JASON.
LOOK WHO HE TRUSTED -- YOU.
SONNY: I COULD SAY THE SAME
FOR YOU.
CARLY: YEAH, WELL, YOU ALWAYS
DO, DON'T YOU?
SONNY: YOU KNOW WHAT WOULD BE
THE BEST THING I COULD DO
FOR JASON RIGHT NOW?
CARLY: WHAT'S THAT?
SONNY: SET HIM FREE.
CARLY: YEAH?
I'M GAME.
SONNY: OF YOU.
CARLY: I THOUGHT YOU SAID
HE ALREADY WAS, SO --
SONNY: SHOW HIM WHAT
YOU REALLY ARE.
CARLY: YEAH, WELL,
THERE'S NOTHING ABOUT ME JASON
DOESN'T KNOW.
SONNY: EXCEPT WHAT I KNOW.
SONNY: BUT THEN AGAIN,
COULD BE WRONG ABOUT YOU.

FAISON: SHE WAS A SCIENTIST.
BRILLIANT, BEAUTIFUL.
I WAS A MILITARY OFFICER
ASSIGNED TO THE LAB WHERE
SHE WORKED.
AND THE ORDERS IN CASE OF ANY
ACCIDENT WERE VERY CLEAR -- SEAL
IF OFF, EVERYTHING,
IN ORDER TO AVOID ANY OR FURTHER
CONTAMINATION.
THEN, OF COURSE, THE ALARM WENT
OFF ONE DAY.
I DID WHAT I HAD TO DO.
DID MY DUTY.
PUSHED THE BUTTON.
THE DOOR LOCKED.
ALL OF A SUDDEN, I HEARD THIS
POUNDING ON THE DOOR BEHIND ME.
I TURNED AROUND, AND THERE
SHE WAS.
I COULD SEE HER THROUGH
THE ROUND WINDOW IN THE DOOR.
I COULDN'T HEAR WHAT SHE WAS
SAYING, BUT IT WAS OBVIOUS
SHE WAS TELLING ME THAT
SHE LOVED ME, BEGGING ME TO OPEN
THE DOOR.
OF COURSE, I COULDN'T DO THAT.
AND SHE WAS POUNDING THE DOOR,
AND I COULD SEE HOW LIFE WAS
SUCKED OUT OF HER.
AND SHE FINALLY COLLAPSED.
THE RESCUE TEAM CAME IN AND TOOK
US OUT.
THE LAB NEVER REOPENED.
IT WAS TOO CONTAMINATED,
I GUESS.
TODAY, IT'S BURIED UNDER MILES
OF CEMENT.
SHE'S STILL DOWN THERE
SOMEWHERE.
FELICIA: I'M SORRY.

FAISON: SO I BECAME FED UP
WITH GOVERNMENTS, ARMIES,
AUTHORITIES.
I BECAME AN ANARCHIST,
I SUPPOSE.
[TELEPHONE RINGS]
FAISON: HELLO.
OH.
COMM. SCORPIO ALREADY.
WELL -- YEAH, KEEP ME POSTED.
THANK YOU.
FELICIA: MAC'S NOT FOOLED.
HE KNOWS I'M MISSING, AND HE'S
LOOKING FOR YOU.
FAISON: I COULDN'T POSSIBLY
CARE LESS.
I CAN BE VIRTUALLY UNTRACEABLE
ANYTIME I WANT TO BE.
FELICIA: HE'LL FIND US,
AND YOU'LL GO TO PRISON UNLESS
YOU LET ME GO.
FAISON: BUT I'M ONLY STARTING
TO KNOW YOU.
FAISON: GOOD NIGHT.
THANK YOU FOR A BEAUTIFUL
EVENING.
FELICIA: YOU'RE SATISFIED
THAT I DON'T NEED RESTRAINTS?
FAISON: YOU ARE SO MUCH MORE
BEAUTIFUL WITHOUT.
GOOD NIGHT.

ELIZABETH: THE FIRST SNOW.
HANNAH: IT'S GORGEOUS.
HOW DO YOU PEOPLE STAND IT?
ELIZABETH: IT REALLY DOES
MAKE EVERYTHING LOOK PERFECT
AND NEW.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

AGENT LARKIN: I'VE GOT ORDERS
TO BRING YOU IN.
ROY: SONNY CORINTHOS IS
MY LAST ASSIGNMENT.

BOBBIE: I WAS READY TO LOVE
HIM UNTIL ONE OF US DIED.
WHAT WOULD YOU DO IF YOU WERE
IN MY PLACE?

SONNY: IF WE LIGHT A MATCH,
THE WHOLE HOUSE BURNS.

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