General Hospital Transcript Thursday 10/21/99

Provided by Laura

JAX: HI.
ALEXIS: HAVE YOU SEEN
MY MICRORECORDER?
I HAVE A HALF-DICTATED BRIEF
THAT I HAVE TO FINISH ON THE WAY
TO THE POLICE STATION.
JAX: SORRY.
ALEXIS: DID YOU HEAR ABOUT
THE NEWS?
JAX: ABOUT STEFAN?
ALEXIS: YEAH.
WOULD YOU HELP ME FIND
MY MICRORECORDER?
JAX: SURE.
ALEXIS: WHAT DID YOU HEAR?
JAX: I HEARD THAT HE WAS
ARRESTED FOR MURDERING KATHERINE
BELL.
ALEXIS: HE'S INNOCENT.
JAX: IS THAT SISTERLY
AFFECTION OR INSIDE INFORMATION
SPEAKING?
ALEXIS: NO, IT'S COMMON
SENSE.
PUSHING HER OFF THE PARAPET
WOULD BE REDUNDANT.
EVEN THOUGH HE HATED HER,
HE WOULD FIND A MUCH MORE
ORIGINAL WAY TO DO IT.
I'M GOING TO VOLUNTEER TO DEFEND
HIM.
JAX: WHY?
ALEXIS: FOR A LOT OF REASONS.
NOT TO MENTION THAT IF I PROVE
THAT HE'S INNOCENT, HE'LL BE
A LOT MORE COOPERATIVE WHEN I GO
AFTER THE CASSADINE INHERITANCE
AGAIN.
JAX: NO, ALEXIS.
ALEXIS: ALREADY BEEN DECIDED.
JAX: I'M NOT GOING TO LET
YOU RISK YOURSELF TO SAVE
MY BROTHER.
NOW, YOU CUT TIES WITH
YOUR INSANE FAMILY.
LEAVE THEM SEVERED.
REMEMBER WHEN WE WERE STRANDED
IN THE SAHARA?
YOUR BROTHER DIDN'T AS SO MUCH
LIFT A FINGER TO HELP FIND US.
ALEXIS: HE CAN BE A LITTLE
SELF-INVOLVED.
JAX: I'M SERIOUS.
DON'T DO THIS.
ALEXIS: I'M NOT COMMITTED
TO ANYTHING, JAX.
I'M JUST LAYING THE GROUNDWORK.
I REALLY NEED MY MICRORECORDER.
JAX: I SUPPOSE I COULDN'T
BRIBE YOU INTO BACKING OFF.
ALEXIS: NO.
JAX: EVEN IN EXCHANGE
FOR A MICRORECORDER?
ALEXIS: NOW, SEE, YOU ARE
A VERY HANDY HUSBAND.
AND I JUST WANT YOU TO KNOW THAT
I WILL DO EVERYTHING IN MY POWER
TO SAVE YOUR BROTHER.
AND THERE'S NOTHING THAT YOU CAN
DO ABOUT IT, SO JUST GET USED
TO IT.
JAX: ALL RIGHT.
JAX: SEE YOU.

SOREL: MR. MORENO LIKES
YOUR WORK, JERRY.
HE'S GOT ANOTHER $2 MILLION
HE WANTS HANDLED ASAP.
JERRY: YEAH, WELL,
I'M THINKING OF CUTTING BACK.
I'VE GOT A LITTLE BIT TOO MUCH
ON MY PLATE.
SOREL: BUSY MAN.
WHY DON'T YOU HANDLE
THE TWO MILL?
THEN WE'LL DISCUSS YOUR FUTURE
PLANS.
JERRY: IF IT'S INCONVENIENT
TO ME, IT COSTS EXTRA.
3%.
SOREL: OUCH.
OK.
OK, BUT YOU GET RIGHT ON IT.

FRANCIS: SOREL'S HAVING SOME
KIND OF MEETING WITH JERRY
JACKS.
JASON: ALL RIGHT.
PICK SOREL UP AND BRING HIM
TO SONNY'S PENTHOUSE.
I'LL MEET YOU THERE.

BOBBIE: IT'S A PREEMPTIVE
STRIKE.
CARLY SAID SHE MIGHT SWING
BY THIS AFTERNOON, SO MAYBE
YOU OUGHT TO GET OUT OF HERE
WHILE YOU STILL CAN.
I LOVE MY DAUGHTER, BUT I'M NOT
BLIND TO HER ULTERIOR MOTIVES
AND THESE DELUSIONS THAT SHE'S
BUILT UP ABOUT HANNAH.
THEY'RE JUST HER WAY OF GETTING
YOU TO NOTICE HER.
I HOPE YOU REALIZE.
[KNOCK ON DOOR]
SONNY: YEP.
MIKE: HEY, HEY.
HANNAH: HEY.
MIKE: I HOPE YOU ARE HUNGRY
TONIGHT BECAUSE I BROUGHT ALONG
THE MOST BEAUTIFUL RACK OF LAMB
YOU EVER DID SEE.
SONNY: WELL, I HOPE YOU ARE
BECAUSE YOU'RE GOING TO HAVE
TO EAT IT ALL BY YOURSELF.
WE CAN'T GO TO DINNER.
WE'RE GOING TO THE OPERA.

CARLY: WHAT DO YOU MEAN
THE PERFORMANCE IS STILL SOLD
OUT?
WELL, WHAT DO YOU MEAN THERE'S
NO TICKETS?
LOOK, I REALIZE IT'S TONIGHT,
BUT I WAS TOLD BY ONE
OF YOU PEOPLE THAT THERE'S
USUALLY LAST-MINUTE
CANCELLATIONS OR SOMETHING.
OK, WELL, YOU KNOW WHAT?
YOU BETTER CHECK AGAIN
BECAUSE THIS IS NOT JUST "I'D
LIKE TO HAVE."
THIS IS "I MUST HAVE TWO BOX
SEATS FOR THE OPERA TONIGHT."
THE NAME IS QUARTERMAINE.
YOU KNOW, THE NAME ON THE TOP
OF YOUR LIST OF BENEFACTORS.
YEAH, I'LL HOLD.
OH, MY --
A.J.: SORRY.
SO, WHO'S --
CARLY: YOU SCARED ME TO DEATH
THERE.
A.J.: I KNOW.
WHO'S ON THE PHONE?
CARLY: CHARITY GUILD.
YOU KNOW, AMANDA BARRINGTON'S
SECRETARY KEEPS PUTTING ME
ON HOLD.
WHAT ARE YOU DOING HOME?
A.J.: WELL, I HAVE A MEETING
WITH GRANDFATHER IN A COUPLE
MINUTES.
BUT I HAVE A FAVOR TO ASK.
CARLY: SURE.
A.J.: ARE YOU GOING OUT THIS
AFTERNOON?
CARLY: I WAS JUST ON MY WAY.
A.J.: PERFECT.
THE TAILOR'S SUPPOSED TO HAVE
MY TUX READY, AND I WANTED
TO WEAR IT TONIGHT TO THE OPERA.
COULD YOU PICK IT UP?
CARLY: YOU REALLY LOOKING
FORWARD TO THIS, HUH?
A.J.: ABSOLUTELY.
I CAN'T WAIT TO STEP INTO THAT
BOX WITH YOU ON MY ARM.

MIKE: HEY, LOOK,
IT'S NO PROBLEM IF YOU GUYHAD
OTHER PLANS TONIGHT.
WE'LL DO THIS ANOTHER TIME,
THAT'S ALL.
HANNAH: NO, I FEEL TERRIBLE.
I TOLD MIKE THAT TONIGHT WOULD
BE PERFECT.
I FORGOT ABOUT THE OPERA TICKETS
CARLY GAVE US.
MIKE: NOW WAIT A MINUT
CARLY QUARTERMAINE GAVE YOU GUYS
OPERA TICKETS?
HANNAH: YEAH.
SONNY: A PEACE OFFERING.
PROBABLY JASON'S DOING.
BUT, YOU KNOW, I FIGURE
THE LEAST WE CAN DO IS USE THEM.
PLUS I WAS REALLY LOOKING
FORWARD TO SHOWING HANNAH OFF
TO THE WORLD.
HANNAH: THANK YOU, SWEETIE.
BUT YOU KNOW WHAT?
AS MUCH AS I APPRECIATE
THE GESTURE, IS THERE ANYTHING
YOU FEEL LIKE YOU'RE GOING
TO MISS TONIGHT IF WE DON'T GO
TO THE OPERA?
SONNY: JUST NOT BEING
WITH YOU.
HANNAH: YOU KNOW WHAT I'D
REALLY LOVE?
IS TO HAVE DINNER WITH
THE CITY'S TWO MOST HANDSOME
MEN.
IF THAT'S OK WITH YOU.
SONNY: WHATEVER YOU WANT.
MIKE: ARE YOU SURE?
SONNY: YEAH.
HANNAH: POSITIVE.
MIKE: WELL --
HANNAH: WAIT TILL YOU SEE
WHAT I PLANNED FOR DESSERT.
SONNY: HOLD, HOLD, HOLD.
CAN I TAKE THIS FROM YOU?
BECAUSE I GOT -- YOU GUYS ARE
GOING TO HAVE TO SPLIT
BECAUSE I GOT BUSINESS COMING
OVER, AND I NEED THE PLACE
TO MYSELF FOR A LITTLE WHILE.
MIKE: SURE.
HOW LONG --
SONNY: TWO HOURS, MIKE.
A COUPLE HOURS, TWO HOURS.
MIKE: ALL RIGHT, ALL RIGHT.
OK.
HANNAH: MIKE, JUST HOLD
THE ELEVATOR FOR ME.
I'LL BE RIGHT THERE.
MIKE: SURE.
HANNAH: HEY, I DIDN'T MEAN
TO PUT YOU ON THE SPOT THERE.
IF I DID, I'M SORRY.
SONNY: NO, YOU DIDN'T PUT ME
ON THE SPOT.
I MEAN, I LIKE THE OPERA,
BUT, YOU KNOW, I'LL GET
YOU THERE YET.
HANNAH: OK.
SONNY: I LIKE THE IMAGE
OF YOU SITTING IN ONE OF THOSE
BOXES AND PEOPLE LOOKING UP,
GLANCING AT YOU, PRETENDING
THEY'RE NOT, YOU KNOW?
HANNAH: I DON'T HAVE TO GO,
YOU KNOW?
I CAN WAIT IN THE KITCHEN
OR UPSTAIRS.
SONNY: NOT THIS TIME,
SWEETIE.
I GOT TO -- YOU GOT TO GO.
SORRY.
HANNAH: OK.

BOBBIE: I'M SORRY ABOUT THAT.
JASON: OH, NO, IT'S OK.
I KNOW HOW IT IS TO RUN
A BUSINESS.
I REALLY NEED TO GO.
BUT I JUST WANTED TO THANK
YOU FOR THE COFFEE AND REALLY
JUST FOR CARING, YOU KNOW,
FOR TRYING TO WARN ME WHEN
YOU THINK I'M HEADING
FOR TROUBLE.
IT GETS HARD TO KNOW SOMETIMES
WHAT'S THE RIGHT THING TO DO.
THE LINES AREN'T ALWAYS AS CLEAN
AS THEY USED TO BE.
BOBBIE: YEAH.
WELL, YOU KNOW, WITH
MY DAUGHTER, THE LINES ARE NEVER
CLEAN.
AND I KNOW YOUR FIRST INSTINCT
IS ALWAYS GOING TO BE TO HELP
CARLY AND TO TRY AND RESCUE HER.
BUT I HOPE YOU'LL LOOK OUT
FOR YOURSELF, TOO.
JASON: HEY, YOU KNOW,
I FINALLY FIGURED OUT THAT
CARLY'S NOT GOING TO GO AWAY,
WHICH IS OK, YOU KNOW?
FOR ALL THE TROUBLE THAT SHE'S
GIVEN ME, I THINK SHE'S REALLY
HELPED ME.
SO IT KIND OF EVENS OUT
IN THE END.
I GOT SOME BUSINESS TO TAKE
CARE OF.
THANK YOU.

A.J.: OH.
CARLY, COME ON.
TONIGHT?
LOOK, YOU KNOW THAT I'M ALWAYS
UP FOR SPENDING ALONE TIME
WITH YOU, BUT -- LOOK, THE OPERA
IS SOLD OUT.
EVERYONE'S GOING TO BE THERE --
PEOPLE THAT THE C.E.O. OF
E.L.Q. AND HIS WIFE SHOULD BE
SOCIALIZING WITH.
CARLY: OK, WELL, THAT'S JUST
THE PROBLEM RIGHT THERE.
WITH THE CHARITY GUILD,
THAT'S ALL I DO IS SOCIALIZE.
AND FOR ME, THAT MEANS WATCHING
EVERYTHING I SAY, THINKING TWICE
ABOUT EVERYTHING I DO.
AND IT'S -- IT'S REALLY
STRESSFUL, YOU KNOW?
I'VE BEEN DOING IT ALL WEEK,
AND I JUST DON'T FEEL LIKE GOING
BACK OUT INTO THE WAR ZONE
TONIGHT.
I'D MUCH RATHER JUST SORT
OF SPEND SOME ALONE TIME
WITH MY HUSBAND.
YOU KNOW, MAYBE WE COULD MAKE
A FIRE UPSTAIRS, AND WE COULD
JUST CONCENTRATE ON EACH OTHER.
A.J.: WOW.
OK.
YEAH, THAT SOUNDS GOOD.
EXCEPT FOR THE UPSTAIRS PART.
I'D REALLY LIKE TO TAKE
YOU AWAY.
CARLY: NO, NO, NO.
WE DON'T HAVE TO MAKE
A PRODUCTION OUT OF THIS.
A.J.: IT'S NOT GOING TO BE
A PRODUCTION.
LOOK, THERE'S AN INN THAT I'VE
HEARD ABOUT.
IT'S ABOUT 20 MILES NORTH.
I'LL CALL, SEE IF THERE'S ANY
ROOMS.
JUST FOR TONIGHT, ALL RIGHT?
CARLY: SOUNDS PERFECT.
A.J.: I'M GLAD YOU
SUGGESTED IT.
CARLY: OK.
A.J.: ALL RIGHT, I'LL CALL.
CARLY: AH!
THIS JUST KEEPS GETTING WORSE
AND WORSE AND WORSE.
EMILY: WHAT DOES?
CARLY: NONE OF YOUR BUSINESS.
[KNOCK ON DOOR]
EMILY: WHAT ARE YOU DOING
HERE?
JUAN: WELL, WHAT DO
YOU THINK?
WILL THIS CONVINCE YOUR PARENTS
THAT I'M AN UPSTANDING GUY,
WORTHY OF STAYING IN
PORT CHARLES AND SEEING
THEIR DAUGHTER?

EMILY: FIRST THINGS FIRST.
THE TIE'S GOT TO GO.
JUAN: I JUST GOT IT.
I THOUGHT IT WOULD IMPRESS
YOUR PARENTS.
EMILY: THEY'RE GOING
TO CONSIDER IT PHONY
AND INSINCERE.
JUAN: WELL, I WAS GOING
FOR UPSTANDING AND RESPONSIBLE.
EMILY: LOOK, WHAT'S MORE
IMPORTANT THAT WHAT YOU'RE
WEARING IS WHAT YOU'RE GOING
TO SAY.
YOUR DAD REALLY MADE THIS HARD
FOR US.
WE GOT TO FIND A WAY TO CONVINCE
MY PARENTS TO ALLOW YOU TO STAY
IN PORT CHARLES.
JUAN: NOT JUST ALLOW,
ENCOURAGE.
ALAN: WHEN PIGS FLY.
I SAW YOU SNEAKING AROUND
THE CORNER OF THE HOUSE.
YOU WERE HEADING STRAIGHT
FOR MY DAUGHTER.
MONICA: I THOUGHT YOU WERE
ON YOUR WAY HOME, BACK
TO PUERTO RICO.
JUAN: ACTUALLY, MY FATHER
DECIDED TO LET ME STAY.
ALAN and MONICA: HE WHAT?
JUAN: ON ONE CONDITION --
BOTH OF YOU HAVE TO AGREE,
AS WELL.
MONICA: AGREE TO WHAT?
EMILY: LOOK, HE'S BEING
REALLY RESPONSIBLE.
HE'S BEING SO RESPONSIBLE
YOU WOULDN'T BELIEVE IT.
YOU'RE REALLY GOING TO BE
CONVINCED THAT HE SHOULD BE
ALLOWED TO STAY IN PORT CHARLES,
TRUST ME.
JUAN: YEAH, IF YOU JUST OPEN
YOUR MINDS AND HEAR US OUT.
EMILY: YEAH, JUST GIVE US
A CHANCE.
MONICA: I DON'T HAVE TO HEAR
YOU OUT.
ALAN: THE ANSWER'S NO.
IF IT'S UP TO US, YOU'RE
ON THE NEXT PLANE OUT OF HERE.

MAC: THANK YOU, JIM.
HAVE A SEAT.
STEFAN: I'LL STAND.
DO YOU ENTERTAIN ALL
YOUR SUSPECTS?
MAC: I'M MAKING AN EXCEPTION
BECAUSE THE VICTIM WAS A FRIEND
OF MINE.
I DON'T THINK YOU MURDERED
KATHERINE.
STEFAN: I DIDN'T.
AS I TOLD YOU, WE WERE ARGUING,
AND I PUSHED HER.
MAC: THEN WHY DOES ALL
THE EVIDENCE POINT TO LAURA
AS THE PERSON THAT WAS UP
ON THAT PARAPET WITH KATHERINE?
YOU KNOW, IT IS A MATTER
OF COURT RECORD THAT LAURA
BLACKS OUT DURING MOMENTS
OF HIGH STRESS AND EMOTIONAL
CRISIS.
SHE CAN PLEAD THAT AND PROBABLY
CONVINCE THE COURT THAT THERE
WAS NO INTENT TO MURDER.
SHE WOULD RECEIVE A REDUCED
SENTENCE, POSSIBLY EVEN
AN OUTRIGHT RELEASE.
NOW, WHY DON'T YOU DO US ALL
A BIG FAVOR AND WITHDRAW THIS
FALSE CONFESSION?
STEFAN: I'M RELATIVELY
CERTAIN IT'S A VIOLATION
OF MY RIGHTS FOR THE POLICE
COMMISSIONER TO BADGER ME,
ESPECIALLY IN THE ABSENCE
OF COUNSEL.
MAC: WE CAN FIX THAT.
CAROL, SEND IN MS. DAVIS.
STEFAN: MS. DAVIS ISN'T
MY ATTORNEY.
MAC: I'LL GIVE YOU SOME
PRIVACY.
STEFAN: YOU'VE WASTED A TRIP.
I HAVE NOTHING TO SAY TO YOU.
ALEXIS: THEN MAYBE YOU SHOULD
LISTEN.
YOU'RE IN TROUBLE.
STEFAN, NOBLE GESTURES ARE ALL
FINE AND GOOD, BUT YOU COULD END
UP IN PRISON FOR A LONG TIME
UNLESS YOU LET ME HELP YOU.

BOBBIE: HI.
CARLY: HI.
SO,
CHRISTMAS IS COMING UP.
DO YOU THINK MICHAEL'S OLD
ENOUGH FOR THAT
ROCKING HORSE OR --
BOBBIE: WELL.
ONLY IF YOU SAW OFF ITS LEGS.
CARLY, WHY ARE YOU SITTING OUT
HERE?
CARLY: BECAUSE PRETTY SOON
IT'S GOING TO BE TOO CHILLY
TO SIT OUT HERE, SO -- AND I GOT
THESE NEW CATALOGS.
I THOUGHT I'D LOOK AND SEE
IF I COULD FIND SOME STUFF
FOR MICHAEL.
BOBBIE: HMM.
AND YOU ALSO THOUGHT YOU'D KEEP
AN EYE OUT FOR JASON.
BUT HE CAME, AND YOU MISSED HIM.
HE DRANK SOME COFFEE.
I WARNED HIM.
HE LEFT.
CARLY: WARNED HIM ABOUT WHAT?
BOBBIE: THAT YOU'RE
ANTI-HANNAH CAMPAIGN IS REALLY
A THINLY DISGUISED PLAN TO TRY
AND GET HIM BACK.
BUT SEEMED TO ME LIKE HE'D
ALREADY FIGURED THAT OUT.
CARLY, GIVE JASON A BREAK.
HAVEN'T YOU HURT HIM ENOUGH
FOR ONE LIFETIME?
IF YOU REALLY LOVED HIM,
YOU WOULD LEAVE HIM ALONE.
WHY CAN'T YOU DO THAT?

JASON: BENNY SENT OVER SOME
PAPERS FOR YOU TO LOOK AT.
THOSE ARE COST ESTIMATES
FOR SOME SHIPMENTS CARLOS WANTS
US TO MOVE.
SONNY: I'LL LOOK OVER IT
LATER.
WHAT'S UP WITH SOREL?
JASON: FRANCIS IS ON HIS WAY
OVER WITH HIM.
SONNY: UH-HUH.
JASON: NOW, LOOK,
SONNY, I KNOW THAT WE DON'T NEED
TROUBLE RIGHT NOW.
SONNY: RIGHT.
JASON: ESPECIALLY
WITH THE FEDS KEEPING US UNDER
A MICROSCOPE.
BUT IF WE COULD ARRANGE TO HAVE
THIS GUY LEAVE TOWN
ON A PERMANENT BASIS, I'D FEEL
A LOT BETTER.
SONNY: SO WOULD I.
BUT RUNNING A TERRITORY MEANS
KNOWING WHEN NOT TO ACT.
AND I THINK RIGHT NOW WE SHOULD
CO-EXIST WITH SOREL,
GET THE FEDS OFF OUR BACK.
AND WE'LL DEAL WITH THIS JERK
LATER.
THAT'S ALL I'M SAYING.
[TELEPHONE RINGS]
SONNY: YEP.
BRING HIM UP.
THERE WE GO.
JASON: OK.
SO HOW DO YOU FINALLY WANT
TO HANDLE HIM?
SONNY: LET ME DO THE TALKING.
IF HE DOESN'T LISTEN TO REASON,
WE'LL JUST --
JASON: REMEMBER, NOW THERE IS
A GOOD CHANCE THAT SOREL WILL
RUN INTO JUAN AGAIN.
SONNY: JUAN'S STAYING HERE.
HIS FATHER CAME TO SEE ME.
AND I GAVE MR. SANTIAGO
MY WORD -- I DON'T WANT ANYTHING
TO DO WITH HIM.
JASON: WELL, ISN'T JUAN
THE ONE WHO SHOULD BE MAKING
THAT PROMISE?
IF THE KID WON'T LISTEN,
IT'S NOT YOUR FAULT, SONNY.
SONNY: I ALREADY TOLD HIM,
YOU KNOW, I DON'T WANT ANY PART
OF HIM.
THE KID'S STUBBORN.
NOW, IF HE APPROACHES ANY
OF OUR MEN, I WANT TO HEAR
ABOUT IT.
JASON: SURE.
SONNY: AND MAYBE, YOU KNOW,
YOU CAN KEEP AN EYE ON HIM.
JASON: HE HATES ME.
SONNY: I'M NOT ASKING
YOU TO BE NICE.
I'M JUST -- MAYBE YOU COULD,
YOU KNOW, TRY AND KEEP HIM OUT
OF TROUBLE.
I DON'T WANT TO SEE HIM GET HURT
AGAIN.
[KNOCK ON DOOR]
SONNY: YEAH?
JOHNNY: FRANCIS IS HERE
WITH SOREL.
FRANCIS: HE'S BEEN FRISKED.
SONNY: LAST TIME WE MET,
I MADE IT CLEAR I DIDN'T WANT
TO HEAR FROM YOU AGAIN.
AND INSTEAD OF ABIDING
BY MY WISHES, YOU NEARLY KILLED
SOMEONE CLOSE TO ME.
HOW DO I DEAL WITH THAT KIND
OF DISRESPECT?

SOREL: I MEANT NO DISRESPECT.
THE BOY WAS DISHONEST.
YOU WOULD HAVE DONE THE SAME.
MY INTENT WAS TO TEACH HIM
A LESSON, AND I WENT A LITTLE
OVERBOARD, WHICH I REGRET.
I WISH I HAD IT TO DO OVER
AGAIN.
I SWEAR.
SONNY: YOU BEAT A KID WITHIN
AN INCH OF HIS LIFE.
MAYBE, MAYBE --
WE SHOULD DO THE SAME TO YOU.
WOULD THAT BE FAIR?
SOREL: THAT MIGHT BE
MISINTERPRETED BY MR. MORENO.
CAUSE AN ESCALATION OF TENSION.
BEFORE --
I DIDN'T GET THAT THIS KID MEANT
ANYTHING TO YOU.
NOW THAT I KNOW THAT HE'S UNDER
YOUR PROTECTION,
I WILL RESPECT THAT.
SONNY: IF ANYTHING HAPPENS
TO JUAN SANTIAGO OR EMILY
QUARTERMAINE -- IF THEY SEE YOU,
HEAR FROM YOU, SO MUCH AS FALL
OFF THEIR BIKES AND SKIN
THEIR KNEES, I WILL NOT WORRY
ABOUT AN "ESCALATION
OF TENSION," BECAUSE YOU KNOW
WHAT I'LL DO?
I'LL JUST ELIMINATE THE PROBLEM.
DO WE UNDERSTAND EACH OTHER?
SOREL: I JUST DIDN'T KNOW WHO
THEY WERE.
SONNY: OH.
SOREL: MR. MORENO AND I BOTH
REGRET THE MISUNDERSTANDING.
IN FACT, HE WOULD WELCOME
AN OPPORTUNITY TO WORK CLOSER
WITH YOU.
IF THAT IS A POSSIBILITY
IN THE NEAR FUTURE,
I'D BE GLAD TO DO WHATEVER I CAN
TO FACILITATE A MEETING.
SONNY: JOHNNY?
SHOW MR. SOREL OUT, WILL YOU?
SOREL: AGAIN --
I APOLOGIZE FOR THE
MISUNDERSTANDING.
SONNY: HMM.
JASON: HE'S GOING TO BE
A PROBLEM.
SONNY: HE'S TOO CONFIDENT
OF HIS INFLUENCE WITH MORENO.
JASON: YEAH, SOUNDS TO ME
HE'S GOING TO MAKE A MOVE
ON MORENO.
SONNY: EVENTUALLY.
AND I'M THINKING THIS ONE'S
GOING TO BE EVEN WORSE.
YOU GOING BACK TO THE WAREHOUSE?
JASON: YEAH.
SONNY: I GOT THOSE CUSTOM
DOCUMENTS SIGNED, IF YOU WANT --
JASON: OH, YOU'RE GOING
TO HAVE FUN AT THE OPERA
TONIGHT, HUH?
SONNY: AH, I'M NOT GOING.
I AGREED TO LET HANNAH AND MIKE
COOK ME DINNER.
PROMISES TO BE EVEN MORE
PAINFUL.

CARLY: JUST BECAUSE
YOU ALWAYS ASSUME THE WORST
OF ME, DOESN'T REALLY GIVE
YOU THE RIGHT TO TRY TO TURN
JASON AGAINST ME.
BOBBIE: I DON'T THINK
THE WORST OF YOU.
CARLY: YEAH, YOU DO.
BOBBIE: BUT I HAVE SEEN
YOU IN ACTION ENOUGH TIMES NOT
TO KNOW WHAT YOU ARE UP TO,
AND YOU ARE TRYING TO HOLD
ON TO JASON.
CARLY: NO, YOU WANT TO KNOW
WHAT THIS IS ABOUT?
DO YOU WANT TO KNOW?
BECAUSE I AM GOING TO TELL YOU.
THIS IS ABOUT YOU.
THIS IS ABOUT YOU BEING ANGRY
WITH YOURSELF BECAUSE YOU ARE
MAKING ONE MORE IN A SERIES
OF BAD MARRIAGE MISTAKES --
BOBBIE: OH, CARLY,
PLEASE, NOT AGAIN --
CARLY: AND INSTEAD OF BEING
ABLE TO OWN UP TO IT,
YOU WANT -- WHY DON'T YOU KEEP
YOUR NOSE OUT OF MY LIFE?
WHY DON'T YOU STOP CLAIMING THAT
YOU'RE IN LOVE, WHEN THE TRUTH
IS WHAT YOU REALLY FEEL
FOR JERRY IS A SHALLOW IMITATION
OF SOMETHING YOU ONCE FELT
FOR SOMEBODY ELSE.
YOU CALL ME A LIAR.
MAMA, AT LEAST I CAN BE HONEST
WITH MYSELF.

STEFAN: I ALREADY HAVE
A LEGAL TEAM, ALEXIS.
AND DO YOU KNOW WHAT SETS THEM
APART FROM YOU?
WHEN I WAS ON TRIAL BEFORE
FOR THIS EXACT CHARGE,
NONE OF THEM WAS THE TRUE GUILTY
PARTY.
FOR THAT MATTER, WHERE WERE
YOU THE NIGHT OF KATHERINE'S
DEATH THIS TIME?
OR YOUR FRIEND LUKE SPENCER,
WHERE WAS HE?
DO YOU TAKE ME FOR A FOOL?
ALEXIS: WHEN IT COMES
TO PROTECTING LAURA SPENCER,
YES, I DO BECAUSE YOU GIVE ME
GOOD REASON.
SHE COULD HAVE ENDED THAT WHOLE
DEBACLE BEFORE BY --
STEFAN: AS COULD YOU.
ALEXIS: BY SIMPLY SAYING THAT
SHE WAS WITH YOU, WHICH SHE WAS,
AND THAT YOU DIDN'T LAY A HAND
ON KATHERINE.
STEFAN, IF YOU DIDN'T DO IT,
LET ME GET YOU RELEASED.
IF LAURA DID IT, LET ME DEFEND
HER.
STEFAN: WHY SHOULD I?
ALEXIS: BECAUSE I CAN GET
HER OFF.
STEFAN: SO CAN ANY NUMR
OF ATTORNEYS IN MY EMPLOY,
ALL OF WHOM I TRUST.
ALEXIS: I'M BETTER.
TRUST THAT.
STEFAN: AS I RECALL
IN OUR LAST CONVERSATION,
YOU SAID YOU WANTED NOTHING MORE
TO DO WITH ME.
YOU LOATHE THE GROUND I WALK ON.
WHY WOULD I WANT YOU
DEFENDING ME?
WHY WOULD I TRUST YOU?
ALEXIS: BECAUSE YOU --
STEFAN: YOU LIED TO ME.
YOU CONSPIRED WITH MY ENEMY.
ALEXIS: E YOU CAPABLE
OF LETTING THE PAST BE THE PAST?
OR ARE YOU GOING TO LET THIS
GRUDGE WITH ME COST
YOU YOUR FUTURE?
ALL RIGHT, WHY DON'T YOU USE
MY GUILT TO YOUR ADVANTAGE?
ISN'T THAT WHAT WE
CASSADINES DO?
WE USE ONE ANOTHER?
ALEXIS: I WANT YOU FREE.
STEFAN: HOW CAN I ARGUE
WITH THAT?
ALEXIS: GOOD.
THE FIRST ORDER OF BUSINESS IS
FOR ME TO SECURE YOUR RELEASE.
YOU JUST SIT TIGHT AND I WILL
TRY TO TRACK DOWN A SYMPATHETIC
JUDGE.
STEFAN: ALEXIS.
DON'T MAKE ME REGRET IT.

JUAN: YOU WERE HERE WHEN
WE TOLD MY FATHER OUR PLAN.
I CAN ENROLL IN HIGH SCHOOL.
I'VE GOT A JOB LINED UP AT L&B.
EMILY: YEAH, BOBBIE EVE
THINKS THAT 'S REALLY MATURE.
I MEAN, MATURE ENOUGH TO GIVE
HIM HIS ROOM BACK AT KELLY'S.
JUAN: AND I SORT OF HAVE
A SPONSOR AT THE POLICE
DEPARTMENT, LT. TAGGERT.
HE'S GOING TO CHECK IN ON ME
AND MAKE SURE I DO EVERYTHING
BY THE BOOKS.
MONICA: LT. TAGGERT?
ALAN: OH, NOW WE'RE REALLY
IMPRESSED.
EMILY: LOOK, I KNOW THAT
HE DOESN'T LIKE JASON,
BUT I THOUGHT THAT IT WOULD WORK
WITH YOU.
JUAN: LOOK, THE POINT I'M
TRYING TO MAKE IS I'M WILLING
TO CHANGE.
I KNOW I SCARED YOU.
THE FIRST TIME WE MET, I WAS
ABOUT TO DIE BECAUSE SOMEBODY
BEAT ME UP.
AND YOU WERE WORRIED ABOUT ME
BEING CONNECTED TO SONNY,
BUT I'M NOT ANYMORE.
I JUST WANT TO PROVE TO YOU THAT
I'M SOMEONE YOU CAN TRUST.
ALAN: YOU WANT OUR TRUST?
GO HOME.
COME BACK WHEN YOU'RE
18 AND YOU'RE IN A GOOD COLLEGE.
EMILY: DAD, WE'RE TRYING
TO BE REASONABLE.
WHY CAN'T YOU MEET US HALFWAY?
JUAN: MY FATHER KNOWS ME
BETTER THAN EITHER ONE
OF YOU AND HE'S DECIDED
TO BELIEVE IN ME.
MONICA: NO, I THINK HE'S
COUNTING ON US SAYING NO.
EMILY: LISTEN, WILL
YOU LISTEN TO ME, JUST -- JUST
FOR TWO MINUTES, OK?
LOOK, I KNOW THAT YOU'RE REALLY
WORRIED ABOUT ME.
BUT MIXED UP WITH ALL THE THINGS
THAT I'VE DONERONG ARE THINGS
THAT I'VE DONE RIGHT.
FOR INSTANCE, JUAN AND I HAD
SEVERAL CHANCES TO RUN AWAY
TOGETHER, BUT WE NEVER DID.
IN FACT, WE DECIDED TO STAY
AND COME UWITH A COMPROMISE
ALL BY OURSELVES, WITHOUT ANY
ADULTS.
WE DECIDED TO ENROLL HIM
IN SCHOOL, GET HIM A JOB,
FIND HIM A PLACE TO LIVE,
AND GET HIM A GREAT SPONSOR.
JUAN: AND AS FAR AS SONNY
GOES, I SWEAR, I'M NOT GOING
ANYWHERE NEAR HIM.
I'VE LEARNED MY LESSON.
IT'S MORE IMPORTANT THAT I DON'T
DO ANYTHING TO JEOPARDIZE
YOUR RESPECT.
EMILY: IF YOU DON'T LIKE
JUAN, I MEAN, I COULD ALWAYS
DATE A GANG MEMBER OR SOMETHING.
ALAN: NO.
MONI: SHE'S GOING TO START
DATING SOMEONE.
ALAN: I KNOW THAT.
I WANT YOU TO DATE SOMEBODY
FROM A STABLE ENVIRONMENT.
MONICA: LIKE OURS?
I THINK STABLE ENVIRONMENTS ARE
RUNNING IN SHORT SUPPLY THESE
DAYS.
LIKE THE TWO OF THEM ARE SAYING,
THEY ARE TRYING.
THAT'S SHOWING SOME INITIATIVE,
DON'T YOU THINK?
IF THEY'RE WILLING TO ACT
RESPONSIBLY, WHAT MORE DO
WE HAVE A RIGHT TO ASK?
ALAN: WELL, I OBVIOUSLY
CANNOT FIGHT THIS ALONE.
IF IT WAS MY CHOICE, YOU WOULD
BE OUT OF HERE, BUT OBVIOUSLY
THAT IS NOT GOING TO HAPPEN.
YOU WANT MY TRUST?
OK, I'LL GIVE IT A SHOT.
IF YOU BETRAY IT, I PROMISE YOU,
I WILL PERSONALLY PUT
YOU ON THE QUARTERMAINE JET
AND SHOVE YOU OUT SOMEERE OVER
PUERTO RICO.
DO YOU UNDERSTAND?
JUAN: YES, SIR.
I UNDERSTAND.
EMILY: YEAH, WE UNDERSTAND.
THANK YOU SO MUCH.
YOU HAVE NO IDEA HOW MUCH THIS
MEANS TO ME.

CHLOE: I'VE DONE IT AGAIN.
JAX: SO WHAT SCRAP OF PAPER
IS YOUR MISSING SKETCH ON THIS
TIME?
YOU KNOW, IF IT'S ON ONE
OF ALEXIS' LEGAL BRIEFS,
YOU'RE OUT OF LUCK.
SHE JUST WENT TO POLICE
HEADQUARTERS.
CHLOE: IT'S IN THE GREATER
NEW YORK GUIDEBOOK THAT WE USED
FOR LITTLE ITALY.
PLEASE, PLEASE, PLEASE, TELL ME
IT'S HERE.
JAX: I'VE ALREADY CIRCLED
SOME INTRIGUING DESTINATIONS
FOR SIGRID AND KARL'S NEXT VISIT
TO THE CITY.
I WAS THINKING PERHAPS WE COULD,
YOU KNOW, VISIT THE BRONX
OR BROOKLYN.
CHLOE: WELL, THAT WOULD
BE FUN.
OR MAYBE SOHO.
SIGRID IS AN ARTIST.
SHE COULD SELL SOME MORE
OF HER SKETCHES.
JAX: IS SOMETHING WRONG?
CHLOE: NO.
JAX: NO?
CHLOE: UH-UH.
THERE IT IS.
JAX: YOU KNOW THAT THING THAT
YOU ACCUSED ME OF DOING?
DUCKING PAINFUL SUBJECTS
BY SMILING AND CHANGING
THE CONVERSAON?
WELL, I'VE NOTICED THAT YOU DO
IT, TOO.
SO WHAT'S GOING ON?
CHLOE: IT'S SILLY.
JAX: TRY ME.
CHLOE: BROOKE LYNN IS HAVING
HER BIRTHDAY TOMORROW.
HER MOTHER IS GIVING
HER A PARTY.
JAX: AND YOU'RE NOT GOING.
CHLOE: I'VE DECIDED IT'S
BETTER IF I STAY AWAY.

EDWARD: REGINALD!
IS IT JUST ME OR HAS THE WORK
OF THAT MOON-EYED BUTLER BEEN
EVENORE SLIPSHOD SINCE THAT
NANNY'S RETURN?
YOU'D THINK HE COULD AT LEAST
BRING SOMETHING WHEN
I REQUEST IT.
OH, HERE IT IS.
LOOK, HERE ARE MY NOTES
ON THE MERGER THERE
IN THE MARGIN.
A.J.: YOU DIDN'T MAKE MANY.
EDWARD: WELL, FRANKLY,
I'VE BEEN TOO DISTRACTED BY THAT
TRAGIC NEWS OF KATHERINE.
IT'S TERRIBLE.
A.J.: YOU KNOW, YOU MAY HAVE
DOUBTED MY POTENTIAL AS C.E.O.,
BUT I NEVER DID.
ADMIT IT.
E.L.Q. IS UNDER CONTROL.
ADMIT IT.
EDWARD: DON'T MAKE
THE MISTAKE OF RESTING
ON YOUR LAURELS BECAUSE I'LL
GUARANTEE YOU THAT THE
COMPETITION NEVER WILL.
SO, TONIGHT WHEN YOU GO
TO THE OPERA, I WANT YOU TO MAKE
A POINT OF CONNECTING WITH PAUL
MONTRONE.
HE'S BREWING SOMETHING OVER
AT DYNETRANS, AND I --
A.J.: ACTUALLY, CARLY
AND I ARE SKIPPING THE OPERA
TONIGHT.
EDWARD: THAT'S IMPOSSIBLE.
ALL OF THE MAJOR POWER BROKERS
WILL BE THERE.
THAT'S WHY THEY HAVE THESE
OPENING-NIGHT SHINDIGS,
SO WE CAN DO BUSINESS.
OH, YOU DON'T THINK IT'S ABOUT
THE MUSIC, DO YOU?
A.J.: YOU KNOW, PART OF BEING
C.E.O. IS KNOWING HOW
TO PRIORITIZE.
AND THIS EVENING, MY PRIORITY IS
MY BEAUTIFUL WIFE, WHO HAS
REQUESTED MY PERSONAL ATTENTION.
EDWARD: HUH.
YOU CAN PERSONALLY ATTEND
TO HER LATER.
LOOK, CARLY IS THE VERY REASON
THAT YOU SHOULD BE GOING
TO THE OPERA.
SHE'S CHARMING, SHE'S BEAUTIFUL,
AND SHE MAKES YOU LOOK GOOD.
INSTEAD OF BEING THE REPLACEMENT
GRANDSON WHO JUST KIND OF SNUCK
INTO THE C.E.O.'S CHAIR AFTER
NED WENT AWOL, CARLY MAKES
YOU LOOK LIKE A WINNER.
SHE SENDS OUT THE RIGHT MESSAGE
TO THOSE PEOPLE THAT YOU DO
BUSINESS WITH.
AND DON'T MISS THIS OPPORTUNITY
TO SHOW OFF YOUR MAJOR ASSET.
A.J.: FIRST OFF, CARLY IS NOT
AN ASSET.
SHE IS MY WIFE.
WE HAVE A MARRIAGE,
NOT A BUSINESS PARTNERSHIP.
AND THIS EVENING WE ARE
CONCENTRATING ON EACH OTHER.
EXCUSE ME.

CARLY: ALL RIGHT,
WHAT'S YOUR GOOD NEWS?
MY DAY HAS GONE FROM BAD
TO WORSE AND IT'S NOT OVER YET.
JASON: WELL, YOU KNOW WHAT --
I HAD -- I HAD OPERA TICKETS.
CARLY: YOU WHAT?
JASON: YEAH, TWO.
TWO OPERA TICKETS --
CARLY: JASON, WHERE?
JASON: I DON'T KNOW, MAN.
I HAD BOX SEATS AND --
CARLY: WHERE DID YOU GET
THESE?
YOU JUST SAVED MY LIFE.
OH MY GOD!

HANNAH: HI.
SONNY: OH, HI.
COME ON IN.
HANNAH: MMM.
MMM.
IS MIKE HERE ALREADY?
SONNY: I WAS JUST MAKING
A LITTLE SOUP.
I THOUGHT IT'D BE A NICE --
WHAT?
HANNAH: THIS IS SUPPOSED
TO BE SOLELY MIKE'S
AND MY CREATION.
SONNY: LET ME GET THIS RIGHT.
YOU ARE BANISHING ME FROM MY OWN
KITCHEN?
HANNAH: YES, JUST
FOR TONIGHT, OK?
I WANT YOU TO PUT YOURSELF
COMPLETELY IN MIKE'S
AND MY HANDS.
SONNY: WELL, YOUR HANDS
I TRUST.
MIKE'S I'M NOT SURE ABOUT.
OK, I'LL GO AHEAD AND TAKE CARE
OF THE SOUP.
WE'LL HAVE THAT LATER.
NOW, YOU GOING TO GET STARTED
IN THE KITCHEN?
YOU WANT TO WAIT FOR MIKE?
HANNAH: HMM, I'LL WAIT
FOR MIKE.
SONNY: ALL RIGHT.
I'LL -- I WILL TAKE CARE
OF THE SOUP.
HANNAH: OK.
SONNY: YOU DON'T KNOW WHAT
YOU'RE MISSING, I TELL YOU.
SONNY: WHAT ARE YOU DOING?

JAX: SO I ASSUME NED IS GOING
TO BROOKE LYNN'S PARTY?
CHLOE: YES.
HE JUST LEFT.
HE'S SPENDING THE NIGHT
IN MANHATTAN.
JAX: SO WHAT MAKES YOU THINK
THAT YOUHOULDN'T GO?
CHLOE: IT WOULD PUT EVERYONE
IN AN AWKWARD POSITION.
AND I JUST --
THINK IT'S UNFAIR TO LET
BROOKE LYNN GET CLOSER
AND CLOSER TO ME.
IN A YEAR I'M NOT GOING TO BE
WHATEVER I AM TO HER RIGHT NOW.
JAX: BUT YOU STILL WANT
TO GO.
CHLOE: KIND OF RIDICULOUS,
HUH?
JAX: YOU'RE MANY THINGS.
YOU'RE BEAUTIFUL, CHARMING.
WISE.
UNFORTUNATELY FOR SIGRID,
YOU'RE NOT VERY GOOD
AT GERMAN, BUT --
YOU'RE NOT RIDICULOUS.
CHLOE: I COULD BE.
I COULD BE REALLY RIDICULOUS
OVER YOU.

ALEXIS: SO THANK YOU VERY
MUCH.
BAIL'S BEEN SET.
THE PAPERWORK'S ALREADY BEEN
STARTED.
YOU SHOULD BE OUT IN A COUPLE
OF HOURS.
MAC: YOUR ATTORNEY'S HERE,
SO LET ME REITERATE.
I DON'T BUY YOUR CONFESSION
FOR A SECOND.
WE HAVE AN EYEWITNESS WHO PUTS
A BLONDE FIGURE ON THE BALCONY
WITH KATHERINE.
THAT WOULD BE LAURA SPENCER.
NO ONE'S MENTIONED YOU.
NOW ALL YOU'RE DOING IS
OBSTRUCTING JUSTICE.
YOU'RE NOT FOOLING ANYONE.
[TELEPHONE BUZZES]
MAC: YES?
ALL RIGHT.
I'LL BE RIGHT THERE.
I WILL SEND THE GUARD BACK IN.
ALEXIS: DID LAURA DO IT?
STEFAN: I WON'T DISCUSS
MY CASE HERE.
SEE WHAT YOU CAN DO TO EXPEDITE
MY RELEASE.
I'D LIKE TO GET HOME.
ALEXIS: I'LL TRY TO LIGHT
A FIRE.
STEFAN: YES, I SHOULD BE
RELEASED WITHIN THE NEXT COUPLE
OF HOURS.
IN THE MEANTIME, MRS. LANSBURY,
I'D LIKE YOU TO CHECK
ON MY MOTHER.
I WANT TO MAKE SURE ALL
THE EXCITEMENT HASN'T
HARMED HER,
THAT SHE'S IN THE SAME STATE
SHE WAS IN WHEN I LEFT.

JERRY: I'VE BEEN THINKING.
BOBBIE: UH-OH.
JERRY: WE NEED PRACTICE.
BOBBIE: PRACTICE?
WITH WHAT?
JERRY: HONEYMOONING.
I THINK THE REASON THAT WE CAN'T
FIND A PLACE IS WE'RE MAKING TOO
BIG A DEAL OUT OF THIS.
WE JUST HAVEN'T SPENT ENOUGH
TIME AWAY TOGETHER, SO I'M
GOING TO SET UP A PRACTICE
SESSION.
BOBBIE: WAIT, LET ME GET THIS
STRAIGHT.
WE'RE GOING ON A PRACTICE
HONEYMOON?
JERRY: I'VE GOT BROCHURES
FOR TWO HOTELS AND A RESORT,
ALL WITHIN 50 MILES.
WHAT DO YOU SAY?
BOBBIE: YOU'RE CRAZY.
JERRY: YOU KNEW THAT WHEN
YOU AGREED TO MARRY ME.
BOBBIE: YEAH, BUT I WASN'T
THINKING ABOUT THE CONSEQUENCES,
LIKE HAVING TO GO ON A PRACTICE
HONEYMOON WITH YOU.
JERRY: AW.
IT WON'T BE SO BAD.
BOBBIE: HMM, I GUESS I'LL GET
THROUGH IT SOMEHOW.

EMILY: HEY, HEY, HEY, HEY.
WHY ARE YOU IN SUCH A RUSH?
SLOW DOWN.
JUAN: BECAUSE I COULDN'T WAIT
TO GET HERE.
EMILY: WHAT, TO KELLY'S?
JUAN: TO WHERE I LIVE.
TO WHERE MY GIRLFRIEND'S GOING
TO GIVE ME MY FIRST OFFICIAL
WELCOME-HOME KISS.
EMILY: AH, WAIT A MINUTE.
FIRST I WANTED TO THANK YOU.
JUAN: FOR WHAT?
EMILY: WELL, FOR DOING
EVERYTHING THAT YOU POSSIBLY
COULD TO COME BACK.
JUST LIKE YOU PROMISED.
JUAN: YOU KNOW WHO'S AMAZING?
MY GIRLFRIEND.
SHE'S BEAUTIFUL AND BRAVE.
SHE'LL FLY ALL THE WAY
TO PUERTO RICO TO SEE ME.
SHE'LL DEFEND ME TO HER PARENTS
AND SONNY AND EVERYONE ELSE.
IN FACT, THERE'S ONLY REALLY ONE
PROBLEM WITH HER.
EMILY: REALLY?
WHAT?
JUAN: SHE'S A LITTLE STINGY
WITH THE WELCOME-HOME KISSES.
EMILY: WELCOME HOME.

CARLY: YOU. OH, GOD.
YOU HAVE NO IDEA WHAT I WAS
GOING TO HAVE TO DO TO COVER
GIVING THESE AWAY.
HOW'D YOU GET THEM BACK?
JASON: I ASKED FOR THEM.
CARLY: IT WAS VERY COOL
OF YOU.
THANK YOU.
ESPECIALLY AFTER BOBBIE GAVE
YOU THAT WHOLE BEWARE-OF-CARLY
SPEECH.
JASON: HMM.
YOU KNOW, I THINK IT'S NICE THAT
BOBBIE TRIES TO WARN ME.
CARLY: DO YOU REALLY NEED
SOMEBODY TO WARN YOU TO STAY
AWAY FROM ME?
JASON: DEFINITELY.
CARLY: SHUT UP.
JASON: ALTHOUGH, IT'S NOT
DOING ME MUCH GOOD HERE.
CARLY: YOKNOW WHAT?
COME ON, NOW.
IF YOU HAD STAYED AWAY FROM ME
THIS TIME, YOU WOULDN'T KNOW
THAT I WAS RIGHT ABOUT HANNAH
ALL ALONG.

SONNY: JOHNNY?
BRING THIS OVER TO
BENNY, WILL YOU?
SONNY: WHY WERE YOU LOOKING
THROUGH MY DESK?
HANNAH: I WAS LOOKING
FOR YOUR PHONE BOOK.
I WANTED TO SEE WHAT WAS KEEPING
MIKE.
AND I DIDN'T HAVE HIS PHONE
NUMBER.
SONNY: 555-0164.
OH -- OH -- OH --
YOU NEED TO PROMISE ME
SOMETHING.
HANNAH: ANYTHING.
SONNY: DON'T LOOK IN MY DESK
AGAIN WITHOUT MY PERMISSION.
HANNAH: OK.
I'M SORRY.
SONNY: I BROUGHT YOU SOME
WINE.
SONNY: DID I FRIGHTEN YOU?
HANNAH: YOUR EYES CHANGE WHEN
YOU GET SUSPICIOUS.
THEY GET FLAT AND HARD LIKE
BLACK GLASS.
I DON'T EVER WANT TO DO ANYTHING
TO MAKE YOU LOOK AT ME THAT WAY.
SONNY: I WASN'T SUSPICIOUS.
I JUST -- THERE ARE THINGS
YOU SHOULDN'T SEE OR KNOW
FOR YOUR OWN PROTECTION.
HANNAH: I KNOW.
I KNOW AND I KNOW HOW LUCKY
I AM.

JASON: I OWE YOU
FOR THE WARNING ABOUT HANNAH.
CARLY: OK.
WHAT'D YOU FIND OUT ABOUT
THE GUN?
THE TRACE AND ALL THAT?
JASON: NOTHING.
AND THAT WORRIES ME EVEN MORE.
CARLY: WHY?
JASON: WELL, BECAUSE THE
HARDER THAT GUN IS TO TRACE,
THE MORE LIKELY HANNAH IS
DANGEROUS TO SONNY.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

LAURA: NO ONE SET OUT TO HURT
KATHERINE.
NIKOLAS: MY FATHER DOESN'T DO
ANYTHING BY ACCIDENT.

FAISON: I'M NOT THAT EASILY
DISMISSED.
FELICIA: WRONG.
YOU WANT ME TO PROVE IT?

MAN: I NEED EVIDENCE AGAINST
CORINTHOS.
DO YOU HAVE ANY FOR ME OR NOT?
BENNY: I'VE GOT THE TRACE
ON THAT GUN YOU GAVE ME.

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