General Hospital Transcript Monday 10/18/99

Provided by Laura

ALEXIS: I THINK I'M ABOUT
TO BE BRILLIANT.
I KNOW THE MAGIC WORDS.
I DO.
"CASSADINE HEIRESS."
THAT WOULD BE ME.
JAX: NO.
ALEXIS: YOU NEED A FORTUNE
TO BAIL OUT YOUR BROTHER,
AND ALL I HAVE TO DO IS CLAIM
WHAT'S MINE.
JAX: ALEXIS --
BOBBIE: I HAVE TO GO CALL
BETTY AND MAKE SURE LUCAS IS
DOING HIS HOMEWORK.
JERRY: UH-UH-UH.
DIDN'T YOU FORGET SOMETHING?

[FELICIA LAUGHS]
LUKE: HI.
FELICIA: HI.
LUKE: I HAD TO TOUCH YOU.
SORRY.
I THOUGHT MAYBE YOU WERE
A HALLUCINATION.
FELICIA: I HAVE BEEN
SITTING HERE --
GOD, I DON'T KNOW HOW LONG.
WHERE HAVE YOU BEEN?
LUKE: UH -- WELL, I WAS OUT,
BUT IF I'D HAVE KNOWN YOU WERE
WAITING --
FELICIA: YEAH?
LUKE: I WOULD'VE COME BACK
EARLIER.
FELICIA: IS YOUR
CELL PHONE ON?
LUKE: PROBABLY NOT.
NO.
SEE, I DON'T MIND YOU CALLING
ME, BUT OTHER PEOPLE HAVE THIS
NUMBER, AND IT'S ANNOYING WHEN
YOU'RE IN THE MIDDLE
OF SOMETHING NICE TO HAVE,
OH, SAY, CLAUDE CALL AND WANT
TO BOOK A REGGAE BAND IN HERE
THAT DOES SHOW TUNES OR A MIDGET
WRESTLING TEAM THAT SINGS
FOUR-PART HARMONIES.
I DON'T KNOW.
YOU KNOW, I THINK THE TAX PEOPLE
ALSO HAVE THAT PHONE NUMBER.
FELICIA: FAISON WANTS
HIS DIAMONDS BACK.
LUKE: I DON'T THINK HE HAS
THE PHONE NUMBER, THOUGH.
FELICIA: OH, HE PROBABLY
DOES.
HE PROBABLY KNOWS MORE THAN
WE THINK HE DOES.
HE PROBABLY FOLLOWED US
ONTO HELENA'S YACHT.
I'VE BEEN THINKING ABOUT THIS
ALL NIGHT LONG.
WHAT IF FAISON IS THE ONE
WHO KILLED POOR ARI?

JUAN: LOOK, I'M SORRY I GOT
YOU ALL WORRIED,
BUT I'M NOT GOING BACK HOME.
EMILY: PLEASE LET HIM STAY.
MONICA: EMILY, DON'T MAKE
THIS WORSE THAN IT IS.
ALAN: I WANT THIS BOY OUT
OF MY HOUSE.
ARMANDO: YOU'RE COMING HOME
WITH ME, JUAN.
I DON'T WANT TO ASK THE OFFICER
TO HANDCUFF YOU AND ESCORT US
BACK TO THE PLANE, BUT I WILL.
ALAN: I THINK THAT'S A GOOD
IDEA.
MONICA: DO YOU ALWAYS HAVE
TO ESCALATE?
ALAN: WHAT SHOULD I DO,
CALL THE LIMO FOR HIM?
ARMANDO: DON'T YOU PAY ANY
ATTENTION TO YOUR DAUGHTER?
ALAN: OH, WAIT.
MONICA: WHAT?
ALAN: DON'T START MAKING THIS
EMILY'S FAULT.
ARMANDO: HOW COULD YOU ALLOW
YOUR DAUGHTER TO GET AWAY
WITH SOMETHING LIKE THIS,
ALLOWING A YOUNG MAN TO STAY
IN HER HOUSE?
MONICA: THE WAY WE RSE
OUR DAUGHTER IS ABSOLUTELY
NO CONCERN OF YOURS.
ALAN: PARTICULARLY SINCE
YOU CAN'T KEEP YOUR OWN SON
A THOUSAND MILES WITHIN NEAR
YOUR HOUSE.
ARMANDO: DO YOU HAVE ANY IDEA
WHAT IT'S LIKE TO HAVE A CHILD
RUN AWAY?
MONICA: AS A MATTER OF FACT,
WE DO.
ALAN: OH, GO AHEAD.
TELL HIM OUR LIFE STORY.
TAGGERT: EXCUSE ME!
EXCUSE ME.
THANK YOU.
HAVE ANY OF YOU ACTUALLY
CONSIDERED LISTENING
TO YOUR KIDS?

JASON: SO THE NHT SONNY
WAS ARRESTED, YOU SAW FEDS ALL
OVER THE PLACE?
HANNAH: OH, YEAH.
THE WHOLE BUILDING WAS
SURROUNDED WITH CARS
WITH EMERGENCY LIGHTS ON.
THE WHOLE LOBBY WAS CRAWLING
WITH MEN WITH DARK SUITS
AND I.D. TAGS.
AND I DIDN'T KNOW WHERE
YOU WERE.
AND I WAS SO AFRAID THAT SONNY
WAS TRAPPED UP THERE.
JASON: YOU MUST HAVE BEEN
REALLY SCARED.
HANNAH: YEAH, THEY WOULDN'T
EVEN LET ME IN THE ELEVATOR.
SO I WENT STRAIGHT TO THE POLICE
STATION TO SEE WHAT WAS GOING
ON, AND SONNY WAS THERE.
AND YOU KNOW THE REST.
AFTER SEEING ALL OF THAT,
I CAN UNDERSTAND WHY YOU'RE
SO SUSPICIOUS OF EVERYONE
AND I CAN APPRECIATE HOW
YOU WANT TO PROTECT SONNY.
BUT YOU DON'T NEED TO PROTECT
HIM FROM ME.
CARLY: ALL RIGHT,
LITTLE MISS BIMBO, LET'S SEE HOW
YOU EXPLAIN THIS.

MIKE: HEY, SONNY.
LISTEN, WHAT DO YOU SAY ABOUT
LETTING THE OLD MAN BUY
YOU AND HANNAH DINNER TONIGHT?
UNLESS YOU GOT SOMETHING BETTER
TO DO.
SONNY: OH, WE -- WE ALREADY
HAVE PLANS.
MIKE: SURE.
NO PROBLEM.
GIVE HANNAH MY BEST.
SONNY: I WILL.
[KNOCK ON DOOR]
SONNY: HANNAH?
YOU IN THERE?
HANNAH?

[KNOCK ON DOOR]
SONNY: HANNAH, YOU IN THERE?
SONNY: HEY.
HANNAH: TRYING TO BREAK
INTO MY ROOM AGAIN, ARE YOU?
SONNY: WHAT YOU GOING TO DO,
TURN ME IN?
HANNAH: MIGHT BE EASIER JUST
TO MAKE YOU A KEY.
SONNY: IT COULD BE EASIER
TO GIVE YOU A KEY TO MY PLACE.
HANNAH: KELLY'S ISN'T GOOD
ENOUGH FOR YOU?
SONNY: NO OVERNIGHT GUESTS.
HANNAH: I KNOW.
THAT MIGHT BE A PROBLEM.
SONNY: YOU KNOW I WANT
YOU TO MOVE IN WITH ME.
HANNAH: MM-HMM.
SONNY: AS SOON AS THE FEDS
GIVE UP AND GO AWAY.
HANNAH: OH, I CAN'T WAIT
TO COME HOME TO YOU.
SONNY: UP UNTIL THEN,
ARE WE GOING TO GO OUT, OR IS
THAT --
HANNAH: YEAH, YEAH.
SONNY: OH, I WAS JUST
THINKING --
HANNAH: LET ME CHANGE
INTO SOME REAL CLOTHES.
SONNY: GET ON IN.
ALL RIGHT.
YEAH.
HANNAH: SO,
WHAT SHOULD I WEAR?
SONNY: OH.
HO-HO.
HANNAH: UM --
SONNY: THAT'S -- THAT'S NICE.
HANNAH: NO WAY.
OK.
HOW ABOUT THIS ONE?
SONNY: I LIKE THAT,
YEAH, YEAH.
HANNAH: HOW ABOUT
THIS ONE?
SONNY: OOH.
HANNAH: DUH-DA-DA
SONNY: YEAH, THAT'S --

TAGGERT: CAN WE AT LEAST
AGREE WE DON'T WANT TO SEE JUAN
AND EMILY ON THE STREETS?
ALAN: WE WOULDN'T EVEN
BE TALKING ABOUT THE STREET
IF IT WASN'T FOR HIM.
EMILY: DAD, PLEASE.
ARMANDO: YOUR DAUGHTER HAS
ONLY MADE EVERYTHING WORSE.
TAGGERT: WILL YOU PLEASE,
PLEASE, PLEASE LAY OFF OF EACH
OTHER'S KIDS?
MONICA: SINCE WHEN DID
YOU START HANDING OUT PARENTING
ADVICE?
ARMANDO: I DON'T NEED
A STRANGER TO TELL ME HOW
TO RAISE MY SON.
TAGGERT: OK, FINE.
JUST GO ON AND ARGUE.
IN THE MEANTIME, JUAN AND EMILY
WILL END UP ON COURTLAND STREET.
SOME OF US KNOW WHAT COURTLAND
STREET'S LIKE.
ALAN: OH, THAT'S NICE.
NOW YOU'RE THROWING COURTLAND
STREET IN MY FACE?
TAGGERT: I'M JUST TRYING
TO FIND A COMMON GROUND.
MONICA: YOU DON'T HAVE
A KNACK FOR THAT.
EMILY: ISN'T THIS SUPPOSED
TO BE ABOUT JUAN?
ARMANDO: JUAN, YOU DON'T
BELONG IN THIS TOWN WITH THESE
PEOPLE.
ALAN: "THESE PEOPLE"?
WE GIVE HIM FOOD AND SHELTER
FOR WEEKS, AND YOU CALL US
"THESE PEOPLE"?
JUAN: THERE'S NO REASON
FOR ME TO BE IN MAYAGUEZ.
ARMANDO: I'M YOUR FATHER.
I WANT YOU THERE.
ISN'T THAT REASON ENOUGH?
JUAN: LOOK, I KNOW YOU'VE
WORKED HARD TO BUILD ME A GOOD
HOME, AND I APPRECIATE THAT --
I REALLY DO --
BUT PLEASE TRY TO UNDERSTAND
THAT I DON'T FIT IN THERE
ANYMORE.
ALAN: HE'S GOING THROUGH
A PHASE, THAT'S ALL.
EMILY: DAD, THIS IS NOT
A PHASE.
JUAN: LOOK, I WANT TO STAY
IN PORT CHARLES.
ARMANDO: LIVING OVER A DINER,
WORKING FOR SONNY CORINTHOS?
JUAN: NO, I'M NOT GOING
TO WORK FOR SONNY.
ALAN: THAT'S WHY YOU CAME
HERE IN THE FIRST PLACE --
TO WORK FOR SONNY.
ARMANDO: THAT'S WHY I'LL DO
ANYTHING TO KEEP HIM AWAY
FROM JUAN.
TAGGERT: WAIT, WAIT -- DIDN'T
WE JUST REACH A COMMON GROUND?
JUAN: LOOK, I DON'T WANT
TO WORK FOR SONNY.
I DON'T WANT TO BE LIKE SONNY.
ARMANDO: I WISH I COULD
BELIEVE THAT.
JUAN: SONNY'S NOT WHO
I THOUGHT HE WAS.
ARMANDO: WHAT ABOUT
YOUR FUTURE, JUAN?
PREPARING FOR UNIVERSITY,
CONCENTRATING ON YOUR TEST
SCORES, YOUR GRADES?
IF I ALLOW YOU TO STAY HERE --
CAN'T YOU UNDERSTAND? --
YOU'RE ASKING MY PERMISSION
TO THROW YOUR ENTIRE LIFE AWAY.
JUAN: WHAT IF I PROMISE
TO BUILD A GOOD LIFE HERE --
YOU KNOW, A LIFE THAT YOU WOULD
BE PROUD OF?

BOBBIE: I'LL ONLY BE GONE
A MINUTE.
JERRY: I DON'T THINK I CAN
LAST THAT LONG.
BOBBIE: THEN I'LL HURRY.
MAN: SIR?
DeLUCA: YEAH?
MAN: THE JANITOR JUST
UNLOCKED THE SERVICE DOOR.
DeLUCA: THANKS.
WE'LL BRING THE TRUCK AROUND.
MAN: SURE.

ALEXIS: WHEN IT TURNED OUT
THAT NIKOLAS WASN'T
THE PRINCE --
CHLOE: PRINCE OF WHAT?
NED: EXCELLENT QUESTION.
ALEXIS: THE ENTIRE CASSADINE
FINANCIAL EMPIRE.
IT'S BASED IN GREECE,
BUT HOLDINGS ARE ALL OVER
THE PLANET.
YOU MET STEFAN.
CHLOE: YES, AT THE
NURSES BALL.
ALEXIS: ALL RIGHT,
WELL, CONSIDER HIM THE CASSADINE
POSTER BOY.
NED: VERY OLD MONEY.
ALEXIS: ANCIENT MONEY.
AND A GREAT DEAL OF IT BELONGS
TO ME.
JAX: YEAH, BUT YOU LET GO
OF THAT IN THE DESERT.
ALEXIS: NOT IN WRITING.
AND I DON'T SEE ANY REASON WHY
I CAN'T CLAIM WHAT'S MINE NOW.
NED: DO I NEED TO MAKE
YOU A LIST, STARTING
WITH "THEY'LL KILL YOU"?
CHLOE: WHAT?
ALEXIS: I GREW UP MY WHOLE
LIFE WANTING TO BE PART
OF A FAMILY.
I WANTED IT TO BE
THE CASSADINES.
THEY WEREN'T INTERESTED.
YOU'RE MY FAMILY, YOU'RE
MY FAMILY, AND YOU ARE
MY FAMILY.
AND I WILL DO WHATEVER IS
NECESSARY TO SAVE YOUR BTHER.
AND IF ALL IT COSTS ME IS MONEY
THAT I DON'T EVEN CARE ABOUT,
WHAT DIFFERENCE DOES IT MAKE?
NED: DO I NEED TO REMIND
ANYONE HERE WHY THE HELICOPTER
CRASHED IN THE DESERT?
CHLOE: OK.
WASN'T IT IN A SANDSTORM?
JAX: NO.
STEFAN'S MOTHER, HELENA,
SABOTAGED IT.
ALEXIS: THE CASSADINES CAN
GET A LITTLE CRANKY.
JAX: THEY'VE ALREADY TRIED
TO KILL YOU ON MORE THAN ONE
OCCASION.
CHLOE: YOUR FAMILY ACTUALLY
TRIED TO KILL YOU?
NED: KIND OF MAKES
YOU APPRECIATE AUNT GERTRUDE
AND EDWARD, DOESN'T IT?
JAX: NO KIDDING.
ALEXIS: IF I COULD JUST COME
UP WITH THE RIGHT STRATEGY.
NED and CHLOE: NO.
ALEXIS: YOU'RE NO FUN!
CHLOE: NO, WHY DON'T WE JUST
ALL POOL OUR MON AND LET JAX
INVEST IT?
THAT'S WHAT YOU'RE BEST AT.
JAX: WELL, IT'S RISKY,
AND WE'RE RUNNING OUT OF TIME.
ALEXIS: I CAN PROVE
TO THE F.B.I. THAT I AM ENTITLED
TO THAT MONEY, AND THAT WILL BUY
US A FEW MONTHS.
NED: NO POSSIBLE WAY.
JAX: IT'S OUT OF
THE QUESTION.
JERRY: WHAT'S OUT
OF THE QUESTION, LITTLE BROTHER?

CHLOE: A SPA.
ALEXIS WANTED THE FOUR OF US
TO GO TO A SPA THIS WEEKEND.
JAX: YEAH, AND THE WHOLE
THING IS COMPLETELY OUT
OF THE QUESTION.
NED: YOU KNOW, I HEAR THERE'S
A GREAT PLACE IN THE BERKSHIRES.
ALEXIS: HMM, YEAH,
DO YOU THINK WE COULD GET
A GROUP RATE ON MUD PACKS?
JAX: HEY, IF YOU THINK I'M
TAKING A MUD BATH WITH ASHTON,
FORGET IT.
ALEXIS: NOT A MUD BATH.
A MUD PACK IS SOMETHING ENTIRELY
DIFFERENT.
JAX: LOOK, IF THE TWO OF US
MANAGE TO GET AWAY FOR
THE WEEKEND, WE'RE NOT TAKING
AN ENTOURAGE.
NOR ARE WE TALKING A MUD BATH.
ALEXIS: FINE.
IT WAS JUST AN IDEA.
CHLOE: IT WAS A WONDERFUL
IDEA, AT THAT.
ALEXIS: THANK YOU, THANK YOU.
BOBBIE: OOH.
DIDN'T YOU AGREE NOT TO HOUND
YOUR LITTLE BROTHER TONIGHT?
JERRY: AM I HOUNDING YOU?
JAX: WELL, YOU'RE NOT COMING
TO THE SPA, THAT'S FOR SURE.
BOBBIE: OH, YOU'RE GOING
TO A SPA?
JAX: ASK NED.
NED: ASK MY WIFE.
CHLOE: ASK ALEXIS.
ALEXIS: WHEN WAS THE LAST
TIME YOU HAD A MUD BATH?
JERRY: JAX AND I GOT STUCK
IN QUICKSAND ONCE IN
THE OUTBACK.
JAX: OH, YEAH, I REMEMBER.
I WAS HANGING ONTO A TREE BRANCH
ALL NIGHT.
JERRY: COULDN'T FIND
THE JEEP.
JAX: YOU HAD A BEER.
JERRY: DID I GET YOU OUT?
JAX: IT WAS YOUR IDEA TO WADE
INTO THAT THING IN THE FIRST
PLACE.
BOBBIE: OH, DEAR, OH, DEAR.
THIS COULD GO ON ALL NIGHT,
COULDN'T IT?
LET US KNOW ABOUT THE SPA.
JAX: ALL RIGHT.
JERRY: COME ON.
NED: WE'RE GETTING A LITTLE
TOO GOOD AT THIS.
JAX: THEY DIDN'T SUSPECT
A THING.
WHAT, YOU DON'T THINK
THEY BOUGHT IT?
CHLOE: I HAVE NEVER WANTED
TO HIT ANYONE BEFORE -- NOT
UNTIL THIS VERY INSTANT.
HE WAS JUST SO CLOSE.
I JUST WANTED TO POP HIM ONE
RIGHT IN THE STOMACH.
ALEXIS: AIM LOWER
AND DON'T MISS.
NED: THAT'S MY CASSADINE.
CHLOE: BOBBIE LOVES HIM
SO MUCH -- SO DO YOU --
AND HE SEEMS TO BE TAKING IT
FOR GRANTED.
WHY SHOULD YOU HAVE TO PICK UP
THE PIECES?
JAX: AND WHY SHOULD ALL
OF YOU GIVE ME EVERYTHING THAT
YOU OWN?
NED: IT MUST BE THE
CHAMPAGNE.
JAX: YEAH.
CHLOE: DON'T YOU SEE, JAX?
THAT'S HOW MUCH YOU MEAN TO US.

EMILY: WE'VE ALREADY TALKED
TO THE SCHOOL COUNSELORS,
AND JUAN'S GRADES ARE GOOD
ENOUGH THAT HE'S NOT THAT FAR
BEHIND, WHICH MEANS I CAN HELP
HIM CATCH UP.
ARMANDO: I SERIOUSLY DOUBT
THE HIGH SCHOOL HERE IS
OF THE SAME QUALITY
AS SANTA CRUZ.
ALAN: NO, THEY'RE PROBABLY
BETTER.
ARMANDO: PERHAPS,
BY YOUR STANDARDS.
MONICA: WHAT DO YOU MEAN,
BY OUR STANDARDS?
JUAN: DAD, I GOT A JOB.
ALAN: SINCE WHEN?
ARMANDO: YOU WILL NOT BE
WASHING DISHES AT A DINER.
JUAN: NO, EMILY'S COUSIN,
MR. ASHTON -- HE WANTS ME
TO WORK FOR HIS RECORD COMPANY.
MONICA: OH, LEAVE IT TO NED
TO UNDERCUT US EVERY STEP
OF THE WAY.
ARMANDO: DOING WHAT,
SWEEPING FLOORS?
JUAN: ACTUALLY, YES.
BUT HE'S ALSO GOING TO TEACH ME
ALL ABOUT THE MUSIC BUSINESS,
TOO.
ALAN: YOU'D BETTER GET THAT
IN WRITING.
JUAN: LEARNING ABOUT BUSINESS
IS GOOD, RIGHT -- I MEAN,
IF YOU STILL WANT ME TO TAKE
OVER THE STORE SOMEDAY.
ARMANDO: AND WHERE EXACTLY
ARE YOU GOING TO LIVE WHILE
YOU'RE LEARNING ABOUT A BUSINESS
THAT HAS NOTHING TO DO
WITH RUNNING DEPARTMENT STORES
IN PUERTO RICO?
JUAN: AT KELLY'S.
ARMANDO and MONICA: NO.
EMILY: WELL, KELLY'S IS
A GREAT PLACE.
MONICA: IT'S A DINER.
ALAN: THERE SOMETHING WRONG
WITH THAT?
MONICA: I AM NOT BEING
CRITICAL.
ALAN: OH, NO, YOU NEVER ARE.
MONICA: MY BEST FRIEND OWNS
THE PLACE.
ALL I AM SAYING --
ALAN: WHAT, WHAT, WHAT?
YOU'RE TOO GOOD FOR KELLY'S?
MONICA: WOULD YOU WANT EMILY
TO LIVE THERE?
ALAN: WHY NOT? WE ALL DID.
TAGGERT: CAN WE ACTUALLY TRY
TO STAY TO THE SUBJECT HERE?
JUAN: PEOPLE AT KELLY'S HAVE
BEEN GOOD TO ME, AND THEY REALLY
HAVE STRICT RULES.
MONICA: WHICH YOU'VE ALREADY
IGNORED.
EMILY: HEY, WE FELL
ASLEEP, MOM.
YOU KNOW THAT.
ARMANDO: YOU WHAT?
JUAN: EMILY AND I
ACCIDENTALLY FELL ASLEEP
IN MY ROOM AND WE BROKE
THE OVERNIGHT GUEST RULE.
IT WAS TOTALLY MY FAULT.
IT'LL NEVER HAPPEN AGAIN.
ALAN: YOU GOT THAT RIGHT.
ARMANDO: IF YOU KEPT CLOSER
WATCH OVER YOUR DAUGHTER,
SHE WOULDN'T HAVE BEEN
IN MY SON'S ROOM.
MONICA: OH, SO YOUR SON IS
OUR PROBLEM RIGHT NOW.
EXCUSE ME?
TAGGERT: WHOA, WHOA, WHOA!
EVERYBODY, PLEASE,
CHILL.
ARMANDO: JUAN,
I KNOW YOU'VE GIVEN THIS A GREAT
DEAL OF THOUGHT,
AND I APPRECIATE THAT,
BUT I'M STILL YOUR FATHER,
AND IT'S MY RESPONSIBILITY
TO GUIDE YOU.
JUAN: BUT IT'S MY
RESPONSIBILITY TO BUILD MY OWN
LIFE, TO BE HAPPY,
TO BE WITH WHOM I WANT TO BE
WITH.
ARMANDO: I'M JUST NOT SURE
THAT ALL THIS IS THE RIGHT WAY
FOR YOU TO GO ABOUT IT.
JUAN: WELL, WHAT CAN I DO
TO CONVINCE YOU?
MONICA: JUAN, YOU -- YOU TALK
A GOOD GAME, BUT SO FAR
YOU HAVEN'T BEEN ABLE TO BACK IT
UP WITH MUCH OF ANYTHING.
ARMANDO: BUT I AM PROUD
OF YOU, JUAN, FOR TRYING
AND FOR TURNING YOURSELF IN.
I'LL SPEAK TO THE SCHOOL
OFFICIALS AND THIS MR. ASHTON.
ALAN: YOU COULDN'T KEEP QUIET
JUST THIS ONCE.
ARMANDO: WE'LL SET UP
THE MEETINGS TOMORROW,
AFTER A GOOD NIGHT'S SLEEP.
JUAN: THANK YOU.
ARMANDO: DO YOU KNOW HOW LONG
IT'S BEEN SINCE I KNEW WHERE
YOU WERE SLEEPING?
IF YOU WERE SAFE, IF YOU WERE
HUNGRY?
JUAN: THANKS FOR NOT GIVING
UP ON ME.
TAGGERT: WELL, GUESS WE WON'T
BE NEEDING THOSE HANDCUFFS.
ARMANDO: THANK YOU,
LIEUTENANT, FOR ALL
YOUR ASSISTANCE.
LET'S GO, SON.
JUAN: I'LL TAKE CARE
OF EVERYTHING.
EMILY: I BELIEVE YOU.
JUAN: AND I'LL SEE YOU SOON?
EMILY: OK.
JUAN: OK. BYE.
EMILY: BYE.
MONICA: GOOD NIGHT, JUAN.
JUAN: GOOD NIGHT,
MRS. QUARTERMAINE.
EMILY: GOOD NIGHT,
MR. SANTIAGO.
ARMANDO: GOOD NIGHT, EMILY.
ALAN: WHAT IS THIS,
"THE WALTONS"?
UGH.
MONICA: JUAN MAY BE ABLE
TO WORK HIS FATHER,
BUT HE HASN'T CONVINCED ME.
ALAN: EVEN IF HE WRANGLES
PERMISSION TO STAY HERE,
THAT DOESN'T MEAN THAT YOU CAN
SEE HIM.
EMILY: THANKS FOR LISTENING.
I KNOW IT WAS REALLY DIFFICULT.
GOOD NIGHT.
MONICA: GOOD NIGHT.

SONNY: YOU YOU KNOW WHAT?
ARE YOU SET ON -- YOU GOT
YOUR HEART SET ON NO NAME
TONIGHT?
HANNAH: WOULD YOU PREFER
TO GO SOMEWHERE ELSE?
SONNY: WELL, MIKE'S
DOWNSTAIRS, AND HE KIND
OF MENTIONED HE WANTS TO TAKE US
OUT.
BUT YOU KNOW WHAT?
IF YOU DON'T WANT TO --
HANNAH: NO, NO, NO, NO.
I'D LOVE TO.
SONNY: OH. ALL RIGHT.

MIKE: HI, BEAUTIFUL.
TAMMY: HEY.
WHERE THE HECK HAVE YOU BEEN?
I HAVEN'T SEEN YOU IN A REALLY
LONG TIME.
MIKE: SO YOU MISSED ME.
TAMMY: WELL, I DIDN'T SAY
THAT.
MIKE: WELL, YOU KNOW,
I DO HAVE MY OWN PLACE TO RUN.
BUT WE CAN'T MATCH THE CHILI
HERE.
TAMMY: OH, WELL, YOU'D HAVE
TO THANK RUBY FOR THAT.
MIKE: YOU KNOW, I NEVER
NOTICED UNTIL YOU TOOK OVER.
TAMMY: OH.
WELL, SUDDENLY I REMEMBER WHY
I MISSED YOU SO MUCH.
MIKE: LISTEN, WHY DON'T
YOU FORGET ALL OF THIS
FOR A WHILE?
WE CAN HIT THE GRILL.
WE'LL CHECK WHO'S PLAYING
AT JAKE'S.
WE'LL MAKE A REAL NIGHT OF IT.
TAMMY: OH, I WOULD LOVE TO,
BUT CAN I TAKE A RAIN CHECK
ON THAT?
MIKE: SURE. NO PROBLEM.
TAMMY: IT'S JUST THAT I'M
SHORT-HANDED, YOU KNOW,
WITH THE KIDS BACK IN SCHOOL
AND EVERYTHING.
MIKE: YOU'VE GOT A STANDING
INVITATION.
TAMMY: GOOD. THANK YOU.
AND LET ME KNOW WHEN YOU'RE
READY FOR THAT CHILI.
MIKE: YOU'LL KNOW.
TAMMY: THANKS.
SONNY: SO, MIKE, UH,
YOU TAKING US OUT TO DINNER
OR WHAT?

CARLY: OH, MY GOD.
YOU ALMOST SCARED ME TO DEATH.
JASON: WHAT ARE YOU DOING
DOWN HERE ALONE?
CARLY: UH, IT'S A SHORTCUT
TO YOUR PLACE.
JASON: YOU'RE NOT HELPING ME
AGAIN, ARE YOU?
CARLY: DID YOU TALK
TO HANNAH?
JASON: I ASKED YOU NOT
TO HELP ME.
CARLY: WHAT DID SHE SAY,
JASE?
DID SHE LIE TO YOU AGAIN?
JASON: YEAH, SHE LIED.
CARLY: I KNEW IT.
I KNEW IT.

CARLY: ALL RIGHT!
SO LET'S HEAR IT.
JASON: WELL, I --
I ASKED HANNAH --
CARLY: NO, NO.
JASON: ABOUT THE NIGHT SONNY
WAS ARRESTED.
CARLY: THE PART ABOUT
"THANK YOU, CARLY.
GOOD JOB, CARLY.
THANK YOU FOR SAVING MY BEST
FRIEND FROM HANNAH THE BANANA."
THAT PART, YOU KNOW.
JASON: YOU KNOW WHAT?
I'LL SAY ALL THAT --
CARLY: GOOD.
JASON: IF YOU CAN LOOK ME
IN THE EYE AND SWEAR YOU DID
THIS FOR SONNY.
CARLY: I DID THIS FOR SONNY.
JASON: HANNAH HAD NOTHING
TO DO WITH IT?
CARLY: WHY NOT HATE HANNAH
AND HELP SONNY AT THE SAME TIME?
NO, IT'S A LOT OF FUN.
YOU SHOULD TRY IT.
WHAT DID THAT LYING LITTLE
SLUT SAY?
WHAT'D SHE SAY?
JASON: FIRST OF ALL, I WANT
YOU TO TELL ME AGAIN EXACTLY
WHAT YOU DID THE NIGHT SONNY WAS
ARRESTED.
CARLY: I FOUND A GUN
IN HANNAH'S PLACE AFTER LOOKING
THROUGH PILES OF LINGERIE THAT
I WOULD NOT BE CAUGHT DEAD IN.
JASON: AFTER THAT, CARLY.
CARLY: I WENT STRAIGHT
TO SONNY'S TO WARN HIM.
JASON: OK.
CARLY: RIGHT.
JASON: WAS ANYONE
IN THE LOBBY?
CARLY: JUST THE DOORMAN.
WHEN I GOT OFF THE ELEVATOR,
THERE WAS AN F.B.I. GUY THERE,
AND HE SAID SOMETHING LIKE,
YOU KNOW, "STATE YOUR BUSINESS
WITH MR. CORINTHOS" -- SOMETHING
REAL OFFICIAL LIKE THAT.
JASON: THERE WAS JUST
ONE F.B.I. AGENT?
CARLY: NO, THERE WERE TWO.
JASON: OK.
CARLY: ONE GUY STAYED OUTSIDE
WITH ME IN THE HALLWAY WHILE
THE OTHER ONE WAS INSIDE
SEARCHING THE PLACE.
JASON: OK.
THEN NOBODY ELSE SHOWED UP
AT ALL?
CARLY: NO.
THE ONE GUY SEARCHED THE PLACE,
AND THEN THEY TOOK ME
TO THE POLICE STATION.
JASON: ALL RIGHT.
NOW, ON YOUR WAY OUT, WAS THERE
ANYBODY IN THE LOBBY?
CARLY: NO, JUST -- JUST
THE DOORMAN AND ME.
JASON: NO COP CARS,
NO FLASHING LIGHTS?
NOTHING LIKE THAT?
CARLY: NO, NO, JUST ME
AND THE TWO F.B.I. GUYS
IN A BEIGE CAR.
YOU KNOW, LIKE A REALLY CHEAP
BEIGE CAR.
JASON: NOW, DID THEY RADIO
ANYBODY?
SPEAK WITH ANYONE?
CARLY: YOU KNOW, THE GUY
IN CHARGE OF ME DID TAKE THREE
ASPIRIN WITHOUT WATER BEFORE
WE GOT THERE.
HEY, THEY DRAGGED ME IN, MAN.
YOU WERE THERE.
WHAT -- WHY?
JASON: HANNAH SAID THE HARBOR
VIEW TOWERS WAS CRAWLING
WITH F.B.I. THAT NIGHT AND THERE
WERE CARS PARKED OUTSIDE
WITH EMERGENCY LIGHTS.
CARLY: SUCH A LIE.
JASON: YES, IT IS.
CARLY: OH, NO.
YOU KNOW WHAT?
I BET SHE WASN'T EVEN THERE THAT
NIGHT.
I BET YOU SHE WAS WITH
HER EX-BOYFRIEND AND SHE WAS
TRYING TO FIND SOME SORT
OF EXCUSE AND LIE AND SAY
SHE WAS TRYING TO FIND SONNY.
JASON: THAT'S POSSIBLE.
CARLY: SO ALL WE HAVE TO DO
IS TELL SONNY.
JASON: HE'LL NEVER TAKE
YOUR WORD OVER HANNAH'S.
CARLY: IT DOESN'T REALLY
MATTER.
I MEAN, JEEZ, WE COULD JUST ASK
THE DOORMAN, ASK THE
F.B.I. GUYS, MAN.
THERE WAS NO CARS THERE.
JASON: CARLY --
CARLY: SO WE'LL ASK
THE DOORMAN.
JASON: WE NEED PROOF.
CARLY: WE GOT PROOF.

SONNY: I KNOW BETTER THAN
TO LET YOU INTO MY KITCHEN.
THAT'S ALL I'M SAYING.
MIKE: YOU'RE STILL BENT OUT
OF SHAPE BECAUSE OF THE ESPRESSO
MACHINE.
SONNY: IS IT HARD --
LISTEN TO ME, HANNAH.
IS IT HARD TO TAKE A LITTLE
SCREEN, RINSE IT OUT
WITH A SPONGE?
I MEAN --
MIKE: I ALWAYS CLEAN
THE ESPRESSO MACHINE, BUT NOT
A NANOSECOND AFTER I'VE USED IT.
SONNY: OH, SO YOU WANT
THE COFFEE GROUNDS TO ROT?
IS THAT WHAT YOU'RE SAYING?
MIKE: NO, I WANT YOU TO HAVE
A HOT CUP OF COFFEE.
IS THERE SOMETHING WRONG
WITH THAT?
SONNY: WHY CAN'T YOU JUST
ADMIT THAT YOU'RE A SLOB
IN THE KITCHEN?
MIKE: I --
HANNAH: IF WE'RE SLOBS,
YOU'RE A TYRANT.
SONNY: BECAUSE I DON'T LIKE
TO COOK IN A MESS?
HANNAH: NO, YOU'RE A GREAT
COOK.
SONNY: WELL --
HANNAH: BUT HOW MANY CHEFS
IRON THEIR DISHTOWELS?
SONNY: THAT'S HOW I KNOW
THEY'RE CLEAN.
HANNAH: IF THEY'RE FOLDED
IN THE DRAWER, THEY'RE CLEAN.
SONNY: UNLESS HE TAKES THEM
OUT AND MESSES THEM UP AND FOLDS
THEM BACK --
MIKE: I DON'T FOLD THEM.
I DON'T --
HANNAH: HOW DO YOU STAND IT?
SONNY: OH, SO NOW YOU TWO --
YOU'RE GOING TO GANG UP ON ME?
IS THAT IT? NO, I'M SERIOUS.
MIKE: NO, NO, NO.
WAIT A MINUTE, WAIT A MINUTE.
SONNY: THAT'S NOT GOOD.
MIKE: IF YOU WANT TO MAKE
A GREAT DINNER, YOU HAVE TO BE
WILLING TO MAKE A LITTLE BIT
OF A MESS.
HANNAH: EXACTLY.
I MEAN, HOW ARE YOU SUPPOSED
TO MAKE AN OMELET WITHOUT
BREAKING ANY EGGS?
SONNY: BREAK THE EGGS,
BUT DON'T LEAVE THE SHELLS
ON THE COUNTER.
IS THAT SO DIFFICULT?
CAN'T YOU TAKE THE SHELL,
PUT THEM IN A PAPER TOWEL,
THROW IT IN THE TRASH,
WASH YOUR HANDS, AND USE
THE MEDIUM WHISK TO DO WHAT
YOU GOT TO DO WITH IT?
MIKE: MEDIUM WHISK?
WHY NOT A FORK?
SONNY: YOU CANNOT CREATE
A GREAT MEAL IN CHAOS.
THAT'S ALL I'M SAYING.
HANNAH: OH, YEAH?
SONNY: PERIOD.
MIKE: UH-OH.
HANNAH: WE'LL PROVE IT.
MIKE: HEY, DON'T LOOK AT ME.
HANNAH: MIKE AND I WILL COOK
DINNER FOR YOU ONE NIGHT.
SONNY: IN MY KITCHEN?
HANNAH: WHERE ELSE?
WE'LL SHOW YOU WHAT WE MEAN.
MIKE: LOOK, A MAN'S KITCHEN
IS HIS CASTLE -- EVEN THOUGH
THAT MAN MIGHT BE A TYRANT WHO
LINES UP HIS POTHOLDERS
ACCORDING TO SIZE AND STERILIZES
HIS BUTTER KNIFE.
SONNY: SO YOU BACKING OUT?
HANNAH: WHAT DO YOU SAY,
MIKE?
MIKE: SURE.
WHY NOT?
SONNY: RIGHT. ALL RIGHT.
HANNAH: GREAT.
WE'RE ON.
MIKE: ALL RIGHT.
JUST TELL ME WHEN.
SONNY: OH, YOU'LL KNOW WHEN.
MIKE: HEY.
WELL, LISTEN, SOME OF US HAVE
TO WORK TO MAKE A LIVING.
SONNY: OH.
THAT MEAN YOU'RE STICKING ME
WITH THE BILL?
MIKE: HEY, TAMMY?
COULD YOU TELL US WHAT --
SONNY: NO, HEY, TAMMY,
DON'T WORRY ABOUT IT.
I'LL TAKE CARE OF IT.
MIKE: OH, COME ON.
LOOK, I ASKED YOU OUT TO DINNER.
I PAY.
SONNY: YOU CALL THIS OUT?
MIKE: WELL, YOU MEAN
YOU WANTED TO GO SOMEWHERE ELSE?
SONNY: WE'LL STICK YOU NEXT
TIME, ALL RIGHT?
GOOD NIGHT, MIKE.
MIKE: NIGHT.
HANNAH: OH, HEY, MIKE?
MIKE: YEAH?
HANNAH: WE'LL NEED TO START
PLANNING THAT MENU RIGHT AWAY.
MIKE: YEAH.
HANNAH: OK?
MIKE: WE'LL SHOW HIM.
GOOD NIGHT.
HANNAH: GOOD NIGHT.
HANNAH: WAS THAT
SO DIFFICULT?
SONNY: NOT WITH YOU AROUND.
THANK YOU.

LUKE: SORRY ABOUT THAT.
BAR FIGHT.
FELICIA: BAR FIGHT?
LUKE: YEAH, SOMETHING TO DO
WITH A REDHEAD.
I DIDN'T GET THE DETAILS,
BUT I FIGURED I'D BETTER GIVE
EVERYBODY THE HEAVE-HO BEFORE
ANOTHER CHAIR GOT BROKEN OVER
ANOTHER HEAD.
FELICIA: SOMEBODY BROKE
A CHAIR OVER SOMEBODY'S HEAD?
BET THEY HAD A GOOD REASON.
LUKE: WELL, IF YOU WANT
THE WHOLE STORY, I THINK THEY'RE
STILL DUKING IT OUT
IN THE PARKING LOT.
FELICIA: OH, NO,
NO, THAT'S OK.
I'M SURE THERE'S EXTENUATING
CIRCUMSTANCES, THOUGH,
LIKE MAYBE SOME NICE GIRL WAS
TRYING TO PROTT ANOTHER GIRL.
LUKE: YEAH, OR MAYBE THAT
NICE GIRL DIDN'T KNOW THAT
THE CHAIR WAS BEING BROKEN OVER
THE HEAD OF A FEDERALE
AND THAT THE OTHER GIRL WAS
HIS GIRLFRIEND.
FELICIA: YEAH.
WELL, I'M SURE THERE WAS
A PERFECTLY LOGICAL EXPLANATION
FOR IT ALL.
LUKE: ABSOLUTELY.
FELICIA: I DON'T THINK I EVER
TOLD YOU THAT I THOUGHT IT WAS
VERY CONSIDERATE OF YOU THAT
YOU NEVER MENTIONED THAT ME
GETTING THROWN INTO JAIL IS
PROBABLY THE REASON WHY FAISON
CAUGHT UP TO US IN MEXICO.
LUKE: NO, I DON'T THINK
THERE'S ANY REASON IN POINTING
THAT OUT.
BESIDES, AS FAR AS I'M
CONCERNED, EXCEPT FOR A FEW BAD
MOMENTS WHEN I THOUGHT YOU WERE
PARALYZED --
FELICIA: HMM.
LUKE: I THOUGHT THE MEXICAN
TRIP WAS NICE.
FELICIA: AND YOU FOOLED
FAISON.
LUKE: AND YOU HELPED.
FELICIA: YEAH, I DID.
HE DOESN'T LIKE TO BE FOOLED.
LUKE: NO.
FELICIA: HE DOESN'T DO
THE THINGS YOU USUALLY EXPECT
HIM TO DO, EITHER.
I JUST HAVE THIS FEELING THAT
HE'S GOING TO GET REVENGE
BY FRAMING US FOR ARI'S MURDER.
HE'S PROBABLY OUT THERE
SOMEWHERE AT HIS LITTLE OFFICE,
WHEREVER THAT IS, THINKING ABOUT
WHEN HE'S GOING TO GO TO MAC
AND SAY, "MR. SCORPIO, YOUR WIFE
AND LUKE SPENCER --"
LUKE: "STABBED HELENA'S
TOWEL BOY IN THE BACK
WITH AN ICE PICK"?
NAH.
FELICIA: ALL HE HAS TO DO
IS TELL MAC THAT HE SAW US
ON HELENA'S YACHT IN DISGUISE.
WE WERE THE LAST ONES TO SEE ARI
ALIVE.
AND WE NEVER DID REPORT IT
TO THE POLICE.
LUKE: OH, I SEE.
THAT'S WHAT THIS IS ABOUT.
FELICIA: WHAT?
LUKE: THE GUILT THAT
YOU'RE FEELING FOR KEEPING ALL
THESE SECRETS FROM YOUR HUSBAND.

CHLOE: I WOULD NEVER GIVE UP
MY COMPANY TO BAIL JERRY OUT.
NED: UH-UH.
YOU'D PUNCH HIM IN THE STOMACH.
ALEXIS: WE COULD GANG UP
ON HIM IN AN ALLEY.
NED: SHOVE HIM IN THE RIVER.
ALEXIS: INTRODUCE HIM TO ONE
OF MY COUSINS.
CHLOE: BUT IT'S YOU, JAX.
IF YOU'RE WILLING TO GIVE UP
EVERYTHING FOR YOUR BROTHER,
SO AM I.
NED: ME, TOO.
I WILL, YOU KNOW, LIQUIDATE L&B.
TELL ME I DIDN'T SAY THAT.
ALEXIS: AND I'M YOUR WIFE.
WHAT'S YOURS IS MINE --
I MEAN, WHAT'S MINE IS YOURS,
ESPECIALLY IF I DON'T EVEN
WANT IT.
JAX: DO YOU KNOW HOW MUCH
THIS MEANS TO ME?
NED: YOU AREN'T GOING TO TELL
US, ARE YOU?
JAX: CHLOE, YOU CAN'T SELL
YOUR COMPANY.
THE REASON WE ALL ENDED UP
MARRIED WAS TO TRY TO SAVE IT.
CHLOE: WHAT WE HAVE NOW IS
MORE IMPORTANT THAN CHLOE MORGAN
DESIGNS.
JAX: AND, NED, I DON'T KNOW
YOUR ANGLE ON THIS YET,
BUT I KNOW THERE IS ONE.
NED: YOU'RE WELCOME.
JAX: AND, ALEXIS --
ALEXIS: WHY NOT PUT
THE CASSADINE MONEY TO GOOD USE?
NED: AS THE MAN WHO LOVES
YOU MORE THAN LIFE ITSELF,
ABSOLUTELY NOT.
JAX: AND AS YOUR HUSBAND, NO.
ALEXIS: IF I COULD JUST GET
MY HANDS ON THAT MONEY,
WE COULD JUST GIVE IT AWAY.
WE'D MAKE HISTORY.
NED: IF YOU LIVED TO SEE IT.
CHLOE: I CAN'T BELIEVE YOU'RE
EVEN CONSIDERING IT.
ALEXIS: THE CASSADINES
ARE NOT GOING TO COME AFTER ME.
JAX: WE CAN'T ASSUME THAT.
ALEXIS: HELENA'S PRACTICALLY
DEAD, STEFAN AND NIKOLAS HAVE
MUCH MORE IMPORTANT THINGS
TO WORRY ABOUT, AND THE OTHER
CASSADINES --
MY HUSBAND HAPPENS TO BE A VERY
IMPORTANT PERSON IN THE WORLD
OF INTERNATIONAL FINANCE
AND THAT MONEY IS
RIGHTFULLY MINE.
WE WERE ABLE TO FOIL EDWARD
AND GERTRUDE.
WHY NOT TAKE ON THE CASSADINES?
NED: YOU'RE KIDDING, RIGHT?
JAX: I'LL THINK ABOUT IT.
BUT FOR NOW --
THANK YOU.
NED: WAIT, WAIT.
YOU'RE NOT GOING TO GET ALL
MISTY ON US, ARE YOU?
JAX: ALL OF YOU.

JASON: WHY DID YOU BREAK
INTO HANNAH'S ROOM AGAIN?
CARLY: BECAUSE THAT'S WHERE
THE GUN WAS.
JASON: AND WHO IS SHE GOING
TO BLAME WHEN SHE REALIZES IT'S
GONE?
CARLY: IT DOESN'T MATTER,
JASON.
BY THEN SONNY WILL KNOW SHE'S
CHEATING ON HIM.
JASON: CARLY, HOW DOES THIS
GUN PROVE THAT HANNAH'S CHEATING
ON SONNY?
CARLY: WHY DOES SHE NEED
A GUN IF SHE'S NOT UP
TO SOMETHING?
AND EVERYBODY KNOWS
THE EX-BOYFRIEND'S HANGING
AROUND.
HE'S NOT WHO HE SAYS HE IS,
SO THIS IS JUST ONE MORE PIECE
OF THE PUZZLE.
JASON: SEE, NOW, IF WE SHOW
THIS GUN TO SONNY, ALL HE IS
GOING TO HEAR IS THAT YOU BROKE
INTO HANNAH'S ROOM AGAIN.
OK?
HE'LL BUY ANY COVER STORY
SHE GIVES HIM.
DON'T YOU GET IT, CARLY?
CARLY: NO.
JASON: SONNY HAS TO BELIEVE
HANNAH TO PROVE THAT YOU'RE
WRONG.
MEANWHILE, HANNAH KNOWS WE'RE
ON TO HER.
CARLY: SO WHAT DOES THAT
MATTER, MAN?
SHE KNOWS I HATE HER
AND SHE LIED TO YOU.
JASON: WE GOT TO PUT THE GUN
BACK.
CARLY: WHY DID I THINK THAT
YOU WOULD SAY "THANK YOU"?
JASON: OK, LISTEN TO ME --
IF HANNAH KNOWS THAT WE SUSPECT
HER, SHE'S GOING TO BE MORE
CAREFUL, AND THEN WE'RE NEVER
REALLY GOING TO FIND OUT WHAT'S
GOING ON.
CARLY: WHAT DO YOU THINK
IS GOING ON?
YOU THINK THAT SHE'S DOING MORE
THAN TWO-TIMING HIM, DON'T YOU?
JASON: I DON'T KNOW.
BUT THAT'S WHAT WE NEED TO FIND
OUT, AND I CAN'T IF HANNAH KNOWS
THE GUN IS GONE.
CARLY: ALL RIGHT.
WELL, I'LL PUT IT BACK, THEN.
JASON: NO.
CARLY: HOW HARD CAN IT BE?
COME ON, THEY'RE OUT TO DINNER.
JASON: I'LL PUT IT BACK.
WHERE DID YOU FIND IT, EXACTLY?
CARLY: IN A LOCK BOX
IN HER CLOSET --
IF YOU CAN FIND IT FOR ALL
THE SLEAZY DRESSES IN THERE.
BUT YOU'D BETTER HURRY UP BEFORE
THEY GET BACK.
JASON: GIVE ME A PEN
AND PAPER.
I'M GOING TO WRITE THIS SERIAL
NUMBER DOWN AND TRACK IT.
CARLY: OH, WELL, THEN IT'S
A GOOD THING YOU HAVE THE GUN,
ISN'T IT?
JASON: OK.
HERE.
LET'S GO.
CARLY: YOU KNOW WHAT?
WHY WOULD YOU GIVE YOUR
GIRLFRIEND A GUN?
JASON: YOU KNOW WHAT?
DON'T SIT AROUND AND THINK ABOUT
THIS ALL NIGHT, OK?
CARLY: NO, I JUST WONDER
IF MAYBE IT'S LIKE -- YOU KNOW,
IT'S LIKE PEARLS OR SOMETHING
AND SHE CAN'T TELL THE
DIFFERENCE.
DeLUCA: MR. MORGAN. HEY.
CARLY: WHO'S THAT?
JASON: SOME GUY WE HIRED
AT THE WAREHOUSE.

SONNY: I WILL PROMISE
YOU A REAL DINNER NEXT TIME.
HANNAH: NO, THIS WAS PERFECT.
SONNY: NO, BUT IT WAS EASIER
BECAUSE YOU HELPED ME KEEP
THE PAST
PAST, WHERE IT BELONGS.
SEE, USUALLY WITH ME AND MIKE,
WE START TALKING ABOUT HOW
TO CHOP BASIL, AND IT ENDS UP
WHEN I WAS 5 YEARS OLD HE WENT
OUT FOR A COLD ONE AND NEVER
CAME BACK HOME, YOU KNOW.
HANNAH: WELL, MAYBE YOU DON'T
HAVE TO GO BACK TO THOSE DAYS
ANYMORE.
SONNY: YOU'RE GOING TO TRASH
MY KITCHEN, AREN'T YOU?
YOU ARE.
HANNAH: WELL, YOU KNOW,
I MIGHT EVEN DIP A SPOON
IN THE SAUCE --
SONNY: OH!
HANNAH: AND THEN TAKE
THE SPOON AND PUT IT BACK
ON THE COUNTER.
SONNY: OH, DON'T SAY THAT.
HANNAH: YEAH.
SONNY: I KNOW -- I KNOW MIKE
WASN'T THAT GOOD TO
YOU IN THE BEGINNING.
HANNAH: OH, HE JUST WANTS
TO PROTECT YOU.
AND SO DO I.

LUKE: WELL, OF COURSE IT'S
POSSIBLE THAT FAISON FOLLOWED US
TO HELENA'S YACHT.
IT'S EVEN POSSIBLE THAT
HE WHACKED ARI.
BUT SEEMS TO ME THERE'S A LOT
MORE DIRECT WAYS OF GETTING
REVENGE ON US THAN TRYING
TO FRAME US FOR A MURDER WE HAD
NO MOTIVE TO COMMIT.
FELICIA: OH, SO YOU THINK
I'M JUST SORT OF YAKKING
AND YAKKING AND BEING PARANOID?
LUKE: YEAH, MAYBE.
BUT ON THE OTHER HAND,
JUST BECAUSE YOU'RE PARANOID
DOESN'T MEAN PEOPLE AREN'T
FOLLOWING YOU.
FELICIA: WELL, YOU'RE RIGHT
ABOUT MAC.
YOU KNOW I'M AN INSOMNIAC?
I CAN'T SLEEP AT NIGHT.
ALL I DO IS LIE THERE IN BED
AND I LOOK AT HIM AND I THINK
ABOUT ALL THE THINGS THAT
I CAN'T TELL HIM.
I GO IN CIRCLES -- AROUND
AND AROUND AND AROUND
IN CIRCLES -- AND I ALWAYS COME
BACK TO THE SAME PLACE --
ALL THE LIES.
BUT THEY'RE SECRETS,
YOU KNOW, BECAUSE SECRETS ARE --
THEY'RE SECRETS.
AND I'M TRYING TO PROTECT HIM.
BUT WHEN I'M WITH YOU,
I THINK --
WELL, WE HAVE TO TEAM UP AND TRY
TO STOP FAISON BECAUSE THAT'S
THE PRIORITY, RIGHT?
LUKE: SEEMS TO BE.
FELICIA: WELL, YOU KNOW WHAT?
YOU'VE GOT A BAR TO RUN, AND I'M
GOING TO GO HOME BECAUSE I BET
MAC'S GOING TO BE HOME
FOR DINNER TONIGHT.
I'LL SEE IF I CAN FIND OUT
ANYTHING ON ARI.

[KNOCK ON DOOR]
JAX: HI.
CHLOE: HEY.
ALEXIS SAID SHE AND NED HAD
A GREAT DEAL OF LEGAL WORK
TO DO.
JAX: WELL, WOULDN'T WANT
TO INTERFERE.
CHLOE: UH-UH.
I TOOK THE SERVICE ELEVATOR UP,
JUST IN CASE.
I DON'T THINK GERTRUDE'S SPIES
WOULD UNDERSTAND.
JAX: THAT'S VERY THOUGHTFUL.
CHLOE: ARE YOU WORKING?
JAX: YEAH.
TRYING TO FIND A WAY ALL OF THIS
ISN'T TRUE.
YOU KNOW, LAST TIME THIS
HAPPENED, BRENDA JUST DIED
AND I THOUGHT MY FATHER
AND BROTHER HAD BETRAYED ME.
I WAS COMPLETELY ALONE.
BUT NOT THIS TIME.
CHLOE: DO YOU STILL WANT
TO DANCE IN PARIS?
JAX: I'D LIKE THAT.
THAT'S GOOD.
CHLOE: THANK YOU.
[MUSIC PLAYS]
CHLOE: BONSOIR.
[SINGING IN FRENCH]

[KNOCK ON DOOR]
EMILY: JUAN --
WHAT ARE YOU DOING HERE?
JUAN: HEY.
EMILY: DID YOU RUN AWAY
AGAIN?
PLEASE TELL ME YOU DIDN'T RUN
AWAY AGAIN.
JUAN: I DIDN'T.
EMILY: WELL, WHAT HAPPENED?
WHERE'S YOUR DAD?
ARE YOU ALL RIGHT?
JUAN: YEAH.
I JUST TOLD HIM THAT I FORGOT
SOMETHING.
EMILY: WHAT?
JUAN: THIS.

NED: YOU AREN'T SERIOUS ABOUT
YOUR INHERITANCE, ARE YOU?
ALEXIS: YOU AREN'T SERIOUS
ABOUT BRINGING THE CASSADINES
INTO BED WITH US, ARE YOU?
NED: SWEETHEART?
ALEXIS: HMM?
NED: WE CAN'T PRETEND THAT
YOUR FAMILY ISN'T DANGEROUS.
ALEXIS: CASSADINES ARE NOT
MY FAMILY.
NOT ANYMORE.
JAX: SO HOW LONG CAN
YOU STAY?
CHLOE: A WHILE.
BOBBIE: WOULDN'T IT BE
A SHAME TO HAVE TO SPEND A NIGHT
LIKE THIS ALONE?
JERRY: I'M GLAD WE DON'T
HAVE TO.

MIKE: HEY, GUYS.
CARLY: HEY, MIKE.
WE'VE GOT TO MAKE A QUICK CUP
OF COFFEE.
JASON: YEAH, YEAH.
COME HERE FOR A SECOND.
CARLY: JUST --
JASON: ARE YOU OK?
MIKE: I -- I HAD DINNER
WITH SONNY.
JASON: I'M SORRY.
MIKE: NO, NO.
I MEAN, WE DIDN'T FIGHT.
WE LAUGHED.
WE HAD FUN.
JASON: YOU AND SONNY DID?
MIKE: YEAH, AND --
AND HANNAH.
SHE'S THE BEST THING THAT'S
HAPPENED TO HIM IN A LONG TIME.
I MEAN, SHE MADE IT ALL WORK.
CARLY: SO YOU HAD DINNER
HERE OR --
MIKE: YEAH. YEAH.
BUT THEY'RE STILL UPSTAIRS
AND I'M JUST OUT HERE WAITING.
I DON'T KNOW FOR WHAT,
BUT I JUST -- MAYBE I WANTED
TO SAY, "THANK YOU,
SONNY," OR MAYBE I WANTED
TO MAKE THE NIGHT LAST LONGER.
I DON'T KNOW.
BUT I DON'T THINK HE'S GOING
TO BE DOWN FOR A WHILE,
IF YOU GET MY DRIFT.
SO WHAT AM I DOING HERE?
IT'S GETTING LATE.
I GOT TO GET OUT OF HERE.
CARLY: GREAT TO SEE YOU,
MIKE.
MIKE: YEAH. ALL RIGHT.
GOOD NIGHT.
JASON: GOOD NIGHT.
CARLY: OH.
WHAT DO WE DO?
JASON: I'LL PUT THE GUN BACK
TOMORROW.
CARLY: WHAT TIME DO I MEET
YOU HERE?
YOU NEED A LOOKOUT.
JASON: EARLY, OK?
AND YOU'D BETTER HOPE THAT SONNY
BRINGS HANNAH DOWNSTAIRS
FOR BREAKFAST.
I GOT TO GET THIS GUN BACK
IN THE LOCK BOX BEFORE SHE KNOWS
IT'S GONE.

SONNY: YOU KNOW, I CAN'T STAY
OVERNIGHT.
HANNAH: WHY NOT?
SONNY: NO OVERNIGHT GUESTS.
HANNAH: WELL, THEN LET'S JUST
LIVE DANGEROUSLY.
SONNY: REALLY?
HANNAH: REALLY.
SONNY: OK.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

FELICIA: SORRY.
I DIDN'T MEAN TO INTERRUPT.

STEFAN: COMMISSIONER,
YOU'RE BEHAVING AS THOUGH THIS
WERE A FRIENDLY VISIT.
BUT WE'RE NOT FRIENDLY
AND I'M NOT VISITING.

SONNY: I TELL YOU WHAT --
YOU KNOW WHAT I LIKE ABOUT
YOUR ROOM?
HANNAH: WHAT?

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