General Hospital Transcript Wednesday 10/13/99

Provided by Laura

[KNOCK ON DOOR]
FELICIA: HELLO, THERE.
I WOULD LIKE TO REPORT A MISSING
PERSON.
MAC: DO YOU HAVE
A DESCRIPTION?
FELICIA: YES, I DO.
HE IS STRIKINGLY HANDSOME.
MAC: REALLY?
FELICIA: HE HAS THE SWEETEST
SMILE, AND HIS EYES KIND
OF CRINKLE WHEN HE LAUGHS.
MAC: IS THAT RIGHT?
FELICIA: I SAW HIM YESTERDAY
MORNING, AND I HAVEN'T SEEN HIM
SINCE.
MAC: NO CONTACT AT ALL?
FELICIA: JUST A PHONE CALL.
MAC: HMM.
SO HE'S TRYING TO STAY
IN TOUCH.
FELICIA: WELL, HE WAS
SUPPOSED TO WORK ALL NIGHT LONG,
YET IT'S INTO THE AFTERNOON.
YOU SEE, HE'S MY HUSBAND,
AND I CAN'T HELP BUT WORRY ABOUT
HIM.
MAC: AND HE LOVES YOU FOR IT.
FELICIA: CAN YOU HELP ME FIND
HIM?
MAC: I'M SORRY.
I WOULD HAVE COME HOME.
BUT FIRST FAISON
AND NOW THIS.
FELICIA: YEAH, I KNOW HOW
YOU CARED ABOUT KATHERINE.
MAC: I WAS SO SHOCKED WHEN
I HEARD THE NEWS.
I MEAN, I NEARLY DROPPED
MY PHONE IN LUKE'S OFFICE.
FELICIA: YOU WERE IN LUKE'S
OFFICE?

[DOOR OPENS]
ALEXIS: WHY DID YOU CALL ME?
LUKE: I'VE MISSED YOU.
ALEXIS: WHAT DO YOU WANT?
LUKE: HOW'S THAT NEW HUSBAND
TREATING YOU?
ALEXIS: I WAS NOWHERE NEAR
WYNDEMERE LAST NIGHT.
WERE YOU?
LUKE: GOD, YOU'RE DEFENSIVE.
ALEXIS: WERE YOU?
LUKE: WHAT?
ALEXIS: NEAR WYNDEMERE?
LUKE: NO.
ALEXIS: SOME SAY SHE WAS
PUSHED.
LUKE: I'LL BET.
WHAT WAS SHE DOING ON THAT
PARAPET ANYWAY?
I DIDN'T KILL HER, ALEXIS.
DID YOU?
ALEXIS: NO, I DIDN'T.
LUKE: I MEAN, IF YOU DID,
YOU KNOW YOUR SECRET'S SAFE
WITH ME.
ALEXIS: THE ONLY THING SAFE
WITH YOU IS YOUR OVERBLOWN
OPINION OF YOURSELF.
NOW, KATHERINE WAS NOT A GOOD
FRIEND OF MINE, BUT I AM SORRY
THAT SHE'S DEAD.
LUKE: YOU ALWAYS SAY THAT.
ALEXIS: WELL, I REALLY MEAN
IT THIS TIME.
IF WE WEREN'T ANYWHERE NEAR
WYNDEMERE, WE HAVE NOTHING
TO WORRY ABOUT.
LUKE: RIGHT.
I DIDN'T DO IT.
YOU DIDN'T DO IT.
SO, WHO DID IT?

TAGGERT: MR. MORGAN?
JASON: AHEM.
TAGGERT: HAVE YOU SEEN JUAN
SANTIAGO?
JASON: NO.
TAGGERT: HIS FATHER'S
IN TOWN, BELIEVES HE'S HIDING.
JASON: CAN'T HELP YOU.
TAGGERT: LOOK, THE KID GETS
MUGGED, ALMOST BEATEN TO DEATH,
PROBABLY BECAUSE OF SONNY --
JASON: ARE YOU TRYING TO FIND
HIM, OR ARE YOU TRYING TO HASSLE
SONNY?
TAGGERT: DOES HELPING THE KID
SOUND LIKE I'M HASSLING
YOUR BOSS?
JASON: I DON'T HAVE TIME
FOR THIS.
TAGGERT: YOUR SISTER'S CRAZY
ABOUT THE KID.
WHAT IF SHE HAPPENS TO GET
IN THE WAY NEXT TIME?
JASON: EMILY HAS NOTHING
TO WORRY ABOUT.
TAGGERT: YOU SURE ABOUT THAT?
YOU AND SONNY COULDN'T PROTECT
JUAN.
LOOK, THE KID DOESN'T BELONG
HERE.
HE THINKS HE'S STREET,
AND HE ISN'T.
HE'S TRYING TO BE LIKE SONNY,
AND THAT'S A BAD IDEA ALL
AROUND.
JASON: JUAN'S NOT MY PROBLEM.
TAGGERT: WHAT ABOUT YOUR SON?
WHAT IF YOUR SON RAN AWAY
FROM HOME?
WOULDN'T YOU WANT EVERYBODY
TO HELP?
EVEN THE COPS?
ELIZABETH: HERE YOU GO.
CARLY: THANKS.
ELIZABETH: CREAM AND THREE
SUGARS.
CARLY: YEAH.
THIS IS SO SAD ABOUT KATHERINE
BELL.
DID YOU --
ELIZABETH: YEAH.
CARLY: HEAR ABOUT THAT?
YOU WEREN'T AT THE WEDDING,
WERE YOU?
DID YOU SEE WHAT HAPPENED?
I'M SORRY.
I SHOULDN'T HAVE --
ELIZABETH: NO, NO, NO.
IT WAS A BAD NIGHT FOR
EVERYBODY.
CAN I GET YOU ANYTHING ELSE?
CARLY: NO.
I'M JUST GOING TO WAIT
FOR MY MOTHER, I THINK.
ELIZABETH: YOU KNOW, I'M NOT
SURE WHEN SHE'S COMING IN.
CARLY: THAT'S OK.
I'LL JUST WAIT.
ELIZABETH: HOW'S MICHAEL?
CARLY: HE'S GREAT, THANK YOU.
HE'S FABULOUS.
ELIZABETH: I'LL BET HE'S
WALKING ALL OVER THE PLACE, HUH?
CARLY: WALKING? NO.
TRY RUNNING.
YESTERDAY, HE RUNS INTO
THE DINING ROOM, GRABS
THE TABLECLOTH OFF THE BUFFET,
AND KEEPS RUNNING.
FOOD WENT EVERYWHERE.
IT WAS SO FUNNY.
I LAUGHED SO HARD.
SO DID LILA.
ELIZABETH: WELL, WHY DON'T
YOU BRING HIM IN SOMETIME?
I'LL BET YOU HE LOVES HOT FUDGE
SUNDAES.
CARLY: I'LL DO THAT.
ELIZABETH: OK.
CARLY: YOU KNOW WHAT?
WOULD YOU JUST TELL MY MOTHER
THAT I'LL CATCH HER LATER?
ELIZABETH: SURE.
CARLY: OK. THANKS.
ELIZABETH: OK. BYE.
TAGGERT: HEY, ELIZABETH.
ELIZABETH: HEY.
TAGGERT: HOW ARE YOU?
ELIZABETH: WOULD YOU LIKE
SOME COFFEE?
TAGGERT: NO, THAT'S ALL
RIGHT.
ELIZABETH: I DON'T KNOW
ANYTHING ELSE ABOUT LAST NIGHT.
TAGGERT: ACTUALLY, I'M HERE
ABOUT ANOTHER CASE.
HAVE YOU SEEN JUAN SANTIAGO?

EMILY: JUAN, ARE YOU HUNGRY?
JUAN: STARVING.
WHAT TOOK YOU LONG?
EMILY: OH, WELL, I WAS
AT SCHOOL.
DIDN'T REGINALD BRING
YOU ANYTHING TO EAT TODAY?
JUAN: MMM -- A COUPLE
OF CHEESE SANDWICHES.
THAT'S IT.
EMILY: OH.
YEAH, WELL, I HAD TO SNEAK
IN THE KITCHEN.
COOK WAS TOO BUSY YELLING
AT THE GROCERY BOY.
JUAN: THANKS.
IT'S GREAT.
EMILY: YOU KNOW,
COOK'S STARTING TO WONDER WHERE
ALL THE LEFTOVERS ARE GOING.
JUAN: DO THE QUARTERMAINES
ACTUALLY EAT LEFTOVERS?
EMILY: NO. NOT ANYMORE.
[KNOCK ON DOOR]
EMILY: GET UNDER THE BED.
GET UNDER THE BED.
MONICA: EMILY?
EMILY: WELL, WHAT'S THE POINT
OF KNOCKING IF YOU'RE JUST GOING
TO BARGE IN?
MONICA: THIS HAS GOT TO STOP
RIGHT NOW.
MONICA: YOU COME HOME
FROM SCHOOL, YOU GET SOMETHING
TO EAT, AND YOU COME UP HERE
WITHOUT SAYING A WORD
TO ANYBODY.
EMILY: SO?
MONICA: A LITTLE COURTESY
WOULD BE NICE.
EMILY: OH, LIKE THE COURTESY
YOU'RE GIVING ME RIGHT NOW
BY BARGING IN MY ROOM?
YOU DIDN'T EVEN SAY HELLO TO ME.
YOU DON'T EVEN ASK HOW MY DAY
IS.
DO YOU CARE?
MONICA: COME ON, EMILY.
LOOK --
COULD WE JUST START OVER?
EMILY: YEAH, I'D LIKE THAT.
MONICA: OK, GOOD.
HOW WAS SCHOOL?
EMILY: FINE.
HOW WAS WORK?
MONICA: FINE.
I SEE THAT YOU ARE BACK
TO EATING RED MEAT.
YOU WOULDN'T TOUCH THE
ROAST BEEF LAST NIGHT.
EMILY: UH -- WELL, I'M REALLY
HUNGRY.
I MEAN, I'LL EAT ANYTHING RIGHT
NOW.
MONICA: LISTEN, WHY DON'T
YOU FINISH EATING DOWNSTAIRS?
WE CAN GO THROUGH THAT STACK
OF CATALOGS THAT'S BEEN PILING
UP, AND YOU CAN SHOW ME HOW
TO ORDER ON-LINE, HUH?
EMILY: THAT SOUNDS LIKE FUN,
BUT YOU KNOW I CAN'T.
MONICA: YOU'D RATHER JUST
STAY UP HERE ALONE?
EMILY: WELL, IF I GO
DOWNSTAIRSYOU'RE JUST GOING
TO END UP BUGGING ME ABOUT JUAN.
MONICA: I KNOW THAT YOU'VE
BEEN IN TOUCH WITH HIM.
EMILY: SEE WHAT I MEAN?
MONICA: AND FOR ALL I KNOW,
YOU'VE BEEN MEETING HIM
SOMEPLACE.
EMILY: THANKS FOR THE VOTE
OF CONFIDENCE.
MONICA: EMILY, HIS FATHER IS
IN TOWN LOOKING FOR HIM.
THE POLICE ARE LOOKING FOR HIM.
HIS RUNNING AWAY IS ONLY CAUSING
HIM MORE TROUBLE.
EMILY: I DON'T BLAME HIM
FOR LEAVING HOME.
MONICA: IS THAT A THREAT?
EMILY: NO, I'M JUST TELLING
YOU HOW I FEEL.
MONICA: ARE YOU PLANNING&
ON DOING SOMETHING LIKE THAT?
EMILY: I DIDN'T SAY THAT.
MONICA: YOU MIGHT AS WELL
HAVE, EMILY.
EMILY: MOM, WHEN DO I GET
TO BE RIGHT?
YOU KNOW, YOU GROUND ME FOREVER,
SO I STAY HOME.
YOU SAY THAT I HAVE AN ATTITUDE,
SO I MIND MY OWN BUSINESS.
BUT I AM ALWAYS IN TROUBLE.
I CAN'T EVEN GO DOWNSTAIRS
AND EAT WITHOUT BEING BOTHERED.
MONICA: I'M JUST TRYING --
EMILY: I WANT MY MOTHER BACK.
NOT PAIGE -- YOU.
THE WAY THAT WE WERE.
MONICA: AND I MISS YOU,
EMILY.
EMILY: I MISS YOU, TOO.
BUT I'M ACTUALLY REALLY HUNGRY
RIGHT NOW.
MONICA: WELL,
DON'T SPOIL YOUR DINNER.
JUAN: I'M OUT OF HERE.
EMILY: NO, NO, NO, WAIT.
RIGHT NOW? NO.
JUAN: YOU NEED YOUR MOTHER,
I'M IN THE WAY, AND IT'S TOTALLY
UNFAIR TO YOU.
EMILY: OH, NO, NO.
I NEED YOU, TOO.
JUAN: YOU SHOULDN'T HAVE
TO CHOOSE.
EMILY: BUT YOU'RE NOT THE ONE
THAT'S MAKING ME CHOOSE.
I MEAN, THEY ARE.
JUAN: STILL, I'M GOING TO GET
CAUGHT.
IT'S JUST A MATTER OF TIME LIKE
SHE SAID.
EMILY: WELL, WHERE CAN
YOU GO?
JUAN: DON'T YOU GUYS HAVE
A BOATHOUSE?
EMILY: YOU'RE GOING TO GET
CAUGHT THERE FOR SURE.
JUAN: BUT I CAN'T STAY HERE,
EMILY.
YOUR MOTHER COULD COME BACK ANY
SECOND.
EMILY: WELL, THERE IS ONE
PLACE.
JUAN: WELL, LET'S GO.
EMILY: BUT JASON SAID WE HAVE
TO STAY HERE UNTIL HE SAID IT'S
OK.
JUAN: LOOK, SONNY AND JASON
HAVE ALREADY GOTTEN TO SOREL.
EMILY: HOW COME THEY HAVEN'T
TOLD US THAT, THEN?
JUAN: BECAUSE THEY WANT ME
TO GET CAUGHT.
YOU WANT ME TO STAY HERE?
IF THAT'S WHAT YOU WANT, I'LL DO
IT.
BUT LOOK, THE WAY THINGS ARE
GOING NOW, I'LL BE BACK
IN PUERTO RICO BY TOMORROW.
EMILY: LET'S GO.
EMILY: OK.

TAGGERT: JUAN'S BEEN MISSING
FOR TOO LONG.
I REALLY NEED TO FIND HIM.
ELIZABETH: I'M SORRY.
I CAN'T HELP YOU.
TAGGERT: YOU KNOW,
ELIZABETH, THE PERSON THAT BEAT
JUAN MIGHT STILL BE OUT THERE.
ELIZABETH: I'M SORRY.
TAGGERT: ELIZABETH,
DO YOU KNOW HOW DANGEROUS IT IS
TO LIVE ON THE STREET?
ELIZABETH: I DOUBT IF JUAN'S
ON THE STREET.
TAGGERT: EMILY'S HIDING HIM,
ISN'T SHE?
ELIZABETH: I GOT TO GET BACK
TO WORK.
TAGGERT: YOU KNOW, THE LONGER
IT TAKES ME TO FIND HIM,
THE MORE DIFFICULT IT WILL BE
FOR ME TO HELP HIM.
JUAN IS ON THE EDGE OF A VERY
DANGEROUS CROWD.
NOW, THEY DON'T CARE ABOUT
LOYALTY OR LOVE OR FRIENDSHIP
OR KEEPING SECRETS.
I NEED TO FIND HIM BEFORE
THEY DO.
NOW, IF YOU DID HAPPEN TO SEE
HIM --
ELIZABETH: I WON'T.
TAGGERT: DO YOU THINK
YOU COULD PERSUADE HIM TO STOP
BY THE STATION?
ELIZABETH: YOU MEAN TURN
HIMSELF IN?
TAGGERT: YES.
ELIZABETH: DO YOU HAVE ANY
MORE QUESTIONS ABOUT KATHERINE?
TAGGERT: NOT AT THE MOMENT.
YOU'RE OFF THE HOOK.
BUT MAYBE YOU COULD CONCENTRATE
ON HELPING JUAN MAKE THE RIGHT
DECISION.

MAC: SO AFTER I TRACKED
FAISON TO EL PASO, GUESS WHERE
HE ENDED UP?
FELICIA: IN LUKE'S OFFICE.
MAC: I JUST MISSED HIM.
FELICIA: SO, WHAT WAS FAISON
DOING THERE?
MAC: WHO KNOWS?
LUKE DOESN'T DO STRAIGHT
ANSWERS.
BUT WE DO HAVE SOMETHING
IN COMMON.
DARA: MAC?
UH --
MAC: COME ON IN.
DARA: HOW YOU DOING, FELICIA?
FELICIA: GREAT. THANKS.
MAC: ANY LUCK WITH THAT
AUTOPSY REPORT?
DARA: EXCUSE ME.
FELICIA: MM-HMM.
DARA: LATER TODAY.
MAC: NICE WORK.
DARA: WELL, I HAD TO LIGHT
A FIRE OR TWO.
MAC: I DON'T WANT TO QUESTION
THE CASSADINES UNTIL I GET
A LOOK AT IT.
DARA: I AGREE.
WE'RE PLAYING THIS ONE
BY THE BOOK.
MAC: DEFINITELY.
DARA: YEAH.
FELICIA: I THINK THIS CASE
MUST HAVE YOU BOTH PRETTY BUSY.
DARA: WE'LL GET IT RIGHT THIS
TIME.
DON'T WORRY.
MAC: IS THERE ANYTHING ELSE?
DARA: I'LL LET YOU KNOW.
MAC: GREAT. THANKS.
DARA: THANKS.
EXCUSE ME.
FELICIA: SO, NOW, WHAT DO
YOU AND LUKE HAVE IN COMMON?
MAC: WE BOTH WANT TO BRING
DOWN FAISON.
FELICIA: SO DO I.
BUT I DON'T WANT TO LOSE
YOU ALONG THE WAY.
MAC: YOU WON'T.
FELICIA: WILL YOU BE HOME
TONIGHT?
MAC: I PROMISE.
FELICIA: YOU WILL?
MAC: MM-HMM.
FELICIA: OH, THAT'S GREAT.
I'M GOING TO GO THE WINE CELLAR,
AND I'M GOING TO GET OUT THAT
1995 WE'VE BEEN WAITING
TO DRINK, ALL RIGHT?

ALEXIS: WE NEVER SET OUT
TO KILL KATHERINE.
LUKE: NO, WE WERE TRYING
TO KILL HELENA.
IMAGINE THAT.
WE CAN ACTUALLY TELL THE POLICE
THE TRUTH.
ALEXIS: AND WHY WOULD I EVEN
DISCUSS THIS WITH THE POLICE?
I WASN'T THERE LAST NIGHT.
LUKE: YEP.
YOU JUST KEEP SAYING THAT, BABY.
BESIDES, WE BOTH KNOW WHO DID
IT.
ALEXIS: NO, HE DIDN'T.
LUKE: YOU SEE THERE?
I DIDN'T EVEN HAVE TO SAY
HIS NAME.
ALEXIS: YOU WOULD BLAME
STEFAN NO MATTER WHAT.
LUKE: YES.
AND?
ALEXIS: AND HE WASN'T
THE ONLY ONE WHO HATED
KATHERINE.
LUKE: YOU GOT A LIST?
WHO'S ON IT?
ALEXIS: YOUR WIFE, FOR ONE.
LUKE: ONE IN HOW MANY?
I GUARANTEE YOU, YOU AND I ARE
ABOVE HER ON THAT LIST, SO LET'S
DON'T EVEN GO THERE.
ALEXIS: OH.

LUKE: YOU'RE NEVER GOING
TO CHANGE, ARE YOU?
YOU'RE ALWAYS GOING TO BE LITTLE
NATASHA, HOPING TO IMPRESS
THE CASSADINES SO YOU DON'T HAVE
TO SLEEP UNDER THE STAIRS.
ALEXIS: THE CASSADINE CARD
DOESN'T WORK FOR ME ANYMORE.
HASN'T WORKED FOR A WHILE.
LUKE: I HOPE NOT.
WE'RE PROBABLY GOING TO FACE
SOME STIFF QUESTIONS ABOUT LAST
TIME.
ALEXIS: SO, WHAT DO
YOU THINK, I'M GOING TO TELL
THEM EVERYTHING BECAUSE I WANT
STEFAN TO LIKE ME?
LUKE: YOU ALMOST BLEW IT
BEFORE.
ALEXIS: BUT I DIDN'T,
AND I WON'T.
LUKE: AND WHAT MAKES
YOU SO SURE?
ALEXIS: BECAUSE I'VE SEEN
THE STARS IN THE DESERT
AND I KNOW WHAT REALLY MATTERS
TO ME, AND IT ISN'T BEING
A CASSADINE.
I'VE MOVED ON.
LUKE: GOOD.
I SAW THOSE STARS, I THINK.
ALEXIS: AND JUST
FOR THE RECORD, I HAVE
NO RECOLLECTION OF THE PARAPET'S
RAILINGS, WYNDEMERE,
CASSADINES, OR ANY COMBINATION
THEREOF RELATED TO PRIOR EVENTS
PURSUANT TO KATHERINE BELL.
LUKE: OH, I LOVE IT WHEN
YOU TALK DIRTY LAWYER TALK.
ALEXIS: THANK YOU.
LUKE: I LIKE IT MORE WHEN
YOU DO THAT DIRTY LAWYER WALK.
YOU'VE MISSED ME, HAVEN'T YOU?
ALEXIS: YOU HAD YOUR CHANCE.
LUKE: THAT WAS MY CHANCE?
YOU GOT THIS GAME RIGGED.
[KNOCK ON DOOR]
FELICIA: LUKE, HI.
LUKE: HI.
FELICIA: OH.
LUKE: NO --
FELICIA: IF YOU'RE
IN THE MIDDLE OF A MEETING,
I CAN COME BACK AT ANOTHER TIME.
LUKE: NO, IT'S --
ALEXIS: HE'S ALL YOURS.
LUKE: LATER, NATASHA.
FELICIA: NATASHA?
LUKE: IT'S A LONG STORY.
HI.
FELICIA: HI.
WHY DIDN'T YOU TELL ME THAT MAC
CAME TO VISIT WITH YOU?

ELIZABETH: HEY.
JASON: YOU ALL RIGHT?
ELIZABETH: YOU HEARD ABOUT
KATHERINE.
JASON: YEAH.
WERE YOU OUT THERE?
ELIZABETH: IT WAS PRETTY
TERRIBLE.
JASON: DID YOU SEE HER FALL?
ELIZABETH: I FEEL LIKE I DID.
I SAW HER ON THE GROUND,
AND NIKOLAS --
I DIDN'T KNOW WHAT TO SAY.
I DIDN'T KNOW WHAT TO DO.
I STILL DON'T.
JASON: DO YOU HAVE TO SAY
ANYTHING?
ELIZABETH: THE NIGHT LUCKY
DIED, PEOPLE WERE EVERYWHERE.
I DIDN'T RECOGNIZE THEM.
THEY WERE ALL STRANGERS.
NOTHING MADE SENSE.
WHAT WAS HAPPENING REALLY
COULDN'T BE HAPPENING.
MAYBE THAT'S HOW NIKOLAS FELT
ST NIGHT.
JASON: HE DOESN'T LOVE
KATHERINE.
ELIZABETH: BUT HE LOVED
HIS BABY.
I HAD MY DOUBTS, BUT NIKOLAS
BELIEVES THAT KATHERINE WAS
PREGNANT.
HE BELIEVES THAT HE LOST
HIS FUTURE, AND I KNOW WHAT THAT
FEELS LIKE.
THE COPS THINK SOMEBODY PUSHED
HER.
IF I HAD THOUGHT THAT SOMEBODY
IN MY FAMILY DELIBERATELY HURT
LUCKY --
JASON: HAS ANYONE ASKED
YOU ANY QUESTIONS?
ELIZABETH: WELL, TAGGERT DID
LAST NIGHT AND HE CAME
BY A LITTLE BIT AGO, BUT NOT
ABOUT KATHERINE.
HE WANTS TO KNOW WHERE JUAN IS.

EMILY: SO, WHAT DO YOU THINK?
JUAN: THIS PLACE HAS BEEN
HERE ALL ALONG?
EMILY: WHAT, WOULD YOU RATHER
HAVE COME HERE?
JUAN: AND BE SO FAR AWAY
FROM MY GIRLFRIEND?
EMILY: HMM?
JUAN: FORGET IT.
SO, WHO PAINTED ALL THIS?
EMILY: ELIZABETH DID.
HER BOYFRIEND USED TO LIVE HERE.
JUAN: LUCKY.
EMILY: YEAH.
AND THEN JASON LIVED HERE BEFORE
THAT.
JUAN: GREAT, SO HE'LL FIND ME
IN FIVE SECONDS OR LESS.
EMILY: NO.
NOT IF HE THINKS YOU'RE
AT MY HOUSE.
HMM?
I REALLY HOPE HE FINDS SOREL.
JUAN: HE DID.
ANYWAY, THERE'S NO CHANCE
ANYBODY'S GOING TO FIND ME HERE.
AND EVEN IF THEY DO, THERE ARE
A MILLION PLACES FOR ME TO HIDE.
EMILY: AREN'T YOU GOING
TO GET COLD?
JUAN: WITH ALL THIS?
EMILY: YEAH.
I GUESS A.J. MUST HAVE GONE
THROUGH A MAJOR MPING PHASE.
JUAN: EMILY, THANKS.
I MEAN, NOBODY'S STOOD UP FOR ME
LIKE YOU.
EMILY: YEAH, WELL,
NO ONE'S EVER COME ALL THE WAY
FROM PUERTO RICO TO SEE ME.

MAN: NICE NECKLACE.
CARLY: HEY!
GIVE IT BACK!
GIVE ME MY PEARLS!
LET GO OF ME!
[CARLY SCREAMS]

CARLY: LET GO!
NO!
GIVE IT BACK!
[CARLY SCREAMS]
MAN: OW!
CARLY: OW!
LET GO OF ME!
LET ME GO!
MAN: SHUT UP!
DON'T MAKE US HURT YOU.
DO YOU HEAR ME?
CARLY: I'M SORRY.
MAN: HANG ON TO HER.
CARLY: OW!
OW!
MAN: SHUT UP!
YOU WANT SOME REAL TROUBLE?
CARLY: NO.
MAN: CALL THE POLICE.
CARLY: AH!
GIVE IT BACK.
GIVE IT BACK.

ELIZABETH: IT ALWAYS GETS
SLOW IN THE AFTERNOON.
JASON: DID YOU TELL TAGGERT
ANYTHING?
ELIZABETH: NO.
JASON: YEAH, HE WAS ASKING ME
QUESTIONS, TOO.
ELIZABETH: DID YOU --
OF COURSE NOT.
JASON: NAH, I DON'T USUALLY
SPEAK TO COPS.
ELIZABETH: YOU KNOW,
TAGGERT WAS MAKING SOME SENSE,
THOUGH.
DO YOU THINK JUAN COULD BE
IN DANGER?
WILL WHOEVER THAT BEAT HIM UP
BEFORE COME AFTER HIM AGAIN?
JASON: JUAN WOULD BE BETTER
OFF IN PUERTO RICO.
ELIZABETH: YOU KNOW EMILY
WILL JUST FOLLOW HIM,
EVEN IF SHE HAS TO STOW AWAY
ON A FREIGHTER OR SWIM --
OR BOTH.
JASON: YEAH, I KNOW.
ELIZABETH: BUT, YOU KNOW,
JUAN CAN'T HIDE FOREVER.
I UNDERSTAND ABOUT LEAVING HOME,
THOUGH.
SO DO YOU, RIGHT?
JASON: SOMETIMES IT'S
IMPOSSIBLE TO LIVE WHERE
EVERYBODY THINKS YOU'RE SUPPOSED
TO.
ELIZABETH: YOU KNOW,
WHEN LUCKY AND I RAN AWAY,
TAGGERT CAUGHT US AND HE MADE ME
GO HOME.
JASON: WELL, YOU DIDN'T HAVE
TO STAY.
ELIZABETH: NO, BUT I WANTED
TO.
I NEEDED TO SLEEP IN MY OWN BED.
I NEEDED TO KNOW WHERE MY NEXT
MEAL WAS COMING FROM.
AND GRAM NEEDED ME HOME,
SO WE WORKED OUT A COMPROMISE --
I COULD STILL SEE LUCKY
WITH SOME RULES, WHICH I DIDN'T
MIND.
ACTUALLY, I WAS KIND
OF RELIEVED.
JASON: BECAUSE YOU HAD
A PLACE TO BE?
ELIZABETH: YEAH.
AND I THINK EVERYONE NEEDS THAT.
BUT LUCKY AND I HAD A LOT OF FUN
LIVING OUT ON THE STREETS.
IT WAS MORE LIKE ADVENTURE THAN
TRYING TO ESCAPE.
YOU KNOW, FOR ME IT WAS.
WE EVEN SPENT THE NIGHT
AT WYNDHAM'S.
JASON: WHAT, THE DEPARTMENT
STORE?
ELIZABETH: YEAH.
AND WE BAKED BROWNIES.
I GUESS YOU HAD TO BE THERE.
BUT WE COULDN'T STAY THE NIGHT
AT WYNDHAM'S EVERY NIGHT --
OR IN THE PARKS OR UNDER
THE DOCKS.
I HAD TO GO HOME.
I WAS GLAD TO GO HOME.
I WASN'T READY TO BE ON MY OWN.
LUCKY WAS.
I GUESS HE THOUGHT THE HOME THAT
HE HAD WASN'T THERE AND WHAT
HE THOUGHT WAS TRUE WASN'T.
JASON: I UNDERSTAND THAT.
ELIZABETH: THAT SUMMER
HE LIVED IN THE BOXCAR,
ALL WE NEEDED WAS EACH OTHER.
I PAINTED THE WORLD THE WAY
I WANTED IT TO BE, AND WE HAD
EVERYTHING.
I WISH HE COULD HAVE LIVED THERE
ALWAYS.
JASON: YOU KNOW, WHEN I LIVED
IN THAT BOXCAR, I JUST WANTED
TO GET AWAY.
ELIZABETH: DIDN'T YOU LOVE
IT?
I MEAN, IT'S SO PEACEFUL OUT
THERE.
JASON: YEAH, IT WAS.
PLUS IT WAS FREE.
I HAD NO MONEY WHEN I LIVED
THERE.
JUST MY MOTORCYCLE.
ELIZABETH: WELL, LUCKY HAD
MONEY BECAUSE OF YOU.
THE JOB YOU GAVE HIM MEANT
HE COULD BE OUT ON HIS OWN.
NOT THAT HE WOULD HAVE GONE
HOME, BUT THINGS WOULD HAVE BEEN
A LOT HARDER.
SO I GUESS, IN A WAY, YOU MADE
THAT SUMMER POSSIBLE.
JASON: HMM.
I JUST HIRED A GOOD WORKER.
ELIZABETH: WELL, YOU HELPED
HIM -- AND ME.
BY BEING AT THE BOXCAR,
I REALIZED THAT I WANTED TO BE
AN ARTIST.
JASON: HMM.
ALL I DECIDED WAS NEVER TO GO
BACK TO THE QUARTERMAINES.
ELIZABETH: WHAT DID THEY DO
TO YOU?
JASON: YOU KNOW --
THEY JUST WANTED ME TO BE
SOMEONE ELSE -- THE SON THEY HAD
BEFORE THE ACCIDENT.
AND THAT PERSON ISN'T ME.
AND I COULDN'T STAND TO SEE HOW
THEY LIE AND USE EACH OTHER.
I STILL CAN'T.
ELIZABETH: I WAS THE LIAR
IN MY HOUSEHOLD.
JASON: YOU LIE?
ELIZABETH: NOT SO MUCH
ANYMORE.
BUT I USED TO LIE ABOUT
EVERYTHING -- SMOKING,
SNEAKING OUT OF THE HOUSE,
NOT DOING MY HOMEWORK.
BUT THEN MY PARENTS ALWAYS FOUND
OUT AND THEY WERE DISAPPOINTED
IN ME.
THEY WANTED ME TO BE MORE LIKE
MY SISTER, SARAH -- VIRTUOUS,
POLITE, STRAIGHT-A STUDENT.
JASON: HMM.
SHE WANT TO BE A DOCTOR?
ELIZABETH: WHY?
JASON: JASON QUARTERMAINE
DID.
THEY MUST HAVE TOLD ME AT LEAST
50 TIMES A DAY WHEN I LIVED
THERE -- "OH, YOU WANTED TO BE
A DOCTOR."
YOU KNOW WHAT?
ALL I WANTED WAS TO SCREAM,
SMASH THINGS, AND GET THE HELL
OUT OF THERE.
ELIZABETH: AND SO YOU DID.
DO YOU REGRET IT?
JASON: NEVER.
ELIZABETH: EVEN THOUGH
SOMETIMES YOUR LIFE SEEMS
A LITTLE HARD?
JASON: I CHOSE IT.
NO ONE DECIDED FOR ME,
WHICH MEANS I HAVE THE LIFE THAT
I WANT.
ELIZABETH: MAYBE THAT'S WHAT
I NEED TO DECIDE ON -- THE LIFE
I WANT.

[DOOR SLAMS]
LUKE: OH.
I'M SORRY ABOUT THAT.
WE'RE STILL SHUFFLING PAPERS
FROM THAT DAMN TAX AUDIT.
FELICIA: WHAT DID MAC WANT?
LUKE: YOU SEEM KIND OF WORKED
UP ABOUT THIS.
FELICIA: JUST ANSWER
THE QUESTION.
LUKE: WELL, HE FOLLOWED
FAISON HERE.
I DON'T THINK THAT THEY CROSSED
PATHS, BUT I'M PRETTY SURE
FAISON SET IT UP.
FELICIA: DID MAC MENTION
MEXICO?
LUKE: WHY WOULD HE DO THAT?
FELICIA: WELL, BECAUSE
HE TRAILED FAISON ALL THE WAY
TO EL PASO.
MAYBE HE FIGURED THIS OUT.
LUKE: HE DIDN'T.
FELICIA: ARE YOU SURE?
LUKE: ALL HE WANTED TO KNOW
WAS WHAT FAISON WAS DOING HERE.
FELICIA: DID YOU TELL HIM?
LUKE: WHAT?
DID YOU SKIP LUNCH?
IS YOUR BLOOD SUGAR LOW?
FELICIA: PLEASE DON'T INSULT
ME.
THIS IS REALLY SERIOUS FOR ME.
LUKE: WHAT?
I MEAN, WHAT?
I'M GOING TO TELL BUBBA THAT I'M
IN MEXICO, ON THE TRAIL
OF STOLEN DIAMONDS THAT BELONG
TO A MAN NAMED CESAR FAISON?
NO, I DID NOT MENTION IT.
FELICIA: WELL, DO YOU THINK
HE SUSPECTS ANYTHING?
LUKE: ABOUT WHAT?
FELICIA: WELL, ABOUT US
IN MEXICO.
LUKE: HIS COMING HERE HAD
NOTHING TO DO WITH US, FELICIA.
FELICIA: WELL, MAYBE HE --
MAYBE HE JUST WANTED TO TALK
TO YOU ABOUT IT AND HE JUST
CHICKENED OUT A LITTLE BIT.
LUKE: NO, MAC WOULDN'T --
BELIEVE ME, IF HE THOUGHT THAT
YOU AND I HAD SLIPPED OFF
TO MEXICO, HE WOULDN'T CHICKEN
OUT.
I'D KNOW ABOUT IT, AND SO WOULD
YOU.
AND HE WOULDN'T HAVE RUSHED OUT
OF HERE BACK TO HIS OFFICE
NO MATTER WHO TOOK A HALF GAINER
OFF THE ROOF.
FELICIA: YOU'RE RIGHT.
HE DID SPEND THE WHOLE NIGHT
AT THE OFFICE.
LUKE: WELL, THERE YOU ARE.
FELICIA: BUT HE DOES THAT
WHEN HE'S UPSET.
LUKE: HE DOESN'T KNOW
ANYTHING, DARLING.
FELICIA: NO, NOT YET,
BUT FAISON DOES.
AND I IMAGINE THAT FAISON IS
GOING TO COME UP WITH THE MOST
PAINFUL WAY POSSIBLE TO TELL
HIM.
I JUST CAN'T IMAGINE WHAT THAT'S
GOING TO BE.
LUKE: AND IN THE MEANTIME,
YOU'RE FRIGHTENED AND YOU'RE
MISERABLE.
DON'T YOU THINK THAT'S PART
OF FAISON'S PLAN?
FELICIA: FAISON HAS THE POWER
TO BREAK MAC'S HEART.
LUKE: NO, FELICIA,
ONLY YOU HAVE THAT POWER.
YOU COULD END ALL OF THIS TODAY
IF YOU REALLY WANT TO.
AS MUCH AS I HATE THE CONCEPT,
YOU COULD JUST TELL BUBBA
THE TRUTH.
JASON: I THOUGHT YOU DECIDED
ON THE LIFE YOU WANT.
DIDN'T YOU JUST SAY YOU WANT
TO BE AN ARTIST?
ELIZABETH: YEAH,
WELL, WHATEVER THAT MEANS.
OK.
I'VE BEEN IN COLLEGE,
LIKE, 20 MINUTES, RIGHT?
AND I AM AMAZED AT HOW MUCH
I DON'T KNOW.
NOT THAT I THOUGHT I WAS EVER
SMART OR EVEN THAT GREAT
OF A PAINTER, BUT --

JASON: SO YOU JUST, YOU KNOW,
LEARN WHAT YOU NEED.
DON'T WORRY ABOUT THE REST.
ELIZABETH: WHY DO YOU MAKE
EVERYTHING SO SIMPLE?
JASON: SOME THINGS ARE.
ELIZABETH: OK, BUT WHAT
IF I'M NO GOOD?
WHAT IF ALL I EVER AM IS
THE EQUIVALENT TO A NICE SINGING
VOICE AND NOTHING I PAINT EVER
MATTERS?
JASON: HMM.
WHAT DO YOU CARE AS LONG
AS YOU'RE DOING WHAT YOU WANT?
ELIZABETH: YEAH, BUT HAVEN'T
YOU EVER WANTED TO BE GREAT
AT SOMETHING?
BECAUSE SOMETIMES WHEN I'M
PAINTING I GET THIS -- THIS --
I DON'T KNOW -- THIS FEELING
OF POWER, LIKE IF I WERE TO GET
IT RIGHT, THEN I CAN MAKE PEOPLE
SEE THINGS DIFFERENTLY.
AND IT DOESN'T MATTER HOW HARD
IT'S GOING TO BE BECAUSE IT'S
ALL WORTH IT.
AM I NOT MAKING SENSE?
JASON: YEAH, YOU ARE.
SEE, IT'S NOT THE SAME WITH ME.
WHAT I DO
I HAVE TO DO RIGHT.
THERE'S NO ROOM TO SCREW UP,
AND THAT'S WHY I LIKE IT.
IT'S NEVER BORING.
THERE'S SOMETHING AT STAKE.
ELIZABETH: THE CHALLENGE
MAKES IT WORTH IT.
JASON: USUALLY.
ELIZABETH: SEE?
THAT'S HOW I FEEL ABOUT
PAINTING.
AND RIGHT NOW WE'RE SUPPOSED
TO BE STUDYING THE FUNDAMENTALS,
BUT WHO CARES?
THEY'RE BORING.
I'D RATHER BE DOING SOMETHING
I'VE NEVER TRIED BEFORE.
JASON: LIKE WHAT?
ELIZABETH: THE WIND.
JASON: HMM?
ELIZABETH: I'M TRYING
TO PAINT THE WIND.
JASON: WHY?
ELIZABETH: OK, WELL,
MAYBE NOT THE WIND EXACTLY,
BUT HOW THE WIND FEELS AGAINST
MY FACE WHEN I'M ON THE BACK
OF YOUR MOTORCYCLE -- LIKE
THE WORLD IS JUST SCREAMING
BY AND NOTHING MATTERS
BUT THE WIND.
AND IT'S TRYING TO CARRY ME
AND TAKE ME AWAY, AND I FEEL
LIKE IF I LET GO, I CAN ALMOST
FLY.
THAT IS WHAT I'M TRYING TO GET
DOWN ON PAPER -- SOMEHOW.
THAT FEELING, THAT ONE PERFECT
SECOND WHEN I KNOW EXACTLY WHAT
THE WIND IS.
JASON: HOW WOULD YOU PAINT
THAT?
ELIZABETH: NOT VERY WELL,
ACTUALLY.
IT'S ONE BIG BLUR, BUT I'M
TRYING.
[TELEPHONE RINGS]
JASON: HELLO.
CARLY: JASE?
JASON: WHAT'S WRONG?
CARLY: CAN YOU COME AND GET
ME?
JASON: WHERE ARE YOU?
CARLY: I'M AT A PAY PHONE.
THEY TOOK ALL MY STUFF.
JASON: CARLY, TELL ME WHERE
YOU ARE.
CARLY: I'M AT A PAY PHONE.
I DON'T KNOW.
JASON: JUST LOOK AROUND
AND TELL ME WHAT YOU SEE.
CARLY: BUILDINGS AND A --
YOU KNOW THAT STREET WHERE
THERE'S NEVER ANY TRAFFIC
AND THEY HAVE THE CONCRETE
THINGIES, YOU KNOW, IN BETWEEN
THE --
I DON'T KNOW.
JASON: WHAT -- WHAT STREET?
WHAT'S THE NAME OF THE STREET,
CARLY?
CARLY: IT'S VAN NESS,
I THINK.
PLEASE HURRY.
JASON: ALL RIGHT.
I'LL BE RIGHT THERE.
ELIZABETH: IS EVERYTHING OK?
IS MICHAEL ALL RIGHT?
JASON: IT'S CARLY.

[HANNAH SIGHS]
HANNAH'S VOICE: SO WHEN CAN
WE START PACKING?
SONNY'S VOICE: NO.
I'M NOT GOING ANYWHERE.
LET ME TELL YOU --
WE WOULD NEVER FEEL SAFE.
THE ONLY WAY FOR US TO KEEP WHAT
WE HAVE TOGETHER IS FOR ME
TO STAY ON TOP --
SO POWERFUL
NOBODY CAN TOUCH US.
HANNAH: AHEM.
TAGGERT: WAITING FOR SOMEONE?
HANNAH: ENJOYING THE VIEW.
TAGGERT: OH.
SONNY'S LATE AGAIN, HUH?
HANNAH: DON'T YOU HAVE
ANYTHING ELSE TO DO AT ALL?
TAGGERT: NOPE.
SUPPOSE YOU DON'T KNOW WHERE
JUAN SANTIAGO IS.
HANNAH: NO.
TAGGERT: HMM.
HANNAH: DO YOU NEED ME
TO SIGN SOMETHING?
TAGGERT: JUST DOING MY JOB.
HANNAH: DO YOU GET THIS
CONCERNED OVER EVERY KID THAT
RUNS AWAY?
TAGGERT: THE ONES THAT ALMOST
GET BEATEN TO DEATH
BECAUSE OF SONNY CORINTHOS?
YES, I DO.
HANNAH: WOULDN'T IT BE EASIER
TO LEAVE SONNY OUT OF IT?
TAGGERT: SURE, FOR SONNY.
HANNAH: WHY DON'T YOU FORGET
ABOUT SONNY FOR TWO SECONDS
AND THEN ASK YOURSELF, "IF I WAS
A RUNAWAY KID, WHERE WOULD
I HIDE OUT?"
TAGGERT: THAT'S A GOOD IDEA.
HANNAH: YOU'RE WELCOME.
AGENT LARKIN: CHECK
THE MANUAL.
IF YOU'RE UNDERCOVER,
DON'T ASSOCIATE WITH COPS.
I THINK IT'S ON THE FIRST PAGE.

FELICIA: MAYBE YOU'RE RIGHT.
MAYBE TELLING MAC IS THE BEST
WAY TO FIGHT FAISON.
LUKE: DID I SAY THAT?
FELICIA: WELL, IF I TELL MAC,
THEN FAISON LOSES AUTOMATICALLY.
MAYBE.
LUKE: OH.
OK.
ALL RIGHT, I'M BUBBA.
WHAT ARE YOU GOING TO SAY?
FELICIA: OH, I CAN'T DO IT.
LUKE: YOU'RE RIGHT.
I'M A TERRIBLE BUBBA.
FELICIA: NO, NO, YOU'RE NOT.
WAIT.
I CAN DO IT.
OK, YOU'RE BUBBA --
NO, I MEAN, YOU'RE MAC.
LUKE: YEAH, I'M MAC.
I'M MAC.
FELICIA: OK.
MAC, I TOLD YOU THAT I WENT
TO CHICAGO TO WORK ON LILA'S
BOOK.
LUKE: YES, YOU DID,
SWEETHEART.
I'M MAC.
FELICIA: OH.
LUKE: I'M MAC.
FELICIA: OH, YEAH.
WELL, I REALLY WENT TO MEXICO
WITH LUKE.
I PRETENDED TO BE ORPHEY
GOODLOVE.
I TRIED TO HELP THIS WOMAN
IN A BAR.
I BASHED A FEDERALE OVER
THE HEAD WITH A CHAIR --
LUKE: UH --
FELICIA: OH, YES -- TWO.
TWO FEDERALES.
I GOT THROWN IN JAIL.
I ESCAPED FROM JAIL.
I WAS ALMOST CRIPPLED BY FAISON.
I HELPED SMUGGLE $5 MILLION
WORTH OF DIAMONDS ACROSS
THE RIO --
OH, GIVE OR TAKE --
$5 MILLION ACROSS THE
RIO GRANDE.
OH --
AND I KISSED LUKE.
LUKE: I SEE THE PROBLEM.
FELICIA: I CAN'T DO IT.
I CAN'T DO IT.
IT'LL JUST BREAK HIS HEART.
BUT IT'S PROBABLY FAISON'S PLAN.
HE WANTS THIS TO HAPPEN.
I WAS JUST TRYING TO HELP MAC.
AND I BELIEVE THAT THOSE
DIAMONDS ARE REALLY THE ONLY
LEVERAGE ANYBODY HAS OVER
FAISON.
THE SOONER THIS THING IS OVER,
THE SOONER I CAN HAVE MY HUSBAND
BACK.
LUKE: OK.
WELL, THEN, ALL YOU GOT TO DO IS
TELL HIM IT WAS A ONE-TIME
THING.
WE WERE DOWN IN MEXICO.
WE WERE IN YOUR OLD STOMPING
GROUNDS.
WE WERE JUST KIND OF HANGING
OUT, AND WE STARTED REMINISCING.
YOU STARTED TALKING ABOUT THAT
HORSE OF YOURS THAT SWIMS --
FELICIA: COMMANCHE.
LUKE: COMMANCHE.
YEAH, THAT'S THE ONE.
AND WE WERE UNDER THE STARS AND,
YOU KNOW, TALKING ABOUT OLD
TIMES, AND ONE THING LED
TO ANOTHER, AND IT --
WE JUST GOT CARRIED AWAY, AND IT
HAPPENED.
IT MEANT -- YOU KNOW, IT DIDN'T
MEAN A DAMN THING, AND I'LL
NEVER HAPPEN AGAIN.
FELICIA: REALLY?
NEVER AGAIN?
LUKE: FELICIA, YOU'VE GOT
TO GET THIS TRUTH THING UNDER
CONTROL.
NOW, EITHER YOU'RE GOING TO HAVE
TO TELL THE TRUTH AND LIVE
WITH IT, OR YOU'RE GOING TO HAVE
TO MAKE UP A GOOD ONE AND STICK
BY IT.
BUT NOT KNOWING WHAT TO DO IS
RIPPING YOU APART.
FELICIA: MAC WOULDN'T DO THIS
TO ME.
HE JUST WOULDN'T.
LUKE: WELL, WHAT DID YOU DO
TO HIM?
I KNOW THAT YOU LOVE
YOUR HUSBAND, FELICIA.
FELICIA: YES, I DO.
BUT I FELT ALIVE IN MEXICO,
MORE THAN I HAVE IN A LONG TIME.
LUKE: SO DID I.
FELICIA: I FOUND MY OLD SELF
THERE.
AND WHAT HAPPENED THERE BETWEEN
US WAS REAL.
LUKE: YES.
FELICIA: BUT IT HAS TO STAY
THERE, ACROSS THE BORDER,
IN ANOTHER COUNTRY FAR,
FAR, FAR AWAY.
LUKE: OK.
THEN IT WAS A ONE-TIME THING.
FELICIA: YES, AND I DON'T
WANT MY HUSBAND TO KNOW ABOUT
IT.
LUKE: I UNDERSTAND.
THIS GOING UP AGAINST FAISON --
IS THAT ALSO A ONE-TIME THING?
FELICIA: OH, I HOPE NOT.
LUKE: DO YOU THINK YOU COULD
GET IN TOUCH WITH ORPHEY
GOODLOVE?
FELICIA: I IMAGINE.
IS HIRAM AROUND?
LUKE: OH, HE'S ALWAYS REARING
HIS UGLY HEAD.
SEE, HE STASHED THE DIAMONDS
IN A VERY INTERESTING PLACE,
BUT HE'S GOT TO MOVE THEM.
AND I WAS WONDERING IF MAYBE
ORPHEY COULD HELP.
FELICIA: YOU GOT IT, HIRAM.
EMILY: OK.
LET'S SEE.
WE GOT CRACKERS, CHIPS,
COOKIES -- HMM.
CHEESE THAT WILL LAST
YOU A LIFETIME.
EW.
THAT'S REALLY DISGUSTING.

JUAN: WHAT'S THE MATTER?
YOU DON'T LIKE MYSTERY MEAT?
EMILY: UGH.
JUAN: HEY, AREN'T YOU GOING
TO BE BRINGING ME THREE SQUARES
FROM THE QUARTERMAINES ANYWAY?
EMILY: UM -- IN YOUR DREAMS.
JUAN: HEY, WHY DON'T WE EAT
THIS PIZZA WHILE IT'S STILL HOT?
EMILY: ALL RIGHT, THEN.
SHALL WE?
JUAN: ALL RIGHT.

TAGGERT: WELL, THAT'S WHAT
I LIKE TO SEE -- GOOD TABLE
MANNERS.
HANNAH: THIS SEEMS LIKE
A GOOD IDEA TO YOU, MEETING OUT
IN THE OPEN LIKE THIS?
AGENT LARKIN: YOU'VE DONE
SUCH A FINE JOB SO FAR.
HANNAH: DID I MENTION
MORGAN'S OWN PERSONAL PSYCHO?
SHE'S PRACTICALLY STALKING ME.
AGENT LARKIN: I DON'T THINK
WE HAVE TO WORRY ABOUT
THE GIRLFRIEND BEING A PROBLEM
ANYMORE.

JASON: CARLY?
CARLY!
CARLY: YEAH?
JASON: OH, BOY.
CARLY: THEY TOOK ALL
MY STUFF.
JASON: ARE YOU HURT?
CARLY: THEY TOOK MY PURSE
AND MY PEARLS AND MY --
JASON: LET ME SEE.
CARLY, IT'S OK.
ARE YOU --
ARE YOU HURT?
CARLY: NO.
I TRIED TO FIGHT THEM,
AND THEY JUST RAN.
I WAS JUST WALKING DOWN
THE ALLEY.
JASON: WHY?
WHAT ARE YOU DOING HERE
IN THE ALLEY?
CARLY: FOLLOWING HANNAH.
JASON: OH.
WHAT'S THE MATTER WITH YOU?
CARLY: DON'T GET MAD AT ME,
PLEASE.
JASON: IT'S OK.
CARLY: IT'S NOT OK.
THEY TOOK MY WEDDING RING.
WHAT AM I GOING TO TELL A.J.?
JASON: COME ON.
LET'S GO HOME.
CARLY: OH.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

TAGGERT: I HAVE NO CHOICE
BUT TO TAKE BOTH OF YOU IN.

LUKE: I STASHED THEM
ON HELENA'S YACHT.

LAURA: IT WAS AN ACCIDENT.
YOU DIDN'T MEAN FOR HER TO FALL.
THERE IS NO REASON WHY
YOU SHOULD HAVE TO PAY
FOR HER DEATH.

CARLY: I MISS YOU.

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