General Hospital Transcript Monday 8/23/99

Provided by Laura

JAX: CHLOE?
CHLOE, CAN YOU HEAR ME?
YOU DIDN'T EVEN BRING
A CELL PHONE, YOU IDIOT.
HEY, H. HEY.
JUST TAKE A DEEP BREATH.
TAKE A DEEP BREATH.
YOU JUST GOT THE WIND KNOCKED
OUT OF YOU, THAT'S ALL.
ARE YOU ALL RIGHT?
CHLOE: YEAH.
WHERE'S SYLVAN?
JAX: SYLVAN'S FINE.
DON'T WORRY OUT SYLVAN.
JUST LIE STILL.
CHLOE: MM-HMM.
JAX: DOES ANYTHING HURT?
CHLOE: NO, I'M ALL RIGHT.
JAX: OH, NO, NO.
DON'T MOVE YOUR HEAD.
DON'T MOVE YOUR HEAD.
CAN YOU MOVE YOUR LEGS?
CHLOE: UM -- YEAH. OH.
JAX: OK.
THAT'S GOOD. THAT'S GOOD.
CHLOE: MAY I MOVE MY HEAD
NOW?
JAX: JUST BE CAREFUL, OK?
CHLOE: MY NECK'S NOT BROKEN,
I PROMISE.
JAX: OK, OK.
WELL, HOW MANY FINGERS AM
I HOLDING ?
CHLOE: 97?
JAX: CHLOE, COME ON.
CHLOE: CAN I SIT UP?
HELP ME.
JAX: NOW, JUST BE CAREFUL.
BE CAREFUL.
YOU OK?
CHLOE: MM-HMM.
JAX: YOU FEELING ALL RIGHT?
DOES ANYTHING HURT?
CHLOE: YEAH.
YEAH, MY ANKLE.
OW, FEELS A LITTLE OFF,
BUT I CAN RIDE.
JAX: WELL, I'M AFRAID THAT'S
NOT POSSIBLE.
SYLVAN BOLTED, AND SASHA REARED
AND BROKE HER HALTER AGAIN.
CHLOE: THE HORSES RAN AWAY?
JAX: YEAH.
IT'S GOING TO BE A LONG WALK
HOME.

NED: CHLOE, I HOPE YOU'RE
ON YOUR WAY.
THIS DEAL WON'T HAPPEN
WITHOUT YOU.
THIS ALWAYS-BEING-LATE THING IS
REALLY STARTING TO DRIVE ME
CRAZY.
STEP ON IT.
MAN: NED ASHTON, L&B.
NED: FRED WOODMAN, PRISM.
IT'S GREAT TO FINALLY MEET
YOU IN PERSON.
SO I HEARD PRISM BROUGHT
THE HOUSE DOWN IN L.A. LAST
NIGHT.
THE NET'S GOING CRAZY.
FRED: AND THEY'RE GOING TO BE
THE HOTTEST GIRL GROUP SINCE
THE SUPREMES IF WE CAN JUST GET
THE RIGHT LABEL NOW.
NED: WELL, CHLOE AND I ARE
VERY ANXIOUS TO GET STARTED.
FRED: WHERE IS THAT TERRIFIC
WIFE OF YOURS, ANYWAY?
NED: WELL, I'M AFRAID THAT
SHE IS NOTORIOUSLY LATE.
FRED: I FLEW OUT FROM L.A.,
AND SHE CAN'T BE HERE ON TIME?
NED: RUNNING LATE IS ONE
OF HER MANY CHARMS.
FRED: WELL, CHARM IS NOT
GOING TO GET PRISM ON THE HEAVY
ROTATION FOR VIDEO, YOU KNOW.
WE GOT TO CASH IN NOW,
WHILE THE MEDIA'S PAYING
ATTENTION.
WE GOT TO COME UP WITH A STRONG
IMAGE.
WE GOT TO PACKAGE THE GROUP
FOR VIDEO.
WE GOT TO PUT MORE PRODUCT OUT
THERE.
SIX MONTHS ON THE OUTSIDE.
NED: FRED, CHLOE AND I CAN
DO IT.
FRED: YOU KNOW, THIS BUSINESS
DOESN'T WAIT FOR ANYBODY.
NED: HOW ABOUT WE GO OVER
SOME NUMBERS RIGHT NOW?
FRED: WHAT NUMBERS IF CHLOE
MORGAN CAN'T EVEN BOTHER TO BE
HERE?
NED: FRED, SHE'LL BE HERE.
FRED: YOU KNOW, I'M RUNNING
OUT OF TIME HERE.
I CAN'T MISS MY PLANE OUT
OF NEW YORK FOR A FASHION
DESIGNER WHO DOESN'T HAVE
HER ACT TOGETHER.
NED: HOW ABOUT A DRINK?
PAUL?
WOULD YOU LIKE SOME FOOD?
WE HAVE A GREAT MENU HERE.
FRED: NO.
YOU KNOW, I GOT SOME WORK
TO DO, OK?
NED: AH, THERE SHE IS NOW.
You have to be my wife.
Here we go.
FRED, I'D LIKE YOU TO MEET CHLOE
MORGAN.
FRED: HI.

LAURA: HEY, MOM,
HOW'S IT GOING?
I'M JUST ABOUT READY.
LESLEY: WELL, LULU'S ALL SET.
AS FOR ME, LET'S JUST CALL
MY SUITCASE A WORK IN PROGRESS.
LAURA: HOW CAN I HELP?
LESLEY: REMIND ME THAT I DO
NOT HAVE TO DRESS FOR DINNER
AT A PSYCHIATRIC CENTER AND THAT
I'M ONLY THERE FOR A SHORT-TERM
CHECKUP.
LAURA: CONSIDER YOURSELF
REMINDED.
LESLEY: AND TELL THE TRUTH --
GO OR STAY?
LAURA: STAY.
YOU CAN WEAR THAT WHEN YOU COME
BACK HOME --
MAYBE.
INSIDE THE HOUSE ONLY.
HEY, LISTEN,
THANK YOU FOR BEING HERE
WITH ME.
I COULD NOT HAVE HANDLED THIS
WITHOUT YOU.
LESLEY: OH, BABY.
WHERE ELSE COULD I HAVE BEEN?
BUT YOU DO NOT HAVE TO GO
TO NORTH CAROLINA WITH ME.
I'LL BE ALL RIGHT BY MYSELF.
YOU AND LULU DON'T HAVE TO GO.
LAURA: YES, WE DO.

BOBBIE: WELL, ALL WE CAN DO
IS WAIT FOR LUKE TO CALL,
AND HE WILL BECAUSE HE ALWAYS
DOES.
FELICIA: I HOPE HE CALLS
IN TIME.
BOBBIE: PROMISE ME YOU WON'T
GO AFTER FAISON BY YOURSELF.
FELICIA: HE SAW MAC OUT
THERE.
IF NOBODY HAD BEEN AROUND,
HE WOULD HAVE STRANGLED FAISON
TO DEATH.
BOBBIE: WELL, IF YOU STAY
CALM, MAYBE MAC WILL, TOO.
FELICIA: I CAN'T.
FAISON KNOWS THAT.
EVERY DAY MAC IS MORE OUT
OF CONTROL, AND THAT'S EXACTLY
WHAT FAISON WANTS.
I WISH THAT I COULD PROMISE
YOU THAT I'LL WAIT FOR LUKE,
BUT I CAN'T.

MAN: MR. CORINTHOS?
WOULD YOU PREFER DINNER SERVED
ON THE TERRACE?
HANNAH: YEAH, THAT SOUNDS
WONDERFUL.
SONNY: WE'LL LET YOU KNOW
WHEN WE'RE READY, ALL RIGHT?
MAN: THANK YOU, SIR.
ALSO, THE CASINO MANAGER
REQUESTS A MEETING REGARDING
THE BOOKS.
SONNY: TELL HIM TO COME BACK
TOMORROW, WILL YOU?
IT DEPENDS ON MY PLANS
WITH THE LADY.
MAN: YES, SIR.
SONNY: SORRY FOR
THE INTERRUPTION.
HANNAH: OH, IT'S NO PROBLEM.
YOU OWN THE CASINO.
SONNY: ACTUALLY,
I OWN THE WHOLE ISLAND.

HANNAH: YOU OWN THE ENTIRE
ISLAND?
ISN'T THAT WHAT GOVERNMENTS DO,
AND KINGS?
SONNY: YOU KNOW WHAT?
HANNAH: WHAT?
SONNY: I'M GOING TO TELL
YOU A STORY.
HANNAH: OK.
SONNY: WHEN I GOT MY FIRST
ASSIGNMENT, I WAS JUST A KID.
COME HERE.
HELL, I'D NEVER EVEN BEEN OUT
OF BROOKLYN, YOU KNOW.
I'D DONE THIS AND THAT
IN THE NEIGHBORHOOD, BUT THIS
WAS DIFFERENT, YOU KNOW -- MORE.
MY FIRST JOB WAS TO
DELIVER A BRIEFCASE TO
THIS MAN.
YEAH, AN IMPORTANT MAN.
BROOKLYN GUYS BOUGHT ME A NEW
SUIT.
BUT I NEVER TOLD THEM THAT I'D
NEVER FLOWN BEFORE.
WE LANDED IN MIAMI, AND I HAD
TO GET ON ONE OF THE TINIEST
PLANES I'D EVER SEEN.
AND IT LOOKED LIKE ONE OF THOSE
RIDES AT CONEY ISLAND.
JUST ME, THE PILOT,
AND THE BRIEFCASE.
ALL I COULD SEE WAS OCEAN.
I DIDN'T KNOW WHERE THE SKY
STOPPED AND THE OCEAN STARTED.
WHEN I WALKED OUT OF THE PLANE,
I WAS IN PARADISE.
HANNAH: WAS IT AN ISLAND?
SONNY: MY EMPLOYER OWNED
THE WHOLE THING, EVERY INCH.
HE LIVED IN ONE OF THE BIGGEST
HOUSES THAT I'D EVER SEEN.
THE VERANDA WAS AS WIDE
AS FLATBUSH AVENUE, YOU KNOW.
AT LEAST TO ME.
SO I WALKED UP THE STEPS
AND THIS GUY IN A WHITE SUIT
GREETED ME AND HE TRIED TO TAKE
MY BRIEFCASE.
AND I'M, LIKE, "FORGET
ABOUT IT."
MY JOB WAS TO DELIVER THIS
BRIEFCASE TO MY EMPLOY.
SO I WAITED ALL DAY LONG IN THIS
ROOM WITH, LIKE, BIG FANS,
YOU KNOW, DARK WOOD.
THE AIR SMELLED SWEET.
EVERYTHING WAS QUIET EXCEPT
FOR WOMEN LAUGHING SOFTLY.
SOMETIMES THEY'D WALK BY,
THE MOST BEAUTIFUL WOMEN YOU'D
EVER SEEN.
ONE EVEN GAVE ME A GLASS
OF WATER WITH A SLICE OF LIME
IN IT.
SO ANYWAY, FINALLY,
HE CALLED ME IN.
I GAVE HIM THE BRIEFCASE.
I NEVER KNEW WHAT WAS IN IT.
AND HE INVITED ME TO STAY
THNIGHT.
HE GAVE ME TWO FLOORS OF ROOMS.
THE SECOND FLOOR WAS ALL WINDOW.
RIGHT?
I OPENED EVERY WINDOW.
ALL I COULD SEE WAS THE OCEAN.
NOTHING IN THE WAY --
NO BUILDINGS, NO PEOPLE
ON THE BEACH.
YOU KNOW, JUST -- JUST OCEAN.
HANNAH: WOW.
SONNY: THE NEXT MORNING,
MAID COMES IN TO SERVE ME
BREAKFAST.
SHE LOOKED LIKE ONE OF THE NUNS
FROM MY OLD NEIGHBORHOOD,
YOU KNOW.
KIND OF OLDER, PALE,
WITH A LITTLE HAT, YOU KNOW.
I TRIED TO GIVE HER A TIP.
SHE WOULDN'T.
BUT ANYWAY, IT DOESN'T MATTER.
I WENT BACK TO BROOKLYN.
SONNY: IT TURNS OUT
MY EMPLOYER WAS PLEASED.
I HAD --
I HAD POTENTIAL, RIGHT?
BUT HE HAD PARADISE.
SO I PROMISED MYSELF RIGHT THERE
THAT I WAS GOING TO FIND MY WAY
BACK TO PARADISE,
EVEN II HAD TO BUY IT.

LAURA: WHAT ABOUT THIS?
LESLEY: OH, SURE. WHY NOT?
MAYBE THEY'LL LOSE IT
IN THE HOSPITAL LAUNDRY.
LAURA: NOW, LISTEN,
LULU AND I WILL COME TO VISIT
YOU EVERY SINGLE DAY.
LESLEY: YEAH, BUT THAT'S NOT
WHY YOU'RE GOING.
IS IT STEFAN?
LAURA: WHAT ABOUT THIS ONE?
LESLEY: YEAH -- NO, LEAVE IT
HERE FOR WHEN I GET BACK.
IS HE PRESSURING YOU?
LAURA: NO.
NO.
I NEED SOME TIME ALONE TO DECIDE
WHAT I'M GOING TO DO NEXT.
STEFAN HAS BEEN ABSOLUTELY
WONDERFUL.
BUT I AM STILL MARRIED TO LUKE.
LESLEY: DID LUKE CALL YOU?
IS HE MEETING YOU IN
NORTH CAROLINA?
LAURA: NO, MOTHER.
OK, A MAN NAMED CESAR FAISON IS
BACK IN PORT CHARLES.
LESLEY: WHO IS CESAR FAISON?
WHO NAMES A BABY CESAR FAISON?
LAURA: HE'S THE MAN WHO
KILLED ROBERT AND ANNA SCORPIO.
LESLEY: AND WHY IS HE NOT
SITTING IN A JAIL SOMEWHERE?
LAURA: BECAUSE THEY DON'T
HAVE ANY EVIDENCE AGAINST HIM.
I KNOW.
ANYWAY, APPARENTLY,
HE'S BEEN LURKING AROUND.
HE ACTUALLY CAME TO SEE ME
AT THE HOSPITAL IN MY OFFICE,
AND HE MADE A HUGE DONATION
TO THE YOUTH OUTREACH PROGRAM,
WHICH I RETURNED AS SOON
AS I FOUND OUT WHO HE WAS.
LESLEY: YOU ACTUALLY SPOKE
TO THIS MAN KNOWING HOW
DANGEROUS HE IS?
LAURA: MOTHER, HE'S NOT
AFTER ME.
IT'S LUKE HE MAY BE AFTER.
SO WHAT ABOUT THIS, HUH?
LESLEY: DOES LUKE KNOW?
LAURA: I HAVE NO IDEA WHERE
LUKE IS.
I HAVE NOT HEARD FROM HIM.
BUT YOU KNOW WHAT?
I ALREADY KNOW EXACTLY WHAT
HE WOULD TELL ME.
HE'D SAY, "PACK UP LULU.
GET OUT OF TOWN.
LET ME TAKE CARE OF FAISON."
SO, THAT'S EXACTLY WHAT
I'M DOING.

FELICIA: MAC HAS EVERYTHING
THAT ROBERT HAD WHEN FAISON WENT
AFTER HIM -- A FAMILY,
A JOB AS POLICE COMMISSIONER --
BOBBIE: A WIFE.
FAISON DESTROYED ROBERT
BECAUSE OF ANNA.
NOTHING MORE.
FELICIA: MAYBE HE'S STILL
GETTING REVENGE.
MAYBE KILLING ROBERT AND ANNA
WASN'T ENOUGH.
MAYBE HE WANTS THE SAME THING
TO HAPPEN TO MAC.
THAT'S GOT TO BE IT.
THAT'S THE GAME.
BOBBIE: NOW YOU'RE
SCARING ME.
FELICIA: FAISON ISN'T
THE ONLY ONE WHO CAN PLAY MIND
GAMES.
I'M GOING TO OUTSMART HIM
IF IT'S THE LAST THING I DO.
BOBBIE: THAT'S WHAT SCARES ME
THE MOST.

ALEXIS: I HATE TO HAVE
MY PICTURE TAKEN.
I KNOW THAT SOUNDS SO SILLY.
I JUST DON'T KNOW HOW MY MODELS
DO IT EVERY DAY, REALLY.
AND PRISM -- WELL, THEY'RE
IN FRONT OF EVERYONE ALL
THE TIME.
FRED: WELL, WE ARE VERY BIG
FANS OF YOUR DESIGNS.
AND YOU'RE EVEN MORE BEAUTIFUL
THAN WE IMAGINED.
ALEXIS: OH.
WELL, THANK YOU.
THANK YOU.
I'M REALLY SORRY I WAS LATE.
IT'S A TERRIBLE FLAW.
BUT I WORK VERY QUICKLY,
IF THAT'S ANY CONSOLATION.
NED: YES, AS A MATTER
OF FACT, MAYBE YOU SHOULD GET
UPSTAIRS AND START ON THOSE
SKETCHES.
ALEXIS: RIGHT.
NED: WE CAN FAX THEM
TO YOUR OFFICE TOMORROW.
FRED: WHY FAX THEM TO ME?
I'M RIGHT HERE.
YOU'RE FAMILIAR WITH THE MUSIC
OF PRISM.
LET'S SEE YOUR IDEAS
FOR THEIR GOWNS.
NED: OH, NO, NO.
ACALLY, MY WIFE PREFERS
TO WORK FROM CONCEPT TO PAPER
TO PRODUCT.
ALEXIS: PRODUCT.
NED: YEAH, WE FIND THAT IT
SAVES TIME AND MONEY
IF WE DISCUSS IDEAS FIRST.
FRED: THAT'S COOL.
I'M FINE WITH CONCEPT.
SO WHAT DO YOU HAVE IN MIND
FOR PRISM?
AND NOT TO CRANK UP THE PRESSURE
HERE, BUT THE DEAL DEPENDS
ON IT.
ALEXIS: PRESSURE.
I DON'T REALLY UNDERSTAND
PRESSURE, DO YOU, HONEY?
I MEAN, DOES THE SUN FIND
PRESSURE TO FIND THE HORIZON
EVERY MORNING?
OR FOR INSTANCE, CLOUDS --
DO THEY FEEL PRESSURE TO FLOAT
ACROSS THE SKY?
NED: HOW ABOUT THOSE DRINKS?
FRED: NAH.
YOU KNOW, NO.
NO, NOT RIGHT NOW.
WE'VE GOT TO HIT THE GROUND
RUNNING HERE.
ALEXIS: I LOVE TO RUN.
PICTURE
FLOATING ENERGY.
YOU'RE RUNNING ACROSS THE MEADOW
WITH THE WIND IN YOUR HAIR.
IT'S RIGHT AFTER THE RAIN,
AND THE LIGHT FINDS THE MIST.
AND SUDDENLY,
THE WORLD IS A PRISM.
LIGHT EXPLODES EVERYWHERE,
COLORS THAT YOU NEVER EVEN
DREAMED OF.
FRED: I LIKE IT.
GO ON, GO ON.
ALEXIS: PRISM IS LIGHT.
LIGHT IS PRISM.
PRISM IS LIGHT.
THAT'S WHAT OUR DESIGNS ARE.
I WANT THE SINGERS TO SHIMMER
THROUGH THEIR CLOTHES
AS IF THEY WERE LIGHT ITSELF.
FRED: YES, YES.
ALEXIS: AND THEN WHEN
THE MUSIC BEGINS, THE DRESSES
SWIRL AND THE LIGHT SCATTERS
EVERYWHERE JUST LIKE THE LIGHT
THROUGH A MEADOW AFTER THE MIST.
FRED: AND THEY BECOME
THE PRISM.
ALEXIS: EXACTLY.
HE GETS THIS.
HONEY, HE GETS IT.
FRED: SHE'S GOOD.
NED: OH, YES.
FRED: SHE IS GOOD.
NED: YES, YES.
YES, SHE IS.
ALEXIS: I WANT THE DRESSES
TO FLOAT IN A SHIMMERY FABRIC,
YOU KNOW, SOMETHING GENTLE WHERE
THE LIGHT HITS IT IN A GENTLE
SORT OF WAY.
KIND OF LIKE A DREAM THAT
YOU ALMOST REMEMBER, BUT NOT
QUITE.
IT'S SORT OF A HAZY,
MURKY, MERCURIAL KIND
OF A THING.
FRED: BEAUTIFUL.

CHLOE: DO YOU THINK
THE HORSES WILL COME BACK?
JAX: NO, NO.
SASHA WON'T STOP UNTIL HE GETS
TO THE BARN.
CHLOE: DOES HE KNOW THE WAY?
JAX: YEAH, I'VE RIDDEN HIM
OUT HERE BEFORE.
AND SYLVAN WILL JUST FOLLOW.
CHLOE: BUT THE TRAIL'S
SO ROUGH AND THEY BOTH HAVE
THEIR SADDLES ON.
JAX: DO YOU KNOW WHAT SPOOKED
SYLVAN?
CHLOE: I TIGHTENED THE GIRTH
AND I PUT MY FOOT IN THE STIRRUP
AND -- THIS ONE -- AND I WAS
GRABBING HIS MANE TO COME ON.
THERE WAS A SNAKE.
A SNAKE CAME OUT FROM UNDER
THE ROCK, AND HE GOT SOKED
AND JUMPED BACK, AND THEN
THE NEXT THING I REMEMBER
IS YOU.
JAX: YOU'RE LUCKY YOU DIDN'T
GET YOUR FOOT CAUGHT
IN THE STIRRUP, YOU KNOW.
CHLOE: I SHOULD HAVE WAITED
FOR THAT LEG UP.
JAX: YEAH, YOU COULD HAVE
BEEN DRAGGED ACROSS THE ROCKS.
CHLOE: SHOULD WE GO BEFORE
IT GETS DARKER?
JAX: IF YOU FEEL UP TO IT.
I MEAN, IT'S A THREE-
TO FOUR-MILE HIKE TO THE ROAD,
AND THEN WE'LL HAVE TO FLAG DOWN
A CAR.
CHLOE: I HAVE NOT EVEN A HINT
OF A SENSE OF DIRECTION,
BUT IF YOU CAN NAVIGATE,
I'LL KEEP UP.
JAX: ALL RIGHT.
I'LL GIVE IT A SHOT.
CHLOE: OK.
JAX: LET ME HELP YOU UP.
CHLOE: OK.
OH.
JAX: WHOA.
WHAT'S THE MATTER?
YOU A LITTLE DIZZY?
CHLOE: NO.
MY ANKLE'S JUST A LITTLE OFF.
JAX: OH, MAYBE IT'S SPRAINED.
CHLOE: NO, DON'T BE SILLY.
JAX: ALL RIGHT.
OOH, OOH.
CHLOE: I THINK SOMEONE HAS
A SPRAINED ANKLE.
JAX: I THINK SOMEONE'S NOT
GOING ANYWHERE.

BOBBIE: HAVE YOU CONSIDERED
LETTING THIS GO?
WHY NOT IGNORE FAISON?
MAYBE HE'LL GO AWAY.
FELICIA: I'M NOT AFRAID
OF HIM.
BOBBIE: NEITHER WAS ANNA.
FAISON IS TAUNTING MAC.
HE'S TAUNTING YOU.
I MEAN, LOOK AT THAT -- THE WAY
HE SHOWED UP AT YOUR CAR,
GETTING YOU TO FOLLOW HIM
INTO THAT WAREHOUSE.
NOW HE'S ALL YOU CAN THINK
ABOUT.
FELICIA: HOW CAN I IGNORE HIM
WHEN HE'S GOING AFTER MAC?
BOBBIE: MAYBE HE ISN'T RLLY
AFTER MAC.
MAYBE THIS IS ALL PART
OF A BIGGER GAME.
[TELEPHONE RINGS]
BOBBIE: THAT BETTER BE THAT
SODA DELIVERY TRUCK BECAUSE THAT
GUY WAS SUPPOSED TO BE HERE THIS
MORNING.
EXCUSE ME.
I'LL BE RIGHT BACK.

FAISON'S VOICE: I'M UNDER
CONSTANT SURVEILLANCE.
PLEASE.
FAISON: I'M A LITTLE NERVOUS,
BUT I GUESS I'LL JUST TELL YOU.
SURELY, YOU MUST REALIZE BY NOW
THAT I CAME BACK FOR YOU.
FAISON: MAY I JOIN YOU?

SONNY: THE FIRST PARADISE
I BOUGHT
WAS A STRIP JOINT.
HANNAH: THAT'S A START.
SONNY: RIGHT.
THE PARADISE LOUNGE.
IT BROUGHT ME TO
PORT CHARLES.
AND I BOUGHT THIS ISLAND
AND I MOVED HERE.
BUT, YOU KNOW, IT WASN'T WHAT
I THOUGHT.
YOU KNOW, I MIGHT AS WELL HAVE
BEEN IN THE BACK ROOM
OF THE PARADISE LOUNGE COUNTING
MONEY BECAUSE I WAS -- I WAS
ALONE AND I WAS EMPTY.
I WASN'T READY FOR PARADISE YET.
I HADN'T
PAID ENOUGH.
THEN I WENT BACK INTO
THE REAL WORLD.
HANNAH: SO WHY DID YOU REALLY
GO BACK TO PORT CHARLES?
SONNY: I WAS LOOKING
FOR SOMETHING.
HANNAH: DID YOU FIND IT?
SONNY: OH, YEAH.

JAX: NOW, THIS SHOULD KEEP
THE SWELLING DOWN.
YOU KNOW, KEEP IT ELEVATED.
CHLOE: THANK YOU.
JAX: YOU'RE WELCOME.
YOU'RE NOT GOING TO BE DANCING
FOR A WHILE, YOU KNOW?
CHLOE: OH, BUT DANCING IS
MY LIFE.
JAX: WELL, YOU'RE NOT BAD
WITH A SKETCH PAD.
YOU KNOW, MAYBE YOU COULD BECOME
A DESIGNER OR SOMETHING.
CHLOE: OH, YES.
OH, NED --
MR. WOODMAN, PRISM.
I HAVE TO BE AT THE
PORT CHARLES GRILL.
JAX: AH, DON'T WORRY
ABOUT IT.
CHLOE: NO, I HAVE TO BE
THERE.
I PROMISED NED.
THAT'S PART OF THE DEAL,
REMEMBER?
THAT'S WHY I WAS HURRYING
WITH SYLVAN.
JAX: NED CAN FIND HIS WAY
AROUND A BARGAINING TABLE, OK?
CHLOE: OH, THEY HAVE BEEN
WAITING FOR ME, I'M SURE.
WHERE'S THE PHONE?
JAX: CHLOE, I ALREADY TOLD
YOU, REMEMBER?
CHLOE: YEAH, BUT YOU WERE
KIDDING, RIGHT?
I MEAN, THERE IS A PHONE
IN HERE.
I MEAN, THIS IS UNFAIR.
NED WAS JUST TRYING TO HELP ME
SAVE MY COMPANY.
THERE REALLY IS A PHONE IN HERE.
JAX: THERE'S NOT A PHONE
IN THERE.
WE WANTED TO GET COMPLETELY
AWAY, REMEMBER?
CHLOE: BUT NED'S COUNTING
ON ME.
JAX: WELL, I COULD TRY
TO CARRY YOU BACK TO THE ROAD.
CHLOE: CAN YOU CARRY ME
AND RUN?
MAYBE WE'LL FIND THE HORSES
ON THE WAY.
MAYBE THEY'RE OUT HERE HIDING.
SYLVAN?
JAX: NO, THEY'RE NOT HIDING,
CHLOE.
AND, YOU KNOW, THAT'S A ROUGH
TRAIL.
IF I TRY TO CARRY YOU AND I HURT
MYSELF, THEN IT COULD TAKE HOURS
TO GET BACK TO THAT COUNTRY
ROAD.
AND WHO KNOWS?
WE MIGHT NOT EVEN GET A CAR
UNTIL MORNING.
CHLOE: OH, I LET NED DOWN.
JAX: IT LOOKS LIKE IT'S JUST
YOU, ME, AND THE WILDFLOWERS.
CHLOE: AND THE SNAKES.
JAX: AND THE STARS.
LOOK AT THAT.
THEY'RE MUCH BRIGHTER OUT HERE.
SEE? ORION.
CHLOE: NO, I THINK ORION'S
OVER THERE.
JAX: NO, ORION'S --
CHLOE: NO, HE'S LOOKING
FOR HIS HORSE.
JAX: OK.
YOU KNOW, SYLVAN AND SASHA ARE
PROBABLY ROLLING IN A FIELD
RIGHT NOW TRYING TO TEAR UP
THEIR NEW SADDLES.
BUT THEY'RE FINE.
SO IS NED.
AND SO ARE WE.
CHLOE: I GUESS THERE COULD BE
WORSE PLACES TO SPEND THE NIGHT.

EDWARD: LOOK WHO'S HERE.
FRED: I'M YOURS.
CONSIDER PRISM SIGNED,
SEALED, AND DELIVERED.
ALEXIS: GREAT.
I CAN'T WAIT TO START WORKING
ON THIS.
CAN YOU, DARLING?
NED: WE'LL PUT PRISM
AT THE TOP OF THE CHARTS
IN STYLE AND SOON.
FRED: YOU GUYS ARE A GREAT
TEAM.
ALEXIS: THANK YOU.
NED: ACTUALLY, LET'S GET
STARTED RIGHT NOW -- TONIGHT,
MY SWEET.
FRED: THAT'S NOT NECESSARY,
REALLY.
ALEXIS: WE HAVEN'T EVEN
LOOKED AT THE DESSERT MENU YET.
NED: NO TIME FOR DESSERT WHEN
INSPIRATION STRIKES.
ALEXIS: HOW CAN I POSSIBLY
CREATE WITHOUT MY CHOCOLATE
MOUSSE, RIGHT?
NED: DON'T YOU HAVE A PLANE
TO CATCH?
FRED: THERE'LL BE OTHERS.
YOU'VE BEEN IN THE MUSIC
INDUSTRY LONG ENOUGH TO KNOW
THAT.
LISTEN, I MANAGE A NUMBER
OF OTHER BANDS BESIDES PRISM.
WOULD YOU CONSIDER A PACKAGE
DEAL?
ALEXIS: NOW, THAT IS VERY
INTRIGUING.
NED: WE'LL PUT TOGETHER
THE PROPOSAL, AND I'LL GET IT
TO YOU IN THE MORNING.
ALEXIS: YOU KNOW WHAT I'VE
BEEN DREAMING ABOUT?
FRED: TELL ME.
ALEXIS: METALLICS, ACTUALLY.
NOT NECESSARILY A DRESS.
MAYBE A VEST.
NOT TOO POWERFUL A THING.
FRED: YEAH, THE HEAVY METAL
CONCEPT --
ALEXIS: RIGHT, YES.
FRED: BUT MORE PRECISE.
ALEXIS: EXACTLY -- YOU KNOW,
KEEP THE PASSION, BUT LEAVE OUT
THE VIOLENCE AND THE RAGE.
FRED: YES, THAT'S PERFECT --
PERFECT FOR ONE OF MY GROUPS.
ALEXIS: THANK YOU.
NED: MAYBE YOU CAN GO
FOR A REAL EDWARDIAN LOOK.
ALEXIS: OH.
MY HUSBAND IS ABSOLUTELY RIGHT,
AS USUAL.
I HAVE TO SKETCH.
IMMEDIATELY.
NED: WHAT CAN I SAY?
WHEN INSPIRATION STRIKES.
ALEXIS: I KNOW THAT YOU HAVE
AN AIRPLANE TO CATCH, SO WE WANT
TO BE ABLE TO CALL YOU A CAB.
AND IT WAS SUCH A PLEASURE
MEETING YOU.
HONEST TO GOD.
NED: IT WAS GREAT MEETING
YOU, FRED.
FRED: NICE TO MEET YOU, TOO.
ALEXIS: IT WAS A PLEASURE.
ABSOLUTE PLEASURE.
FRED: BY THE WAY,
YOUR WIFE IS A COMPLETE DELIGHT.
NED: THANK YOU.
GERTRUDE: WHAT DID THAT MAN
MEAN -- "YOUR WIFE"?
EDWARD: ARE YOU PRETENDING
TO BE CHLOE?
ALEXIS: WHY WOULD I PRETEND
TO BE CHLOE?
GERTRUDE: WHY DID THAT MAN
JUST SAY YOUR WIFE IS A TOTAL
DELIGHT?
NED: BEST GUESS --
BECAUSE SHE IS.
HE MET CHLOE EARLIER TODAY.
GERTRUDE: OH.
ALEXIS: TO CLARIFY,
I'M ALEXIS, FORMER GIRLFRIEND,
CURRENT ATTORNEY, WHO IS
BLISSFULLY, HAPPILY IN LOVE
WITH JAX.
NOW, CHLOE IS --
EDWARD: WE KNOW WHO CHLOE IS,
DEAR.
AND WHAT ARE YOU DOING HERE,
HMM?
NED: ALEXIS JUST NEGOTIATED
A TERRIFIC DEAL FOR L&B RECORDS.
ALEXIS: THANK YOU.
GERTRUDE: AND WHERE IS
MY NIECE?
ALEXIS: YOU DON'T HAVE
TO ANSWER THAT.
NED: YOU MEAN YOUR SPIES LOST
TRACK OF HER?
DIDN'T YOU EXPLAIN THAT
THE SPYER IS ALWAYS SUPPOSED
TO KNOW WHERE THE SPYEE IS?
EDWARD: HE IS GENETICALLY
INCAPABLE OF GIVING A STRAIGHT
ANSWER.
NED: THANK YOU, GRANDFATHER.
GERTRUDE: YOU TWO ARE UP
TO SOMETHING.
ALEXIS: PARAGRAPH 47,
PART TWO, ITEM THREE, I BELIEVE.
SHALL WE CONTINUE WORK?
NED: YOU'LL EXCUSE US?
ALEXIS: DO YOU THINK
THEY BOUGHT ANY OF THAT?
NED: NOT FOR A SECOND.
GERTRUDE: THEY'RE LYING.
EDWARD: AND ALL WE HAVE TO DO
IS PROVE IT ONCE AND FOR ALL.

LAURA: OH, NIKOLAS. GOOD.
NIKOLAS: HOW ARE YOU DOING?
LAURA: I'M OK.
NIKOLAS: I HEAR YOU NEED
A RIDE TO THE AIRPORT.
FATHER LOANED ME THE MERCEDES.
IS EVERYONE READY?
LAURA: JUST ABOUT.
BUT ACTUALLY THAT'S NOT WHY
I ASKED YOU TO COME OVER HERE.
NIKOLAS: TOO BAD.
YOU HAVE IT ANYWAY.
LAURA: WELL, THANK YOU.
BUT, NIKOLAS,
WOULD YOU CONSIDER COMING
WITH US?
NIKOLAS: TO NORTH CAROLINA?
ARE YOU SERIOUS?
LAURA: YES, I'M VERY SERIOUS.
NIKOLAS: WHY WOULD I WANT
TO LEAVE TOWN?
LAURA: WELL,
THERE IS A MAN NAMED CESAR
FAISON, AND HE IS BACK
IN PORT CHARLES.
HE'S THE ONE WHO KILLED ROBIN'S
PARENTS.
YOU KNOW, ROBIN'S FATHER,
ROBERT SCORPIO, WAS ONE
OF LUKE'S CLOSEST FRIENDS.
NIKOLAS: DIDN'T WHOEVER
KILLED THEM DIE IN THE
EXPLOSION?
LAURA: WELL, THAT'S WHAT
EVERYONE THOUGHT, BUT APPARENTLY
NOT BECAUSE HE IS BACK IN TOWN.
AND HE MAY BE AFTER LUKE,
WHICH MEANS THAT ANYONE WHO'S
CLOSE TO ME COULD POSSIBLY BE
A TARGET.

FELICIA: MAC'S POLICE PEOPLE
ARE WATCHING EVERY MOVE
YOU MAKE.
FAISON: WELL, THEN THEY
BETTER PAY ATTENTION
BECAUSE I HAVE DONE NOBODY ANY
HARM.
I PRESENT NO THREAT.
STILL, I'VE BEEN THROWN IN JAIL
AND I'VE BEEN HOUNDED
BY A STUPID DETECTIVE WHO
DOESN'T KNOW HOW TO HANDLE A CUP
OF COFFEE, AND I'VE BEEN
ASSAULTED MORE THAN ONCE
BY THE POLICE COMMISSIONER.
FELICIA: SO LEAVE.
FAISON: YEAH, BUT WHY CAN'T
WE COEXIST HAPPILY TOGETHER,
SO TO SPEAK?
FELICIA: STAY AWAY
FROM MY FAMILY AND ME.
FAISON: MY INTENTIONS ARE
GOOD.
FELICIA: YOU EXPECT ME
TO BELIEVE THAT?
FAISON: YOU MAY.
SHOULD YOU HAVE A CHANGE
OF HEART.
[TELEPHONE RINGS]
FAISON: EXCUSE ME.
FAISON: HERR KRIEG HERE.
WELL, HELLO, MY FRIEND.
HOW THE HELL ARE YOU?
UH-HUH.

SONNY: ALL THIS TIME --
ALL I NEEDED WAS YOU.
EVERYTHING'S CLEAR WITH YOU.
YOU KNOW, I CAN TRUST YOU.
THAT'S RARE.
HANNAH: THAT DAY
ON THE DOCKS --
I THOUGHT YOU WERE THIS RICH
JERK.
SONNY: WHY DON'T YOU SAY WHAT
YOU REALLY MEAN?
HANNAH: I'VE BEEN LOOKING
FOR PARADISE, TOO.

NIKOLAS: I UNDERSTAND THAT
YOU WANT TO PROTECT MY FATHER.
BUT CAN YOU SEE THIS
FROM MY SIDE?
WE'RE OUT FROM UNDER ALL
THE LIES, LAURA.
THEY COST US.
YOU MOST OF ALL.
I CAN'T LIE TO MY FATHER,
AND I WON'T.
LAURA: I UNDERSTAND.
NIKOLAS: THE POLICE HAVEN'T
BEEN ABLE TO DEAL WITH THIS
FAISON SO FAR, OK?
SO WHY NOT LET MY FATHER DEAL
WITH HIM?
LAURA: BECAUSE I'M AFRAID.
I'M JUST AFRAID YOUR FATHER'S
GOING TO MAKE SOME KIND
OF A SUDDEN MOVE AND END UP
GETTING HURT.
NIKOLAS: LUKE MAKES SUDDEN
MOVES, NOT MY FATHER.
LAURA: YOU KNOW SOMETHING?
YOU'RE SO MUCH LIKE YOUR FATHER.
SO LOGICAL, YOU THINK EVERYTHING
THROUGH, YOU ALWAYS TAKE
PRECAUTIONS.
YOU KNOW, I AGREE WITH YOU.
IT IS COMPLETELY ILLOGICAL NOT
TO TELL STEFAN.
NIKOLAS: SO TELL HIM.
LAURA: BUT I THINK LOGIC IS
HIGHLY OVERRATED.
I GO ON MY INSTINCTS,
AND MY INSTINCTS ARE SCREAMING
TO KEEP STEFAN OUT OF THIS.
IF LUKE TANGLES WITH FAISON,
STEFAN CAN'T BE IN THE MIX.
DON'T ASK ME WHY, BUT HE JUST --
HE CAN'T BE.
NIKOLAS: WHAT HAPPENS WHEN
YOUR INSTINCT SCREAMS ONE THING,
OK, AND MINE SCREAMS ANOTHER?
LAURA: I GUESS YOU JUST HAVE
TO USE YOUR BEST JUDGMENT,
AND I'LL UNDERSTAND NO MATTER
WHAT.
NIKOLAS: THANK YOU.
HOWEVER, IF YOU WOULD FEEL
SAFER, I CAN SEND YOU
A BODYGUARD TO NORTH CAROLINA.
LAURA: NO, NO, NO.
WE WILL BE FINE.
WE REALLY WILL.
BUT PROMISE ME SOMETHING, OK?
IF FAISON MAKES CONTACT
WITH YOU IN ANY WAY,
THAT YOU WILL TELL YOUR FATHER.
TELL HIM EVERYTHING.
NIKOLAS: I WILL. OK?
I PROMISE YOU.
LAURA: THANK YOU.
LESLEY: OH, LOOK WHO'S HERE.
IT'S YOUR NICKY.
IT'S YOUR NICKY.
NIKOLAS: WELL, HEY, YOU.
HOW ARE YOU, HUH?
YOU READY TO FLY ON AN AIRPLANE?
LESLEY LU: YES.
NIKOLAS: YEAH?
GUESS I BETTER PACK THE CAR,
HUH?
OK, COME ON.
LET'S GO PACK IT.
LESLEY: HI, SWEETHEART.
NIKOLAS: HOW ARE YOU?
LESLEY: LET ME TAKE YOUR BAG.
NIKOLAS: HERE WE GO.

FAISON: MM-HMM.
YEAH, WELL, SO THE TRANSACTION
IS GOING WELL?
GOOD. GOOD.
I CAN'T WAIT TO HEAR FROM YOU.
THANK YOU VERY MUCH.
I APOLOGIZE.
FELICIA: ANTON GARDENER?
FAISON: MM-HMM.
FELICIA: HERR KRIEG?
HOW MANY ALIASES DO YOU HAVE?
FAISON: YOU WANT A LIST?
FELICIA: LET'S SEE --
GARDENER SMUGGLES JEWELS.
FAISON KILLS PEOPLE.
FAISON: AH.
FELICIA: WHAT DOES
HERR KRIEG DO?
FAISON: I'M RUNNING A SIMPLE
BUSINESS WITH AN AMERICAN
ABROAD.
BOBBIE: KELLY'S RESERVES
THE RIGHT TO REFUSE SERVICE
TO ANYONE.
SO GET OUT.
FAISON: YOU AND YOUR HUSBAND
HAVE SUCCEEDED IN RUINING
MY GOOD NAME.
I APOLOGIZE FOR ANY
INCONVENIENCE.
BOBBIE: HEY, WHY WERE
YOU EVEN SPEAKING TO HIM?
FELICIA: KRIEG.
HERR KRIEG.
WHERE HAVE I HEARD THAT NAME
BEFORE?
OH, MY GOD.
FAISON WAS ON THE PHONE
WITH LUKE.

FELICIA: LUKE AND I WERE
ON OUR WAY TO CARLY'S ENGAGEMENT
PARTY, AND THE PHONE RANG.
AND I PICKED IT UP,
AND NO ONE WAS THERE.
AND THEN I HANDED THE PHONE OVER
TO LUKE, AND IT WAS HERR KRIEG.
THAT'S WHY FAISON WOULDN'T SAY
ANYTHING, BECAUSE HE KNEW
I WOULD RECOGNIZE HIS VOICE.
AND THEN -- AND THEN HE CALLED
AGAIN WHEN WE WERE IN THE CRT.
IT WAS HERR KRIEG.
BUT LUKE PRETENDED LIKE
HE DIDN'T WANT TO DEAL WITH HIM
AND HE PRETENDED LIKE THERE WAS
A BAD CONNECTION.
I REMEMBER.
BOBBIE: DO YOU THINK
MY BROTHER'S DOING BUSINESS
WITH CESAR FAISON?
FELICIA: LUKE WASN'T EVEN
AROUND WHEN FAISON WENT AFTER
ROBERT AND ANNA.
HE WOULDN'T KNOW WHAT HIS FACE
LOOKED LIKE OR WHAT HIS VOICE
SOUNDED LIKE.
BOBBIE: WELL, THEN WE HAVE
TO WARN LUKE.
FELICIA: OBVIOUSLY,
FAISON KNOWS THAT WE WOULD
FIGURE THIS OUT.
MAYBE HE'S TRYING TO USE US
TO SET UP LUKE.

EDWARD: YOU KNOW,
GERTRUDE, WE'VE BEEN
ON THE DEFENSE LONG ENOUGH.
THEY'VE REDUCED US TO CHASING
THEM AROUND THE WORLD
AND QUIZZING THEM IN
RESTAURANTS -- MY RESTAURANT.
I WON'T STAND FOR IT.
WE'RE GOING ON THE OFFENSE.
GERTRUDE: HOW MUCH MORE
OFFENSIVE CAN WE GET?
EDWARD: WE'LL SET A TRAP
TO FORCE NED AND CHLOE TO ADMIT
THAT THEIR MARRIAGE IS A SHAM.
HMM?

ALEXIS: ANY WORD FROM CHLOE?
NED: NADA.
ALEXIS: SAME HERE.
NED: OK, DID JAX MENTION
WHERE HE DRAGGED CHLOE OFF TO?
ALEXIS: MAYBE SHE'S JUST
A LITTLE LATER THAN HER USUAL
YEAR AND A HALF.
NED: OH, SHE HAD EVERY
INTEION OF BEING HERE.
ALEXIS: INTENT ONLY COUNTS
IN A MURDER TRIAL.
NED: MAYBE JAX TRICKED
HER INTO GOING SKYDIVING OVER
CUBAN AIRSPACE.
ALEXIS: LET ME GET THIS
STRAIGHT -- ARE WE RULING OUT
ANY CHLOE CULPABILITY HERE?
NED: DON'T BLAME CHLOE
FOR THIS.
ALEXIS: AND DON'T YOU BLAME
JAX.
WE'RE HAVING A FIGHT, AREN'T WE?
NED: I WANT TO KISS
AND MAKE UP.
ALEXIS: ME, TOO --
DESPERATELY.
NED: YOU WERE BRILLIANT
AS CHLOE.
ALEXIS: THANK YOU VERY MUCH.
NED: I CLOSED MY EYES
FOR A SECOND AND I ACTUALLY
THOUGHT YOU WERE MY WIFE.
ALEXIS: I CAN'T DO THIS
ANYMORE.
NED: NEITHER CAN I.
ALEXIS: ALL RIGHT, ALL WE CAN
DO IS JUST STAY CALM AND WAIT
FOR THE PHONE TO RING.
NED: RIGHT. RIGHT.
WHY BLOW THE WHOLE THING JUST
BECAUSE MY WIFE CAN'T STAY AWAY
FROM YOUR HUSBAND?

JAX: WILDERNESS RULE
NUMBER ONE -- NEVER GET STRANDED
IN THE WOODS WITHOUT CHAMPAGNE.
CHLOE: WORDS TO LIVE BY.
JAX: ALWAYS BRING PLENTY
OF FOOD.
LOTS OF CHAMPAGNE.
AND LOTS OF --
WHERE IS IT?
AHA.
CHLOE: OH.
CHOCOLATE.
YOU ARE AN ANGEL FROM HEAVEN.
JAX: WELL, DON'T TELL ANYONE.
CHLOE: HEY, IS IT TRUE THAT
THAT FIRE WILL KEEP THE SNAKES
AWAY?
JAX: OH, YEAH.
THAT'S WILDERNESS RULE
NUMBER 19, I BELIEVE.
I'LL GET SOME MORE WOOD.
YOU KNOW, FIRST THING TOMORROW
WE'LL HEAD OUT, FIND THAT ROAD.
JAX: WE'LL FLAG DOWN A CAR,
AND WE SHOULD BE BACK IN --
AND WE SHOULD BE BACK
IN PORT CHARLES BY LUNCH.

HANNAH: WE REALLY ARE
IN PARADISE.
SONNY: NOW THAT YOU'RE
WITH ME.
YEAH.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

JAX: I COULD LEAVE YOU HERE
AND GO AND GET HELP.
CHLOE: LEAVE ME HERE ALONE?

ELIZABETH: DO YOU ACTUALLY
BELIEVE KATHERINE BELL IS GOING
TO HAVE YOUR BABY?

FAISON: YOU WON'T BE SEEING
ME FOR A WHILE.

BOBBIE: LUKE'S DOING BUSINESS
WITH CESAR FAISON, AND
YOU DIDN'T EVEN MENTION IT
TO MAC?

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