General Hospital Transcript Thursday 4/29/99

Provided by Laura

TAGGERT: OH, IT'D BE
WORTH IT.
SONNY: OH, YEAH?
YOU WANT TO TAKE --
WHOA! WHOA!

NED: HELLO, JAX.
JAX: IF YOU'RE HERE TO WARN
ME ABOUT ENDANGERING ALEXIS'
LIFE AGAIN, YOU CAN SAVE
YOUR BREATH.
I HEARD YOU THE FIRST 15 TIMES.
NED: ALEXIS MAKES HER OWN
DECISIONS ABOUT WHICH RISKS ARE
WORTH TAKING AND WHICH ARE
IDIOTIC.
I WOULDN'T DREAM OF GOING BEHIND
HER BACK.
I WOULDN'T.
JAX: WELL, THAT'S
BECAUSE RIGHT NOW SHE'S LEANING
TOWARDS WALKING AWAY
FROM HER CLAIM ON THE CASSADINE
FORTUNE.
BUT, YOU KNOW, SHE'S WAFFLED
BEFORE.
SHE MIGHT EVEN CHANGE HER MIND.
NED: OVER YOUR DEAD BODY.
JAX: THAT'S WHAT I THOUGHT.
NED: SO WHAT ABOUT YOU?
ARE YOU GOING TO PURSUE
THE CASSADINE HOLDINGS
WITHOUT HER?
JAX: I HAVEN'T MADE
A DECISION YET.
NED: WELL, IF YOU DECIDE THAT
THE CASSADINES AREN'T WORTH
THE RISK, GIVE ME A CALL,
BECAUSE I HAVE A BUSINESS
PROPOSITION YOU MIGHT FIND VERY
INTERESTING.
JAX: "INTERESTING."
JERRY: GOOD.
DAD AND LADY JANE HAVEN'T
ARRIVED YET.
JAX: NO, THEY SHOULD BE ALONG
ANY MINUTE.
IN THE MEANTIME, NED JUST MADE
AN OVERTURE OF SOMETHING THAT
COULD PROVE VERY USEFUL.
JERRY: YOU KNOW WHAT?
I COULD CARE LESS ABOUT ASHTON.
I NEED YOUR HELP.
LADY JANE TOOK IT UPON HERSELF
TO ASK BOBBIE TO JOIN US
FOR DINNER.
FELICIA: LILA, I'VE BEEN
THINKING A LOT ABOUT THOSE
LETTERS THAT YOU WROTE,
YOU SAID, TO YOUR COUSIN ABOUT
YOUR ROMANCE WITH EDWARD,
AND YOU SAID THAT EDWARD WROTE
TO YOU AS WELL?
LILA: OH, EDWARD WAS
A SPLENDID CORRESPONDENT.
FELICIA: PLEASE TELL ME THAT
YOU DID NOT THROW THOSE LETTERS
AWAY.
LILA: I GAVE THEM
TO MY COUSIN ELEANOR
FOR SAFEKEEPING WITH THE OTHERS.
FELICIA: OH.
IS THERE A POSSIBILITY THAT
SHE WOULD STILL HAVE THEM?
LILA: I'M AFRAID SHE'S BEEN
DEAD FOR SOME TIME.
FELICIA: DID SHE HAVE
CHILDREN?
PERHAPS THEY HAVE THEM.
LILA: I'M SURE THEY'RE GONE,
REGRETTABLY.
FELICIA: YOU'D LIKE TO HAVE
THEM.
LILA: LEARN FROM MY MISTAKES,
FELICIA.
HOLD ON TO ALL THE MEMENTOS
OF YOUR OWN PAST.
THEY'RE MORE PRECIOUS THAN
YOU REALIZE.
FELICIA: I'LL TAKE THAT
TO HEART.
I'M LEARNING A LOT FROM WRITING
YOUR MEMOIRS.
I HAVE JUST A FEW MORE QUESTIONS
TODAY.
CARLY: BENNY?
HI, IT'S CARLY.
YEAH, IS JASON STILL
AT THE WAREHOUSE?
WELL, IS HE ON HIS WAY HOME
OR -- OH, OK.
WELL, I'M GOING TO CATCH HIM
THERE, THEN.
THANKS.
A.J.: THANK YOU.
YES, HE IS A FINE-LOOKING BOY.
OH, AND BY THE WAY, THE ROSE
GARDEN LOOKS SPECTACULAR.
A.J.: WHAT ARE YOU DOING?
CARLY: OH, I'M -- I'M
FINISHING A HOMEWORK ASSIGNMENT,
WHICH, IF I DON'T GET IT DONE,
I'M GOING TO BE LATE
FOR MY CLASS.
A.J.: I WAS WONDERING
IF YOU WOULD LIKE TO PLAY HOOKY
TONIGHT.
HANNAH: YOU LOOK LIKE
YOU COULD USE THAT.
JASON: HOW COULD YOU TELL?
HANNAH: NO OFFENSE,
BUT YOU LOOK DIRTY AND THIRSTY.
JASON: YEAH, ONE
OF THE CRANES BROKE DOWN
AT THE WAREHOUSE.
WE WOUND UP LOADING THE COFFEE
MANUALLY.
HANNAH: WOW.
A CO-OWNER WILLING TO GET
HIS HANDS DIRTY, NOT TO MENTION
HIS CLOTHES?
JASON: I USED TO LOAD CRATES
FOR A LIVING.
HANNAH: BUT YOU LIKE OWNING
BETTER?
JASON: MM-HMM.
MOST OF THE TIME.
BUT I DON'T MIND HELPING OUT.
HANNAH: OK, SO LET ME GET
THIS STRAIGHT -- YOU'VE BEEN
A PARKING VALET, A STEVEDORE,
A MOTORCYCLE MECHANIC, AND NOW
YOU'RE A COFFEE MERCHANT.
ARE THERE ANY OTHER CAREERS
YOU'RE HIDING?
JASON: NOT AT THE MOMENT.
HANNAH: WHAT ABOUT SONNY?
BOBBIE: YOU LEFT THE BOOKS
AT KELLY'S.
ELIZABETH, I CAN'T STAY, BUT DO
YOU HAVE A MINUTE?
ELIZABETH: SURE.
WANT TO SIT?
BOBBIE: ACTUALLY, THE BOOKS
WERE JUST AN EXCUSE TO CHECK UP
ON YOU.
HOW ARE YOU?
ELIZABETH: I WALK, I TALK,
I EAT BREAKFAST IN THE MORNING,
EVEN THOUGH I DON'T KNOW WHY.
I CAN'T THINK OF ANYTHING
BUT LUCKY.
BOBBIE: NOBODY EXPECTS
YOU TO.
YOU KNOW, LUCKY WAS VERY
IMPORTANT TO ALL OF US.
HIS ABSENCE IS LIKE
A BOTTOMLESS PIT.
ELIZABETH: YEAH,
THAT'S EXACTLY IT.
I FEEL LIKE I'M FALLING AND IT'S
NEVER GOING TO END.
BOBBIE: BUT IT WILL.
ELIZABETH: WHEN?
BOBBIE: WHEN IT'S TIME.
AND IN THE MEANTIME, YOU HAVE
PLENTY OF PEOPLE TO CATCH YOU --
PEOPLE WHO LOVE YOU AND WHO
LOVED LUCKY.
ELIZABETH: BUT YOU DON'T
UNDERSTAND.
BOBBIE: I'M SURE I DON'T.
NOBODY CAN UNDERSTAND EXACTLY
WHAT YOU ARE GOING THROUGH.
BUT I DO KNOW
LIFE GOES ON.
YOU WON'T FALL FOREVER,
I PROMISE.
I GOT TO GO.
YOU CALL ME ANYTIME.
I'LL LET MYSELF OUT.
ELIZABETH: OK.
MAC'S VOICE: THERE WERE SOME
CANDLES IN LUCKY'S ROOM.
THEY THINK HE FELL ASLEEP WHILE
THEY WERE STILL BURNING
AND THAT'S HOW THE FIRE STARTED.
LUCKY: GUESS WHAT I'M DOING
RIGHT NOW.
ELIZABETH: READING
YOUR NOTES?
LUCKY: I'M LIGHTING ONE
OF YOUR CANDLES.
GUESS WHY.
ELIZABETH: BECAUSE I GAVE IT
TO YOU?
LUCKY: BECAUSE IT'S WARM
AND SMELLS GOOD AND IT LIGHTS UP
A ROOM, JUST LIKE YOU.
ELIZABETH: LUCKY,
THAT'S SO SWEET.
WILL YOU LIGHT ANOTHER ONE
FOR ME?
LUCKY: DAMN IT.
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[DOORBELL RINGS]
NIKOLAS: ELIZABETH?
ELIZABETH, IT'S NIKOLAS.
ARE YOU HOME?
NIKOLAS: BAD TIME?
ELIZABETH: NO.
COME ON IN.
I GUESS YOUR MOTHER TOLD
YOU ABOUT HOW THE FIRE STARTED?
NIKOLAS: YEAH, THATT WAS
AN ACCIDENT.
THAT'S -- THAT'S GOOD FOR EMILY.
SHE WAS REALLY HURT THAT
EVERYBODY WAS BLAMING
HER BROTHER.
ELIZABETH: IT WASN'T FAIR
TO ACCUSE THE WRONG PEOPLE.
NIKOLAS: I SUPPOSE IT SHOULD
BE EASIER, KNOWING THAT NO ONE
WAS TO BLAME, YOU KNOW?
BUT I -- I KEEP WANTING SOMEONE
TO TAKE RESPONSIBILITY FOR THIS,
YOU KNOW, SO I CAN UNDERSTAND
WHY IT HAPPENED AND MAKE SENSE
OF IT ALL.
SO, YOU'VE BEEN TO THE SCHOOL
THE LAST COUPLE OF DAYS, HUH?
ELIZABETH: YEAH.
GRAM SAYS I'M PUSHING MYSELF TOO
HARD, BUT I DON'T KNOW WHAT ELSE
TO DO.
NIKOLAS: THERE'S ALWAYS
MY PLACE.
IT'S HALF FURNISHED.
SO, WHY DON'T YOU GO FURNITURE
SHOPPING WITH ME AND EMILY THIS
WEEKEND?
ELIZABETH: NIKOLAS, I CAN'T.
NIKOLAS: I UNDERSTAND.
IT'S OK.
ELIZABETH: NO.
NO, YOU -- YOU DON'T UNDERSTAND
AT ALL.
CARLY: YOU KNOW WHAT?
I WOULD LOVE TO HAVE DINNER
WITH YOU TONIGHT, BUT THIS IS
A REALLY IMPORTANT LECTURE.
WE'RE STARTING ON DOMESTIC
INTERIORS, WHICH IS THE WHOLE
REASON I TOOK THE CLASS
IN THE FIRST PLACE.
SO -- I DON'T KNOW -- CAN I TAKE
A RAIN CHECK OR --
A.J.: SURE. NO PROBLEM.
CARLY: THANKS.
A.J.: MM-HMM.
CARLY: YOUR LITTLE BOY'S
ALREADY ASLEEP.
I PLAYED WITH HIM ALL DAY
OUTSIDE.
A.J.: OH, THAT'S GREAT.
YOU KNOW, I'LL CHECK IN ON HIM
AS SOON AS I GET BACK
FROM DROPPING YOU OFF.
CARLY: THERE'S NO REASON
FOR YOU TO DRIVE ME TO CLASS.
WHAT, YOU JUST GOT HOME
FROM WORK.
A.J., IT'S OK.
I JUST CALLED A CAB.
IT'LL BE HERE ANY SECOND.
SO, UH --
SEE YOU LATER?
A.J.: MM-HMM.
GOOD LUCK.
WITH YOUR DRAWING?
YOU KNOW, DESIGN CLASS?
CARLY: OH.
THANKS.
A.J.: YEAH.
CARLY: OK.
EDWARD: WHERE THE HELL HAVE
YOU BEEN?
A.J.: E.L.Q.
IS THERE A PROBLEM?
EDWARD: THERE DAMN WELL
MAY BE.
HANKS TO THE BARRAGE OF CALLS
THAT YOU'VE MADE TO THE COURT,
THEY HAVE FINALLY SET A DATE
FOR THE CUSTODY HEARING.
A.J. THAT'S GOOD.
EDWARD: NO, WE HAVE LOST
OUR ACE IN THE HOLE
BECAUSE JUDGE CARTER COULDN'T
CLEAR HIS CALENDAR ON SUCH SHORT
NOTICE.
SO WE HAVE ONE SHORT WEEK
TO PROVE THAT YOU AND CARLY ARE
THE PERFECT PARENTS.
HANNAH: THERE WAS A COP
IN HERE LAST NIGHT.
HE DID EVERYTHING HE COULD
TO TRY TO PROVOKE SONNY.
JASON: BALD, SHINY HEAD,
EXTREMELY BAD ATTITUDE?
HANNAH: THAT'S THE ONE.
JASON: THAT'S TAGGERT.
HAS A LONG-STANDING VENDETTA
AGAINST SONNY.
HANNAH: WHY?
JASON: I DON'T KNOW.
YOU'D HAVE TO ASK TAGGERT.
AS LONG AS I CAN REMEMBER,
HE'S BEEN ACCUSING SONNY
OF EVERYTHING IN THE BOOK.
WHY, I DON'T KNOW, BUT NO PROOF.
HANNAH: WELL, THAT MAKES ME
FEEL A LITTLE BETTER.
HE GOT PRETTY HOT UNDER
THE COLLAR LAST NIGHT.
JASON: BUT LET ME GUESS --
IN THE END NOTHING HAPPENED,
RIGHT?
SONNY: ACTUALLY,
MS. SCOTT GOT RID OF SUPERCOP
FOR ME.
SONNY: IF YOU'RE CURIOUS
ABOUT MY DIFFICULTIES
WITH LT. TAGGERT, YOU DON'T HAVE
TO WORK JASON.
YOU'RE WELCOME TO ASK ME.
HANNAH: ON THE CONTRARY.
I WAS CONCERNED ABOUT JASON.
THE LIEUTENANT HAD ALSO ASKED
ABOUT HIM LAST NIGHT,
AND I WANTED TO WARN HIM IN CASE
HE'S IN TROUBLE.
JASON: I APPRECIATE
THE WARNING.
HANNAH: ANYTIME.
JASON: IT'S NICE HOW SHE,
YOU KNOW, LOOKS OUT FOR ME.
NEXT TIME I HAVE TROUBLE
WITH TAGGERT, MAYBE I'LL
CALL HER.
WHAT'S HER METHOD OF GETTING RID
OF HIM?
SONNY: SHE DUMPED A TRAY
OF DRINKS ON HIM.
JASON: I LIKE THAT.
SONNY: SHE LIKES YOU.
JASON: YEAH, I THINK
SHE DOES.
SHE'S ALWAYS ASKING ME
QUESTIONS.
SONNY: ABOUT WHAT?
JASON: YOU.
SONNY: WHAT KIND
OF QUESTIONS?
JASON: ABOUT WHETHER YOU'D BE
ALL RIGHT AFTER LUCKY DIED.
ABOUT WHY YOU WANT HER TO STAY
AWAY FROM YOU.
AND JUST NOW, SHE SEEMED WORRIED
THAT TAGGERT MIGHT -- COULD PUSH
YOU TOO FAR.
ANYWAY, HERE'S THE SHIPPING
MANIFEST FOR THE COFFEE WE MOVED
TODAY.
AND BY THE WAY, THE CRANE BROKE.
SONNY: I FIGURED SOMETHING
MUST BE WRONG BY THE WAY
YOU LOOK.
JASON: YEAH, WELL, YOU KNOW
WHAT?
IF WE'RE GOING TO HAVE THIS
MEETING WITH MORENO, I SHOULD GO
HOME AND CHANGE -- IF YOU STILL
WANT TO GO THROUGH WITH IT.
SONNY: IF I CAN REASSURE
MORENO I POSE NO THREAT,
IT'LL BE BETTER FOR EVERYBODY.
JASON: OK.
EDWARD: A.J., I TOLD
YOU TO GIVE THIS TIME.
NOW WE HAVE TO GO INTO COURT
AT A GRAVE DISADVANTAGE.
THE FIRE THAT KILLED THAT
SPENCER BOY HAD NOTHING TO DO
WITH JASON'S CRIMINAL PURSUITS.
HIS COFFEE BUSINESS IS FULLY
OPERATIONAL.
PLUS WHICH HE HAS THAT
COURT-APPOINTED WITCH DOCTOR
TO VERIFY THAT HE IS THE ONLY
MAN IN THE WORLD WHO CAN MAKE
YOUNG MICHAEL SMILE.
WORST OF ALL, NOBODY'S TAKEN
A SHOT AT HIM IN MONTHS.
NOW, YOU ADD TO THAT THE FACT
THAT HE HAS HIRED THAT
BACK-STABBING, BRILLIANT,
UNPRINCIPLED ATTORNEY,
PLUS THE FACT THAT EMILY
AND BOBBIE, AND MAYBE
YOUR MOTHER BY NOW, ARE PROBABLY
ALL NOW GOING TO LINE UP BEHIND
HIM AND TESTIFY IN HIS BEHALF,
WE COULD END UP LOSING MICHAEL
FOR GOOD.
NEEDLESS TO SAY, THAT DOES NOT
BODE WELL FOR YOUR PROSPECTIVE
FUTURE AS C.E.O.
A.J.: THERE'S NO NEED TO MAKE
THREATS OR PANIC.
DO YOU REALLY THINK THAT I WOULD
PUSH FOR AN EARLY HEARING DATE
IF I WASN'T 100% CONFIDENT
I COULD WIN?
YOU'RE UNDERESTIMATING ME.
YOU SEE, I'LL HAVE TONY JONES'
TESTIMONY TO PROVE THAT JASON IS
AN UNFIT HUMAN BEING, LET ALONE
AN UNFIT PARENT, I HAVE A LIST
OF EVERY VIOLENT INCIDENT THAT
JASON IS CONNECTED WITH,
INCLUDING, MOST RECENTLY,
THE WAREHOUSE FIRE,
AND THE SIMPLE TRUTH THAT JASON
IS NOT MICHAEL'S BIOLOGICAL
FATHER, I AM.
BOTH BIOLOGICAL PARENTS ARE
LIVING HERE IN THIS HOUSE,
SO AS LONG AS CARLY AND I CAN
PRESENT A UNITED FRONT,
THERE'S NO WAY WE CAN LOSE.
EDWARD: WELL, I'M NOT VERY
CONFIDENT ABOUT THIS UNITED
FRONT.
A.J.: I AM.
EDWARD: A.J., CARLY WILL TURN
ON YOU IN A MILLION --
A.J.: SHE WON'T.
EDWARD: WELL, YOU THINK --
A.J.: SHE WON'T.
NOW, IF THERE ARE NO OTHER FIRES
FOR ME TO PUT OUT, I HAVE
BUSINESS TO TAKE CARE OF --
THE SOONER, THE BETTER.
JOHN: I KNOW WE'VE MET
MS. SPENCER BEFORE,
BUT APPARENTLY WE WEREN'T PAYING
ATTENTION.
WHAT'S SHE LIKE?
JANE: WELL, I CERTAINLY HOPE
SHE HAS MORE PERSONALITY THAN
THAT LAST INSIPID -- OH,
WHAT WAS YOUR TERM FOR HER?
JOHN: AIRHEAD FLAGPOLE.
JANE: THAT'S RIGHT -- THAT
AIRHEAD FLAGPOLE YOU DATED.
JOHN: AT LEAST MS. SPENCER
SPEAKS ENGLISH, UNLIKE THOSE
BELLY DANCERS YOU BROUGHT HOME
THAT TIME.
JAX: WELL, LET ME ASSURE YOU,
DAD, SHE SPEAKS PERFECT ENGLISH.
ADMITTEDLY, WITH A BIT
OF AN ACCENT.
JERRY: I CAN ASSURE
YOU THERE'S NOTHING INSIPID
ABOUT HER.
JANE: YOU KNOW, I NEVER
THOUGHT I'D SAY THIS,
BUT MY ELDEST APPEARS QUITE
SMITTEN.
JAX: SMITTEN.
YES, YOU'RE SMITTEN.
JERRY: YOU KNOW WHAT?
JUST WIPE THAT GRIN OFF
YOUR FACE AND BEHAVE OR I'M
GOING TO SMITE YOU -- THE LOT
OF YOU.
JAX: "SMITE."
FELICIA: I COULD CALL BETTY.
BOBBIE: FELICIA.
FELICIA: OH, HEY.
WHAT ARE YOU DOING HERE?
BOBBIE: WELL, I'M HONESTLY
NOT SURE, BUT I NEED
THE TRUTH -- HOW DO I LOOK?
FELICIA: ARE YOU TRYING
TO IMPRESS SOMEONE?
BOBBIE: MM-HMM.
JERRY'S PARENTS.
FELICIA: OH, MY GOODNESS.
YOU LOOK GREAT.
HOW DO YOU FEEL?
BOBBIE: WE'RE COPING.
LET'S NOT GO THERE OR I MAY
START TO CRY.
FELICIA: RIGHT, RIGHT. OK.
WELL, ABOUT JERRY'S PARENTS --
I DON'T THINK YOU HAVE ANYTHING
TO WORRY ABOUT BECAUSE YOU'VE
GOT BRAINS AND HEART
AND A PERSONALITY, AND,
ACCORDING TO MAC, HE NEVER DATES
ANYBODY WITH THOSE KIND
OF CHARACTERISTICS.
I'M SURE YOU'LL BE A BREATH
OF FRESH AIR.
JAX IS JOINING YOU?
ARE THINGS BETTER THERE?
BOBBIE: YEAH, WELL,
THERE SEEMS TO BE A BIT
OF A WARMING TREND.
I MEAN, THE PARENTS SHOWED UP
AND HE DIDN'T ASK THEM TO LEAVE.
AND THEN THIS AFTERNOON
HIS MOTHER CALLED ME OUT
OF THE CLEAR BLUE SKY AND ASKED
ME TO JOIN THEM FOR DINNER.
FELICIA: ARE YOU NERVOUS?
BOBBIE: HOW NERVOUS DO
I LOOK?
FELICIA: JUST THE RIGHT
AMOUNT.
BESIDES, YOU KNOW, YOU'RE
THE BEST THING THAT EVER
HAPPENED TO JERRY.
IF ANYTHING, HIS PARENTS SHOULD
BE NERVOUS ABOUT MEETING YOU.
BOBBIE: I'LL TRY TO REMEMBER
THAT.
THANKS.
FELICIA: GOOD LUCK.
JERRY: BY THE WAY, THIS HAS
NOTHING TO DO WITH ME, SO IF IT
GOES BADLY, YOU CAN'T HOLD IT
AGAINST ME.
YOU LOOK BEAUTIFUL.
JAX: AND THIS WASN'T MY IDEA,
EITHER, BUT I WOULDN'T HAVE
MISSED IT FOR THE WORLD.
JERRY: LADY JANE, DAD --
JAX: IT'S JOHN.
JERRY: THIS IS BOBBIE
SPENCER.
BE NICE.
BOBBIE: HELLO.
JOHN: CHARMED.
JANE: I AGREE, AND I AM
SO LOOKING FORWARD TO GETTING
TO KNOW THE WOMAN WHO'S STOLEN
OUR ELDEST SON'S HEART.
NED: I KNOW THIS ISN'T WHAT
YOU WANT TO HEAR, BUT THERE IS
NO WAY -- NO WAY -- THAT I CAN
HANDLE A ROAD TOUR RIGHT NOW,
SHORT OR SMALL.
I HAVE ABSOLUTELY TOO MUCH GOING
ON AT E.L.Q.
V: FINE, BUT ALL I'M SAYING
IS THAT YOU CAN'T PLAY AT JAKE'S
FOREVER.
YOU KNOW, WE'RE GOING TO HAVE
TO FIGURE OUT SOME WAY TO EXPAND
YOUR FAN BASE.
NED: WELL, WE'LL HAVE
TO THINK OF SOME OTHER WAY.
FELICIA: HI. HELLO, THERE.
I KNOW I'M INTERRUPTING,
BUT THIS IS REALLY --
NED: OH, PLEASE,
NO, NO, PLEASE INTERRUPT.
OTHERWISE, WHO KNOWS WHAT THIS
WOMAN COULD PERSUADE ME TO DO.
V: YEAH, GO AHEAD AND JUST
DISTRACT AWAY.
I WILL JUST JOT DOWN EXACTLY
WHERE WE WERE.
FELICIA: WHEN YOU HIRED ME
TO WRITE LILA'S MEMOIRS,
YOU OFFERED TO FINANCE ANY
RESEARCH THAT I MIGHT NEED
TO CONDUCT.
WERE YOU SERIOUS ABOUT THAT?
NED: VERY.
FELICIA: OH, GOOD,
BECAUSE I NEED TO TRACK DOWN
SOME OF YOUR GRANDMOTHER'S OLD
LOVE LETTERS.
THERE'S A POSSIBILITY THEY MAY
BE IN THE POSSESSION
OF A DISTANT COUSIN OF HERS,
A WOMAN NAMED CHLOE MORGAN.
V: CHLOE MORGAN,
THE DESIGNER?
FELICIA: YES, THAT'S THE ONE.
SHE'S IN LONDON RIGHT NOW
FOR THE FALL SHOWINGS.
SHE MIGHT HAVE THE LETTERS THAT
EDWARD AND LILA WROTE TO EACH
OTHER DURING THEIR COURTSHIP
AND THE LETTERS THAT LILA WROTE
TO HER COUSIN ELEANOR.
BUT YOU SEE, THERE'S A LITTLE
BIT OF A PROBLEM.
IT'S KIND OF TRICKY HERE
BECAUSE EVERY TIME I CALL CHLOE,
WELL, SHE'S NOT CALLING ME BACK.
SHE'S NOT RETURNING MY CALLS.
V: WELL, SHE IS IN THE MIDDLE
OF A BIG SHOW.
FELICIA: I KNOW.
I THINK IF I DON'T REACH
HER NOW, THOUGH, I'M NEVER GOING
TO REACH HER, AND LILA HAS BEEN
SO INTERESTED IN THESE LETTERS.
I MEAN, SHE JUST -- SHE WANTS
TO READ THEM, AND I THINK IT'S
NOT ONLY GOING TO BE BENEFICIAL
FOR THE BOOK, BUT IT WOULD JUST
BE SUCH A WONDERFUL SURPRISE
FOR LILA, TO PRESENT THEM
TO HER.
NED: WELL, THEN JUST GO
TO LONDON AND TRACK THIS LADY
DOWN.
FELICIA: OK.
BUT THERE'S A GLITCH.
ELIZABETH: DOES THIS LOOK
FAMILIAR TO YOU?
IN LUCKY'S ROOM?
YEAH, I BOUGHT ONE FOR GRAM
THE SAME TIME I BOUGHT A COUPLE
TO DO SOMETHING SPECIAL
IN LUCKY'S ROOM.
I THOUGHT CANDLES MADE A ROOM
LOOK MAGICAL.
NIKOLAS: I LIKE CANDLES, TOO.
I --
ELIZABETH: LAURA DIDN'T TELL
YOU, DID SHE?
NIKOLAS: TELL ME WHAT?
ELIZABETH: ABOUT THE FIRE,
ABOUT HOW IT STARTED.
NIKOLAS: ONLY THAT IT WAS
AN ACCIDENT.
ELIZABETH: BUT IT WASN'T.
IT WAS BECAUSE OF THE CANDLES,
NIKOLAS.
I PUT THEM IN HIS ROOM.
HE LIT THEM BECAUSE OF ME.
IT WAS ME.
I -- I KILLED LUCKY.
NIKOLAS: NO.
NO, LIZ, LIZ, LOOK AT ME.
COME HERE.
NO, YOU DID NOT.
ELIZABETH: YES, I DID.
NIKOLAS: IT'S OK.
OK.
ü ODOR-EATERS FEET ARE SWEETER ü

ELIZABETH: NOW YOU'RE GOING
TO TELL ME NOT TO BLAME MYSELF,
RIGHT?
NIKOLAS: LIZ, SWEETHEART,
YOU WEREN'T EVEN AT LUCKY'S.
ELIZABETH: YES, BUT I PUT
THE CANDLES IN HIS ROOM.
AND THAT NIGHT HE CALLED TO SAY
GOOD NIGHT TO ME, HE TOLD ME
HE WAS LIGHTING ONE
OF THE CANDLES TO REMIND HIM
OF ME, AND I ASKED HIM TO LIGHT
ANOTHER ONE.
HE MUST HAVE FALLEN ASLEEP
WITH THE CANDLES GOING,
AND THAT'S WHAT STARTED
THE FIRE.
EVEN THE FIRE DEPARTMENT
SAID SO.
IF IT HADN'T BEEN FOR ME,
IT WOULDN'T HAVE HAPPENED.
NIKOLAS: WELL, IF YOU'RE
GOING TO BLAME YOURSELF,
THEN YOU HAVE TO BLAME LUCKY,
TOO, OK?
HE'S THE ONE WHO LIT
THE CANDLE, OK?
HE'S THE ONE WHO LEFT IT BURNING
AND THEN FELL ASLEEP.
ELIZABETH: BUT HE DIDN'T
MEAN TO.
NIKOLAS: SO IF HE DIDN'T MEAN
TO, THEN HOW DID IT HAPPEN?
IF HE WASN'T BEING
IRRESPONSIBLE, ELIZABETH,
THEN IT WAS WHAT?
ELIZABETH: IT WAS
AN ACCIDENT.
NIKOLAS: WAS WHAT?
ELIZABETH: IT WAS
AN ACCIDENT.
NIKOLAS: EXACTLY.
IT WAS AN ACCIDENT.
NO ONE IS TO BLAME, LEAST OF ALL
YOU, OK?
LUCKY KNOWS THAT AND YOU KNOW
THAT, TOO.
SO TELL ME YOU KNOW IT.
ELIZABETH: FINE.
IT WAS NO ONE'S FAULT.
NIKOLAS: IT WAS WHAT?
ELIZABETH: IT WAS NO ONE'S
FAULT.
NIKOLAS: COME HERE.
FELICIA: YEAH.
THANKS, NED.
NED: YOU'RE WELCOME.
FELICIA: I KNOW THAT THIS IS
A LONG SHOT, BUT IT'S REALLY
THE ONLY CHANCE, I THINK,
I'M GOING TO BE ABLE TO FIND
THESE LETTERS, AND IF I DO,
IT'S GOING TO BLOW LILA AWAY,
NOT TO MENTION HOW INVALUABLE
IT'LL BE TO THE BOOK.
NED: GOOD.
I'M GLAD TO HELP.
AND I REALLY DO APPRECIATE ALL
YOUR HARD WORK.
FELICIA: WELL, I WOULD DO IT
EVEN WITHOUT PAY.
AFTER THE FIRST COUPLE
OF CHAPTERS, I'M GOING TO ASK
LILA FOR HER PERMISSION
FOR YOU TO PROOFREAD IT.
V'S INPUT WAS VERY HELPFUL
FOR ME FOR MY OTHER BOOK.
V: YEAH, I'M SORT
OF A GRAMMAR FREAK.
FELICIA: I GOT TO
SCOOT, SO --
V: OK.
FELICIA: BYE.
NED: BYE. GOOD LUCK.
V: BYE.
YOUR GRANDPARENTS MUST SHARE
AN INCREDIBLE LOVE STORY.
I CAN'T WAIT TO READ IT.
NED: WELL, V, I DIDN'T
REALIZE YOU WERE SUCH A BIG FA
OF EPIC ROMANCE.
V: I HAVE MY MOMENTS.
NED: MORE THAN A FEW.
MAC: FELICIA?
FELICIA: OH.
MAC: HEY.
FELICIA: GARCIA, NEVER MIND.
'S RIGHT HERE.
OK.
MAC: WHAT ARE YOU DOING HERE?
FELICIA: I'M SO GLAD
TO SEE YOU.
I WANTED TO SPEAK WITH YOU.
MAC: HAS SOMETHING HAPPENED?
FELICIA: UM, I'M GOING
TO LONDON.
MAC: EXCUSE ME?
FELICIA: I KNOW IT'S SORT
OF A SHORT NOTICE, BUT I'VE GOT
THIS SMALL WINDOW OF
OPPORTUNITY, AND NED IS PAYING
MY WAY.
MAC: WAIT A SECOND. WHEN?
FELICIA: WHEN WHAT?
MAC: ARE YOU LEAVING?
FELICIA: I'M LEAVING
GHT NOW.
I'VE JUST GOT OFF THE PHONE
WITH THE AIRLINE, AND SINCE
I DON'T HAVE TO TRACK YOU DOWN,
I MIGHT BE ABLE TO MAKE
THE FLIGHT.
AND THE GIRLS, THEY'RE
WITH BETTY RIGHT NOW,
AND, WELL, I SORT OF TOLD THEM
THAT I MIGHT BE GOING OUT
OF TOWN, SO THAT WILL BE ALL
RIGHT.
MAC: OK, WELL, WHEN WERE
YOU GOING TO TELL ME?
FELICIA: I'M TELLING
YOU RIGHT NOW.
NOW, DON'T FIGHT ME ON THIS.
THIS IS ABOUT THE BOOK.
MAC: I'M NOT FIGHTING
YOU ON THIS.
I'M JUST A FEW STEPS BEHIND, OK?
WAIT A SECOND.

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