I wasn't planning to watch "Body of Proof" last year because I
make it a point to only watch one new show in the fall and one in the spring,
but it was so good that I had to keep watching. I'm very glad to have the DVD
set because I think I may have missed a few episodes.
Dana Delaney is always a joy to watch. She's been in so many shows that got
quickly canceled (like "Pasadena", which was awesome), so it's great to see her
in a successful starring role. The whole cast is very good. I like the cute guy
that helps her solve crimes, and of course Jeri Ryan is fabulous. Delaney plays
a medical examiner, but the show is not boring or depressing like some doctor or
cop or forensics shows. It is way more upbeat than CSI.
I really enjoyed the features. They talk about the background of the show, and
how they made the sets and things like that. They showed a lot about how they
make the dead body parts, etc. with the cast talking about it all; and they
discussed the real-life doctors that they use to make the show authentic. I find
that part fascinating. The blooper reel was also fun. I hope a future DVD set
tells us about the casting of the show because I think that would be
interesting, too.
You should definitely watch this show and buy the DVD because it is really good.
Also, I think it would be great if they had a crossover episode between Castle
and Body of Proof. They both take place on the east coast, so it would make
sense that they might cross paths. Also, Castle's star Nathan Fillion once
played opposite Delaney on "Desperate Housewives", so that would be cool. Make
it happen, ABC!
More Info:
Walt Disney Studio's Home Entertainment has announced that nine
exciting ABC Studios Series, such as Grey's Anatomy, Cougar Town, Brothers
and Sisters, and more, will be available on DVD this fall! Each collectible
Complete Season DVD Set is packaged as a multi-disk set that includes every
episode in the season, as well as exciting bonus materials including
bloopers, outtakes, behind the scenes featurettes and more.
Check out the
press release announcement,
detailing each series release. You can watch the DVD's uninterrupted by
commercials, in the comfort of your own homes!
On behalf of Walt Disney Studio's Home Entertainment, we wanted
to share with you all-new DVD extras from Grey's Anatomy: The Complete Seventh
Season, and Private Practice: The Complete Fourth Season, which are available on
DVD TODAY September 13th! You can order copies at the ABC
Store
* Curiosity Killed The Cat: How Well Do You Know BODY OF PROOF?
Preview: Body of Proof
Widget


We have all-new Body of Proof Season One interviews we'd like to share with you
and your readers, on behalf of Walt Disney Studio's Home Entertainment! Attached
are three never-been-seen interviews with Body of Proof's Dana Delany, Jeri Ryan
and Windell D. Middlebrooks! Body of Proof: The Complete First Season is now
available on DVD.
AN INTERVIEW WITH DANA DELANY FOR SEASON ONE OF BODY OF PROOF
What was your biggest challenge in taking on the role of a medical examiner
in Body Of Proof?
My biggest challenge was the words, the medical terminology. You have to say
these lines really fast and you have to act like you know what you’re talking
about. It’s tough, but thank God for the internet. It has changed an actor's
life completely. I’ve played doctors before where we used Taber’s medical
encyclopedia to look up different words all the time. Now, you can just put the
word into your smart phone or tablet and the information comes up immediately
with pictures, descriptions and the right pronunciation. It’s much easier to be
better prepared now.
What makes Body Of Proof different to other forensic shows?
My character is very different because she doesn’t disconnect from the
bodies in every episode. She probably over-connects to the bodies, which is
something a normal medical examiner wouldn’t do. I think the show has a
different pace because of that. It's very interesting, we have one episode where
there is a child missing that’s still alive – and it changed the nature of the
show because we were in pursuit of the child and it made our show much quicker.
That’s not our show; it didn't feel right to me. What I like about the show is
the way that the bodies are already dead, so we can take the time to think about
everything and take a moment with the body.
How do you see your character on the show: Dr. Megan Hunt?
I see Megan as a psychopomp, which in Greek mythology was the character
Charon; who transported souls of the dead across the River Styx. The job of a
psychopomp is to not judge, but to provide safe passage – and I think that’s
exactly what she does with these dead people. She feels that if she can cross
them over to the other side, then that’s her job done – but she’s not going to
finish until she does that in a safe way. And that's why, at the end of almost
every episode, we have her saying goodbye to them. Those people are not covered
up until she knows exactly what happened to them.
Is that why Dr. Hunt becomes so dedicated to her work? She’s not just the
medical examiner; she almost takes over the police work as well.
Exactly. She had no regard for people when they were alive, but now she has
double regard for them. She looks at her work and she thinks, ‘These are not
just bodies, they are human beings. They lived a life, and now they deserve the
respect in death.’
Do you admire the actors who play the dead people on the show?
I've got to tell you, they do such a great job because it’s not easy for them.
They have to sit in hours of makeup, and then they have to pretend to not
breathe for ages. Then, they also have to be really stiff. That’s a difficult
job when we’re poking them and prodding them.
When dealing with such a serious subject matter, do you find it difficult to
switch off from work at the end of a long day on set?
There’s a Zen practice of ‘Practice your death before you die’. And it’s very
liberating. I think that we all need to really have a better relationship with
death.
Are you less scared of death since starting work on this show?
I think I always had a good relationship with death for whatever strange reason.
I’ve never been afraid of dying, but I’ve observed a number of autopsies now and
I still feel fine about death. I really feel good about it. It’s like, ‘Okay.
That’s it. That’s what happens.’ I think it’s a gift to be a medical examiner.
One of the best things about being an actor is that you get to research your
role and learn about different occupations. I’ve done a lot of research for this
role, and to see what medical examiners do at work has been an honor. It’s been
completely eye opening to me.
Were you worried the first time you witnessed an autopsy?
Everyone warns you to take precautions before you see an autopsy for the
first time. They say, “Make sure you have something to eat first and wear flat
shoes. If you feel faint, don’t be embarrassed, just sit down.” I had never seen
a dead body before this role, but the medical examiners were extremely
respectful and reverential towards these bodies. Everybody takes it very
seriously.
What part of the autopsies did you find the most difficult?
The hardest part is the person staring at you. But then, when the medical
examiner pulls the face back, it becomes a body. It’s a strange experience, but
I found it fascinating. By my fourth autopsy, they were letting me assist. They
let me do incisions and I was mesmerized by the whole process. The minute you
open up the body and look in there, I’m amazed.
Did you ever feel faint watching these autopsies?
I just felt fascinated by everything about it. It’s been an honor to witness
these autopsies because it’s something that not everybody gets to experience –
and I feel extremely grateful that we've been allowed to watch. It’s been
mind-bending.
What else have you taken away with these experiences?
I have found it a very reverential experience because the minute you cut that
person open, you see that our bodies are a miraculous gift that we’ve all been
given. The fact that our show gets it right is very gratifying because it’s true
when you consider the way that the body is the proof. When you look into a body
and you see the cavity and all their organs, you can see exactly how that person
lived – and you can see how they died. It makes you realize, ‘I've been given
this gift, this machine that works perfectly – and it’s my job to keep it
running.” It’s changed my life.
In what way has it changed your life?
I really want to take care of my machine now. It’s my responsibility to make
sure that it runs well – and I’m going to do everything I can to help that.
AN INTERVIEW WITH JERI RYAN FOR SEASON ONE OF BODY OF PROOF
How would you describe your character in Body Of Proof?
Dr. Kate Murphy is the first female chief medical examiner in Philadelphia’s
history, so she’s very smart and a bit of a tough cookie in her own right.
However, she’s also very human and she’s got a lot of empathy, not just for the
victims and their families, but also for the people that work for her and with
her. I love the fact that she’s not a stereotypical cold-as-ice, hard-as-nails
female boss because that’s not terribly interesting to play. Kate is very
different.
Did you base your character on anyone in particular?
A couple of our technical advisors on the show are women who were chief medical
examiners in their own right. One of them was the first female chief medical
examiner in the city where she worked and what really blew me away was the fact
that you might assume someone in her position of power would be solely focused
on work and nothing else. However, that’s not true. These women still live their
lives to the full. They are the most fascinating, amazing women. They race cars,
they skydive, and they climb mountains. They do everything and anything.
Why do you think they live life to the full?
Perhaps it’s got something to do with working around death all the time? Working
in this field makes you realize how fragile life is and how quickly it can go,
so perhaps it entices you to take advantage of every minute you have. I
certainly try to bring a little of that to Kate in the show.
How do these medical examiners still care about the victims after seeing so
much death in their job?
That was one of the things I asked when I got to visit a medical examiner’s
office. “How do you do this? These are human beings. It’s someone’s loved one.
How do you carry on all the time?” I discovered that there’s always a respect
and sensitivity that it’s a body, but you have to have a disconnect or you
couldn’t do what you have to do in an autopsy. You can’t completely internalize
it and emotionalize it.
Did you witness an autopsy at first hand?
I witnessed two autopsies during my research for this role. I am a huge science
geek, so I was waiting six months for the opportunity to present itself where I
could finally witness one. It was an amazing honor, and it was incredibly
fascinating – but the emotional part of it was hard. I looked at the first guy’s
face and thought to myself, ‘Whoa… This is a human being.’ I started thinking
about his family who just lost their loved one and for a minute, I didn’t know
if I was actually going to be able to carry on. You realize how fragile life is
and what a miracle our bodies are. It’s amazing.
What else did you learn from observing the autopsies?
There was one case that was incredibly difficult. The doctor performing the
autopsy told me that it was one of the hardest cases she’d ever had to do
because it was an infant. She explained how you have to go home and hug your
kids extra tight after doing something like that. It’s a hard job.
Did your observations affect your thoughts on life and death?
Absolutely. I don’t necessarily want to climb mountains, but witnessing these
autopsies has made me really appreciate life. The human body is such a
miraculous machine and you really realize the fragility of life when you see
them opened up in front of you. We are all told to eat right and work out – but
when you literally see first hand what happens when you ignore these things, it
really does make you think.
How close is your portrayal of medical procedures to the real thing?
It’s as real and authentic as you can be on a network television show. There’s
only so much that you can really show, but we always have our technical advisers
on a set and we try our best to make everything as realistic as possible. If
you’re doing a medical show and the science is not there, you've lost all
credibility, so we try to keep it as authentic and as legitimately correct as we
can.
Is it a challenge to develop your character when you are unsure where the
show is going?
That’s the challenge of episodic television. You don't know where it’s going
until that script is in front you. You try to drag everything you can out of the
writers to give you some sort of information to go on. You get any scrap of back
story that you can because I can’t tell you how many times I’ve played something
one way, and then a script comes in, and you discover a completely
out-of-the-blue back story that you never saw coming.
Your character is a very strong-willed woman. Was that part of the appeal of
the show?
Very much so. I don’t have any interest in playing a ditz, especially on a
series that could potentially run for seven years. I don’t want to play somebody
who’s stupid. I don’t have that interest. I want somebody who is strong and
smart; somebody that I can be proud of my daughter watching and using as a role
model. My character is very intelligent, strong and smart – and I loved the way
she was written. That’s what peaked my interest.
Do you enjoy the fact that there is a strong female cast in Body Of Proof?
It’s fantastic that we’ve got a female-driven drama. There are three really
strong, smart women on the show and I love it. No offense to the guys, but I
love that there are so many great roles for women now, and so many great roles
for women 40 and over. A new industry has emerged in the last five or 10 years.
It’s wonderful.
Did you know your Body Of Proof co-star Dana Delany before you started work on
the show?
I had heard wonderful things about Dana, but we’d never met. Dana is universally
loved by everyone she’s ever worked with. She's amazing and a wonderful actress
as well. It’s been a pleasure to work with her – and I very much look forward to
working with her some more in Season Two.
AN INTERVIEW WITH WINDELL D. MIDDLEBROOKS
FOR SEASON ONE OF BODY OF PROOF
How would you describe your character, Curtis Brumfield, in Body Of Proof?
Curtis has just been promoted to Deputy Chief Medical Examiner, so he is under
pressure to deliver. This is his chance. However, he’s constantly challenged by
the women around him. Firstly, there’s Dr. Kate Murphy, who is the Chief Medical
Examiner who thinks she’s brilliant. Then there’s Dana Delany’s character, Dr.
Megan Hunt, who challenges Curtis to prove himself to her and prove that he
deserves this promotion. He fights them both all day long.
It sounds like there’s plenty to get your teeth into, character wise…
It’s wonderful because these characters are very human – and that’s what I love
about the show. You get to see the layers, the complexity, and why the
relationships work and why they don’t work. You get to see why one case moves
Curtis more than another, or why a case affects Kate or Megan more than anyone
else. It’s fascinating, but there is a wonderful conflict underneath everything.
Why does Curtis dislike Dr. Megan Hunt so much?
Megan messes up his budget. I visited a Medical Examiner’s office to research
the role and they explained the importance of coming in under a certain number.
There’s a huge pressure to do that. But on top of that, there’s also the side of
being a doctor where you care about each case. You want to know why this
happened and you want to solve it. However, Curtis has to put that on the back
burner to manage the numbers. That’s why there’s always this fight in him, which
in turn becomes a fight in the office. We all want to do our job well, but there
are rules and regulations that we all have to abide by. Megan doesn’t care about
the costs. She just wants to solve cases. Curtis wants to solve everything, but
under his budget.
Do we see many arguments between Megan and Curtis in Season One?
You see a few arguments in the first season. If Megan was a man, we could step
outside and go toe to toe – but Curtis has a lot of respect for her because
she’s damn good at what she does. He knows that. As much as Curtis hates it, he
knows that he has to run a certain test in order to solve a case – and he knows
it’s going to blow his budget, but at least they will get results. You get to
see a lot of respect between these two characters, but you also get to see him
fighting against her and wanting Megan to be wrong for his own sake.
Is it fair to say that Curtis provides the comic relief in the show?
It’s very fair to say that Curtis provides the comic relief in the show – and
that’s also what I love about him. The show deals with murder and death, so it’s
nice to have Curtis and Geoffrey (played by Ethan Gross) run behind Megan like
little puppy dogs. She stirs up an excitement in us to get back into the field
and be hands-on – and it’s this circumstance that causes the comedy. It’s not
because Curtis and Geoffrey are dumb or don’t know their jobs, but they’re
awkward at times and it’s fun to add this lightness to the show. To me, it’s
very true to life. I don’t know any office or any situation, even in the heavy
world of medical examinations, where you can’t find laughter.
Does this mean you think you can find comedy even when dealing with death?
I come from a family where there is always a place to laugh, whether dealing
with death or drama. I remember being in college and I would meet people who had
been to two funerals in their life. I said to them, “I had been to eight
funerals by the time I was eight years old!” When people died in my family, you
just deal with it. It’s just a process, even at a young age, that wasn’t hidden
from me. This was the reality that my family gave me.
How do you deal with all the medical terminology on the show?
I work on it all the time. In rehearsal, I’ll nail it, syllable for syllable.
I’m dead on. Then I get on the set and I can’t get one syllable out. “What is
it? Acetylsalicylic acid? Why can’t I just say aspirin?” I don't care how much
you work on it, you will mess up – but it’s a lot of fun. You basically have to
study it and know it as second nature.
How much feedback did you get from the technical advisers on the show?
They have tons of feedback, but it’s always fascinating. They comment on
everything from the simplest of actions, like learning what to do with the
gloves. On our first day on set, we shot a scene where we walked out of an
autopsy and I pulled off my gloves the wrong way. One of the technical advisors
told me, “No, fold them down. You don’t want to contaminate.” These are the
details that they pay close attention to.
What research did you do for the role?
I went to a real autopsy for research purposes and it was a fascinating
experience. At first, I stayed behind the glass for a while – but then I inched
forward as I became more comfortable with everything. The first one was just an
inspection, not a full autopsy. It was a 20-year-old who had died in a
motorcycle accident – and it was tough for me. It’s easier to understand death
when it’s an older person who has lived their life fully. It sits better with me
when that happens. But it’s hard to grasp when it’s someone young. You see it as
a body but then you see what they were wearing, and the note in the pocket that
someone wrote to him. I made an emotional connection and it shook me up.
Was the second autopsy easier to watch?
The second autopsy was an older woman and it was easier because you knew she had
led a full life. It became more about the science to me because I had more peace
about it. However, I don’t think I could have taken it if we’d done a full
autopsy on the 20-year-old.
How do medical examiners deal with these tough situations?
The medical examiner that was handling that case had a son around the age of the
20-year-old, so he said, “This has to be a case number for me so that I don't
connect personally with it.” So it definitely makes you appreciate life. You
take everything more seriously and you evaluate a lot of the shallow stuff that
we deal with. When you’re working on this show and you’re standing there
watching the autopsy, it definitely changes your thinking.
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