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By
Suzanne

Interview with Keith Urban of "American
Idol" on
FOX 12/10/14
Final Transcript
FBC PUBLICITY: American Idol Conference Call
December 10, 2014/10:45 a.m. PST
SPEAKERS
Keith Urban
Kristen Osborne
PRESENTATION
Moderator: Ladies and gentlemen, thank you for standing by.
Welcome to the American Idol Conference Call. At this time,
all participants are in a listen-only mode. Later, we will
conduct a question and answer session. (Operator
instructions.) As a reminder, this conference is being
recorded.
I would now like to turn the conference over to our host,
Miss Kristen Osborne. Please go ahead.
Kristen: Thank you, everyone, for joining us for our American
Idol conference call featuring Idol judge Keith Urban. We
look forward to your Idol related questions and we're ready
to get started.
Moderator: Thank you. (Operator instructions.) One moment
please for our first question. Our first question will come
from the line of Jamie Ruby with SciFiVision.com. Please go
ahead.
Jamie: Hey, Keith. Thanks so much for talking to us today.
Keith: You bet, Jamie. Nice to talk to you.
Jamie: Are there any changes this season in format or any
of the rounds or anything?
Keith: There's a few things we've changed up. Certainly,
the most recent one for me that really stood out was once we
narrowed down our list of–we send over 200 people through to
Hollywood and then we narrowed it down, of course, and then
even further down to get to our top 48. Those 48 guys and
girls we took it into the House of Blues in Los Angeles to
put them into a live club setting where the band were set
up. They got up on stage and did a song each in front of the
audience in that club. We've never done that before.
For me it was a really important part of the process because
in years past we've seen them in these various audition
environments and then they go straight to the TV studio.
Then they are in front of a live audience. I really wanted
to see what they were like in front of a club setting. Can
they perform? Do they know how to perform live? Do they know
how to move and connect with an audience? So that was a
really telling environment to have them in. I'm glad that we
got to do that. We then narrowed it down from there, but
that was a really helpful part to make sure that we have
solo performance in going into the live shows.
Jamie: Great. Well, I'm sure that was fun for them. Do you
have, other than that, any kind of favorite moments so far
that you can tease about this season?
Keith: For me, actually, the House of Blues was pretty
fun. Collectively, I think just doing audition cities. I
love that part of it because they're long days. We're they
are often hearing sometimes 100 people or so in a day.
Getting to be on the set with Harry makes it a really fun
day. Half the stuff that we talk about and engage in with
Jen and all of us ends up on the cutting room floor. Those
audition cities are a blast. I can't single anything out but
that whole part of the journey is really enjoyable for me.
Jamie: Okay. Great. Well, thank you so much.
Keith: Thank you.
Moderator: Thank you. Our next question comes from the line
of Michele Angermiller with Hollywood Reporter. Please go
ahead.
Michele: Hi, Keith. Good to talk to you again.
Keith: Hi, Michele. You too.
Michele: Congratulations on the Grammy, by the way.
Awesome.
Keith: Thank you. Thank you very much.
Michele: A question about Scott Borchetta as mentor. What
is he going to bring to the show and especially with him
being the man that discovered Taylor Swift and what he's
working with the contestants? He was there in Hollywood
Week, right?
Keith: He's been there, yes, all through that part of the
process. For me, it's been great having him there. He just
brings a different kind of eye and ear and view, I think, an
overall view. The best way to put it, I think, is having a
sense of the relativity of an artist in today's marketplace
and what sort of audience are they going to find, what kind
of record would they make. I just feel like he's brought
something very, very fresh into the family. It's been very
helpful already in weighing in as we start nailing everybody
down.
Michele: Do you think he's found his next Taylor Swift,
and he knows? It seems like with a background like him he'd
be looking for a Nashville head but he also seems to be
looking into a pop realm now. Isn't he trying to expand his
label that way?
Keith: First of all, I never think of it in terms of
finding the next anybody. We want to find the first of
anyone and that sort of individualism and uniqueness is what
I'm always waiting for with Idol. I want to find that person
that is just extraordinarily original because they are the
ones. Adele was just very original. Taylor was very
original. The artists that have really solidified their
careers and made significant albums; they're the ones that
everyone else then tries to copy. I'm interested in finding
originals.
Michele: Thank you, Keith.
Keith: You bet, Michele. Happy holidays. Merry Christmas,
too.
Michele: You too.
Moderator: Thank you. Our next question comes from the
line of Allison Bonaguro with CMT.Com. Please go ahead.
Allison: Hi, Keith.
Keith: Hi, Allison. How are you doing?
Allison: I'm great. I just want to know, you're such a
seasoned veteran of the road. In order to do this for the
third season you have to take like a few solid months off of
touring. So, what do you miss about the road while you're
out there doing American Idol?
Keith: Actually, I really don't take time off the road. We
started our tour, certainly we started our official tour
when Idol had wrapped. Certainly I was finishing up the
album while Idol was still on the air. Then once we got into
the audition cities we were back on the road again. So I was
actually combining touring and going to the audition cities
for Idol. It got pretty busy there around September,
October, November, December of last year particularly. It
got really busy. This year it was the same thing again. We
wrapped up our second tour of the year while Idol was still
happening.
Everything is music-based for me. So, whether I'm on the
set of Idol or I'm in the studio or I'm on the stage
everything I get to do is music-based. I just feel really,
really lucky.
Allison: Yes. That does sound great. While the season
starts January 7th, or whatever that first week in January,
does Nicole plan on watching with the girls at home every
week just like the rest of us fans do?
Keith: Yes, and I love them watching because I like the
way they respond to people. It's very interesting. They
watch like everybody else does and either respond to someone
or they don't and I'm interested in that because we can get
sort of myopic with it sometimes being in the middle of it
all. It's great to get just a totally fresh perspective. I
often ask Nic what she thinks of various people and who she
likes and why; particularly why, that's always interesting
to me.
Allison: Yes. Okay. Well, thank you so much for your time
today.
Keith: You bet. Thanks, Allison.
Moderator: Thank you. Our next question comes from the
line of Victoria Miller with Yahoo TV. Please go ahead. Your
line is now open.
Keith: Hi, Victoria.
Victoria: Hi, there. Keith, so the past two Idol winners,
Candice and Caleb, were artists who returned after being cut
from previous seasons of the show. I was just wondering will
we see any more familiar faces this season?
Keith: There's been a few people that have come back to
try out again. For me, it's always interesting to see what's
happened in the time since. What have they learned from not
making it further in the previous seasons and have they
changed. I'm always curious too how– I hate the word
rejection, but it's kind of what happens to them. They're
cut at a certain point. How did that make them feel and how
did they channel that?
For me, personally, I've almost gotten more inspiration
from the naysayers in my life than the people who believed
in me. They've been a strong motivational force at times
when I've seemingly failed or not gotten what I was trying
to do. Those moments have ended up being huge motivational
moments for me. So I'm interested if it's the same for them.
Victoria: Right. I love seeing how they grow when they
come back. It's amazing.
Keith: Yes. Hopefully they have.
Victoria: Yes. One other question. Was there a particular
audition city this season that you feel was like a hotbed of
talent?
Keith: I would say San Francisco delivered in spades. We
finished up there and it was extraordinary. The turnout was
extraordinary. We sent an enormous amount of people through.
But certainly, having said that, every town delivered some
very strong people. We went to six different cities mostly
spending two days in every city. I'm sure we saw 500 to 600
people probably in the whole audition process and we sent
well over 200 through to Hollywood. It's a pretty potent
group we had this year.
Victoria: Wow. That's great. Well, thanks and good luck
with the new season.
Keith: Thanks, Victoria. Nice to talk to you. Merry
Christmas, too. Happy holidays.
Victoria: Same to you.
Keith: Thank you.
Moderator: Thank you. Our next question will come from the
line of Hunter Kelly with ABC News. Please go ahead.
Keith: Hunter.
Hunter: Hey. How are you doing?
Keith: Good. How are you doing, Hunter?
Hunter: I'm good.
Keith: How's Nashville?
Hunter: I just had to step outside of [indiscernible]
Cafe. It's busy today. I wanted to ask about the personality
of the contestants this season. Have you found that every
season seems to have some kind of different–it's funny to
watch because the contestants seem to have a personality,
and whether it goes along genre lines or not. What are you
seeing from this crop of talent this year? What's the kind
of vibe or is there an overarching genre going on?
Keith: One of the other things we added in this season,
it's so interesting you talk about that because when we did
the Green Mile last year, which is that sort of part of the
process where they come in and we tell them whether it's a
"yes" or a "no" that they're going into the live shows. In
some of those situations we had decided it was a "no" or a
"yes." They'd come in and we'd sit with them for a second
and talk with them. Then we'd suddenly be thinking, huh, I
wish we'd gotten to know this person a little better.
There's something about them that seems quite interesting.
So, this season we had a moment when we brought in a
select amount of people that we wanted to meet just so that
we can sort of get to talk to them and hear them talk to us
a little bit because it's usually they come up and they sing
and then they leave and then they sing and then they leave.
We don't really get to know them very well. I was glad we
got to do that this season. From there I think we really
found some artists. You can tell, you know. You can have
people that sing really well but they may not be really
artists with a vision and an artistic vision of who they are
and what kind of career they want to have. Sitting down and
talking with them really allowed us to see that.
Hunter: One more question. Last week you were so sweet
talking to Nicole, the artist of the year, like that was the
sweetest acceptance speech. You also made a point to sing
"It's A Man's Man's World" with an all-female
[indiscernible] band. As someone who loves his wife so much
and you have two daughters why would you choose that song
and to present it in that way?
Keith: I was just curious about playing with an all-girl
band. It's something I've been thinking about doing for a
long time. If I had a situation that would sort of highlight
the strengths of female musicianship we had in Nashville
alone. I thought when you put all the different places
together from not just the studios but also the colleges and
live music venues and all kinds of places where you can find
really great female musicians. I sort of thought I bet we
could put an entirely full big new band together made up of
all kind of ages and from all different musical places.
So we had some girls from Belmont College. We had some
seasoned session players in there. We had people that have
been out touring with people and it was a good mix. It was
really my way of sort of highlighting that side of
Nashville. Then it started with putting the band together
and then it was like what song would I do with this all-girl
band and I said there's only one song I would do and "It's A
Man's Man's World". Maybe it's growing up in a house full of
girls, too. I thought it was an apropos song.
Hunter: Rock on.
Moderator: Thank you. Our next question will come from the
line of Paulette Cohn with Examiner.
Moderator: Please go ahead.
Paulette: Thank you. Good morning, Keith.
Keith: Good morning. Sorry. Hi. Who is this?
Paulette: Paulette.
Keith: Paulette, how are you?
Paulette: I'm good.
Keith: Sorry. They jumped me very quickly. Nice to talk to
you, Paulette.
Paulette: You've been doing this for several seasons now
and I was wondering what you get out of doing American Idol
and working with this young talent that you don't get from
being a performer yourself?
Keith: Well, first of all, I think one of the things I've
always loved about doing this show is that I did a few of
them as a contestant when I was very young in Australia.
When I was nine years old I went on a show called Pot of
Gold. Then there was another show called Have a Go Show.
There was another show called Stairway to the Stars. For
whatever reason my parents thought these shows were a good
place for me to go to maybe not only hopefully get a leg up
career wise but also get some advice and feedback, which I
certainly did. Some of it’s pretty scathing. So I know what
it's like to be humiliated in front of everybody on TV.
I was thinking this morning, unfortunately, I haven't
been able to find any of those performances. Then I thought
it may not be unfortunate. It maybe a good thing I can't
find any of those. The only one that exists is when I was 16
and it was just a pretty average performance. But I have a
lot of empathy for these guys and girls on the other side of
the desk singing and I do feel what they're going through.
Part of me enjoys it for being able to relate to them a lot.
Paulette: Okay. You mentioned earlier that this is a
family and that there was a new addition to the family. I'm
wondering, if your daughters wanted to pursue this are you,
like, okay? Is it okay to have a career in music or because
of all the negativity that they experience along the way are
you hoping they won't?
Keith: I just think first and foremost everybody's got a
calling and we just have to figure out what that is and
where it is. If it's a real calling, I'm really of the
belief, that if you had that calling inside you that this is
what you're here to do, this is what you're meant to do,
nobody's going to take you off that path. I've received some
pretty scathing criticisms in some of those TV shows that I
did. None of it threw me off my path at all. Certainly when
I moved to Nashville I experienced huge amounts of rejection
when I got to Nashville, but none of it threw me off my
path. It would be the same with our girls if they had sort
of a real aptitude and calling to do anything we're going to
support that, but they also have to know that there's work
involved in all of it. You've got to work and you've got to
be ready for it.
Paulette: Okay. Terrific. Thanks so much.
Keith: You bet. Nice talking to you, Paulette.
Paulette: You too.
Moderator: Your next question comes from the line of Becca
Walls with Envision Radio Network. Please go ahead.
Keith: Hi, Becca.
Becca: How are you? Hi there. Can you hear me?
Keith: I can. How are you doing?
Becca: Okay. I'm good. I'm good. I was wondering I had
read a quote from you where you talked about in addition to
obviously having talent that something the contestants would
need are a great work ethic and just being good to people.
I'm wondering aside from the mentoring that we see on the
show where obviously it's mostly involved with performance
and singing and stage presence, do you ever have occasion
where you maybe pull somebody aside to discuss those other
things, maybe if you can see that they need to work a little
harder or they need an attitude adjustment? Is that
something that you ever tried to mentor on?
Keith: If I get the opportunity to have those moments with
anybody that I think I can help I certainly take to it
straightaway because we're all needing guidance, all of us.
For me that never stops. We all need some honest sounding
boards.
The one thing I find with Idol, and it's really just par
for the course is that a lot of these guys and girls come
from towns where they may not have been exposed to lots and
lots of people. They're really revered in their little town.
They're the most amazing thing in that town or they're the
most amazing thing that plays up the road at that particular
club or whatever and no one has really been honest with them
on the things they can work on. Maybe the family is just
praising everything they do. Maybe they're very talented but
they now need to hear some real feedback on things that they
could work on. God knows, we've all got things we can work
on.
Becca: Great. Thank you very much.
Keith: You bet. Thanks, Becca.
Moderator: Thank you. Our next question comes from the
line of MJ Santilli with MJ's Big Blog. Please go ahead.
MJ: Hi, Keith.
Keith: Hi, MJ. How are you?
MJ: I'm so glad all three of you are coming back to the
show this year.
Keith: Me, too. Thank you.
MJ: I know this is your third year judging and I was
wondering how your decision making process has evolved, say,
compared to maybe even last year coming into the new season?
Keith: I think more and more I find myself going with a
gut reaction to someone's performance. It's do I feel
something? I think it's just so simple. It's like did I feel
something from this performer. I mean sometimes they can
even have a pretty average voice but they know what to do
with it to communicate and to get my attention and to make
me feel something. I'm interested in all of those things
because at the end of the day it's all about connecting. The
way in which we all do that is infinite.
There's plenty of people to come on and they sing and
they sound amazing and I don't feel anything. I drift off.
I'm not interested. So those people I'm not going to respond
to them. I'm going to respond to the people that I feel
something from.
MJ: Okay. You were maybe thinking less about how great
their voice is and more about how they make me feel.
Keith: Yes, because, you know, it's so impossible to
define what that is. Someone's got a great voice and then
does Joe Cocker have a great voice? Yes, but he
communicates. There's so many ways to sing and make a
connection. For me that's what it's all about. I just want
to be connected. Someone who sings kind of a bit all over
the place pitch-wise still may be able to be riveting in
making me feel and listen to what they're singing.
MJ: Next question. How do you feel about the crop of
contestants that you whittled down to? Are there any general
comments you can make?
Keith: I feel really good about it. Actually, one of the
things that we've done this year which we've never done
before is at top 48 we took 48 singers into the House of
Blues in Los Angeles and put them in a real club setting.
They got the band on stage. They come up and do a song each.
There's an audience just like it would be if you just
wandered into the House of Blues and saw them up on stage
playing, singing at their own gig.
I loved that we got to see what it was like being at
their gig, albeit, for one song but still it was a very
telling environment. You could see quickly the ones, maybe
they sang great, but they just froze on stage. They're not
ready. For me it was such a great part of this process. From
there we could whittle it down to the top 24.
MJ: Thanks.
Keith: Nice to talk to you, MJ.
MJ: You, too.
Moderator: Thank you. Our next question will come from the
line of Jenny Cooney with TV Week Australia. Please go
ahead.
Jenny: Hi, Keith.
Keith: Hi, Jenny.
Jenny: How are you doing?
Keith: I'm well. How are you doing, mate?
Jenny: Good. Adam Lambert stepped in for you for the New
York auditions. I don't know if you got to see all the stuff
that was taped later on and if you agreed with all his
choices.
Keith: I haven't seen anything from those shows yet.
Jenny: Also, the fact that around that time your Idol
family seemed to really embrace you. Adam stepped in and you
were really able to be there. Your fans seem to really–also,
I know you posted a lot of stuff on Facebook about how
touched you were. Can you just talk about sort of trying to
go through that experience and deal with all your work
commitments and how everybody stepped up for you and how you
stepped up for Nic, too?
Keith: Well, I mean, the loss of Nic's dad was just a
huge, huge–I can't even describe what that moment was like
for our family. I was very, very close to Nic's dad. It's
very fresh. It's very recent.
I was obviously scheduled to go to Brooklyn and do two
days shooting Idol and it was an amazing thing that a TV
network would step in and say, "Don't you worry. You be with
your family. You've got to be there. We'll figure out a way
to cover all this. Don't worry about it." I don't take those
things for granted. You would think people would have a
heart but you often don't see it and so when I saw it in
action with all of the network at FOX and all of the people
involved in Idol, and then, of course, my fan base because
of a couple of show I had to miss. It was an extraordinary
thing. Adam Lambert stepped up and filled in for me in
Brooklyn. It was an amazing thing to see that support. I was
very, very grateful.
Jenny: What do you feel that you've learned this year that
you've taken into each area of your life from all the other
things going on in your life, especially with your touring
and your TV and just having a family now. Do they all sort
of feed into each other in your career and your creativity?
How do they feed each other?
Keith: I would say it grows outwards from Nic and I. I
really feel like that's the center of my whole life is the
two of us and then our family is the center, the basis of
everything. For me it gives everything a purpose. I've
always played music ever since I was a kid. This is my third
Season doing Idol and etcetera, etcetera. Those things have
just continued to become—I don't know. There's just more
feeling in it, I guess, is the best way to say it.
Look, eight years of sobriety as well has an impact on
the way I feel in the world that I didn't use to. That's had
an incredible affect on my life as well. It's all just very
fleeting. You loose a family member and you're reminded of
the brevity of life and the fragility of it and how it can
go very, very quickly. I don't want to miss any of it. None
of it I don't want to miss any time with Nic or our family.
I don't want to feel like I missed any musical things, songs
I could've written, and all that sort of stuff.
It's just trying find a way to balance that all and enjoy
it. Yes, it's work but I want to make sure we enjoy it too
because at the end of the life we'll be like did we have
fun. Did we have fun as well in the midst of it all? I feel
really lucky that I get to do so many things that for me are
all really fun and not coincidentally all music related;
whether it's Idol, whether it's HSN, whether it's performing
live, whether it's writing music, making records. Everything
is music related.
Jenny: Well, you're doing a great job. Thanks.
Keith: Thanks, Jenny. Nice to hear your voice.
Jenny: Yes. You, too.
Keith: Merry Christmas, mate.
Jenny: Same to you.
Moderator: Thank you. The next question will come from the
line of Mike Hughes with TV America. Please go ahead.
Mike: Keith, I wanted to go back to your comment about
growing up with a house full of girls because I think that
really helps people. Alan Jackson is someone who grew up
with all sisters and then had all daughters. It seems to
round him out as a person. Tell us a little bit more about
that. How many sisters did you have? Where were you in
there? How having had women in your life so much constantly,
how has that maybe affected you in some way?
Keith: Well, it's interesting I'd say I didn't grow up in
a house full of girls. I've landed in a house full of girls
with Nic, Sunny, and Faith. I come from a family with just
two boys, me and my brother, mom and dad. Suddenly to go
from that and spending most of my life being in bands and
traveling around in vans with a bunch of guys and on buses
with guys to find myself in a home with all girls now is an
extraordinary thing. I'm so glad I got to do this. It feels
very, very comfortable to me.
Mike: It rounds you out in some ways personal, doesn't it?
In your song writing and everything else to have women
around you so much?
Keith: Yes. As the song said, it's a man's world, but it
wouldn't be nothin’ without a woman or a girl. It's just
such a great song.
Mike: Okay. Just one other thing. You mentioned that it's
good to see these kids in a club setting. Reflect for a
minute because you did a lot of clubs both in Australia and
in Nashville. Reflect, what was it like for you when you
were trying to work clubs earlier? Did you have any really
bad experiences with it or what was it like overall for you?
Keith: Oh, infinite, infinite bad experiences. I've been
fired from a gig before. I've had every kind of insults and
abuse hurled at me on stage. Some of it verbal. Some of it
physical, literally things thrown at me. Especially growing
up in Australia you play at really rough places there. But
it's where you learn everything. I learned everything
playing in tiny clubs and slowly building that way up.
That's why on the season of Idol taking these 48 artists
that we've finally narrowed it down to into the House of
Blues was such a great experience and that was a friendly
environment, but none the less, it's a club. You're on
stage. There's the audience. We had a few technical glitches
and it was interesting to watch the guys and girls who knew
how to handle those moments where there was a long pause,
awkward silences, things that went wrong, and it's just
crucial. Some people dive straight into the arenas and it's
just zero to a hundred as far as their career goes. I think
there's no substitute for the slow build learning the ropes
gradually as you go. Otherwise, you're going to have to
figure it out in those huge venues.
Mike: Cool. Thanks a lot.
Keith: Thank you.
Moderator: Thank you. Our next question comes from the line
of Heather Simmons with the YES TV. Please go ahead.
Judith: Hi there. It's Judith and Heather here from YES TV.
Keith: Hi, Heather. Hi, Judith.
Judith: Hi. Our question for you, obviously, we're YES TV.
We're going to be carrying Idol here in Canada. Every yes
proves to be more and more important with every season. For
instance, Season 13 runner up Jena Irene was a wild card. So
has there been a particular "yes" that you've given this
season to send someone through that's quite memorable to
you?
Keith: There's one or two people particularly that I'm
thinking of right now, obviously the names I can't say, that
either Harry, Jen, or I or sometimes a couple of us felt
really strongly about that maybe other people didn't pick up
on but we sort of saw something or felt something and really
fought for them. They've made it through and then suddenly
they’ve made it through to the next round and the next
round.
Everybody is starting to see, oh my gosh, this person
is extremely talented. We never really noticed that before.
I love when that happens.
Judith: Then, you've said, "No" to a lot of things in your
career but what are some of the things you've said, "Yes" to
that have gotten you where you are now today in your life?
Keith: Well, firstly, coming to America with really nothing.
I was 24 when I moved to Nashville. I really didn't know
anybody and just showed up because I believed I was supposed
to be there. I was afraid it would take a long time. It
didn't sort of phase me when it started taking awhile to get
support in that town.
Someone said to me one time after being there five years and
still nothing really happening. Someone said, "Did you ever
think about going home?" I said, "No. Never." It never
occurred to me. I don't know if that's something that I
think of it in terms of saying "yes" to but it's something
that I didn't question. I never questioned it. I knew I was
in the right place and it would take what it took and I just
stayed the course.
Judith: Okay. Thanks so much.
Keith: Thanks, Judith.
Kristen: Ladies and gentlemen, we have time for one last
quick question.
Moderator: That will come from the line of Alisa Showman with
US Weekly. Please go ahead.
Keith: Hi, Alisa.
Alisa: Hi, Keith. Thanks for chatting. You touched upon this
a little bit. Last year we saw Harry cradle a contestant
while he sang in the audition. Are there any funniest
moments during the auditions that we should be looking out
for this year?
Keith: Well, certainly one of them I think we already saw in
one of the ads with the guy that danced with Jen and Harry
and I played. There's been a few of those magic moments in
the audition cities, which is part of why I love doing those
cities. They're really long days. We're often hearing 70 to
80 people in one day, one after the other. But they're also
the cities where stuff really unexpected and magical happens
and it's always great that the cameras are rolling. We got
plenty of that this year.
Alisa: Now, since this is your second year together as
judges, how would you describe Jen and Harry as judges and
how are they different off camera?
Keith: They feel like family. For me if feels like I’m
somewhere between family and a band. It feels like we're a
four piece band because I put Ryan in there too. It feels
very, very fluid. There's no other way to say it other than
what you guys see on camera is what it is off camera.
There's no difference. It's just always the same. I'm
constantly texting Harry goofball stuff. I'll email Ryan.
It's just a good legit synergy everybody has with one
another.
Alisa: Great. Thank you so much.
Keith: Thanks, Alisa.
Kristen: Thank you, everybody, for participating in this
conference call today. A big thank you to Keith Urban. A
reminder that American Idol returns with a two night three
hour premiere event Wednesday January 7th and Thursday
January 8th on FOX.
Moderator: Thank you. Ladies and gentlemen, that does
conclude our conference for today. Thank you for your
participation and for using AT&T Executive TeleConference
Service. You may now disconnect.
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