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By
Suzanne

Interview with Beth Riesgraf and Aldis
Hodge of
"Leverage" on TNT
11/7/12
I love "Leverage". It's one of my favorite shows. The
cast is always so nice to speak to on these interviews. I
have a special fondness for Aldis Hodge, who was my first
one-on-one interview years ago!
TURNER ENTERTAINMENT
Moderator: Lindsey Jones
November 7, 2012
2:00 pm CT
Operator: Please stand by. We’re about to begin. Good day
everyone and welcome to the Turner Entertainment Leverage
Conference Call. Just a reminder that today’s call is being
recorded. Now for opening remarks and introductions I’ll
turn the conference over to Lindsey Jones. Lindsey, please
go ahead.
Lindsey Jones: Good afternoon. Thank you for joining the
Beth Riesgraf and Aldis Hodge Leverage Conference Call.
Leverage premieres Tuesday, November 27 at 10:00 pm Eastern
on TNT. The conference call is now open for questions.
Please press star 1 to ask a question. Thank you.
Operator: Ladies and gentlemen, as Lindsey said it is star
one to ask a question. If you’re using a speakerphone be
sure to disengage your mute function to allow your signal to
reach our equipment. And we’ll take our first question today
from Suzanne Lanoue with The TV MegaSite.
Suzanne Lanoue: Hi, thanks for taking our call.
Beth Riesgraf: Yes, thanks for calling in.
Suzanne Lanoue: You guys are great. I love Leverage. It’s one
of my favorite shows. You always look like you’re having so
much fun. Is it as fun as it looks?
Aldis Hodge: Definitely.
Beth Riesgraf: No, it’s terrible; I’m kidding.
(Crosstalk)
Beth Riesgraf: Especially when I have to work with that one.
Aldis Hodge: Exactly. That’s what’s so difficult; oh, gees.
No, it’s a real great time on the set. The thing that keeps
getting tossed around on the set that seems remarkable the
most is actually work with is the fact that we’ve been
together for five years and we all still actually are civil
and like each other. You know we have a really good rapport;
we respect each other. I’m talking about from the top, you
know, executive producers all of the way down to the crew
because, you know, it takes everybody to make a machine work
but it also takes good attitudes.
And that’s something that’s kind of like established from
our executive producers, Dean and John and Chris and then
also, you know, with the cast ourselves. When we don’t have
the executives on site and we’re on set and having to handle
our business we also take that leadership role and all of
us, especially Beth over there, she’s probably one of the
most positive people I know. But we all try to make sure
that everybody’s got a good, you know, attitude going on on
the set because we all just want to do the right job and go
home. Do you know what I mean?
Suzanne Lanoue: Yes.
Aldis Hodge: Have a good time doing it.
Beth Riesgraf: I concur.
Suzanne Lanoue: Well, I enjoyed watching the next four episodes
and I think my favorite was the Christmas one.
Beth Riesgraf: You’ve already seen it?
Aldis Hodge: Are you talking about last year?
Suzanne Lanoue: Yes, no they sent them out in advance to some
of us so; the next four of them.
Aldis Hodge: Oh, you’re talking about the one coming out?
Suzanne Lanoue: Yes, yes.
Aldis Hodge: The one coming out that...
Beth Riesgraf: Yes, there’s one that’s funny.
Aldis Hodge: ...people have not seen yet.
Suzanne Lanoue: What?
Beth Riesgraf: Oh, I know; I haven’t seen that one either.
Suzanne Lanoue: Oh, you haven’t; well it will be like
unwrapping Christmas present.
Aldis Hodge: Yes.
Beth Riesgraf: Yes, that one was a lot of fun. There’s a
really good outtake with Aldis and the Baby Joy rage.
Aldis Hodge: Maybe.
Suzanne Lanoue: Is that going to be on the DVD?
Beth Riesgraf: Yes that’s awful; it’s going to be on the
DVD. Yes, not good.
Suzanne Lanoue: Beth, you guys need to do - you guys both do a
lot of hanging from things and climbing things. Beth, do you
like that? Is it something fun?
Beth Riesgraf: Yes, it is really fun. I mean I look at it
like I could be stuck in an office or a courtroom for 15
hours a day on a show and, you know, I’m sure I’d make it
fun but this is a lot more exciting and it really keeps it
moving for me. So if I did have any fears of heights I guess
before I started the show I don’t have them now which is
kind of funny. But it does keep it interesting and I do like
it.
You know not to mention sometimes when you’re in a closed
space filming for a long time your space sort of feels small
and then when we get to go out on a roof and we have wires
and all the camera guys everybody just kind of like livens
up because it’s fresh air and it feels really good. So
there’s a lot of reasons that I like being on that roof - or
those roofs.
Suzanne Lanoue: I’ll bet. Well thanks; I’ll let someone else
have a chance. Keep up the good work.
Beth Riesgraf: Thanks.
Aldis Hodge: Thank you.
Operator: Once again ladies and gentlemen star one. We’ll go
next to Earl Dittman with Wireless and Digital Journal.
Earl Dittman: Hi guys, how are you this morning?
Beth Riesgraf: Good how are you?
Earl Dittman: Doing great, great. I have to say Aldis, I
think I talked to you first season; Beth, I talked to you
second season. I know back then we were - you know the show
was just still kind of getting it’s legs and who knew that
five years later you’d still be doing it. Are you all
sometimes have to pinch yourselves to think wow this is
really gone on this long and we’re still having a great time
doing it?
Beth Riesgraf: Yes, definitely. I think...
Earl Dittman: What do you think it is about? Go ahead.
Beth Riesgraf: Oh, I’ll go first and then I’ll let - I’ll
say yes, I definitely have to pinch myself. I mean part of
it it’s strange because we relocate for half the year and
then when we come back to our normal lives in a weird way it
feels like we never left. But at the same time I miss being
in that pacing you know.
So it’s gone by very fast for me. But in hindsight I’m like,
“Oh gosh, we’ve really been going for a long run here.” And
we’ve built a big fan pace and more and more when we go out,
you know, people are saying how much they love the show and
the online fan base has just been incredibly supportive and
it’s growing still. So it feels really good; it’s been a lot
of fun.
Earl Dittman: That’s good. Aldis?
Aldis Hodge: I actually was going to say something damn near
the same in that because when we work we keep our heads down
and we plow through it and it does go by very fast. But
we’re still focused on getting the work done and doing it
right. That just really there is very little time to reflect
and enjoy all that we’ve accomplished. You know you’ve got
to get through it and you come home and I don’t realize it
necessarily until I talk to people and they’re like, “Well,
like how long have you guys been going?” And I’m like,
“Episode 50.” And they’re like, you know - and they, “Oh, my
God; wow. Really?”
And then that’s when I kind of reflected that we have really
made strides here. But to get to the point it really truly
is a blessing. Every season that we did to me is a
milestone. It’s like just another proud moment - just
another accomplishment to add in the book. You know
regardless of how far we go, you know, this is what we’ve
done and what we have accomplished. You can’t replace it
ever. Nothing’s ever going to top this; you know this is
amazing. I’m at a loss right now. However, I am not done -
neither of us is done; we are ready to go for a sixth and a
seventh and a eighth season you know.
Earl Dittman: All right.
Beth Riesgraf: Yes, I mean and I was going to add to that
just to say like I think part of why it’s been so
successful. People who have given the show a chance and
taken the time to watch it they fall in love with the
characters. I mean I think just as much as we have as
artists we have so much fun playing them and I think that
genuinely people like to have fun. They like being
entertained and I think our show is really good at that.
Earl Dittman: Well you know another thing from my end that
I’ve noticed to people I’ve talked to is that you can - they
can stop watching it for maybe a couple of episodes or maybe
even a year and come back and fall in love with it again.
It’s not the kind of show you have to follow to get it. I
mean you can come in at any time and people like that. They
don’t have to worry about sitting and having to watch it
every week-after-week. And it’s still amazing that...
Beth Riesgraf: Yes, they don’t feel obligated.
Earl Dittman: Yes, they don’t feel obligated but they still
have a great time after they see it. So it’s just been
working great. Yes, I’m looking for Season 10 and talk to
you all again.
Beth Riesgraf: Oh, thanks.
Earl Dittman: Well, I’ll let someone else chat and I’ll come
back to you all in a bit. Thanks.
Beth Riesgraf: Thank you.
Aldis Hodge: Thanks.
Operator: Again ladies and gentlemen, star one for
questions. We’ll pause just a moment. And we’ll take our
next question from Lisa Steinberg with Starry Constellation
Magazine.
Lisa Steinberg: Hi, it’s such a pleasure to speak with you
both.
Beth Riesgraf: Hi Lisa, is that you on Twitter?
Lisa Steinberg: That is me.
Beth Riesgraf: Hi.
Lisa Steinberg: Yes, both of you were kind enough...
Beth Riesgraf: I got a lot of questions.
Lisa Steinberg: That’s right we did. I was wondering if
there was anything about your roles that you brought to it
that wasn’t scripted.
Beth Riesgraf: Well, Aldis brought his handsomeness and I don’t know
if that was put in. I’m kidding.
Aldis Hodge: Well, just more pleasure for you.
Beth Riesgraf: He brought abundance of handsomeness - an
abundance of that. Well gosh, that’s a hard question for me.
I think we do so much improv on the show and we’re all such
a well-oiled unit or machine at this time I feel like it’s
been such a collaboration between the writers and us. I
think they’ve seen things we can do well and they think of
that when they’re writing a scene.
And like for example I know Aldis and Christian can improv
together and come up with such great material when left to
their own devices. So like I think they sort of - they’ve
learned and by observing like what we like to do and we have
a lot of fun. And sometimes it works; sometimes it doesn’t.
But I think some of the quirks that makes it is like little
acts sometimes thrown in there have definitely become part
of the show as a staple now.
Aldis Hodge: Yes. The best part about the show is our
producers and creators they pretty much, you know, gave us
free range to implement much of our own personalities and
our own ideas because, you know, we’ve got to live with them
for so many years so definitely I think my humor came in a
different way. My candor and my sense of sarcasm is what
kind of throw a harness in that and if I made to think how
that that it is she added complexity to Parker that that’s
not necessarily intended or, you know, assumed from the
beginning.
Because she has so many moments where, you know, you get to
see Parker in a real moment where she’s showing emotion and
that just carries it out. She tears it up so expertly. I
mean she’s a - she has so many moving moments for Parker
that I don’t think were necessarily thought of in the
beginning. And I think that, you know, she continues to
compound on Parker’s depth.
And, you know, it all plays into the fact that we do have
freedom to help build these characters how we see fit
because of the fact that it’s collaboration. It’s a
collaborative effort. The writers, the producers, and then
also the actors to make these, you know, lasting characters
and those substantial television figures you know what I
mean?
(Crosstalk)
Lisa Steinberg: Although Kendra has such a brotherly rapport
with Eliot; is that something that was originally written
for you? I mean you guys seem to have such great chemistry
and sort of always catch you two fighting over food.
Aldis Hodge: Yes, no that was not originally written; the
relationship between Eliot and Hardison kind of came out of
the relationship between Christian and myself really. When
we first met was on an elevator going up to the final
audition for Leverage and, you know, we had an exchange
there and talked and we kind of, you know, like hey man I
hope you get it yada-yada. And then the next time we saw
each other was at the fitting forum and like hey, you know,
this is the dude - my dude got it.
From there we allowed our relationship to grow with the
characters and we made decisions like conscious effort that
all right we want these characters to do - to find this kind
of relationship because they’re always back and forth, you
know, picking at each other. But we don’t want people to
think that they dislike each other.
Lisa Steinberg: Right.
Aldis Hodge: You know they need to know that there’s respect
there; there’s love there; and that these guys would die for
each other if that was the case. But they still can have fun
poking at each other while they’re at you know what I mean?
So it was - it’s always been on the top of Christian and my
list to make sure these characters - you always make sure
that they are indebted to one another you know what I mean?
That they have a real relationship and that...
Lisa Steinberg: Well it comes off that way.
Beth Riesgraf: And I just want to say - I want to add
something - I was just going to add something like I think
it’s - I mean you can definitely create that with people who
maybe you don’t get along with. I mean that’s why we’re
actors. But at the same time like Christian and Aldis are
both so charismatic and charming in real life that I feel
like they’re people that already have that.
You know I mean I think Tim obviously - Tim and Gina too;
but it’s - I’ll just define you two for this second. But
like you two naturally have that ability to just have fun
and, you know, kind of poke fun without - you don’t have
like an aggressive, mean natured spirit with these
characters you know what I mean. Like we’re all really good
at what we do and even though Christian fights and is like
the ultimate weapon when it comes to friendship it’s like
those two guys are really loyal and I think that comes
across. I think it’s cool.
Lisa Steinberg: Oh, it definitely comes across.
Aldis Hodge: Right.
Lisa Steinberg: It definitely seems more like a sibling
rivalry than it does a dislike for one another. You guys can
see the playful banter between the two of you. And there’s
also such great chemistry between you Beth and Aldis. Is
there more - a more noticeable romance between you all
coming up?
Beth Riesgraf: Well it’s funny. I don’t know. We actually
tried something that pushed the envelope and it didn’t make
the final edit. I mean they took it out.
Lisa Steinberg: Iggity-iggity.
Beth Riesgraf: Yes.
(Crosstalk)
Beth Riesgraf: I don’t know if the network was ready for it
yet. It might have been a little too intense you know.
Aldis Hodge: I think the chemistry between Beth and I come
naturally felt. It’s easy to make these characters like one
another or be likeable in the same setting because Beth and
I are friends. But like the first time we actually hung out
in Chicago and done a pilot like we went shopping.
Beth Riesgraf: Yes, we did.
Aldis Hodge: That was fun. And it’s just the respect is
there naturally off camera you know what I’m saying. That’s
my buddy right there. Whenever I’m in in scene I feel safe
with Beth because I know that she’s going to perform and I
can try different things with my character because she’s
just going to bring it right back.
And that comfort and that security and faith in your fellow
actor really helps a lot when it comes to performing or
creating a scene. Because when you’re on set regardless of
what the script says, regardless of what the director says,
when it comes to action and the actors are doing their thing
you’re still creating a scene. There’s so many nuances that
come out that when it - so it takes, you know - pardon my
French - it takes a bad-ass actor to cool and compliment
their fellow worker in order for them to do their job
properly and help excel them and that’s what I have in Beth
you know what I mean?
And that’s what I have in Christian and my fellow actors on
Leverage. You know these guys they’re topnotch. So that’s
why it just looks easy because they’re working hard you know
what I mean?
Lisa Steinberg: Well great; thank you guys so much.
Beth Riesgraf: Yes, thank you.
Operator: Once again ladies and gentlemen star one for
questions. We’ll go back to Earl Dittman with the Wireless
and Digital Journal.
Earl Dittman: That was a quick one. I was going to say I
talked to Tim about a month or two ago and he was talking
about what he really likes about working with all of you is
that there’s a real sense of family now. That all of these
years you all kind of become almost like brothers and
sisters and, you know, related. Do you all sense that among
yourselves? I mean do you all feel that and you rely on each
other? Are you friends outside of the set or...
Beth Riesgraf: Yes, definitely. I mean we all hang out after
work and you know on the weekends we definitely call each
other and around the holidays, you know, everybody has got
their kids and inviting everybody over for dinner or
barbecues. I mean we definitely - we’re our home away from
our home you know and it’s a cool thing for me as sometimes
those relationships sort of dissolve after a job ends and
it’s sad. You know you miss those people.
And with this show we’ve all - even when we go to our
separate homes and back to our lives we all stay in touch
and it doesn’t feel like it’s ever going to go away which is
amazing. Like we are in this, you know, as friends and have
become a family.
Aldis Hodge: Yes, that literally keeps us together on the
show is just simply, you know, feeding those relationships
that we’ve established, you know, five years ago.
Earl Dittman: And does it help in your acting? Does it make
you able to take chances knowing that you have people behind
you that will be there to catch you if you fall
proverbially?
Beth Riesgraf: Yes, totally. And I also...
Aldis Hodge: Oh go ahead Beth.
Beth Riesgraf: Sorry, go ahead. No, you go first.
Aldis Hodge: I was just saying the last question that I was
just answering I was saying just that because everybody is
topnotch and on their game. I feel secure and safe with my
fellow actors; safe enough that I can take chances. Because
you know with show there’s still a lot of acting outside of
the scene. Like what will be on top - sometimes after
shooting a scene in a different place we’re not even there
to see the performance.
However, you know we know each other so well and we know
each other’s skill set that we can perform with them not
even being in the room understanding that, you know, I can
say this here and I can do this here because I know, you
know, my fellow cast mate well enough that they did this.
They did their job. You know they came in like this. We can
take our chances because everybody is on top of their game.
Earl Dittman: Yes, yes. Go ahead; you were going to say
something Beth. I’m sorry.
Beth Riesgraf: Oh no, it’s okay. He answered it so well. I
think that’s true and I was just going to say there’s days -
there have been days where, you know, we have to go to work
even if we’re fighting a flu or have fevers or, you know,
whatever. And the fact of the matter is we all understand
each other and if someone is having a tough day or a bad
day, I mean we help each other out from somebody will be
willing to rearrange their scene so the other one can get
out earlier or if, you know, Gina needs to go be with her
daughter or something there’s not one person that would not
want to help out with that so.
Earl Dittman: Yes.
Beth Riesgraf: There’s no selfish people in that way. Like
we all I think even above the acting stuff, you know, we
understand each other and we want to help each other out. So
that does translate on screen and I think in the scenes like
Aldis is saying we just know each other so well that it
makes our job easy and it’s not like it’s always super easy
but because it’s a crazy schedule. But like it makes it fun
really is my point, yes.
Earl Dittman: Well since there is such a gigantic fan base I
have to ask what is the strangest fan encounter each of you
have had? Or weird or just kind of just where you thought,
“Oh my God, what was that all about?” Do you have one that
sticks out?
Aldis Hodge: I mean the strangest thing that happened was
one time this lady saw me and just immediately started
crying. She didn’t say anything; just started crying. I mean
what do you do in that situation? I mean I was like okay
this looks really bad. You know find a little lady, compose
is like bad, go public, she’s crying, this looks bad. Get
away; get away as fast as you can.
Beth Riesgraf: Yes, I know. You started to battle like do I
hug them or run from them. No, I’m just kidding.
Aldis Hodge: What am I supposed to do?
Beth Riesgraf: Yes, it is a strange feeling to see that type
of aspect, you know, happen - like created in somebody else.
You’re kind of like, “Oh my God.” And I completely get it
because I’ve loved, you know, things that much where I’ve
wanted to cry and it’s just you are in their living room
every week and they see us but we don’t see them. So it’s
just I guess understanding that dynamic sometimes is
interesting, yes.
Earl Dittman: So you just - like you were just kind of - she
just stood and you say - I just walked away.
Aldis Hodge: No, she stood there and cried for a bit and
then thank God my mother was there and I was looking at my
mom like what’s up. But eventually she began speaking and I
was like okay I get it now. But it’s just weird because it’s
common human interaction like, you know, I don’t understand,
I don’t know you, you look at me and you’re crying; I’m
thinking something is wrong and puts the whole thing in my
plate.
I’m not like, “Oh yes, she must be know me from the show.
She must be sick.” Like none of that crosses my mind because
I don’t think about that in my daily life; you know it’s my
job. I go do my job and go home. But when I see a lady
crying in the street I’m like what? But eventually, you
know, like I said we cleared things up and it was very sweet
of her. She was very nice and my impression and my
interaction like that is amazing because she’s had a
relationship with you. You’re in their homes every single
week...
Earl Dittman: Yes.
Aldis Hodge: ...sometimes every single day and the fact that
someone can have that reaction that is major because what
other job you really do on a daily basis where that occurs.
Earl Dittman: Yes.
Aldis Hodge: Reaching someone like that and not even know
it; you know what I mean?
Earl Dittman: Beth, have you had anything like that happen?
Beth Riesgraf: Yes, I mean I think I - it’s funny because,
you know, I always see the girls freaking out over Christian
and Tim and Aldis. And when Christian’s band plays in
Portland, you know, I would see girls coming up and asking
him to sign their body with a sharpie. I had seen that in
movies but I was like, “Oh my God; it actually happens.” And
then some of the have the signature tattooed and, you know,
it’s just amazing. I mean they have so much love and
admiration that it’s like they want that permanently on
them. And I’ve always been like, “Oh, I get it.”
But then somebody had something I said I think tattooed on
them once and...
Aldis Hodge: Wow.
Beth Riesgraf: ...it was a little weird for a second because
I was like, “Oh my God.” Like that’s amazing but you really
- like I don’t know; you just see the impact you’ve had on
someone’s life and ultimately John Rogers wrote the line,
you know, but I said it and then that person was so touched
or affected by it that they put it on their body for the
rest of their lives. You know it’s a little intense.
Earl Dittman: Yes, well Taylor Lautner just told - from
Twilight just told me he had signed somebody’s wrist and she
said, “Sign it right here.” And he said the next day she had
it tattoo over his signature and he was like, “Oh my God; do
you really like it that much.” So it must be a really weird
feeling.
Beth Riesgraf: Yes.
Earl Dittman: To have somebody’s name on their body the rest
of your life then is strange. Well thank you so much; I
appreciate the stories; really great. Thank you so much
again.
Beth Riesgraf: Yes.
Earl Dittman: Best of luck.
Beth Riesgraf: Yes, totally; thanks. You too.
Operator: Once again ladies and gentlemen star one for
questions. We’ll pause just a moment.
Aldis Hodge: Beth.
Beth Riesgraf: Yes.
Operator: And we’ll go back to Earl Dittman.
Aldis Hodge: Oh.
Earl Dittman: Go ahead; go ahead. You can talk to Beth; go
ahead.
Aldis Hodge: Oh, I was going to say do you remember - see if
you can figure out which line that is. I want to know which
one it was.
Beth Riesgraf: So I’ll think of it. Yes, I’ll think of it.
Aldis Hodge: Okay.
Earl Dittman: Do you remember what season it was from?
Beth Riesgraf: Well, I think it - you know what? It may
actually have been sometimes bad guys are the - what is it?
The only good guys you get. It might have been that line or
it might have been - I don’t know what else it would have
been.
Earl Dittman: Yes, yes; because that’s - again that’s - I
guess it’s a really good feeling but an odd feeling at the
same time but to know that you all...
Beth Riesgraf: Yes.
Earl Dittman: I mean you all do such a great job. I mean
literally you all do come into our houses every day because
to TNT they run repeats, you know, of Leverage every day
almost I think. And so people see you, you know, sometimes
two or three times a day and the acting and your characters
become so familiar and so loveable that people are just
really just drawn to them. I mean I can step outside and ask
friends and family what they think about it and, you know,
they’ll give me an honest opinion. And everyone I’ve talk to
they just love the show; they just can’t get enough of it.
Beth Riesgraf: Oh, good.
Earl Dittman: And I think that’s a testament to the writing
and to your great act - both of your acting and everybody’s.
Beth Riesgraf: Thanks.
Aldis Hodge: Thank you.
Earl Dittman: Now do - I noticed that - and maybe I’m just
being stupid. But during your hiatus do you all like to do
other projects like film projects and stuff?
Aldis Hodge: Oh, yes.
Beth Riesgraf: Yes, I do - I mean I definitely need some
time to decompress because it’s pretty intense the moving
back and forth and readjusting takes some time but yes, I do
like it.
Earl Dittman: Where do you move from? Do you live in LA and
come back to LA?
Beth Riesgraf: Yes.
Earl Dittman: Okay.
Beth Riesgraf: Yes.
Earl Dittman: I was going to say...
Lindsey Jones: Okay, this will be our - oops sorry guys. We
only have time for one more question.
Beth Riesgraf: Okay.
Earl Dittman: Is anything coming up then - anything coming
up from - besides the show for either one of you?
Beth Riesgraf: I can’t talk about it but...
Earl Dittman: Oh, okay.
Aldis Hodge: I have...
Beth Riesgraf: But maybe; possibly.
Earl Dittman: And Aldis, anything for you?
Aldis Hodge: Yes, I was just saying that I film coming out
that I call the east that’s in postproduction right now. It
should be out next year so, you know, hopefully I hope that
things go well with that.
Earl Dittman: Fantastic. Okay well, I’ll let you all go.
Thank you again so much for your time. I appreciate all of
your answers and the best of luck and keep on doing what
you’re doing.
Beth Riesgraf: Thank you.
Aldis Hodge: Thanks.
Lindsey Jones: Okay, thank you guys so much for joining
today’s call; as a reminder Leverage premiers Tuesday,
November 27th at 10:00 pm Eastern on TNT. A transcript of
this call will be available within 24 hours. Thank you Beth
and Aldis and thank you all for participating.
Aldis Hodge: Oh, thank you for having us.
Operator: Ladies and gentlemen, thank you for your
participation. This does conclude today’s conference. Have a
great rest of your day.
END
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