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By
Krista

Interview with Marc Maron of "Maron" on
IFC 4/22/14
Final Transcript
BWR PUBLIC RELATIONS: Conference Call with Marc Maron
April 22, 2014/10:00 a.m. PDT
SPEAKERS
Marc Maron
Molly O’Gara
PRESENTATION
Moderator Ladies and gentlemen, thank you for standing by,
and welcome to the Marc Maron Call. We ask you to please
limit yourself to one question and one follow-up. You may
then re-queue, and additional questions may be taken if time
permits. As a reminder, this conference is being recorded.
I will now turn the conference over to Molly O’Gara for
opening remarks.
Molly Hi, everybody. Thank you so much for joining us today
for the conference call with Marc Maron. Season two of Maron
premieres Thursday, May 8th at 10:00 p.m. on IFC. As always
in these calls, if we feel that anyone is harping on a
particular subject we do reserve the right to jump in and
move the call along.
With that being said, Kathy, let’s go ahead and start with
the first question.
Moderator Our first question will come from the line of LA
Ross with TheWrap.com.
LA My question actually has to do with possibilities for you
beyond IFC. Your name has come into contention for replacing
Stephen Colbert on Comedy Central, so I was wondering if
you’ve had any conversations about that or just what your
thoughts are on that?
Marc Well, I’ve definitely had conversations, not with
Comedy Central, about the possibility of doing a talk show
that could sort of honor the type of thing I do with WTF. I
don’t know whether or not the Colbert slot is where that
could happen, but I have interest in trying to create and
put together a fairly solid idea for an intimate talk show
that would honor my style of conversation and interviewing
and comedy. There have been no direct talks, but the talk of
that for me has happened elsewhere.
LA Just to follow up, when you say elsewhere—I mean,
obviously you have the podcasts and IFC. Can you just give
me an idea of what you mean by elsewhere if it hasn’t been
directly with Comedy Central?
Marc Well the sort of idea that it would be sort of a
natural transition to try to do a talk show, I was not that
necessarily into it a while back, but now that I’ve sort of
[indiscernible]. Obviously I went to IFC first, and I’ve
been having conversations with them about it because I am in
business with them. So that is where that conversation took
place, and it’s still evolving.
Moderator Our next question comes from the line of Vincent
Genovese with IFC.com.
Vincent I wanted to ask, a lot of the season-two guest stars
have appeared on the WTF podcast before, was there something
about their podcast appearance that made you think they’d be
right for the show?
Marc Well when it comes down to that, some of the guests on
the TV show Maron playing themselves, some of them integrate
into the stories that we had conceived. The stories come
first, and then sort of the guests—I kind of figure out who
would be best to kind of amplify or accentuate the story. So
a lot of those decisions are made later like, let’s say,
Caroline Rhea, for example. That story about the nostalgic
sex-buddy episode, it’s a very funny thing about Caroline
because Dave Anthony, who was a writer on this season and
also plays Dave in several of the episodes as my friend,
both Dave and I had both dated Caroline Rhea 20 years ago.
So we had both been with her, so the idea of using her to
play the part of the person that I decide to have sort of a
sexual tryst with at this age—it was great that we could get
her because it was all very founded in reality. A lot of
times it has to do with availability, but mostly it’s sort
of how would this guest playing themselves kind of
accentuate or fit into the story, and that was mostly the
decision. It was based on my knowledge of them or my
friendship with them, but it was really usually about the
story.
Moderator Our next question will come from a line of Olivia
Cathcart with TheLaughButton.com.
Olivia Season one, a lot of your first seasons are about
establishing and introducing characters and scenes and
setting the tone. What’s the big difference in season two?
What was your goal for this season in writing?
Marc Well, I think that the primary thing is it’s tricky at
the budget we’re working at and the idea that— Recurring
characters are tricky because you can only have them for a
few episodes before you hit a different pay grade, say you
kind of have to tier them out. There are several different
story arcs in the show, but the primary difference between
this season and the last season is that this is Marc, the
character, at a slightly different elevated level of
success, like he’s starting to deal the first wave of
attraction around his podcast and around visibility and
things starting to work out.
Really the undercurrent of the entire season is Marc dealing
with having a little bit more success, and whether he does
that gracefully or not emotionally or otherwise is anyone’s
guess. But that was really the through line is that the
primary difference is that it’s a little— This season
obviously in my life, the life that I’m really living, would
be when the podcast started taking off and opportunities
start to happen, and obviously there’s still a lot about my
inability to function in relationships. But I would say the
primary thrust is how does Marc deal with just a little bit
more success—not even a lot.
Olivia Just a follow-up, when you go back and you watch
season one, what is it like to watch yourself basically
reenact past experiences but from a bystander’s point of
view?
Marc Oh. Well, a lot of my concern in this season was that
having— When I answered the first season, I really had no
real experience at acting. I had no real experience in TV
writing or producing television, so it was kind of like I
was showing up, and I was certainly ready to do what I was
doing, but I put a lot of faith in a lot of the people
around me and really had to learn on the job. So when I
watch it as a bystander, I’m actually watching season one
too to figure out what I thought worked and what didn’t work
story-wise, character-wise, what I wanted to do more of,
what I wanted to do less of.
So entering the second season it’s hard for me to look at it
as a bystander, but I’m very proud of the first season and
the emotional risks that the stories took and that I took,
but heading into second season there were certain things I
wanted to do a little differently, and I had a little more
confidence because I had those ten episodes under my belt.
So I looked at those— Hey, I think it’s very hard for me to
look at it as a bystander, but there are certainly some
scenes that make me a little uncomfortable as me because
they were very emotionally loaded, and I think that’s good.
So as a bystander I found some of it entertaining in a very
troubling way.
Moderator Our next question comes from the line of Virginia
Rohan with The Record newspaper.
Virginia In line with what the previous woman was saying, I
just was wondering is it kind of a weird—I wondered this
when Jerry Seinfeld was doing his show and Larry David, but
playing a character with the same name, this weird
dichotomy, is there kind of a weirdness to it, and do people
confuse you with the character Marc?
Marc Well, it’s weird. I don’t know about Jerry or Larry,
but it seems that I’m always playing—they’re all different
sort of versions of myself. A lot of what I’m doing is
coming from not a manufactured place, and it seems that what
I do creatively is expose myself emotionally in sort of a
raw way but a fairly honest way. And more so than not what
I’m seeing when I watch a 22-minute episode of me on
television is it’s just a contextualized version of who I
really am.
It’s limited by the fact that we created a story, and we
have a set, and it’s an episode of television, but it is
definitely true to me in that medium. So I don’t feel like
it’s that different. I mean, I think that because it’s a
character on television there’s only a certain amount of
time, and there’s not a lot of room for some of the other
elements of my personality, which is probably better off.
Virginia And just because we are a Jersey paper, I wanted to
ask about your connection to Wayne. I saw a piece in New
Jersey Monthly, but I also then saw that you were only there
until you were six, and I just wanted to get you to clarify.
Marc Well, New Jersey was very important to me in my life.
Both of my parents are from Jersey, and my grandparents
lived in Pompton Lakes for a good chunk of my life, and
Jersey is really where I come from on a genetic way. But, I
spent a lot of time in my childhood. I grew up in New
Mexico, but I would go back east three or four times a year,
and my grandma Goldie and my grandpa Jack were very
essential in my life, and Pompton Lakes and Wayne was down
the street. My parents lived there for a couple of years,
but Jersey was very prominent in my childhood.
Moderator Our next question will come from a line of Krista
Chain with The TV MegaSite.
Krista My question is can you give us just a little bit of
insight on what to expect in season two?
Marc Yeah, in season two I’m sort of dealing with the first
wave of success of somebody who’s starting to get a little
recognition for what he’s doing. You can expect some
troubling relationship stories. There are episodes with my
parents. There are episodes with people I’m dating. There
are episodes with other comedians. You can expect a lot of
very unique stories that deal with everything that being
alive brings.
Krista As a follow-up, is there anyone that you would like
to have on as a guest star that you haven’t been able to get
yet?
Marc You mean on the series?
Krista Yes.
Marc Oh yeah, sure. There are plenty of people. Do you have
connections to people? Can you help me out? There’s a huge
list of people that I would love to work with and love to
have on the show, and hopefully, if we get a third season, I
can get some of those people. It would be very funny to have
some of the old-timers come on, which I’ve not been—like, it
would be great to have Mel Brooks or Bob Newhart or Albert
Brooks play themselves on the show. Seth Rogen would be fun,
and there are a lot of people that I would love to have on
playing themselves. That list is very long.
Moderator We’ll go back to the line of Virginia Rohan with
The Record newspaper.
Virginia You mentioned Caroline Rhea and the storyline
there, and about a year ago, I think, you were on with Conan
O’Brien where Larry’s talking about dating age-inappropriate
women. So does this tie-in at all, and are you still dating
age-inappropriate women?
Marc No, that relationship ended painfully and not so great.
I was not out looking for younger women. It’s just things
sort of happened. I have been dating a woman my own age, and
sadly there are just as many problems with that. So I
haven’t really figured out the whole relationship thing. I’m
trying not to give up, but I’m not sure how much the heart
can take. But we’ll see.
Virginia One other thing, I also saw you on a show where you
were talking about making up with John Stewart. Has anything
further happened there?
Marc No.
Virginia No, I’m just thinking if you do replace Colbert
that you’d have to make amends.
Marc Well, here’s what I will tell you. If John Stewart, if
he owns that spot after Colbert or after The Daily Show, if
that is his real estate I will never replace Colbert. Let’s
just put it that way.
Moderator Next we’ll go to the line of Sean McCarthy with
The Comics Comic.
Sean Just getting ready for Austin. In the meantime, the
first teaser clip went up from IFC that shows you with some
juicy interplay with Michael Ian Black and Chris Hardwick,
and I’m curious for season two which comedians you were
really glad to get on the show and kind of play around with?
Marc Oh man, Andy Kindler and I have known each other
forever, and it’s always good to work with him, and he’s in
a couple of episodes. But Dave Anthony came on as a writer
and performer, and I’ve known him for 20 years as well, and
we have sort of a very specific dynamic. So that was
amazing. It was great working with Dave, both as a writer
and as a performer.
Joey Diaz plays a character in a very important episode
called “The Joke,” and he was brilliant. We wrote it for
him, and I was glad that he was able to do it and do it so
well because it’s a real comic-driven episode. In this
season I did a little more of that. Like last season, I was
little wary of integrating my standup life into the show,
but this season I do a bit more of that. Tig plays a small
part. She was great. Karen Kilgariff plays, like, a two-line
part that was genius. Bill Burr plays himself, and he was
Bill Burr; he was great.
Ray Romano has a very big part in “Celebrity Friends,” and
he plays a bit against type, and he was just brilliant. All
the people that play themselves were great. Gabe Cross plays
himself but also is integrated into the story, and he’s just
so natural and so funny. Jonah Ray plays a record store
clerk, and it was really his first role, a big role in
piece, and he was great.
I love working with comics. It makes me so happy and so
grounded and so excited to do the scenes and stuff because I
know these guys. We all come from the same place, and it’s
very comforting to me. Everybody did a good job.
Moderator Our next question comes from the line of Tim
Clodfelter with the Winston-Salem Journal.
Tim As a fellow crazy-cat owner, can you give us an update
on your menagerie? Are the cats that are seen in the show
real pets or are they actor cats?
Marc No, we found very early on that— Well, I knew that my
cats could never—they can barely interact with other people.
They’re a little nutty. But, we did find this year, we found
a pretty great cat-wrangler person. Cats are very tricky. In
our first season, people wanted more cats, but given the
fact that we had three days to shoot entire shows, that the
funny thing about even actor cats is that they’re still
cats, and there is a limit to what you can get cats to do.
But we did sort of land with a really good cat handler this
season, and there are definitely more cats in the show. But
they are not my cats. They are professional actor cats.
Tim I partially asked because that orange tabby in the
season premiere looks like my cat, Scrambles.
Marc Bob. Yeah, I’ve got a couple of cats. My cats are fine.
Boomer never came home still. I’m just going to have to let
that go. I’ve got this weird little wildcat that I feed
every day that’s a black cat, and he’s deaf, can’t hear a
thing, and he’s completely out of his mind. But I’ve got a
pretty good relationship with him. A couple of cats come and
go, and there’s another feral I feed, but I haven’t seen in
a while.
There are coyotes up here, so it’s a tough life for a cat
out there. I don’t know how the deaf cat survives. He’s such
an inspiration to me that he’s just a wildcat living out
here on the hills with coyotes, and he just keeps going.
He’s got to be one tough little guy to not be able to hear
and still survive. He’s like he’s my hero, the deaf cat.
Tim Does he have a name?
Marc Yeah, deaf black cat. That’s his name.
Moderator We do have a follow-up question for line of
Vincent Genovese with IFC.com.
Vincent So you directed an episode this season. Did you
enjoy that experience, and if so, do you hope to direct
other projects in the future?
Marc Yeah, it was a great opportunity that I’m happy I took.
I did enjoy directing. Knowing the process, being in front
of the camera and writing and everything else, to try
directing was a real thrill. I learned some stuff, and I
would love to do it. I’d like to direct a show or an episode
where I’m not in every scene. It does make it very tricky to
direct and be in every scene, especially on the time budget
that we had in terms of getting the show done.
But it was a great experience, and I was surprised to find
that so much of the directing television experience happens
in the editing room and just getting the coverage you need
and then getting and editing and sort of trimming it down
and making those choices. It was something I never really
thought I would do, and I would love to do it again. It was
great.
And that episode is very important to me. That is the
episode called “The Joke” that stars me and Joey Diaz, and
the story revolves around me accidentally doing someone
else’s line on the Conan O’Brien show, and I really needed
to get the emotions and the narrative of that thing exactly
right where I wanted them, and I was fortunate that that was
the episode that I directed.
Vincent Just to follow up with that, what is it about Bobcat
Goldthwait’s directing style that fit so well with the show?
Marc Well, have you seen his movies? Bob has got a very
acute sensitivity to how to play and move our comedy
forward. He has a very unique vision around comedy that is
not mainstream or predictable. He’s got a great feel for
essentially the type of comedy that the show is, and it’s
always great working with him. It’s nice having him on set.
Molly Okay, everyone, with that we are going to wrap up
today’s conference call. Thank you so much for joining us.
As a reminder, season two of Maron premieres Thursday, May
8th at 10:00 p.m. on IFC, and photos can be found on
press.IFC.com. At this point, I’m going to hand it back over
to Marc for a quick final remark.
Marc Well, thank you all. Thank you for doing this. I want
you to know that—and this is not said lightly, because I
don’t always experience this, but I’m very proud of this
season. I think we created some really sweet and touching
and darkly funny stories, and I just want to say I’m happy
with them. I’d like that to be on record because I’m not
generally known to be that happy, and I appreciate you all
taking the time to do this.
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