Y&R Transcript Wednesday 11/9/11
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Episode # 9776 ~ Eva Longoria Special Flashback Episode
Provided By Suzanne
Proofread By Emma
Ronan: I've got it from here.
Phyllis: This is crazy that I'm being arrested. You know it's crazy. They're photographs. (Chuckles) Come on, they're photographs-- of Heather and Adam, no less. (Sighs) You can make this go away, right?
Ronan: I would love to make this go away, but how exactly am I supposed to do that? With my time machine? Go back, keep you from stealing photos from the middle of a courtroom? Maybe crash your server so that you can't put them online?
Phyllis: Oh, come on. It's not about the photographs. You know that. It's about Avery getting back at me. She put me here so I'll lose custody of Lucy. Come-- she's gaming the system.
Ronan: If she is gam--
Phyllis: If? If she is?
Ronan: She's doing a very good job of it. Until she pulls those charges back, my hands are tied.
Michael: Okay, e-mail me anything you think may be of use. I'm headed to work out Phyllis' bail right now.
Nick: Wait, what?
Michael: All right.
Nick: Phyllis is on bail?
Michael: Um, okay. Yes. Thank you. Bye. Uh, yes, Phyllis was arrested for stealing those compromising Heather/Adam photographs.
Nick: Avery pressed charges.
Michael: And since Avery is representing Daisy with the plans of reuniting her with Lucy, I think it's safe to assume that none of this happened by coincidence. Now I gotta get moving on this bail, all right? Excuse me.
Nick: Hold on.
Michael: Huh? What?
Nick: That might not be necessary.
Daniel: (Clears throat) Hey.
Daniel: How is it I never knew I had an aunt?
Chloe: Oh, look who it is.
Chance: Hey, there, Princess.
Delia: Hi, Chance.
Nina: Look how cozy your room is.
Chloe: Yes, well, we won't be here much longer, right? 'Cause we're gonna go home, and we're gonna try on flower girl dresses for the wedding.
Nina: (Gasps) Oh, I'll bet all the boys are gonna fight to dance with you.
Delia: Will Daddy dance with me?
Chloe: Um, you know what, Sweetie? He's not going to be able to make it.
Delia: Why not?
Billy: Hey, Buddy.
Cane: Seriously, Billy, you're here?
Billy: Yeah, I am, and you're staying here. I can't let you go to Myanmar to clean up my mess.
Chris: Oh, it's always a perk when justice department business brings me back here. But I know you and Nina have been going through a lot. Thank God Chance is back. But stuff with Ronan...
Paul: We still don't have any idea where he was all those months or why he came back. It drives Nina crazy.
Chris: How is Heather holding up after the "Restless Style" exposure?
Paul: Uh, she left, Chris. And I don't think it's just to clear her head. It's--it's for good this time.
Chris: I'm really sorry for both of you.
Paul: Yeah, I don't know what's worse-- having my daughter leave because she feels as though she has to escape or knowing that my son is part of the reason.
Chris: Ricky? He's here?
Ricky: Nick, what can I do for you?
Nick: I wanted to give you a tip on a new story-- young, wannabe journalist gettin' played by his boss. It turns out the boss just wanted him to help her get back at her sister, make her sister lose her kid.
Ricky: Phyllis and Avery are sisters?
Nick: I guess you didn't do any research, did you, Ricky?
Ricky: Phyllis stole pictures that I took-- theft. And then she printed them without my permission-- copyright infringement.
Nick: So you don't care at all about the part about you gettin' played? You know what, Ricky? You should forget about journalism. Just keep bein' a professional pawn.
Cane: We've gone through this already, okay? Arrangements have been made. It is now too late to back out.
Billy: True, but it's becoming painfully obvious that if you go over to Myanmar and start sniffing around, you might end up in my old jail cell, Man.
Cane: Victor is keeping you away from your daughter. My father tried to take my kids, and I say to hell with that. This is your daughter we are talking about, and every day you spend away from her is a day you will not get back.
Billy: I know that. I know that. But since you just got your foot back in the door with Lily, maybe you should listen to me and say, "You know what, Billy? You're right. I'm not gonna go." Because if you leave the country, Lily's gonna cut you loose.
Cane: Uh, no, because, uh, she knows I have to go. I did not tell her why, and, uh, she didn't push, 'cause she trusts me. So it looks like you just have to accept my help.
Billy: (Clears throat) (Sighs)
Avery: Yes, I'm your mom's sister.
Daniel: And it's been this huge secret, even from me?
Avery: It wasn't my place.
Daniel: Feel free to fill me in.
Avery: Daniel, there's a lot, and I really think it should come from Phyllis.
Daniel: Well, she's my next stop. Hey, maybe there's something you can help me understand. Why would you press charges against your own sister? Why would you defend Daisy Carter? I mean, she's-- she's not Sharon Newman. Daisy has done everything that she's been accused of and more.
Avery: You know what I see when I look at Daisy? A young woman who has been used as a weapon from the second she was born, abandoned by her mother, tainted by her father, manipulated by her aunt, and then left alone and confused, abandoned by her brother, the one person that she thought she could count on. Phyllis said that she would help her and support her, but Phyllis just wanted to steal her baby.
Daniel: Mnh, mnh, mnh. That's not exactly how it happened.
Avery: Daisy has rights to justice, to dignity, and certainly to her own child.
Daniel: (Scoffs) I don't really think of Lucy as a consolation prize for Daisy's crappy childhood, but... (Chuckles) I guess--I guess this isn't really about Lucy, and it's not really about Daisy, is this? This is about sticking it to my mom. But nice job with that whole "Truth and justice" thing. That was well-played.
Phyllis: What about the public's right to know, Ronan? What about that?
Michael: Thank you.
Phyllis: Oh, good. Michael.
Michael: Phyllis. Detective.
Phyllis: Thank you. Can you get me out of here?
Michael: Well, I'm working on bail now, but we may be able to get the charges dropped.
Phyllis: Good. Thank you.
Ronan: Please, give it your best shot.
Michael: If I may?
Ronan: Hmm. Bringing in the victim. That's not exactly in the handbook. Are you here on your own volition?
Ricky: Came in on my own two feet and everything.
Phyllis: Uh, you know, I can actually talk to Ricky without an audience.
Ronan: And I need coffee.
Michael: All right, I'm right behind you. Play nice.
Phyllis: Okay, Ricky. I am very, very sorry. I just want to start by saying that. I'm sorry for taking those photographs. I was all in the "Get." I overstepped.
Ricky: Actually, I want to hear more about how your sister's using me. Is that true?
Phyllis: Um, my sister? Yeah. Well, um, she has an agenda regarding me. She probably didn't mention that we were sisters, did she? No, of course she didn't, because then you would realize that she was using you. In fact... (Sighs) Um, Avery is trying to take Lucy away from me.
Phyllis: And she's going about it two ways-- by trying to prove that I'm an unfit mother, and by defending the birth mother, who is, by the way, a vicious, psychotic criminal who should never, ever be out of prison, ever. With me out of the picture, Lucy could very well grow up without a mother, sort of like you did. Those were your photographs, Ricky. I'm truly sorry. I mean, if you drop the charges, this all goes away.
Chris: Thank you.
Paul: Thanks. Yeah, um, Ricky knows he screwed up with those pictures, and, uh, he let things get out of control.
Chris: But for Heather to leave now, thi-- this can't have been what Ricky intended.
Paul: When you say "Can't," do you mean "Maybe so"?
Chris: No, no. (Sighs) No. He's--he's your son.
Paul: Yeah, he's my son. But he's also Isabella’s son.
Chris: I know. (Sighs) He must have such complicated feelings-- growing up the way he did, away from you. How much does Ricky know about his mom?
Paul: I don't have a clue. That's just it, Chris. He's my son, and I don't know him. I don't know him at all. I don't see Isabella in him.
Chris: There was no way of knowing anything was off with Isabella just by looking at her.
Paul: No, you're right. I mean, when I think about the first time I saw her in my office... she seemed like the most innocent person in the world.
Isabella: As you can probably tell, I'm rather upset.
Paul: Well, why don't you sit down? We can talk about it.
Paul: So it's, uh, Ms. Brana, wasn't it?
Isabella: Isabella Brana, my maiden name. I started using it even though my husband and I haven't divorced.
Paul: Any special reason? I mean, you said you were in trouble. Why don't you tell me exactly what kind of trouble?
Isabella: I think I'm being followed. And if that's true, I'm afraid my life could be in danger.
Paul: (Sighs) You know, all she had to say was she needed my help, and boom. (Snaps fingers) I was there. She sucked me right in. But I-Isabella played to my vanity. I had to be the hero.
Chris: You were the hero.
Paul: I was a fool. I should have seen the signs. I should have seen all the secrets. I mean, the way she treated you was...
Paul: Isabella’s gone. She disappeared.
Paul: There was blood all over the living room. There were signs of a struggle and a-a big, heavy candlestick.
Chris: Oh, my God.
Paul: No--no body. Just blood. The police are investigating, but it looks bad, Chris. It looks very bad, like she might have been murdered.
Chris: She made me question who I was, wonder if I was capable of taking a life. No matter what Isabella did, there was no regret, no remorse. And that look in her eyes... (Sighs) It was as if her soul was damaged somehow.
Ricky: Did you know that my sister lost her job and left the state because of those pictures you posted?
Phyllis: Yeah, I do. I do, Ricky. I do. I'm sorry about that. That wasn't my intention. It--it really wasn’t. (Sighs) You know those pictures were going to come out. You know Avery was going to use those pictures. I mean, had I not found that memory card that cleared Sharon, she was gonna get those-- she was gonna try to get a mistrial with those pictures.
Ricky: (Scoffs) Right, right. Yeah, so-- so that makes it okay? The fact that you disrespected your source and now Heather might never speak to me again, that's--that's--
Phyllis: No, no, that's not what I'm saying. That's not what I'm saying.
Ricky: The charges against you stand. Good luck.
Ronan: Looks like you're status quo.
Phyllis: Oh, my God. Michael, I gotta get home to my kids. I--
Michael: You will, you will. Bail has been handled.
Phyllis: It has? Thank you. Thank you for dragging him here, even though it turned out to be a bust.
Michael: Well, actually, the only reason Ricky was here was because Nick talked him into it.
Billy: Do you get it now? That article is pretty clear. You do not want to get busted in Myanmar.
Cane: Are you sure about your description of the girl?
Billy: Chelsea? Yeah. And if you find her, don't let her pretty face pull you in. Her friends are just as bad as Aussie mobsters, I guarantee you.
Cane: Okay, all right. Listen, I need to go see Ronan and get my visa. And you're sure you don't have a picture of Chelsea?
Billy: No, I don't have a picture. Victor probably does, and if I ask him nicely, I'm sure he'll give it to me. Or I could steal it.
Cane: Nah, it's not worth the risk of getting caught.
Billy: You'll have it in your in-box by the time you land.
Nina: Oh, Chloe, Delia looks wonderful. When will you know if she's in full remission?
Chloe: Oh, you know, I mean, it could be any day.
Chloe: It could be a week. It could be two.
Nina: (Sighs) Minutes feel like forever in this place, don't they?
Chloe: Hey, Ronan’s okay. He made it through.
Nina: Yeah, I know. Just--still no answers. Has he ever said anything to you about why he left the way he did after the operation?
Chloe: (Scoffs) He said that he has his reasons...
Chloe: And that's it. Since then...
Nina: Yeah. I'm sorry. You've got enough on your plate. You don't need this.
Chloe: I have Kevin back, and I'm not stupid enough to blow it again. (Sighs)
(Cell phone rings)
Nina: Oh. Ahh, yes, don't let the good ones get away. Yes, Mr. Williams?
Paul: Hey, I have a surprise. One Christine Blair...
Paul: At Gloworm is ready to visit with you. What do you think?
Nina: That's wonderful. We have the lady who might have some answers.
Chance: Is this for Pinkerton? I don't know. I tell you, why don't you pull that out? And let's find out. (Gasps) (Chuckles) Look at that. Well, ponies can't hold wands, so I guess that's for you.
Delia: Is this a dream, like when Daddy came?
Chance: You know, Delia, dreams are the best, because when you close your eyes, you can see whoever you love, whoever you miss. And every time you think about your dad, just know that he's thinking about you, too. Missing somebody is just another way of saying "I love you." You understand? Yeah? Okay. Delia, I may have to go away again for my job, but I am crossing my fingers that it's not gonna be until after you come home, okay? But in case I do have to leave, I just want you to know that I am gonna miss you every day, and I am gonna miss you very, very much, which you know means I love you.
Delia: Like Daddy?
Chance: Yeah. Just like daddy.
Michael: Oh, it's so good to see you.
Chris: (Chuckles) You, too.
Paul: So why don't you join us?
Michael: I think I will. Thank you. I was watching you when I came in. You looked like you were having fun catching up.
Paul: Oh, well, we were reminiscing about Isabella.
Michael: Oh, really? Well... I'd say I'm sorry again, but it didn't seem adequate the first hundred times. I can't imagine it would be now.
Chris: Neither of you had any idea what Isabella was capable of. (Sighs) No one did.
Nick: You got a second?
Avery: Yeah, come on in. I'm sorry about the impact on "Restless Style," but we couldn't let it slide. Phyllis stole those photographs and published them without Ricky’s permission.
Nick: So this was all for Ricky’s sake?
Nick: I'm not buyin' that, but we'll talk more about that later. Right now, I'm trying to figure out how you operate.
Avery: I think I-- I'm pretty straightforward.
Nick: Really? So when you invited Phyllis over so she would get here just as we were getting out of bed, what was that? Because to me, it looks like a pretty slick, backdoor way of twisting the knife.
Phyllis: Okay, it's all good. I'm back. I'm bad. (Sighs) How did Lucy do when you dropped her off with Amy? Was she okay?
Phyllis: Good. Good. Okay. (Sighs) Michael’s gonna take care of this. He got me bail. I'm glad. I gotta fight this insanity. This is so crazy. (Sighs) Ricky and Avery are just power drunk on getting Sharon cleared, which happened because of me, thank you very much.
Daniel: Avery Clark?
Phyllis: Yep, Avery Clark.
Daniel: Your sister? When exactly were you planning on telling me about her? If I, um, if I ever asked about my grandparents, you know...
Daniel: You dodged the question, and I got the message, and I stopped. But never once did you let it slip that you had a sister. I mean, to undo an entire lifetime, that takes some serious lying.
Phyllis: I wasn't really lying. You are my family. Summer is my family. Lucy is my family.
Daniel: Yeah, we're your family now. What--what about the past? I mean, you know, most people, they can manage a past and a present.
Phyllis: Okay, you know, if it were my choice, Lucy would never know about Daisy. You know why? Because a child needs to be protected and loved.
Daniel: I-I-I don't get it. I-is Avery like Daisy? A-are you saying that Avery was like some kind of psycho and did something to you? Chased you off? Wh-what?
Phyllis: I had to leave, Daniel. I was old enough to leave, so I left.
Daniel: You wouldn't let Lucy stay with Billy and Victoria because you said she was family. But you couldn't wait to run far enough away from your own sister. I'm trying to understand why.
Avery: I'm a lawyer doing my job. If you think I have other motives, then clearly, you've been spending too much time around Phyllis.
Nick: You know, from the second I found out you and Phyllis were sisters, you've played it like you're just the kid sis who wants to be buds, but you have an ax to grind.
Avery: Phyllis doesn't want a sister. I've accepted that. What happened between us here, it was great, and I thought that we both wanted it to happen again, and it was my understanding that you and Phyllis are no longer together, so I don't know what it is that we're supposed to hide.
Nick: This is not about what you and I did together. It's about what you did to Phyllis. You're playing games, and you can count me out.
Paul: You okay?
Chris: Yeah, yeah, I... I don't have nightmares anymore, but still, I-it's hard to forget.
Michael: Well, how did we land on this cheerful subject?
Paul: Chris asked about Ricky, and old memories came up.
Michael: Oh. It'd be a lot more convenient if we could all forget.
Chris: Yeah, what-- whatever's happened with Ricky so far, it... it's nothing like what happened with Isabella.
Isabella: Hello, Christine. Are you enjoying your nice, warm bath?
Chris: (Gasps) Isabella. I must be imagining this. You can't be real.
Isabella: Oh, but I'm very real.
Paul: No. Oh, God, Chris.
Paul: (Breathing rhythmically)
Paul: (Sighs) Come on, Chris. Chris, come on, Sweetheart. (Breathing rhythmically) (Performing rescue breathing)
Isabella: No! No! No!
Michael: Go on! Go on!
Isabella: Michael, no!
Chris: I wouldn't be here now if it weren't for the two of you.
Michael: (Chuckles) Uh, showing up doesn't absolve me. I brought the woman to Genoa City.
Michael: Isabella is my fault.
Chris: Uh, she was broken when she got here. No one's responsible for that.
Paul: I'd like to think that a part of her wasn't broken. You know, the part that's in Ricky now.
Paul: Hey. Hey.
Chris: Oh, my gosh, thank you.
Nina: How are you?
Chris: I could use a smile. I'm good.
Nina: Oh, why?
Michael: Here. Sit. Here.
Nina: What's goin' on? Thank you.
Paul: Well, um, we were just talking about Ricky and how much I really don't know him.
Nina: Ahh, well, shades of Ronan and me.
Michael: Oh, they don't have that in common. I mean, as far as mothers go.
Nina: Is that what this is about? Ricky and Isabella? Why? You don't think that he somehow is like her, do you?
Chris: No. There's no reason to think that.
Nina: You know, Paul, if you've got questions, just talk to Ricky. I mean, he's not Ronan. You might get some answers, and those answers might help to ease your mind.
Paul: And what if they don't?
Chris: Then we'll deal with it together.
Michael: I'd say you have substantial backup.
Paul: All righty, then.
Paul: No time like the present.
Nina: Oh, good.
Paul: I'll do it now.
Paul: See you later.
Chris: See ya.
Nina: Just try and ditch us. (Chuckles)
Michael: Good luck.
Chris: Oh, hi.
Chance: Hey, hi. How are you?
Nina: Hey, hi! How you doin'?
Chance: I'm good.
Chance: Uh, Michael.
Chance: Chris, I didn't know you were in town. It's good to see you.
Chris: I know. You, too, and I won't say how worried sick your mother was while you were away.
Nina: Yeah, well...
Michael: Oh, I'm sure she hasn't heard that before-- oh, well, he hasn't heard that before.
Nina: (Laughs) Well, one son's disappearance accounted for. The other one... you know, Chance and I deserve some answers about what Ronan did and why. Will you help us?
Ronan: I called in a lot of favors for you on this one, and I had damn little information to give my contacts. Do not let this visa come back to bite me.
Cane: I gave you all the information I could.
Ronan: Billy Abbott.
Cane: That's right. And he can't go anywhere near his daughter till I clear this up. I know you care about Delia. I know you care about her mother, okay?
Ronan: Listen, just hurry up and stay safe, and don't make me regret that.
Daniel: What the hell happened to you that you'd just delete your entire history?
Phyllis: I made a choice for a new life. I made a choice. You made a choice not to raise Lucy. I respect that. Let's move on, okay?
Daniel: We can't move on. We're talking about my aunt here. We're talking about my family, my grandparents.
Phyllis: Oh, come on. Don't get so-- don't get so sentimental. They really don't deserve that, okay? Trust me. Didn't I give you enough love for an entire family? Didn't I do that?
Daniel: Did Dad know about this?
Phyllis: No, Danny did not know. He didn't need to know. You don't need to know. No one needs to know.
Phyllis: No one needs to know any of this, okay? We have a really good life. We have complications in our relationship. We have problems. That's normal. But we have a good life. We don't need to remember anything from my past. Please, Daniel, we don't need to. Please.
Daniel: I do. I do, and if you're not willing to help me out here and tell me what I need to know, then, um, maybe my Aunt Avery will.
Chloe: People say that you're feisty because of me. But that twinkle in your eyes-- that's all Billy. (Sighs) I love that twinkle. Your dad not being here... (Sighs) Really ticks me off. You were the one thing that he got right, and he knows that. But if Billy knew that you needed him, he would be here. Wherever he is, Chance is right. He's loving you. He's loving you, and he's missing you like crazy cakes.
Cane: All right, so, uh, send me the picture of Chelsea when you get it.
Billy: When I find it, I'll send it to you.
Cane: Everything's gonna be all right.
Billy: This is about my kid. If I could take care of this myself, I would take care of it myself.
Cane: Listen, don't worry about that. You'll have Cordelia back next week. Just do me a favor-- don't be an idiot and go out in public again.
Billy: Don't be a jackass and screw this up.
(Knock on door)
Daniel: I had a little talk with my mom, and obviously, since it went so well, here I am.
Avery: (Sighs) Come on in. Of course you want information. This is your family, too.
Daniel: Yeah, yeah. My point exactly. So what can you tell me?
Avery: I can't tell you anything.
Daniel: Come on. You gotta be kidding me. Look, I'm not a little kid that needs to be protected, all right?
Avery: I know that. You're a grown man who deserves answers. I really wish things were different. I do.
Phyllis: (Sighs) Hey.
Phyllis: Thank you, uh, for getting Ricky to talk to me. I appreciate it.
Nick: Did he back off?
Phyllis: No. Michael took care of the bail. (Sighs)
Nick: So then the magazine's still in a bind.
Phyllis: Yep, it's still in a bind. Because of me is what you meant to say, right?
Nick: It's absolutely because of you.
Phyllis: Yeah, of course. Absolutely because of me. We've been through worse. (Sighs) "We" meaning "The magazine."
Nick: Maybe we've reached our limit. It's hard to tell.
Phyllis: Are you speaking as the owner of "Restless Style," or as the man who was in Avery’s bed?
Nick: How long do you think you can stay out of trouble this time?
Phyllis: Well, I don't know, Nick. I'm not really sure. Let me figure it out. Give me some time. Of course, I'm not the one that Ronan overheard threatening a woman who ended up dead. Maybe we've reached our limit. (Sighs)
Nick: Well, I hope not.
Phyllis: You do?
Nick: "Restless Style" has a lot of blood, sweat, and tears in it. I'm not gonna let it get ruined by a couple of photographs.
Phyllis: And the other stuff?
Nick: Well, like you said, we've been through worse.
Phyllis: Yeah, we have. Truce?
Nick: Sure. Truce. But that implies neutrality. So that's how you feel? Neutral?
Phyllis: I've felt a lot of things about you... but neutral's not one of them.
Paul: So thanks for coming.
Ricky: Yeah, well, I can always use a jump start. (Sighs)
Paul: I, uh, thought maybe we should talk about some things.
Ricky: That sounds serious. I might need more than coffee.
Paul: Well, some things have happened since you've been into town. You've done some things. And, uh, I would like to understand why, Ricky. Can you help me with that?
(Knock on door)
Ronan: Hey, hey.
Ronan: What are you here for? The Atkinson case?
Chance: I'm not here about work.
Ronan: (Sighs) I guess I should have broke out some party hats.
Chris: I understand you've dodged important questions for months now. That time is over. Now you're gonna talk.
Next on "The Young and the Restless"...
Paul: You're my son. I barely know you.
Ricky: I barely know you, either.
Avery: I don't want you to think that I was with you because of Phyllis. Nothing could be further from the truth.
Ronan: What in the hell are you doin' here?
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