Y&R Transcript Friday 9/11/09 -- Canada; Monday 9/14/09 -- U.S.A.
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Provided By Eric
Proofread By Emma
Daniel: Oh, I think you know exactly what this is. And if you don't call off this wedding, I promise you, you're never gonna see it again.
Chloe: What is it? Like, a magic key?
Kay: Well, anything that will stop this disaster.
Daniel: Come on, Deacon. I can see how bad you want it. It's in your eyes.
Deacon: Honey, I'm sorry about this. Everyone, I apologize for the interruption. This will only take a moment. Uh, excuse me. Could we get some more champagne for everyone, please?
Amber: Uh... (Stammers) I-I don't understand what's going on.
Cane: Hey. I got a delivery from your dad. What's the matter?
Lily: My eyebrows are falling out.
J.T.: No, uh, a dairy farm's a good bet after Colleen said "Cow." Uh, is there any outbuildings where Patty could hide? No, I've tried to get a hold of Chance with the information, but I-I can't get through. Uh, stay in touch. Okay.
Traci: Uh, was that about Colleen? Because she hasn't checked in with me yet. And when we told Jack she was up at our cabin, he acted like something was wrong, but he wouldn't tell me anything.
Billy: Yeah, we were at our house checking our voice mail, anything for a clue.
Traci: Please, J.T., I need to know what's happening.
J.T.: Traci, if I had some information, I'd tell you.
Traci: You do. You know what's happened to my daughter, so tell me.
Billy: Just tell my sister what she needs to know.
Patty: Oh, my sweet baby. (Chuckles) You're such a good Kitty Kitty. Yeah, you know what? It's time for us to go, Sweetheart. Come on.
Patty: Oh, like I'm gonna tell you, "Miss Cowabunga." You already tried to rat us out.
Colleen: Look, I can't walk anymore without any food. You must be hungry. Can we just find a store or a gas station, please?
Patty: What, so you can yell for help? (Chuckles) You are really, really incredible.
Man: This way! Over here.
Colleen: I'm o -- (Grunts)
Lily: "Just some things to put a smile on your sweet face. Dad."
Cane: Looks like its working.
Lily: (Chuckles) Oh, my gosh. I remember...
Cane: (Clears throat)
Lily: I begged my mom for this doll. I thought that it was the most elegant thing I'd ever seen.
Lily: I was a kid, okay?
Lily: Ah, now that is monsieur otter.
Cane: Oh, really? It looks like, uh, hair loss is the theme of the day.
Lily: Well, like the velveteen rabbit, it means that he was well-loved.
Cane: Well, a little hair means a lot of love.
Lily: (Gasps) No, we are not--
Cane: Oh. Oh. Oh, "Lily's dance moves."
Lily: No. (Laughs)
Cane: Oh, yes. Yes, we are.
Lily: No, we are not. Stop—
Cane: Are you all right? What, did you get a hot flash? Are you all right?
Lily: Ooh, yeah, the hottest.
Cane: Yeah? Like your dance moves. Hey, hey, hey, hey. Hey, don--don't be so fast.
Cane: Don't be so sneaky. Come here.
Lily: You know what? I am in peak form until my next chemo, okay? So be afraid.
Jana: He is trying to save the woman that he loves.
Kevin: He is trying to screw me out of the reward money from the museum. And if he uses that key and takes the painting, or worse, gives it to that slimeball Deacon--
Jana: Oh, Daniel would never do that.
Kevin: Is the key in my hand? Is it? No. No, it's not. And I promised my brother I would hire a lawyer and get him out of jail. I need that key.
Jana: Okay, look. Look, I want you to do something, okay? You see his face? You see Daniel's face? Do you see Amber's face? They look like they are about to lose everything. These are two people that we care about dearly, and this Ryder person, well, he's just--it's just--
Kevin: Just--just what? Just what? Are you siding with them now-- Michael and Daniel?
Jana: Look, Michael has looked into Ryder's past, and believe me, I looked into Ryder's eyes. I gave him a bloody chance to answer all those questions that I had about him, and what did he do? Well, he changed the subject. Now doesn't that worry you?
Kevin: My brother's freedom is on the line.
Jana: And--and what about Daniel, hmm? I didn't know that you'd stopped caring about him.
Daniel: Nice and shiny, isn't it? I bet you thought your little monkey boy Ryder was gonna get this from Kevin. But surprise, surprise, I have it now, and he who has the key makes the rules.
Deacon: Well, I-it just looks like a normal key to me, pal. But, you know, if you get your kicks that way--
Daniel: The real Terronis in that safe-deposit box, isn't it? I'd be willing to bet a smooth guy like you could sell it on the black market and make a fortune, if you had the key.
Deacon: Could we just move this along a little bit?
Daniel: Key equals rules, remember? And the rule is, I want you to pick-- the key to your fortune, or your beautiful bride-to-be.
Amber: Daniel's messing everything up.
Kay: He's trying to save you from a wedding under duress.
Chloe: Yeah, to a major creep.
Amber: You know, you'll both feel really bad for being so harsh when Deacon and I actually go through with this.
Murphy: Yeah, well, that "When" is looking more like an "If."
Kay: Well, whatever Daniel is up to, I hope to God it works.
Murphy: Mm. It's deadline day.
Traci: If you think that keeping me in the dark is protecting me, it sounds like my daughter's the one that needs the protection.
J.T.: (Sighs) All right, Traci, listen. You heard about Patty Williams being on the run.
Traci: Yeah, of course, but what does that have to do-- w-wait a minute. Um, I-I assumed that she left town.
Billy: Are you saying she went to the cabin? Are you telling me that she's got Colleen?
J.T.: Jack and Paul are trying to track them down.
Traci: That's why he-- he wouldn't tell me about this. This is about Jack. Patty was married to him. Jack broke her heart, and after all she did to Summer and to Ashley, she has my daughter?
Billy: Look, look, Jack loves you and Colleen very much. He'll do whatever he has to to keep her safe. It's all right.
Mac: Maybe we should go to the cabin.
J.T.: No, they-- they got it covered up there. You guys are better off staying close to home.
Traci: Why aren't you out there? Why aren't you finding my girl?
J.T.: I'm gonna find her, okay? I'm on my way.
Billy: Look, CeeCee will be home soon.
Traci: Patty tried to kill Jack, and now she has my little girl.
Man: Looks like some broken branches down by the dock. Let's check it out.
Man: Back this way.
Patty: (Sighs) Lucky Colleen. I don't have to hurt you... for now.
Kevin: Have--have we met? Have we? B-b-because I thought you were this loving, caring karma girl who believed in-- in giving everybody a chance, and then--and then my brother comes along and suddenly... (Scoffs) Whatever.
Jana: Oh, my God. Look, I wish for your sake that Ryder was everything that he says he is, but he isn't, is he? And, yes, that is why I want you to keep your distance from him.
Kevin: Ryder is rotting in a jail cell, Jana.
Kevin: Don't you think that trumps "Will Amber and Daniel make up, or won't they"?
Jana: It is not that simple.
Kevin: Yes, it is that simple. Ryder, brother, jail--why? Because he was tortured by the same son-of-a-bitch father who tortured me, so he is my priority.
Jana: No, you are my priority, Kevin, okay? You, your heart, and your safety are what matters to me the most, not bloody Ryder. And I mean, I was just sitting here, just watching you get sucked into this. He's just more than happy to just snatch up whatever he can from you, isn't he?
Kevin: Why wouldn't he be? Who else does he have?
Jana: Uh, well, he has Deacon, evidently. And, you know, Deacon specifically said that he didn't kill that man in the alley, so Ryder confessed because Deacon told him to, and now this blame has shifted from Daniel, and Amber-- she feels like she owes that man her entire future now.
Kevin: Deacon is a pig.
Jana: Yeah, and Ryder works for him.
Kevin: Let me finish. Deacon is a pig, and he is a liar, and you cannot believe a word that he says.
Jana: Oh, but you believe everything that Ryder says? Do you know that he said he didn't even know who you were? A-and then--and then he confesses to you about a murder that he didn't even commit? And then he turns out to be your brother, and then he--he--he brought up this Terroni that your father supposedly had. Well, you know, the one that-- that Daniel was forced to forge.
Kevin: All right. All right.
Jana: Do you know what I'm talking about here?
Kevin: Just slow down for a second.
Jana: Look, I just-- I want you to be able to heal. I do. I want you to be able to move past what your father did to you.
Jana: Ryder might be a lot less like you than you think, Kev. And so, until then, please can we just help our friends? Because they have been there for us, and now this is the time for us to be there for them, too.
Kevin: I can't be here right now.
Deacon: You really think this is the way to win her back? To--to dangle a key in front of me and try and play hero?
Daniel: I'm not trying to play hero. I'm just trying to give you a direct line to your financial bliss.
Deacon: But I mean, you know, if you had the painting, that would be one thing. But a key is just, you know...
Daniel: (Sighs) I get it. You don't want to do any of the dirty work. Yeah, fine. I'll do your legwork. You'll have the painting in your hands by the end of the week.
Deacon: Just like that?
Daniel: One condition-- you leave Amber alone. No wedding, no blackmail, no anything.
Deacon: And what if I pass?
Daniel: (Chuckles) Well, I think we already covered that. Then the key goes bye-bye.
Deacon: Mm. Well, 72 hours should be enough time for a smart boy like you to get his hands on the painting. And if not, well, I guess I'm just gonna have to console myself with Amber's perfection on a nightly basis for the rest of my life.
Daniel: 72 hours. Wow. It's almost like you're on a deadline or something, like you're not the one in charge here.
Daniel: I get that Ryder works for you, but who do you work for?
Deacon: 72 hours, or I will marry Amber. And, Danny, just for kicks, I'll destroy you.
Daniel: (Chuckles) I'm gonna let you in on a little secret, Sharpe. One, my dad's name's Danny. Two, you got Amber over there in a wedding dress looking like she's on death row. You've already done all the damage you could possibly do, so I'm gonna be more than happy to repay that favor.
Deacon: 72 hours.
Daniel: No problem. Oh, yeah, and there's one more demand that I forgot to mention.
Amber: Okay, I'm officially dying. I have to go over there.
Murphy: Or you can stay here and let Daniel handle it.
Chance: Looks like the conversation's actually over.
Amber: Oh, my gosh. He looks serious. This is bad news. This is really, really bad news.
Kay: It's all right. It's all right.
Amber: This is bad news-- whoo!
Cane: All right. (Sighs)
Lily: It's like if you took every great childhood moment and just put it into a box.
Cane: And now you can pass them on to your own kids.
Lily: I know, right?
Lily: Have my little son or daughter on my lap and read to them.
Cane: You're gonna have beautiful kids one day.
Cane: You ready?
Cane: Oh, yes.
Lily: No, we can't--
Lily: Give me that.
Cane: Yes. No. (Laughs) You're wearing parachute pants.
Lily: What? Listen, okay? It was an homage to the '80s. (Chuckles)
Cane: Oh, look. It's you and your mom.
Lily: (Sighs) Yeah.
Cane: You two are so beautiful.
Lily: The way that she could move... (Sighs)
Cane: Let me get you some water. I want you to stay hydrated, okay?
Lily: I'm scared, too. It's okay for us to be scared together.
Chloe: If I weren't so jaded, I'd be swooning right now.
Chance: (Laughs) Oh, yeah, you're real jaded.
Murphy: That is good old-fashioned romance.
Victoria: Wow, it must have been some conversation, because Deacon Sharpe doesn't seem like the type willing to lose.
Jana: Yeah, Daniel's found something that Deacon wanted even more than he wanted Amber.
Kay: Thank God for that. Otherwise, she'd have never gone through with that wedding.
Victoria: (Sighs) Well, now that that's over, uh, can I talk to you about my mother?
Kay: Uh, Chance, this is something you could help us with. It appears her mother has been missing.
Chance: Missing? Is the force already on this?
Kay: No, no, no, no. It's more complicated than that. Um, she left of her own volition.
Murphy: Yeah, she's just-- she's been gone a while. No one knows where, and you got a lot of people nervous.
Victoria: I'd really just like to really make sure that she's okay.
Chance: Look, I can't go to the chief and file this as a missing person's report if she left on her own, okay? But I will look into it, okay?
Victoria: I--wait. I-I jotted down, um, the dates and the ways that I've tried to contact her.
Chance: Okay, good.
J.T.: What are you doing here?
Victoria: Uh, I was just gonna work out. I-I just got a little sidetracked. Um, what are you doing here?
J.T.: Uh, tracking down Chance. Can we talk?
Chance: Yeah, sure. Excuse me for one second.
Chance: What's up?
J.T.: Patty Williams abducted Colleen shortly after we left the church.
J.T.: Even worse, she's armed now.
Chance: All right, go ahead. Give me the details.
J.T.: No, we can talk at the Abbott house. Stop by there. I gotta keep the family involved.
Chance: Okay, all right, well, look, I'll be on my way, okay? (Sighs)
Victoria: What's going on?
Chance: Um, Victoria, I'm sorry, but this whole thing with your mom, it's gonna have to wait for a little bit, okay?
Victoria: Wait a second. You're--you're leaving?
Chance: Well, open cases take precedence here.
Chloe: Um, okay, I'm--I'm gonna go with you.
Chance: Okay, all right. Come on. Sorry.
Chloe: Okay. Bye. Sorry. I'll see you later. Bye.
Murphy: Bye, Chloe.
Kay: See you at the house.
Victoria: That's great. That's just great. He was gonna help me with my mom, and now he's leaving. That's great.
Chance: We have some news on Colleen. She's been kidnapped by Patty Williams. We have some leads.
Victoria: Meanwhile, there are no leads on my mother.
J.T.: Did you just hear what I said?
Victoria: Yeah, I heard you about Colleen. That's awful. But that doesn't change the fact that I haven't heard from my mom since she left.
J.T.: The woman who poisoned your niece has now kidnapped your former stepdaughter. You can't tell me you don't care.
Victoria: I care, all right? I'm sure Traci's in hell, but I'm in hell, too. My focus has to be my mother. Obviously for you--
J.T.: Me, what?
Victoria: Obviously for you, it's always about Colleen.
Ryder: Kevin. Hey, man, did you just stop by on your way to Detroit to get the painting? You know, I can't believe I'm gonna be out of here soon, but I will, thanks to you. Oh, man, you know, I never even thanked you for getting me out of here. Is that--is that why you're-- you're acting so weird? 'Cause it's-- it's kind of freaking me out a little bit.
Kevin: Why don't we back up a sec, talk about some of the things that we always manage to just gloss right over?
Ryder: What do you mean?
Kevin: I want to know how you found me. I want to know if you actually shot somebody or not.
Ryder: We--we already went over all this.
Kevin: Let's go over it again.
Ryder: Uh, well, I needed a job, s-so I found--found an art guy. Turned out to be Deacon Sharpe, and he--he turned me away. He said I didn't--didn't have enough experience, you know, crating and shipping.
Kevin: Right. Right. What about before that?
Ryder: Before what?
Kevin: Before you went to him for a job. Where were you then? What were you doing for work? Where were you living?
Ryder: You know, I was just doing odd jobs, mostly under-the-table stuff. There probably wouldn't be much of a record of it.
Kevin: Where did you live?
Ryder: Crashed on friends' couches.
Kevin: So there wouldn't be any record of that, either.
Ryder: No, but--
Kevin: Jana was right. You've been playing me from the beginning.
Traci: Steve, she must be so scared. What flight?
Billy: How about that one? Colleen's got a great smile in that one.
Mac: She's wearing sunglasses. The police are gonna want one where you can see her eyes.
Billy: Yeah, right.
Mac: Let me take that.
Billy: Uh... (Sighs) Colleen went up to that cabin for a reason.
Mac: Yeah, for time alone.
Billy: Yeah, because I told her to head to the cabin. I told her to go up there. There's no hassles up there, right?
Mac: You were being supportive.
Billy: I was being an idiot. What if something happens to her? What if-- what am I talking about? She's already been kidnapped. What if something worse happens to her? What if s--
Traci: Billy, nothing worse is gonna happen. This is all gonna be over soon, and Colleen is gonna be home.
Billy: (Clears throat)
Mac: Thank God.
Traci: Chance, J.T. found you?
Chance: Yeah, he did.
Chance: I talked with the station on my way over here, and, uh, I got an update, as well.
Billy: Yeah, that woman who made a break for it from the church, yeah, well, she's got my niece now. You and your team did a bang-up job containing that problem, didn't you?
Chloe: Billy, we're all on the same page here. Okay?
Chloe: Same side.
Chance: Look, we underestimated Williams. But I promise you, it's not gonna happen again.
Billy: We're just gonna take your word for that? Is that how that works?
Mac: Okay. Okay. Hey, you were right. You said, uh, the press might call, and Lily should not hear about Colleen from some news story. She should hear it from us.
Chloe: Billy, Mac is right. You should go and talk to her.
Billy: Um, okay. W-would you, uh--
Mac: Yeah, of course I'll come with you.
Billy: You gonna be all right?
Billy: All right.
Traci: (Sighs) All right, Chance, tell me what you're doing now to find my daughter.
Chance: The police, the rangers, the highway patrol, Sheriff’s department, everyone is on high alert right now.
Traci: Okay. We have lots of friends who would be eager to join the search.
Chance: No. No, no, no, no, no, no, listen to me. No civilians, all right? I don't want to put anyone else at risk, especially when the suspect is armed.
Traci: Armed? Patty has my daughter and a gun?
Amber: So that's it. I mean, it's--it's over. Deacon's not gonna bust down the door.
Daniel: No. He's gotta leave you alone. That's the deal.
Amber: In exchange for what?
Daniel: I got three days to get him the Terroni painting. I'm almost positive that it's in Tom's safe-deposit box in Detroit.
Amber: "Almost"? What if it's not?
Daniel: Well, that's not really an option, but you know what? It doesn't matter, because you're back here with me again, and you're mine, and that's not gonna change.
Amber: I was always yours. But if the deadline passes, and--and if Deacon can hurt you again, then I'll marry him. And--and if that makes you nuts, and if it makes you want to walk away again--
Daniel: I'm not gonna walk away. I'm not walking away, and you're not marrying him.
Amber: All because of a key, a key that Kevin gave you.
Daniel: (Sighs) Actually, I kind of took it, and I'm pretty sure that he hates me right about now.
Kevin: Are we even related, or did your buddy Deacon pull some strings at the D.N.A. lab?
Ryder: If we took a thousand tests, the results would still be the same. We're brothers. A-and if you think I'm trying to pull one over on you, you're--you're wrong.
Kevin: Man, I was so happy when those D.N.A. results came back, so happy. Another brother, somebody who knew what it was like to be raised by Tom, beaten by Tom, screwed up by Tom. And now this was my chance, my chance to be a hero, the way Michael was for me. And then I thought maybe you could pass that on to somebody else. But that's not who you are now, is it? Daniel is my brother, and I turned my back on him for you. But that's over now. See, you and your buddy Deacon, you are done messing with me, and you are done messing with my family, you got that?
Amber: Kevin loves you. You know, he'll-- he'll get over it.
Daniel: (Scoffs) I don't know. This was pretty bad.
Amber: Yeah, but, you know, we've all done crazy stuff. We have stuff that-- that we're ashamed of, that--that we regret and we wish we could take back, but at the time, we really didn't have a choice. And, um, and it's hard to see that sometimes.
Daniel: Just--hey, stop. Stop. I know you're talking about what happened between you and Deacon.
Amber: It's just so awful. And when I think about it, I just--
Daniel: Don’t. Don't think about it, 'cause I don't want to think about it, either. 'Cause you know what? It doesn't matter. I don't want to spend another second on Deacon or anybody else, or anything else in this world-- just you.
Murphy: That girl Amber got her life back.
Kay: Mm, boy, did she ever. The look on her face-- the man she loves proving he loves her just as much. Pretty heady stuff.
Murphy: Oh, what, are you jealous?
Murphy: I mean, I can swoop in and save you whenever you want.
Kay: Well, yeah, but you already have.
Kay: No, no, you saved me after the car accident.
Kay: Murphy, my hero.
Kay: (Chuckles) No, you--you did. You believed I was who I-I said I was.
Kay: You have saved me a hundred times already.
Murphy: And a good thing, too.
Murphy: Yeah, I don't know about the "Hero lifting the damsel" thing. I mean, my back, it ain't what it used to be.
Kay: Hmm. Ah, well, you know, you're tough enough. Believe me.
Murphy: Well, let's see if you're right.
Murphy: (Whispering) I need you to play "Let me call you Sweetheart."
Murphy: (Normal voice) Madame. (Playing Leo Friedman’s and Beth Slater Whitson's "Let Me Call You Sweetheart")
Kay: You are. You're rather sneaky.
Murphy: (Humming along)
Kevin: I was a--I was a jerk to just walk out like that.
Jana: Yeah, you were really angry there.
Kevin: You were right about Ryder. He is my brother, but he's not family, not like it is with Michael and Lauren or Amber and Daniel. (Sighs heavily) I trusted that guy for no reason.
Jana: No, no. It was your kindness. Kev, you are-- you are a-a truly giving spirit.
Kevin: I was so ready to just ignore your instincts about that guy. And let's face it, you're pretty much always right. (Chuckles) You make me better and-- and smarter than I would ever be on my own. And when I'm being an ass, you--you just let me be an ass, and you don't make me feel worse about myself. And, uh, and I'm really lucky to have you.
Jana: (Sighs) God, I really missed you when you left.
Kevin: Well, I'm here now.
Kevin: Wait, are we-- oh, we are.
Deacon: Change in plans.
Ryder: Yeah, no joke.
Deacon: The wedding's off, but on the upside, Romalotti’s delivering the painting to me.
Ryder: Why Romalotti? What happened?
Deacon: What does it matter? The painting's coming to us, which is the same endgame-- a whole bunch of zeros for our team.
Ryder: Yeah, you sure about that?
Deacon: Now why wouldn't I be?
Ryder: You were also pretty sure that Kevin would be an easy mark, except that he just came here, cut me loose-- no money, no help, nothing.
Deacon: We have Daniel. Kevin's irrelevant.
Ryder: Deacon, these guys are smarter than you give them credit for.
Deacon: What's the matter? Did "Big brother" say something that hurt your feelings?
Ryder: This could-- this could still blow up on us. Okay, I-it's not up to us now. It's up to Daniel, Kevin-- and that's not a good place for us to be, especially with my mom thinking you're taking your sweet time on this.
Deacon: Wait. Wait a second. Wait. Wait. Uh, how do you know what your mother thinks? Did she call?
Ryder: Mom was here last night.
J.T.: Colleen's in danger, and you resent her for that?
Victoria: That's how you see me. This is about me being heartless and not having any compassion at all? Is that--?
J.T.: Well, tell me how you see it, 'cause I don't know anymore. I-I used to be able to read your mind. We were in sync. Even when we disagreed, we understood each other. But now... (Sighs) Now you're gonna have to tell me what you're thinking, 'cause I don't know anymore, and it scares the hell out of me.
Victoria: Look, we are not the only ones in this marriage. That's what's on my mind.
J.T.: Colleen is not a threat. Don't you understand that? If you think that-- if you think she is, you're wrong. I love you, Victoria, more than I've ever loved anybody in my entire life. (Sighs) What we have-- what we had--
J.T.: I need you. Don't you get that? I need you. (Sighs) Listen, if we're not okay, if that one kiss from Colleen ruined everything...
J.T.: (Sighs) There is no one but you. I need you to understand that. If I lost you--
Victoria: (Sighs) It's not about Colleen.
J.T.: Well, then why would you say there's somebody else?
Victoria: (Sighs) I'm sorry, but every time... (Sniffles) I brought up Colleen, I was just trying to push you away. Because every time you reached out to me, I just felt so ashamed.
J.T.: Who? Who was it?
Victoria: He doesn't matter. I don't care about him. I thought you were with Colleen.
J.T.: Who? Who was it? Who was it?
Victoria: I'm sorry. I'm so sorry. His name is Deacon Sharpe. I don't know how it happened, and I don't know why it happened, but if I could take it back-- if I could take it back, I would. Trust me, I would. I'm so sorry.
J.T.: (Sighs) People are counting on me-- the Abbotts, Paul, Colleen.
J.T.: I gotta go.
Victoria: Wait, please don't walk away. Please don't go. I--you know everything that you said about love and about needing me, about--all those things that you said? I-I feel them, too. I love you. I love you so much.
J.T.: You love me? You love me, huh?
J.T.: I gotta go.
Victoria: (Sobs) (Sniffles)
Cane: Hey, Mac. Hey, Billy.
Mac: We need to talk to Lily.
Lily: What's wrong?
Billy: How you feeling?
Lily: What--what happened? Is someone hurt?
Billy: It's Colleen. There's been a-- there's been an accident at the cabin. Uh, Patty Williams-- or Mary Jane Benson-- she took her.
Cane: Wait, wait, wait, wait. What--what do you mean, "She took her"?
Billy: I mean she-- she took her hostage, and she-- she took her hostage, and we don't know where they are.
Mac: But the police are on it, and Paul and J.T.
Lily: Oh, my gosh. And I can't help. I-I can't do anything.
Mac: We can all hold a good thought and--and pray.
Lily: Billy, I'm so sorry. I know how much you love her.
Billy: Yeah. Yeah, I do.
Chance: Jack, its Chance. Anything yet? All right, well, I'll tell you, why don't you head back so that we can regroup? From there, we'll figure out what our next move is gonna be. Okay, yeah. See you soon. (Sighs) Traci, um, do you have a recent photo of Colleen? Something that we can use in the meantime?
Traci: Oh, it's so beautiful. Colleen is so--
Chloe: It's okay.
Traci: Please. Please bring my baby back home to me.
Chance: We will.
Patty: Sit and relax. It's time for dinner, huh?
Colleen: What, bark and berries? We need food, okay? We need real food. If we can just go into tow-- (Sighs) Oh. Aah!
Patty: There we go.
Patty: All right, Sweetie. Huh? (Gasps) Hello! Guess what I have? Are you ready to eat, huh? (Gasps) You ready to eat? There we go.
Colleen: I haven't had those in years.
(Can top pops)
Patty: And you're not having them now.
Colleen: You just said dinner.
Patty: (Laughs) Not for you.
Colleen: She's a cat, and there's plenty of it. Please. There's two of us, and we're both hungry. Come on.
Patty: Animals need our love and our protection, hmm?
Colleen: What about humans? Does that even register with you?
Patty: (Sighs) You are really, really hurtful, and I'm really tired of listening to you, so you know what?
Patty: There we go.
Colleen: (Grunts) (Chokes)
Patty: Much better, huh?
Patty: What do you think, Kitty? Huh? Peaceful, huh? (Sighs) There we-- there we are.
Kevin: So is this some kind of reward? I walk on the righteous side, and I get--
Jana: Anything you want.
Amber: Mm. (Sighs) Please?
Daniel: I know.
Amber: No, no. Please.
Kay: My own hero. That's my love. (Chuckles) (Sighs)
Next on "The Young and the Restless"...
Colleen: What-- what's wrong with you?
Patty: My stomach, and I'm--I'm--I'm dizzy.
Jill: What, did you come back to humiliate me?
Gloria: I want a job.
Ashley: I made up my mind-- I'm telling Victor everything tonight.
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