Y&R Transcript Friday 5/8/09 -- Canada; Monday 5/11/09 -- U.S.A.
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Provided By Eric
Proofread By Emma
Lily: Okay, I'm sorry. That's enough.
Chloe: Are you kidding me?
Nikki: Lily, Honey. Honey, come sit down. Let me talk to you for a second.
Lily: (Sighs) Listen, Nikki, I'm not trying to be difficult, okay? I know time costs money, I do.
Nikki: I know.
Chloe: Really? Really? Because we went to print, like, yesterday. So go ahead, have your diva moment. Go ahead.
Lily: Chloe, shut up, please. I'm sorry. What is all this for? To make pictures that say that marriage equals misery? That's art?
Nikki: No, you and Cane and our creative team make it art. You give us magic, and we make something wonderful.
Lily: Well, it doesn't feel wonderful. It feels like a nasty joke on anyone that's ever been in love.
George: (Chuckles) Didn't you mentor her and teach her everything she knows?
Chloe: (Sighs) Well, if Phyllis were here, she would rip that girl to shreds. Oh, great. You gonna have a tantrum, too?
George: Excuse me.
Cane: So this was your idea to stick it to Lily?
Cane: Just another way you could ruin things for her?
Chloe: What? Okay, you and "Little Miss Whinerson" over there are the least of my worries. Believe me.
Daniel: You want--
Jana: All of his drawings, Mister...
Howard: Auker. Howard Auker. I'm a collector.
Daniel: And--and you want--
Howard: That's what it'll set me back?
Jana: Oh, well, it's a bargain, if you think about it. I mean, prices are just gonna skyrocket after Daniel's August show.
Daniel: Uh, my--my, um--
Jana: In New York.
Daniel: Yes, right. That one, the show in New York.
Howard: Worth every penny.
Jana: (Mouths words)
Jill: Katherine, have you had these two patted down?
Kay: Don't be ridiculous.
Jill: I don't think there's anything ridiculous about the governor's safety. As a matter of fact, I'm surprised you're not more concerned that he's in the same room with "The Scarlet Chipmunk" and his bank-robbing gun moll.
Kevin: Silver chipmunk.
Amber: "Gun moll"?
Jill: Moll. See, if Katherine gets her way, and you grant amnesty to these two criminals, I'm just afraid that you can kiss your reelection good-bye.
Estella: I told you, I didn't do these things-- the dress, the sonogram.
Victor: Would you kindly transfer your things and report at Newman Enterprises tomorrow morning?
Estella: Leave the ranch?
Estella: I did nothing to deserve this.
Victor: I don't feel good about this, but I think we had to do it. And now we should have peace, okay?
(Knock on door)
Dr. Lurie: Adam? Hello? It's Dr. Lurie, Adam. I'm here for your examination. Adam?
Victor: What's the problem, Doc?
Dr. Lurie: Are you sure your son is in there?
Victor: I'm sure. I just left him a while ago.
(Knock on door)
Victor: Adam? Adam?
Adam: Wha-- what? Oh. S-sorry.
Victor: I have Dr. Lurie with me.
Adam: (Moans) I guess I fell asleep.
Victor: He's ready for your exam.
Adam: Sure. Let's do it.
Victor: By the way, Estella is moving out. She's assuming duties at Newman Enterprises, so if you need anything...
Adam: You think Estella’s the one gas lighting Ashley?
Victor: I'm not so sure. What do you think?
Adam: Only that she's too decent to do that.
Dr. Lurie: Are we ready?
Adam: Yeah. Let's go.
Paul: Here you go. Thanks for meeting me. You know, I always feel like I'm one or two steps behind with what's going on in your life. So what's new? How's work?
Heather: Um, work is, um, I-I've--I've been busy.
Paul: Oh, no. You were filtering just then.
Heather: No, no. It's--it's--it's a good busy.
Paul: Yeah, it beats the alternative, huh?
Heather: It does. You seem just flat-out happy. How do you do that?
Paul: (Laughs) Well, um, I can't take the credit for it, actually.
Paul: She brought magic back into my life, you know? And I want it to stay there.
Nikki: I know what it's like to be in love. In the world, everything is beautiful and wonderful, even though it has flaws.
Lily: So why can't we celebrate that? It just seems so mean-spirited to say, you know, "Hey, here's marriage. Watch out for the dog poo"-- or pee, as in this case.
Nikki: I know, but, Honey, modeling is all make-believe. It--it doesn't have to be true. I-I know you know that. I guess the question is, are you up to accepting this challenge, or perhaps ending your career before it gets started?
Cane: (Whispers) You played all those head games with Lily when she first started modeling, and she's still here despite all of this. So this is how you're gonna get back at her? Is that it?
Chloe: By giving her an incredible shoot that she doesn't deserve? Oh, yeah. Oh, Cane, I'm such a meanie. I'm so mean.
Cane: Our marriage-- Lily and my marriage is about hope and the future. Now the fact of the matter is you just view marriage as a way to screw people over, so that's what you're trying to do on this photo shoot.
Chloe: Okay, great. Cane, then you know what? Pick her up. Take your bride. Run off into the sunset, and then-- then we can call in real models who don't complain.
Lily: Cane, are you ready?
Cane: (Normal voice) Are you sure about this? Because if you want, we can walk away.
Lily: Eh, come on. Let's make misery look fabulous.
Mac: You came for a burger?
Billy: Yeah, and the ambience.
Mac: Okay, so no big, messy talks. No kisses out of the blue. I'm working. You're a customer. That's it.
Billy: Do you really... (Chuckles) Honey, do you think I'm here to hit on you? Sweetheart, take a look around. This place has peanut shells everywhere. It's got a beer-soaked floor, and it's got 300 channels of sports on, and right now, would you look at that? Highland games. Big, tough Scottish guys in skirts throwing telephone poles in the air. I mean, how great is this? So as far as hitting on you is concerned, its way down on the-- on the list. It's not even there.
Mac: The skirts are called kilts, and the poles are cabers.
Billy: Let's go, caber guy!
Jill: Really, Katherine, you invite the governor to dinner, and then you inflict criminals on him? I always thought you liked the man.
Kay: Um, Governor. You'll have to excuse Jill. She has a bias against my two friends.
Jill: That is not true. But don't let these doe eyes fool you. Amber has an illustrious history of staging phony marriages for financial gain, to my son, in fact. And as for him, he's been arrested many times.
Jill: The latest, I think, involved a stripper's pole, and both of them kept stolen money.
Kay: It wasn't really stolen.
Kevin: And then we didn't really keep it.
Kay: This is all rather skewed.
Jill: But extremely truthful.
Murphy: Don't you know those two kids are the only ones that fought for Katherine when she was in danger?
Jill: And then they went on their crime spree... (Singsongy) "Documented."
Amber: It wasn't really a spree.
Kevin: And--and there were extenuating circumstances.
Jill: (Normal voice) Oh, Governor, that is so attractive. Did you pick that out yourself?
Jill: I'm sure that you read about Katherine’s... troubles. (Chuckles) For months, she didn't remember her own name. So this lobbying for amnesty for criminals, I'm sure it's just a temporary lapse in judgment.
Kay: Um, if you'll excuse us for a just a moment?
Governor: Go ahead.
Kay: Jill, Dear, I'd like to talk to you. This way. This way, Dear. This way.
Kevin: (Clears throat)
Kay: There we go.
Murphy: I, uh, I bet you didn't think you were gonna get a... (Chuckles) A show with dinner.
Governor: Well, you see how I remain calm under fire.
Murphy: I gotta admit, I was wondering.
Governor: Korea-- 25th division.
Murphy: 1st marines out of Pendleton.
Jill: Easy, Katherine. You wouldn't want to let your temper ruin it for your pet criminals.
Kay: Oh, it's not about them, and you know it. It's about you and me.
George: That's perfect.
Nikki: Just gorgeous.
Cane: You got some good stuff?
Nikki: So good, that I'm going to leave all of this in George and Chloe's very capable hands and say good night. Thank you for all of your hard work. Be brilliant without me.
Chloe: Thank you.
Lily: So are we done?
George: Just a few more. Then you can have your house and your fiancé back.
Lily: (Gasps) Oh.
Chloe: Oh, great. Great.
Chloe: Well, now I have to give you more lipstick. Great.
Lily: Well, what's the matter, Chloe? Was I supposed to crash and burn so you could say "I told you so"?
Chloe: God, you need so much ego-boosting. Yes, Lily. Yes, Lily. You were just perfectly beautiful and so convincing as a young bride who's married to the biggest bore on the planet. Congratulations.
Lily: Well, I don't know. I just imagined what it would be like to be joined for life to a guy in a soulless marriage based on duty and manipulation.
Chloe: Oh. Oh, was that supposed to be a burn about me and Billy? (Whispering) Ow! Oh, that burns so bad.
Lily: Yeah, I know.
Chloe: (Normal voice) Burning, burning right here.
Billy: Hey, don't eye my fries.
Mac: I wasn't even looking anywhere.
Billy: Good. You keep it that way. As a matter of fact...
Mac: Oh, that's disgusting.
Billy: That is insurance. Keeps you away from my fries. I know you.
Mac: So my dad told me to tell you about the Dubois family.
Billy: Wow, yeah. We rebuilt their home in New Orleans after Katrina.
Mac: Yeah, I guess their son's graduating middle school.
Billy: Marcus? Wow, no way. He was just a little squirt when I met him. He used to follow me around with this big tool belt. He was hilarious. He was a great kid.
Mac: Yeah, my dad said that, that he was a good kid.
Billy: He was the best. Hmm. (Cell phone rings) Oh. (Groans) Sorry. Nanny. Hey, Marissa, what's up? Yeah. Yeah, no problem. I can be there, what do you say? Maybe five minutes from now? All right.
Mac: Everything okay?
Billy: Yeah. Baby's fine, but the nanny has to leave, so, uh, what was burger night is now "Delia and Daddy date night."
Mac: You're in love... with the baby. Chloe told me you were attached.
Billy: She did, huh?
Mac: It was just a quick conversation.
Billy: Quick conversation where she casually mentioned that I'm the devoted father of the year, and, uh, that didn't smack you just a wee bit of marking her territory?
Mac: After what she saw, how can you blame her?
Billy: Oh, that. Yeah.
Mac: Yeah, that. Mm.
Billy: Well, would you look at the time? I have got to go be "Wonder dad" and go deal with "Mrs. Wonder dad."
Kay: Are you so angry with me that you would punish these two people who have stood by me?
Jill: Oh, just because they believe in you, they're automatically little angels with halos?
Amber: Well, we're not Satan.
Kevin: Someone's got that role covered.
Kay: You attack them the way you-- the way you attack Nikki.
Jill: Because I covet your affection so much, I suppose? Please.
Kay: Oh, you had a chance, Jill. You could have been part of my family, but you chose not to. You chose.
Murphy: Uh, weapons down.
Kay: Uh, Governor, I am so sorry about all of this.
Governor: If it's about this bank-robbing business, right and wrong are not up for debate-- not in Korea, not in Genoa City. Is that understood?
Amber: Kind of.
Jill: Also, I don't know if you're aware of this, but there is footage of the robbery. Now... (Chuckles) Can you imagine an opponent of yours running a campaign commercial calling you "Soft on crime"? 'Cause that's exactly what'll happen if Katherine gets her way.
Murphy: Listen, why don't we go back in there and talk about this calmly?
Jill: I'm sure that Katherine doesn't mean to destroy your career. Obviously, she thinks it can handle a misstep, like amnesty for criminals. In fact, it's kind of a compliment, isn't it? Although I wonder what your dear late wife would think about that? You know what you were saying before about right and wrong? I would love to discuss that stance with you. Could we talk privately?
Murphy: Now there's, uh, there's more dessert left.
Governor: Let's talk.
Jill: Would that be fine? Good, I'd love that. Thank you.
Kay: Oh, dear God in heaven.
Estella: I packed what I could. I'll need to come back tomorrow for the rest of my things.
Ashley: If you really have to.
Estella: (Sighs) I'd like to speak to Mr. Newman before I go.
Ashley: He's with Adam and the doctor.
Estella: If someone is doing these things to you, it's not me.
Ashley: I don't want to discuss this with you.
Estella: Whatever's happening to you, it won't stop just because I'm gone. You'll see that soon.
Dr. Lurie: I'm going to dilate your pupils. That will allow me to look at the back of your eyes-- your retina and your optic nerves.
Adam: Oh, yeah. I know the drill.
Dr. Lurie: All right.
Adam: (Moans) (Moans)
Victor: All right, Doctor. I'll be downstairs, and, uh, you can report to me there. Thank you.
Adam: You know, once you shine that light in my eyes, you'll know all my secrets.
Murphy: Oh, bad-mouthing the kids some more. That must be why they left without telling us.
Kay: (Sighs) She's probably pouring poison in his ear or bribing him or... or... she wouldn’t.
Murphy: Wouldn't what?
Kay: Oh, yes, she would. Oh, Governor, I-- Darling, I-I hope, um, Jill wasn't boring you to death with the legal issues of Kevin and Amber’s.
Jill: Oh, I wouldn't say he was bored. Can I refresh your drink?
Governor: Oh, please.
Jill: Okay, thanks.
Kay: (Clears throat) Governor, I really must apologize sincerely. I, um, I thought this would be an evening for us to sort of catch up, and I admit that, um, Amber and Kevin's legal issues are a great concern to me, but, um, for whatever reason, Jill seems to be intent on punishing them. But let me assure you, she does not know them the way I do, no matter what she said to you.
Governor: Well, she was, um, eloquent on the subject. I was quite impressed.
Jill: You are such a gentleman.
Kevin: Did you ever notice that Jill is, like, um, a bitch?
Amber: Yeah. I totally noticed.
Kevin: The look on Mrs. C's face-- all her hard work.
Amber: Just ruined, ruined. This was our shot-- no prison, no trial.
Kevin: No small, confined spaces with big, scary roommates.
Amber: It was so awful when you were in the hospital. And we couldn't reach you, and then you came back to us, and now this. (Sighs) I'm so sorry.
Kevin: (Whispers) Come here.
Jana: All right. I think that just about does it. Uh, we will have the pieces ready for you to come and pick up tomorrow.
Howard: Okay. Well, that works for me.
Daniel: Mr. Aucker?
Daniel: Howard, um, why me? Why my drawings?
Howard: Well, very simply, um, your talent matters. Anyone can see that.
Daniel: Thank you.
Howard: Good night.
Howard: Good night.
Jana: (Squeals) God! Daniel, what's wrong? Hmm? What is it? Are you upset because he bought your drawings and not your paintings? Because let me tell you, we sold a lot of paintings, too.
Daniel: He bought all the drawings.
Jana: All the drawings.
Daniel: He bought all the drawings.
Jana: He bought all the drawings.
Daniel: He bought all the drawings. He bought all the drawings!
Kevin: All right, here's the deal-- I'm gonna tell them it was all me, okay? I held you at gunpoint. I threatened your friends and family. I'm gonna tell that to the D.A., and they're gonna have to let you go.
Amber: No. What? No! I--
Kevin: Yeah. Yeah. Look, cops, guns, banks-- I was so out of it, anything could have happened. Like, me dead could have happened. And it didn't, because you saved me. I'm not gonna let you get punished for saving my life. Are you kidding?
Jana: God, your talent matters, and that is what he said. Just look at how many zeros he put on there.
Daniel: Yeah. Yeah. Well, the price was all you. And then the stuff about the summer show, I--
Jana: Uh, there will be a show this summer to capitalize for this sale.
Daniel: You have amazing instincts.
Jana: And you have amazing talent.
Amber: Okay, I appreciate the offer, but no. We got through that nightmare of a boxcar together, and we're gonna get through this the same way.
Amber: (Whispers indistinctly)
Kevin: All right.
Amber: (Sighs) (Normal voice) We missed it. I can't believe we missed the entire show.
Kevin: Well, look on the bright side. Oh, yeah. There is no bright side.
Daniel: Hey, you're back.
Amber: We are so sorry we missed your show.
Daniel: Uh, you know what? You guys didn't miss much.
Kevin: You didn't make many sales? Not that it's all about money. I know it's not.
Daniel: Eh, a couple of paintings.
Amber: Well, I mean, that's still good, right?
Jana: Absolutely right. We sold all the sketches.
Jana: All of them.
Amber: Oh, baby! Baby, you are so good! I knew it.
Kevin: Okay, wait. Now I don't know much about art prices, but I think that that qualifies as bank.
Daniel: This is definitely bank. I am making bankroll. You know why? This check is because of that girl right there.
Amber: (Laughs) You are so awesome.
Kevin: And she's brilliant and gorgeous.
Jana: Aw. Well, it was all about Daniel's gift and just a touch of luck. And, God, please tell me that some of that luck spilled into your night.
Daniel: Yeah. Yeah. Yeah, how'd it go at Mrs. Chancellor's? Did she convince the governor to cut you guys a break?
Amber: Um, n-no, not exactly.
Kevin: Hey, did you guys know that Jill is a bitch?
Jana: Jill was there?
Amber: The governor will not be helping us.
Jana: Kevin, I just got you back. What am I gonna do if they take you away from me again?
Kay: Have you no shame whatsoever? What in the hell did you do to the governor to make him listen to you? No, no, don't tell me. I don't want to know.
Jill: Katherine... (Sets glass down) It's over. You are too old and too slow to do battle now, so get used to losing.
Murphy: It's a Tokarev semiautomatic.
Governor: Wow. Soviet made, huh? 7.62 millimeter barrel.
Governor: Where'd you get it?
Murphy: Ahh, Katherine hates having guns in the house.
Governor: My wife, God rest her soul, she was the same way.
Murphy: Hmm. Boy, it's--it's gonna hurt giving this one away.
Governor: What, you’re getting rid of it?
Murphy: I'm looking for the right home. You know, somebody who will appreciate it, maybe another vet, maybe somebody from Korea.
Governor: Oh, I'm, uh, I'm not sure that would be appropriate.
Murphy: Oh, no. No strings... only that you'd take care of it.
Governor: (Sighs) That I would.
Murphy: I'll have, uh, have someone bring it to your car so Katherine doesn't see it.
Kay: Petty, petty jealousy. Now how can you live with yourself, Jill?
Jill: Oh, it's living with you that is hell on earth...
Kay: Oh, stop it.
Jill: Although winning does make it a little more bearable.
Governor: Ladies, I'm afraid I must say good night.
Kay: Oh, Governor, you're--you're certainly not leaving yet. Please.
Jill: It was so nice spending time with you.
Governor: And you. By the way, Katherine, I'll, um, take care of the amnesty thing for the young people in the morning.
Jill: You'll what?
Kay: You're going to--
Governor: Loyalty and devotion. Fighting for the right side. That matters.
Kay: Well, you're a very wise and compassionate man, Governor. Thank you.
Jill: Oh, compassionate my--
Governor: I hope we meet again soon, Jill.
Jill: I wouldn't count on it.
Kay: Oh, thank you again for coming, and thank you so much for the decision.
Governor: You're welcome. Murphy.
Jill: (Whispers) What did you do to change his mind?
Murphy: We had stuff in common.
Jill: (Normal voice) What does that mean?
Kay: It means, Jill, get used to losing.
Billy: Oh, come on in. Come on in. (Sighs) (Chuckles) Hey, Mama, what's shaking? It's not work time. It's, what? Say it with me. Family time.
Chloe: Oh, my God. Oh, my God. Hi.
Chloe: Hi. What are you doing here? Are you drunk?
Billy: Oh, no, Sweetheart. I am drunk on family. I am high on the joy of togetherness.
Chloe: Okay, you're freaking me out.
Billy: Yeah, but I'm still all about the baby, right? I am the devoted daddy man.
Chloe: Oh. Oh, I get it.
Chloe: I get it. You ran into Mac, and she told you about our little conversation, so is this you trying to punish me? Is that what this is?
Billy: How's the shoot going?
Chloe: It's going great. It's great. It's a riff on the Brangelina pics, the dark side of marriage.
Billy: (Snorts) (Chuckles)
Chloe: What? What's that supposed to mean?
Billy: You. The concept.
Chloe: (Sighs) George? George, you know what? I have a great idea. How about-- how about we throw the baby in? We'll throw the baby in, and she can puke all over the happy couple.
Billy: Whoa, man, what--
Chloe: That'd be sort of--
Cane: Hey, y-you--
Cane: You gotta be kidding me.
Lily: Wait. How--how sick are you?
Billy: Hey, hey. It was one bad idea, and she's over it, aren't you?
Chloe: Yes. You know, everyone, chill out. Will you all just chill out, okay? And we can move along and just get the next shot already. God, sense of humor, people.
(Knock on door)
Mac: Hope I'm not interrupting.
Cane: Mac, come in. Come in.
Mac: I come bearing receipts.
.Nikki: By the time I left the shoot, everything was going very well.
Paul: Why did you leave?
Nikki: Thank you. Well, we were talking about love and the future, and I realized I just wanted to get out of there and be with you.
Paul: (Chuckles) Careful, I might blush.
Nikki: Well, it's true. Ever since I moved in with you, you've been my touchstone. And if I have peace in my life right now, it's all because of you, Paul. Now if I don't say it or don't show it often enough, just know I'm very thankful.
Paul: Well, I'm just thankful that you moved in when I asked you to. And who knows? Maybe you will be agreeable to, um, all my ideas.
Victor: How do you feel?
Ashley: I'll just be happy when this night's over.
Victor: I know.
Estella: I left correspondence that needs your attention on your desk.
Victor: Estella, I'm very sorry about how things have worked out, but I assure you, with your sense of efficiency, you'll do a hell of a job at Newman Enterprises, okay?
Rafael: Are you okay?
Rafael: I'm so sorry. Look, um, I'll take your bags to the car. Do you mind waiting for me there? I just have to check in with Adam for a minute. Yeah?
Rafael: Mr. Newman.
Victor: Yes, Rafe?
Rafael: My aunt tells me she has been reassigned.
Victor: She has, indeed, and she will do a very good job at Newman Enterprises, all right?
Rafael: Is the doctor upstairs with Adam now?
Victor: He is indeed.
Dr. Lurie: Mr. Newman, I am done with your son.
Victor: Ah, there we are.
Rafael: May I go visit Adam?
Victor: Yes, you certainly may.
Rafael: Thank you.
Victor: What'd you find?
Dr. Lurie: Adam's vision loss is drastic. His sight is essentially reduced to tunnel vision.
Ashley: So he can't see anything, or he--he--
Dr. Lurie: It's blurry, unfocused and lacking in any peripheral vision, and what vision he does have is deteriorating rapidly.
Victor: In other words, he'll be as blind as his mother?
Dr. Lurie: There are some atypical symptoms-- broken blood vessels, extreme muscle atrophy, the speed of deterioration.
Victor: What's his prognosis?
Dr. Lurie: Given the progress, it's inevitable your son will go blind.
Ashley: Surgery can't help? Any kind of medical--
Dr. Lurie: I'm afraid there's nothing we can do to help him.
Victor: Doctor, thank you very much for coming. I appreciate it.
Ashley: Thank you.
Victor: Thank you.
Ashley: I'm so sorry. I was hoping for good news.
Victor: So was I.
Ashley: Do you want to go talk to him?
Victor: No, Sweetheart. I want to stay with you-- with you and the baby. You know, the doctor ordered you complete relaxation.
Ashley: I know.
Victor: Okay, and this has been too stressful as it was. So, um, and now with Estella gone, maybe things will calm down.
Ashley: She came in here when you were upstairs.
Victor: She did? Did she upset you?
Ashley: Well, yes. I mean, she did, actually. She said that these things that keep happening aren't gonna end just because she's gone. What if she's right?
Adam: (Sighs) Six months till I need you again. I have to make sure I keep you well hidden.
(Knock on door)
Adam: Oh, jeez!
Rafael: Adam, I just saw the doctor leave. What's going on?
Adam: Where is it?
Rafael: Sorry, man. I-I didn't mean to startle you.
Adam: Where is it? The box, where is it?
Rafael: Here. Here it is. I got it. Let me help you.
Amber: Thank you so much for checking in, Mrs. C. you know, you don't have to feel bad. It's not your fault Jill's a-- what? (Stammers) Rea-really? (Sighs) Oh, my go-- you are so amazing! Thank you so much! No, no, no. I will. I will. (Laughs) Oh, thank you. (Taps feet) Bye.
Jana: Oh, please. Please say...
Amber: Oh, my goodness! Amnesty!
Daniel: (Makes kissing sound)
Daniel: Come on! Come on!
Kevin: Oh, my God.
Amber: Oh, come here, baby. (Makes kissing sound) Aah! (Laughs)
Kevin: Oh, my God. This--this--this-- this is insane.
Jana: Oh, my God. This is a night of blessings.
Daniel: You are not going anywhere, okay?
Amber: No, no, no. Oh. (Makes kissing sound)
Daniel: (Makes kissing sounds)
Amber: We are gonna be together, all of us, forever! Whoo!
Daniel: Whoa, whoa. Wait, champagne. Where's the champagne?
Amber: Champagne! Champagne! Whoo!
Daniel: Mmm. Mmm! Mm-hmm.
Amber: Yeah! All right! All right, here we go!
Amber: Whoo! Celebrate!
Kay: Hey, hey, hey.
Kay: You changed the governor's mind. Now how did you do it?
Murphy: Well, we, uh, talked Korea, and, well, the kids, they never came up, honest.
Kay: Mm-hmm. No, no. There's more to it than that, and you know it. Now, um, you're allowed to lie to your wife just once a year, and that was it.
Murphy: (Chuckles) Well, come on, wife. I want to get out of these clothes.
Kay: Oh. Mm.
Murphy: Did you see the look on Jill's face?
Kay: (Laughs) Oh, it was wonderful. Let's have some hot chocolate. Come on.
Jill: But the majority of my funds are in that bank. How can a bank in the Caymans go under? That's insane. Yes, damn it. I'm on my way.
(Cell phone hangs up)
Cane: We just finished a photo shoot for Lily's first magazine cover.
Mac: That's exciting.
Cane: Uh-huh. Oh, business at the bar looks like it's holding up.
Mac: Guess it was a good night all around.
Lily: Okay, here's the rest of it. So Billy certainly seemed sweet and attentive when he came in. It's odd, because--
Chloe: What's odd about it? We're family.
Lily: It's odd, because you built an entire shoot to create a miserable marriage, and yet, Billy comes in acting out this blissful union. It's like its all playacting for you two. It's like one extreme or the other. There's no reality.
Chloe: There's no reality? I am up to my eyeballs in reality. Count on it.
Nikki: Mm, what's wrong?
Paul: Oh, nothing. I was just wondering if it's too late for us to find a table somewhere dark and romantic.
Nikki: Oh, I think our place is just fine for me.
Paul: You think so?
Nikki: I don't think we need exotic restaurants or elaborate plans, do we?
Paul: Mm. I mean, every moment with you I think is, um, special, but if you want something more, something different, I want to be able to give it to you.
Nikki: You're so sweet. I'll take what we have any day.
Paul: Any day? What about-- what about every day?
Nikki: Of course.
Paul: Every day for the rest of our lives? Nikki, will you marry me?
Rafael: I'm guessing it didn't go well with the doctor?
Adam: Yeah, it's fine. I'm going blind. It's not news. Can I, uh--
Rafael: Uh, my news isn't gonna help either, Adam. Heather mentioned the idea of lobbying for a medical discharge from your sentence, but I've already checked into that. They only give them out for terminally ill patients, so you're not a candidate.
Adam: Okay, I know. I get it. I, uh, give me the box.
Victor: Well, what did Estella mean? Was she threatening you?
Ashley: Maybe she meant that she's responsible, and she's not gonna stop, or maybe she meant someone else is doing it, and they're not gonna stop, or maybe she meant--
Victor: She meant what? Tell me.
Ashley: Maybe she meant that I'm doing it.
Victor: What are you talking about?
Ashley: What if it's happening again? What if I am losing my mind?
Victor: Oh, Sweetheart, come on. Baby, come here. Come here.
Next on "The Young and the Restless"...
Sharon: I'm moving back into the Abbott mansion.
Mary Jane: Is this about the Jack and Sharon thing?
Phyllis: Oh, you don't seem upset.
Mary Jane: He'll be back.
Victor: I guess we're moving on. It's a new beginning now.
Nikki: I couldn't agree more.
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