Passions Transcript Tuesday 2/27/07 [an error occurred while processing this directive]

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Passions Transcript Tuesday 2/27/07 -- Canada; Wednesday 2/28/07 -- USA

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Provided By Eric
Proofread By Jodi

Fox: Oh, you're the only woman for me.

Kay: Fox.

Fox: Oh, Kay, my darling wife.

Kay: My husband, Fox.

Miguel: How could she be doing this? This can't be happening. Kay loves me. She loves me.

Chad: What the hell do you think you're doing delivering flowers to my home?

Man: Hey.

Whitney: Chad, babe, who's at the door?

Chad: Um --

[Phone rings]

Chad: Could you -- could you get that for me?

Whitney: Oh, yeah.

Chad: What if Whitney sees you? Get the hell out of here. You're going to pay for showing up at my house like this.

Fancy: [Screams] What did you do to me, Luis? Oh, my God, my leg, it hurts!

Luis: Oh, my God, it's acid.

Fancy: Well, get it off of me!

Luis: All right -- all right.

Fancy: No wait -- no wait, stay away from me!

Luis: Fancy, I didn't do this.

Fancy: Don't come any closer!

Luis: I didn't splash this on you.

Fancy: Well, if you didn't splash this stuff on me, who did? It's acid and it's burning! Help me!

Sam: Acid? Luis, what have you done?

Person's voice: I don't care who you wind up with, as long as it's not Ethan.

Theresa: But why?

Person's voice: Because Ethan is mine, all mine, so stay away from him.

Theresa: What do you mean he's all yours?

Ethan: Theresa, is that you?

Theresa's voice: Oh, my God, Ethan. How much did he hear?

Ethan: What is going on?

Ethan: Theresa?

Theresa: Ethan?

Ethan: Theresa -- what the hell are you doing here, and what is going on? I -- I heard what was being said. Is someone threatening you?

Miguel's voice: She's not faking.  I've got to stop this.  But how?  How do I stop them without Fox finding out I was in Kay's bed?

[Phone rings]

Fox: Don't answer it, don't answer it.

Kay: It might be important.

Fox: What's more important than us? Let's make love.

Chad: Get the hell out of here, Vincent.

Man: Stop it. What are you doing?

Chad: Oh, man, I'm sorry.

Man: Yeah, you should be. Is this how you treat all your delivery people?

Chad: You're not Vincent.

Man: Not the last time I checked, whoever the hell he is. Look, I know I'm late delivering these, but get real.

Chad: I made a mistake, man, I'm sorry.

Man: Yeah, you better be. And I'd be careful if I were you. That guy Hiro who delivers for Ssally Chinn is a black belt. Here, take these, please.

Chad: Look, man, I'm sorry, ok?

Man: And why do you keep calling me Vincent? Oh, I get it, he's the dude who's sending you the flowers.

Chad: Hey -- hey, shh.

Man: Hey, pal, ain't nothing wrong with that. Gay guys have the best taste in flowers and you are the best tippers.

Chad: I'm not gay.

Man: Fine, whatever you say. I guess one of your football buddies is sending you $300 worth of flowers?

Chad: Just go, ok? Here, that should be enough tip to make you forget the whole thing.

Man: You bet. I'll forget my own name for this kind of money, or let you call me Vincent till the cows come home.

Chad: Just go. I need to get rid of these things.

Whitney: Oh, my God, Chad. Those are the most beautiful flowers I've ever seen. Are they for me?

Chad: Uh...

Sam: We've got to wash this stuff off of her.

Fancy: No, don't touch me!

Luis: Fancy --

Sam: Here -- here -- here.

Luis: [Whispering] He went in this way, he's probably trying to get out the bathroom window.

Sam: Hey, you're not going anywhere until you tell me what happened.

Luis: Hold on, now, let go of me. Get some medical help for Fancy.

Sam: Edwards, hey, this is Chief Bennett. We need EMTs up in room 245, you got that? 245.

Luis: Damn it, he escaped! All right, come on, we can probably still catch him.

Sam: First you're going to tell me what happened here.

Luis: Hold -- hold on just a second. When I came in here, the attacker was already in here. Fancy, come on, you've got to believe me. I was downstairs. I was on guard when I thought that my coffee was drugged. I knew something was going on, so I didn't drink it. I played possum to see if I could figure out who was trying to drug me, and I ran up here. When I came in here, I found the attacker. He was already over Fancy's bed with the acid.

Fancy: [Screams] Oh, my God, my leg!

Luis: We struggled, and then he ran into the bathroom. You've got to believe me. Now, come on, we can probably still catch him.

Sam: Hey, the cops have surrounded this place, Luis.

Luis: What?

Sam: I followed you and Fancy, put a tracking device in Fancy's car, and when I heard screaming, I came in here.

Fancy: Thank you, Sam.

Sam: I did it in an effort to prove your innocence. But when I get in here, you're the one holding the acid.

Luis: I know that this looks bad.

Sam: Looks bad? I saw it with my own two eyes, Luis.

Luis: I'm innocent. When I came in here, the attacker was already in here and he fled out that bathroom window. Now, come on, we gotta put a search out for this guy.

Sam: General alert, the suspect may have been spotted escaping from the Harmony Inn.

Luis: "May have been spotted"?

Sam: Quiet. All right, give me a description.

Luis: The suspect is medium build, 5'6" to 5'8" with a mask on, that's it.

Sam: Got it? Get looking.

Sam: Fancy, did you see a man in this room that Luis just described?

Luis: Of course she did, Sam, she was --

Sam: I'm talking to Fancy. Fancy, was there anyone else in this room?

Fancy: I --

Sam: Yes or no? Was there anyone else in this room besides Luis?

Fancy: No, Sam, I didn't see anyone else.

Ethan: Theresa, who -- who was threatening you? What is going on here? Is there someone here? Is there someone here? Hey, is there someone here? Who is doing this to you?

{Theresa: Why are you doing this to me? Why are you determined to keep Ethan and me apart?

Person's voice: Are you saying you don't care anything about Jared?

Theresa: Yes, I care about Jared, but he's not the father of my children. I should be a family with Ethan.

Person's voice: Don't you ever get tired of singing that one-note samba?

Theresa: No, it is the truth. Jared is not the man that I am supposed to be with.

Person's voice: Fine, I don't care who you wind up with, as long as it's not Ethan.

Theresa: But why?

Person's voice: Because Ethan is mine, all mine, so stay away from him.}

Ethan: Theresa, hey -- hey, answer me. Don't hold out on me. What is this? You're not talking to me. Fine, I'll find -- I'll find this person myself.

Theresa: No -- no, don't -- don't.

Ethan: Who is it -- what?

Person's voice: Yes.

Ethan: Who the hell was that? Who is here? Who is here? Why are you doing this to Theresa? Who are you?

Fox: Kay, they'll give up. Oh, Kay.

Kay: The -- the phone -- the phone!

Fox: Don't worry about the phone.

Kay: I'm sorry, honey. What if it's one of your doctors?

Kay: Hello?

Miguel: What the hell do you think you're doing? You're supposed to be with me, not Fox. Stop making love to him right now!

Whitney: Oh, honey, these are the most beautiful flowers I have ever seen. They're for me.

Chad: Of course, baby, who else?

Whitney: Wow, I've seen some amazing flowers at the Crane mansion, you know, but these -- honey, these are exquisite. I have the sweetest husband in the whole wide world.

Chad: Well, I try.

Whitney: But why did you send me yellow roses?

Chad: Hmm?

Whitney: The language of flowers -- you remember that article that we read?

Chad: Article?

Whitney: Yeah, it was in the Details magazine, the one you brought home.

Chad: Oh -- oh, that one.

Whitney: Yeah. It said that yellow roses are for friendship and freedom. So what are you trying to tell me? What, you want to be free?

Chad: No -- no, of course not, baby.

Whitney: Oh, thank God. Then why did you bring me yellow roses? I mean, you know my favorite are red.

Luis: Fancy -- come on. You had to have seen something.

Fancy: Only you.

Luis: You know, that -- that makes perfect sense because she was asleep until the acid hit her leg.

Sam: But if she woke up when the acid hit her leg, wouldn't she have noticed this other person?

Luis: Well, no, not necessarily.

Sam: Ok, then you explain it to me, Luis.

Luis: Because, when the acid hit her leg, it hurt so much she couldn't look up until after the attacker fled.

Sam: Is this true, Fancy?

Luis: Oh, come on! We're wasting time here, Sam. The guy is getting away.

Sam: Luis, half the cops in this county have surrounded this place. Fancy, is Luis telling the truth? I mean, were you so focused on your leg, you didn't notice if there was another person inside this room?

Fancy: It all happened so fast. I -- I was asleep and the next thing I knew I felt like I was on fire, and Luis -- he was there, standing over me holding that, the acid, and it was burning and it's still burning!

Luis: No, don't look at me like that, ok? You know that I didn't do -- I came in here to protect her.

Sam: Doesn't look good.

Luis: Oh, come on, don't do this to me. You know I would never hurt Fancy -- I love her. Now, I'm telling you when I came in here the attacker was in here and he fled out that window!

Sam: Climbed out this window?

Luis: That's the one.

Sam: This window is closed, Luis. Are you telling me the perp came flying in here and out that window to try to get away from you and yet, stopped to close the window behind himself?

Luis: I don't know. Yeah, maybe he did. Maybe he was trying to slow me down. I don't know, because I was trying to help Fancy.

Sam: This window is locked, Luis -- from the inside.

Ethan: Well, this is ridiculous. Look, I'm gonna -- I'm gonna find whoever is torturing you and I'm going to get to the bottom of this.

Theresa's voice: Oh, God, if Ethan finds that blackmailer, it is all over. He'll know my secret, that he's Little Ethan's father and I will lose everything. Luis will end up on death row and Miguel will go to jail forever.

Ethan: Theresa, got something. It's nothing to worry about anymore.

Theresa: Oh, my God, Ethan, you found him. You don't even know it yet, but you're about to destroy my family.

Miguel: Listen to me, just listen to me. You stop making love to Fox right now.

Fox: Kay, who is it, honey?

Kay: Um, I don't think that's possible right now, I'm sorry.

Miguel: What do you mean, you don't think that's possible right now? Stop it, Kay.

Fox: Honey, who's on the phone?

Kay: Maybe if you call back later --

Miguel: No -- no, no, I am not calling back later, Kay. That's not going to be possible.

Kay: I'm kind of busy right now.

Fox: Just tell them that something's come up.

Miguel: I heard that.

Fox: Come on, honey, get off the phone.

Miguel: Kay, stop making love to Fox right now. Get out of that bed or I swear I will come in there and tell Fox everything.

Chad: I, uh --

Whitney: Come on, babe, don't tell me you didn't know what yellow roses meant.

Chad: No, I -- I remember, baby. I -- uh -- I looked them up on the internet and, well, yellow roses don't just mean friendship and freedom, they also mean newlyweds, and we're newlyweds.

Whitney: Oh, my God, newlyweds, really?

Chad: Yeah, and, um, besides --

Whitney: Well, that's sweet.

Chad: They didn't have any more red roses at the store, so --

Whitney: You're crazy. [Laughs] I can't believe you really did this and spent all this money on me. Honey, yellow roses are for newlyweds, huh?

Chad: Well, according to Wikipedia. They've been wrong.

Whitney: Well, I certainly love being a newlywed with you. Do you also know what they say about newlyweds?

Chad: No, what do they say?

Whitney: Oh, my God, babe. I guess I'm going to have to teach you. Lesson one is...

Chad: Mmm, is there going to be a quiz on this later?

Whitney: Mmm, not until we study real, real hard.

Whitney: You're so bad. [Laughs]

Chad: I'm studying. Come here.

[Knock on door]

Man: Knock, knock.

Whitney: Oh, my God!

Chad: What?

Man: Whatever floats your boat, but I don't think your friend, Vincent, would be too happy to see you making out with a woman.

Chad: Shut up. Now, what do you want?

Man: I forgot to get you to sign for the flowers.

Chad: Yeah, right. I paid you to get out of here.

Man: Sorry, but without your signature, I could get fired. So just sign right here so that I can prove that the flowers for Mr. Chad Harris Crane were delivered.

Whitney: What -- what -- to Mr. Crane? What?

Chad: Whit --

Man: Uh, yeah, the yellow roses are for Chad Harris Crane.

Whitney: They're for you? Babe, who would be sending you flowers?

Man: Oops.

Sam: Right in here, guys.

Fancy: It's my leg.

Paramedic: Acid burns? How did that happen?

Fancy: Uh, that's what we're trying to figure out.

Paramedic: I'll bet that hurts.

Fancy: Yeah.

Paramedic: But don't worry, with any luck, you won't even have a scar.

Luis: I don't know. I can't explain how the bathroom window was locked from the inside.

Sam: Well, you tell me.

Luis: Ok, maybe when he slammed it, it locked.

Sam: I'll have the lab dust for fingerprints on the acid jar. The attacker's fingerprints should be the only ones on it.

Luis: Yeah, there won't be any.

Sam: Why not?

Luis: Because I just remembered he was wearing white gloves.

Sam: I suppose this will be like the knife that we found in Fancy's princess room?

Luis: I do not know how my prints got on that knife. They shouldn't have been there.

Sam: Look, Luis, I want to prove that you're not Fancy's attacker. But I gotta tell you, it's getting harder every minute.

Luis: So fine, why don't you let me get the hell out of here so that I can find the creep that did this?

Sam: There's an APB out on him already, all right?

Luis: Yeah, all right.

Luis: Fancy, I really -- I can't wait till we find the guy that did this because when we do it's going to prove that I am innocent.

Fancy: I hope so. I'm sorry, Luis, I didn't mean to accuse you like that before. It's just that when I woke up, it hurt so much and you -- you were standing right there with the acid.

Luis: I understand. I just hope that you believe me because I would never hurt you. I love you.

[Phone rings]

Sam: Yeah, what do you got? Are you sure? Ok. None of the cops outside found a trace of an attacker and they searched the entire inn as well.

Luis: Oh, well that's great. What, did he just vanish into thin air?

Sam: Well, that's one explanation.

Luis: And what's the other?

Sam: That the attacker was never here, that you were the only one in this room, and that you're lying.

Theresa's voice: Oh, God, if Ethan's caught the blackmailer, it's all over. I am out of here.

Ethan: Theresa, found him. This is what you were talking to.

Theresa: How?

Person's voice: However I want, Theresa.

Theresa: Oh, my God.

Person's voice: God can't help you now, Theresa.

Ethan: Whoever was torturing you obviously programmed this thing to respond to certain words and phrases. It's actually a product from the Crane labs. It's called an answer box. There are smaller versions of this that they put in stuffed animals in the Crane toy division, and this thing is obviously a little more advanced, though. It's really complex. Tell you what, let's see what it says to me, huh? Why are you torturing Theresa?

[Whirring sound]

Fox: Kay, whoever's on the phone, get rid of them. I want to make love to you all night long.

Miguel: If he touches you again, Kay, believe me, he will be dying young.

Kay: [Sighs] Look, it was the hospital. They want you to get back down there right away.

Fox: Oh, hell no, I won't go back there.

Kay: Fox, please, you're sick.

Fox: I'll be a lot sicker if I let them inject me with those treatments.

Kay: Please, Fox, for me. If you take those treatments, you're going to get better.

Fox: No, I'm sorry, Kay, no.

Kay: Oh, Fox, I love you. I want you around as long as possible. Don't you want to live to see Maria grow up?

Fox: Yes, I do, but not being able to make love to you?

Kay: No, well, just being together is enough, please. If you love me, you will go back to that hospital and you will take those treatments.

Fox: All right, all right, I'll go back to the hospital. But only for you, 'cause I love you. You're my wife. All right, I'll go get cleaned up, then we can go.

[Door opens and closes]

Miguel: Listen to me. I don't think you realize how awful it was for me to stand in here and listen and watch you make love to that guy.

Kay: He's my husband and he's sick.

Miguel: He's not sick, Kay. Come on, if he was really sick, you think he'd be worried about being impotent?

Kay: You know, I don't know what to think anymore.

Miguel: You know what, why don't you take him back to the hospital? See if he refuses the treatments. If he does, then you know he's not sick, and never was, and the whole thing was a scheme to keep you with him.

Kay: Ok, just -- just stay right here until we're gone.

Kay: Are you ok?

[Door closes]

Fox: I'm as ok as I'm probably ever gonna be.

Miguel: He's lying to you, Kay. He's been lying to you all along and I know it. If I could only prove it.

Whitney: Ok, wait a second. Who would be sending you flowers, and why did you lie to me?

Man: Ok, then, I'll be on my way.

Chad: Baby, it's not what you think.

Whitney: Ok, then what is it?

Chad: The flowers, they -- they are for you, ok? I had them sent to me. That way I could give them to you personally.

Whitney: Oh -- oh, that makes perfect sense. I'm sorry, I feel like I'm constantly doubting you and I guess I have a suspicious mind.

Chad: Yeah.

Whitney: Can you forgive me?

Chad: Oh, of course, baby.

Whitney: Ok. Now, where were we?

Chad: Well, I think I can remember, yeah.

Whitney: Oh, oh, wait a second.

Chad: What?

Whitney: My beautiful husband, I have to read my card.

Chad: Oh, no -- no, no, no, you can't -- can't read the card yet.

Whitney: Why can't I read the card on my own flowers, babe?

Paramedic: Have your own doctor check that out, but if you keep the wounds clean, you should be ok.

Fancy: Ok, thank you, so much.

Paramedic: No problem.

Luis: Well, Sam, you really must have lost your mind. Now you really think that I would pour acid on Fancy?

Sam: Luis, I don't want to, but I have to look at the evidence.

Luis: The evidence. I came here to protect her, and you know that I could never hurt a woman. Couldn't even shoot Beth. It would have changed my life if I had.

Sam: I know.

Luis: I didn't do any of these things that I've been accused of. I didn't kill Rae, I didn't rape Fancy, I didn't do any of this stuff. I'm telling you, I am being set up.

Sam: Fancy, did you lock the door before you went to sleep?

Fancy: Of course.

Sam: Then how the hell did you get in here?

Luis: It was unlocked when I came. I just opened it and rushed in.

Sam: Fancy, are you sure you locked the door?

Fancy: Yeah, I -- I thought I did. I mean, no, I -- I remember locking it.

Luis: It was unlocked.

Sam: Well, it was one or the other.

Luis: Oh, God, this is ridiculous.

Sam: What is this?

Luis: I don't know, it's not mine.

Sam: Well, it came out of your jacket.

Luis: Well, I've never seen it before.

Luis: That's impossible.

Sam: This is how you got in this room, isn't it, Luis?

Fox: Ok, you know what? I think I was right in my first instincts. I can't go through with this.

Kay: Oh, no, you don't.

Fox: Listen, you can't get mad at me for having second thoughts, all right? I'm talking about me being impotent. Do you have any idea how terrifying that is for a man?

Kay: Would you rather be dead? Fox, you agreed that you were going to come back here to the hospital, did you not?

Fox: Yes, yes, I did. But do you realize that when I start taking this medicine, that I won't be able to make love to you? Kay, I'd rather not live than not be a whole man.

Kay: You're a whole man to me.

Fox: Well, not for long. Baby, making love is -- is at the basis of our entire relationship.

Kay: Ok, it's part of our relationship, but it's not the basis of it. Love isn't about sex, it's about two minds and hearts learning to communicate, to act as one.

Fox: But you've got to admit, sex is a pretty good way to communicate.

Kay: Yeah, but --

Fox: It's our favorite form of communication. Don't you remember the first time we made love?

Kay: I do. It was during the tsunami, on the roof.

Fox: And we had sex first, and then we got to know each other.

Kay: Yeah, well, that was a crazy situation. We were both in a lot of danger and -- ugh -- you jumped in the water and you tried to save that little boy and, God, I thought you'd drowned. I thought I lost you forever. You know, I think it was at that moment when I realized how important you were to me.

Fox: Now you really are losing me forever. Two lost souls clinging on to each other for comfort. That is hot.

Kay: It was more than hot.

Fox: [Sighs] Listen, I'll tell you what. Before we head back into that room, you and I need to communicate.

Kay: Here?

Fox: Yeah, there was a -- a linen closet right over there. We could -- could go get in there.

Kay: No, Fox.

Fox: Baby, I'm sorry, but we need to finish what we started at Tabitha's. I need you. I need to make love to my wife.

Kay: I can't.

Fox: What? Why not?

Kay: Now, listen to me. I know what this is all about, ok? You're just really scared about the future, and I am, too, but this is not a time to panic. You are my strong husband, ok? And whether or not we can make love is not going to make you less of a man in my eyes. You promised me that you were going to go through with this, so get in there and get in that bed. And we are going to face this like two responsible adults, ok? Ok?

Fox: Ok.

Ethan: Why are you torturing Theresa?

Theresa's voice: No, no, no.

Ethan: It's not working. I know why it's not working. It's not working because it's programmed to only respond to your voice and your voice only. So you need to say something into this thing. It's the only way we're going to unlock the secrets in this box.

Whitney: Chad, come on, babe. Why can't I read the card from my own flowers?

Chad: Um, well, I haven't written anything in there yet. I mean, I was going to write something special for you, baby. I wasn't expecting the flowers to show up so soon. And I was gonna run you a bath and let you soak and then I was going to write a little something special in here.

Whitney: Well, I guess good things come to those who wait. I tell you what, I'll go make us some tea and then you can write something really special in there --

Chad: Ok.

Whitney: For me, and I can't wait to read it.

Chad: "To Chad, with all my love, Vincent." Damn him.

Chad: Vincent, listen, if you don't stop screwing with me, I'm going to make you pay, all right? No more stunts, no more flowers, no more cards and especially no more DVDs, you got it? I hope I got through to him.

Chad: Oh, great, a text message from Vincent.

Chad: Oh, my God.

Chad: Not this again. Damn him, damn him to hell.

Sam: Well, can you explain this?

Luis: I don't know how the key got there. I don't know how it got into my jacket. Whoever attacked Fancy must have planted it.

Sam: Yeah, while you were struggling with the guy over the acid?

Luis: Yeah. Fancy, you know that I never had a key to your room, right?

Fancy: Right.

Sam: You better come up with an explanation, and I mean fast. Look at it from my end, all right? Fancy never saw this phantom attacker. She only saw you holding the acid over her. And the window that the perp allegedly escaped from is locked from the inside, and you have a key to the room, Luis. And the intruder, there's not a trace of him anywhere.

Luis: I'm being set up.

Sam: So you say, but I can't ignore what happened with Rae. It boils down to motive and opportunity. Now, you say the attacker's motive was to kill Rae to keep her quiet.

Luis: I already told you, Sam, Rae called me. She said that she had information about Fancy's attacker and to meet her down at the Blue Note, that she couldn't tell me what it was over the phone.

Sam: Well, can you prove it?

Luis: You know that I can't.

Sam: According to Simone, you had opportunity to be alone with Rae at the Blue Note when she was found clutching your Saint Christopher medal. Stands to reason that the attacker and you are one and the same.

Luis: I didn't do it. I didn't kill Rae. I didn't attack Fancy. I didn't do any of this. You know that, right? Fancy, you believe me that I didn't hurt you.

Fancy: I don't -- I don't know what to believe.

Luis: Fancy, come on, you know I -- I wouldn't do this. You know that I would never hurt you.

Sam: Luis, I can't ignore the evidence any longer.

Luis: Sam, don't do this, please.

Sam: Luis Lopez-Fitzgerald, you are under arrest for the murder of Rae Thomas and the attacks on Fancy Crane.

Kay: There, is that comfy?

Fox: Well, it's a little bit lonely. The bed I want to be in sleeps two.

Kay: Well, I managed to get in this one before.

Fox: Well, a lot of good that did me.

Kay: Oh, come on. I only want what's best for you.

Fox: I know you do.

Nurse: All ready for your first treatment? I need to get to your catheter port.

Fox: No, no, I'm sorry, I refuse treatment.

Kay: Wait, Fox, you said that if we --

Fox: Kay, I said I would come back to the hospital because you asked me to. But I'm not getting treatments done, absolutely not.

Miguel: You know, if Fox really is sick, how come he's refusing the treatment?

Whitney: Oh, my God, Chad, what are you watching?

Chad: It's -- it's -- it's not what you think.

Luis: This is insane. You can't arrest me.

Sam: Sorry, Luis, the evidence against you is overwhelming.

Fancy: I'm so sorry, Luis.

Luis: Sorry? Then why don't you tell him? Why don't you tell him that I couldn't hurt you or do any of these things, Fancy?

Sam: Look, I don't care what she says. It's not going to make any difference. The evidence all points to you. Now we're going downtown and this time I don't think you're going to get bail. You have the right to remain silent. Anything you say can and will be used against you in a court of law.

Fancy: [Sighs]

Ethan: Theresa, come on -- come on, this thing is only going to respond to your voice. You have to say something. Theresa, what is wrong with you? We have to find out the information that's inside --

Ethan: Why are you writing?

Ethan: You're crazy. No, no, there's no bomb. There's no bomb in this. This thing is just like the prototype for the answer box project. There is no room for a bomb in here. I know the circuitry. I used to work at Crane, remember? And, actually, I can hook this thing up to a laptop and we can see the actual words in the word identification program, and then we'll know exactly what this thing is programmed to respond to when it's spoken to. We'll also know all the information that the person has who made his box.

Theresa's voice: If Ethan opens the box, he's going to see the information in it. He'll learn everything. He'll know that he's little Ethan's father. I will lose my position at Crane and all the money. Luis will be executed and Miguel will go to jail for life.

Ethan: Theresa -- Theresa, will you say something in the box --

Theresa: No, I can't!

Person's voice: Little Ethan.

Ethan: This thing just said "Little Ethan."

Theresa's voice: Oh, God, no. The box is about to tell Ethan that he's Little Ethan's father.

[Whirring sound]

On the Next Passions:

Julian: I want you to help me, and I in turn will help you.

Luis: I'm innocent. Now, why don't you let me go so I can find the psycho who keeps attacking Fancy?

Sheridan: You had Luis arrested. What is wrong with you?

Whitney: How could you do this? I mean, I feel I don't even know you anymore.

Spike: I have a meeting that's going to change the rest of my life.

Person: Just making myself beautiful for you.

Miguel: You just gave yourself away.

Julian: Get out of here!

Miguel: I don't take orders from you.

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