Passions Transcript Monday 5/15/06 [an error occurred while processing this directive]

Passions Transcript Monday 5/15/06--Canada; Tuesday 5/16/06--USA
 
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Provided By Stephanie

Ethan: Are there any updates on Paloma, Simone, or Jessica?

Theresa: No, there isn't an update yet, and there's nothing on Noah either.

Ethan: Well, I know there's trouble going on if Crane security doesn't know what's happening.

Theresa: Mm-hmm. You know, hopefully we're going to hear something before we land in Rome.

Ethan: I know Noah can take care of himself, but it's those other girls I'm worried about. What were they thinking, investigating stolen artwork in the first place?

Theresa: I think they just crave excitement, Ethan, and they got a lot more than they bargained for.

Ethan: Yeah. And Jessica -- well, she's traded one bad situation for another.

Theresa: I'm -- I'm glad you're here with me. Even though I've got all of the Cranes' resources at my disposal, it's just -- it's nice to have the man that I love with me at a time like this, you know?

Ethan: Look, hold on. I'm not here "with you," all right? I'm here because Jess and Noah might be in trouble. And we're not doing this as a couple because we're not a couple, and we're never going to be a couple.

Theresa: You know I don't believe that.

Ethan: Then, Theresa, I'm going to have to have the pilot turn the plane around and take me back to Harmony, because I'm not going to sit on this plane and argue about our future together to Rome and back.

Jessica: Ok, this way, hurry.

Paloma: Sure?

Jessica: I don't know!

Simone: Well, what difference does it make which way, as long as they don't catch us?

Paloma: Making off with that painting was a bad idea.

Simone: Yeah, but it had the symbol on it, which means it's tied to Alistair, the other stolen paintings, and Whitney vanishing from the convent in Harmony, only to pop up here in Rome.

Jessica: Yeah, and those men are willing to kill us to get it back. Come on.

Noah: Fancy, hold on. Hey, let me explain.

Fancy: You can explain why I keep finding you with Maya?

Noah: Yes, I can.

Lena: I suggest you do as I asked, or you won't be the only one to suffer. Maya and your beloved Fancy will both end up dead, as well.

Noah: I wanted to tell you earlier, but you wouldn't let me.

Fancy: Ok, fine. Explain why you keep jerking me around, why you keep using me for sex and then leaving me to go back to your ex.

Noah: Hey, the truth -- it --

Fancy: What? Tell me, Noah. Tell me the truth.

Noah: I can't.

Fancy: What? Why not?

Noah: Shh, shh --

Luis: Once I bring Marty back, you and I are going to be together.

Beth: Well, maybe we should go ask that man why he said Marty. Maybe he has a little boy named Marty, too. Come on.

Luis: Look, Sheridan, I know that you're in a terrible situation and that you don't want to hurt Chris. But once I find Marty and bring him back, Chris is going to have to realize that your marriage is a mistake and that you and I belong together. Well, I should have believed you when you told me that Marty was your child and not Beth's. I should have trusted you. It's my fault that Beth got away with Marty, it's my fault that Alistair faked my death, and it's my fault that you are now pregnant with Chris' child instead of mine. Sheridan, I'm telling you, I can fix this. I can make things right again.

Sheridan: Luis, please don't get your hopes up. I'm married to Chris now. I'm expecting his child.

Luis: It doesn't matter, Sheridan, because I'm going to take the leap of faith this time that I didn't take last time. And when I find Marty, we are going to be a family again. We are going to be happy like we always were meant to be.

Beth: You know, sweetie, there's a lot of guys named Marty, so don't be disappointed if maybe that man is just talking to someone on the phone named Marty, ok? But we'll go see. It can't hurt to ask, right? Come on.

Theresa: Ok, I don't want to argue, all right? I don't. But we are going to be together one day. You cannot deny your love for me any more than I can deny mine for you, and that's why you're here with me right now.

Ethan: No, no, no, I told you I am here with you going to Rome because Jessica and Noah might be in trouble.

Theresa: Ok, ok. So let me ask you this. What happened to you had to stay in Harmony because you have a responsibility to Gwen and Jane?

Ethan: Gwen and I had a conversation about that after you left.

Theresa: You talked Gwen into letting you come?

Ethan: She told me to come, as long as we made sure that Jessica was really in trouble.

Theresa: You didn't believe me?

Ethan: With your track record? Come on. Let's just say Gwen and I needed to be sure that you were on the up-and-up. And when we realized that you were, Gwen thought it was a good idea that I come. She also knows that I've learned my lesson about being alone with you, Theresa -- thanks to Jerry's garage -- and that I will jump out of this jet without a parachute before I let you come on to me again.

Theresa: Wow. You make me sound like Typhoid Mary.

Ethan: Well, hey, you earned that rep all by yourself.

Theresa: Ok. So, what, are you going to lock yourself in the lavatory until we land?

Ethan: Theresa, yeah, I might just do that, you know, if you keep hammering me about leaving Gwen. Yeah, I'll do that.

Theresa: Ok, I'm not going to hammer you about leaving Gwen.

Ethan: Thank you.

Theresa: But I will say that once I prove that Gwen and her mother were the ones who outted you as a Bennett to the tabloid, you are going to take Jane away from Gwen and you are going to come back to me and little Ethan.

Ethan: You know what? That's what I'm talking about, and that does it. I'm having the pilot turn the plane around.

Jessica: Oh! Oh, no, this is a dead end.

Paloma: No hay salida, and those men are getting closer.

Simone: What are we going to do?

Jessica: I don't know.

Man: Stupidi bambini. Questo e un vicolo cieco.

Second man: There is no way they'll slip by us now.

First man: Signorine, it's very dangerous to be out this late at night.

Second man: Yes, you could end up getting killed.

Noah's voice: Fancy will go back to the states in a box if Lena sees her with me.

Lena: Have you seen one of the hotel's American guests, Noah Bennett? He's tall, well built, with dark, wavy hair.

Bellhop: Noah Bennett?

Lena: Perhaps this will refresh your memory.

Luis: It's my fault that we have lost out on all this time with Marty, but when I find him, we will more than make up for it, Sheridan. Think of it. We'll be there to see him start school and to get straight as and to play little league. And once he comes back, it'll be like he never left, Sheridan. It'll be like we were never apart.

Sheridan: I -- I hope your meeting with the bank about Beth's finances leads you to her and Marty.

Luis: Well, so do I. But I am not leaving Rome until I find Marty.

Beth: I didn't hear that man. I must be getting hard of hearing.

Beth's voice: Probably from listening to mother's incessant ranting all those years.

Beth: Let's go.

Luis: Mm-hmm.

Beth: Oh, my God. Luis.

Theresa: Wait, wait, Ethan. Please wait, just wait. You cannot tell the captain that you want to go back to Harmony.

Ethan: Ahem. Will you stop talking about us being together, then?

Theresa: I don't want this trip to be about us, ok, because I'm worried about my family just like I know you're worried about your family.

Ethan: You didn't answer my question. Will you not use this trip to undercut Gwen? Because I'm not going to cheat on her to be with you.

Theresa: Ethan, you and Gwen have absolutely nothing to worry about.

Ethan: Ok, then. Great. You know what I'm going to do? I'm going to call Gwen and I'm going to tell her that we had this little conversation and that we have an understanding -- that this trip is about family and friends and that she has no reason in the world to worry about you making a play on me or anything like that.

Theresa: Ok.

Ethan: Good.

Theresa's voice: Gwen needs to worry that I'll find proof she and Rebecca ruined your life. And when I do --

Singer: What if I don't wanna forget don't want anyone but you believe me, it's true for a while and forever just let me stay here with you I don't wanna leave I don't wanna leave if I said I want you if I said I need you if I said I love you what would you do? And I thought I could let this go and I thought I would but now I know now I know if I said I want you if I said I want you if I said I need you if I said I need you if I said I love you what would you do? What would you do? If I said I want you if I said I need you if I said I need you if I said I love you what would you do? What would you do?

Bellhop: Mi dispiace. I haven't seen Noah Bennett. May I ring his room for you?

Lena: I already did. Noah's either out clubbing or he took the phone off the hook to sleep. I'll check back in the morning.

Bellhop: Isn't that Noah Bennett with Fancy Crane?

Second bellhop: Some woman just offered me this to give him up, but I didn't.

First bellhop: Why not?

Second bellhop: We have to be discreet for our guests.

Noah: Fancy?

Fancy: Yes?

Noah: Look, I want to tell you what happened earlier with Maya.

Fancy: I'm listening.

Noah: But the thing of it is, is that I can't tell you now, anymore.

Fancy: What?

Noah: I'm sorry.

Fancy: Oh, you're sorry, all right. You are the most shameless liar and cheat I have ever known. You think kissing me like there's no tomorrow will leave me so weak-kneed I won't care why you treat me like dirt? Think again.

Noah: Fancy, look, I need you to trust me just a little while longer.

Fancy: I don't trust you now.

Noah: Fancy, I know that you feel like I am jerking you around, but I'm not. I mean, I haven't meant to jerk you around. I mean --

Fancy: Oh, just get away from me! I can't do this anymore, Noah. It's too hard and it hurts too much.

Noah: Look, I love you.

Fancy: Oh, liar! At least Gianni respects women enough to be honest with them.

Noah: Oh, you --

Fancy: Yeah, yeah, but you, Noah -- the price is just too high to be with you.

Noah: You may not go back to Gianni, ok? I swear I will make things right between us if you just give me the chance.

Fancy: Oh, so you can be with any woman you want, but I can't see Gianni?

Noah: That is not at --

Fancy: Wrong!

Esme: Are you two going at it again? Gladiators fought less than you do.

Fancy: Esme, why are you wearing dark glasses like that this time of night?

Esme: Oh, well, I believe in being prepared. I never know where I'll be when I come to in the morning. But back to you. Get some new material, dears. I mean, really, I am so sick of hearing, "Fancy, you have to trust me." "But how can I, Noah, when I know you've cheated on me?" Blah, blah, blah. Ugh. Why don't you go back to Gianni, and I'll keep Noah occupied?

Noah: Not now, Esme.

Fancy: No, no, no, you can have him. I don't want Noah anywhere near me anymore.

Esme: Hmm. Well, bottoms up. And I don't mean this bottle. Oh.

Noah: Oh, God. I just hope when Maya and I finish our little mission for Lena, Fancy gives me another chance to explain.

Fancy: Damn you, Noah. Why do you treat me like this? Why can't you treat me the way Luis treats Sheridan?

Luis: Oh, my God.

Sheridan: Luis, what is it? What's happening?

Luis: Sheridan, can you hold on for one second? What the hell are you doing sneaking up on me like that?

Chad: Hey, I'm sorry. I called your name, but you were too busy on your phone call to notice.

Luis: Yeah, I'm on the line with Sheridan, ok?

Chad: Did you see that woman and her little boy just now?

Luis: No, why?

Beth: Shh.

[Marty babbles]

Beth: Shh, shh, shh. Marty, Marty, that's right. It's your daddy.

Marty: The money -- the money is --

Beth: What is he doing in Rome? Shh, shh, shh. I bet that nasty old Sheridan sent him here to take you away from me. But if he finds us, I'm going to go to jail. And he's going to take you back to Sheridan.

Theresa: Oh. I've got an email. I wonder if it's about Paloma and her friends. Oh, gosh.

Theresa's voice: What kind of email is this? "You will gain Ethan in Rome but lose your love." What does that mean? Ethan is my love, so how can I gain him and lose my love at the same time? This doesn't make any sense.

Theresa: Who sent this, anyway?

Beth: Ok, honey, we can't see daddy right now because -- because that would spoil the game that we're playing, ok? So if Luis can't find us, then we win and Sheridan loses.

Sheridan: Say hello to Chad for me. Wish him luck in his search for Whitney.

Luis: Oh, well, Chad and I are making our own luck. Chad's going to find Whitney just like I'm going to find Marty and bring him back to you. Then we're going to start over fresh, and for keeps this time.

Sheridan: You and Chad be careful.

Luis: Well, you take it easy. And remember, I love you.

Sheridan: I will. Goodbye, Luis.

Sheridan: I really should cut Beth out of this photo.

Chris: Are you ok?

Sheridan: Yeah. I just feel bad for Luis. He thinks we're going to get back together once he brings Marty home.

Chris: Well, you didn't tell him about the difficulty you're having with your pregnancy, either.

Sheridan: No. He has enough on his plate right now. And besides, what goes on in our family is our business and no one else's.

Chris: I love hearing you say "our family." And I love you.

Sheridan: I love you, too.

Chris: Can I get you anything? Some juice, maybe?

Sheridan: No, I'm fine, thank you.

Chris: What if I said I had a little surprise for you?

Sheridan: I'd say I love surprises. What is it?

Chris: You'll see. I haven't had a chance to unpack since James and I arrived, but I think it's in here somewhere. Let's have a look.

Man: I could have sworn we had them cornered.

Second man: They must have ducked into the alley past this one.

First man: Come on. Let's hope we can catch them. We have to get that painting back.

Second man: They'll give us hell if we don't.

Paloma: Oh, my God. That was so close.

Jessica: Yeah, I'll say.

Simone: I thought we were goners for sure.

Paloma: We should go back to the hotel.

Simone: Yeah, we'll be safe there.

Jessica: Wait, I'll make sure they're gone.

Jessica: Ok, all clear. Let's go.

Jessica: Oh, my gosh.

Simone: Now that we have the painting with the symbol, we can really start looking for answers.

Jessica: Yeah.

Man: Wrong, ladies.

Second man: Your stint as amateur detectives ends here.

First man: Along with your lives.

Chad: You know, it's funny how Whitney vanished just like that woman and her little boy did.

Beth: Shh, shh. Now, I told you, we're playing a game, ok? We have to hide from Daddy. Ok? Shh. Yeah.

Marty: Daddy?

Beth: Yeah.

Luis: Well, what do you say we go back to the hotel? I could really use a shower.

Chad: I'm with you. Nothing more we can do tonight.

Luis: Yeah.

Marty: Daddy!

Beth: Shh, shh, Marty --

Beth: We'd better get out of here before our luck runs out. Come on, sweetie. Come on, sweetie.

Woman: Scusi, signora.

[Marty laughs]

Beth: Shh, shh.

Luis: That can't be.

Chad: What?

Luis: It sounded like Marty's voice.

Marty: Daddy!

Luis: Oh, my God, that is Marty's voice. I'd know my son's voice anywhere. Over there, it's Beth and Marty! Come on!

Chris: I got this for you back when I first fell in love with you, but I was too shy to admit it.

Chris: You're so beautiful, Sheridan, and yours is the kind of beauty that has inspired artists down through the ages. So when I saw this, I thought of you.

Sheridan: Oh. Chris, thank you.

Chris: It's my pleasure.

Sheridan: Oh, wow. This is incredible.

Chris: That is an amazing painting.

Sheridan: It's so powerful, don't you think?

Chris: Incredibly powerful.

Jessica: Hey, please, don't kill us.

Simone: We only took the painting so that we could study the symbol and learn what it means.

Man: We told you we would teach you about the symbol but that it would take time.

Second man: But it wasn't good enough. We trusted you to trust us. Instead you betrayed us.

First man: Ale. Give me the painting back.

Second man: You see, we don't want it to get damaged when we shoot you.

Simone: Ok, no, no, no. The symbol in this matches a sketch that I found under my sister's mattress at the convent back in Harmony, and now -- now she's in Rome and we have to find her.

Paloma: And everybody in the club had the same symbol on them.

Jessica: It's the same as my tattoo. Why does it match? What does it mean?

Man: You would've had all the answers if you'd been patient.

Second man: But you weren't, so hand over the painting, head back into alley so we can kill you.

Noah: You're going to have to kill me first!

Marty: Daddy!

Luis: Marty?

Chad: Are you sure?

Luis: Positive.

Beth's voice: If Luis catches me, he'll kill me and give Marty back to that bitch Sheridan. I can't lose Marty or my life.

Luis: Marty? Beth, I know you're here. There's nowhere to hide.

Beth: We can hide from Daddy in here, ok? Damn. Come on, let's go.

Beth: Come on, Marty. Let's go.

Luis: I heard a door slam. She must've gone into one of these buildings.

Chad: Yeah, but which one?

Marty: Daddy!

Beth: Not yet, sweetie. It's still a game. We have to hide. Ok?

Beth: I don't hear anything. Luis and Chad must've passed us.

Beth: Oh, come on. Here we go.

Marty: Can't go up in the window.

Beth: Yeah. Yeah. Oh -- Luis.

Marty: Daddy!

Luis: Marty!

Theresa: I will gain Ethan in Rome but lose my love. What does that mean? And who sent this?

Theresa's voice: There's no address for the sender.

Theresa: What is this?

Theresa's voice: "Someone from Harmony will die in Rome"? But who?

Esme: There, there, dear. Don't cry.

Esme: No man is worth puffy eyes, not even one as delectable as Nathan Bennett.

Fancy: Noah! His name is Noah!

Esme: Whatever. Look, I have watched you and Noah for months, and it's always the same thing. I mean, first you're apart and then you're together, and then you're together and then apart, and first he loved you and you didn't love him, and then you loved him and he claimed not to love you, and now he loves you and you don't love him, and --

Fancy: Oh, get to the point already!

Esme: Well, the point is maybe the two of you aren't meant to be together, you know? I mean, I think it's time that you found someone else, someone who will take your mind completely off of Norman.

Fancy: Noah.

Esme: Right. Besides, you used to be so much more fun, you know, before you met Noah. Gone are the days of hiding Albert's toupee in the casino, of scaring Madonna's horse when she went riding, of daring Ashlee to lip-synch on live TV just once -- that was fantastic. You know, and you couldn't even let loose for a second to have a little fun with Gianni.

Fancy: Gianni's a gigolo.

Esme: And worth every euro, believe me.

Fancy: Noah warned me about Gianni -- not that I didn't already know what he is -- and that's why I'm so confused. It seems like Noah cares about me, that he always looks out for me, but then I see him with Maya. What am I going to do?

Esme: I told you what to do.

Fancy: I know. I need to meet someone else, someone who will get my mind off of Noah.

Esme: Why didn't I think of that?

Fancy: So you agree it's what I need to do?

Esme: Now that you mention it, yes. And I have just the thing to get your mind off of Nero.

Fancy: Noah.

Esme: Oh, right, whatever. What -- hmm -- for later. Let's see -- oh, ha-ha. Where is -- oh, aha, here it is. An invitation to a tres chic gallery opening.

Fancy: I doubt if buying a painting will cheer me up.

Esme: Oh, no, silly. Gallery is the perfect place to meet someone tall, dark, and handsome, someone who will take your mind right off of --

Fancy: Noah.

Esme: Ah, right.

Jessica: Noah, watch out!

Noah: Jessica, what -- whoa!

Jessica: Ow!

Simone: No!

Noah: There's no way I'm going to lose this fight.

Man: Basta ya, ragazze! Basta!

Noah: Jessica! Are you ok?

Jessica: Yeah. After dealing with Spike, this was a piece of cake.

Simone: Those guys got away with the painting.

Paloma: But you held on to the part with the symbol.

Simone: But I wish we had been able to study the painting. We just spent so much time running from those guys, we never even had the chance.

Noah: Are you sure you're ok?

Jessica: Yeah, I'm fine. What about you?

Noah: Yeah, you know, I'm -- hold on. Whoa, what's going on? That painting has the same symbol as your tattoo. Whoa. What's the connection? Jessica, what does that symbol mean?

Beth: Oh, my God. Luis. What am I going to do? Here, stay here.

Beth: Oh! It's locked. So much for breaking out the back way. Ugh.

Marty: Hi, Daddy.

Luis: Marty, I'm coming to get you, son!

Beth: Marty, we got to get away from the window. We have got to go now. Come on.

Marty: Daddy!

Luis: We got to get in there and get Marty.

Chad: Let's do it.

Beth: Ok. Now, sweetie, Daddy still has to catch us in order to win, ok? It's a game, but I'm not going to let him catch us. I can't let that happen. I will not lose you to Sheridan. Ok?

Luis: Nothing's going to stop me from getting my son back.

Beth: There's no place to hide. Marty, there's another way out. Come on.

Luis: Beth? Beth!

Chad: There's no sign of them.

Luis: Hey. Check that door.

Chad: Door's locked. Where'd they go?

Marty: What's down here?

Beth: Shh. Shh.

Luis: Beth and Marty have to be here somewhere.

Chad: Yeah, but where?

Luis: I bet they're behind that door.

Beth: This is it. There's no way out.

Noah: Stop stalling. Tell me why Jessica's tattoo matches the symbol in that painting and why those guys were willing to kill you over it.

Jessica: You know, I really can't say.

Simone: I can.

Noah: Well?

Simone: I bought the painting at a street fair. And when I went to pay for it, I guess the guys must have seen that I had money because they followed us and demanded we give it to them.

Paloma: Si, and then you showed up.

Simone: And when they couldn't get the cash, they tried to take the painting back so they could sell it to someone else.

Noah: Ok, then what about the matching symbols?

Simone: It's just a coincidence.

Jessica: Oh, right.

Simone: What else could it be? So, why are you in Rome?

Noah: Uh, it's a long story. Did you guys know that actually Luis and Chad are here, too?

Paloma: Si. Have you seen them?

Noah: Yeah, Fancy and I ran into Luis and Chad down in the catacombs with Whitney.

Simone: Whitney? Is she ok?

Noah: You know, I'm not sure. She ran off, but Chad went after her.

Jessica: But you said you're here with Fancy?

Simone: I thought you two broke up.

Noah: We did.

Jessica: Oh, I'm -- I'm really sorry.

Noah: You know, it's probably for the best, right? I mean, trouble has a tendency to follow me around, so if I'm not with Fancy, that means she's safe.

Paloma's voice: I'm not sure anyone is safe right now.

Fancy: Uh, a gallery opening? I don't know, Esme. All the stuck-up twits that go to these things really get on my nerves.

Esme: This isn't Soho, darling, it is Rome. And you will have your pick of royalty, rock stars, and the ridiculously rich. I can't think of a better place to meet a man who will change your life.

Fancy: All right. All right, I'll go.

Theresa: "Someone from Harmony is going to die in Rome." Who?

Ethan: So, I told Gwen that you know that this trip is about family and that she doesn't have to worry about you coming on to me at all, even though we're going to be in one of the most romantic cities on the face of the earth.

Theresa: That's good because the sooner we get to Rome and know that our loved ones are ok, the better.

Sheridan: The book is lovely. Thank you for thinking of me. I'll enjoy losing myself in all these beautiful photos.

Chris: Can I get you some tea with some honey to help you soothe that throat?

Sheridan: Yes, thank you.

Chris: All right. I'll be right back.

Chris: I hope you understand, Sheridan. I hope you understand.

Luis: Beth and Marty have to be behind this door.

[Noise]

Luis: Marty.

Beth: Wait, shh. We have to be quiet. We're still playing the game, ok?

Beth: If only there was a way out so Luis wouldn't kill me and take Marty back to Sheridan.

On the Next Passions:

Kay: Oh, sorry. I didn't know you were in here. Siren!

Siren: Hi, Kay. Ah, is it steaming in here, or is it just you?

Kay: Siren is a piranha. She is a little shark, a blond predator with an insatiable appetite for Miguel.

Luis: Beth, you open this door or I swear I'm going to break it down!

Beth: [Italian accent] No, no, go away.

Luis: Marty's mine now, Beth

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