One Life to Live Transcript Monday 2/20/06
Proofread by Brandi
Todd: Damn it.
John: Craig? Craig? Listen to me. Show me the autopilot.
John: Here. Good. Just hang on. Listen, hang in there till I get back, all right?
John: Don't do it, Manning! Don't. Get down.
Todd: I can't go to death row, John. I won't.
John: Right now, that's the least of our problems. Thanks to you, nobody's flying the plane.
Clint: Kevin, Kelly. What are you two doing here?
Kevin: Hey, is there something going on with Mom and Jessica?
Kelly: We heard that they were lost on a mountain somewhere? What's going on?
Clint: Well, I'm not altogether sure that they're searching for Viki and Jessie.
Kevin: What? Then who?
Kelly: Niki and Tess?
Clint: It looks that way, yeah.
Kevin: Oh, this is unbelievable. Have been completely cut out of the family loop, or what?
Clint: Oh, Kevin, you haven't been cut out of anything.
Kelly: Well, what's going on? Who knows anything? I mean --
Dorian: I think I have the answer to that.
Nash: You all right?
Tess: No. No.
Nash: It's ok. I won't leave your side.
Tess: I can't do this.
Nash: We don't have a choice.
Tess: Yes. We do.
Adriana: Hey, Bo.
Bo: What brings you by?
Adriana: I was actually looking for Rex. He told me he was doing something for you, so I thought he might be here.
Bo: No, no, I haven't seen him.
Adriana: Oh. Maybe he's at the club.
Bo: Hmm. You know, since you're here now, I think I should have him just turn off all these lights in here, save the city on the electric bill, because you're lighting up the whole place.
Adriana: Well, I've never been happier.
Hugh: I'll be right back. Don't you dare move.
Woman: Not even a little wiggle?
Hugh: Save the wiggling until I get back.
Woman: Oh, you are a naughty boy, Hugh Hughes.
Hugh: All right, Rex. What's with the burning glare?
Rex: I'm sorry. It just seems much easier to keep putting notches in your bedpost than --
Gugh: Than what?
Rex: Oh, than being in love.
Cristian: Oh, no. Go.
Natalie: I'm not going anywhere.
Cristian: Ok. Then I will.
John: Ok. All right, take it easy. Take it easy. Hang in there, man. All right? Hang in there. I think I know enough to maybe put this plane on the ground.
Craig: John, something's wrong with the autopilot. Go!
John: Ok. Ok.
Todd: Hey, what's going on? What's this alarm?
John: I'm trying to figure that out.
Todd: Get the pilot back up here.
John: You shot the pilot, you moron.
Todd: No, your moron deputy shot the pilot.
John: Look, I don't have time to argue semantics with you.
Todd: Wait, that pilot was moving around. Get him up here so we can land this thing.
John: Hey, have a look at him. He's passed out. That's why we can't get him up here.
Todd: Well, don't touch anything.
Todd: What the hell are you doing? Put the autopilot back on.
John: The autopilot's the problem. The autopilot is malfunctioning. That's why we keep gaining altitude when we shouldn't. That's why it's so damn cold in here. Just hang on.
Cristian: Do you know what this place is?
Natalie: Yeah -- a place where people go to hit bags and get sweaty.
Cristian: Uh-uh. It's my counseling session. It's the place where I can express my inner emotions without reaching for the tissue box every 20 seconds. You see, I'd rather not whine about what's bugging me. I'd rather beat the crap out of something and not have it hold me and say, "I understand your pain."
Natalie: Look, I'm sorry that you found out the way you did.
Cristian: You're just sorry I found out.
Natalie: Ok, but it wasn't charity.
Cristian: No? I haven't been able to sell a painting to save my life and all of a sudden, an anonymous buyer pops up and pays top dollar?
Natalie: I -- I happen to love the pieces. I would've bought them anyway. You know, I'm sorry that it happened to help you out in the process.
Cristian: I wish I could believe that. Now, if you can find me a box of tissues, I think I'm getting a little weepy.
Natalie: Oh. You know --
Rourke: Vega. Unless you're planning on fighting in dungarees, I suggest you don something a little more professional-looking. "Slammin'" Sammy Saldino ain't going to give a rat's rear end -- excuse my French, Miss.
Natalie: No problem.
Rourke: We want you looking good for your first bout. At least we want you looking good when you go into the ring.
Natalie: You have a fight tonight?
Kevin: What are you doing here? What is she doing here?
Dorian: The help let me in.
Kevin: "The help?"
Dorian: Yes. The phone rang, so I answered it and took a message -- that was while Clint was showering.
Kevin: You answered our phone?
Clint: Who called?
Dorian: Oh, someone from the Llantano Mountain Rangers' station.
Clint: Well, was there any news about Viki or Jessie or Nash, for that matter?
Dorian: No. I'm afraid not.
Nash: Look, I know you're scared, but it's all right. I'm here and I'm not going to let anything happen to you.
Tess: I don't want to be here, I don't want to be with these people. I just want to be with you, in Napa, just us --
Nash: You know that wouldn't work. All right? And, yes, that's what I want, too, but it wouldn't be more than, what, two hours before Antonio and his people came running after us? Tess, we owe this to your family. They love you.
Tess: They love Jessica.
Nash: They love you. All right? We got to address this until it comes chasing after us and we have to. And next time, our baby might be a part of the equation and that'll be even uglier, so let's just put this in our past and we'll get on with our lives. Yeah. All right.
Clint: Tess. I'm so glad you're home.
Kevin: Hey, where's my mom?
Rex: So, how many notches do you have?
Hugh: On my bed?
Hugh: I don't notch. I just enjoy what life has to offer in each moment.
Rex: Well, it sure seems a hell of a lot better than what life is offering me in this moment.
Rex: Ok, yeah, maybe Adriana.
Hugh: She's a good kid.
Rex: And I'm an idiot. She doesn't want to have anything to do with me.
Hugh: Rex, you're -- you're a romantic and romantics, they fall in love. That's how it is.
Rex: I don't want romance.
Hugh: Oh, no? What do you want?
Rex: I want what you've got.
Hugh: What I've -- I don't have anything.
Rex: Are you kidding me? You have a different beautiful babe every night. Some of them don't even speak English -- how perfect is that?
Hugh: So -- so things between you and Adriana aren't going too well, then, I guess.
Rex: There's nothing going on with Adriana and me. A few tequila shots isn't going to be enough to dull that pain, either.
Hugh: I can see if my date has a friend.
Rex: Well, now we're talking.
Hugh: Yes, we are.
Bo: Whatever it is that's making you happy, you just -- you keep doing it because you wear it beautifully.
Adriana: Thank you.
Bo: T me see -- you know what? If I was going to guess, though, I'd probably guess -- love.
Adriana: That's a good guess.
Bo: Hmm. Balsom?
Adriana: Yeah. Kind of awkward, right?
Bo: What, Balsom -- but you know what? I -- no. Seriously, I am sorry that things didn't work out with you and Duke, but it's life, and it's love, you know.
Adriana: Thank you.
Bo: Good luck.
Adriana: I'm going to go try to track Rex down at Ultra Violet.
Adriana: Thanks, Bo.
Evangeline: Hey, Bo. I was hoping I'd find you.
Bo: Oh, Evangeline. What -- what can I do for you?
Evangeline: Any word from John?
Bo: No, not yet. He's still in the air. But I'm sure he's going to call just as soon as he lands.
Todd: Have you ever flown a plane before?
John: Have you ever shut up in your life?
Todd: Listen, Mc Bain, I want you to know I didn't shoot that pilot. I'm not suicidal. Man, it is really getting hard to breathe. There's got to be some oxygen, right?
Todd: Mc Bain!
Cristian: Still here?
Natalie: Well, I thought we should talk before you get your brains scrambled.
Cristian: What makes you think it'll happen?
Natalie: Cristian, you might be a really good boxer, but throwing a few punches to work out is completely different than getting your lights punched out by se goon who's got nothing to lose.
Cristian: What makes you think I've got anything to lose?
Natalie: I had to suffer through losing you twice. Do you really want me to have to go through that again?
Bo: Well, thank you for the information and let me know if you hear anything, ok? Bye-bye.
Evangeline: Was that important?
Bo: Uh -- I'm not sure. That was the F.A. air traffic control has been tracking the plane on radar and it's following the flight plan.
Bo: But when you're flying through a controlled airspace, the pilot's supposed to maintain contact.
Evangeline: What, and he hasn't?
Bo: No. They've crossed over two controlled areas, but so far, the air traffic control hasn't heard a word.
Todd: Mc Bain!
Todd: Mc Bain!
Man: Do you wish to declare an emergency?
Todd: Mayday, mayday! Can anyone read me? Mayday!
Air traffic controller: Roger, 9500, we read you now. Cleveland center. State your situation.
Clint: Now, I don't want this to sound like an interrogation, so why don't I just start it off and tell you, well, the only thing that we know.
Kevin: And then we need some answers and we need them fast.
Kelly: Kevin, come on.
Clint: Uh, Antonio got hurt when he was looking for you. He hurt his leg, he's in the hospital right now, but they say that he's going to be all right.
Clint: All right. Um -- you want me to get some dinner made up for you?
Tess: Yes. Please do so.
Clint: All right.
Kevin: Ok, Nash, maybe you can tell us what happened to my mother.
Tess: He doesn't know anything.
Kevin: Well, then maybe you can tell us.
Nash: She doesn't know anything, either.
Kevin: Well, that's convenient, isn't it? Both vouching for each other.
Tess: Listen, last time I saw her, we were hitchhiking. Some guy in a truck picked us up.
Kevin: Could you be a little more specific?
Tess: It was a white truck.
Kelly: Kevin, come on. Calm down.
Kevin: I'm not calming down, all right? My mother is out there somewhere, she's Niki. I've been through this before. Niki is out of control. We have to find her before she gets in trouble and she hurts mom in the process, and Jess -- Tess here is the only one that knows where she went. I don't think I'm going to break her in two by asking a few questions.
Nash: Just cool it here.
Tess: I'm already broken in two, in case you forgot.
Tess: You want to try to break me in three, bring it on.
Kevin: You know what I'd like? I would like Jessica to come back, huh? Come back, Jessica!
Kelly: Listen, you're crossing a line here, ok?
Kevin: I am not crossing the line. I'm part of this family. I think I can ask a question concerning my mother, don't you?
Duke: Dad. Enough.
Kevin: You know what? I am having a conversation with my fiancée right now. She doesn't need you to come to her rescue.
Clint: All right, Kevin. Now, you take it easy.
Kevin: Even my family's castrating me. This is unbelievable. You know what? You don't want my help? You don't need my help? Good luck.
Dorian: Well, I'd certainly like to know what that was all about.
Kelly: Give it a rest, Dorian. Tess, um, I -- I'm really glad that you and your baby are back.
Duke: Kelly? Hey, wait.
Kelly: No, I'm -- I'm going to leave, all right?
Duke: Well, at least let me walk you back to the carriage house.
Kelly: No, I'm -- I'm actually not going to go to the carriage house. I'm going to go out and just be by myself, all right? Thank you. Thank you.
Nash: You know what? Would it be all right if Tess went and laid down in Jessica's bed?
Clint: Yeah, I don't see why not.
Clint: Why don't you guys go on ahead.
Dorian: Clint? Is there anything that I can do?
Clint: Yeah. Would you call that number and tell that man to get here as soon as possible?
Dorian: Dr. Jamison.
Clint: Jessie's psychiatrist.
Rex: So, does your friend have a friend?
Hugh: Yes, she does. But I think you should probably think about what happened between you and Adriana before --
Rex: Before what, I start enjoying life?
Hugh: I'm just saying think about it.
Woman: Michelle! Allo.
Woman: Ce vas? Yeah? Et toi?
Michelle: What are you doing?
Rex: I'm thinking we're all done with thinking here.
Hugh: Ok, well, at least you thought about it.
Michelle: Ah. Yeah.
Hugh: Ladies, ladies, hello, hello. This is my friend Rex. Rex, this is Michelle.
Hugh: And this is --
Woman: [French accent] Jolie. Allo, Rex.
Hugh: All right. Can I -- can I get you ladies a drink?
Jolie: Um, maybe a lychee pomegranate martini.
Hugh: Can we -- can we do that?
Rex: Yeah, we can do anything.
Hugh: All right. Michelle, you want to help me with the drinks?
Jolie: So why did Hugh ask you about my drink?
Rex: Oh, because it's kind of my place.
Jolie: Oh. It's absolutely beautiful.
Rex: So are you.
Cristian: You don't want to lose me?
Natalie: Of course not.
Cristian: But not enough to be with me.
Natalie: Cristian --
Cristian: No, you'll do just fine without me.
Natalie: You know what? You're a jerk, ok? I still care about you. I still want you to be safe, I always will. It doesn't matter that we're not together anymore.
Cristian: No, you know what? There's where you're wrong -- it does matter. It matters a lot. Every day I woke up in that stinking pit of a prison cell thinking about you, thinking about how much I wanted to be with you, how all I wanted was -- was to wrap my arms around you. And here I am, and what do I get, huh? Sermons on how stupid and worthless I am.
Natalie: I never said you were worthless.
Cristian: Yeah, but what about "stupid?"
Natalie: Isn't it obvious? I mean, come on. Here you are, an amazing artist and you want to throw yourself in the middle of a boxing ring so that you could trade punches with some thick-headed cretin named Slammin' Sammy?
Cristian: Yeah, well, I applied for a few C.E.O. jobs, but they said they were looking for someone who served a longer prison sentence.
Natalie: Stop it.
Cristian: Stop what? Hmm? Stop loving you? Stop wanting you to love me?
Natalie: Cristian, please --
Cristian: You know what? The pre-fight pep talk is over. I'm in the ring in half-hour. Hey, Rourke, I need a hand over here.
Evangeline: So pilots need to keep in constant contact?
Bo: Well, yeah, but they go through stretches where they don't have any communication.
Evangeline: So even if air traffic control wanted to contact a plane, they wouldn't be able to?
Bo: I don't think that's exactly what I said. But, you know, Evangeline, there could be all kinds of reasons why they're not making radio contact.
Evangeline: Something's wrong, Bo, I can feel it. Didn't you say you used to go to school with a bigwig at NORAD?
Bo: Yeah, yeah, General Richard Welsline. He was my roommate.
Evangeline: Well, call him. Please, get him on the phone and see if he can get some planes up in the air, check it out.
Todd: Breathe. Come on, breathe.
John: What happened?
Todd: I just saved your life, for one thing.
John: Yeah? Well, remind me to thank you if we live.
Todd: What now?
John: We got to drop about 13,000 feet fast. Oh.
Jolie: So tell me, how does a beautiful man like you manage to stay single?
Rex: Uh, well, the key to the whole single thing is not to get married. That's pretty much the secret of it.
Hugh: Here you go, here you go. One lychee pomo-whatever marshmallow surprise -- flaming surprise.
Jolie: But I did not want marshmallows. And it is not flaming.
Hugh: No, I know. It's really just a martini.
Jolie: Oh. You're funny, just like Rex. He's funny, too. Maybe not as funny as Jerry Lewis, but c'est la vie.
Adriana: C'est la vie.
Kelly: Why are we hiding?
Adriana: Don't do that, Kelly. You scared me.
Kelly: Is that Rex?
Adriana: Yeah. With little Fifi. Ugh. Hugh: Right?
Rex: French people.
Kelly: Men. I need a drink.
Adriana: I don't want Rex to see me.
Kelly: You wouldn't be here if you didn't want him to see you. Can I get a scotch on the rocks? Make that a double. That means two. And a soda for her.
Adriana: I came in to tell him how much he meant to me, and -- and I see him there like that, with her.
Kelly: Men -- sometimes their behavior has absolutely nothing to do with the thought process.
Hugh: That's true. And sometimes when the right woman comes along, their thought process gets so messed up, they can't seem to do anything right.
Kelly: Amen, brother. You know, it looks like you and your buddy Rex went trolling for company in kind of a shallow pond.
Hugh: Yeah, the water darn near came up over the top of my shoes.
Duke: Look, dad, I know you're going through a lot right now, ok? But it doesn't mean that you have to take it out on everybody else.
Kevin: Are you lecturing me?
Duke: No, no. I just -- I just think that we all need to stay focused and keep our heads, especially when we're with Jessica, ok? She's fragile.
Kevin: That isn't Jessica. I mean, I know it's a little confusing, son, but Tess is anything but fragile. It's the same with Niki.
Duke: Ok, maybe not. But you still didn't need to snap at Kelly. You saw how down she was when she walked out of here. She didn't even want to go home.
Kevin: Oh, we're getting to the meat now, aren't we? Is that what this is about -- Kelly?
Kevin: Huh? All of a sudden, you feel like you need to play the role of the protector for your father's fiancée?
Duke: Oh, come on, dad!
Kevin: Come on what, huh? You know, correct me if I'm wrong, but you couldn't even play that role with your little girlfriend, could you?
Duke: Well, thanks, Dad. Kick your son while he's down. That's great.
Kevin: What is it between you and Kelly, anyway, huh? Every damn time I see you, you're comforting her. I mean, how far would you go to comfort her, Duke? Now that you know that I can't give her the baby that she wants more than anything in the world, how far would you go?
Duke: You've gone too far, dad.
[Knock on door]
Nash: Come in.
Clint: Hi. Did you find everything ok?
Tess: I know where everything is.
Clint: Yeah, of course, I'm sorry.
Tess: Don't sweat it.
Clint: Would you mind if I asked you a question or two?
Tess: Does it matter, Clint?
Clint: Is your mother -- is Niki all right?
Tess: Well, she was fine the last time I saw her. But take it from me -- she really does look after herself. I wouldn't worry about her.
Clint: Yeah, but I do because I don't know if Niki is aware or if she even cares about the health problems that Viki's been having lately.
Tess: Well, Niki's a tough broad. And those are her words, not mine. But I guess I agree with you. I mean, she does what she wants whenever she wants.
Clint: Do you have any idea where she was going?
Nash: No, Niki had split when I found Tess. I can't help you, I'm sorry.
Clint: All right. Well, I'll go back down, see if your dinner's ready to be brought up. And hopefully Dr. Jamison will be here soon.
Tess: What? What -- you called that quack without telling me? Nash, do you see? Do you see what they're trying to do to us?
Bo: Evangeline, I -- I can't call on our national defense command to start scrambling jets because some pilot hasn't checked in on the radio.
Evangeline: Something's wrong. I know it.
Bo: The plane is following its flight plan -- en route, proper altitude.
Evangeline: Then why haven't they radioed in?
Bo: I don't know. Maybe a radio malfunction. There could be interference up there. Maybe the pilot's on the wrong frequency. Hey, these kind of things happen all the time.
Evangeline: All right, all right. I'm just going to calm down. But this whole thing is wrong. You know that. Neither one of them should be on that plane.
Bo: John wants to get his job back. This is the only assignment that I.A. would approve. It wasn't my call. And as far as Manning --
Evangeline: I might be the only person in this world that thinks that Todd is innocent, but I am certain of it. And if he doesn't make it back -- if something happens to him on that plane, well, I don't know what I would do.
Natalie: What? Wait, what -- what are you two talking about? What's going on with John's flight?
John: Get out of the aisle. Get back in the seat, Manning. Do it!
Todd: You got to be kidding me!
John: Sit down. Strap yourself in.
John: Put those cuffs back on. Put them on! Give me the keys, Houdini. Good -- now, sit back and relax.
Todd: Enjoy the flight?
John: Fly the friendly skies.
Todd: Why did we lose cabin pressure?
John: Blowing a hole in the instrument panel might have something to do with it. You knocked out the oil pressure gauge on engine two with your little shooting spree.
Todd: Are you deaf? I didn't shoot anything! I did save your life, though. You could show a little appreciation.
John: Yeah, you're right. You're appreciated.
Air traffic controller: 9500, state altitude and intention.
John: This is Lieutenant John Mc Bain of the Llanview Police Department. I need assistance in landing an aircraft.
Clint: I called Dr. Jamison to help you, believe me.
Tess: Believe you? I don't believe a word you or anyone else in this house says. You want me dead. You want me and Nash dead.
Nash: Tess, take it easy. That's not what Clint wants!
Tess: Why are you believing them, Nash? They're liars! They're all liars! All they want is Jessica back, and they want rid of me. And if I do give birth to this baby, they'll just come in and swoop and take it away from us!
Clint: That would never happen, I promise you!
Tess: I'm out of here! I'm out of here!
Nash: No, you're not.
Tess: With or without you, big boy, I'm gone!
Clint: It's all right. It's ok, I'll give you a minute, huh?
Nash: Thank you.
Nash: Tess --
Tess: He went to go get the doctor, didn't he? Nash, why are you letting him do this to me? Please, don't let them take me away from you.
Duke: I don't know what kind of medication you're taking, but maybe you should cut back.
Kevin: That's how you respond to this? With a smart-ass statement?
Duke: Maybe you should start thinking about your own relationships before you rip into anybody else's.
Kevin: Hey, don't you talk about relationships --
Clint: I don't know what you're arguing about, but would you just keep it down for the sake of the rest of us? Now, where's Dorian? Did she call Dr. Jamison?
Kevin: I don't know. I think she left.
Dorian: No, as a matter of fact, I am still here. I called Dr. Jamison, and he's on his way over.
Clint: All right, good. Thank you, Dorian. When he gets here, send him right up.
Dorian: Yes, I will do that immediately.
Duke: So, how's Adriana?
Dorian: Oh, Adriana's going to be just fine. I've taken care of that.
Jolie: Oh, I know you. You're the cover of "Craze."
Michelle: Oh, yeah, that's because you're the editor of the magazine. So I've heard.
Adriana: Maybe. What I want right now is a moment alone with Rex.
Jolie: Well, I'm with Rex.
Adriana: Well, you've made that obvious.
Hugh: Yes, right, but don't you consider it a moral imperative?
Kelly: Define your terms.
Hugh: If I knew I was going to be defining my terms, I would have stayed over there with my shallow friends.
Kelly: Oh, yeah, they look like they give really stimulating conversation.
Hugh: Yes, they do. You have something on your face.
Kelly: I do?
Hugh: Yeah, you do.
Hugh: Hold on, wait. Let me -- let me, I'll get it. Hold on.
Kelly: What is it?
Hugh: It doesn't seem to want to come off. Oh, it's a smile.
Kelly: Oh, that's so cute.
Hugh: Yeah, I try, I try.
Kelly: Hmm. I can tell. And don't think I didn't notice how you maneuvered Adriana and Rex.
Hugh: Does that do anything to restore your faith in men?
Adriana: All right, no excuses, no explanations, no Rex-isms. Just answer my question. You and me -- was that just a game of conquest for you?
Rourke: Your friend just got here.
Rourke: No. You ain't fighting Natalie tonight. Besides, if you're talking about that pretty redhead, I'd be putting 50 bucks on her to K.O. you in the second. Slammin' Sammy! And he don't look so happy. So maybe you better start thinking about punching instead of who's watching.
Natalie: What do you guys know about John's flight?
Bo: Not a thing.
Natalie: Oh. Ok, thank God. I guess I’m just a little neurotic. I'm -- I'm going to go finish my work and head home.
Evangeline: Why did you say that?
Bo: Because I don't know anything, and there's no need to worry her.
Evangeline: Oh, ok, ok. You're right.
Bo: Evangeline, why don't you go home and get some rest, ok? And I will call you the minute that I find out anything else other than they're safe and they're on the ground, ok?
Evangeline: Call me either way.
Bo: All right.
Evangeline: I'm sleeping with my cell phone.
Bo: I will. Don't worry.
Evangeline: Good night.
Bo: Good night.
Natalie: Evangeline, wait. Have a minute?
John: I repeat, I need assistance in landing an aircraft. Anyone out there?
Todd: I don't think I deserved that.
John: No, maybe not. Shut up or I'll do it again.
Todd: May I help?
John: Oh, I think you've helped enough.
Todd: The right side engine's on fire.
John: Great. Mayday, mayday! Mayday, mayday!
Clint: Thanks again, Doctor.
Clint: Now, Dr. Jamison had an emergency to go to, but he's coming back in a little while to check on her. Nash, he said the sedative would not hurt the baby.
Nash: That doesn't make me like it.
Clint: I know, I'm sorry.
Nash: I'm not sure how much more of this she can take.
Nash: It's all right, I'm here. I'm not going to leave you.
Nash: I'm not going to leave you. Not ever.
Clint: Viki, it's time to come home. Your family needs you.
Jolie: In French, we would call each other tu.
Rex: I was thinking of calling you a cab.
Jolie: And this cab will take us where? Somewhere private? Why do you keep looking over there at that girl who looks like she has a stick in a painful place?
Adriana: Because he and I haven't finished our talk.
Jolie: Oh, pauvre vache. But talking is not the only thing you are finishing doing.
Kelly: Oh, I'm rereading it again for the 400th time. I love it. It's the most beautiful writing, and he just makes you fall in love with these characters, and you see how they fall apart and --
Hugh: So Rosemary fell in love with him because he was with Nicole?
Kelly: Yes, exactly. Now you're getting it.
Duke: This isn't right, Kelly. This isn't going to solve anything.
Rourke: You ready?
Natalie: I saw Cristian. He's fighting tonight.
Evangeline: He got a match?
Natalie: Yep -- in a ring with another guy for money.
Evangeline: Well, that's what he wanted.
Natalie: It's crazy, and he doesn't seem to care what I think.
Evangeline: Of course he does. Are you going to go?
Natalie: To the match? No, I don't think I could handle something like that.
Evangeline: Neither could I. Anyway, I better be going.
Natalie: Yeah, me, too.
Bo: Yeah, I'm still here. Are you tracking it right now? It's what?
Todd: What are you doing? We're going down!
John: If we do, we go down together.
Todd: So we're going to die handcuffed together?
John: Looks that way.
Todd: All right, what do I do?
John: I suggest you pray.
On the next "One Life to Live" --
Adriana: What's going on here? The truth.
Kevin: This guy is the key to keeping Jessica's alter around. Why are you encouraging that?
Blair: I still love Todd, and nothing is ever going to change that.
Bo: John Mc Bain was escorting Todd Manning to federal prison, and the plane they were on went down.
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