One Life to Live Transcript Friday 2/17/06
Proofread by Brandi
Adriana: All right. I want everything to be all set for the photographer. Props?
Woman: All set.
Adriana: Hair and makeup?
Woman: Standing by.
Adriana: What else is there? What am I missing?
Woman: Your messages.
Adriana: Oh, from David?
Woman: No. Giovanni.
Adriana: That modeling agent again? I can't deal with him right now! Are you sure David Vickers hasn't called?
David: Oh. At your service, o' mighty editor.
Adriana: Oh. I'm feeling anything but mighty right now.
David: Uh-oh. Problems?
Adriana: I'm putting the whole spring fashion spread together and I am totally stressed, all right? If my mother knew how shaky I was --
David: No, no, no. She is never going to find out. The hour of stress is over. The hour of inspired innovation is upon us, so let's get this stuff together. We'll go get that photo shoot started.
Adriana: So we can get the whole thing wrapped and get out ASAP?
David: Well, what is this? What's with that smile? You got big plans later?
Adriana: Well, I was hoping to meet up with Rex.
David: Well, sounds like it's getting serious.
Adriana: I think I could fall in love with him.
Rex: And if you find anything among your husband's personal effects -- right. I'm looking for the name of the family who adopted Mrs. Truman's baby. Right. Do you have my number?
Roxy: So where you been, kiddo? Hey, what's with the face? Something wrong?
Rex: I'm just trying to earn a living, Rox.
Roxy: Oh, you're still looking for that missing kid?
Rex: Among other things. What do you care?
Roxy: Well, I'm your mama and I love you and don't you ever forget it.
Rex: I --
Rex: It's Bo.
Roxy: Well, take it, take it. Go ahead. It's ok, I can wait.
Rex: Hey, Bo.
Matthew: No, it's me, Matthew. Look, I need to talk to you. It's an emergency.
Rex: Ok, I'm re.
Matthew: Look, obviously I can't talk to my mom about this, and my dad's out looking for Jessica. You're the only one who can help me.
Tess: Hmm. I wish we could stay here forever.
Tess: Don't you?
Nash: Of course I do. But unfortunately, we got to --
Tess: No, no, no. No, no. Don't say it. Don't you dare say "reality."
Nash: Tess --
Tess: I have an idea. We could call a travel agent and get ourselves on the first flight back to Napa.
Nash: I'm taking you to Llanview.
Tess: Oh. Right. Yeah, that's a great idea.
Nash: I'm serious. I'm taking you home, where you belong.
Tess: You mean where Jessica belongs.
[Knock on door]
Natalie: I'm here to talk you out of it.
Cristian: Out of --
Natalie: Your insane idea to become a boxer.
Cristian: There's nothing more to say.
Natalie: Oh, no, no, no, no. First John, now you? I mean, what is it with you guys ignoring me when I try to tell you you're headed for trouble?
Cristian: "First John?" Look, if you're here to point out that I'll always come second, then you should probably leave.
Pilot: Lieutenant Mc Bain, you got a minute?
John: Yeah, be right there, Craig. Hey, boss, look alive.
Officer: Yeah, I'm with you.
John: What's going on, Craig? Don't tell me any more bad news. Tell me something -- how did a two-hour trip turn into a two-day one?
Craig: Fogged in in Llanview, diverted to Ohio due to bad weather. Now, either your prisoner is controlling the weather or it's just bad luck.
John: I'm guessing Manning's bad luck.
Craig: It's almost over. We're getting close, about 20 minutes.
John: Good. The sooner we get this clown transferred, the better.
Rex: You all right, Matthew?
Matthew: Yeah, fine. Why do some people always know what to do no matter what?
Rex: I'm not sure. I don't trust those people. Life's confusing, so everybody should be confused at least some of the time.
Matthew: You're not just saying that?
Rex: Well, don't I always look pretty confused? What's on your mind?
Matthew: Oh, it's about a girl.
Rex: A girl. Ok, I bet she likes you, right?
Matthew: I think so, but I'm not sure. Look, the reason why I'm calling you is because, well, Jen always said you were really good with women and that sometimes you could read her mind.
Rex: Well, I don't know about that, but lay it on me. What's going on?
Matthew: I'm doing research on my computer, and this girl in my history class I.M.'d me.
Rex: What'd she say?
Matthew: "Hey, Matthew, what's up?"
Rex: Uh-huh. Did you I.M. her back?
Matthew: I don't know what to write to her about.
Rex: Well, let's see -- teachers, homework, how bad the cafeteria food sucks?
Matthew: That's not too boring?
Rex: No. It's getting-to-know-you stuff. But, hey, remember to breathe, ok? Try to relax?
Matthew: I am.
Rex: You mean your shoulders aren't hunched up to your ears and your hands aren't gripping at your knees?
Matthew: Ok. I'm relaxed now. Really, and I've -- and I'm going to I.M. her back.
Rex: Right. Oh, by the way, what's her name?
Matthew: Sarah Kesler.
Rex: Well, that's a nice name. Good luck, bro.
Rex: Yeah, as in little brother.
Matthew: All right, then you can be my big bro.
Rex: You got it.
Matthew: See you.
Roxy: What the hell was that all about?
Rex: I think I was just adopted. Hmm.
Roxy: Bite your tongue, baby.
Adriana: You must think I'm totally out of my mind.
David: Why would you think that?
Adriana: Rex Balsom, my getting involved with him?
David: I saw the way your face looked when he threw that party for you. It was a-glowin'.
Adriana: The party got a lot better after you left.
David: You know, I keep hearing that from time to time.
Adriana: I didn't mean that way, David.
David: I know you didn't.
Adriana: I just meant that I started to see rex in a whole new light.
David: Speaking of lights, I like those gels you picked. Put them on the cart.
Adriana: Oh. You know, he's -- he's really trying to change -- Rex -- trying to become a better person, help people who need it.
David: Are we talking about the same Rex Balsom?
Adriana: Huh. I always dismissed Rex as someone to sort of dream about, you know? But he isn't a dream. He's a reality and the reality is so much better.
David: Yeah, well, some people think reality bites, but if you're happy --
Adriana: I am.
Woman: Miss Lord. I didn't know you were going to be here for the shoot.
Natalie: I have seen paranoid, but I mean, this, this -- this is almost deranged.
Cristian: I don't need it, don't want to be around it.
Natalie: Be around what? All I said is that I told --
Cristian: You said, "first John, now you." You were worried about him getting on that plane, and now that he's gone, you decided to worry about me.
Natalie: Thank you for giving me the benefit of the doubt.
Cristian: I'm just telling you how I see it.
Natalie: Now, why are we fighting about John? This is not a competition.
Cristian: Ok. Maybe this isn't about John. Maybe you drove all the way across town to see me because --
Natalie: This better be good.
Cristian: Well, because you're still drawn to me.
Natalie: That's it? That's your brilliant theory?
Cristian: And if you actually stopped and admitted it to yourself, you'd realize that maybe you're not as out of love with me as you say you are.
Cristian: Wow? That's what you're going to say -- "wow?"
Natalie: What I'd really like to say is when did you become such a pompous jerk?
John: You got to be kidding me, Manning. Wallace, wake up. That's your gun. Put it away.
Ofc. Wallace: Oh, man. Sorry.
John: Go over there. Go. Get out of my sight. What are you going to do? Huh? You going to shoot us all, blast your way into the cockpit, fly the plane yourself?
Todd: I got to go back.
John: Yeah, well, maybe you should've thought about that before you threw in the towel.
Todd: That was before.
John: Right. That was before the surgeon masterminded the whole thing. Why don't you tell me again how you figured he did that?
Todd: Like you give a damn.
John: Good point.
Craig: Mc Bain. Come forward, please.
John: Wallace, try and stay awake this time.
Craig: We got a serious problem.
Tess: Unbelievable, contemptible, despicable.
Tess: Last night -- how could you do this after last night? How could you stab me in the back?
Nash: I didn't try to stab --
Tess: So was this your plan the whole time? Just to call Clint, tell him that you'd wait till my guard was down --
Nash: Clint doesn't know anything.
Tess: Then you'd spring -- oh, yeah, right he doesn't!
Nash: I promised I wouldn't call him and I didn't. That didn't mean that I was willing to run away with you. I'm sorry.
Tess: I'm out of here.
Nash: Oh, come on. Tess, wait. Look, come on. Do you really think that I'd come up here in the rain and the sleet and the snow and whatever else the powers that be could throw at me just so that I could betray you? I love you, all right? I love you, I love you, I love you, I love you. I thought I made that perfectly clear last night. Obviously, if it was up to me, we'd be back in Napa picking out baby names, I mean, building a nursery, watching the sunset behind the diamond mountains, but we can't have that, not yet, but we will.
Tess: Yeah, not yet, not until Jessica and I are one person. Right? That's the only way the Buchanans are going to stop hounding us. So I guess you figure if Jessica and I are integrated, then you'll have t whole package and you won't have to work so hard for a woman who's only around half the time.
Roxy: Hey, hey. Honey, hold on a second.
Rex: I'm in a hurry, Rox.
Roxy: Yeah, I'm in a hurry, too. What were you talking about before?
Rex: Before when?
Roxy: When you got off the phone with the kid. You know, you said "I've been adopted."
Roxy: So? You're not adopted. That's kind of crazy.
Rex: It was a joke. Matthew had asked me for some advice and then said something about me being like his big brother. Why are you freaking?
Roxy: Oh, I'm not. It's just, you know I'm not exactly winning any mama of the year awards and, you know, I had nightmares about packing you off to Michigan when you were a kid and, you know, I wake up in a cold sweat about that sometimes --
Rex: Whoa, whoa, whoa, whoa.
Rex: What's with the trip down memory lane?
Roxy: It's just I love you and I see the way you are with the Commish and the kid and your sweetheart and all that kind of stuff.
Rex: What, it makes you jealous?
Roxy: No, it just makes me wish I gave you a family like that.
Rex: You gave me what you could. I didn't turn out half bad, did I? And I love you, too.
Rex: Ok? But right now, I have to go sweep the woman of my dreams right off her feet. See you.
Adriana: How long you been standing there, Mom?
Dorian: I just got here.
Dorian: I couldn't wait to see what you're going to do with the sing fashion spread.
Adriana: Well, we haven't started yet.
Dorian: Oh, good. Then I didn't miss anything.
Adriana: Not a thing.
Dorian: Hello, David.
David: Hello, Dr. Lord.
Woman: The model and the photographer are ready.
Adriana: Oh, great. I'm going to go check that they brought everything.
Dorian: Hmm. Get down here now!
Dorian: You have fallen to a new, all-time low. I mean, this is vile -- I mean, really vile.
David: What are you talking about?
Dorian: What -- you trying to usurp my place in Adriana's life.
David: I still don't know what you're talking about.
Dorian: You know exactly. You're trying to get back at me.
David: Get back at you? I've been doing everything I can to get back with you.
Dorian: And I rejected you. Accept it.
David: What makes you think that I haven't?
Dorian: Could it be your presence here tonight?
David: I'm here tonight for Adriana. She's someone who I happen to respect and she was almost my stepdaughter.
Dorian: You are pushing her towards a man I want her to have nothing to do with. You might as well tell her to fall in love with Todd Manning.
Craig: We're flying into an ice storm.
John: How long before we come out of it?
Craig: We don't. It's stalled directly over the airport. We can't land there -- runway's iced over, icing on the wings.
Craig: We're being rerouted.
John: All right. Hang in there. This trip, it's --
Todd: A sign. This isn't where I should be.
John: I was more thinking like it's the -- the trip from hell.
Todd: No. Last night it was the fog. Now it's an ice storm. I don't belong on death row. I don't belong on this plane.
John: Do me a favor -- shut up, Manning.
Todd: Turn the plane around, John. Take me back to Llanview so I can prove once and for all the real killer is still out there.
Nash: Oh, that is it. I'm not going to defend my feelings to you anymore. It's like banging my head against a freaking wall!
Tess: Poor Nash.
Nash: That's it. You on the sarcasm, that's just what I need.
Tess: What you nee what about what I need? What about these voices in my head, Niki and Jessica? They're pulling me in all of these different directions and messing with how I feel! Do you have any idea how to shut them up? Do you? Do you? Oh, God!
Nash: What really happened when you were with Niki Smith? What did she want from you?
Tess: Doesn't matter. She's gone now.
Nash: Not for long. We both know that Clint's not going to give up until he finds her.
Tess: Or she finds him.
Nash: Tess, I'm begging you. If you know where Niki Smith was going, please tell me. It won't be used to hurt you, I promise. Look, I'm only asking because -- come on, after everything that Clint has done for me, it seems to me that the least I could do is help him find the mother of his children. Come on, if you got any idea what her plans were, tell me. Please.
David: Todd Manning? What does Todd Manning have to do with any of this?
Dorian: Everything, but thank goodness there is a special place in hell being reserved for him thanks to a jury of his peers. May the good Lord bless and keep every wise one of them.
David: Yeah, yeah. It's easy for you to be cavalier, isn't it? You've never been pushed to the edge, to have everybody believing the worst in you.
Dorian: Oh, I have hit rock bottom, my friend, most recently because of you.
David: Yeah, and deservedly so.
David: You know what? Finally, a member of your endlessly tortured family has found happiness and you want to ruin that, don't you? Why is that? Why do you want everyone that you know to be as miserable as we are?
Adriana: All right, it's right there. All right, we're all set. Are you ready to go to the studio, David?
David: No, I'm not. I can't be here anymore. I'm sorry.
Adriana: What, can't be here?
David: You are going to have a terrific photo shoot. I have every faith in you. But above all else, Adriana, trust your own instincts.
Adriana: Oh. What was that all about?
Dorian: Well, if you must know --
Adriana: No, I don't, actually. Forget I asked. I don't have time to talk, ok? We have to get this shoot started.
Woman: Adriana, wait.
Woman: Giovanni's on line one.
Woman: And you've got a visitor out in the corridor.
Adriana: All right. Find out who the visitor is. Giovanni, look, I'm really tied up right now, ok?
Rex: [Disguised voice] Yeah, yeah. I got a delivery for the fashion editor?
Woman: Oh, well. Um -- hold on a minute.
Dorian: Excuse me, Monica. I'll take care of that. You've got so many more important things to do.
Adriana: I appreciate that, but I really don't have time right now.
Natalie: You really are full of yourself, aren't you?
Cristian: I'm just trying to figure out what is going on with us. You divorced me, said it was over, but every time I turn around, you're knocking on my door -- returning cuff links, talking about my paintings, trying to keep me away from boxing.
Natalie: And you should. Anyone with half a brain would tell you it's a horrible idea.
Cristian: But it's not your problem, not anymore. At least that's what you keep claiming.
Natalie: What I keep claiming is that although what happened between you and me and John and me was awful and painful and just plain wrong, I am trying to get past it the best I can. I am trying to get back some semblance of normalcy in my life.
Cristian: Me, too. And if painting doesn't cut it anymore, hey, I got to do something else.
Natalie: Good for you.
Cristian: Thank you.
Natalie: Well, I mean, I guess I was wrong to come here and think that I could talk to you about this without you throwing john back in my face, so if you want to be on your own, fine. Be on your own.
John: You know, I'm getting bored with the "I was set up" story.
Todd: Spencer did everything in his power to frame me.
John: Did he force you to strangle Margaret in the hotel? Did he force you to take her up to the lake that night?
Todd: I can't explain how he pulled it off, but I know he's behind it. Talk to Denton. Paige Miller -- she knows I'm innocent. Why don't you talk to her?
John: I don't want to hear another word out of you.
Todd: You know, if you go through with this, Mc Bain, you will be responsible for the death of an innocent man. It'll all be on you. Now, I know you don't care about me. What about my children? Do you want to be responsible for the death of their father?
Lindsay: Cristian, it's Lindsay. I've got some great news.
Cristian: Always up for that.
Lindsay: I found someone that wants to invest in your art.
Cristian: I don't understand. I thought you were forced to refund people for my work.
Lindsay: Well, what can I say? You know, talent wins out every now and then, right? And we're talking about thousands of dollars, too.
Cristian: Wow. Well, listen, I was on my way to -- to the gym. I can go by the gallery.
Lindsay: No, you don't have to go out of your way tonight. It's no rush. But why don't you stop by tomorrow?
Cristian: Ok. I'll see you in the morning, then.
Natalie: Did he buy it?
Lindsay: I think so.
Natalie: Good. Cristian needed a reason not to box, and I just gave him a couple thousand.
Joyce: Hi there!
Roxy: Hmm. What can I do you for, honey?
Joyce: Oh, you work here?
Roxy: I work everywhere. Yeah, I'm covering for my son.
Joyce: Oh. I'll have a double decaf expresso-tini with extra cream and lots of ice.
Roxy: Hmm. That's a lot of legal substances for a little itty-bitty little drink.
Joyce: It's been a rough couple of weeks. But it's finally over, and we came out on top.
Roxy: Ooh, that's my favorite position. On top of who, might I ask?
Joyce: We got a conviction in the Cochran case. I'm D.A. Hughes' secretary, Joyce O'Malley.
Roxy: Ooh, Mr. Hottie. You're a lucky girl. I'm Roxy, by the way. Foxy Roxy's hair haven. I could do something with those pigtails.
Joyce: Oh. Any relation to Rex?
Roxy: You know him, too, yeah. He's my baby boy. Yeah.
Joyce: Oh, real well. He's always hanging around the police station.
Roxy: You know, speaking of the police station, you know, the Llanview P.D. -- They've been looking for this adopted kid that's been missing. And Rex is working with the Commissioner on that. Have you heard any talk about that at all?
Joyce: No, nothing's crossed my desk, but Rex should talk to my boss about it. Mr. Hughes is always making donations to charities for adopted kids. It's real important to him. Maybe he could hook Rex up with some people who could help him.
Roxy: Maybe he could.
David: Roxy --
Roxy: Yeah, honey.
David: Two shots. Nothing girlie.
Roxy: Oh, yes, sir.
Joyce: No girls allowed, huh?
David: Who are you?
Joyce: Name's Joyce. And if I can buy the next round, can you make an exception for me in your little clubhouse?
Adriana: I want a natural look, nothing too done up and posed. And I want some fresh camera angles, sort of like you just got caught going about your day. Candid, but not.
Dorian: Honey? Oh, dear. It's that -- it's that agent that keeps calling you. He just won't take no for an answer.
Adriana: Again? God, that guy can't take a hint! You know, I was only nice to him at Ultra Violet because I didn't want to be rude. But now he's practically stalking me. I'm working, ok? I don't have time to be wined and dined.
Adriana: Giovanni -- uh -- there's nobody there.
Dorian: Oh. I guess he finally got the message.
Adriana: Finally. Sorry. Ok.
Craig: You ok back there?
John: Yeah, what happened?
Craig: Turbulence. The storm's kicking it up like crazy. We're going to have to turn around.
John: All right, I'm coming forward. I'll check it out. What happened to you?
Ofc. Wallace: Yeah, I got dinged up a little bit. Let me clean it up.
Craig: Mc Bain, I need you up here.
John: Stay put. Keep your mouth shut.
Tess: I don't know where Niki went. When we got to the cabin, all we did was fight. All she tried to do is figure out what happened to Jessica to make her split in two.
Tess: I almost told her. But I couldn't. This secret is the only thing that's keeping me from being sucked in to Jessica's psyche. That's why I can't go back to Llanfair. Don't you see? Her family is never going to stop trying to figure it out. And once they do, it's over for me. So I can't go home right now.
Nash: I am your home. You remember? Come on, let's go back to Llanfair. I'll protect your secret. I'll --
Tess: But what if --
Nash: I'll help you through the next few months.
Tess: What if --
Nash: No ifs, ands, or buts. Just help me put Clint's mind at ease. All right? We can take on your family. We can take on the whole damn town if we have to. You won't have to do it alone. I promise.
Tess: I'm sorry. You can go and do whatever you want, but I'm not leaving this bungalow.
Lindsay: Natalie --
Lindsay: Are you sure you want to lie to him like this?
Natalie: Yeah, it's for his own good. And Cristian shouldn't have a problem with it after all the lies he told me for my own good.
Lindsay: Boy, do I hate to ask. But if you're serious about cutting ties with this guy, why are you going through all this?
Natalie: Because we just got him back. And the thought of him going into that ring and injuring himself -- I mean, what if he can never paint again, or worse? I can't let that happen. And besides, you know, maybe me buying out most of his collection will inspire other buyers and get him back on track.
Lindsay: I know what it's like to love someone that's broken your heart. But if you don't face these feelings -- and I mean head-on -- if you keep denying them, it'll come back to bite you.
Cristian: Too late. It already has.
Roxy: Hey, how did it go?
Roxy: Sweeping the woman of your dreams off her little footsies.
Rex: Oh. Right.
Roxy: You look like you lost your best friend.
Rex: I think I have.
David: Tell me about you, Joyce.
Joyce: Hmm. Let's see. The Manning trial was a lot of late nights.
Joyce: Not that I'm not up for late nights for the right reasons, you know? I mean, if the occasion arises.
David: Oh, it arises. I've got a question. The Margaret Cochran murder case -- is it really over?
John: Hey, you know, Craig, if I wanted thrills, I would have taken a roller coaster.
Craig: Sorry. I tried a different altitude, but it's only a patch job. The storm's pretty bad. And now we've got radio issues.
John: I'll take a look at it.
Craig: Worst-case scenario, we fly back to Ohio, wait for the storm to pass.
John: Well, I'm going to do everything I can to make sure that doesn't happen.
Ofc. Wallace: Damn it.
John: Craig! Craig --
Dorian: And believe me, sweetheart, I know how difficult it must be for you -- being smitten with a boy that your mother wants to restrain you from seeing.
Adriana: It is much more than "smitten," Mom.
Dorian: Fine. However, I do remember the tears that you shed over river and duke and -- and yet, look at you! You came out of it. You're now the editor of a fashion magazine. You're gracing its cover, you -- so whatever happens with Rex -- good, bad, indifferent -- I know that my beautiful, gorgeous baby girl is going to come through it just fine.
Adriana: Thank you for understanding. I think I'm going to go see what rex is up to.
Dorian: Well, good. I'll stay here and close up the shop.
Adriana: Great. Thanks. All right.
Dorian: You're welcome.
Adriana: I will see you later.
Dorian: All right. Have fun!
Roxy: Hey, you need me to help you with anything?
Rex: Not a thing. I just have to get back to work.
Roxy: You know, if you want to commemorate with someone, you know where to find me.
Rex: Sure. Thanks, mom.
Roxy: No problem.
Matthew: Rex, it's Matthew.
Rex: Hey, Matthew. How's it going?
Matthew: Great. It worked with Sarah. I asked her how much time it took her to do her math homework. We ended up I.M.'ing for an hour.
Rex: That's great. I'm proud of you, dude. Now if I could only fix my own girl problems --
Matthew: I don't know much when it comes to talking to girls, but when they're upset, I think they like flowers.
Rex: I'll remember that.
Matthew: I hear you're looking for someone in Paige's family. I heard dad and Paige talking about it one night.
Rex: Did you? Well, yeah, I'm -- I'm helping them out.
Matthew: I'm really glad you're on the job. I'm also glad you're a part of our family now.
Rex: Me, too, Matthew. Really glad. I'll talk to you later, ok?
Matthew: All right, see you later.
Joyce: Why are you so interested in the Cochran case?
David: Just making conversation.
Joyce: Maybe you're pumping me for information because you're friends with Blair Cramer.
David: Guilt as charged, but that's not why I'm sticking around.
David: I enjoy your company. Look, you're going to have to forgive my clumsy attempts at flirtation.
Joyce: Hmm. You're doing fine. Want to share a cab?
David: I've got a cheerleader's outfit I'd like you to try on.
Joyce: All right.
Nash: I don't want to fight with you.
Tess: This isn't about what Niki told me -- about you and Jessica. I -- I'm over that. I totally believe you.
Nash: Well, what is it about, then?
Tess: My own survival.
Nash: I get that. But unless you want me to pick you up and throw you and your preggy belly over my shoulder, you'll come with me willingly.
Tess: Oh, I'm scared.
Nash: I'll be with you every step of the way. I promise. All right.
Cristian: So you're my mysterious benefactor?
Natalie: Cristian, it was -- I was --
Cristian: I should've known.
Lindsay: I didn't think you were going to be coming by until tomorrow.
Cristian: You know, funny thing about being in prison -- you learn how to listen to your gut, and my gut told me that there was something off about all this. And now I know what it was.
Natalie: Look -- Cristian, wait. What else could go wrong tonight?
John: Craig? Craig, listen to me. Show me the autopilot. Here? Good. Listen, hang in there till I get back, all right? Don't do it, Manning! Don't! Get down.
Todd: I can't go to death row, John. I won't.
John: Right now, that's the least of our problems. Thanks to you, nobody's flying the plane.
Next week on "One Life to Live" --
Natalie: What are you two talking about? What's going on with John's flight?
John: Mayday, mayday!
Bo: John Mc Bain was escorting Todd Manning to federal prison. The plane they were on went down.
Blair: Is there a possibility that Todd has survived?
John: Got to move!
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