One Life to Live Transcript Wednesday 9/7/05
Proofread by Brandi
Bo: Why did you call this meeting?
Rex: I thought you forget about me or something.
Bo: What are you talking about, Balsom?
Rex: I'm talking about your man who can slip in and out of the dingiest dives without letting anyone catch a whiff of pork.
Bo: "A whiff of pork"?
Rex: Yeah, it was meant to be funny. Sorry.
Bo: Get to the point.
Rex: My point is you're looking at your best undercover resource and you haven't been using him. Are you mad at me?
Bo: Just playing it safe.
Rex: You mean the gun thing?
Bo: Yeah, the gun thing. That's part of it.
Rex: Hey, Natalie's my sister. Like you wouldn't have snuck a gun into the jail if it had been your sister who got kidnapped?
Bo: No, I wouldn't have.
Rex: Look, I wasn't going to kill Barber. You know that. He just needed the fear of Rex put in him.
Bo: We don't do things that way. See, you were out of control.
Rex: Look, you have to admit I did do a pretty good job of getting the goods on Colson.
Bo: Why don't you have that tattooed on your forehead? How long are you going to keep telling me this?
Rex: As long as it takes.
Bo: We do have a few cases that have gone cold.
Rex: Ok, ok. I'm ready. What do we have?
Bo: Did you take that notepad from the department? All right, the first one's Margaret Cochran.
Rex: What, the crazy who kidnapped Todd Manning and his wife?
Bo: Yeah. I have a feeling she may be around here somewhere.
Rex: Ok, I'll put out the word. Who else?
Bo: My niece, Jessica.
Antonio: Somebody's got to know something. Keep me informed.
Layla: Hey, good-looking. I told you, Antonio, you have to play the part of the love dove if you want anybody to believe we're together.
Evangeline: Something going on between you two I should know about?
Antonio: Look, Layla and I --
Layla: I have an audition tomorrow, and this kind gentleman volunteered to help me with my lines.
Evangeline: Mm-hmm. Looked like you were really into it.
Layla: The words have to come from within. Without the action, there ain't no substance, honey.
Evangeline: Hmm. And your sister ain't that gullible, but, you know, whatever. Break a leg.
Antonio: What's up?
Evangeline: Uh, I just saw Lindsay. She and R.J. have stepped it up a notch. She's moving in with him. Yeah, they plan on showing up to family court as one blissful, united family.
John: So here we are, you and me together.
Natalie: Yeah. So how long a night were you planning?
John: All of it, if you're up to it.
Natalie: Wow. You were so distant before when you got that call about Hayes. Now you want to spend the night.
John's voice: It's up to you, Cris. What do you want to do?
Cristian: I want Natalie to be happy. And if it's you she chooses to be with -- but if I ever find out you hurt her, I swear I'll tear this place up brick by brick and find you, and I'll kill you.
John: You know, you're just going to have to trust me.
Natalie: Why'd you run away from me?
John: I didn't run. I had something to deal with.
John: I can't say.
Cristian's voice: I guess I always knew Natalie would find someone.
John's voice: You saying you're ok with all that?
Cristian's voice: Yes. Do I want to know who she's with, how happy they are? No, you can leave that out.
John: You're her husband. You have a right to know what's going on.
Cristian: What did I just say, Mc Bain?
John: It's me, Cris. I'm the one Natalie's involved with.
Guard: Enjoy being out of solitary?
Cristian: Enjoy asking stupid questions?
Guard: Want to make sure we get no more crap from you. You blow like you did before, you're going right back into lockdown.
Cristian: I'll behave myself.
Guard: Good. You've got a cellmate I'm tossing in with you and I don't want any trouble.
Cristian: No trouble here.
Guard: Bring him in.
Antonio: I should've seen this coming. R.J. and Lindsay, the happy couple.
Evangeline: That's what it's going to look like.
Antonio: That's why Layla and I have this plan.
Evangeline: What plan?
Layla: My audition. But Vange probably came here seeking comfort and solace about John. She doesn't want to hear anything about my stupid audition.
Evangeline: I didn't come here seeking comfort and solace about anyone. I am fine about John. As a matter of fact, I have a date.
Layla: A date? Well, hold on.
Evangeline: Excuse me.
Antonio: Explain to me how one minute we're supposed to be a couple for the custody hearing and the next you're lying to your sister about us being together.
Evangeline: Dr. Jamison.
Dr. Jamison: Evangeline. Well, since we're both off duty, I was hoping I'd graduate to Phil.
Evangeline: Oh, yes. Of course you have, of course you have. I'm sorry.
Phil: No, it's ok. I'm glad you could make it.
Evangeline: I'm glad you asked me. It's good to break the cycle of just -- thank you -- putting you on the stand as my expert witness.
Phil: Well, I'm just happy I'm on your side of the courtroom. I am sure I'd break if you cross-examined me.
Evangeline: Well, if that ever happens, I promise to go easy on you.
Phil: I'll hold you to that.
Evangeline: So, I see --
Phil: I've been think--
Evangeline: Sorry, you go first.
Phil: No, ladies first.
Evangeline: No, no, you go first. I insist.
Phil: Ok. I've been wanting to see you outside the courtroom for quite sometime.
Evangeline: Uh --
Phil: I'm sorry. I'm sorry, was that blunt?
Evangeline: No, no, it's ok. I'm -- I need as much honesty in my life as possible.
Phil: That's what I do -- tell the truth to my patients, try to get them to tell the truth to me. But I don't want to talk about work.
Evangeline: What do you want to talk about?
Natalie: So, you're saying that you'll tell me if you've dealt with someone or something, but you won't tell me who, what, how, or why?
John: I won't lie to you, Natalie.
John: So I won't say any more.
Natalie: Let me guess -- gave your word. John and you can live with that?
Natalie: Hmm. Hmm. Can I accept that you won't tell me everything? And can I accept that you hold things inside and can't or won't let go of them?
John: It's for your own good.
Natalie: Ok. Let me ask you this. If I was the one who wouldn't or couldn't, how hard would it be for you to accept?
Kevin: Now, listen, it's very important that no one find out about this.
Woman: I didn't get where I am by running my mouth off. Let yourself in and go straight upstairs to the bedroom. I guarantee you'll be pleased. I'll see you tomorrow.
Kelly: She guarantees you'll be pleased about what?
Kevin: Hey. There you are. Uh, listen, I'm starved. Let's get a table.
Kelly: Uh-uh. No, no, no, not so fast. What was that all about?
Kevin: Uh -- what? Oh. That was strictly business.
Kelly: Oh, yeah, she looks like she charges a lot.
Kevin: Oh, Kelly, come on.
Kelly: No, you come on. First you don't tell me what happened outside of our motel room the other night, and now this.
Kevin: Well, just because I'm not telling you something doesn't exactly mean I'm lying.
Kelly: You're withholding the truth.
Kevin: Well, aren't you just the little detective. Speaking of which, there's Bo. Why don't we go say hi.
Kelly: Yeah, yeah, I don't think so. You promised that we would share everything with each other. Now spill it.
Rex: Ok, I understand why you're looking for the loon, but why Jssica, too? What's up with that?
Bo: That's not a police matter, that's a family matter.
Rex: And what am I? Am I not family?
Bo: No, actually, you're not.
Rex: I think I am, uncle Bo.
Bo: Don't call me that.
Rex: Yes, sir, commissioner Buchanan, sir. But in all honesty, you can trust me, honestly.
Bo: You can keep this to yourself?
Rex: It's one of my best traits.
Bo: All right. Jessica didn't do anything wrong. She left voluntarily. She may not even want to be found, but that doesn't mean we can't look for her.
Rex: Do I detect trouble in Vega land?
Bo: All Antonio's energy's going into getting his daughter back right now, so he asked me to keep an eye out for jess.
Rex: I got you. But if Jessica doesn't want to be found, why are we looking for her?
Bo: No questions, mouth shut. You got it?
Rex: No problemo, chief.
Bo: All right, I think Margaret Cochran might be in Llanview. And you know she's unstable, but we think that she might be armed, so you just watch yourself.
Margaret: Mommy is going to be knitting you an entire winter wardrobe, T.J. and can you say, "thank you, cousin Ginger, for giving us money to buy the bullets"? Now all we need to do is to come up with a plan to get your daddy's attention. Yes. We'll have to be sneakier this time so that we can catch him by surprise.
Rex: Now, about the reward --
Bo: Hmm, I don't think so.
Rex: Oh, come on, uncle -- commissioner. How about a little something, you know, for the effort?
Bo: Doesn't re-establishing my trust in you -- doesn't that mean anything?
Rex: Sure. But I can't spend that. Hey, your main doctor squeeze is here. You've been dating her for about 20 years, haven't you? Don't you think it's about time to kick it into second gear?
Bo: It's been less than one year.
Rex: Long enough to know if it's the real deal. You know, I'll stick around if you're going to pop the question tonight.
Bo: Goodbye, Balsom.
Rex: Yes, all right.
Paige: What was that all about?
Bo: Oh, that's just Rex. You know, he's a -- he's a meddler.
Paige: And what's he meddling in now?
Bo: He was asking me about something that's been on my mind lately.
Paige: And that would be?
Antonio: This was your idea, Layla. Shouldn't we tell Evangeline before she finds out from someone else?
Layla: Not yet.
Antonio: Why not?
Layla: Because of John.
Evangeline: Recent events, politics, you? Please, let's talk about anything but me.
Phil: I'd just like to get to know you, find out what's boiling under that cool exterior of yours.
Evangeline: You trying to shrink me?
Phil: I'm trying to hit on you. I guess I'm not doing a very good job.
Evangeline: No, no, no, it's not you. No, it's -- I don't think I can do this. I think this was a mistake.
Natalie: So, John, would it bother you if I kept things from you?
Natalie: You -- you lie. You nearly tortured me when you wanted to know what happened between Paul Cramer and me.
John: Well, I just figured you didn't want to get arrested for murder, which in hindsight I think was a good thing.
Natalie: Mm-hmm. Maybe I should use that excuse.
John: Hmm. You just got to understand, sometimes there are going to be things that I just can't tell you.
Natalie: Ok. I can accept that. But you have to accept the fact that there's going to be times where I can't share things with you.
Natalie: Deal. Good. Good, because I just wanted to get the rules established before we get this relationship off the ground.
John: Whoa. Now, who said anything about a relationship?
Natalie: Really? I mean, who are the food and drinks for, then?
John: What, you break a little bread with somebody and then all of a sudden you're in a relationship?
Natalie: I'm going to slug you for that.
John: There's no need to get violent. There's no need for violence here.
Natalie: Another rule?
John: Well, I've seen you throw a punch.
Natalie: So you saying that you don't want me to get physical?
John: No, I didn't say anything about that, but, I mean, if you're going to get physical --
Natalie: Shut up and kiss me.
John: You're very pushy.
Hayes: Hey, hey. What's your badge number? I want to talk to somebody about this right now.
Guard: Then talk to John Doe.
Hayes: Hey, guards, you -- you can kiss your job goodbye, pal.
Hayes: John Doe?
Cristian: That's what they call me.
Hayes: You don't even know your own name?
Cristian: Nope. But I know yours -- Hayes Barber. Or should I call you by your real name? Ivan Potter?
Hayes: Guard, guard! Hello! Excuse me! Somebody! Can somebody get in here now?
Margaret: Hmm. Oh. Oh, T.J., you don't know how lucky you are. You can't smell this horrible smell and mommy can. She doesn't like it. Don't worry, we're not going to be here in this nasty place for much longer. We just have to finalize our plan. Don't worry, T.J., your godfather is going to help us. Maybe I should tell you his name. It's Kevin Buchanan.
Kevin: The argument at the motel -- I was trying to help this pregnant woman who was telling this guy that it was his baby. He was saying that it wasn't. It's really as simple as that.
Kelly: So it was about a baby?
Kelly: That's nice, they can argue about that, we can't even have one.
Kevin: Now, see, now you know why I didn't want to mention it.
Kelly: So what about the brunette?
Kevin: I was hoping you might've forgotten about her.
Kelly: Hmm, cute. Yeah, come on, spill it.
Kevin: She's a real estate agent.
Kevin: Do I detect a little jealousy here?
Kelly: Do I have a reason to be jealous?
Kevin: She was giving me a key.
Kelly: I noticed.
Kevin: You are jealous.
Kelly: No, no, I'm not.
Kevin: Well, sounds like it to me. I don't know.
Kelly: Kevin, come on. Who is she?
Kevin: She was giving me the key to our future.
Paige: "Us"? Sounds serious.
Bo: It is. I am.
Paige: Ok, what about us?
Bo: You said something a while ago that -- something that made me think that maybe you weren't sure how I felt about you, that you were afraid that you might lose me. Now, have I given you any kind of a signal or said something that might make you feel like that?
Paige: No, Bo, it's not -- sometimes there just aren't any signals. Things and relationships just fall apart.
Bo: I'm not going anywhere.
Bo: Are you?
Paige: No. But --
Bo: Look -- ahem -- we've both had our share of crash-and-burn marriages. I've had more than my share of, you know, relationships. And I know that you and Spencer, your marriage ended on a sour note, but that doesn't mean that you and I can't go forward together.
Paige: It's not a rational thought, Bo. It's just a feeling I get that all of this, you and me, it's just going to fly away.
Bo: You know, I had a talk with Matthew, and he and I both agreed that it would be a good idea if you moved in.
Hayes: Guard, hello? Can somebody --
Cristian: You can yell your lungs out, Ivan, but no one's going to hear you. They never do.
Hayes: Listen, I don't know who you are or how you know my name, how you know Natalie Vega, but I didn't do anything to her.
Cristian: Is that right?
Hayes: That's right, it's the truth, I swear it.
Cristian: Why should I believe you, huh? Why should I believe a kidnapper, a murderer?
Hayes: I am telling you the honest truth. There is another guy -- Nick -- Nick Messina. Ok. Ok. Nick Messina. He's in this prison somewhere. He said that -- it wasn't me. It was all him. You should make him pay. I could even help you.
Rex: Maybe you heard something about a redheaded psycho woman roaming the streets?
Man: Don't think so.
Rex: Well, maybe if you think about it a little harder?
Man: Haven't seen her.
Rex: How about this one?
Man: Oh, baby, oh, mama. I'd even shower for this one.
Rex: Haven't seen her either, huh?
Man: I wish.
Rex: Ok. Go buy yourself something pretty, huh?
Evangeline: You're beautiful, you're -- you're interesting, you're probably perfect, and you deserve someone that's ready to --
Phil: I can take this as slow as you want.
Evangeline: Really? Because I'm talking about as fast as the continents are drifting.
Phil: You set the pace.
Evangeline: No. No, you've been really honest with me, and it's only fair that I'm honest with you. I'm in love with someone else, and I don't see that changing.
John: Give me one second.
John: You sure you're ok?
John: You know, whenever I, um -- I thought about this --
Natalie: So you admit that you thought about it?
John: Yeah, I admit it. When you went missing, these feelings, they started sneaking up on me, these feelings that I -- I thought were long gone. But they were there -- strong feelings about you, for you. Sometimes I just imagined us up here on the roof, stars shining down on us. And it just seemed so real.
Natalie: Well, it is real, and it's right here in front of you. So what are you going to do?
John: I'm going to take it.
Cristian: You kept her in a pit, alone, scared. You set her on fire, you sick bastard!
Hayes: Ok, ok, ok. Look, so you like Natalie. That seems obvious. I am not your guy. Blame Nick Messina. Blame John Mc Bain! Don't you see? None of this would've even happened if Mc Bain hadn't been so stupidly in love with her. My nose is bleeding, you idiot.
Singer: I promise to follow your lead to rise like the steam from these cool, mountain streams
Kelly: So you're buying a house for us?
Kevin: Well, no, I mean, you know, maybe. Uh, it's -- it's for our future.
Kelly: So we have a future?
Kevin: Well, do you want one?
Kelly: Of course, more than anything.
Kevin: And you don't look very happy about it. Why are you so negative?
Kelly: Well, I've been thinking. I know how much you want children, and I can't give you that.
Layla: It's stability the court is looking for, and I'm moving in with you.
Layla: You want to beat R.J., right? You want your daughter back, ok? I'll pack my things tonight, boyfriend.
Antonio: And Evangeline?
Layla: Trust me.
Rex: Hey, you haven't seen Margaret Cochran around here drinking, doing the limbo, have you?
Antonio: She's back, huh?
Rex: Bo thinks so.
Antonio: He have you asking around about Jess?
Rex: Does R.J. know she's gone?
Antonio: Yeah. Yeah, but it doesn't matter, we split up anyway.
Rex: You don't say.
Antonio: Yeah, I'm not waiting around for her anymore. I -- I met a nice girl.
Rex: Ooh! Damn, man, you got the stuff!
Antonio: But getting Jamie back from R.J. -- that's my priority.
Rex: Think I get the picture.
Antonio: Right, so if you hear -- by any chance, if you hear anything from -- from Jessica --
Phil: Evangeline, you're beautiful and smart and your heart is so amazingly kind. It's a shame to waste all that on someone who's in love with someone else.
Evangeline: I didn't mention any names.
Phil: You didn't have to. Maybe I'm not the guy. But someone's going to come along who's going to change your mind, get you to love again.
Evangeline: Thank you. I hope you're right.
Phil: Would you like me to take you home?
Evangeline: No, I --
Layla: No, thank you. You've done enough.
Evangeline: Layla, I'm totally fine here.
Layla: How about you go and get her a drink? A martini, three olives?
Evangeline: Dirty would be great.
Layla: Make it dirty! Thanks. I could kill John Mc Bain.
Evangeline: It's not his fault, Layla, it's mine. I changed for him. He couldn't change for me.
Layla: He's always going to have his little secrets, isn't he?
Evangeline: Yeah. I'm going to go to the powder room and freshen up.
Layla: Maybe I can find out what they are.
Rex: Dog, whassup? Yo, I'm at Capricorn. Meet me here, man. Yeah, I'm nosing for a crazy lady. No, dog, not for me.
Margaret: Who's there? I have a gun! Who is it? I swear I'll shoot! Ah!
Bo: Ok. Now I'm getting officially nervous. Do you want to move in with me?
Paige: Oh, I would love nothing more -- tonight, if I could.
Bo: Uh-huh. But?
Paige: Oh, my life has just gotten so crazy. Everything's changing so fast.
Bo: I know, I know. The new job at the hospital, chief of staff. That's quite an honor, but it's a lot of responsibility. See, I -- I just want to try to make life easier for you.
Paige: You know I never wanted that job.
Bo: I know, but you're the one that should have it. The downside is you have to deal with Spencer. I know how you feel about that.
Bo: Ah. Sorry. Buchanan.
Rex: Yeah, it's Rex. Think we're getting a blip on the Margaret radar.
Bo: Where are you?
Bo: All right. Just don't move. I'll be right there. I got to go. Look, I know you're under a lot of pressure right now. I don't want to add to it, you know? I just -- I want you to have a place that you can call home, ok? A place that you feel safe and loved. Think about it.
Kelly: I remember how happy you were when I brought Ace home.
Kevin: Hey, I have a son, all right? I couldn't ask for a better son than Duke.
Kelly: Still, you've always wanted more children. What's changed?
Kevin: I don't know, me. I love you, ok? You know what, don't ever think that I love you less because you can't have a baby.
Kelly: Well, I wish we could adopt, but I guess after what I did with Ace, that's not possible.
Kevin: Hey, you are all I want, all right? I mean, can't you just trust that? Please?
Kelly: So you going to show me that house?
Kevin: Well, are you ready to see that house?
Kelly: Yeah, I got to show that real estate agent that you're taken. And I wouldn't mind a little privacy.
Kevin: Yeah, I'll tell you what, I'm not going to miss that motel.
Kelly: That couple really got to you, huh? Arguing about a baby. I don't blame you for keeping quiet about it.
Rex: Look familiar?
Rex: Look at it again?
Man: Well, she does kind of look like that nasty skank hanging around sixth. But she's knocked up.
Evangeline: Guess I'm not ready to be dating.
Antonio: Dr. Jamison's a shrink. He's used to people getting emotional.
Evangeline: Can we just forget about it, please?
Evangeline: Thank you. So when I came in here tonight, you and Layla looked pretty familiar. Were you rehearsing a scene or does it have something to do with you trying to win custody of Jamie?
Layla: "Thomas Mc Bain." "Father." Boring. Ah, "Cristian Vega." Now we're talking.
Layla: "Cristian Vega. Natalie's husband, Antonio's brother." Mmm. He's a hottie. Damn, those Vega boys. "John Doe"? "John Doe"? Why John Doe? What? "First-degree murder, Statesville prison"?
Kelly: Hey, Spencer. It's Kelly calling. Listen, I wanted to see you as a patient. I wanted to talk to you about your new treatment for Thrombophilia. If you could help me become a mother, I would be the happiest woman alive. So please call me. Thanks . Bye.
Kevin: Listen, I just want you to know that I'm not going to lie for you about Margaret's pregnancy anymore, all right? I don't want to lose Kelly over this thing. I'm not going to lie to he so just -- that's it. No need to call me back.
Rex: What is this, a baby bootee?
Bo: That's what it looks like. What does that look like?
Rex: A bullet.
Bo: That's very good. Something must've happened here.
Antonio: You've had a long day . Why don't we just leave the custody hearing alone for now?
Evangeline: You've had a long day, too.
Antonio: Hmm. I know, so why don't we just drop the subject? How's your drink?
Evangeline: It's great.
Antonio: Good. Art dealers -- they're interested in Cristian's paintings.
Evangeline: Yeah, that's how it works.
Evangeline: An artist can create their entire life and sometimes it's never appreciated until they're gone.
Antonio: Yeah. It's just too bad. I wish -- I wish Cristian knew how much his art is loved.
Guard: Looks like it's back in the box for you.
Cristian: It was worth it.
John: Something wrong?
Natalie: I just -- don't want this night to end. But I know it will.
John: First of all, there's going to be a lot of other nights. And secondly, this night is far from over.
Layla: Cristian comes back from the dead, but it's not really Cristian. He returns to his widow to admit that he's an impostor. John runs some tests on this guy. No way.
>> On the next "one life to live" --
Dorian: Come on, Spencer, what's in here that you want to keep locked away?
Blair: Convince me that you're not out here plotting the murder of Margaret Cochran.
Starr: Something's wrong.
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