GH Transcript Monday 7/24/00

 

General Hospital Transcript Monday 7/24/00

Provided by Laura

HELENA'S VOICE: I'M BEGINNING
TO FEEL THAT --
WELL, THAT CHLOE MORGAN CAN SEE
INSIDE MY HEAD.
OH.
THAT'S A RISK I CANNOT --
I CANNOT TAKE.
WOMAN: WHAT IS A RISK
YOUR MOTHER CANNOT TAKE?
STEFAN: WELL,
IT APPEARS THAT CHLOE MORGAN HAS
ACCESS TO HELENA'S THOUGHTS.
WHICH MEANS MY MOTHER'S NEXT
MOVE WILL BE TO ELIMINATE HER.
I MAY HAVE TO PREVENT THAT.
A PERSON WHO HAS THE ABILITY
TO SEE INTO MY MOTHER'S MIND
COULD BE A VERY POWERFUL WEAPON.
WOMAN: BUT WHAT IF IT ISN'T
TRUE?
IT DOES SEEM RATHER FAR-FETCHED.
STEFAN: HMM.
WELL, THEN, SHE'S NO LONGER
A CONCERN OF MINE.
GET ME CHLOE MORGAN'S MEDICAL
RECORDS D C.A.T. SCANS
IMMEDIATELY.
["SLEEPING BEAUTY" THEME PLAYS]

EMILY: JUAN, YOU KISSED TWO
GIRLS, OK?
AND YOU WANT ME TO FORGET ABOUT
IT, LET ALONE THINK THAT
YOU CARE ABOUT ME?
JUAN: I DO.
EMILY: OH, PLEASE.
DON'T TELL ME THAT YOU WOULD
TRUST ME IF THE ROLES WERE
REVERSED.
LOOK, YOU GO BALLISTIC EVERY
TIME I LOOK AT THOSE PICTURES
OF LUCKY, AND I'M JUST DOING IT
AS A FAVOR FOR ELIZABETH.
YOU'RE JEALOUS FOR NO REASON.
I HAVE A PROBLEM BECAUSE
YOU KISSED ONE GIRL KNOWING THAT
I WAS WATCHING AND THEN
YOU PRACTICALLY HAD SEX
WITH ANOTHER ONE THINKING THAT
I WASN'T.
JUAN: I THOUGHT WE'D BROKEN
UP.
EMILY: WHEN?
JUAN: SINCE THE RAVE,
SINCE YOU DON'T EVEN GIVE ME
THE TIME OF DAY, SINCE YOU ACT
LIKE YOU DON'T WANT TO HAVE
ANYTHING TO DO WITH ME.
THEN I SEE YOU WITH LUCKY,
AND YOU'RE ALWAYS HUGGING HIM
AND --
WHAT AM I SUPPOSED TO THINK?
IF YOU SAY YOU DON'T HAVE
A THING FOR HIM, OK, I BELIEVE
YOU.
BUT THERE'S SOMETHING GOING ON,
EMILY, AND IT'S SOMETHING MORE
THAN ME JUST BEING STUPID
WITH ALISON AND SHERRY.
DO YOU THINK I GET TO KNOW WHAT
IT IS?

TAGGERT: THE UNDERCOVER COP
WE'VE BEEN LOOKING FOR --
I THINK WE FOUND A LEAD.
MAC: NIKOLAS, WE'LL CALL
YOU IF WE HAVE AN UPDATE
IN THE INVESTIGATION
INTO YOUR UNCLE'S MURDER.
LUCKY: ALLEGED MURDER.
MAC: LOOK, I DON'T WANT
TO GIVE YOU ANY FALSE HOPE.
WE'RE NOT EXPECTING TO FIND
STEFAN ALIVE.
AND IF YOU HEAR FROM LUKE --
LUCKY: FOR THE HUNDREDTH
TIME, I WON'T.
MAC: HE NEEDS TO TURN HIMSELF
IN, LUCKY.
IF FOR NO ONE ELSE, YOUR MOTHER
AND LITTLE SISTER.
HOLD ON A SECOND.
EITHER OF YOU BEEN TO A RAVE?
NIKOLAS: NO.
LUCKY: WHY?

EDWARD: AND FIND SOME WAY
TO UNLOAD THAT RIDICULOUS
DOT-COM.
THAT THING IS CURSED.
HELLO, YOUNG LADY.
COME IN, COME IN.
HANNAH: THANK YOU.
MR. QUARTERMAINE, HANNAH SCOTT.
EDWARD: OF COURSE.
I REMEMBER FROM THE
NURSES' BALL.
I ALSO REMEMBER THAT YOU HELPED
DRAG MY SORRY EXCUSE
FOR A GRANDSON HOME ONE NIGHT.
AND IF I DIDN'T THANK YOU,
IT WAS PROBABLY INTENTIONAL.
AND I ALSO KNOW THAT YOU'RE
A FEDERAL AGENT.
SO WHY DON'T WE JUST CUT
TO THE CHASE AND YOU TELL ME
WHAT A.J. HAS DONE NOW, HMM?
HANNAH: OH, AS FAR AS I KNOW,
NOTHING.
EDWARD: OH.
HANNAH: WELL, AT LEAST
NOTHING THAT CONCERNS ME
IN AN OFFICIAL CAPACITY.
I WANTED TO SPEAK TO
YOU BECAUSE I CONSIDER A.J. A
FRIEND, WHO ALSO HAPPENS TO BE
A GOOD PERSON, AND IS CURRENTLY
GOING THROUGH A CONSIDERABLY
ROUGH TIME.
I'M NOT SURE IF YOU REALIZE --
HE REALLY NEEDS HIS FAMILY'S
SUPPORT.
AND IF YOU, ESPECIALLY,
WOULD REACH OUT TO HIM,
I BELIEVE IT WOULD SAVE
HIS LIFE.

SONNY: CARLY, YOU DON'T
INSULT MY GUEST IN MY HOUSE.
CARLY: OH, I'M SO SORRY.
PARDON ME FOR SEEING THROUGH
YOUR LITTLE FRIEND'S STUPID,
PATHETIC ACT.
SHE DID THIS WITH JASON,
YOU KNOW.
SHE'LL CRY ON YOUR SHOULDER
AND TELL YOU ALL ABOUT ALL
HER PROBLEMS -- HER UNDYING LOVE
FOR LUCKY.
AND THE NEXT THING YOU KNOW,
YOU'RE CONSOLING HER
IN YR BED.
SONNY: YOU BETTER BE QUIET
BEFORE YOU SAY SOMETHING WE'RE
ALL GOING TO REGRET.

SONNY: I MADE IT CLEAR
TO ELIZABETH SHE'S WELCOME HERE.
WHY YOU'RE HERE, I DON'T KNOW.
BUT YOU DON'T TELL ELIZABETH
TO LEAVE MY HOME.
CARLY: WHY WOULD I EVEN THINK
FOR A MINUTE THAT YOU WOULD TAKE
MY SIDE?
YOU'D MUCH RATHER DEFEND
THE INNOCENT, HUH?
WELL, LET ME TELL YOU SOMETHING,
SONNY BOY --
SONNY: OH, COME ON --
CARLY: YOU KNOW WHAT?
SONNY: WHAT?
CARLY: LISTEN TO ME.
ELIZABETH HAS BEEN OVER LUCKY
SINCE THE SECOND YOU BECAME
AVAILABLE, SINCE OUR BABY DIED.
SONNY: DON'T YOU DARE
USE OUR CHILD THAT WAY.
ELIZABETH: I DON'T THINK
I SHOULD BE HERE.
CARLY: YEAH.
ELIZABETH: THANK YOU.
AND YOU HAVE THIS ALL WRONG.
SONNY: JOHNNY, DRIVE
ELIZABETH HOME, WILL YOU?
SORRY ABOUT THAT.
ELIZABETH: IT'S OK.
SONNY: YOU NEED ANYTHING?
ELIZABETH: NO.
SONNY: ALL RIGHT.
LET ME KNOW IF YOU DO, OK?
ELIZABETH: MM-HMM.
SONNY: AND I'M SORRY --
ELIZABETH: DON'T WORRY ABOUT
IT.
SONNY: IT'S JUST -- YOU KNOW
HOW THINGS ARE.
CARLY: I'M SORRY.
I SHOULDN'T HAVE BROUGHT UP
THE BABY.
SONNY: THEN WHY DID YOU?

TAGGERT: THE INVESTIGATION'S
GOING TO HAVE TO GO PUBLIC
ANYWAY.
WHY DON'T WE SEE IF THEY KNOW
ANYTHING.
MAC: I'VE HAD ONE
OF MY OFFICERS GO UNDERCOVER
INTO SOME RAVES AFTER SEVERAL
WOMEN REPORTED RUFIES BEING
SLIPPED INTO THEIR DRINKS.
YOU EVER HEAR OF RUFIES?
NIKOLAS: YEAH, IT'S
THE DATE-RAPE DRUG.
MAC: WELL, MY OFFICER FAILED
TO REPORT IN A COUPLE OF WEEKS
AGO, AND NO ONE'S HEARD FROM HIM
SINCE.
TED WILSON.
HE'S A GOOD MAN.
IF SOMETHING HAPPENED TO HIM,
IT'S BECAUSE HE WAS DOING
HIS JOB.
TAGGERT: YOU RECOGNIZE HIM?
LUCKY: NO, I DON'T KNOW HIM.
NIKOLAS: NO. SORRY.
MAC: WELL, IF YOU HEAR
OF ANYTHING, I'D APPRECIATE IT
IF YOU LET TAGGERT KNOW.
LUCKY: SURE THING.
[TELEPHONE RINGS]
MAC: SCORPIO.
NIKOLAS: SO TED DIDN'T
O.D. IN THAT ROOM WITH EMILY.
SOMEONE PROBABLY CAME
IN AND KILLED HIM.
LUCKY: WHICH MEANS EMILY
COULD HAVE BEEN KILLED, TOO.
NIKOLAS: OR MAYBE
THEY RECOGNIZED HER AND THOUGHT
THAT SHE WAS WORTH MORE ALIVE.
LUCKY: FOR NOW, WE HAVE
TO LET EMILY AND ELIZABETH KNOW.
COME ON.
NIKOLAS: YEAH, WELL, AT LEAST
THE COPS WON'T BE ABLE TO FIND
THE CAR.
THERE'S NO TRACE TO EMILY.
LUCKY: OR ANY OF US.
NIKOLAS: YEAH. LET'S GO.
MAC: ALL RIGHT, WELL, CALL ME
WHEN IT'S FINISHED.
YEAH.
WHAT'S THE LEAD?
TAGGERT: WELL, WE FOUND
WILSON'S CAR IN THE LAKE
BUT NO SIGN OF TED.
MAC: ALL RIGHT.
PULL IT OUT.
TAGGERT: YEAH, I'M ALREADY
ON IT.
MAC: I WANT EVERY INCH
OF THAT CAR GONE OVER
R EVIDENCE.

JUAN: EMILY, COME ON.
ADMIT IT.
SOMETHING'S GOING ON.
I'VE ALWAYS BEEN AN OUTSIDER
WHEN IT COMES TO YOU
AND YOUR FRIENDS.
AND IT'S ONLY GOTTEN WORSE SINCE
LUCKY CAME BACK.
IT'S NOT MY IMAGINATION.
THIS IS WHERE YOU SAY SOMETHING.
OK, I'LL START YOU OFF.
"JUAN, WHAT I'M REALLY AFRAID
TO TELL YOU IS" --
EMILY: LOOK, THERE'S BEEN
A LOT OF THINGS THAT HAVE GONE
WRONG, YOU KNOW, AND THERE'S
JUST NO POINT IN -- IN,
YOU KNOW, TRYING TO TALK ABOUT
IT OR CHANGE WHAT HAPPENED.
JUAN: ME KISSING ALISON?
EMILY: THAT AND, YOU KNOW-
IT OPENED OTHER DOORS --
JUAN: SUCH AS?
GIVE ME AN EXAMPLE.
COME ON, EMILY, YOU GOT TO GIVE
ME A CHANCE HERE.
EMILY: I CAN'T.
I'M SORRY, BUT THERE'S NO POINT
IN US FIGHTING ABOUT THIS, JUAN.
I HOPE THAT YOU'RE HAPPY
RECORDING WITH L&B.
I HOPE YOU BECOME A BIG STAR
AND WHATEVER YOU WANT, YOU KNOW?
REALLY, I DO.
BUT YOU DON'T NEED ME
AS A GIRLFRIEND.
I SEE THAT NOW.
JUAN: WHAT ARE YOU TALKING
ABOUT?
I DO NEED YOU.
I DON'T EVEN UNDERSTAND HOW
YOU CAN SAY THAT.
I LOVE YOU.
EVERYTHING GOOD THAT'S HAPPENING
IS BECAUSE OF YOU.
I WOULDN'T BE IN PORT CHARLES
IF IT WEREN'T FOR YOU.
I WOULD'VE NEVER SANG FOR NED.
EMILY: THAT'S ALL
IN THE PAST.
JUAN: NO, IT'S NOT.
I'M NOT JUST GOING TO LOVE
YOU IN THE PAST, EMILY.
I'M GOING TO LOVE YOU
FOR THE REST OF MY LIFE.
EMILY: Oh ---
JUAN: I DON'T WANT
ALISON OR SHERRY OR ANYONE
EXCEPT FOR YOU.
AND I KNOW I DID SOME --
I GOT MAD, AND
I MADE SOME REAL LAME MISTAKES,
AND I HURT YOU.
BUT I'M SORRY.
AND IF I COULD TAKE IT BACK,
I WOULD.
IF YOU --
IF YOU STILL DON'T TRUST ME,
YOU KNOW, I --
I DON'T KNOW WHAT I CAN DO ABOUT
THAT.
BUT I'M GOING TO FIGURE IT OUT
BECAUSE I LOVE YOU.

EDWARD: OH, I'M SURE YOU MEAN
WELL, MISS SCOTT.
AND IT'S KIND OF YOU,
IF DANGEROUS, TO TAKE ON A.J. AS
A FRIEND.
BUT LET ME GIVE YOU THE BENEFIT
OF MY LENGTHY, MISERABLE
EXPERIENCE WITH THE FAMILY LUSH.
HE CAN'T BE SAVED.
HANNAH: SO YOU DON'T CARE
IF HE KILLS HIMSELF?
EDWARD: AFTER YEARS OF THIS,
ONE BECOMES DETACHED.
HANNAH: I DON'T BELIEVE
YOU'VE REACHED THAT POINT.
EDWARD: A.J. IS A MAN.
HE IS AN IMMATURE ONE, BUT HE IS
A MAN.
AND IT'S WAY PAST TIME TO BE
BABYSITTING HIM.
HANNAH: WHEN YOUR WIFE
ENCOURAGES YOU, DO YOU CONSIDER
THAT BABYSITTING?
EDWARD: I DON'T DRIVE DRUNK
THROUGH THE STREETS, AND I DON'T
SELL OFF THE FAMILY BUSINESS
TO PIRATES AND DO A LOT OF OTHER
THINGS THAT MIGHT SURPRISE YOU.
NOW, IF YOU THINK THAT HE IS
REDEEMABLE, YOU HAVE NOT WATCHED
HIM TRY TO THROW HIMSELF
INTO EVERY ABYSS THAT HE CAN
FIND.
A.J. DRINKS TO EXCESS,
AND HE DRIVES DRUNK, AND HE ROBS
HIS BROTHER OF HIS MIND.
YOU CROSS A.J., AND HE WILL SET
FIRE TO YOUR PROPERTY,
AND HE WILL THROW YOU DOWN
THE STAIRS.
AND IF AN UNBORN CHILD HAPPENS
TO DIE IN THE PROCESS, ALL THAT
MATTERS TO A.J. IS THAT
THE BLAME FALLS SOMEWHERE AWAY
FROM HIM.
"IT'S NOT MYAULT" --
THAT'S BEEN THE MANTRA THAT
HE HAS SPEWED HIS ENTIRE LIFE.
NOW, MY GRANDSON IS HOPELESS.
AND I HAVE --
I'VE COME TO LIVE WITH IT.
HANNAH: YOU'VE COME TO LIVE
WITH IT, OR YOU'VE BEEN SAYING
IT ALL ALONG?
SIR, YOU EXPECT A GRANDSON TO BE
HOPELESS, AND HE WILL COMPLY.
EDWARD: AND YOU EXPECT HIM
TO BE WISE AND THOUGHTFUL
AND CAPABLE?
OH, YOUNG LADY, YOU ARE
IN FOR A REAL DISAPPOINT.
HANNAH: HAVE YOU EVER NOT
THOUGHT OF A.J. AS A LOSER?
EDWARD: THIS FAMILY HAS LOVED
A.J. WITH THE PATIENCE
OF SAINTS.
HIS PARENTS WOULD RATHER --
WOULD RATHER FORGIVE AND FORGET
THAN TO DO THE HARD WORK
OF FACING THE TRUTH.
SO THEY GO ON JUST IN
THEIR BLIND FAITH THAT
MAGICALLY, OVERNIGHT,
THEIR SON'S BASIC CHARACTER
FLAWS WILL DISAPPEAR.
A.J. DOES NOT FACE HIS
RESPONSIBILITIES.
HE NEVER HAS, AND HE NEVER WILL.
HANNAH: WITH ALL DUE RESPECT,
SIR, BUT A.J.'S BIGGEST
CHARACTER FLAW IS YOU.
EDWARD: OH.
HE ALREADY HAS YOU SEEING HIM
AS THE VICTIM.
WELL, MY, THAT WAS FAST.
HANNAH: NOT JUST ANY VICTIM.
YOURS.
EDWARD: HMM.

DARA: HI.
MAC: HEY.
DARA: AM I INTERRUPTING?
MAC: YOU CALLING IT A DAY?
DARA: I'M CALLING IT
SOMETHING.
LISTEN, I HEARD YOUR MISSING
UNDERCOVER'S CAR WAS FOUND.
MAC: YEAH, BUT NO TED.
DARA: I'M SORRY TO HEAR THAT.
MAC: YEAH.
DARA: SO, IS THIS LUNCH
OR DINNER?
MAC: LUNCH.
I GOT CAUGHT UP GOING THROUGH
THE CASSADINE MURDER FILE.
DARA: DID SOMETHING NEW COME
IN?
MAC: I'M JUST TRYING TO SEE
WHAT WE HAVE ON SPENCER'S
WHEREABOUTS THAT NIGHT.
DARA: OK, CORRECT ME IF I'M
WRONG, BUT YOU'VE BEEN OVER THAT
FILE A FEW HUNDRED TIMES, RIGHT?
MAC: SPENCER HAD TO BE
SOMEWHERE.
DARA: LOOK, MAC, YOU HAVEN'T
BEEN OUT OF THIS BUILDING ALL
DAY.
I'LL TAKE YOU OUT TO DINNER, OK?
I'LL EVEN LET YOU PAY.
MAC: THANKS, BUT, YOU KNOW,
IF IT WERE ANY OTHER NIGHT
I'D ACCEPT.
TODAY WAS FELICIA AND
MY ANNIVERSARY.
WORK HELPS.

ELIZABETH: HEY.
EMILY: HE
ELIZABETH: I GOT
YOUR MESSAGE.
WHAT HAPPENED?
EMILY: FIRST, DID YOU SPEAK
TO SONNY?
ELIZABETH: YES AND NO.
I SAW HIM, BUT IT WASN'T EXACTLY
THE RIGHT TIME TO ASK FOR HELP
ON OUR LITTLE SITUATION.
EMILY: IT'S NOT "OUR"
SITUATION, ELIZABETH.
IT'S MINE.
ELIZABETH: HEY, I'M IN IT
WITH YOU, AND SO ARE LUCKY
AND NIKOLAS.
SO, DID YOU SEE JUAN?
EMILY: YEAH.
I SPOKE TO HIM.
AND HE SAID THAT HE LOVES ME.
BUT I DON'T -- I DON'T
UNDERSTAND THAT SINCE HE'S BEEN
FOOLING AROUND WITH OTHER GIRLS.
ELIZABETH: I DON'T KNOW.
EMILY: I THINK IT'S JUST
BECAUSE I WON'T SLEEP WITH HIM.
ELIZABETH: YOU KNOW, HE SEEMS
LIKE HE'S HONESTLY SORRY
AND HE REALLY CARES AND THAT IT
IS TEARING HIM UP INSIDE,
BUT -- I DON'T KNOW,
EM -- I DON'T THINK
YOU SHOULD --
EMILY: I DON'T TRUST HIM.
NOT LIKE I USED TO.
ELIZABETH: AND YOU SHOULDN'T.
EMILY: I DON'T KNOW WHAT
TO DO, ELIZABETH.
ELIZABETH: WELL, MAYBE YOU'RE
JUST TOO HURT RIGHT NOW TO DO
ANYTHING.
EMILY: I KNOW, I KNOW.
IT'S THIS -- THIS
DEAD BODY THING, TOO.
THAT REALLY DOESN'T HELP.
AND JUAN KNOWS SOMETHING IS UP.
I MEAN, I WAS THIS CLOSE
TO TELLING HIM ABOUT TED.
ELIZABETH: I WONDER IF LUCKY
AND NIKOLAS FOUND ANYTHING
AT THE POLICE STATION.
EMILY: NO, NO, NO, NO.
THEY WOULD'VE CALLED US BY NOW
FOR SURE.
SO, TELL ME, WHAT HAPPENED
WITH SONNY?
ELIZABETH: CARLY HAPPENED.
SHE DID ONE OF HER NUMBERS
ON ME.

HANNAH: SOMETHING WRONG?
A.J.: MY BUSINESS
WITH MY FAMILY IS BETWEEN ME
AND THEM
DON'T EVER, EVER PUT YOURSELF
IN THE MIDDLE OF IT AGAIN.

[DOOR OPENS]
JAX: YOU OK?
CHLOE: I THOUGHT YOU WERE
HELENA.
JAX: WHY?
CHLOE: AREN'T YOU SUPPOSED
TO BE IN A MEETING OR SOMETHING?
JAX: I RESCHEDULED IT.
WHAT'S THE MATTER?
YOU'RE FREEZING COLD.
HUH? WHAT HAPPENED?
CHLOE: JAX, I THINK HELENA
WAS HERE.
JAX: WHAT, DID YOU SEE
SOMETHING OR HEAR SOMETHING?
CHLOE: I DREAMED HER.

CARLY: I LOST MY TEMPER.
I'M SORRY.
SOMETIMES I JUST --
WORDS COME OUT OF MY MOUTH
AND I DON'T EVEN KNOW WHAT I'M
SAYING.
YOU KNOW HOW I AM.
SONNY: THERE IS NO EXCUSE
FOR USING OUR CHILD
AS AMMUNITION AGAINST ELIZABETH.
YOU KNOW THAT.
CARLY: I KNOW.
I DO.
SONNY, IT WON'T HAPPEN AGAIN.
I'M SORRY.
SONNY: WHY ARE YOU HERE?
HUH?
CARLY: I CAME HERE
BECAUSE MY OWN MOTHER WANTS
TO THROW MICHAEL AND
I IN THE STREETS, AND I THOUGHT,
YOU KNOW, MAYBE I COULD MOVE
BACK IN.
SONNY: OH.
CARLY: BUT I GOT SO FIXATED
ON THE WHOLE STUPID IDEA THAT
I WAS IN THE KITCHEN MAKING US
A MEAL.
DON'T WORRY, I PUT ALL
YOUR STUPID POTS AND PANS BACK
WHERE I GOT THEM, BASICALLY.
SONNY: I DIDN'T SAY ANYTHING.
CARLY: IT'S FISH.
SONNY: HMM.
HMM.
CARLY: I WAS ARRANGING IT ALL
NICE AND PRETTY ON YOUR STUPID
CHINA WHEN I HEARD VOICES OUT
HERE.
AND I WALK OUT, AND I SEE,
YOU KNOW, YOU'RE SNUGGLING UP
WITH THE LITTLE TRAMP.
SONNY: YOU KNOW,
FORGET THE NAMES RIGHT NOW, OK?
ELIZABETH'S GOING THROUGH
A ROUGH TIME.
SHE'S A SWEET GIRL, AND I'M JUST
TRYING TO HELP.
CARLY: SHE CRIES
ON YOUR SHOULDER AND SHE'S
A SWEET GIRL?
SHE'S A NICE, SWEET LITTLE GIRL?
I SHOW UP HERE AND I'M
DESTROYED, AND YOU CALL ME
A SLUT AND TAKE ME TO BED?
SO, WHAT, THAT'S THE DIFFERENCE
BETWEEN US?
ELIZABETH'S A SWEET LITTLE
ANGEL, AND I'M TRASH?

SONNY: I'M NOT BUYING
INTO THIS, CARLY.
I'M NOT, SO --
CARLY: YOU'RE RIGHT.
YOU CAN'T REALLY COMPARE THE TWO
ANYWAY --
A GIRL YOU RESPECT VERSUS A GIRL
THAT YOU THINK IS TRASH.
WHAT WAS I,
JUST AN INCUBATOR FOR YOUR BABY?
SONNY: OH --
CARLY: BECAUSE THEN YOU WERE
GOING TO MARRY ME, AND NOW I'M
SO MUCH DIRT?
SONNY: YOU'RE THE ONE WHO
WALKED OUT OF HERE.
AND EVERY TIME I'VE SEEN
YOU SINCE, YOU'RE PICKING
A FIGHT --
WITH BOBBIE, WITH HANNAH,
EVEN WITH A.J.
NOW WITH ELIZABETH.
BUT YOU'RE NOT GOING TO DO IT
WITH ME!
WHERE YOU'RE LEADING, I'M NOT
GOING.
CARLY: HEY!
IN CASE YOU DIDN'T NOTICE,
I'M NOT DRAGGING YOU ANYWHERE!
I LET YOU GO, SONNY.
YOU KNOW, YOU'VE BEEN SPARED
THE RESPONSIBILITY OF BEING
WITH A WOMAN WHO'S NOT GOOD
ENOUGH FOR YOU.
SO YOU DON'T HAVE TO WALK
INTO ANY MORE RESTAURANTS
CRINGING BECAUSE YOU KNOW WHAT
PEOPLE ARE THINKING.
SONNY: AW, SEE --
CARLY: NO, YOU KNOW,
YOU'RE FREE.
YOU'RE NOT TRAPPED ANYMORE,
SONNY, AND THAT'S PROBABLY
THE ONE GOOD THING THAT CAME OUT
OF ALL THIS.
YOU WANT TO BE WITH THAT LITTLE
TWIT, LITTLE AIRHEAD,
BORE YOURSELF STIFF?
THEN YOU DO IT.
ENJOY.
MICHAEL AND I ARE GOING TO MOVE
ON.

JAX: TELL ME WHAT
YOU DREAMED.
CHLOE: IT WAS THE SAME
AS WATCHING STEFAN BEING
POISONED.
IT WAS REAL.
THE ONLY DIFFERENCE WAS I WAS
HERE WATCHING MYSELF.
I SAW MYSELF ASLEEP ON THE SOFA,
AND I STARTED MOVING CLOSER
AND CLOSER TO MYSELF.
AND THEN FINALLY I LEANED
IN AS IF I WERE --
I DON'T KNOW WHY.
ALL I KNOW IS I WOKE UP
AND MY SKIN WAS CRAWLING
AND I THOUGHT FOR SURE THAT
HELENA HAD BEEN HERE.
JAX: SO IT WAS THE SAME
FEELING YOU HAD BEFORE,
AS IF YOU WERE SEEING THROUGH
HER EYES?
CHLOE: NOW IS THE PART WHERE
YOU WOULD TELL ME THIS IS ONLY
A DREAM.
JAX: I WISH WE COULD WRITE IT
OFF THAT EASILY.
BUT YOU DREAMED ABOUT THE MUSIC
BOX AND THE WALTZ THAT IT PLAYS.
NOW WE KNOW THAT IT BELONGS
TO HELENA AND THAT IT'S REAL.
YOU ALSO DREAMED ABOUT
THE YACHT, WHICH YOU'D NEVER SET
FOOT ON, AND ABOUT STEFAN BEING
POISONED.
AND I WAS JUST THINKING ABOUT
THE TIME THAT YOU WERE UPSET
WHEN YOU WERE ON THE PIER
AND HELENA CAME UP ON YOU,
AND THEN LATER ON YOU SAID THAT
YOU DREAMED ABOUT IT.
BUT YOU SAID THAT YOU SAW
YOURSELF CRYING AND IT WAS
AS IF YOU WERE SEEING YOURSELF
FROM A DISTANCE.
CHLOE: JAX, WHAT'S HAPPENING?
JAX: THE BRAIN IS A --
I DON'T KNOW.
THEY SAY IT'S THE LAST FRONTIER.
NO ONE'S REALLY BEGUN TO REALIZE
WHAT IT'S REALLY CAPABLE OF.
MAYBE SOME WIRES GOT CROSSED.
I DON'T KNOW.
THE BOTTOM LINE IS I BELIEVE
YOU, OK?
I'M NOT GOING TO SAY IT'S JUST
A DREAM.
CHLOE: SO FIRST I LOSE
MY SIGHT, AND THEN, WHEN I GET
BACK, I'M SEEING THROUGH
THE EYES OF A KILLER.
I'M STARTING TO LOSE MY POSITIVE
ATTITUDE.
WHAT DO I DO NOW?
JAX: IN YOUR DREAM,
YOU DIDN'T SEE HELENA LEAVE,
RIGHT?
SO THE FIRST THING THAT WE HAVE
TO DO IS MAKE SURE SHE ISN'T
STILL HERE.
COME ON.

HANNAH: I THOUGHT MAYBE
AN OUTSIDER COULD GET THROUGH
TO YOUR GRANDFATHER.
I MEAN, EVERYBODY COULD USE
A LITTLE SUPPORT, INCLUDING YOU.
A.J.: YOU KNOW WHAT I NEED.
YOU NEED THE SAME THING, AND IT
TERRIFIES YOU.
EVERY TIME WE'RE AROUND EACH
OTHER, THERE'S AN ELECTRIC
CURRENT.
THE DAY GETS A LITTLE BETTER,
A LITTLE MORE INTERESTING.
WHATEVER YOU SAY, YOU FEEL IT,
EVEN THOUGH I'M A DRUNK WHOSE
LIFESTYLE FRIGHTENS YOU.
MAYBE THE REASON YOU WENT TO SEE
MY GRANDFATHER WASN'T TO RESCUE
ME.
HMM?
IT WOULD PROTECT YOU
FROM YOUR OWN FEELINGS
IF THEY LOCKED ME IN BACK YARD
SOMEHOW.
WELL, I'M SORRY, HANNAH.
MY FAMILY CAN'T KEEP YOU SAFE.
SEE YOU AROUND.

ELIZABETH: AND SO SUDDENLY
CARLY COMES OUT OF THE KITCHEN,
I GUESS --
EMILY: THE KITCHEN?
ELIZABETH: AND SHE LAYS
INTO ME FOR BEING THERE
TO SEDUCE SONNY.
EMILY: OH.
ELIZABETH: YEAH, AND THEN --
AND THEN SHE TRIES TO BRING
HER BABY INTO IT --
THAT THE SECOND THE BABY DIED,
SONNY BECAME AVAILABLE,
AND I WAS ALL THERE,
READY TO JUMP ALL OVER HIM.
AND THEN SONNY GOT REALLY MAD,
SO I DECIDED THAT IT WAS TIME
TO LEAVE, AND THAT'S WHY DIDN'T
ASK SONNY ABOUT THE BLACKMAILER.
EMILY: IT'S OK, REALLY.
LUCKY: HEY.
ELIZABETH: HEY.
EMILY: HEY.
ELIZABETH: DID YOU GUYS GO
TO THE POLICE STATION?
LUCKY: YEAH.
ELIZABETH: AND?
LUCKY: WE FOUND OUTHY THERE
HASN'T BEEN ANYTHING
IN THE PAPERS ON TED.
NILAS: AND IT'S NOT GOOD
NEWS.
LUCKY: HE'S AN UNDERCOVER
COP.

MAC: YOU KNOW, I KEEP
THINKING ABO THIS YOUNG
OFFICER WHO'S MISSING.
PROBABLY DEAD.
YOU KNOW, THIS GUY'S GOT
HIS WHOLE LIFE IN FRONT OF HIM,
AND NOW IT'S OVER.
COMPARED TO HIM, I TELL MYSELF
I'M A LUCKY MAN.
I MEAN, I MAY NOT RECOGNIZE
MY LIFE, BUT AT LEAST I HAVE
ONE.
DARA: WELL, HOW ARE FELICIA
AND THE GIRLS DOING?
MAC: THE DUDE RANCH WAS
A GOOD IDEA.
IT'S GIVEN MAXIE SOMETHING ELSE
TO FOCUS ON.
MOSTLY HORSES.
DARA: MAC, WHAT DO YOU SEE
HAPPENING WHEN THEY COME BACK?
C: AN AMICABLE DIVORCE,
IF POSSIBLE.
OH, DARA, IT KEEPS CROSSING
MY MIND TO TAP THEIR PHONE
TO SEE IF LUKE IS CHECKING
IN WITH FELICIA.
DARA: YOU THINK THAT'S A REAL
POSSIBILITY OR A LONG SHOT, MAC?
LET ME ASK YOU A TOUGH QUESTION.
WHAT DO YOU WANT MORE -- TO NAIL
LUKE SPENCER AND PUT HIM
IN PRISON FOR THE NEXT TWO
DECADES OR FOR FELICIA
TO REDISCOVER HER FEELINGS
FOR YOU AND WHY SHE MARRIED
YOU IN THE FIRST PLACE AND GET
BACK WHAT YOU, THE GIRLS,
AND FELICIA FELT TWO YEARS AGO
THIS TIME?
MAC, WHEN YOU WANT A PERP,
YOU GO AFTER THEM.
WHY DON'T YOU DO THE SAME THING
WITH THIS FAMILY?
WHY DON'T YOU JUST PICK UP
THE PHONE AND CALL FELICIA?
FIND A REASON TO MAKE HER FALL
IN LOVE WITH YOU ALL OVER AGAIN.
LISTEN, MAC, DON'T THINK ABOUT
IT.
JUST DO IT.
MAC: GOOD NIGHT.
DARA: GOOD NIGHT.

MAC: SO YOU'RE DOING A LOT
OF HORSEBACK RIDING.
THAT'S GREAT.
YEAH, I HEAR HER BACK HERE.
PUT HER ON.
HI, GEORGIE.
YOU MADE ME A COFFEE MUG?
WELL, I CAN'T WAIT TO SEE IT.
MOMMY?
YEAH, I'LL TALK TO MOMMY.
HI, FELICIA.
BUSY.
SOUNDS LIKE THINGS ARE BETTER
THERE.
YEAH, I KNOW WHAT DAY TODAY IS.
YEAH.
HEY, YOU KNOW WHAT?
SOMEONE JUST CAME IN.
I GOT TO GET GOING.
OK.
YEAH, TAKE CARE.
TAGGERT: HEY.
HANNAH: HEY.
TAGGERT: BAD DAY?
HANNAH: OH, IT JUST STARTED
TO GET BETTER.
TAGGERT: OH?
HANNAH: I'VE BEEN BUSY
INTERFERING WITH A.J.'S LIFE,
D I DON'T KNOW WHY I CAN'T
JUST SIT BACK AND WATCH HIM
SELF-DESTRUCT.

NIKOLAS: MAC DIDN'T GIVE
DETAILS, BUT HE AND TAGGERT
SEEMED SURE THAT THIS TED WILSON
GUY WAS A STRAIGHT-UP GUY,
WHICH MEANS THAT HE MIGHT HAVE
TAKEN YOU TO THE HOTEL TO HELP
YOU AND THEN LET YOU SLEEP OFF
WHATEVER DRUG MAY HAVE BEEN
SLIPPED IN YOUR DRINK.
EMILY: OK, THEN HOW DID I END
UP IN THE BED NAKED?
LUCKY: WELL, WE FIGURED THAT
TED GOT YOU TO THE ROOM,
YOU PASSED OUT, AND, YOU KNOW,
SOMEBODY MUST HAVE FOLLOWED HIM
AND -- THAT KNEW HE WAS A COP
AND KILLED HIM.
NIKOLAS: PROBABLY BY MAKING
HIM O.D.
THEN THEY STRIPPED YOU BOTH
AND SET IT UP TO LOOK LIKE
YOU DID IT.
LUCKY: AND NOW THEY'RE
FRAMING U.
NIKOLAS: AND THE FRAME COULD
HAVE BEEN AFTERTHOUGHT.
WHEN THEY FOUND THE BOTH OF YOU,
THEY MAY HAVE HAD NO IDEA
YOU HAD MONEY.
ELIZABETH: SO TED WAS
AT THE RAVE AS AN UNDERCOVER?
EMILY: A COP.
YOU GUYS, WE'RE HIDING THE DEATH
OF A --
LUCKY: Shh.
EMILY: We're hiding the death
of a cop.
ELIZABETH: Not just the
death.
The murder.
EMILY: SO GETTING SONNY
INVOLVED IS DEFINITELY A BAD
IDEA.
ELIZABETH: WELL, I WAS GOING
TO ASK SONNY TO HELP US, BUT IT
DIDN'T WORK OUT, SO DON'T WORRY
ABOUT IT.
LUCKY: WELL, GOOD.
BECAUSE IF SOMEWHERE DOWN
THE LINE THIS ALL CAME OUT,
SONNY COULD GET NAILED
FOR TAMPERG WITH EVIDENCE,
OBSTRUCTING JUSTICE, WHATEVER.
I MEAN, THE FEDS WOULD LOVE THAT
STUFF.
EMILY: GUYS, AN UNDERCOVER
COP?
WE ARE WAY OUT OF OUR LEAGUE
HERE.

[DOOR OPENS]
LUCKY: YOU GUYS -- TAGGERT.
TAGGERT: NOW, DON'T BOTHER
TO CHANGE.
JUST PUT YOUR FAVORITE DANCING
SHOES ON.
I'LL TAKE CARE OF THE REST.
HANNAH: OK, AS LONG
AS THE QUARTERMAINES AREN'T
AROUND.
TAGGERT: YEAH, YOU GOT IT.
[TELEPHONE RINGS]
TAGGERT: I GOT IT.
YEAH?
KELLY'S.
YEAH, ONE SECOND.
IT'S FOR YOU, EM.
EMILY: THANKS.
HELLO?
GIRL: YOU REALLY DIDN'T THINK
I'D GO AWAY, NOW, DID YOU?

CARLY: LILA?
LILA: OH, CARLY, DEAR.
COME IN, COME IN.
IT'S JUST ME.
CARLY: MICHAEL AND I ARE
LIVING BACK AT THE BROWNSTONE
WITH BOBBIE.
LILA: I HEARD.
CARLY: LIVING AT SONNY'S WAS
BETTER.
AND MICHAEL KNOWS IT.
IT WAS STARTING TO FEEL LIKE
HOME, YOU KNOW?
ANYWAY, I WENT OVER THERE TODAY
BECAUSE HE SAID THAT I COULD
MOVE BACK IN.
AND HE DIDN'T KICK ME OUT,
DESPITE WHAT THE WHOLE WORLD
THINKS.
ANYWAY, I'M JUST HERE
BECAUSE I COULD USE SOME ADVICE.
I DON'T KNOW WHAT TO DO.
I'M REALLY CONFUSED.
I CARE ABOUT HIM -- A LOT.
AND HE CARED FOR ME,
TOO, WHEN I WAS PREGNANT.
I KNOW THAT HE DID.
HE WAS SO KIND.
HE WAS SO NICE TO ME.
HE UNDERSTOOD ME, AND HE ADMIRED
ME ANYWAY.
I KNOW HE DID.
I COULD SEE IT IN HIS EYES.
LILA: I SAW IT, TOO,
AT THE NURSES' BALL.
CARLY: WELL, IT'S ALL OVER
NOW.
HE DOESN'T CARE ABOUT ME AT ALL.
LILA: OH, MY DEAR,
ARE YOU CERTAIN?
BECAUSE IN MY EXPERIENCE,
FEELINGS DON'T CHANGE THAT
EASILY.

STEFAN: THE C.A.T. SCANS
AND FILE YOU'LL BE RECEIVING
BELONG TO A YOUNG WOMAN WHO HAS
RECENTLY SHOWN THE ABILITY
TO SEE THROUGH ANOTHER PERSON'S
EYES.
NO, SHE IS DEFINITELY NOT
HALLUCINATING.
AS YOU'LL NOTICE, SHE HAS
A BENIGN MASS RESTING AGAINST
THE OPTIC NERVE.
THROUGH DRUG TREATMENT, IT HAS
BEGUN TO SHRINK, BUT THE PSYCHIC
ABILITY SEEMS TO COINCIDE
WITH THE APPEARANCE OF THE MASS.
NOW, ONCE YOU'VE HAD A CHANCE
TO STUDY THE FILE, I WANT
TO KNOW HOW THIS IS HAPPENING
AND IF THE MASS IS REQUIRED
FOR IT TO CONTINUE.
THE SUBJECT'S NAME IS CHLOE
MORGAN.

CHLOE: I TALK WITH
THE CONCIERGE, THE DOORMAN,
AND THE FRONT DESK, AND NO ONE
HAS SEEN ANYONE MATCHING
HELENA'S DESCRIPTION.
[TELEPHONE RINGS]
JAX: PROBABLY SECURITY.
I ASKED THEM TO CHECK
THE SURVEILLANCE TAPES.
HELLO?
THE GARAGE, TOO?
THANKS.
NO SIGN OF HELENA ON ANY
OF THE TAPES.
CHLOE: NOT EVEN THE
ELEVATORS?
JAX: NO.
CHLOE: MAYBE THIS TIME IT WAS
JUST A DREAM.
JAX: MAYBE NOT.
THIS IS HELENA'S, CHLOE.
I RECOGNIZE IT FROM OUR DATE.
CHLOE: THAT MEANS SHE WAS
HERE.
SHE WAS INCHES AWAY
FROM MY FACE.
WHAT DO YOU THINK, SHE LEFT THIS
ON PURPOSE?
DO YOU THINK SHE WANTED US
TO KNOW SHE WAS HERE?
JAX: I DON'T KNOW.
MAYBE NOT.
I MEAN, CAN YOU LOSE SOMETHING
THAT SIZE AND NOT REALIZE IT?
CHLOE: YEAH.
EVENTUALLY YOU WOULD REALIZE IT
WAS GONE.
JAX: MAYBE SHE WANTED US
TO FIND IT.
OR MAYBE SHE MADE A MISTAKE.
WHICH MEANS IF SHE MADE ONE
MISTAKE, THE ODDS ARE SHE'LL
MAKE ANOTHER ONE.

HELENA: ANDREAS?
ONE OF MY EARRINGS IS MISSING.
IT PROBABLY FELL OFF
IN MY BEDROOM.
PLEASE FIND IT.

GIRL: DELIVER $10,000 IN CASH
EXACTLY AS I'VE INSTRUCTED.
IF THE MONEY'S NOT THERE,
THE POLICE AND THE PRESS ARE
GOING TO FIND OUT WHAT YOU DID.
ARE WE CLEAR?
EMILY: YEAH.
YEAH, GOT IT.
LUCKY: SMILE.
YOU'RE DOING GREAT.
NIKOLAS: WAIT.
JUST HANG ON.
I THINK THEY'RE ABOUT TO LEAVE.
TAGGERT: OOH.
WHAT IS THAT, SOME NEW PERFUME
YOU'RE WEARING?
NIKOLAS: SO?
EMILY: ALL RIT.
$10,000.
ELIZABETH: OH --
NIKOLAS: THAT'S NOT
A PROBLEM.
ELIZABETH: UM --
I HAVE A PROBLEM.
WHAT IF THE BLACKMAILER KILLED
TED OR HELPED KILL HIM?
WE DON'T HAVE ANY IDEA HOW MANY
PEOPLE ARE INVOLVED.
BUT OBVIOUSLY SOMEBODY HAS
MURDERED AT LEAST ONCE
AND THEY'RE WILLING TO DO IT
AGAIN.
ONE OF US COULD GET KILLED.

[KNOCK ON DOOR]
JOHNNY: THEY SENT THIS OVER
FROM THE WAREHOUSE.
SONNY: JUST LEAVE IT
ON THE TABLE.
JOHNNY: ARE YOU EXPECTING
ANYONE TONIGHT?
SONNY: NO, NOT TONIGHT.

CARLY: SONNY'S GOT NO USE
FOR ME.
LILA: HE ASKED YOU TO MARRY
HIM.
CARLY: BECAUSE I WAS
PREGNANT.
I FOUND HIM TODAY WITH ANOTHER
WOMAN.
AND I WAS UPSET, OK?
I WAS ALOUS, AND I WENT OFF
ON HER, AND THEN SONNY WENT OFF
ON ME.
HE ACTED LIKE THIS LITTLE GIRL
WAS SOME SORT OF A, YOU KNOW,
FRAGILE FLOWER, AND HE PROTECTED
HER.
AND THEN HE ASKED JOHNNY
TO DRIVE HER HOME, BUT HE NEVER
ASKED ME IF I NEEDED A HAND.
LILA: CARLY, A MAN LIKE SONNY
DOESN'T FIND IT EASY TO REACH
OUT, ESPECIALLY AFTER HE'S SHOWN
HIS TEMPER.
CARLY: SONNY WOULD NEVER
TREAT YOU THAT WAY.
A WOMAN LIKE YOU, SONNY WOULD
NEVER RAISE HIS VOICE, YOU KNOW?
HE TREATS YOU WITH RESPECT.
BUT HE LOOKS AT ME AND HE SEES
TRASH.
I ACTUALLY THOUGHT THAT WE COULD
SHARE OUR LIVES.
HOW COULD I HAVE BEEN SUCH
A FOOL?

>> ON THE NEXT
"GENERAL HOSPITAL" --

A.J.: PEACE OFFERING.

NED: SOMEBODY WANTS
TO PURCHASE L&B?

MONICA: HOW DARE YOU GO
BEHIND MY BACK.

NIKOLAS: LUCKY AND I WILL
TAKE CARE OF EVERYTHING.
ELIZABETH: IT'S TOO
DANGEROUS.

BOBBIE: SURPRISE.
CARLY: HI, MAMA.

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