GH Transcript Thursday 7/20/00

 

General Hospital Transcript Thursday 7/20/00

Provided by Laura

NED: UM --
ALEXIS: HONEY, I DIDN'T KNOW
YOU'D HAVE A GUEST.
MAN: IS THIS NORMAL, EDDIE?
I MEAN, DO YOU ALWAYS COME BACK
TO YOUR HOTEL AND FIND
AMAZING-LOOKING GROUPIES
HALF-NAKED IN YOUR BED WAITING
TO AMBUSH YOU?
NED: THAT WOULD BE A NO.
OK.
LET'S -- LET'S JUST LOSE
THE CAMERA FOR RIGHT NOW,
AND -- AND THEN I'LL ANSWER ANY
QUESTION YOU WANT.
MAN: OH, COME ON, DON'T MAKE
ME TURN IT OFF.
I'M GETTING GREAT FOOTAGE.
ALEXIS: OH!
NED: AH, NOW, PLEASE.
THANK YOU.
MAN: HI.
ALEXIS: HOW YOU DOING?
MAN: WELL, NOT AS WELL
AS EDDIE HERE.
NED: OK --
I THINK WE SHOULD RESCHEDULE
THIS INTERVIEW UNTIL AFTER
THE CONCERT AT THE ARENA, OK?
THEN I'LL GIVE YOU ALL THE TIME
YOU NEED.
MAN: IS THE LADY GOING TO BE
THERE?
ALEXIS: NO!
NED: OH, YES.
WELL, WE'LL WORK OUT
THE LOGISTICS LATER.
OK.
THANK YOU.
WE'LL SEE YOU LATER
AT THE CONCERT.
HAVE A NICE EVENING.
ALEXIS: I'M REALLY NOT CUT
OUT FOR THIS.

MAC: YEAH, COME IN HERE.
MAN: AREN'T THOSE LUKE
SPENCER'S BELONGINGS?
MAC: YEAH, WHAT OF IT?
MAN: NOTHING.
EXCEPT THAT WE'VE ALREADY BEEN
OVER EVERYTHING WITH
A FINE-TOOTHED COMB.
MAC: WELL, SOMEMES IT'S
EASY TO OVERLOOK THE OBVIOUS.
LIKE THESE, FOR EXAMPLE.
MAN: CAR KEYS?
MAC: WOULD YOU SAY
THEY BELONG TO LUKE SPENCER?
MAN: THAT WOULD BE
MY PRESUMPTION, YES.
MAC: WRONG, DETECTIVE.
YOU SEE, SPENCER DRIVES
A 1959 CADDY AND AN S.U.V.,
AND THESE AREN'T A MATCH
FOR EITHER.
HERE YOU GO.
PUT YOUR TRAINING TO GOOD USE.
FIND OUT WHAT VEHICLE THEY DO
MATCH, AND I NEED AN I.D. --
YESTERDAY.

EMILY: Oh.
HEY, NIKOLAS.
IT'S EMILY.
WELL, I -- I TRIED YOUR
CELL PHONE, BUT NOBODY WAS
PICKING UP, SO --
WHEN YOU GET THIS MESSAGE,
COULD YOU GIVE ME A CALL
AT HOME, PLEASE?
THANKS.

LUCKY: THIS ISN'T GOOD,
NIKOLAS.
WHERE IS THE FREEZER, MAN?
NIKOLAS: I -- I KNOW AS MUCH
AS YOU DO,K?
I DON'T KNOW WHY YOU'RE ASKING
ME.
LOOK, MAYBE THE STAFF MUST HAVE
MOVED IT, OK?
BUT WHY?
LUCKY: WE'LL DISSECT
MOTIVATION LATER -- AFTER
WE FIND THE FREEZER.
THERE'S A BODY INSIDE THERE.
IF SOMEONE OPENS IT UP,
WE'RE AS DEAD AS TED.
NIKOLAS: AT LEAST WE THOUGHT
TO LOCK IT.
LUCKY: YEAH, AND IT'S GOING
TO TAKE SOMEBODY A WHOLE THREE
MINUTES TO PRYPEN THE LID.
NIKOLAS: YOU'RE RIGHT.
THIS CAN'T HAPPEN.
COME ON.

ROY: YOU KNOW, I REALIZE IT'S
NO CASTLE.
BUT, YOU KNOW, IT FEELS GOOD
TO HAVE A PLACE TO CALL HOME.
BOBBIE: YEAH.
YOU LIVED HERE BEFORE,
RIGHT, WHEN YOU FIRST CAME BACK
TO PORT CHARLES?
ROY: MM-HMM.
I RENTED A ROOM OVER JAKE'S
FOR A HOT MINUTE.
BUT THAT WAS DIFFERENT.
I WAS ON ASSIGNMENT FOR THE FEDS
STILL.
I WAS BASICALLY GOING WHEREVER
THEY POINTED ME.
THIS IS --
THIS IS, LIKE, MY CHOICE.
BOBBIE: WELL, I'M SURE LAURA
AND LULU ARE GOING TO MISS YOU.
ROY: YEAH, I'M GOING TO MISS
THEM, TOO.
LIVING WITH THEM WAS THE FIRST
TASTE OF HOME FOR MANY YEARS.
BUT IT REALLY IS TIME
THAT I MADE ONE FOR MYSELF.

SONNY: CLAUDE --
IS ROY IN?
CLAUDE: NO, BUT I EXPECT HIM
SOON.
SONNY: OK, I'LL WAIT.
CLAUDE: CAN I GET
YOU ANYTHING?
SONNY: YEAH, CAN I HAVE
SCOTCH ON THE ROCKS?
CLAUDE: THINK YOUR DATE IS
HERE.
SONNY: LIKE I SAID,
I'LL WAIT.
TAGGERT: YOU WANT BAR
OR TABLE?
HANNAH: HMM, TABLE.
I DON'T WANT TO SHARE
YOU TONIGHT.
TAGGERT: WELL, BE STILL
MY HEART.
CARLY: WELL, YOU JUST DON'T
KNOW WHEN TO QUIT, DO YOU?

HANNAH: GET OUT OF MY WAY,
CARLY.
CARLY: I THINK I ALREADY DID.
DON'T YOU?
I MOVED OUT OF SONNY'S
PENTHOUSE, SO I GUESS YOU THINK
IT'S OPEN SEASON.
YOU HAVE ANY IDEA HOW PATHETIC
YOU ARE?
HANNAH: ME?
TAGGERT: LOOK, THIS ISN'T
THE TIME OR THE PLACE,
ALL RIGHT?
CARLY: THEN YOU SHOULD HAVE
LEFT YOUR LITTLE BIMBO AT HOME
INSTEAD OF PARADING HER AROUND
SO SHE COULD CHASE AFTER SONNY.
HANNAH: YOU KNOW WHAT?
WHY DON'T YOU GRAB US A TABLE.
I'LL BE THERE IN A SECOND.
TAGGERT: SURE YOU'RE ALL
RIGHT?
HANNAH: OH, I CAN HANDLE
THIS.
YOU HAVE A BIG MOUTH.
AND ONE DAY, SOMEONE'S GOING
TO SHUT IT FOR YOU.
CARLY: YOU'RE WELCOME TO TRY.
HANNAH: OH, DON'T PRESS
YOUR LUCK.
CARLY: WHAT?
YOU MIGHT FORGET YOU'RE A LADY?
HOW DO YOU SELL THAT GARBAGE,
ANYWAY?
IS IT BECAUSE YOU'RE PRETTY
ENOUGH IN, LIKE, A REALLY CHEAP
WAY SO THAT YOU DISTRACT MEN?
I MEAN, WE ALL KNOW THAT MEN ARE
SO EASILY DISTRACTED.
TAKES THEM A LOT LONGER
TO FIGURE OUT WHAT A SLUT
YOU ARE.
LET ME ASK YOU A QUESTION --
WERE YOU BORN WITHOUT MORALS,
OR DID THE F.B.I. TRAIN THEM OUT
OF YOU?
HANNAH: OH, EXCUSE ME WHILE
I DIE LAUGHING.
YOU'RE QUESTIONING MY MORALS?
CARLY: WELL, LET'S GO DOWN
THE LIST, HANNAH.
COME ON.
YOU WERE WITH SONNY.
HANNAH: UH-HUH.
CARLY: AND THEN YOU STARTED
CHASING AFTER JASON.
NOW YOU GOT POOR TAGGERT
AND DUMB A.J. PANTING ALL OVER
YOU.
AND THAT'S NOT ENOUGH, SO YOU'RE
GOING TO SIT HERE AND YOU'RE
GOING TO CHASE AFTER SONNY?
YOU WANT TO GET SONNY BACK?
HANNAH: OH, YOU ARE
SO TRANSPARENT, YOU KNOW THAT?
YOU DON'T EVEN HAVE A POINT.
YOU'RE JUST SPEWING AND BABBLING
OUT THE FIRST THING THAT COMES
OUT OF YOUR LITTLE EXCUSE
OF A MIND, ALL IN HOPES TO GET
SONNY'S ATTENTION, RIGHT?
WELL, GUESS WHAT, CARLY --
HE'S NOT LOOKING.
IT DIDN'T TAKE LONG TO REALIZE
YOU'RE NOTHING BUT A TRAMP.
BUT NOW I REALIZE YOU'RE STUPID,
TOO.
ESPECIALLY IF YOU THINK I'M
GOING TO INDULGE YOU FOR ONE
MORE SECOND.
[DOOR SLAMS]
A.J.: WELL, WELL.
LOOK OUT, WORLD, THE HELLCAT'S
ON THE PROWL.
SONNY: YOU MADE A BIG MISTAKE
SHOWING YOUR FACE AT
THE BROWNSTONE.
I'M GOING TO TELL YOU RIGHT NOW
WHY IT'S NOT GOING TO HAPPEN
AGAIN.

ROY: YOU KNOW --
THIS MIGHT COME IN HANDY.
BOBBIE: THANKS.
ROY: YOU'RE WELCOME.
SO, WHAT DO YOU THINK?
BOBBIE: I'M BEGINNING TO SEE
THE UPSIDE OF YOU LIVING HERE.
ROY: YEAH?
BOBBIE: YEAH.
ROY: REALLY?
BOBBIE: YOU KNOW,
BECAUSE THERE'S, LIKE, NO CHANCE
OF KIDS OR EX-HUSBANDS WALKING
IN ON US.
ALTHOUGH IT DEFINITELY DOES NEED
A WOMAN'S TOUCH.
ROY: REALLY?
YOU KNOW, I SORT OF LIKE IT
THE WAY IT IS.
BOBBIE: SURELY YOU JEST.
ROY: WELL, I REALIZE IT'S NOT
READY FOR THE COVER OF SOME
FANCY LIFESTYLE MAGAZINE,
BUT THAT'S ONLY BECAUSE IT'S
STRIPPED TO ITS BARE ESSENTIALS.
IT'S A FROM-THE-GROUND-UP SORT
OF PROPOSITION.
IT'S KIND OF LIKE THE GUY WHO
RENTED IT, YOU KNOW.
WE'RE TRYING TO DISCOVER WHO
WE ARE.
BOBBIE: OK.
WELL, I KNOW WHO YOU ARE,
AND I LOVE DECORATING,
AND I REALLY WANT TO DO THIS
FOR YOU.
ROY: YEAH, WELL, WHY DON'T
WE JUST LEAVE THAT IDEA
ON THE TABLE RIGHT NOW?
BOBBIE: WHAT TABLE?
ROY: YOU KNOW, IT'S TIME
TO GET TO THE CLUB, ACTUALLY.
BOBBIE: OH, YOU KNOW WHAT?
I COULD WAIT HERE FOR YOU.
TONY HAS LUCAS FOR THE NIGHT.
ROY: NO, THAT'S OK.
I THINK YOU SHOULD COME WITH ME
AND BE A MUSE TO A LOWLY BAR
MANAGER.
BOBBIE: OH, YEAH?
CONSIDER YOURSELF INSPIRED.
ROY: THERE YOU GO.

ALEXIS: I'M MORTIFIED.
WHAT IF THAT REPORTER PLASTERS
MY CHEAP, TAWDRY, YET
RESPECTABLE IMAGE ALL OVER
THE INTERVIEW?
NED: I KNOW THIS PROBABLY
WON'T MAKE YOU FEEL ANY BETTER,
BUT I ACTUALLY SIGNED A WAIVER
AND GAVE HIM THE RIGHT TO USE
ANY FOOTAGE THAT HE WOULD LIKE
TO USE.
ALEXIS: HAVE I NOT TAUGHT
YOU ANYTHING?
NED: WELL, I KNOW HE GOT SOME
TERRIFIC SHOTS AT THE REHEARSAL.
BUT I DON'T THINK THEY'RE REALLY
GOING TO COMPARE WITH THE SIGHT
OF YOU ON THIS BED IN THAT TEDDY
WITH A ROSE.
ALEXIS: HONEY?
NED: IF IT'S ANY CONSOLATION,
YOU LOOKED FABULOUS.
ALEXIS: I DID?
NED: OH, YEAH.
ALEXIS: REAL?
THAT'S NOT THE POINT.
THE POINT IS, IS THAT THIS COULD
GO NATIONAL.
THIS COULD BE IN PORT CHARLES
ON THE 11:00 NEWS.
"HOMETOWN BOY GOES ON THE ROAD."
PAN TO ME IN MY GARTER BELT.
I'LL BE SNICKERED AND SMIRKED
RIGHT OUT OF DISTRICT COURT.
NED: NO, NO, NO --
IT'S STRICTLY A LOCAL OPERATION.
ALEXIS: IS THAT SUPPOSED
TO MAKE ME FEEL BETTER?
I KNEW I SHOULD HAVE CALLED
BEFORE I CAME HERE.
NED: WELL, WHY DIDN'T YOU?
ALEXIS: BECAUSE I WANTED
TO SURPRISE YOU.
NED: WELL, YOU CERTAINLY DID.
ALEXIS: TRUTHFULLY, I DIDN'T
EVEN WANT TO STOP TO MAKE
A CALL.
I JUST WANTED TO --
TO GO.
NED: WELL, HOW'S IT GOING?
ALEXIS: IT -- IT'S --
NED: OK, WELL, I'M JUST GLAD
YOU'RE HERE AND IN ONE PIECE.
ALEXIS: ME, TOO.
I THINK.
I MEAN --
NED: YOU KNOW WHAT?
LET'S JUST FORGET ABOUT
THE INTERVIEW STUFBECAUSE WE
HAVE TO GET READY FOR
THE CONCERT.
ALEXIS: I'M SURE YOU'LL DO
A VERY GOOD JOB.
NED: OH.
WELL, ONLY IF I SEE YOUR SMILING
FACE STANDING OFFSTAGE.
ALEXIS: SWEETHEART,
YOU'RE NOT GOING TO SEE MY FACE.
NOT NOW.
MAYBE NEVER.
BECAUSE I AM GOING UNDER
THE COVERS AND I'M NOT COMING
OUT UNTIL I'M --
WELL, DEAD.
NED: OH, NO, NO,
NO, NO, NO, NO.
SEE, THAT'S NOT AN OPTION.
I'M SORRY.
OTHERWISE, I WON'T BE GOING
ONSTAGE.
ALEXIS: I'M NOT GOING!
NED: OK.
I GUESS I'LL JUST HAVE TO CALL
THE PROMOTER AND TELL HIM
TO CANCEL THE CONCERT RIGHT NOW.
I'LL SAY I'M HEARTSICK,
AND EDDIE MAINE'S REPUTATION
WILL BE TRASHED.
L&B WILL GO UNDER, AND IT'LL ALL
BE YOUR FAULT.
DO YOU REALLY WANT TO SHOULDER
THAT KIND OF RESPONSIBILITY?
ALEXIS: ALL RIGHT, ALL RIGHT.
I'LL GO.
BUT UNDER ONE CONDITION.

[KNOCK ON DOOR]
MAC: COME IN.
MAN: YOU WERE RIGHT,
COMMISSIONER.
THEY'RE NOT CAR KEYS.
MAC: WELL, WHAT DO
THEY BELONG TO?
MAN: SOME TYPE OF SEAGOING
VESSEL.
MOST LIKELY A YACHT.

EMILY: OH, GRANDFATHER,
GRANDMOTHER.
HI.
I DIDN'T SEE YOU GUYS COME IN.
EDWARD: THAT'S VERY APPARENT.
EXCUSE ME, DEAR.
EMILY, YOU --
YOU SEEM TO BE LIVING
IN YOUR OWN PRIVATE WORLD,
AND I'M VERY CONCERNED.
EMILY: WHY?
EDWARD: WELL, YOU'RE
OBEDIENT,
AND YOU'VE BEEN STICKING VERY
CLOSE TO HOME,
AND YOU HAVEN'T PICKED A FIGHT
WITH ANYONE IN QUITE A WHILE
AND --
NOW, SOMEONE HAS TO POSE
THE QUESTION --
AND SINCE I SEEM TO BE THE --
THE RESIDENT BAD GUY, I'LL ASK.
ARE YOU TAKING DRUGS AGAIN?
EMILY: EXCUSE ME?
LILA: EDWARD, REALLY.
EDWARD: LILA, I AM TRYING
TO DO RIGHT BY OUR
GRANDDAUGHTER, SINCE HER PARENTS
ARE INCAPABLE AND YOU'RE TOO
SOFT A TOUCH.
EMILY, WE WILL GET YOU ALL
THE HELP YOU NEED IF YOU'LL JUST
TELL US THE TRUTH.
EMILY: I AM NOT TAKING ANY
DRUGS, GRANDFATHER.
LILA: EDWARD, I'D LIKE
TO HAVE A MOMENT ALONE
WITH EMILY.
EDWARD: OH, ALL RIGHT.
AS LONG AS SOMEONE CAN GET
TO THE BOTTOM OF THIS -- THIS
BIZARRE BEHAVIOR.
LILA: I APOLOGIZE FOR EDWARD.
TACT HAS NEVER BEEN
HIS STRONGEST SUIT.
EMILY: THAT'S OK.
LILA: BUT HE'S RIGHT.
SOMETHING IS TROUBLING YOU,
DEAR.
WOULD YOU LIKE TO TELL ME WHAT
IT IS?

NIKOLAS: WHEN I GIVE
AN ORDER, I EXPECT IT TO BE
CARRIED OUT.
MRS. LANSBURY: SIR, I CAN SEE
YOU'RE VERY UPSET, BUT I'M NOT
QUITE SURE WHY --
NIKOLAS: THAT FREEZER THAT
WAS HERE?
MRS. LANSBURY: YES?
NIKOLAS: I THOUGHT THAT
I MADE IT CLEAR THAT IT WAS NOT
TO BE DISTURBED.
MRS. LANSBURY: BUT,
SIR, BEFORE YOU MENTIONED IT,
I ALREADY HAD ARRANGEMENTS
TO HAVE IT MOVED AND OPENED UP
BY THE LOCKSMITH.
I MEAN, I SEE NOW I SHOULD HAVE
REPORTED IT TO YOU WHEN
THE SUBJECT CAME UP,
BUT I THOUGHT I'D HAVE TIME
TO CHANGE MY ORDERS.
LUCKY: WAIT A SECOND.
YOU DIDN'T HAVE ANY TIME?
NIKOLAS: THE LOCK'S BEEN
REMOVED?
MRS. LANSBURY: WELL, NO.
I'M EXPECTING SOME WORKMEN
HERE --
NIKOLAS: I FORBID IT!
THAT FREEZER BELONGED
TO MY UNCLE, AND HE LEFT IT HERE
FOR WHATEVER REASON, AND HERE IS
WHERE IT IS GOING TO STAY!
AND I DON'T GIVE A DAMN WHAT
LOCKSMITH OR STAFF MEMBER IS
INCONVENIENCED.
I WANT THAT FREEZER BACK HERE,
RIGHT NOW, LOCK INTACT.
AM I CLEAR ENOUGH THIS TIME?
MRS. LANSBURY: I'LL TAKE CARE
OF IT RIGHT AWAY, SIR.
NIKOLAS: THANK YOU.
LUCKY: I FORGOT HOW OBNOXIOUS
AND OVERBEARING YOU COULD BE
WHEN YOU WEAR YOUR CASSADINE
HAT.
NIKOLAS: YEAH, WELL,
I HAVEN'T PUT IT ON IN A WHILE.
LUCKY: IT STILL FITS.
WAY TO GO, OH PRINCELY ONE.
NIKOLAS: GET UP.

HELENA: WELL.
COMMISSIONER.
I HOPE YOU'VE BROUGHT ME GOOD
NEWS.
MAC: WELL, THAT DEPENDS
ON WHAT YOU'RE HOPING TO HEAR.
HELENA: YOU FOUND LUKE
SPENCER?
MAC: ACTUALLY, I WAS HOPING
YOU COULD SHED SOME LIGHT
ON A FEW THINGS THAT HAVE COME
UP IN THE CASE.
HELENA: WELL, I'LL DO
WHATEVER I CAN TO BRING ABOUT
A RESOLUTION TO MY UNFORTUNATE
SON'S MURDER.
UM --
I MEANT, MY SON'S UNFORTUNATE
MURDER, OF COURSE.
MAC: OF COURSE.
WHERE DID YOU TAKE YOUR YACHT
THE NIGHT OF THIS UNFORTUNATE
MURDER?
HELENA: WHAT MAKES YOU THINK
I TOOK IT OUT ANYWHERE?
MAC: YOU KNOW, INNOCENT
PEOPLE USUALLY ANSWER A QUESTION
WHEN ASKED.
UNLESS THERE'S A REASON WHY
I SHOULD SUSPECT THAT YOU'RE
TRYING TO HINDER MY
INVESTIGATION.
HELENA: OH.
DON'T BE RIDICULOUS.
ON THE NIGHT THAT STEFAN DIED,
MY YACHT WAS DESERTED, BUT IT
WAS BERTHED IN ITS USUALLY
PLACE.
I DISMISSED THE STAFF,
AND ANDREAS AND I WERE TAKING
A LOVELY DRIVE.
MAC: AND ANDREAS WOULD BACK
UP YOUR STORY?
HELENA: WELL, THERE'S
NO REASON WHY HE SHOULDN'T.
IT'S TRUE.
YOU KNOW, I DON'T LIKE
YOUR ATTITUDE, COMMISSIONER.
WHAT EXACTLY ARE YOU IMPLYING?

SONNY: DON'T ASSUME
BECAUSE CARLY AND I AREN'T
LIVING TOGETHER THAT SHE'S
NO LONGER UNDER MY PROTECTION.
A.J: OH, I GOT THAT.
YEAH, I JUST RAN INTO ABOUT
200 POUNDS' WORTH OF
YOUR PROTECTION AT THE
BROWNSTONE.
SONNY: ANOTHER THING
YOU DON'T WANT TO ASSUME IS THAT
MY MUSCLE WON'T HURT
YOU AND I WON'T SEND
YOU TO PRISON, BRUISED
AND BATTERED.
A.J.: I think you're
bluffing.
SONNY: Yeah?
A.J.: Yeah.
YOU SEE, YOU KIND OF LOST
YOUR SO-CALLED MORAL AUTHORITY
WHEN YOUR LOONY GIRLFRIEND HERE
PULLED A GUN ON ME.
YOU JUST GOT TO LOVE THOSE
PATTERNS, AND YOU SURE KNOW HOW
TO STICK TO THEM, DON'T YOU,
BABY?
FIRST TONY IN OPEN COURT,
AND THEN YOURS TRULY
AT THE NURSES' BALL.
SONNY: YOU CAN PROVE CARLY
PULLED A GUN ON YOU?
I'D LIKE TSEE THAT.
BECAUSE AS FAR AS I RECALL,
THERE WAS
ONE EYEWITNESS -- ME.
NOW, YOU'RE EVEN SMART ENOUGH
TO KNOW YOU'RE NOT GOING TO USE
THAT ONE.
NOW, I HAVE HARD EVIDENCE THAT
PROVES YOU COMMITTED AN ARSON.
I COULD WAKE UP ANY MORNING
I FEEL LIKE AND PUT YOU AWAY.
CARLY: DON'T REALLY HAVE
A LEG TO STAND ON, DO YOU, A.J.?
A.J.: OH, YOU KNOW WHAT?
DON'T CARE, YOU KNOW.
IT DOESN'T MATTER.
IT MAY LOOK THAT WAY RIGHT NOW,
BUT I'M NOT WORRIED.
YOU SEE, MICHAEL'S MSON -- NOT
YOURS, SONNY.
I DON'T CARE HOW MANY GOONS
YOU LINE UP OUTSIDE OF HIS DOOR.
YOU CAN'T TAKE AWAY THAT ONE
UNDENIABLE FACT.
AND I WILL GET MY SON BACK.
AND WHEN I DO, I'M GOING TO MAKE
YOU BOTH SO SORRY YOU EVER HEARD
MY NAME.
SONNY: AND UNTIL THAT DAY
DAWNS, WE PLAY BY MY RULES.
EVERYTHING'S THE SAME.
YOU STAY AWAY FROM MICHAEL
AND CARLY.
AND I DON'T WANT TO HAVE THIS
CONVERSATION AGAIN.
ROY: WHAT'S GOING ON HERE?
BOBBIE: YOU OK?
CARLY: FINE.
SONNY: A.J. WAS JUST LEAVING.
A.J.: NO, ACTUALLY SONNY
WAS TRYING TO THROW ME OUT.
YOU SEE?
BUT I WAS ABOUT TO BRING UP
THE FACT THAT HE DOESN'T HAVE
THE RIGHT TO DO THAT.
ROY: WELL, THAT'S TRUE.
STILL, LUKE'S CAN REFUSE SERVICE
TO ANYONE.
AND SINCE I'M THE MANAGER, I GET
TO ENFORCE THAT POLICY
AT MY DISCRETION.
SO WHY DON'T YOU TAKE A HIKE,
MAKE THE EVENING EASIER
FOR EVERYBODY.
A.J.: NO PROBLEM.
YOUR CLIENTELE SUCKS ANYWAY.

HANNAH: I FEEL BAD FOR HIM.
[DOOR SLAMS]
TAGGERT: SONNY OR A.J.?
HANNAH: A.J.
YOU KNOW, HE DOESN'T DESERVE
THE WAY SONNY AND CARLY TREAT
HIM.
I MEAN, YES, HE'S MADE MISTAKES,
BUT DID I MISS SOMETHING WHEN
THE TWO OF THEM BECAME
CANONIZED?
I DON'T KNOW -- I'M JUST --
HE'S WALKING ON A THIN LINE
RIGHT NOW, AND I'M JUST AFRAID
OF WHAT IT'S GOING TO MAKE HIM
DO -- THE CONSTANT HARASSING.
BOBBIE: OK.
YOU MIGHT AS WELL TELL ME --
WHAT KIND OF TROUBLE HAVE
YOU CAUSED NOW?

MAC: DID YOU DO ANYTHING
WRONG?
HELENA: NOT YET.
MAC: THEN YOU HAVE NOTHING
TO WORRY ABOUT.
BUT SUPPOSE I TOLD YOU THAT
I HAVE SWORN TESTIMONY
FROM A FISHERMAN AND THE HARBOR
PATROL THAT SAID YOUR YACHT WAS
NOT IN ITS BERTH THE NIGHT
STEFAN VANISHED?
HELENA: WELL, IF THAT'S TRUE,
I ASSURE YOU THE YACHT WAS MOVED
WITHOUT MY ORDERS.
MAC: WELL, WHO ELSE HAS A SET
OF KEYS BESIDES YOU?
STEFAN? NIKOLAS?
HELENA: NEITHER.
NO, NIKOLAS HAS NEVER MUCH LIKED
THE HOME I MADE HERE.
AND DUE TO THE VOLATILE NATURE
OF MY RELATIONSHIP WITH MY SON,
IT DIDN'T SEEM PRUDENT TO INVITE
THE ROOSTER INTO THE HEN HOUSE,
SO TO SPEAK.
MAC: AND WHAT ABOUT ALEXIS?
SHE AND LUKE GOT PRETTY TIGHT
THERE FOR A WHILE.
HELENA: SO THIS IS ABOUT
LUKE.
MAC: I --
I FOUND THESE
AMONG LUKE'S POSSESSIONS.
DO THEY LOOK FAMILIAR?
HELENA: THEY LOOK LIKE KEYS
TO ME, COMMISSIONER, BUT THAT'S
NOT ONE OF THE THINGS IN LIFE
I PAY PARTICULAR ATTENTION TO.
MAC: OH, THAT'S RIGHT.
YOU PAY PEOPLE TO OPEN DOORS
FOR YOU.
HELENA: AND WHY SHOULDN'T I?
BUT AS FAR AS ALEXIS IS
CONCERNED, I WOULDN'T TRUST
HER NEAR ANYTHING I VALUED.
BUT I WOULDN'T PUT IT PAST
HER TO STEAL A SET OF KEYS
SO LUKE COULD HAVE THEM COPIED.
MAC: MAY I TRY THEM?
HELENA: BE MY GUEST.

NIKOLAS: WELL, WE --
WE LUCKED OUT.
THE LOCK HASN'T BEEN FORCED
OR TOUCHED AS FAR AS I CAN SEE.
LUCKY: WE STILL HAVE TO OPEN
THE FREEZER.
NIKOLAS: LOOK, I JUST TOLD
YOU THE LOCK HASN'T BEEN
TAMPERED WITH.
LUCKY: LET ME BREAK THIS DOWN
FOR YOU.
WHOEVER WAS CLEVER ENOUGH
TO MURDER THIS GUY AND SET UP
EMILY TO TAKE THE FALL --
IF THAT SOMEONE FIGURES OUT THAT
THIS BODY MYSTERIOUSLY VANISHED
AND THEY CONNECT THE DOTS BACK
TO WYNDEMERE, THIS MEASLY LITTLE
LOCK IS NOT ENOUGH TO KEEP THE
FROM STEALING HIM BACK.
NIKOLAS: ALL RIGHT,
WELL, LOOK, LET'S HOPE THAT IT
DIDN'T HAPPEN AGAIN
BECAUSE THE NEXT LOGICAL STEP
FOR THE KILLER TO TAKE IS
TO MAKE SURE THAT WE DISAPPEAR,
TOO.
SO --
GO AHEAD, OH STREETWISE ONE.
NIKOLAS and LUCKY: UGH.
LUCKY: HE'S STILL THERE,
ALL RIGHT.
NIKOLAS: YOU DO REALIZE
WHAT WE'RE DOING IS COMPLETELY
INSANE.
WE CANNOT KEEP THIS GUY ON ICE
MUCH LONGER.
LUCKY: YEAH, THAT'S A GOOD
ONE -- ON ICE.
[LUCKY LAUGHS]
NIKOLAS: I WASN'T JOKING.
LUCKY: I KNOW.
BUT BEFORE WE CAN GET RID
OF THIS TED GUY, WE GOT
TO FIGURE OUT WHO HE IS AND WHY
NO ONE SEEMS TO BE BOTHERED MUCH
THAT HE WENT TO A RAVE AND NEVER
CAME BACK.

EMILY: HERE YOU GO.
LILA: THANK YOU, DEAR.
THANK YOU.
EMILY: GRANDMOTHER, IF I TELL
YOU SOMETHING, YOU PROMISE
YOU WON'T TELL ANYONE?
IT'S REALLY EMBARRASSING.
LILA: I'LL DO WHATEVER
YOU WISH, DEAR.
IS THIS ABOUT JUAN?
EMILY: WE WENT TO THIS PARTY
TOGETHER, AND WE ENDED UP
GETTING IN A REALLY, REALLY BAD
FIGHT, AND HE ENDED UP KISSING
THIS AWFUL GIRL, ALISON.
YOU KNOW HER?
LILA: AMANDA BARRINGTON'S
GRANDDAUGHTER?
EMILY: YEAH.
SHE'S BEEN AFTER HIM EVER SINCE
THE NURSES' BALL.
LILA: OH, DEAR.
EMILY: YEAH.
SHE'S NOT EVEN SUBTLE ABOUT IT.
I DON'T UNDERSTAND.
AM I MISSING SOMETHING?
IS THIS, LIKE, IN-YOUR-FACE
COME-ON, LIKE, ATTRACTIVE
TO GUYS?
LILA: WELL, AT TIMES.
IT RELIEVES THEM OF
RESPONSIBILITY.
EMILY: WELL, I THINK IT'S --
IT'S COMPLETELY IMMATURE.
YOU KNOW?
AND I HATE THE FACT THAT JUAN'S
REALLY INTO IT.
I THINK THAT HE ACTUALLY KISSED
HER.
I MEAN, I THOUGHT THAT A KISS
WAS SUPPOSED TO MEAN SOMETHING.
YOU KNOW, I THOUGHT IT WAS
SUPPOSED TO BE SPECIAL.
LILA: DID JUAN APOLOGIZE
OR EXPLAIN?
EMILY: WELL, HE TRIED TO,
BUT I WOULDN'T HEAR IT.
I KEPT PUSHING HIM AWAY
AND PUSHING HIM AWAY.
THEN I STARTED TO FEEL BAD,
AND I WENT TO MAKE UP WITH HIM,
AND --
HE --
HE WAS THERE WITH ANOTHER GIRL.
IT WAS HORRIBLE.
I MEAN, MY -- MY HEART
AND MY STOMACH JUST,
LIKE, FELL TO THE GROUND,
AND I THINK THEY'RE STILL THERE.
LILA: WHAT DID JUAN HAVE
TO SAY FOR HIMSELF?
EMILY: WELL, HE SAID THAT
I MISUNDERSTOOD.
YOU KNOW, AND --
AND I MISUNDERSTOOD AND THAT --
AND THAT IT WASN'T WHAT IT
LOOKED LIKE AND THAT,
LIKE, MINUTES BEFORE I GOT THERE
HE HAD STOPPED BECAUSE
HE REALIZED WHAT HE REALLY FELT
FOR ME.
LILA: AND DID YOU FORGIVE
HIM?
EMILY: I BROKE UP WITH HIM.
GRANDMOTHER, I THOUGHT THAT THAT
WAS, LIKE, THE RIGHT THING
TO DO, YOU KNOW?
AND NOW I DON'T KNOW.
LILA: OH.
EMILY: I DON'T KNOW.
I CAN'T -- I CAN'T SORT OUT ALL
THE MESSAGES.
I MEAN, I'VE BEEN WITH HIM
FOR A WHOLE YEAR AND --
AND I'VE LEARNED TO TRUST HIM
AND --
THAT MEANS I SHOULD BELIEVE WHAT
HE SAYS, THEN, RIGHT?
BUT IF HE TELLS ME,
LIKE, SOME KIND OF A BIG,
FAT LIE, THEN WHAT KIND OF IDIOT
AM I?
I'VE SEEN HIM TWICE NOW
WITH GIRLS, KISSING THEM,
DOING THINGS WITH THEM.
SHOULDN'T THAT BE, LIKE,
A SIGN OR SOMETHING OR,
LIKE, AN OMEN OF THINGS TO COME?
LILA: SPEAK TO JUAN, DEAR.
TELL HIM HOW YOU FEEL AND SEE
HOW HE RESPONDS.
THEN YOU'LL HAVE YOUR ANSWER

TAGGERT: AHEM.
DOES THAT MAKE YOU
UNCOMFORTABLE?
HANNAH: WHAT?
TAGGERT: SONNY AND
YOUR FATHER.
I MEAN, THEY'RE AWFULLY CHUMMY.
HANNAH: WELL, YOU KNOW WHAT?
THEY KIND OF BONDED WHEN
THEY WERE WORKING AGAINST
LARKIN.
I DON'T THINK IT GOES ANY DEEPER
THAN THAT, THOUGH.
DOES IT MAKE ME FEEL
UNCOMFORTABLE?
WELL, YOU KNOW, I TRY NOT
TO DWELL ON IT.
I MEAN, MY DAD -- HE'S HIS OWN
MAN, AND HE MAKES HIS OWN
CHOICES.
THAT INCLUDES HIS FRIENDS.
TAGGERT: SO YOU'RE NOT
WORRIED, NOT EVEN A LITTLE?
HANNAH: YOU KNOW WHAT?
ROY LOST HALF OF HIS LIFE
TO PRISON AND THE FEDS.
AND NOW HE'S FREE.
HE'S BACK WITH THE WOMAN
HE LOVES.
HE'S NOT GOING TO GIVE ALL THAT
UP FOR A LIFE OF CRIME,
IF THAT'S WHAT YOU'RE GETTING
AT.
TAGGERT: HMM.
WELL, I HOPE NOT, FOR YOUR SAKE.

SONNY: MIKE TOLD ME HE'S
RUNNING A GAME HERE?
ROY: HE RAN ONE WHILE BOBBIE
AND I WERE AWAY.
I'M TAKING OVER FROM HERE
ON OUT.
SONNY: GOOD.
ROY: YEAH.
I'M HOPING IT'LL, YOU KNOW,
STAKE ME TO A NEW START.
DO I NEED TO REACH SOME KIND
OF UNDERSTANDING WITH YOU?
SONNY: FOR PROTECTION?
ROY: YEAH.
SONNY: OH, ON THE HOUSE.
I JUST TOLD MIKE THAT
TO DISCOURAGE HIM.
BUT I GOT TO TELL YOU,
IF HE GETS IN ANY MORE TROUBLE,
I'M NOT GOING TO BAIL HIM OUT.
ROY: UNDERSTOOD.
SONNY: WHAT HAPPENED
TO YOUR EYE?
ROY: UH --
SOME PUNK GOT IN A SHOT BEFORE
I PUT HIM DOWN.
IT'S NO BIG DEAL.
SONNY: YEAH?
ROY: YEAH.
SONNY: YOU KNOW, IF YOU'RE
LOOKING TO GET BACK INTO SOME
ACTION, YOU KNOW, MORE
PROFITABLE, THERE ARE MORE
DEPENDABLE WAYS.
I MEAN, I --
THE OFFER STILL STANDS.
YOU CAN COME WORK FOR ME.
ROY: YOU KNOW, I APPRECIATE
THAT, SONNY, BUT IT'S A LINE
I DON'T WANT TO CROSS.
SONNY: YEAH, I UNDERSTAND,
SINCE YOUR DAUGHTER'S A FED
DATING A COP.
[SONNY LAUGHS]
CARLY: THAT IS WHAT HAPPENED.
A.J. GOT IN MY FACE AS USUAL.
CAN WE JUST CHANGE --
CHANGE THE SUBJECT?
BOBBIE: OK.
SO, SINCE YOU'RE HERE
WITH SONNY, I TAKE IT THAT MEANS
YOU HAVE DISCUSSED YOUR NEW
LIVING ARRANGEMENTS?
CARLY: GOD.
IS THAT ALL YOU EVER THINK
ABOUT, MOTHER?
BOBBIE: ACTUALLY,
IT'S FOREMOST IN MY MIND,
SO, YES.
HAVE YOU DISCUSSED IT?
CARLY: WE HAVEN'T ACTUALLY
GOTTEN THAT FAR YET.
WHAT IS THE BIG DEAL?
WHY IS IT SUCH A PROBLEM
IF I STAY AT THE BROWNSTONE?
BOBBIE: CARLY, HAVE YOU BEEN
HEARING ME?
YOU'RE LIKE A SQUATTER
IN MY HOUSE.
AND I WON'T HAVE IT, HONEY.
SONNY --
CARLY: MOTHER, WAIT.
MOTHER?
BOBBIE: YOU GOT A MINUTE?
SONNY: YEAH.
BOBBIE: YOU AND I NEED
TO HAVE A CONVERSATION ABOUT
WHERE CARLY IS GOING TO LIVE.

ROY: IF YOU GUYS WILL EXCUSE
ME, I GOT TO GO TALK TO MARISSA.
MIKE: HEY, ROY.
ROY: MIKE, HOW YOU DOING?
MIKE: ALL RIGHT.
SO, LISTEN, HAVE YOU GIVEN MORE
THOUGHT ABOUT REOPENING
THE BACK ROOM ON A MORE
PERMANENT BASIS?
ROY: YEAH.
AS A MATTER OF FACT, I HAVE,
AND I THINK IT'S GOING TO FLY.
MIKE: HEY.
THAT'S TERRIFIC.
ROY: YEAH.
THE THING IS I'M GOING TO HAVE
TO RUN THE GAME BECAUSE THAT'S
THE ONLY WAY I CAN MAKE SURE
THE CLUB'S INTERESTS ARE
PROTECTED.
KE: WELL, I'VE GOT
NO PROBLEM WITH THAT.
I'D RATHER BE A PLAYER ANYWAY.
ROY: GOOD.
OK, WELL, YOU'RE WELCOME TO SIT
IN ANYTIME.
MIKE: FINE.
ROY: BUT YOU SHOULD KNOW
GOING IN THAT SONNY'S ALREADY
SAID HE'S NOT GOING TO COVER
YOUR DEBTS, AND HE SOUNDED LIKE
HE MEANT IT.
MIKE: WELL, HE -- SONNY
THINKS I HAVE A PROBLEM.
I MEAN, HE ALWAYS DID.
BUT THAT'S WHAT HE NEEDED
TO BELIEVE.
WE HAD -- WE HAD ISSUES WHEN
HE WAS GROWING UP, AND HE BLAMED
GAMBLING.
LOOK, I NEVER -- I NEVER HAD
A PROBLEM, I MEAN, BACK THEN.
I DON'T HAVE A PROBLEM NOW.
ROY: WELL, EVERYTHING SHOULD
BE FINE, THEN.
MIKE: ABSOLUTELY.
SO, WHAT'S THAT ALL ABOUT?
ROY: OH.
TRUST ME.
YOU DON'T WANT TO KNOW.

BOBBIE: I'M CLEAR ON WHAT'S
HAPPENING.
THE TWO OF YOU ARE FIGHTING --
SONNY: MM-HMM.
BOBBIE: AND CARLY IS
PUNISHING YOU.
SONNY: MM-HMM.
BOBBIE: NOW, I PERSONALLY
THINK THE TWO OF YOU SHOULD SIT
DOWN AND WORK THINGS OUT, BUT
IT'S REALLY NOT MY PLACE TO SAY.
HOWEVER, THE BROWNSTONE IS
MY PLACE, AND I DON'T APPRECIATE
HAVING IT COMMANDEERED AS WAR
ROOM CENTRAL.
SONNY: YOU KNOW WHAT, BOBBIE?
I UNDERSTAND, AND I APOLOGIZE.
I WILL HAVE CARLY OUT
OF YOUR HAIR AS SOON
AS POSSIBLE.
CARLY: WHAT AM I, INVISIBLE?
MICHAEL AND I ARE NOT LIKE
PIECES OF FURNITURE THAT
YOU MOVE ABOUT FROM PLACE
TO PLACE WITHOUT A VOTE.
SONNY: WELL, YOU HEARD
YOUR MOTHER.
SHE WANTS YOU OUT OF HER HOUSE.
YOU'RE OUT.

HANNAH: EVEN AFTER EVERYTHING
WE'VE GONE THROUGH, I CAN'T HELP
BUT FEEL SORRY FOR SONNY.
TAGGERT: HOW SORRY?
HANNAH: REALLY, REALLY
SORRY.
I MEAN, LOOK AT HI
HE LOOKS LIKE HIS HEAD'S GOING
TO EXPLODE.
TAGGERT: AND THIS CONCERNS
YOU WHY?
[HANNAH LAUGHS]
HANNAH: IT DOESN'T.
IN FACT, I KIND OF LIKE IT.
BUT I HAD YOU GOING THERE
FOR A SECOND, DIDN'T I?
TAGGERT: YES, YOU DID.

EDWARD: WELL, LILA,
SINCE YOU -- SINCE YOU WON'T
TELL ME WHAT'S WRONG WITH EMILY,
YOU CAN'T BE UPSET IF I RESORT
TO DRASTIC MEASURES.
I'LL HAVE HER BLOOD TESTED.
THAT'LL TELL US WHAT WE NEED
TO KNOW.
LILA: OH, EDWARD, STOP IT.
EMILY IS NOT TAKING DRUGS.
EDWARD: I'M SURE THAT'S WHAT
SHE TOLD YOU.
BUT YOU REMEMBER THE FIRST TIME
IT STARTED, WE WEREN'T EVEN
AWARE.
WE WERE CLUELESS EVEN WHEN ALAN
STARTED TAKING DRUGS.
AND THE ONLY REASON THAT WE KNOW
THAT A.J. IS DRINKING AGAIN IS
THAT HE HAS THE COURTESY TO DO
IT RIGHT UP HERE IN FRONT
SO WE CAN'T HELP BUT SEE IT.
IS THAT WHAT YOU'RE WAITING FOR?
YOU'RE WAITING FOR EMILY TO --
TO -- TO SHOOT UP HEROIN
OR SMOKE POT AT THE DINNER
TABLE?
LILA: YOU'RE OFF BASE
AS USUAL, EDWARD.
EMILY IS A TEENAGER IN LOVE.
EDWARD: OH, SO THAT'S IT,
HUH?
WELL, I SHOULD HAVE KNOWN.
YOU KNOW, I NEVER DID APPROVE
OF THAT RELATIONSHIP
FROM THE VERY BEGINNING.
THAT JUAN COMES NOWHERE NEAR
CLOSE TO DESERVING OUR
GRANDDAUGHTER.
LILA: ISN'T IT COMFORTING
TO KNOW A MAN DOESN'T HAVE
TO DESERVE YOU IN ORDER
FOR YOU TO LOVE HIM?
[EDWARD SIGHS]

ALEXIS: YOU WERE GREAT.
YOU -- YOU ROCKED.
[NED LAUGHS]
NED: THANKS.
ONLY BECAUSE YOU WERE STANDING
IN THE WINGS, WEARING THAT
"ALL-ACCESS" PASS DANGLING
AROUND YOUR NECK.
SO, DID YOU ENJOY IT?
ALEXIS: I FELT
OLD.
THOSE GIRLS ARE SO YOUNG
AND THEIR OUTFITS ARE SO TINY.
NED: REALLY?
I -- I DIDN'T EVEN NOTICE THEM.
ALEXIS: LIAR.
WHY DO YOU THINK THEY WERE
LOOKING AT ME, ANYWAY?
YOU THINK IT'S BECAUSE I WAS
WITH THE SINGER?
NED: I THINK IT MIGHT HAVE
BEEN THE DISGUISE.
ALEXIS: DO I LOOK RIDICULOUS?
NED: YEAH, PRETTY MUCH.
BUT I LOVE YOU.
NOW, I WANT YOU TO TELL ME AUT
THAT SURPRISE.
ALEXIS: WHAT SURPRISE?
NED: THE SURPRISE WHERE
YOU START OUT WITH THE TEDDY.
ALEXIS: ARE WE ALONE?
NED: MM-HMM, COMPLETELY.
ALEXIS: MM-HMM.
MM-HMM.
ANY ROVING REPORTERS?
NED: NO, JUST YOU AND ME.
ALEXIS: MM-HMM.
OK.

NED: DID I TELL YOU HOW HAPPY
I AM THAT YOU SHOWED UP?
ALEXIS: I THINK YOU MENTIONED
THAT ONCE OR TWICE.
NED: AND I SURE HOPE THAT
THIS INTERVIEW BUSINESS DIDN'T
MAKE YOU FEEL SORRY THAT
YOU CAME.
ALEXIS: NO, I THINK YOU'RE
RIGHT.
THERE'S NO WAY THEY'RE GOING
TO USE THE FOOTAGE OF ME.
IS THERE A TV?
BECAUSE I'M PROBABLY BEING
BROADCAST ACROSS THE AIR RIGHT
NOW.
NED: LET'S JUST FORGET ABOUT
THE INTERVIEW BUSINESS,
FORGET ABOUT THE GROUPIES.
IN FACT, LET'S JUST FORGET ABOUT
THE ENTIRE REST OF THE WORLD.
ALEXIS: YOU BETTER KISS ME
IF YOU DO THAT.
CARLY: LOOK, I'M SORRY
FOR MOVING IN WITH YOU
WITHOUT GETTING YOUR PERMISSION.
I DON'T KNOW WHAT MADE ME THINK
THAT MY OWN MOTHER MIGHT WANT
ME.
WHY START AT THIS LATE DATE,
RIGHT?

BOBBIE: YOU CAN STOP
WITH THE GUILT TRIP,
CARLY, BECAUSE IT ISN'T GOING
TO WORK.
I LOVE YOU, AND YOU KNOW THAT
BY NOW.
BUT I'M NOT GOING TO LET
YOU MANIPULATE ME THE WAY YOU DO
THE MEN IN YOUR LIFE.
SONNY: YOU KNOW WHAT?
THIS CONVERSATION'S OVER.
YOU AND MICHAEL ARE
MY RESPONSIBILITY.
I'M GOING TO FIND YOU A PLACE
TO LIVE.
I'M SORRY FOR THE INCONVENIENCE,
BOBBIE.
BOBBIE: THANKS, SONNY.
CARLY: HEY.
SONNY: WHAT?
CARLY: LET'S GET SOMETHING
STRAIGHT HERE, OK?
I MIGHT BE AN INCONVENIENCE
TO MY MOTHER, BUT I AM NOT
YOUR RESPONSIBILITY.
YOU OWE ME NOTHING.
AND I OWE YOU THE SAME.
SONNY: YOU --
CARLY: LET'S JUST KEEP IT
AT THAT, OK?
SONNY: YOU ARE NOW OFFICIALLY
HOMELESS, CARLY, YOU
AND MICHAEL.
YOU GOT TWO CHOICES --
EITHER I FIND YOU A PLACE
TO LIVE, OR YOU COME AND MOVE
BACK IN WITH ME.
CARLY: I'D RATHER LIVE
IN THE SWAMP.
SONNY: OH, YEAH?
CARLY: MM-HMM.
SONNY: REALLY? ALL RIGHT.
OK, THEN I BETTER FIND
YOU A PLACE TO LIVE REAL FAST
THEN, HUH?
I'LL GET JOHNNY TO DRIVE
YOU TO THE BROWNSTONE.
LET'S GO.
CARLY: WHO SAYS I'M READY
TO LEAVE?
SONNY: OUT.
ROY: I'VE GOT TO TELL YOU,
YOU HAVE THE PATIENCE
OF A SAINT.
BOBBIE: A SAINT WOULDN'T KICK
HER DAUGHTER OUT ON THE STREET.
I HOPE I'M DOING THE RIGHT
THING.
ROY: OH, I'D HARDLY CALL
SONNY'S PENTHOUSE "OUT
ON THE STREET" -- OR ANY OTHER
PLACE HE MIGHT SET HER UP,
FOR THAT MATTER.
BOBBIE: YOU UNDERSTAND,
DON'T YOU?
I MEAN, IF CARLY REALLY DID NEED
A PLACE TO STAY, I WOULD BE
THERE FOR HER IN A MINUTE.
BUT THAT'S NOT WHAT THIS IS
ABOUT.
THIS IS ABOUT CARLY MANIPULATING
SONNY AND USING ME TO DO IT.
AND WHY SHOULD I LET HER GET
AWAY WITH THAT?
ROY: YOU SHOULDN'T.
AND GOOD FOR YOU FOR KNOWING
THE DIFFERENCE.
BOBBIE: SHE CAN BE AWFULLY
STUBBORN, THOUGH.
ROY: I WONDER WHERE SHE GOT
THAT.
BOBBIE: YEAH, WELL, I'M JUST
WONDERING HOW EASY IT'S ACTUALLY
GOING TO BE TO GET HER OUT.
ROY: SO MAYBE IT'S A GOOD
THING YOU HAVE ANOTHER APARTMENT
AT YOUR DISPOSAL.
BOBBIE: YEAH.
THE WAY THINGS ARE GOING,
I MIGHT HAVE TO MOVE IN.

HANNAH: WE CAN GO BACK
TO KELLY'S, AND I CAN WHIP UP
SOMETHING SINFUL FOR DESSERT.
TAGGERT: HMM.
I WILL -- I'LL DO YOU ONE
BETTER.
JUAN AND EMILY, THEY'VE BEEN
FIGHTING LATELY, YOU KNOW,
SO I'M A LITTLE WORRIED ABOUT
HIM.
I WANT TO STAY CLOSE.
SO WHY DON'T WE GO TO
THE ALL-NIGHT GROCERY, PICK UP
THE INGREDIENTS, TAKE THEM BACK
TO MY PLACE?
HANNAH: SOUNDS LIKE A PLAN.
MAC: TAGGERT?
TAGGERT, I NEED YOU.
TAGGERT: WH?
MAC: THERE'S BEEN SOME NEW
DEVELOPMENTS IN THE SPENCER
CASE.
TAGGERT: YOU KNOW --
YEAH, SIR, YOU KNOW,
I'M ON A DATE HERE.
MAC: SORRY, HANNAH.
HANNAH: MM-HMM.
TAGGERT: GIVE ME A MOMENT?
HANNAH: YEAH.
MAC: COME HERE.
TAGGERT: AHEM.
MAC: LUKE HAD THE KEYS
TO HELENA CASSADINE'S YACHT.
AND I HAVE WITNESSES WHO SAID
THAT YACHT WAS MISSING
FROM ITS BERTH THE NIGHT STEFAN
DIED.
AND HELENA DENIES BOTH BEING
ONBOARD AND ANY KNOWLEDGE THAT
THE YACHT HAD BEEN MOVED.
TAGGERT: OF COURSE SHE DID,
SIR.
SHE WAS PROBABLY LYING
BECAUSE THAT'S WHAT HELENA DOES.
NOW, THERE WAS A TIME WHEN YOU'D
KNOW THAT, SIR, BUT NOW YOU WANT
TO THROW ALL YOUR GOOD INSTINCTS
ASIDE AND JUMP ON THE FIRST
THING THAT MAKES LUKE LOOK
GUILTY.
I MEAN, HOW FAR ARE YOU GOING
TO PUSH THIS, MAC?

NIKOLAS: HEY, I GOT
YOUR MESSAGE.
WHAT'S UP?
EMILY: HEY.
YOU GUYS, THIS IS TURNING
INTO A MAJOR NIGHTMARE,
AND IT'S NOT GETTING ANY BETTER.
LOOK, WE'VE ALREADY LOST
FIVE GRAND.
I THINK WE SHOULD JUST GO
TO THE COPS AFTER ALL.
NIKOLAS: NO.
NO. ABSOLUTELY NOT.
THE REASONS THAT WE DECIDED NOT
TO STILL STAND.
EMILY: NIKOLAS --
LUCKY: I THINK EMILY'S
ON TO SOMETHING.
NIKOLAS: WHAT? SINCE WHEN?
LUCKY: YOU AND I ARE GOING
TO GO DOWN TO THE PCPD TOMORROW.
NIKOLAS: TO TURN OURSELVES
IN?
LUCKY: NO.
WE'RE GOING TO DO A LITTLE
INVESTIGATION INTO OUR BOY TED,
SEE IF WE CAN FIND OUT WHY
NO ONE'S MISSED HIM.

>> ON THE NEXT
"GENERAL HOSPITAL" --

BOBBIE: I AM NOT GOING TO BE
YOUR EXCUSE TO PUNISH SONNY.

TAGGERT: WE GOT TO DISCUSS
A MISSING COP.
[KNOCK ON WINDOW]

JAX: COULD YOU IMAGINE WHAT
HELENA WILL DO TO YOU
IF SHE FINDS OUT THAT YOU'VE
BEEN DREAMING THROUGH HER EYES?

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