GH Transcript Tuesday 7/18/00

 

General Hospital Transcript Tuesday 7/18/00

Provided by Laura

ROY: YOU OK?
BOBBIE: OH, YEAH, I'M FINE.
YOU AND I ARE ON THIS SUNSET
CRUISE AND WE'RE GENTLY ROCKING
IN THE WAVES OFF THE COAST
OF MAUI.
ROY: SIPPING MAI TAIS.
BOBBIE: MM-HMM.
AND THE OCEAN BREEZE IS COOLING
OUR SKIN.
ROY: I'LL NEVER FORGET THIS
TRIP.
BOBBIE: LIFE IS SO UNFAIR.
YOU KNOW, GOING TO HAWAII,
WE GET STUCK IN THMINNEAPOLIS
AIRPORT FOR WHAT SEEMS LIKE
FOREVER.
COMING BACK, THEY PRACTICALLY
SHOVE US ON THE PLANE TO GET IT
OUT ON TIME.
I COULD REALLY USE AN EXTRA DAY
IN PARADISE.
ROY: YEAH, IT WOULD HAVE BEEN
NICE.
BUT I DO HAVE SOME PLANS HANGING
THAT I'VE GOT TO JUMP ON.
BOBBIE: YOU'RE NOT KEEPING
ANYTHING FROM ME, ARE YOU?
ROY: NAH, NAH.
IT'S JUST SOME STUFF AT THE CLUB
THAT LUKE WANTED ME TO DEAL
WITH.
IT'S NOTHING I EVEN WANT
TO THINK ABOUT RIGHT NOW.
BOBBIE: OK, SO LET'S NOT.
LET'S JU ENJOY THE TIME
WE HAVE LEFT.
ROY: YEAH, ALL 20 MINUTES
OF IT.
BOBBIE: YOU KNOW, WE COULD
MAKE IT LONGER.
LUCAS IS WITH TONY.
WE COULD HAVE ONE LAST NIGHT
ALONE TOGETHER AT MY PLACE.
ROY: JUST YOU AND ME?
BOBBIE: YEAH.
ALL ALONE WITH NO ONE
TO DISTURB US.
ROY: SOLD.
BOBBIE: YOU'RE EASY.
ROY: WHO CAN BLAME ME?

CARLY: WHAT ARE YOU DOING
HERE?
A.J.: MICHAEL, DADDY'S HERE.
CARLY: DON'T GO NEAR MY SON.
A.J.: OH, YEAH?
WHO'S GOING TO STOP ME, HMM?
SONNY'S PALOOKAS?
[A.J. LAUGHS]
A.J.: HUH?
NOT A GOON IN SIGHT.
WELL, GUESS YOU'LL JUST HAVE
TO SHOOT ME.
CARLY: GET OUT.
A.J.: YOU'RE KICKING ME OUT?
I -- I GUESS THERE'S A CERTAIN
SYMMETRY TO THAT.
SO WHAT'S IT BEEN, TWO OR THREE
DAYS SINCE SONNY BOOTED YOU OUT
OF THE PENTHOUSE?
CARLY: HOW DID YOU EVEN KNOW
WHERE I WAS?
A.J.: CARLY, IF YOU WANT
YOUR PRIVATE LIFE TO REMAIN
PRIVATE, YOU SHOULDN'T EMPLOY
A NANNY WHO'S DATING MY FAMILY'S
BUTLER.
NOT THAT I CARE.
MY ONLY INTEREST IS TO SPEND
TIME WITH MICHAEL.
AND I PLAN TO DO THAT
ON A REGULAR BASIS.
CARLY: NOT ON YOUR LIFE.
A.J.: AHEM.

ELIZABETH: LOOK, I KNOW
I HAVEN'T EXACTLY MADE THINGS
EASY ON YOU THESE PAST FEW
MONTHS.
LUCKY: IT GOES BOTH WAYS.
ELIZABETH: I JUST THOUGHT
WE COULD PICK UP WHERE WE LEFT
OFF, YOU KNOW?
BUT I KEPT PUSHING EVEN THOUGH
YOU TOLD ME YOUR FEELINGS HAD
CHANGED.
I'M NOT GOING TO PRETEND
TO UNDERSTAND, LUCKY,
BECAUSE I DON'T.
BUT IT DOESN'T MATTER
BECAUSE YOU'VE MADE IT VERY
CLEAR WHAT YOU WANT FROM ME.
AND I'LL DO IT.
I'LL LET GO.
NO PRESSURES, NO EXPECTATIONS.
LUCKY: WE CAN STILL BE
FRIENDS, RIGHT?
ELIZABETH: SURE.
STILL FRIENDS.
LUCKY: ELIZABETH, YOU KNOW
I WISH THINGS COULD BE
DIFFERENT --
ELIZABETH: LUCKY, NO.
PLEASE, DON'T START AGAIN.

JUAN: EMILY, I NEVER SLEPT
WITH SHERRY.
I ADMIT WE WERE MAKING OUT,
BUT THAT'S AS FAR AS IT GOT.
EMILY: OH, AND I JUST
HAPPENED TO WALK IN, RIGHT?
JUAN: IT WASN'T LIKE THAT.
WE --
EMILY: DON'T.
YOU WERE BOTH HALF NAKED, OK?
I'M NOT BLIND.
JUAN: I STOPPED IT MYSELF
RIGHT BEFORE --
EMILY: SAVE IT.
JUAN: LOOK, I'M NOT TRYING
TO MAKE EXCUSES, OK?
I THOUGHT I COULD FORGET ABOUT
YOU BY BEING WITH HER.
BUT IT ONLY MADE ME REALIZE HOW
MUCH I LOVE YOU.
EMILY: DO I LOOK DUMB
TO YOU OR SOMETHING?
YOU WERE WAY TOO BUSY JUMPING
ON SHERRY TO EVEN THINK ABOUT
THE FACT THAT YOU WANTED ME.
JUAN: EMILY, I SWEAR I ONLY
LOVE YOU.
HOW CAN I MAKE YOU BELIEVE IT?
EMILY: YOU CAN'T.
OK, YOU HAVE WHAT YOU WANT NOW.
YOU HAVE SOMEONE TO SLEEP WITH.
JUAN: I DON'T WANT SHERRY.
EMILY: YOU LIAR.
JUAN: I'VE NEVER LIED TO YOU.
AND IF YOU DON'T GET THAT,
THEN MAYBE WE SHOULD JUST CALL
THIS WHOLE THING OFF.
EMILY: WELL, I'M GLAD
YOU FINALLY GOT IT.
ARE YOU DONE NOW?
JUAN: I DON'T EVEN KNOW WHY
I WASTED MY TIME.

MAN: WILL YOU BE NEEDING MORE
INFORMATION ON EITHER MR. JACKS
OR MS. MORGAN, SIR?
STEFAN: MY MOTHER IS
INTENSELY FOCUSED ON BOTH
OF THEM.
BUT FOR DIFFERENT REASONS.
SHE'S BEEN AFTER JAX
ROMANTICALLY FOR QUITE SOME
TIME.
BUT MS. MORGAN --
MS. MORGAN IS MORE PROBLEMATIC.
SHE MUST EITHER HAVE SOMETHING
MY MOTHER WANTS
OR SOMETHING THAT THREATENS HER.
THE KEY IS TO FIND OUT WHAT.

CHLOE: THIS IS THE MUSIC BOX
FROM MY DREAMS.
JAX: ARE YOU SURE?
CHLOE: I'M SURE THIS IS IT,
DOWN TO THE LAST DETAIL.
I'VE BEEN DREAMING ABOUT THIS
FOR MONTHS, JAX.
A MUSIC BOX
THAT BELONGS TO HELENA.

HELENA: THANK YOU ALL SO MUCH
FOR COMING.
ALAN: WELL, THANK
YOU FOR HAVING US.
IT'S BEEN A LOVELY EVENING.
AUDREY: I DO HOPE YOU WILL
DECIDE TO CONTINUE YOUR FAMILY'S
SUPPORT FOR GENERAL HOSPITAL.
ALAN: I SECOND THE MOTION.
THE CASSADINE GENEROSITY IS
CRUCIAL TO THE SUCCESS
OF GENERAL HOSPITAL.
ALEXIS: I'VE ALREADY ASSURED
EVERYONE HERE THAT GENERAL
HOSPITAL WILL BE SUPPORTED
BY THE CASSADINES, HOWEVER IT'S
BENEFACTOR WILL NOT BE
A MURDERESS.

CARLY: THAT VODKA FINALLY
FRIED YOUR BRAIN?
I HAVE SOLE CUSTODY OF MICHAEL,
REMEMBER?
A.J.: YEAH, FOR NOW.
CARLY: CERTAIN LITTLE SIGNED
DOCUMENT RING A BELL?
A.J.: HMM, LET ME SEE.
OH, YEAH.
YOU MEAN THE DOCUMENT I INTEND
TO CONTEST IN COURT?
CARLY: DREAM ON, A.J.
A.J.: ALL I NEED IS
A SYMPATHETIC JUDGE, CARLY.
I'M SURE SONNY WON'T OBJECT NOW
THAT HE'S FINALLY WASHED
HIS HANDS OF YOU.
CARLY: SONNY LOVES MICHAEL.
A.J.: BUT NOT ENOUGH TO PUT
UP WITH YOU.
CARLY: ENOUGH TO MAKE SURE
THAT MICHAEL IS NEVER NEAR
THE MAN WHO KILLED HIS BABY
BROTHER.
A.J.: OH --
YOU CAN'T HELP YOURSELF,
CAN YOU?
YOU KNOW, THAT IRRESISTABLE
BELOW-THE-BELT PUNCH.
CARLY: SONNY WILL NEVER LET
MICHAEL NEAR YOU AFTER WHAT
YOU DID.
A.J.: YOU KNOW DAMN WELL
YOUR MISCARRIAGE WAS
AN ACCIDENT.
I'M NOT GOING TO LET YOU USE IT
TO KEEP ME AWAY FROM MY SON.
CARLY: YOU DON'T HAVE A SON.
MICHAEL IS MY CHILD,
A.J., AND I WILL DO WHATEVER IT
TAKES TO KEEP YOU AWAY FROM HIM.
MAN: TIME TO GO.
A.J.: OH, WHERE DID HE COME
FROM?
CARLY: OOPS.
WHAT, DID I FORGET TO MENTION --
SONNY SENT GUARDS.
I TOLD HIM, YOU KNOW, IT WASN'T
NECESSARY, BUT HE INSISTED THAT
WE BE PROTECTED, SO --
[A.J. SIGHS]
A.J.: THIS ISN'T OVER.
YOU KNOW THAT.
CARLY: NO, IT IS OVER, A.J.
YOU EVER SHOW UP HERE AGAIN,
TRY TO BOTHER US, THE GUARDS
WON'T BE SO POLITE NEXT TIME.
A.J.: DON'T GET TOO
COMFORTABLE.
SONNY'S NOT GOING TO PROTECT
YOU FOREVER.
CARLY: SONNY,
IT'S CARLY.
A.J. SHOWED UP HERE, AND RICK
HAD TO THROW HIM OUT.
HE WANTED TO SEE MICHAEL.
IT'S ALL HANDLED.
I JUST THOUGHT, YOU KNOW,
I SHOULD LET YOU KNOW.
OK, ANYWAY,
THANKS FOR LOOKING OUT FOR US.

ELIZABETH: I'M TIRED
OF YOUR MIXED SIGNALS, LUCKY.
ONE MINUTE WE'RE LAUGHING
AND DANCING LIKE OLD TIMES,
AND THE NEXT YOU'RE SAYING,
"SORRY THINGS HAVE CHANGED.
YOU SHOULD BE WITH NIKOLAS."
LUCKY: I'M JUST TRYING TO BE
HONEST.
ELIZABETH: I'M WALKING
ON EGGSHELLS ALL THE TIME,
WORRIED THAT I MIGHT SAY
THE WRONG THING, TRYING TO KEEP
MYSELF FROM BEING BLINDSIDED
BY YOUR CONSTANTLY CHANGING
MOODS.
WELL, I CAN'T DO IT ANYMORE.
LUCKY: I DIDN'T KNOW IT WAS
LIKE THAT.
ELIZABETH: YEAH,
WELL, NOW YOU KNOW.
I NEED YOU TO STOP STRINGING ME
ALONG.
IT'S NOT FAIR TELLING ME I'VE
GOT TO LET GO AND THEN JERKING
ME BACK BY HINTING YOU STILL
CARE AND "THINGS COULD BE
DIFFERENT IF ONLY --"
YOU KNOW WHAT?
THERE IS NO "IF ONLYS."
I GET THAT NOW, LOUD AND CLEAR.
LUCKY: I NEVER MEANT TO HURT
YOU.
ELIZABETH: I KNOW.
THAT'S THE SADDEST PART.
YOU DID THE BEST YOU COULD,
AND NOW IT'S MY TURN.
WE'RE FRIENDS, LUCKY.
NOTHING MORE.
SEE YOU AROUND.

HELENA: ALEXIS,
WHAT IN THE WORLD HAS COME OVER
YOU TONIGHT?
ALEXIS: TRUTH BE NOT TOLD.
HOWEVER, I THINK THE TRUTH
SHOULD BE TOLD.
I THINK EVERYONE IN THIS ROOM
HAS THE RIGHT TO KNOW THE TRUTH.
I THINK THEY HAVE THE RIGHT
TO KNOW WHO YOU REALLY ARE.
SHE'S MOTHER.
NO, SHE'S A MOTHER
WHO MURDERED HER OWN SON
WITHOUT A TWINGE OF CONSCIENCE.
HELENA: OH, YOU POOR CHILD.
WELL, YOU'RE COMPLETELY
DELUSIONAL.
ALEXIS: UNTHINKABLE,
ISN'T IT?
SHE DID IT.
SHE KILLED HIM.
RIGHT ON THIS YACHT.
RIGHT IN THIS ROOM, AS A MATTER
OF FACT.
I THINK RIGHT THERE --
ON THE FLOOR, RIGHT THERE.
AND SHE USED POISON.
SHE SPIKED HIS DRINK
WITH POISON, WHICH, FOR YOU,
IS HIGHLY UNIMAGINATIVE,
YET PREDICTABLE.
I GUESS YOU THOUGHT NOBODY WOULD
FIND OUT ABOUT IT
AFTER YOU DISPOSED OF THE BODY.
HELENA: HOW CAN I POSSIBLY
ARGUE IN THE FACE OF --
ALEXIS: IT WAS ALL --
I'M TALKING.
IT WAS ALL NEAT AND CLEAN.
NO FUSS, NO MUSS.
WE'RE ON THE YACHT,
IN THE WATER.
IT'S VERY HANDY.
I'M SURE YOU WOULD'VE ENJOYED
THROWING THE BODY OVERBOARD
YOURSELF, BUT SHE'S SO FRAIL
THAT SHE HAD TO ASK ANDREAS
TO DO IT FOR HER.
HELENA: WHAT IS THE PROTOCOL
FOR HAVING YOUR HUSBAND'S
ILLEGITIMATE OFFSPRING COMMITTED
FOR PSYCHIATRIC OBSERVATION?

A.J.: HEY.
HANNAH: HEY.
A.J.: JUST THE PERSON I'M
LOOKING FOR.
HOW ABOUT A NIGHT OUT
ON THE TOWN, COURTESY OF YOURS
TRULY?
HANNAH: WHAT'S THE OCCASION?
A.J.: HOW ABOUT
FORGET YOUR TROUBLES NIGHT?
HANNAH: ANY PARTICULAR
TROUBLE YOU HAVE IN MIND?
A.J.: CARLY'S FIXATION
ON KEEPING ME AWAY FROM MY SON.
YOU KNOW, I JUST STOPPED
BY TO SEE HIM, AND SHE HAD ME
THROWN OUT.
HANNAH: I'M SORRY.
YOU KNOW, I'M NOT SURPRISED.
I MEAN, IT'S NOT THE SMARTEST
MOVE GOING TO VISIT MICHAEL
WHILE HE'S STILL LIVING
WITH SONNY.
A.J.: GUESS YOU HAVEN'T HEARD
THE BIG NEWS.
HANNAH: WHAT?
A.J.: SONNY DUMPED CARLY.
SO, COME ON.
WHAT DO YOU SAY, HUH?
BIG NIGHT OUT ON THE TOWN?
WE CAN CELEBRATE CARLY FINALLY
GETTING WHAT SHE DESERVES.
HANNAH: I'LL PASS.
BESIDES, I HAVE PLANS ALREADY.
A.J.: WELL, YOU KNOW THE OLD
EXPRESSION -- PLANS ARE MADE
TO BE CHANGED.
HANNAH: NOT TONIGHT.
I HAVE A DATE WITH TAGGERT.
A.J.: YOU KNOW, FOR SOMEONE
WHO CLAIMS TO BE DATING TAGGERT,
YOU SPEND AN AWFUL LOT OF TIME
WITH ME.
HANNAH: WELL, THAT'S
BECAUSE YOU KEEP PLOPPING
YOURSELF DOWN.
I MEAN, I SPEND A LOT OF TIME
WITH THE FORENSICS EXPERT,
TOO, BUT I WOULDN'T READ TOO
MUCH INTO THAT, EITHER.
A.J.: WHAT, THAT GUY
AT THE CRIME SCENE?
I'M MUCH BETTER LOOKING THAN
HE IS.
HANNAH: A.J., YOU KNOW WHAT?
I LIKE YOU, AND YOU'RE A LOT
OF FUN TO BE AROUND WHEN YOU'RE
SOBER.
BUT THAT'S AS FAR AS IT GOES.
A.J.: YOU KEEP SAYING THAT.
BUT YOU SOUND LESS CONVINCING
AS TIME GOES BY.
HANNAH: LOOK, YOU'RE NOT
GOING TO START ANYTHING
WITH TAGGERT, ARE YOU?
A.J.: I'M NOT INTERESTED
IN TAGGERT.
I'M INTERESTED IN YOU.
ALL RIGHT, I'LL TELL YOU WHAT --
TAKE AS MUCH TIME AS YOU NEED
TO GET OVER THIS GUY, YOU KNOW?
I MIGHT BE DETERMINED,
BUT I'M ALSO PATIENT.
HANNAH: IT'S NOT GOING TO GET
YOU ANYWHERE.
A.J.: WE'LL SEE.
TIME WILL PASS.
I'LL STILL BE HERE.
ONE DAY YOU'LL WAKE UP
AND YOU'LL REALIZE I'M THE GUY
YOU WANT.
HANNAH: IS THAT SO?
A.J.: COUNT ON IT.
HEY, TAGGERT.
WHAT'S UP, BUDDY?
TAGGERT: WHOO. WHEE.
HEY, BEAUTIFUL.
HANNAH: HEY YOURSELF.
TAGGERT: SO, WHAT'S UP
WITH A.J.?
HANNAH: WELL,
HE JUST ASKED ME OUT.
TAGGERT: YOU WANT TO GO?
HANNAH: PLEASE.
TAGGERT: OH, I'M SERIOUS.
YOU KNOW, A.J. MAY BE A DRUNK,
BUT HE IS RICH AS HELL
AND FOR SOME REASON YOU SEEM
TO LIKE HIM.
HANNAH: WELL, I LIKE A.J.,
BUT, YOU KNOW, THERE ARE
A COUPLE OF PROBLEMS.
ONE, IT DOESN'T MATTER HOW MUCH
A MAN DOES OR DOES NOT HAVE.
TAGGERT: OH. THAT'S A RELIEF.
HANNAH: AND, TWO,
I HAPPEN TO LIKE SOMEONE MUCH
MORE.
TAGGERT: OH?
HANNAH: IN FACT, I'M HAVING
DINNER WITH HIM TONIGHT, AND I'M
REALLY LOOKING FORWARD TO IT.

ELIZABETH: HEY.
EMILY: THANKS FOR COMING
OVER.
ELIZABETH: WELL, OF COURSE.
YOU SOUNDED UPSET.
IS IT THE BLACKMAILER?
EMILY: IT'S JUAN.
ELIZABETH: OH, JEEZ.
EMILY: SO I WENT OVER TO L&B
TO SEE HIM, AND YOU'LL NEVER
GUESS WHO WAS WITH HIM.
ELIZABETH: ALISON.
EMILY: ALISON'S BEST FRIEND,
SHERRY.
THEY WERE GROPING ON THE COUCH,
HALF NAKED.
ELIZABETH: WAIT, WHAT?
EMILY: MM-HMM.
AND THEN HE JUMPED UP
AND STARTED SAYING HOW IT WASN'T
WHAT IT LOOKED LIKE.
WHAT, DO I HAVE, "SUCKER," LIKE,
DRAWN ACROSS MY FOREHEAD?
ELIZABETH: HEY, DON'T
SECOND-GUESS YOURSELF,
EM, OK, BECAUSE HE HAD ME
FOOLED, TOO.
I WOULD HAVE NEVER THOUGHT
FOR A MINUTE THAT JUAN WOULD
TREAT YOU LIKE THIS.
EMILY: I DON'T THINK HE'S
CARED FOR A LONG TIME.
I THINK HE WAS JUST FAKING IT,
YOU KNOW?
HE WANTED NED TO DEVELOP HIM
FOR L&B.
HOW COULD I BE SO STUPID?

ROY: HEY.
CARLY: HI, ROY.
ROY: HEY.
CARLY: YOU WANT A GRAPE?
ROY: WHAT ARE YOU DOING HERE?
CARLY: I LIVE HERE.
WHAT'S YOUR EXCUSE?
BOBBIE: ISN'T THIS
SO PERFECT?
ONE MORE NIGHT ALL TO OURSELVES
BEFORE WE HAVE TO FACE THE REAL
WORLD.
ROY: YEAH, WELL --

ALAN: WE'RE OBVIOUSLY
INTRUDING ON A FAMILY MATTER.
THANK YOU VERY MUCH
FOR YOUR HOSPITALITY.
GOOD NIGHT.
HELENA: THANK YOU FOR COMING.
GOOD NIGHT.
EDWARD: GOOD NIGHT.
CHLOE: NIGHT.
ALAN: NIGHT.
EDWARD: GOOD NIGHT.
AUDREY: GOOD NIGHT.
HELENA: AHEM.
WELL,
CONGRATULATIONS.
THAT WAS QUITE AN INVENTIVE
LITTLE STORY, NATASHA.
UNFORTUNATELY, I DON'T TAKE
KINDLY TO FALSE ACCUSATIONS
OF MURDER.
ALEXIS: YOU'RE MAKING THREATS
IN FRONT OF WITNESSES NOW?
YOU'RE SLIPPING.
WELL, THAT ABOUT WRAPS IT UP
FOR ME.
I'M FINE.
YOU NEED TO LET ME BE.
HELENA: WELL,
I DO HOPE THAT ALEXIS'
UNFORTUNATE MENTAL BREAKDOWN
HASN'T RUINED YOUR EVENING.
CAN I OFFER YOU SOMETHING MORE?
ANOTHER COCKTAIL OR SOME
CHAMPAGNE?
CHLOE: NO, WE'RE FINE.
WE WERE LOOKING AT YOUR
MUSIC BOX.
IT'S EXQUISITE.
HELENA: YES, IT IS, ISN'T IT?
YES, IT'S VERY SPECIAL TO ME.
CHLOE: DID YOU GET THAT
IN THE STATES?
HELENA: NO, IT WAS A GIFT,
ACTUALLY.
IT WAS GIVEN TO ME A LONG TIME
AGO.
CHLOE: I'D LIKE TO FIND ONE
LIKE IT.
TCHAIKOVSKY'S "SLEEPING BEAUTY"
IS ONE OF MY FAVORITE BALLETS.
HELENA: HOW COULD
YOU POSSIBLY KNOW THAT THE BOX
PLAYS "SLEEPING BEAUTY"?

CHLOE: I JUST ASSUMED THAT --
HELENA: BUT WHAT WOULD LEAD
YOU TO THAT ASSUMPTION,
PARTICULARLY AS THE BOX IS
BROKEN AND HASN'T PLAYED MUSIC
IN OVER 20 YEARS?
CHLOE: HOW DID IT BREAK?
HELENA: WELL, IT WAS A GIFT
FROM MY HUSBAND, MY DEAR MIKKOS.
AND ON THE NIGHT THAT HE DIED,
I WAS TERRIBLY AGGRIEVED,
HEARTBROKEN, AND I KNOCKED
THE MUSIC BOX TO THE FLOOR
BY ACCIDENT.
LATER, I THOUGHT ABOUT HAVING IT
FIXED, BUT THEN I DECIDED,
NO, THAT IT WAS BETTER TO LET
THE SILENCE SERVE AS A MEMORIAL.
CHLOE: I'M SORRY.
HELENA: BUT YOU -- YOU STILL
HAVEN'T TOLD ME HOW YOU KNEW
THAT IT PLAYED THE
"SLEEPING BEAUTY" WALTZ.
JAX: OH, WE WERE
IN ST. PETERSBURG AT A MUSEUM
AND WE SAW A SIMILAR ONE.
CHLOE: YEAH.
HELENA: THEN YOU'RE AWARE
THAT THESE PIECES ARE ONE
OF A KIND.
THEY EACH PLAY A DIFFERENT
MELODY.
IT'S -- IT WAS REALLY A LOVELY
SURPRISE WHEN YOU OPEN THE BOX.
JAX: OH.
ACTUALLY, WE DIDN'T KNOW THAT.
CHLOE: NO, I DIDN'T.
I COULD'VE SWORN THE ONE WE SAW
IN RUSSIA PLAYED
"SLEEPING BEAUTY."
JAX: YEAH, THAT'S WHAT
WE THOUGHT.
WELL, MUST BE MISTAKEN.
CHLOE: ANYWAY, IT'S A LOVELY
BOX.
JAX: YES, THAT IT IS.
CHLOE: AND I'M SORRY IT WAS
BROKEN.
HELENA: WELL.
JAX: TURNED OUT TO BE
AN INTERESTING EVENING.
CHLOE: MM-HMM.
JAX: GOOD NIGHT, HELENA.
HELENA: GOOD NIGHT.
THANK YOU FOR COMING.

TAGGERT: I WANT TO COMPLIMENT
YOU ON YOUR GOOD JUDGMENT.
HANNAH: OH, I'D LIKE TO THINK
THAT I LEARNED FROM MY PAST
MISTAKES.
TAGGERT: LEARNED WHAT?
HANNAH: NOT TO RUSH
INTO THINGS.
NOT TO PAINT MYSELF AS A SAVOIR.
AND IF A MAN DOESN'T LIKE
HIMSELF, ODDS ARE HE WON'T BE
GOOD FOR ME.
TAGGERT: SO YOU'RE LOOKING
FOR A GOOD, POSITIVE SELF-IMAGE.
ANYTHING ELSE?
LOOKS? CHARM?
EXCITING OCCUPATION?
HANNAH: OH, NOT TO SOUND TOO
COCKY OR ANYTHING.
TAGGERT: WAS I DESCRIBING
MYSELF?
HANNAH: SO YOU THINK YOU'RE
THE RIGHT MAN FOR ME, DO YOU?
TAGGERT: I DON'T THINK.
I KNOW.
HANNAH: HOW CAN YOU BE
SO SURE?
TAGGERT: THE FIRST NIGHT
YOU TORE INTO ME IN LUKE'S
PARKING LOT.
I SAID TO MYSELF, "SELF,
NOW, THERE IS A STRONG WOMAN
HEADED IN THE WRONG DIRECTION
AS FAST AS SHE CAN GO."
HANNAH: OH, AND YOU BEING
THE RIGHT DIRECTION?
TAGGERT: WELL, YOU TELL ME.
HANNAH: SO FAR, SO GOOD.

NIKOLAS: HEY, HOW'D --
HOW'D IT GO WITH ELIZABETH?
LUCKY: UM,
I THINK WE CLEARED SOME
THINGS UP.
SHE KNOWS THAT SHE'S BEEN HOPING
FOR SOMETHING THAT'S NOT GOING
TO HAPPEN, AND SHE SAID SHE'S
GOING TO BACK OFF.
NIKOLAS: SHE SAID THAT?
LUCKY: SHE UNDERSTANDS THAT
I DON'T WANT TO BE ANYTHING MORE
THAN FRIENDS.
SHE'S OK WITH IT.
NIKOLAS: THAT DOESN'T SOUND
LIKE ELIZABETH.
LUCKY: WELL, SHE SEEMED
PRETTY SURE ABOUT IT.
NIKOLAS: OK, WELL,
MAYBE SHE'S TRYING TO DO WHAT
YOU WANT, BUT SAYING IT IS ONE
THING.
IT'S ANOTHER FOR ELIZABETH
TO FEEL IT.
THAT'S SOMETHING YOU CAN'T JUST
TURN ON AND OFF, LUCKY.
AND IT'S GOING TO BE HARD
FOR HER TO GET OVER YOU.
LUCKY: WELL --
I KNOW A WAY YOU CAN MAKE IT
EASIER FOR HER.
NIKOLAS: WE'VE BEEN THROUGH
THIS.
I DON'T KNOW WHY YOU KEEP
PUSHING IT.
I AM NOT GOING AFTER ELIZABETH
BECAUSE YOU WANT ME TO.
LUCKY: HEY, I CARE ABOUT
YOU AND ELIZABETH.
YOU WOULD BE GOOD TOGETHER.
YOU KNOW IT, TOO.
YOU LIKE HER.
WHY ARE YOU FIGHTING IT SO HARD?

JUAN: I JUST WANTED TO LET
YOU KNOW THAT EMILY'S ALL YOURS.
CARLY: MICHAEL AND I MOVED
BACK IN.
BOBBIE: I SEE.
CARLY: I WAS GOING TO CALL
YOU, BUT I FIGURED YOU AND ROY
WERE PROBABLY HAVING SUCH
A GREAT TIME ON YOUR VACATION.
I DIDN'T WANT TO BUG YOU, SO --
BOBBIE: VERY CONSIDERATE
OF YOU, CARLY.
WHAT HAPPENED?
CARLY: I LEFT SONNY.
ROY: YOU KNOW WHAT?
I'M GOING TO TAKE A RAIN CHECK
ON TONIGHT, OK?
BOBBIE: ROY --
ROY: NO, IT'S -- IT'S OK.
IT'S ACTUALLY BETTER.
I SHOULD CHECK IN AT THE CLUB
AND, YOU KNOW --
I'LL HOOK UP WITH YOU
TOMORROW, OK?
SEE YOU.
CARLY: NIGHT, ROY.
ROY: BYE.
CARLY: SO HOW WAS YOUR TRIP?
BOBBIE: DON'T CHANGE
THE SUBJECT.
CARLY: NO, I REALLY WANT
TO KNOW.
DID YOU GUYS GO TO ONE OF THOSE
LUAUS?
DID YOU WEAR THE LITTLE FLOWER
LEI, LITTLE GRASS SKIRT ACTION?
BOBBIE: CARLY, FROM THE TOP.
WHY'D YOU LEAVE SONNY?
CARLY: ISN'T IT OBVIOUS?
BECAUSE I LOST THE BABY.
BOBBIE: THAT WAS WEEKS AGO.
WHAT DOES THAT HAVE TO DO
WITH LEAVING SONNY NOW?
CARLY: I DON'T KNOW.
DELAYED REACTION, I GUESS.
EVER SINCE, YOU KNOW,
AFTER THE MISCARRIAGE,
NEITHER ONE OF US COULD DO
ANYTHING.
WE WERE JUST BOTH SORT OF TOO
SHELL-SHOCKED.
AND THEN REALITY SUNK IN.
BOBBIE: YOU KNOW,
HONEY, THAT REALLY DOESN'T MAKE
MUCH SENSE.
I MEAN,
THE LAST I HEARD,
YOU TWO TOOK SOME MUCH-NEEDED
TIME OFF, AND YOU WERE BOTH
HAVING A WONDERFUL TIME.
CARLY: WELL, WE WERE.
BOBBIE: WELL, SO?
WHAT'S GOING ON?
SOMETHING OBVIOUSLY HAPPENED.
I'D LIKE TO KNOW WHAT IT IS.

JUAN: I'VE BEEN JUMPING
THROUGH HOOPS TRYING TO FIGURE
OUT WHAT'S WRONG WITH EMILY.
AND SUDDENLY, IT HIT ME.
IT'S YOU.
SHE'S BEEN LOOKING FOR AN EXCUSE
TO BREAK UP WITH ME SO SHE CAN
BE WITH YOU.
LUCKY: YOU'RE THE ONE WHO IS
LOOKING FOR EXCUSES, JUAN.
JUAN: I'VE SEEN YOU TWO
TOGETHER.
AND IF THAT'S WHAT EMILY WANTS,
FINE.
AS FAR AS I'M CONCERNED,
YOU GUYS CAN GO FOR IT.
LUCKY: UGH!
GOD! WHAT A JERK!
I CAN'T -- HE TWO-TIMES EMILY,
AND THEN HE THINKS THAT SHE'S
THE PROBLEM.
NIKOLAS: JUAN WAS WAY OFF
BASE.
LUCKY: YEAH, TELL ME
ABOUT IT.
EMILY'S LIFE IS DETONATING RIGHT
NOW, AND HE'S SO WRAPPED UP
IN HIMSELF HE CAN'T EVEN STICK
AROUND TO FIGURE OUT WHY.
WHAT DOES HE THINK, THAT SHE'S
DISPOSABLE?
THAT HIS FEELINGS MATTER
AND HERS DON'T?
I REALLY DON'T KNOW HOW ANYONE
CAN ACT LIKE THAT.
NIKOLAS: THAT'S EXACTLY WHAT
YOU JUST DID TO ELIZABETH.
ELIZABETH: DON'T BE SO HARD
ON YOURSELF, EMILY.
NONE OF THIS IS YOUR FAULT.
EMILY: I HAD A MILLION
WARNING SIGNS, ELIZABETH,
AND I JUST IGNORED ALL OF THEM.
ELIZABETH: BECAUSE
YOU TRUSTED JUAN.
YOU CAN'T BLAME YOURSELF
FOR THAT.
EMILY: FOR ACCUSING ME
OF WANTING LUCKY?
ELIZABETH, THAT SHOULD HAVE BEEN
A BIG RED LIGHT RIGHT THERE.
JUAN WAS TRYING TO MAKE ME FEEL
GUILTY BECAUSE HE MESSED UP.
HE KNOWS THAT LUCKY LOVES YOU.
ELIZABETH: NO.
HE DOESN'T, EM.
LUCKY AND I CALLED IT QUITS.
EMILY: WHAT DO YOU MEAN?
ELIZABETH: WELL, YOU KNOW HOW
LUCKY'S BEEN SAYING THAT THINGS
ARE DIFFERENT NOW AND WHAT
WE HAD IS IN THE PAST,
AND I SHOULD LET GO.
WELL, I DID.
I TOLD HIM THAT I KNEW THINGS
WERE OVER AND THAT I'D LEAVE HIM
ALONE.
EMILY: WHAT'D HE SAY?
ELIZABETH: HE JUST LET ME.
I THINK HE WAS RELIEVED.
EMILY: WHY ARE GUYS LIKE
THIS?
I DON'T GET IT.
THEY SCREW UP AND THEN
THEY DON'T EVEN KNOW THAT
THEY SCREWED UP.
ELIZABETH: AND THEN WE HAVE
TO SPELL IT OUT FOR THEM.
EMILY: THANK GOD WE WATCH OUT
FOR OURSELVES, RIGHT?
ELIZABETH: SO WHY DON'T
WE FEEL ANY BETTER?
EMILY: YOU AND LUCKY HAD
THE TYPE OF LOVE THAT ONLY COMES
ALONG ONCE IN A BLUE MOON,
ELIZABETH,
THE KIND OF LOVE THAT
PEOPLE SEARCH FOR THEIR WHOLE
LIFE AND NEVER FIND IT.
ELIZABETH: WELL, LOOKS LIKE
I DIDN'T, EITHER.
EMILY: YEAH, YOU DID.
LOSING IT HAS TO HURT SO MUCH.
ELIZABETH: YOU KNOW,
PEOPLE WARN YOU THAT LOVE WON'T
LAST, BUT YOU DON'T BELIEVE IT.
YOU THINK THAT'S THEM, NOT ME.
BUT THEY'RE RIGHT.
SOMETIMES
YOU JUST HAVE TO LET GO,
NO MATTER HOW MUCH IT HURTS.

MAN: AND I RAISE YOU FIVE
MORE.
MIKE: FOLD.
MAN: I'M GOING TO CALL
YOU ON THAT ONE.
SECOND MAN: THREE QUEENS.
FIRST MAN: OUCH.
SECOND MAN: COME TO PAPA.
MIKE: MAN, I CAN'T SEEM
TO SHAKE THIS BAD LUCK TONIGHT.
MAN: IT HAPPENS.
ROY: HOPE SOMEBODY'S GOING
HOME A WINNER.
MIKE: WELL, HEY, ROY.
ROY: MIKE.
MIKE: I DIDN'T THINK YOU'D BE
BACK FROM HAWAII FOR ANOTHER
COUPLE OF DAYS.
ROY: OBVIOUSLY.
MIKE: UH, LISTEN,
GENTS, WHY DON'T WE TAKE
A LITTLE BREAK HERE.
GO TO THE BAR, HAVE A DRINK
ON ME.
A LITTLE --
MAN: IT'S EARLY.
MIKE: YEAH, YES, YEAH.
JUST TAKE -- TAKE FIVE, OK?
MAN: TAKE FIVE?
ALL RIGHT.
THAT SOUNDS GOOD.
MIKE: ALL RIGHT.
MAN: SEE YOU IN A LITTLE BIT.
MIKE: ALL RIGHT.
ROY: SO,
WHAT THE HELL IS THIS?
MIKE: WELL --
HEY, LOOK, WE'RE OFF TO A GREAT
START HERE.
BUT --
BUT DON'T TAKE MY WORD FOR IT,
ALL RIGHT?
WHY DON'T WE LET THIS SPEAK
FOR ITSELF.
THIS IS THE CLUB'S TAKE
OF THE GAME TONIGHT.
IT'S ALL YOURS.

CARLY: WHAT PART DON'T
YOU UNDERSTAND?
I'M TELLING YOU THE TRUTH.
SONNY DOESN'T WANT TO BE
WITH ME.
BOBBIE: CARLY, AFTER YOU
LOST THE BABY,
HE TOOK YOU BACK TO
THE PENTHOUSE, AND HE TOOK
WONDERFUL CARE OF YOU.
CARLY: HE FELT LIKE IT WAS
HIS DUTY.
BOBBIE: SONNY NEVER SAID
THAT.
CARLY: HE ACTUALLY DID.
I OVERHEARD HIM TALKING TO BENNY
WHEN WE WERE ON THE ISLAND.
BOBBIE: OH.
SO YOU WERE EAVESDROPPING?
CARLY: WHY DON'T YOU EVER
TAKE MY SIDE ABOUT ANYTHING?
I HEARD HIM, PLAIN AS DAY.
HE FELT OBLIGATED TO KEEP ME.
WELL, I DON'T FEEL OBLIGATED
TO STAY.
BOBBIE: YOU KNOW PERFECTLY
WELL SONNY CARES ABOUT YOU.
CARLY: OH, YOU KNOW WHAT?
HE'S GOT A REAL FUNNY WAY
OF SHOWING IT, THEN, BECAUSE NOT
TWO MINUTES AFTER I LEFT,
HE'S GOT HIS ARMS ALL WRAPPED
AROUND ANOTHER WOMAN.
BOBBIE: OK.
I KNEW THERE WAS MORE TO THIS
STORY.
WHO ARE YOU JEALOUS OF NOW?
CARLY: WELL, CERTAINLY NOT
ELIZABETH WEBBER.
BOBBIE: ELIZABETH?
CARLY: YEAH, ELIZABETH.
ISN'T THAT FUNNY?
SONNY MADE THIS WHOLE BIG SHOW
ABOUT SETTING ME UP -- MONEY,
CHILD SUPPORT, GUARDS,
WHATEVER I NEED.
AS SOON AS I'M OUT OF THE WAY,
SWEET LITTLE ELIZABETH WEBBER,
BARRACUDA IN DISGUISE,
SLIPS IN, STARTS MAKING EYES
AT HIM,
SAME WAY SHE DID WITH JASON.
AND YOU'D THINK THAT SONNY WOULD
BE SMART ENOUGH NOT TO FALL
FOR IT, BUT HE DID.
HOOK, LINE, AND SINKER.
BOBBIE: WHAT MAKES YOU THINK
SONNY AND ELIZABETH ARE HAVING
A RELATIONSHIP?
CARLY: WELL, I WALKED UP
ON THEM ON THE DOCKS, AND HE HAD
HIS ARMS COMPLETELY WRAPPED
AROUND HER, AND SHE WAS,
YOU KNOW, DOING THAT LITTLE TALE
OF WOES ACT -- THE POOR LITTLE
INNOCENT VICTIM.
BOBBIE: OH, HONEY,
SO YOU NATURALLY ASSUME THEY'RE
HAVING AN AFFAIR?
ELIZABETH IS IN LOVE WITH LUCKY.
CARLY: WHY WOULD SHE SETTLE
FOR MY COUSIN WHEN SHE CAN HAVE
SONNY?
HE'S RICH, HE'S GOOD-LOOKING,
HE'S POWERFUL.
AND HE'S GOT THIS THING,
YOU KNOW, FOR THESE SWEET LITTLE
INNOCENT GIRLS, LIKE ELIZABETH
WEBBER.
BOBBIE: HONEY,
DOES ALL OF THIS SEEM A LITTLE
FAMILIAR TO YOU?
CARLY: NO.
BOBBIE: YOU KNOW, LAST WINTER
YOU JUMPED TO THE CONCLUSION
THAT JASON AND ELIZABETH WERE
HAVING AN AFFAIR.
SO WHAT'D YOU DO?
YOU RAN OFF AND YOU SLEPT
WITH SONNY.
NOW, WHAT CRAZY THING ARE
YOU PLANNING ON DOING NOW?
CARLY: THAT'S TOTALLY UNFAIR.
BOBBIE: NO, IT'S NOT.
I'M JUST -- LOOK, I'M TRYING
TO POINT OUT A PATTERN HERE, OK?
YOU GET HURT,
YOU JUMP TO CONCLUSIONS,
AND THEN YOU TRY TO RELIATE.
HONEY, IF YOU WANT TO PUNISH
SONNY, YOU'RE GOING TO HAVE
TO FIND ANOTHER WAY TO DO IT.
YOU'RE NOT GOING TO DO IT
UNDER MY ROOF.
SO HERE ARE YOUR CHOICES, OK?
YOU CAN GO BACK TO HIM,
OR YOU CAN FIND ANOTHER PLACE
TO LIVE.
BUT YOU'RE NOT GOING TO LIVE
HERE.

CARLY: I DON'T BELIEVE THIS.
MY OWN MOTHER'S THROWING ME OUT.
BOBBIE: OH, PLEASE.
CARLY: DID IT EVER OCCUR
TO YOU THAT MAYBE THIS IS
A REALLY HARD TIME FOR MICHAEL,
YOU KNOW, THAT HE'S GOING
THROUGH A LOT?
BOBBIE: YES, IT HAS.
AND, HONEY, IF I THOUGHT
YOU NEEDED HELP, I WOULD OFFER
IT IN A HEARTBEAT.
BUT I AM NOT GOING TO CAVE
IN TO YOUR EMOTIONAL BLACKMAIL.
NOW, I THOUGHT I MADE IT VERY
CLEAR LAST TIME YOU TRIED
TO LEAVE SONNY.
MY HOUSE IS NOT WHERE YOU COME
WHEN YOU WANT TO PUNISH HIM.
CARLY: THAT IS NOT WHAT
I AM DOING HERE.
SONNY DOES NOT WANT ME.
IT'S NOT LIKE I'M EXACTLY LOADED
WITH CHOICES HERE.
BOBBIE: WELL, YOU KNOW WHAT?
IF YOU FEEL LIKE YOU'RE OUT
ON A LIMB AND YOU DON'T HAVE
ANYPLACE TO GO, ULTIMATELY IT IS
YOUR CHOICE.
CARLY: OH, YOU KNOW WHAT?
BOBBIE: IT'S NOBODY'S ELSE'S.
CARLY: THANK YOU VERY MUCH
FOR YOUR COMPLETELY USELESS
WORDS OF WISDOM.
BOBBIE: OH, CARLY, COME ON.
CARLY: NO. YOU KNOW WHAT?
STOP.
YOU'VE ALREADY SAID ENOUGH.
I GET THE PICTURE.
AND I'M REALLY, REALLY SORRY.
I PROMISE YOU I WILL NEVER ASK
YOU FOR ANYTHING EVER AGAIN
ASONG AS I LIVE.
FIRST THING TOMORROW MORNING,
I'LL LOOK FOR MY OWN PLACE.
BOBBIE: THAT'S NOT WHAT I'M
SAYING.
CARLY: YOU KNOW WHAT?
WELCOME HOME, MA.
BOBBIE: OH --

ROY: YOU KNOW, I --
I NEVER GAVE YOU
THE GO-AHEAD FOR THIS GAME.
NEVER DID.
MIKE: WELL, YOU SAID YOU'D
CONSIDER IT.
ROY: YOU EVER LOOK UP
"CONSIDER" IN THE DICTIONARY?
MIKE: LOOK, I FIGURED I'D
GIVE IT A TRIAL RUN TO HELP
YOU MAKE A DECISION,
GIVE YOU A SENSE ABOUT HOW
PROFITABLE THIS GAME CAN BE.
I MEAN, LOOK,
EVEN WITH SONNY'S PROTECTION
FEE, THERE'S STILL PLENTY MONEY
LEFT OVER FOR US.
ROY: FOR US?
IT'S NOT A MATTER OF "US."
THIS IS MY PLACE.
THIS GOES SOUR, IT'S ON MY BACK.
IT MAY NOT BE WORTH IT.
MIKE: YOU TELL ME.
ROY: SO THAT'S THE TAKE
FOR TONIGHT ONLY?
MIKE: YEAH.
LISTEN, YOU THINK ABOUT IT.
IF YOU'RE NOT COMFORTABLE
WITH THIS SETUP, I'LL CANCEL
NEXT WEEK'S GAME.
NO PROBLEM.
I'M GOING TO HAVE A DRINK
WITH THE BOYS.
SEE YOU IN A BIT.

STEFAN: IF HELENA'S GOAL WAS
SIMPLY TO REMOVE CHLOE
AS AN OBSTACLE ON THE PATH
TO JAX,
SHE WOULD HAVE KILLED
HER BY NOW.
THE FACT THAT SHE'S STILL ALIVE
LEADS ME TO BELIEVE THAT SHE IS
SOMEHOW USEFUL TO MY MOTHER
ON HER OWN.
THAT'S THE CONNECTION WE NEED.
KEEP DIGGING.
SEE WHAT ELSE YOU CAN FIND
ON CHLOE MORGAN.
MAN: YES, SIR.
HELENA: NO MATTER WHAT
HER EXCUSE, THERE'S NO LOGICAL
WAY THAT CHLOE MORGAN COULD HAVE
KNOWN THE MELODY INSIDE
MY MUSIC BOX.
ANDREAS: SHE SAID THE ONE
THEY SAW AT THE MUSEUM PLAYED
THE SAME WALTZ.
HELENA: OH.
THAT POOR GIRL IS GRASPING
AT STRAWS.
NO, IF SHE WENT TO THE MUSEUM,
SHE KNOWS PERFECTLY WELL ALL
OF THOSE BOXES ARE DIFFERENT.
SHE WAS SO ABSOLUTELY CERTAIN.
AND THEN ALEXIS TONIGHT.
SHE WAS EERILY ACCURATE ABOUT
STEFAN'S DEATH, AS IF --
AS IF SOMEONE HAD ACTUALLY
WITNESSED IT AND TOLD HER.
ANDREAS: BUT WE WERE THE ONLY
WITNESSES, MADAM.
NO ONE ELSE COULD HAVE POSSIBLY
KNOWN WHAT HAPPENED.
HELENA: HMM.
ONE WOULD ASSUME.
BUT WHAT COULD BE THE POSSIBLE
EXPLANATION?
I MEAN, THE LOOK ON CHLOE'S FACE
WHEN I TOLD HER THAT THAT BOX
HADN'T PLAYED 20 YEARS.
IT WAS AS IF I CAUGHT HER AND --
I DON'T KNOW -- HAD DISCOVERED
HER SECRET.
ANDREAS: MS. MORGAN
AND MS. DAVIDSON ARE GOOD
FRIENDS, ARE THEY NOT?
HELENA: AH.
EXACTLY WHAT I'M THINKING.
NO, WHAT IF ALEXIS' INFORMATION
ABOUT STEFAN CAME FROM CHLOE?
I ADMIT IT SOUNDS BIZARRE,
BUT I'M BEGINNING TO FEEL
THAT -- WELL, THAT CHLOE MORGAN
CAN SEE INSIDE MY HEAD.
OH.
AND THAT'S A RISK I CANNOT --
I CANNOT TAKE.

JAX: YOU KNOW,
MAYBE WE SHOULDN'T HAVE
CONFRONTED HELENA.
I MEAN, SHE HAS MURDERED PEOPLE.
PERHAPS WE SHOULD TONE IT DOWN
A LITTLE BIT.
CHLOE: DO YOU THINK
SHE BELIEVES OUR EXPLANATION
ABOUT THE MUSIC BOX?
JAX: SHE DIDN'T SEEM TOO
CONVINCED.
CHLOE: DID YOU SEE THE LOOK
ON HER FACE WHEN SHE TOLD ME IT
HADN'T PLAYED IN 20 YEARS?
JAX: YEAH.
SHE WAS ALMOST AS UPSET AS WHEN
ALEXIS WENT INTO THE DETAILS
ABOUT STEFAN'S POISONING.
I MEAN, SHE MUST BE WONDERING
HOW THE TWO OF YOU GOT
YOUR INFORMATION.
NO, SHE COULD THINK THAT YOU'RE
SPYING ON HER.
CHLOE: MAYBE I SHOULD JUST
EXPLAIN TO HER THAT
HER MUSIC BOX HAS BEEN HAUNTING
MY DREAMS SINCE SHE RAN ME DOWN
WITH HER CAR.
AND I HAD TO FIND OUT IF IT WAS
THE RIGHT ONE.
JAX: AND IT OBVIOUSLY IS.
CHLOE: THAT'S THE SCARIEST
PART, JAX.
IT'S LIKE I'M DREAMING THROUGH
HELENA'S EYES.
JAX: COME HERE.

>> ON THE NEXT
"GENERAL HOSPITAL" --

ELIZABETH: YOU SPOKE
TO LUCKY.
DID HE TELL YOU I FINALLY
GAVE UP?

MAC: THE SECOND SPENCER'S
IN CUSTODY, I'D LIKE TO TAKE
THIS TO TRIAL.

ALEXIS: I WILL PROVE THAT
YOU POISONED MY BROTHER,
EVEN IF IT IS THE LAST THING
THAT I DO.

ROY: LEAVE AND HAVE A NICE
DAY.

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