GH Transcript Friday 5/12/00

 

General Hospital Transcript Friday 5/12/00

Provided by Laura

[KNOCK ON DOOR]
ELIZABETH: HEY.
NIKOLAS: OK, OK.
DO YOU WANT TO HEAR MY APOLOGY
OR CALL THE FIRING SQUAD
IN FIRST?
ELIZABETH: THE FIRING SQUAD'S
ON LUNCH BREAK.
NIKOLAS: I'M SO SORRY.
ELIZABETH: YOU'RE BUSY.
NIKOLAS: BACK-TO-BACK
MEETINGS FOR EDDIE MAINE.
ELIZABETH: OH.
NIKOLAS: I DIDN'T GET
YOUR MESSAGE TILL JUST NOW.
ARE YOU ALL RIGHT?
ELIZABETH: TRUTHFULLY,
I THINK I'M ONE STEP UP
FROM BEING DESTROYED.
NIKOLAS: WHAT HAPPENED?
ELIZABETH: I SAW LUCKY.
NIKOLAS: REALLY? WHERE?
ELIZABETH: ON THE DOCKS,
LIKE BEFORE.
NIKOLAS: HE RAN AGAIN?
ELIZABETH: THIS TIME
HE STOPPED, HELD OUT HIS HAND.
WE ACTUALLY HAD A CONVERSATION.
NIKOLAS: OK, SO, WHAT WENT
WRONG?
ELIZABETH: BASICALLY,
I POURED MY HEART OUT TO HIM,
AND HE TREATED ME LIKE SOMEBODY
HE USED TO KNOW -- A CASUAL
FRIEND FROM HIGH SCHOOL,
SOMEBODY HE DANCED WITH A COUPLE
OF TIMES.
NIKOLAS: WELL, WHAT EXACTLY
DID HE SAY?
ELIZABETH: "GOOD TO SEE YOU."
LIKE WHAT YOU SAY TO A NEIGHBOR
THAT MOVED AWAY.
FRIENDLY, POLITE, BUT
IMPERSONAL -- YOU KNOW,
LIKE WE HARDLY CONNECTED AT ALL.
NIKOLAS: YEAH, WELL,
EVERYTHING THAT'S GONE
ON SO FAR, LUCKY'S JUST
DISCONNECTED, YOU KNOW,
ACROSS THE BOARD.
ELIZABETH: WELL,
NOT WITH EMILY.
NIKOLAS: EMILY WAS THERE?
ELIZABETH: NO. NO, NO, NO.
NIKOLAS: SEE, THERE YOU GO.
THAT EXPLAINS IT.
ELIZABETH: NO.
HE SHOWED UP IN HER ROOM.
AND THIS WAS TWO DAYS AGO, OK?
IN THROUGH THE WINDOW, JUST LIKE
BEFORE.
EMILY SAYS THEY PICKED UP RIGHT
WHERE THEY LEFT OFF.
I GUESS HE'S THE SAME OLD LUCKY.
JUST NOT WITH ME.
NIKOLAS: WELL, AT LEAST HE'S
ACKNOWLEDGED YOUR EXISTENCE.
I'M AFRAID MY BROTHER HAS
WRITTEN ME OFF.

LARKIN: GOT A MESSAGE
FOR YOUR FATHER.
HANNAH: I ALREADY TOLD
YOU HE'S NOT IN TOUCH.
LARKIN: TELL HIM HE OWES
THE BUREAU.
HANNAH: EXCUSE ME?
LARKIN: FOR PROVIDING
YOU WITH THE DIVERSIONARY SKILLS
YOU'RE USING TO COVER HIS BACK.
HANNAH: THAT'S A THEORY,
I GUESS.
LARKIN: COULD BUST
YOU FOR OBSTRUCTION OF JUSTICE
RIGHT NOW.
HANNAH: I CRACKED AN EGG
IN THE GROCERY STORY.
WHY NOT CHARGE ME WITH
VANDALISM?
I TRIPPED OVER A LITTLE
TERRIER'S LEASH IN THE PARK.
WHY NOT BUST ME FOR CLUMSINESS
IN A PUBLIC PLACE?
LARKIN: YOU ARE NOT THE POINT
HERE.
EXCEPT AS A HOTLINE
TO YOUR FATHER.
HE NEEDS TO KNOW THAT HIS NUMBER
IS UP.
DEAD OR ALIVE,
DiLUCCA IS MINE.
YOU WANT TO KEEP HIM OUT
OF A BODY BAG,
YOU'LL URGE HIM TO TURN
HIMSELF IN.

ROY: HEY.
WHAT'S UP?
SONNY: THAT'S MY QUESTION
FOR YOU.
WHEN DID THE PARAMETERS
CHANGE, ROY?
I GOT YOU UNDER MY PROTECTION.
SUDDENLY, YOU NEED PERSONAL
BREAKS?
ROY: IF YOU MEAN YESTERDAY,
I HAD BUSINESS.
SONNY: YOUR BUSINESS IS
MY BUSINESS.
I THOUGHT WE HAD THAT STRAIGHT.
THEY HAUL YOU IN, I'M
IMPLICATED.
I NEED TO TRUST THAT YOU'LL STAY
PUT, THAT'S ALL.
ROY: YOU KNOW, SONNY,
TRUST IS A DELICATE THING.
MY LIFE IS IN YOUR HANDS.
CAN YOU EXPLAIN TO ME AGAIN WHY
I SHOULD FEEL GOOD ABOUT THAT?

BOBBIE: THIS ONE AND
THIS ONE.
EXCUSE ME.
NURSE: MM-HMM.
BOBBIE: AUDREY SAID
YOU CALLED.
IS EVERYTHING OK?
CARLY: YEAH.
I HAVE MY SONOGRAM TODAY.
BOBBIE: OH.
YEAH, BUT IT'S NOT FOR ANOTHER
HOUR.
SO, SHE SAID YOU HAD SOME NEWS.
CARLY: OH.
I WAS HOPING I COULD TAKE
YOU TO LUNCH.
BOBBIE: I'D RATHER ABSORB
THIS ON AN EMPTY STOMACH.
CARLY: IT'S NOT THAT BAD.
BOBBIE: HOW BAD?
CARLY: SOME MOTHERS MIGHT
ACTUALLY BE HAPPY.
BOBBIE: OH.
IT'S NOT ABOUT ROY.
CARLY: NOT EVERYTHING IS.
I SAID YES TO SONNY.
SO WE'LL BE GETTING MARRIED
SOON.
WHAT DO YOU THINK?
BOBBIE: WHAT MADE YOU CHANGE
YOUR MIND?
CARLY: IT JUST MAKES SENSE,
YOU KNOW?
WE'RE HAVING A FAMILY, SO --
BOBBIE: WELL, FORGIVE ME
FOR BRINGING THIS UP, BUT THAT'S
WHAT YOU SAID WHEN YOU
MARRIED A.J.
CARLY: WELL, I DIDN'T RESPECT
A.J., AND I HAD NO INTENTION
OF STAYING WITH HIM ANYWAY.
BOBBIE: SO THIS IS DIFFERENT?
CARLY: WELL, YEAH.
I RESPECT SONNY,
AND HE'S GOT A LOT OF QUALITIES
THAT I ADMIRE.
BOBBIE: HMM.
PLUS A FEW THAT YOU HATE.
CARLY: WELL, I'M NO CAKEWALK,
AND AT LEAST HE DOESN'T BORE ME
TO DEATH, YOU KNOW.
BOBBIE: YOU THINK THAT'S
ENOUGH TO MAKE A MARRIAGE WORK?
CARLY: IT'S MORE THAN I'VE
EVER HAD BEFORE.
EXCEPT WITH JASON, AND THAT WAS
HOPELESS, SO --
COULDN'T YOU JUST BE,
LIKE, A LITTLE BIT HAPPY FOR ME?
BOBBIE: YOU KNOW,
YOU'RE GETTING ALONG WITH SONNY
NOW, BUT IN A YEAR FROM NOW,
WHO KNOWS?
CARLY: EVERY DAY THAT I'M
WITH HIM I FIND MORE THAT I LIKE
ABOUT HIM.
BOBBIE: IT'S A START,
I GUESS.
CARLY: YOU SHOULD TRY
TO CONTAIN YOUR ENTHUSIASM.
BOBBIE: WELL, GIVE ME
A SECOND TO CATCH UP.
CARLY: YOU DON'T USUALLY NEED
A SECOND WITH ME.
WHAT'S GOING ON?
BOBBIE: HAS SONNY SAID
ANYTHING ABOUT ROY?
I'M SORRY, I'M SORRY.
I KNOW IT'S NOT YOUR JOB TO KEEP
ME INFORMED, SO FORGET I BROUGHT
IT UP.

LUKE: DID ANYBODY CALL
FOR THE RESCUE TEAM?
BOBBIE: YEAH, THE PEOPLE
YOU JUST LEFT.
LUKE: AIN'T THIS NICE?
JUST IN TIME FOR MOTHER'S DAY.
THAT LITTLE PINK GIFT BOX THAT
JUST KEEPS GIVING.
CARLY: YOU KNOW WHAT, THOUGH?
SPEAKING OF HOLIDAYS,
HALLOWEEN'S NOT FOR MONTHS
AND MONTHS, BUT YOU GOT THAT
BAT-OUT-OF-HELL THING DOWN.
BOBBIE: WOULD YOU EXCUSE ME
WHILE I SKIP ROUND 510?
LUKE: I NEED TO TALK TO YOU.
EXCUSE US, YOUNG WOMAN.
CARLY: NO, PLEASE.
BY ALL MEANS, ENJOY HIM SINCE
YOU'RE THE ONLY ONE WHO DOES.
BOBBIE: WHAT'S SO URGENT?
LUKE: BARBARA, YOU'RE NOT
GOING TO WANT TO HEAR THIS.
BUT YOU KNOW I'LL ALWAYS BE
STRAIGHT WITH YOU, AND I WILL
NEVER SUGARCOAT BRUTAL
INFORMATION.
BOBBIE: TELL ME.
WHAT'S GOING ON?
LUKE: WELL, I KNOW DEEP DOWN
IN THAT LITTLE SOGGY MARSHMALLOW
HEART OF YOURS YOU'RE BANKING
ON A FUTURE WITH ROY.
I'M SORRY TO HAVE TO TELL
YOU THIS, BUT YOU GOT TO CLOSE
THAT ACCOUNT.

BOBBIE: THANK YOU
FOR YOUR INPUT.
I WILL FILE IT IN THE
APPROPRIATE CAN.
LUKE: I'M NOT THE ENEMY HERE,
BARBARA.
BOBBIE: NEITHER IS ROY.
WHAT HAPPENED?
WAS HE NOT APOLOGETIC ENOUGH?
LUKE: ROY'S A DAMN FOOL.
BOBBIE: OK, SO YOU'RE MAD
AT HIM.
DEAL WITH IT, LUKE,
BECAUSE I ALREADY HAVE.
LUKE: HEY, THIS IS NOT
ABOUT ME.
I'M WORRIED ABOUT YOU.
BOBBIE: WOULD YOU TELL THAT
TO SOMEBODY ELSE, OK,
BECAUSE I KNOW YOU.
ROY LEFT US OUT OF THE LOOP,
SO YOU CAN'T FORGIVE HIM.
WELL, TOO BAD.
I CAN.
LUKE: HE'S MADE A TERRIBLE
CHOICE, BARBARA.
BOBBIE: OH, AND WE'VE NEVER
DONE THAT, HAVE WE?
LIKE WHEN WE LEFT HIM ON THAT
SIDEWALK TO DIE.
LUKE: ROY DUG HIS OWN GRAVE
WHEN HE STARTED WORKING
WITH SONNY.
BOBBIE: BY SAVING YOUR LIFE
20 YEARS AGO AND DAMN NEAR
ENDING HIS OWN.
LUKE: WELL, EXCUSE ME,
I'VE HEARD THAT TUNE BEFORE!
BOBBIE: OH, OH -- OR WHEN
HE CHOSE HIS DAUGHTER OVER
THE F.B.I.?
WHAT WOULD YOU HAVE DONE,
LUKE -- ROT IN PENTONVILLE?
WOULD YOU HAVE LET YOUR KIDS GET
SHIPPED OFF TO A FOSTER HOME?
LUKE: THIS IS ANOTHER SONG
THAT DiLUCCA'S TAUGHT
YOU TO SING.
BOBBIE: I LOVE HIM.
YOU DON'T LIKE IT?
TOUGH.
LUKE: WELL, YOU DON'T HAVE
TO BE PSYCHIC TO SEE
THE HANDWRITING ON THIS WALL.
ROY'S PUT HIS LIFE IN SONNY
CORINTHOS' HANDS, AND WE BOTH
KNOW FROM EXPERIENCE THAT THAT'S
A FAST TRACK TO THE CEMETERY.
NOW, EXCUSE ME FOR BEING
SELFISH, BUT I DON'T WANT
MY BABY SISTER ON THAT TRAIN.
BOBBIE: SONNY GOT ROY OUT
OF PRISON.
LUKE: YEAH, BEFORE ROY COULD
TURN OVER ON HIM.
BOBBIE: SO MAYBE HE FIGURES
HE OWES ROY.
MAYBE SONNY PAYS HIS DEBTS.
LUKE: YEAH, MAYBE HE DOES.
WHAT ABOUT THE DEBT HE OWED ME?
HOW DID HE PAY ME, HUH?
HE WAS AT WAR WITH MORENO.
LUCKY WAS LIVING IN THE LINE
OF FIRE, AND HE NEVER SAID
A WORD ABOUT IT.
CORINTHOS IS OUT FOR HIMSELF.
HE DOESN'T CARE ABOUT ANYBODY
ELSE, AND THAT DOESN'T SAY MUCH
FOR YOUR BOYFRIEND'S CHANCES
OF GETTING OUT OF THIS.
BOBBIE: WHAT DO YOU CARE?
LUKE: I CARE ABOUT YOU!
AND I CARE ABOUT THAT IDIOT
YOU'RE IN LOVE WITH.
I TRIED TO WARN HIM.
I DID.
I TRIED TO WARN HIM YESTERDAY,
BUT HE WON'T LISTEN TO ME,
SO MAYBE YOU CAN GET THROUGH
TO HIM.
BOBBIE: WHY DIDN'T YOU SAY
THAT IN THE FIRST PLACE?
LUKE: WELL, BECAUSE I THOUGHT
MAYBE I HAD AN OUTSIDE CHANCE
OF COAXINGOU OFF THE KAMIKAZE
EXPRESS.
BOBBIE: SPENCERS CAN'T BE
COAXED.
LUKE: I'M ALWAYS HOPING THERE
WILL BE A FIRST TIME.
BOBBIE: ANYTHING ON LUCKY?
LUKE: NO, NOT YET.
BOBBIE: LET ME KNOW.
LUKE: YOU STAY OUT
OF TROUBLE.
BOBBIE: I'LL TRY.
LUKE: TRY HARD.
CARLY: THANKS FOR STICKING UP
FOR ME.
BOBBIE: WHEN?
CARLY: WHEN LUKE STARTED
CALLING ME NAMES.
IT WAS OBVIOUS THAT YOU GUYS
WERE ARGUING.
BOBBIE: HEY, YOU KNOW,
BELIEVE IT OR NOT, YOU ARE NOT
THE ONLY SUBJECT ON WHICH
WE DISAGREE.
CARLY: WHAT ELSE?
BOBBIE: SHOULDN'T YOU BE
CHECKING IN WITH DR. MEADOWS?
CARLY: MEANING NONE
OF MY BUSINESS?
OK.
IT'S OBVIOUS YOU'RE UPSET,
AND I STILL HAVE SOME TIME.
BOBBIE: IT'S OK.
WHY DON'T YOU READ A MAGAZINE.
I'LL BE OK.
CARLY: YOU SURE?
BOBBIE: YEAH, ALMOST.

SONNY: HAVE I EVER LIED
TO YOU, FAILED TO DELIVER WHAT
I PROMISED?
YOU COULD BE ANYWHERE
IN THE WORLD RIGHT NOW.
YOU KNOW, I GAVE YOU THE CASH
TO SPLIT.
YOU CHOSE TO STAY.
SO WHAT DO I DO?
I MAKE ARRANGEMENTS SO YOUR LADY
CAN COME AND GO.
ALL I ASKED WAS FOR YOU TO STAY.
YOU CAN'T MANAGE THAT.
WHY?
ROY: I HAD AN OBLIGATION.
SONNY: THAT'S AN ANSWER?
ROY: I HAD TO SEE LUKE.
SONNY: OH.
OH, SO YOU CAME BACK PARANOID.
ROY: YOU'D BE PARANOID,
TOO, IN MY PLACE.
SONNY: YEAH, IF I STARTED
THINKING MAYBE I BET MY LIFE
ON THE WRONG HORSE.
ROY: LUKE IS FAIRLY INTENSE
IN HIS OPINIONS.
THEY LEAVE AN IMPRESSION,
YOU KNOW.
SONNY: WELL, HE'S NOT HAPPY
WITH YOU, EITHER.
ROY: WITH GOOD REASON.
I LIED TO HIM.
WHAT'S HIS PROBLEM WITH YOU?
SONNY: UM, I HAVE NO HONOR.
I'M RECKLESS.
I'M SELFISH.
I'M SURE LUKE FILLED YOU IN.
ROY: YEAH.
AND WHAT'S YOUR TAKE ON THAT?
SONNY: ROY, IF YOU BUY IT,
THEN MAYBE YOU SHOULD MAKE OTHER
PLANS.
ROY: SUCH AS?
SONNY: DOOR'S OPEN.
I'LL GIVE YOU WHATEVER YOU NEED.
ROY: I NEED TO FINISH WHAT
WE STARTED.
SONNY: WHICH MEANS YOU SHOULD
HAVE MORE FAITH IN ME.
ROY: YEAH, I KNOW, I KNOW.
THAT'S -- I'M MAKING MY PEACE
WITH THAT.
SONNY: OK.
YOU -- YOU NEED A LITTLE MORE
TIME TO THINK?
ROY: NO.
WE'LL STICK WITH THE DRILL.
SONNY: ALL RIGHT.
FINE BY ME.
I GOT AN APPOINTMENT.
AFTER THAT, WE'LL
PROCEED WITH THE PLANS.
ROY: YOU KNOW WHERE I'LL BE.
SONNY: NO MORE OBLIGATIONS?
ROY: ONLY THE ONES WE'VE
DISCUSSED.

A.J.: I HOPE TO GOD I'M NOT
ON THAT LIST.
HANNAH: WHAT?
A.J.: WELL, YOU'RE OBVIOUSLY
UPSET AT SOMEONE.
MIND IF I JOIN YOU, OR SHOULD
I KEEP MOVING?
HANNAH: YOUR CALL.
A.J.: WHAT'S ON YOUR MIND?
HANNAH: FAMILY PROBLEMS.
A.J.: WELL, YOU KNOW,
I HAPPEN TO HAVE AN ADVANCED
DEGREE IN DOMESTIC DYSFUNCTION.
COULD YOU USE SOME EXPERT
SUPPORT?
HANNAH: THANKS, BUT NO.
A.J.: I DON'T MEAN FROM ME.
NO, NO, NO.
YOU SEE, I HAPPEN TO KNOW THIS
VERY WELL-BALANCED GUY.
HE'S AMUSING AND PERSONABLE
AND RECENTLY DIVORCED.
AND I THOUGHT THAT YOU'D ENJOY
HAVING DINNER WITH HIM.
IN FACT, I WAS ON MY WAY
TO YOUR OFFICE TO ASK.
HANNAH: PLEASE.
YOU MEAN A FIX-UP?
A.J.: A FRIENDLY EVENING.
THAT'S ALL.
HANNAH: WITH A TOTAL
STRANGER?
A.J.: YOU'VE MET HIM.
BUT -- WELL, YOUNOW, HE'S BEEN
GONE FOR A WHILE.
HANNAH: MET HIM WHERE?
A.J.: WELL, IT'S POSSIBLE
THAT YOU -- THAT YOU WERE NEVER
FORMALLY INTRODUCED,
BUT I PROMISE HIS FACE IS VERY
FAMILIAR.
ALMOST IDENTICAL TO MINE.
HANNAH: YOU'RE ASKING ME
TO HAVE DINNER WITH YOU.
A.J.: WITH AN ALTERNATE
VERSION OF MYSELF -- YOU KNOW,
THE ONE WHO DOESN'T OBSESS
WITH CARLY, ONE WHO THINKS
RATIONAL THOUGHTS, AND DOESN'T
DRINK.
HANNAH: YOU'RE SURE THIS
PERSON'S AVAILABLE?
A.J.: TO HAVE DINNER
WITH YOU, I GUARANTEE IT.
HANNAH: WHAT MAKES ME
SO INFLUENTIAL?
YOU KNOW, DON'T ANSWER THAT.
THANKS FOR THE INVITATION,
A.J., BUT I'M NOT REALLY
COMFORTABLE WITH WHERE THIS IS
GOING.
A.J.: TOWARD A RACK OF LAMB,
ASPARAGUS, TOPPED OFF
WITH A LITTLE CREME BRULEE?
HANNAH: THE LAST THING I NEED
IS MORE RESPONSIBILITY
RIGHT NOW.
A.J.: GOOD.
HERE'S A CHANCE YOU DON'T HAVE
TO COOK.
HANNAH: I'M REALLY,
REALLY NOT UP FOR SOBRIETY COP.
A.J.: DINNER.
DINNER.
IT'S NOT AN ASSIGNMENT.
I WILL POLICE MYSELF.
YOU HAVE FUN.
HANNAH: IF YOU ORDER
A DRINK --
A.J.: GET UP AND WALK.
HANNAH: NO DIATRIBES AGAINST
SONNY AND CARLY?
A.J.: INDIVIDUALLY
OR AS A PAIR.
UM, HOW ABOUT THE GRILL?
HANNAH: ISN'T THAT HOSTILE
TERRITORY?
A.J.: NOT IF I LEAVE
THE HOSTILITY UPSTAIRS.
SHALL I PICK YOU UP?
HANNAH: NO, I'LL MEET YOU.
A.J.: 7:00?
HANNAH: 8:00.
I HAVE SOME WORK THAT I HAVE
TO FINISH UP.
A.J.: I'LL BE THERE.
HANNAH: SOBER?
A.J.: SOBER.
OR ALL ALONE.
HANNAH: OK.
A.J.: OK.

ELIZABETH: YOU KNOW,
LUCKY DIDN'T SAY A WORD
AGAINST YOU.
NIKOLAS: DID HE MENTION ME
AT ALL?
SEE, HE'S DECIDED TO CUT ME OFF.
ELIZABETH: WHY WOULD HE?
NIKOLAS: LUCKY WAS
A CASSADINE HOSTAGE.
I AM A CASSADINE.
WHAT ELSE NEEDS TO BE SAID?
ELIZABETH: YEAH,
BUT, NIKOLAS, EVERYTHING IS JUST
DIFFERENT.
LIKE A PART OF LUCKY IS STILL
MISSING.
AND HE SAYS IT'S BECAUSE HE'S
OVERWHELMED.
NOW, DOES THAT SOUND LIKE
THE LUCKY YOU KNOW?
NIKOLAS: OK.
THINK OF WHAT HE'S BEEN THROUGH.
DINNER WITH MY GRANDMOTHER IS
TORTURE ENOUGH.
BUT BEING HER CAPTIVE --
I MEAN, THAT'S THE WORST FORM
OF HELL.
ELIZABETH: SO YOU THINK HE'S
JUST HOLDING ALL HIS FEELINGS
IN, THE GOOD ALONG WITH THE BAD?
NIKOLAS: IMAGINE BEING LOCKED
IN A CAVE, STUCK IN THE DARK
FOR A YEAR.
HE FINALLY BREAKS OUT,
AND THE SUN IS BLAZING.
WHAT'S THE FIRST THING HE DOES?
ELIZABETH: COVER HIS EYES.
NIKOLAS: RIGHT.
THAT'S JUST IT.
IT'S TOO MUCH.
HE CAN'T TAKE IT IN.
ELIZABETH: THAT'S BASICALLY
WHAT LUCKY TOLD ME.
BUT INSTEAD OF GETTING IT,
I PRESSURED HIM.
NIKOLAS: HOW?
ELIZABETH: I TOLD HIM
I LOVED HI
NIKOLAS: HEY -- NO, NO, NO.
LOVE ISN'T PRESSURE.
LOVE IS A REASON TO GET
FROM A TO Z.
MAYBE LUCKY JUST -- MAYBE
HE CAN'T SAY IT.
MAYBE HE DOESN'T KNOW IT YET,
BUT -- BUT THE CONNECTION THAT
LUCKY HAS WITH YOU -- THAT'S ONE
OF THE THINGS THAT BROUGHT HIM
HOME.

SONNY: HEY.
DID I MISS ANYTHING?
CARLY: ONLY OUR BABY,
IN LIVING COLOR, WITH AN AUDIO
FEED IN DOLBY SOUND.
SONNY: THEY DID THE TEST
WITHOUT ME?
CARLY: YOU'RE A HALF AN HOUR
EARLY, SONNY.
RELAX.
THEY HAVEN'T EVEN CALLED ME YET.
WHAT ARE YOU GETTING ALL EXCITED
ABOUT ANYWAY?
SONNY: WELL, I MEAN,
YOU KNOW -- WHAT?
WHAT ARE YOU SAYING, THEY DON'T
LET FATHERS IN?
CARLY: NO, THEY DO.
BUT YOU DON'T GET TO SEE MUCH.
THEY POINT TO THIS SWIRL THAT
LOOKS LIKE THE MILKY WAY,
AND THEY SAY THAT THAT'S
YOUR BABY AND THAT, YOU KNOW,
IT'S WAVING.
SONNY: BABIES WAVE?
CARLY: THE TRAINED EYE
SAYS SO.
I'VE NEVER ACTUALLY SEEN IT
MYSELF.
SONNY: IF OUR SON FLASHES
A WAVE, I'LL SEE HIM.
CARLY: HE? HIM? YOU?
SONNY: RIGHT.
CARLY: YEAH?
SONNY: YEAH.
CARLY: WHILE YOU'RE AT IT,
WHY DON'T YOU ASK HIM IF HE'S
A BOY OR A GIRL.
SONNY: OH, HE'S A BOY.
CARLY: OH, HE IS?
SONNY: YEAH.
CARLY: OK.
WHAT ARE WE DOING HERE?
WE DON'T NEED TECHNOLOGY.
WE HAVE PSYCHIC SONNY.
SONNY: OH, YEAH.
WELL, WHAT ARE YOU DOING HERE
SO EARLY, ANYWAY?
CARLY: THE PLAN WAS TO TAKE
MY MOTHER TO LUNCH, AND I WAS
GOING TO TELL HER ABOUT
OUR LITTLE ARRANGEMENT.
SONNY: DIDN'T WORK OUT?
CARLY: LUNCH DIDN'T,
BUT EVERYTHING ELSE WENT OK.
SONNY: DEFINE "OK."
CARLY: BOBBIE DIDN'T THROW
ROSE PETALS, BUT SHE DIDN'T
CHOKE.
SONNY: YOU DISAPPOINTED?
CARLY: WE'RE DOING THE RIGHT
THING, SO BOBBIE WILL EVENTUALLY
GET THAT, AND SO WILL EVERYBODY
ELSE.
SONNY: I'M GOING TO TAKE CARE
OF YOU AND THE KIDS.
I WON'T LET YOU DOWN, I SWEAR.
CARLY: I KNOW.
SONNY: I KEEP MY PROMISES.
CARLY: YOU DON'T HAVE TO TELL
ME THAT.
WHAT, IS THIS ABOUT LUKE OR ROY
OR --
SONNY: I'M NOT GOING TO GET
INTO THAT RIGHT NOW.
CARLY: I TRUST YOU, SONNY.
ANYBODY WHO DOESN'T,
THAT'S THEIR LOSS.
SONNY: THIS MESS IS ALMOST
OVER.
WHEN IT IS, WE'RE HOME FREE.
CARLY: YEAH?
SONNY: YEAH.
AUDREY: DR. MEADOWS HAD
A CANCELLATION.
SHE CAN FIT YOU IN RIGHT NOW
IF YOU'RE READY.
CARLY: LET'S DO IT.
SONNY: ALL RIGHT.

LUKE: MIKE?
MY FRIEND,
I HAVE TO TELL YOU, I PREFER
A BARSTOOL BETWEEN US.
WHY'D YOU WANT TO MEET HERE?
MIKE: LOOK, I'M ABOUT TO TELL
YOU SOMETHING THAT I PROMISED
I WOULDN'T, ALL RIGHT?
LUKE: OH.
NOW, LOOK, IF THIS HAS ANYTHING
TO DO WITH SONNY --
MIKE: IT'S NOT -- IT'S NOT
SONNY.
IT'S LUCKY, LUKE.
I'VE SEEN HIM.
LUKE: WHERE?
MIKE: IN TOWN.
RIGHT HERE.
HE'S BACK.

ELIZABETH: YOU KNOW, I DON'T
UNDERSTAND THIS WHOLE EMILY
THING.
WHY WAS LUCKY SO NORMAL TO HER?
NIKOLAS: EMILY'S JUST
A FRIEND, ELIZABETH.
A GOOD FRIEND, YES.
BUT WITH YOU, THERE'S MORE.
ELIZABETH: WELL, IT DIDN'T
FEEL LIKE MORE.
IT FELT LIKE LESS.
NIKOLAS: IT'S --
ELIZABETH: AND I GET IT, OK?
I GET IT.
MUCH TOO SOON, RIGHT?
NIKOLAS: YEAH.
DOESN'T IT SEEM LIKE LUCKY'S
TAKING IT IN STAGES?
ELIZABETH: SO IF YOU THINK
I KEEP THE PRESSURE OFF,
THEN WE CAN MAYBE GO BACK
TO WHERE WE WERE?
NIKOLAS: WELL, WHAT ELSE CAN
WE DO?
YOU KNOW, I CAN TRACK HIM DOWN.
I CAN FORCE HIM TO DEAL WITH ME
SOMEHOW, BUT THAT WOULD BE
COUNTERPRODUCTIVE, RIGHT?
ELIZABETH: I NEED TO GIVE HIM
HIS SPACE.
NIKOLAS: RIGHT.
OH, THE NEXT TIME YOU SEE
LUCKY --
ELIZABETH: IF I SEE LUCKY.
NIKOLAS: JUST TELL HIM
I UNDERSTAND IF HE DOESN'T TRUST
ME YET, AND I CAN WAIT.
ELIZABETH: OH, HE'LL COME
AROUND.
NIKOLAS: TELL HIM I LOVE
HIM -- I MEAN, IF YOU GET
THE CHANCE.
ELIZABETH: I WILL.
HE ALREADY KNOWS.
NIKOLAS: AND ALSO TELL HIM
IF IT'S POSSIBLE THAT I HAD
ABSOLUTELY NO PART IN HELENA'S
PLAN.
I WILL DO WHATEVER LUCKY WANTS
ME TO DO, OK?
WILL YOU GET THAT ACROSS FOR ME
IF THERE'S AN OPENING?
ELIZABETH: AND IF YOU SEE HIM
FIRST, WILL YOU TELL HIM THAT
THERE'S NO PRESSURE FROM ME?
NIKOLAS: YOU CAN COUNT ON IT.
ELIZABETH: I THINK I WOULD GO
CRAZY WITHOUT YOU.
NIKOLAS: ME, TOO.
SAME HERE.
ELIZABETH: SEE YOU LATER.
NIKOLAS: SEE YOU.

BOBBIE: HI.
ROY: HI.
BOBBIE: AM I WEARING OUT
MY WELCOME?
ROY: ARE YOU KIDDING?
YOU OK?
BOBBIE: YEAH.
MY BROTHER STOPPED BY
THE HOSPITAL TODAY.
ROY: SAY NO MORE.
LUKE HAS HIS REASONS, BUT HE'S
NOT REAL UPLIFTING THESE DAYS.
BOBBIE: HE STILL CARES
ABOUT YOU.
ROY: IMAGINE IF HE DIDN'T.
BOIE: THIS PLAN THAT
YOU HAVE WITH SONNY --
LUKE'S AFRAID IT MAY BE A TRAP.

ROY: WHAT WOULD SONNY HAVE
TO GAIN BY SETTING ME UP?
BOBBIE: BONUS POINTS
WITH LARKIN.
ROY: WHO'S A BOTTOMLESS PIT
OF EXTORTION.
WHY DRAG THE BLACKMAIL OUT?
BOBBIE: IT ALL SOUNDS
PERFECTLY FOOLPROOF WHEN YOU LAY
IT OUT NICE AND NEAT.
ROY: YEAH.
IT WAS A REAL GOOD GAME PLAN
WHEN WE CAME UP WITH IT,
REMEMBER?
BOBBIE: WHAT IF SOMETHING
GOES WRONG?
ROY: THEN WE IMPROVISE.
BOBBIE: WELL, THAT'S
THE SCARY PART.
BECAUSE IF IT COMES TO A CHOICE
BETWEEN SONNY'S INTEREST
AND YOURS, HE'S GOING TO LOOK
OUT FOR HIMSELF.
ROY: YEAH, BUT FORTUNATELY
OUR INTERESTS OVERLAP IN THIS
CASE.
BOBBIE: SORRY.
YOU KNOW, YOU HAVE ENOUGH
ON YOUR PLATE RIGHT NOW
WITHOUT ME GETTING TOTALLY
UNSTRUNG ABOUT ALL OF THIS.
ROY: WE JUST NEED TO FOCUS
ON THE GOOD PART -- THE PART
THAT COMES AFTER.
BOBBIE: YOU AND ME
ON THE BROWNSTONE STOOP
ON A SUMMER'S NIGHT,
WAITING FOR THE STARS
TO COME OUT.
ROY: THERE YOU GO.
PENCIL ME IN FOR THAT.
BOBBIE: PENCIL?
ROY: CARVE ME IN STONE.
MUCH AS I HATE TO SAY IT --
BOBBIE: I KNOW.
I VE TO GO.
ROY: WE DON'T WANT TO BE
LATE, SO --
TELL HANNAH I'M FINE AND NOT
TO WORRY.
AND WHILE YOU'RE AT IT,
TELL YOURSELF.
BOBBIE: BE CAREFUL, PLEASE.
DO YOU PROMISE?
ROY: I'M CRAZY IN LOVE
WITH YOU, BABY.

LUKE: MY GOD, MIKE, THAT WAS
WEEKS AGO.
WHY DIDN'T YOU TRACK ME DOWN
THEN?
MIKE: BECAUSE LUCKY SWORE
THAT IF I DIDN'T KEEP QUIET,
HE'D HIT THE ROAD AGAIN.
LUKE: WELL, WHY DID HE COME
BACK HERE IF ALL HE WANTS TO DO
IS SHAKE HIS FAMILY?
MIKE: NOT HIS FAMILY, LUKE.
JUST YOU AND LAURA.
LULU AND NIKOLAS HE WANTS
TO SEE.
LUKE: DID HE MENTION
ELIZABETH?
MIKE: BRIEFLY.
BUT HE'S HOLDING SOMETHING BACK
THERE, TOO.
LUKE, THIS HAS BEEN TEARING ME
UP INSIDE, AND I JUST COULDN'T
SIT ON IT ANYMORE.
BUT LOOK, IF YOU JUMP ON THIS
THE WAY THAT I KNOW YOU WANT TO,
LUCKY COULD VANISH FOR GOOD.
LUKE: OH, DAMN IT.
MIKE: I KNOW.
LUKE: NO, YOU DON'T KNOW,
MIKE!
MIKE: THINK BACK, LUKE.
I'VE BEEN THERE.
SONNY WANTED NO PART OF ME,
BUT I WAITED IT OUT.
I FOUGHT IT OUT.
I REFUSED TO CAVE.

ELIZABETH: HI.
LUCKY: HEY.
ELIZABETH: I IMAGINED THIS,
LIKE, A THOUSAND TIMES --
YOU JUST SHOWING UP
AT MY STUDIO.
BUT THEN I'D THINK, "HOW WOULD
HE FIND IT?"
LUCKY: WELL, YOUR ADDRESS WAS
IN THE BOOK.
ELIZABETH: SO YOU JUST FOLLOW
YOUR NOSE?
LUCKY: WHAT?
ELIZABETH: NOTHING. BAD JOKE.
DO YOU WANT TO COME IN?
SO, WHAT DO YOU THINK?
LUCKY: WELL, IT'S YOU.
ELIZABETH: HOW DO YOU MEAN?
LUCKY: SUNNY,
BUT SERIOUS.
ELIZABETH: WELL, I'M NOT
SERIOUS ALL THE TIME.
LUCKY: YOU ARE WHEN YOU PAINT
AND DRAW.
IT'S CHANGED.
ELIZABETH: HOW?
LUCKY: WELL, BEFORE,
YOU KNOW, IT JUST WOULD POP OUT
AT YOU -- EVERYTHING AT ONCE,
YOU KNOW?
BUT NOW IT HAS LAYERS
AND SHADOWS.
SO IT TAKES LONGER TO LOOK AT.
ELIZABETH: WELL, IS THAT GOOD
OR BAD?
LUCKY: WELL, IT'S GOOD,
DEFINITELY.
I'VE ALWAYS LIKED YOUR STUFF.
ELIZABETH: THANK YOU.
I GUESS I'VE GOT MORE TECHNIQUE.
LUCKY: WELL, I'M SURE THAT'S
NOT ALL.
YOU KNOW, THE LONGER YOU LIVE,
THE MORE DIFFICULT LIFE CAN
BECOME.
THE LONGER YOU LOOK
AT SOMETHING, THE MORE YOU SEE.
ELIZABETH: WELL, I JUST PAINT
MOSTLY WHAT I FEEL.
LUCKY: WHICH IS ALWAYS
STRAIGHTFORWARD AND CLEAR?
YOU KNOW WHAT I REMEMBER?
ELIZABETH: HMM?
LUCKY: YOU WORKING AWAY
WITH YOUR HAIR IN YOUR FACE.
ELIZABETH: YOU MEAN LIKE
THIS?
LUCKY: NO, IT WAS MORE
LIKE --
YOU WERE TOO WRAPPED UP
TO NOTICE WITH YOUR CANVAS
AND YOUR PAINTS AND YOUR BRUSH.
TOTAL FOCUS.
LIKE A FORCE FIELD,
JUST YOU AND THE IMAGE.
ELIZABETH: AND YOU.
I COULD FEEL YOU WATCHING ME
PAINT, ALMOST CHEERING ME ON.
I NEEDED THAT.
LUCKY: LOOK WHAT YOU'VE
ACCOMPLISHED WITHOUT ME.
IT TURNS OUT I WASN'T NECESSARY
AT ALL.

CARLY: SO WHEN ARE YOU GOING
TO START GLOATING?
SONNY: WHAT ARE YOU TALKING
ABOUT?
YOU'RE DOING ALL THE WORK.
CARLY: YOU DID CORRECTLY
PREDICT THE SEX OF OUR BABY.
SONNY: YEAH.
CARLY: AS WELL AS THE FACT
THAT HE WOULD WAVE TODAY.
SONNY: THAT WAS FOR BOTH
OF US.
CARLY: ACTUALLY, I THINK IT
ONLY HAPPENED BECAUSE YOU WERE
THERE.
I'VE TOLD HIM A LOT ABOUT DAD.
SONNY: YEAH, LIKE HOW
DEMANDING I AM?
MEET MY EXPECTATIONS OR ELSE?
CARLY: NO.
ABOUT --
ABOUT HOW WHEN THE LIGHT HITS
YOUR EYES IT LOOKS REALLY NICE.
WHEN YOU SMILE, YOU KNOW.
YOU SHOULD DO IT MORE OFTEN.
SONNY: SEE, NOW OUR SON KNOWS
YOU'RE EXAGGERATING.
CARLY: NO, NOW OUR SON KNOWS
THAT MY WORD IS THE GOSPEL
BECAUSE HE FOUND THAT OUT TODAY.
SONNY: OH, YOU'RE THE ONLY
ONE ALLOWED TO GIVE HIM INPUT?
CARLY: YOU CAN TALK
TO OUR SON ANYTIME YOU WANT.
SONNY: YEAH, RIGHT.
BUT YOU GET TO, YOU KNOW,
EAVESDROP.
CARLY: IT'S NOT MY FAULT.
IT'S A DESIGN PROBLEM.
TAKE IT UP WITH THE ARCHITECT.
SONNY: COME ON, I'LL DROP
YOU HOME.
CARLY: ON YOUR WAY TO WHERE?
SONNY: WHERE I'M HEADED.
CARLY: WHICH IS WHERE?
SONNY: YOU KNOW WHAT?
YOU KNOW WHAT, MY CHILD?
YOUR MOTHER IS RELENTLESS.
YOU COMING OR WHAT?
CARLY: NO, I CAN'T.
SONNY: WHAT DO YOU MEAN?
CARLY: I HAVE TO WAIT
FOR A VITAMIN PRESCRIPTION.
SO WHY DON'T YOU GIVE ME
THE ADDRESS TO WHERE YOU'RE
GOING AND I'LL MEET YOU THERE
LATER.
SONNY: I'LL SEE YOU AT HOME.
CARLY: WAIT, SONNY.
TAKE THIS FOR LUCK.
SONNY: THE SONOGRAM PICTURE.
CARLY: YEAH, IT'S OUR SON'S
FIRST SNAPSHOT.
SONNY: YOU REALIZE
THE HORMONES HAVE GONE
TO YOUR HEAD.
CARLY: SHUT UP.
I WAS ALWAYS LIKE THIS.

LUCKY: AMAZING.
ELIZABETH: THEY'RE JUST
ETCHES.
LUCKY: YEAH, BUT I'D LIKE
TO SEE HOW IT GOT FROM HERE
TO THERE.
ELIZABETH: OH, THE PROCESS.
THAT'S WHAT NIKOLAS CALLS IT.
AND SPEAKING OF WHICH, I WAS
WONDERING --
LUCKY: ME?
ELIZABETH: YEAH.
I'VE GOT HUNDREDS OF THEM,
ALL LEADING UP TO AN OIL
PORTRAIT DISASTER.
LUCKY: WELL, THIS DISASTER --
IS IT FINISHED?
ELIZABETH: MM-HMM.
LUCKY: IS IT HERE?
ELIZABETH: YEAH.
LUCKY: MAY I SEE IT?
ELIZABETH: OK.
"SENTIMENTAL, SELF-INDULGENT,
HOPELESSLY NAIVE."
I'M QUOTING MY ART PROFESSOR.
LUCKY: HE DOESN'T GET IT.
THIS IS EXACTLY WHO I WAS.
ELIZABETH: HE THINKS I'M
AHEAD OF MYSELF -- I SHOULD BE
PAINTING A BOWL OF PEARS.
LUCKY: WHAT?
HE'S A FREAK FOR PEARS?
ELIZABETH: FOR EMBELLISHED
REALITY.
LUCKY: WELL, HE'S GOT
A POINT.
ELIZABETH: SO YOU AGREE?
YOU THINK IT'S NAIVE?
LUCKY: NOT AT ALL.
THIS IS AN ACCURATE PICTURE
OF WHO I USED TO BE.
ELIZABETH: USED TO BE?
LUCKY: EVERYBODY CHANGES.
EVERYBODY AND EVERYTHING.
YOU, ME.
EVEN THE SHORTCUT TO THE BOXCAR.
CAN YOU BELIEVE THEY HAD
THE NERVE TO PUT A HOUSE THERE?
ELIZABETH: AT THE BOXCAR,
DID YOU FIND MY LETTER?
I MEANT EVERY WORD OF IT.
I STILL FEEL EXACTLY THE SAME.
I STILL --
LUCKY: YOU KNOW WHAT?
I SHOULD LET YOU GET BACK
TO WORK.
ELIZABETH: I PAINT MOSTLY
BY NATURAL LIGHT.
THE SUN'S GONE.
LUCKY: THANK YOU
FOR THE SHOWING.
AND BY THE WAY, YOUR ART
TEACHER'S A JERK.

HANNAH: AHEM.
I AM SUPPOSED TO BE MEETING
A GENTLEMAN HERE.
A.J.: YOU'RE HANNAH.
I'M GLAD YOU CAME.
HANNAH: A.J. SPEAKS VERY
HIGHLY OF YOU.
A.J.: WHICH MUST BE HARD
TO BUY CONSIDERING THE SOURCE.
HANNAH: OH, YOU TWO DON'T GET
ALONG VERY WELL?
A.J.: YOU KNOW WHAT?
ENOUGH WITH A.J. AND
HIS PROBLEMS, HIS BORING
COMPLAINTS.
TONIGHT I WANT TO HEAR ALL
ABOUT YOU.
HANNAH: OH.
WHAT ABOUT ME, SPECIFICALLY?
A.J.: WELL, WHAT'S
YOUR FAVORITE COLOR,
YOUR ABSOLUTE FAVORITE SPORT,
YOUR COLLEGE MAJOR -- THINGS
LIKE THAT.

TONY: I WAS JUST ABOUT
TO PAGE YOU.
BOBBIE: OH. I'M SORRY.
I'M ACTUALLY ON MY WAY OUT.
TONY: WELL, GOOD.
GET SOME REST, BECAUSE YOU'RE
IN O.R. FIRST THING
IN THE MORNING WITH DR. CALETTI,
7:00 A.M.
BOBBIE: NO, NO.
I'M OFF O.R. ROTATION.
TONY: SAYS WHO?
BOBBIE: SAYS ME.
CHECK THE SCHEDULE, OK?
LOOK, I'M IN NO SHAPE
FOR SURGERY, OK?
AS LONG AS ROY IS IN TROUBLE,
I AM OUT OF THE O.R.
TONY: OK.
BOBBIE: REALLY.
TONY: SORRY. EXCUSE ME.
BOBBIE: AUDREY?
AUDREY: MM-HMM?
BOBBIE: I'M SO SORRY TO DO
THIS, BUT I GOT TO GO
BECAUSE SOMETHING'S COME UP.
AUDREY: OH, NO PROBLEM.
I'LL COVER FOR YOU.
BOBBIE: THANK YOU.
AUDREY: ANYTHING ELSE
YOU NEED?
BOBBIE: LARGE DOSE OF GOOD
LUCK.

SONNY: ALL RIGHT.
LET'S DO IT.
ROY: YOU SURE THIS IS
THE RIGHT PLACE?
SONNY: I'M SURE, ROY.
ROY: WHERE'S THE BOAT?
SONNY: IT'LL BE HERE, ROY.
ROY: YOU SAID EVERYTHING WAS
GOING TO WORK LIKE CLOCKWORK
HERE.
SONNY: THAT'S RIGHT.
LARKIN: GIVE OR TAKE A FEW
TICKS.
ROY: WHAT THE HELL IS GOING
ON, SONNY?
SONNY: CHANGE OF PLANS, ROY.
LARKIN: WE CAME TO SAY
BON VOYAGE.
SONNY: THIS COULDN'T BE
AVOIDED.
IT WAS EITHER ME OR YOU.
I GOT TOO MUCH TO LOSE.
FIVE MORE YEARS -- YOU CAN
HACK IT.
LARKIN: HE WON'T HAVE TO.
I'M COMMUTING HIS SENTENCE.
SONNY: WHAT'S THIS?
LARKIN: INSURANCE.
I COULD TAKE DiLUCCA BACK
TO PRISON, BUT THAT'S
NO GUARANTEE HE WON'T TALK.
BETTER TO SILENCE HIM
PERMANENTLY.
I'VE DECIDED TO LET YOU HANDLE
THAT.

LUKE: HELLO, COWBOY.
I HAD A HUNCH YOU MIGHT BE
PASSING THIS WAY.
A.J.: YOU SEE, MY FIRST REAL
LOVE -- THE VIOLIN.
HANNAH: A.J., SERIOUSLY?
A.J.: NO.
CARLY: A COUPLE OF
MONTHS YET.
BUT YOU KNOW WHAT I COULD REALLY
USE, HOWARD, WOULD BE LIKE --
HANNAH: DON'T DO IT.
CARLY: A HOT CUP OF TEA
AND A CHICKEN CLUB.
ACTUALLY, MAKE THAT TWO.
A.J.: EXCUSE ME. HOWARD.
HOWARD: MR. QUARTERMAINE.
A.J.: I THINK THERE'S BEEN
AN OVERSIGHT.
MS. BENSON ISN'T WELCOME HERE.
CARLY: ALCOHOLIC DELUSIONS.
A.J.: I AM IN A POSITION
TO KNOW.
HANNAH: A.J., REMEMBER THAT
THING YOU SAID YOU WERE GOING
TO LEAVE UPSTAIRS?
CARLY: WOULD THAT BE
HIS FLASK OR HIS PRIDE?
BOY, YOU'VE REALLY SUNK
TO AN ALL-TIME LOW, HAVEN'T YOU?
FINALLY MET UP WITH YOUR COSMIC
TWIN, THOUGH.
SPINELESS, PATHETIC LOSER.
WHO SAYS GOD DOESN'T HAVE A PLAN
FOR EVERYBODY?
HANNAH: YEAH, GO ON, CARLY.
MAKE A FOOL OF YOURSELF.
NOBODY DOES IT BETTER.
CARLY: EXCEPT MAYBE
THE GOVERNMENT HOOKER.
DO YOU CHARGE DOUBLE FOR DRUNKS,
SWEETIE?
A.J.: PLEASE ASK
HER TO LEAVE.
HOWARD: I'LL HAVE TO CHECK
WITH THE MANAGER.
CARLY: HOWARD, WHILE YOU'RE
AT IT, WHY DON'T YOU CALL
E.L.Q. HEADQUARTERS, AND THEY'LL
CONFIRM TO YOU THAT MY FIANCE,
MR. SONNY CORINTHOS,
IS ON THE BOARD OF DIRECTORS.
THAT'S CORINTHOS, WITH C.

SONNY: YOU WANT HIM DEAD,
SHOOT HIM YOURSELF.
ROY: OH, THANK YOU
FOR YOUR SUPPORT.
LARKIN: SEE, HE'S NOT EVEN
GRATEFUL.
PUT HIM OUT OF HIS MISERY.
SONNY: THAT WAS NOT PART
OF THE AGREEMENT, LARKIN.
LARKIN: THE AGREEMENT WAS
YOU WOULD DO WHAT I SAY.
THAT'S HOW YOU STAY OUT
OF PRISON.
SONNY: OH, YEAH?
BY SUCKERING ME INTO
A MURDER RAP?
LARKIN: A NECESSARY
PRECAUTION SO YOU'RE NOT TEMPTED
TO GO OVER MY HEAD.
SONNY: OH, YOU JUST GOT IT
ALL FIGURED OUT, RIGHT, LARKIN?
LARKIN: YEAH, THAT'S WHAT I'M
PAID FOR.
SONNY: RIGHT.
LARKIN: BY AS MANY PARTIES
AS POSSIBLE.
ROY: FOR THE LOVE OF GOD,
SONNY.
YOU'RE GOING TO SELL ME OUT
FOR THE LIKES OF THIS GUY?
LARKIN: UNFORTUNATELY,
YOU DON'T HAVE A CHOICE.
WELL, YOU DO, BUT IT'S NOT
A VERY ATTRACTIVE ONE UNLESS
PENTONVILLE APPEALS TO YOU.
YOU CAN CHECK IN TOMORROW
MORNING.
TONIGHT, IF YOU'RE REALLY EAGER.
SONNY: JOHNNY, GIVE ME
THE GUN.
LARKIN: HEY, I'D FEEL BETTER
IF YOU USE MINE.
ROY: YOU'RE MAKING
THE BIGGEST MISTAKE
OF YOUR LIFE.
LARKIN: AREN'T YOU GETTING
SICK OF HIM YET?
CHECK DiLUCCA FOR A VEST.

ROY: SONNY.
DON'T YOU PUT YOUR HAND --
I KNOW YOU, MAN!
I KNOW YOU!
AGENT: HE'S CLEAN.
ROY: I KNOW YOU AND I'LL SEE
YOU IN HELL.
LARKIN: END IT.
NOW.
ROY: LUKE WAS RIGHT
ABOUT YOU.
YOU'RE NOTHING BUT A LOWLIFE.
SONNY: NOBODY'S PERFECT.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

CARLY: SONNY ASKED ME
TO MARRY HIM, AND YOU KNOW HOW
HE IS.
HE GETS WHAT HE WANTS.

LAURA: HOW LONG HAS HE BEEN
IN TOWN?
ELIZABETH: A WHILE.

LUKE: YOU GOT TO TELL ME
WHAT'S HAPPENED TO YOU.

BOBBIE: WHERE'S ROY?
I HEARD A GUNSHOT.
TELL ME WHERE ROY IS.

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