GH Transcript Wednesday 4/26/00

 

General Hospital Transcript Wednesday 4/26/00

Provided by Laura

[CLASSICAL MUSIC PLAYS]
JAX: WELL?
CHLOE: WHEN I FIRST SAW THIS
DRESS AND YOUR TUX,
I HAVE TO ADMIT, I HAD NO IDEA
WHERE YOU COULD POSSIBLY
TAKE ME.
BUT THIS -- OH, JAX.
I SWEAR, IT'S LIKE YOU SAID,
"TAKE MY HAND," AND WE WALKED
THROUGH A MAGICAL MIRROR
INTO MY CHILDHOOD DREAMS.
JAX: WELL, YOU'VE ALWAYS SAID
THAT ST. PETERSBURG IS
YOUR FAIRY TALE CITY.
SO, HERE IT IS.
CHLOE: YOU'VE MADE IT COME
TRUE.
I CAN'T BELIEVE I AM
IN THE PETERHOF BALLROOM.
WHEN I WAS A LITTLE GIRL,
EVERY NIGHT BEFORE I WOULD GO
TO SLEEP, MY MOTHER WOULD TAKE
ME HERE IN THE MOST INCREDIBLE
STORIES.
YOU'RE A MAGICIAN.
JAX: WELCOME TO THE LAND
WHERE YOUR DREAMS COME TRUE.

ALEXIS: THE NAME IS
ROY DiLUCCA.
D-i-L-U-C-C-A.
NED: HOLD ON A SECOND.
LET ME GET SOMETHING TO WRITE
WITH.
ALEXIS: SO UNCLASSIFY THEM.
OH.
NED: THAT'S EASIER SAID THAN
DONE.
ALEXIS: YEAH.
DANNY, WHY DO YOU THINK
I'M CALLING YOU?
NED: BECAUSE L&B CAN DELIVER
MIGUEL MOREZ.
ALEXIS: HELLO?
I NEED A RECORD OF EVERY
INVESTIGATION ROY WORKED
ON AS AN INFORMANT OR AN INSIDE
MAN.
NED: WELL, THAT'S NOT GOING
TO HAPPEN UNLESS I GET SOMETHING
IN RETURN.
ALEXIS: FINE. THAT'S FINE.
CAN YOU ALSO GET ME A LIST
OF EVERY SUBSEQUENT ARREST
AND CONVICTION HAVING ANYTHING
TO DO WITH DiLUCCA'S WORK?
NED: A LITTLE HIGHER PROFIT
PARTICIPATION IN THE BACK END.
ALEXIS: OK.
YEAH, RIGHT NOW HE'S
IN PENTONVILLE.
NED: THEN WHY ISN'T
HE OR SHE ON THE LINE?
ALEXIS: GOOD.
TWO MORE THINGS.
LISTEN, WILL YOU GET ME WHATEVER
YOU CAN ON A FORMER STATE
SENATOR FROM NEW YORK NAMED
MITCH WILLIAMS?
NED: CAN YOU HO
ON A SECOND?
HOLD ON A SECOND.
UH, YOU ARE AWARE THAT MY MOTHER
WAS MARRIED TO WILLIAMS?
ALEXIS: GOOD OR BAD?
NED: BAD.
ALEXIS: GOOD.
I NEED THIS YESTERDAY, SO PUT
A RUSH ON IT.
NED: OK, LOOK, YOU CAN HAVE
MIGUEL ON THE SOUNDTRACK,
BUT I'M GOING TO NEED
A GUARANTEE ON THE D.R.M. CHOICE
AS WELL AS ENCODING AND DIGITAL
DISTRIBUTION.
UH, MOJO?
I'M GOING TO HAVE TO CALL
YOU RIGHT BACK.
BYE.
ALEXIS: YOU ACTUALLY KNOW
SOMEONE NAMED MOJO?
NED: SO, I GUESS MY SERVICES
ARE NEEDED IN THE NEXT ROOM?
ALEXIS: SO YOU HAVE
TO REHEARSE BECAUSE IN THREE
WEEKS, YOU'RE GOING TO BE
EDDIE MAINE.
NED: OH, ACTUALLY, I WAS
THINKING OF ANOTHER THING THAT
I NEEDED TO REHEARSE.
ALEXIS: I KNOW WHAT YOU'RE
THINKING BECAUSE YOU'RE KIND
OF ALWAYS THINKING THAT.
NED: WELL --
ALEXIS: BUT I'M NOT GOING
TO BE DISTRACTED.
NED: YOU'RE NOT?
ALEXIS: YOU NEED TO GET
IN THERE AND WORK, WORK, WORK --
NED: I HAVEN'T EVEN HIT
MY STRIDE YET.
ALEXIS: WORK! WORK!
HONEY?
NED: NO, I'M NOT GOING TO PUT
ON THE PANTS.
ALEXIS: OH, COME ON.
NED: NO!
ALEXIS: OH, SHOOT.

EMILY: YOU KNOW WHAT?
I CANNOT DO THIS HOMEWORK.
JUAN: HOW COME?
EMILY: BECAUSE I'M STILL
SO ANGRY ABOUT BEING GROUNDED.
I MEAN, ALL I WANTED TO DO WAS
MAKE AN INVESTMENT IN
YOUR SINGING CAREER.
MY GRANDFATHER DOES THAT,
YOU KNOW, AND A.J. DOES IT.
EVEN JAX DOES IT.
JUAN: THEY'VE ALL TRIED
TO SIPHON OFF OF YOUR
TRUST FUND?
HEY, AS LONG AS I CAN SNEAK
IN OFF THE ROOF, IT'S NOT
SO BAD.
EMILY: YEAH, THAT'S TRUE.
JUAN: OH, AND LET'S SEE --
TO SOLVE THIS PROBLEM, YOU HAVE
TO DIVIDE BOTH SIDES BY 225.
AND TO SOLVE AN ELLIPSE,
YOU HAVE TO TURN THAT NUMBER
INTO ONE.
AND TO DO THAT, YOU KNOW,
YOU DIVIDE IT BY ITSELF,
AND, WELL, WHAT YOU DO ON THAT
SIDE OF THE EQUALS SIGN,
YOU HAVE TO DO ON THE OTHER.
YOU KNOW.
EMILY: YEAH.
I, UH, DON'T THINK I CAN REALLY
CONCENTRATE LI THIS.
JUAN: DO YOU WANT ME TO STOP?
EMILY: DIDN'T SAY THAT.

A.J.: HEY, SEAN.
YOU KNOW WHAT TO DO.
SEAN: BECOMING A REAL
REGULAR.
LADY PROBLEMS?
A.J.: YEAH, SOMETHING LIKE
THAT.
A.J.: I LOVE YOU.
IT'S ONLY FOR A LITTLE WHILE.
SONNY: LET'S GO. LET'S GO.
CARLY: BYE, A.J.
A.J.: SEAN?

DARA: ISN'T THIS BETTER?
MAC: BETTER THAN WHAT?
DARA: BETTER THAN BEING GLUED
INTO THAT DESK CHAIR I PRIED
YOU OUT OF.
IS IT TRUE THAT YOU'RE DOING
A SCIENTIFIC SLEEP DEPRIVATION
EXPERIMENT?
ANYWAY,
ARE WE STAYING AWAY
FROM THE FELICIA
TOPIC OR ARE WE JUST BUSTING IT
OUT?
MAC: LET'S STAY AWAY FROM IT.
DARA: OK.
SO WHAT'S NEW ON THE SCANLON
SHOOTING?
MAC: HAVE YOU EVER BEEN
IN LOVE, DARA?
DARA: YES.
MAC: AND WHEN IT ENDED,
HOW LONG DID IT TAKE
FOR YOU TO GET OVER IT?
THE REASON I'M ASKING IS
BECAUSE I HEARD SOMEWHERE THAT
IT TAKES AT LEAST THREE YEARS
BEFORE YOU CAN FINALLY FEEL
AS IF YOU'VE PUT THE OTHER STUFF
DOWN.
HOW LONG DID IT TAKE FOR YOU?
DARA: WELL, I DON'T KNOW,
SEEING AS THOUGH I'M STILL
IN THAT THREE-YEAR PERIOD.
MAC: WHEN I GO HOME,
I MISS MY FAMILY.
SO AS MUCH AS I CAN, I DON'T GO
HOME.
DARA: WELL, IF YOU MISS THEM
THAT MUCH, WHY DON'T YOU GET
THEM BACK?

LUCKY: THANK YOU.
VENDOR: WELCOME.
LUCKY: ELIZABETH.

[CLASSICAL MUSIC PLAYS]
JAX: SO WHEN YOUR MOTHER TOLD
YOU THESE FAIRY TALES,
SHE LEFT OUT THE BAD PARTS?
CHLOE: MM-HMM.
EXPLAINS A LOT ABOUT ME,
DOESN'T IT?
JAX: WELL,
HELPS ME UNDERSTAND WHY YOU SEE
EDWARD THE WAY YOU DO.
CHLOE: I COULD DISPUTE THAT,
BUT I DON'T WANT TO ARGUE
TONIGHT.
JAX: WHAT ABOUT YOUR FATHER?
DID YOUR MOTHER SEE HIS FLAWS
OR DID SHE ONLY SEE WHAT
SHE WANTED?
YOU DON'T HAVE TO ANSWER THAT.
CHLOE: IT'S ALL RIGHT.
UM --
SHE SAW HIS FLAWS.
SHE JUST
ROMANTICIZED THEM.
I REMEMBER HEARING THEM FIGHT
ONE NIGHT, AND SHE SAID TO HIM,
"WHO ARE YOU?"
AND HE SAID,
"I'M WHO I'VE ALWAYS BEEN."
SHE JUST THOUGHT HE WOULD CHANGE
BECAUSE HE LOVED HER.
JAX: BUT HE NEVER DID.
CHLOE: HE WAS ALWAYS
A LADIES' MAN.
JAX: AND YOU WERE 5 WHEN
HE LEFT?
CHLOE: YES.
AND YOU KNOW WHAT?
I DID NOT HAVE A SAD CHILDHOOD.
I KNOW THAT SOUNDS LIKE
POLLYANNA, BUT HEY, I LIKED THAT
MOVIE.
JAX: I NEVER SAW IT.
CHLOE: IT WAS ABOUT A YOUNG
GIRL WHO LOOKS AT EVERYTHING
WITH OPTIMISM.
SHE USED TO PLAY THIS GAME
WITH HERSELF CALLED THE GLAD
GAME, AND IT WORKED LIKE THIS --
I COULD POSSIBLY GO BLIND,
BUT YOU KNOW WHAT I'M GLAD
ABOUT?
TONIGHT, I AM IN THE PETERHOF
PALACE WITH THE MOST INCREDIBLE
MAN, WHO I LOVE WITH ALL
MY HEART.
OK, YOU GO.
IT'S YOUR TURN.
JAX: OH.
OK.
[MUSIC STOPS]
JAX: I AM GLAD TO HEAR THAT
YOU ARE
BEGINNING TO OPEN UP.
AND I'M GLAD THAT IN ABOUT THREE
SECONDS, I'M GOING TO HAVE WHAT
I'VE WANTED ALL EVENING --
YOU IN MY ARMS.
WILL YOU DANCE WITH ME?
CHLOE: YES.
CHLOE: WHAT ARE YOUR DREAMS,
JAX?
[CLASSICAL MUSIC PLAYS]
JAX: TO MAKE ALL YOUR DREAMS
COME TRUE.
CHLOE: OH.
AFTER TONIGHT, I THINK THERE'S
ONLY ONE.
JAX: AND WHAT WOULD THAT BE?
CHLOE: TO WAKE UP EVERY
MORNING AND SEE YOU NEXT TO ME.
JAX: WELL, THAT'S ALL
I WANT, TOO.
I LOVE YOU, CHLOE.
CHLOE: I LOVE YOU, TOO, JAX.

MAC: YOU KNOW, FELICIA CAN
CLAIM THAT SHE ONLY LEFT TO HELP
LUKE AND LAURA SEARCH FOR LUCKY
THIS LAST TIME, BUT THE FACT IS
SHE KNEW WHAT WAS ON THE LINE
AND SHE STILL LEFT.
DARA: YOU MEAN YOUR MARRIAGE.
MAC: SHE MADE HER CHOICE.
SHE MAY NOT WANT TO ADMIT IT,
BUT DOESN'T MAKE IT ANY LESS
TRUE.
DARA: HOW ARE THE GIRLS
HANDLING ALL THIS?
MAC: MAXIE AND GEORGIE CALL
ME EVERY NIGHT.
FELICIA'S FLOWN BACK TO TEXAS
TO TRY AND PATCH THINGS UP.
DARA: MM-HMM.
MAC: THEY REFUSE TO SEE HER.
DARA: WELL, THAT CAN'T BE
GOOD.
MAC: THIS WASN'T SUPPOSED
TO HAPPEN TO US.
YOU KNOW, I'VE WATCHED PEOPLE
GET DIVORCED WHO HAVE KIDS.
HOW CAN THEY DO THAT?
DARA, I FEEL --
I FEEL LIKE I'VE BEEN HIT
BY A TRUCK.
AND THE WOMAN THAT I'VE LOVED
AND MARRIED TURNED OUT TO BE
SOMEONE I DIDN'T KNOW.
TAGGERT: WHAT'S UP?
SEAN: HOW YOU DOING?
DARA: JUST BE CAREFUL THAT
YOU DON'T LET YOUR PRIDE GET
IN THE WAY.

MAN: COMING.
OH, HI.
LUCKY: HI.
I'M SORRY TO DISTURB YOU.
I REALIZE IT'S LATE.
I DON'T KNOW IF YOU REMEMBER ME.
MY NAME'S LUCKY SPENCER.
MAN: I REMEMBER. I REMEMBER.
YOU WERE HERE LAST YEAR
WITH YOUR GIRLFRIEND LOOKING
AT 2-B.
LUCKY: THAT'S RIGHT.
GOOD MEMORY.
MAN: OH, SHE WAS HERE
A COUPLE OF DAYS AGO.
LUCKY: ELIZABETH?
MAN: YEAH, LOOKING FOR YOU.
SHE AND A DARK-HAIRED GUY.
LUCKY: DID SHE SAY HOW LONG
SHE'D BE IN THE CITY FOR?
MAN: NO.
LUCKY: DID SHE SAY WHERE
SHE WAS STAYING?
MAN: NO.
JUST WANTED TO KNOW IF YOU HAD
BEEN AROUND.
WHEN I SAID NO, THEY LOOKED REAL
DISAPPOINTED.
IF YOU WANT, YOU CAN LEAVE
A NOTE IN CASE THEY STOP BACK.
LUCKY: NO, THAT'S NOT
NECESSARY.
YOU KNOW, IT WAS NICE SEEING
YOU AGAIN.
MAN: HEY, YOU, TOO.

ELIZABETH: NIKOLAS?
WHAT IF LUCKY'S NOT EVEN
IN MANHATTAN?
WHAT IF HE JUST GOES STRAIGHT
TO PORT CHARLES?
NIKOLAS: WELL, YOUR INSTINCTS
SAID HE WOULD SHOW UP, RIGHT?
ELIZABETH: RIGHT.
NIKOLAS: WELL, THEN LET'S SEE
HOW TONIGHT GOES.
YOU SURE YOU WANT TO HANG AROUND
THE SQUARE INSTEAD OF CHECKING
OUT THE OTHER COFFEEHOUSES
AGAIN?
ELIZABETH: YES, I THINK
WE HAVE A MUCH BETTER CHANCE
HERE.
I CAN'T EXPLAIN IT, BUT I KNOW
THAT IF LUCKY'S IN TOWN, THIS IS
WHERE HE'LL BE.
NIKOLAS: WELL, IN THAT CASE,
I AM GOING TO CHECK MY VOICE
MAIL AGAIN.
ELIZABETH: OK.
MAN: HEY.
ELIZABETH: HEY.
MAN: DO YOU MIND IF I SET UP
NEXT TO YOU?
ELIZABETH: NO, NOT AT ALL.
MAN: WOULD YOU LIKE A HENNA
TATTOO?
START MY NIGHT OFF ON A POSITIVE
NOTE?
IT DOESN'T HAVE TO BE BIG.
I COULD DO A LITTLE SCARLET
RED HEART TO MATCH THE FIRE
IN THOSE BEAUTIFUL EYES.
ELIZABETH: OH, NO, THANK YOU.
MAN: HOW ABOUT A BRACELET
WITH YOUR BOYFRIEND'S NAME?
ELIZABETH: YOU KNOW, I'M NOT
REALLY INTERESTED.
MAN: HOW ABOUT YOUR LADY'S
NAME?
I COULD DO IT VERY TASTEFUL,
YOU KNOW, RIGHT OVER YOUR HEART
OR AROUND YOUR RING FINGER.
ELIZABETH: YOU KNOW WHAT?
HE'S NOT MY BOYFRIEND.
BUT ACTUALLY, WE ARE LOOKING
FOR THIS GUY.
ANY CHANCE YOU'VE SEEN HIM?
MAN: NO.
NICE WORK, THOUGH.
ELIZABETH: THANKS.
MAN: WHY YOU GUYS LOOKING
FOR HIM?
NIKOLAS: HE'S
MY HALF-BROTHER.
ELIZABETH: HE'S MY BOYFRIEND.
NIKOLAS: HE'S BEEN DOING SOME
TRAVELING AND WE HAVEN'T HEARD
FROM HIM IN A WHILE.
ELIZABETH: YEAH, WE'RE JUST
TRYING TO TRACK HIM DOWN.
MAN: EVER OCCUR TO
YOU HE MIGHT NOT WANT TO BE
TRACKED DOWN?

[CLASSICAL MUSIC PLAYS]
JAX: DIZZY ENOUGH?
WANT TO STOP?
CHLOE: NEVER.
I'M IN MY DREAMS, MY CHILDHOOD
FANTASIES.
WHY ON EARTH WOULD I WANT
TO STOP?
[MUSIC STOPS]
[CLASSICAL MUSIC PLAYS]
JAX: WHAT'S WRONG?
CHLOE: THAT MELODY, JAX.
THAT IS THE MUSIC THAT I'VE BEEN
HEARING IN MY DREAMS
FROM THE MUSIC BOX.

JUAN: YOUR BACK FEELS
SO GOOD.
[KNOCK ON DOOR]
A.J.: IT'S A.J.
EMILY: UH, UH -- ONE SECOND,
A.J.
UH --
COMING. HOLD ON.
OK.
A.J.: HEY.
EMILY: HI, A.J.
A.J.: CAN I COME IN?
EMILY: UH, YOU KNOW, I'M UP
TO HOMEWORK AND --
A.J.: I WON'T TAKE LONG.
I WON'T TAKE LONG AT ALL.
LOOK, YOU KNOW --
SHUT THE DOOR, PLEASE.
I THINK I MADE IT ALL THE WAY UP
HERE WITHOUT GRANDFATHER KNOWING
I'M HERE, YOU KNOW.
EMILY: HAVE YOU BEEN
DRINKING?
A.J.: YOU CAN SMELL
MY BREATH.
EMILY: YOCAN'T SMELL VODKA.
A.J.: I NEED YOUR HELP,
EM, OK?
I WANT YOU TO ARRANGE IT
SO I CAN SEE MICHAEL.

TAGGERT: HEY, MAC.
HANNAH: HEY, HOW'S IT GOING?
TAGGERT: HANNAH AND I STOPPED
BY TO PLAY SOME STICKS.
MAC: LOCAL P.D. BETTER WIN.
HANNAH: HA.
TAGGERT: YOU CAN COUNT
ON THAT, SIR.
COME ON.
MAC: GO GET HER.
DARA: MAC,
JUST MAKE SURE YOU'RE NOT
WALKING AWAY FROM SOMETHING
YOU'RE GOING TO LATER REGRET.
MAC: THANKS.
YOU KNOW WHAT?
I THINK THREE DAYS OF NO SLEEP
IS FINALLY CATCHING UP TO ME.
DARA: OH.
YOU GOING BACK TO THE OFFICE?
MAC: NO.
NO, I THINK I'LL GO HOME.
GOT TO GET USED TO IT SOMETIME.
DARA: OK.
TAGGERT: I'M GLAD DARA GOT
MAC OUT FOR A WHILE.
HIS MARRIAGE IS BREAKING UP.
HE'S TAKING IT PRETTY HARD.
HANNAH: YEAH, LOVE ISN'T EASY
TO LET GO OF.
TAGGERT: NOPE.
HANNAH: BUT I AM PROOF
POSITIVE THAT IT CAN HAPPEN.
TAGGERT: YEAH, I THOUGHT
I NOTICED THAT LIGHT COMING BACK
ON IN YOUR EYES.
HANNAH: YOU KNOW,
TAGGERT, YOU'VE BEEN A REALLY
GOOD FRIEND, AND ANYTHING ELSE
SHOULD SCARE ME TO DEATH --
YES! --
BUT IT DOESN'T.
YOU DON'T.
TAGGERT: WELL, I AM GLAD
TO HEAR THAT.

[NED PLAYS GUITAR]
[NED STOPS]
ALEXIS: WHY'D YOU STOP?
[NED SIGHS]
NED: I NEED AN AUDIENCE.
ALEXIS: GOT MY FULL
ATTENTION.
NED: GOT A PICTURE OF YOU
I CARRY IN MY HEART
CLOSE MY EYES TO SEE IT
WHEN THE WORLD GETS DARK
GOT A MEMORY OF YOU
I CARRY IN MY SOUL
WRAP MY --
[KNOCK ON DOOR]
ALEXIS: TELL ME.
NED: AHEM.
STEFAN: I NEED TO SPEAK
WITH YOU -- IN PRIVATE.
ALEXIS: I CAN ONLY GIVE
YOU ONE MINUTE.
STEFAN: I TRIED TO CONTACT
THE DOCTOR WHO EXAMINED LUCKY.
HE'S DISAPPEARED.
ALEXIS: ARE YOU SURE?
STEFAN: APPARENTLY, HE WENT
BACK TO HIS OFFICE AFTER
OUR MEETING.
NO ONE HAS SEEN HIM SINCE.
HIS CAR IS STILL IN HIS PARKING
SPACE.
HE'S VANISHED.
ALEXIS: HELENA.
STEFAN: YES.
SHE IS TRYING TO COVER
SOMETHING UP.
I WANT TO KNOW WHAT IT IS,
WHAT IT HAS TO DO WITH LUCKY.
THERE IS A LINK BETWEEN THIS
DOCTOR AND HELENA.
I WANT YOU TO FIND IT.
NED: NO. NO. NO.
ALEXIS IS NOT RISKING HER LIFE
FOR YOU ONE MORE TIME.

MAN: YOU LEFT YOUR CELL
NUMBER ON YOUR VOICE MAIL
AND HE HASN'T CALLED ONCE.
WHAT DOES THAT TELL YOU?
HE DOESN'T WANT TO BE FOUND.
NIKOLAS: LOOK, LUCKY'S
NOT YOU.
MAN: YOU'RE NOT DOING HIM ANY
FAVORS BY DOGGING HIM,
BUT YOU MIGHT DRIVE HIM
UNDERGROUND AND FORCE HIM
TO HIDE FROM YOU.
LOOK, IF THIS LUCKY WANTS
TO RECONNECT, SOUNDS LIKE HE'S
CAPABLE OF MANAGING THAT.
GOOD NIGHT.
ELIZABETH and NIKOLAS: NIGHT.
NIKOLAS: WELL, HE CERTAINLY
HAD HIS OPINIONS.
ELIZABETH: YEAH.
NIKOLAS: LUCKY LOVES YOU,
ELIZABETH.
THE FIRST THING HE IS GOING
TO WANT IS TO SEE YOU.
HOW COULD HE NOT?
I'M GOING TO GET SOMETHING
TO DRINK.
YOU WANT SOMETHING?
ELIZABETH: A PRETZEL.
NIKOLAS: BE RIGHT BACK.

NIKOLAS: WATER AND
A HOT PRETZEL WITH MUSTARD.
ELIZABETH: OH, THANK YOU.
YOU KNOW, NIKOLAS, WHAT IF THAT
KID IS RIGHT?
WHAT IF LUCKY FEELS LIKE HE'S
BEING HUNTED?
THAT'S HOW HE FELT WHEN HE LEFT
HOME.
THEN WE SLEPT INHE STORE,
UNDER THE DOCKS, IN THE BOXCAR.
HE DIDN'T WANT ANYBODY LOOKING
FOR HIM.
HE DIDN'T WANT TO BE FOUND.
HE NEEDED SPACE TO FIND HIS OWN
WAY BACK.
MAYBE WE SHOULD JUST GO HOME.
ALEXIS: THIS IS BETWEEN
STEFAN AND ME.
NED: SHE'S NOT RISKING
HER LIFE AGAIN FOR
YOUR PSYCHOTIC FAMILY.
STEFAN: THE LEVEL
OF MY SISTER'S INVOLVEMENT
IN THIS MATTER IS NOT UP TO YOU.
ALEXIS: TRUE.
NED: NOW SHE'S YOUR SISTER.
YOU ALWAYS TREAT HER LIKE DIRT
UNTIL YOU NEED HER.
STEFAN: I BEG YOUR PARDON.
ALEXIS: Y'ALL MIND IF I SAY
SOMETHING HERE?
HELENA IS A COMMON ENEMY.
YOU KNOW THAT.
NED: I KNOW THAT'S WHAT
YOU AND STEFAN ALWAYS SAY.
BUT WHY IS IT THAT SHE ALWAYS
TRIES TO KILL YOU AND NOT HIM?
IT'S YOU IN THE HELICOPTER THAT
CRASHES IN THE DESERT.
IT'S YOU THAT'S ALMOST RUN OVER
IN A CROSSWALK.
IF YOU'VE GOT A PROBLEM
WITH YOUR HOMICIDAL MOTHER,
THEN SOLVE IT YOURSELF,
ALL RIGHT?
ALEXIS IS OUT OF IT.
ALEXIS: I'LL TALK
TO YOU LATER.
ALEXIS: WHEN DID YOU TURN
INTO A CAVEMAN?
NED: THE MOMENT I STARTED
FEARING R YOUR LIFE.
I LOVE YOU.
DON'T YOU KNOW THAT?
SO, APPARENTLY HELENA HAS TRIED
TO KILL SOMEBODY AGAIN.
WOULD YOU PLEASE, PLEASE
STAY OUT OF IT THIS TIME?

[CLASSICAL MUSIC PLAYS]
JAX: THE "SLEEPING BEAUTY"
WALTZ.
ARE YOU SURE THAT'S THE MELODY
IN YOUR DREAMS?
CHLOE: YES.
I JUST COULDN'T PLACE IT.
THAT'S THE MUSIC THAT PLAYS OVER
AND OVER IN MY DREAMS,
UNTIL IT'S SO LOUD THAT I CAN'T
STAND IT.
JAX: OK, I'LL TELL
THE MUSICIANS TO STOP.
CHLOE: NO, WAIT.
MAYBE --
MAYBE IF I HEAR THE ENTIRE
PIECE, IT WILL TRIGGER SOMETHING
AND I'LL UNDERSTAND WHY IT'S
SUDDENLY SHOWING UP IN ALL
MY DREAMS.
JAX: OK.

A.J.: SONNY AND CARLY HAVE
SET UP A FORTRESS AROUND MICHAEL
SO THAT IF I SEE HIM
IN THE PARK, THEY WON'T EVEN LET
ME SAY HELLO TO HIM, YOU KNOW?
EMILY: A.J., I REALLY DON'T
WANT TO DO THIS RIGHT NOW, OK?
A.J.: EM,
I WANT TO SEE MICHAEL.
EMILY: WELL, THEN WHY DON'T
YOU STOP DRINKING AND PROVE
YOU DESERVE TO?
A.J.: PROVE I DESERVE TO?
I'M MICHAEL'S FATHER, EM.
I'VE NEVER HURT HIM.
I WANT TO SEE HIM,
TO PLAY WITH HIM, YOU KNOW,
TO --
EMILY: I DON'T THINK I CAN
HELP YOU, A.J.
A.J.: WE WERE FRIENDS --
WEREN'T WE?
IS IT BECAUSE HE --
HE NAMED YOU MICHAEL'S
GODMOTHER?
BECAUSE I WOULD'VE DONE THE SAME
THING IF I HAD THE CHANCE.
EMILY: WHY DO YOU INSIST
ON GOING BACKWARDS?
A.J., DON'T YOU REMEMBER
THE PRAYER?
"HAVE THE WISDOM TO KNOW
THE THINGS YOU CAN'T CHANGE
AND TO CHANGE THE THINGS
YOU CAN."
AND YOU CAN GET SOBER.
A.J.: OH, YEAHRIGHT.
AND THEN WHAT'S THE NEXT
HOOP, EM?
HUH?
BECAUSE WITH ME,
THERE'S ALWAYS SOMETHING ELSE
I GOT TO DO TO GET THIS FAMILY'S
LOVE.
HEY.
YOU LOVE ME?
EMILY: YES.
A.J.: HAVE I EVER ASKED
YOU TO PROVE IT?
HELP ME, EM.
HELP ME SEE MICHAEL.
SONNY AND CARLY NEVER HAVE
TO KNOW ABOUT IT -- NEVER.
COME ON.
EMILY: NO, A.J.
A.J.: IF JASON WALKED THROUGH
THAT DOOR RIGHT NOW
WITH A BULLET IN HIM,
ON THE RUN, AND ASKED
YOU TO HELP HIM SEE MICHAEL,
WOULD YOU?
DON'T KID YOURSELF,
EM, ALL RIGHT?
THIS ISN'T ABOUT KEEPING MICHAEL
SAFE.
IT'S ABOUT LOVING ONE BROTHER
MORE THAN THE OTHER,
ABOUT KEEPING MICHAEL AWAY
FROM ME IN JASON'S NAME!
A.J.: TO HELL WITH YOU, EM.
TO HELL WITH ALL OF YOU.
JUAN: YOU OK?
EMILY: NO.
EMILY: I JUST WANT A NORMAL
FAMILY FOR, LIKE, FIVE MINUTES.
IS THAT SO MUCH TO ASK FOR?
JUAN: NO.

ELIZABETH: EVER SINCE I LET
MYSELF BELIEVE THAT LUCKY'S
ALIVE, ALL I CAN THINK ABOUT IS
SEEING HIM.
BUT THAT'S WHAT I NEED.
AND I'VE BEEN TELLING MYSELF
THAT HE HASN'T CALLED
BECAUSE IT'S NOT SAFE OR HE'S
TRYING TO PROTECT ME.
BUT REALLY, NIKOLAS, WE HAVE
NO IDEA WHAT HE'S BEEN THROUGH
THIS PAST YEAR.
MAYBE HE JUST NEEDS MORE TIME.
NIKOLAS: YEAH.
I CAN'T BELIEVE WE'RE TAKING
ADVICE FROM A TATTOO KID
IN THE MIDDLE OF THE NIGHT.
ELIZABETH: BUT, YOU KNOW,
I'M REALLY GLAD WE DID THIS --
COMING TO NEW YORK.
AND CHLOE'S ON HER TRIP
WITH JAX, SO IT WAS PERFECT
TIMING, AND I WAS GOING CRAZY
SITTING AROUND IN PORT CHARLES.
NIKOLAS: UM --
HANG ON, YOU HAVE JUST A LITTLE
MUST--
ELIZABETH: THANK YOU.

ALEXIS: I AM VERY WELL AWARE
OF HOW DANGEROUS HELENA
CASSADINE IS, BUT LUCKY SPENCER
COULD BE THE KEY TO PUTTING
HER AWAY.
IT'S VERY IMPORTANT.
NED: FINE.
THEN LEAVE THAT TO STEFAN
OR THE POLICE OR THE SPENCERS.
I DON'T WANT YOU PROVOKING HER.
YOU DON'T OWE STEFAN, AND DEEP
DOWN, YOU KNOW THAT.
I REALIZE THAT HE AND NIKOLAS
ARE YOUR FAMILY, BUT I DON'T
WANT YOU AT RISK.
ALEXIS: I AM AT RISK
AS LONG AS SHE'S OUT THERE.
NED: NO.
NO, THAT'S NOT TRUE.
IF YOU STEER CLEAR OF HER,
SHE WON'T EVEN THINK ABOUT YOU.
SHE MURDERED YOUR MOTHER,
ALEXIS.
SHE KILLED THAT DOCTOR
IN GREECE.
SHE TRIED TO KILL CHLOE
BECAUSE SHE THOUGHT CHLOE WAS
YOU.
NOW, LOOK,
I KNOW THAT MY FAMILY IS
POISONOUS TO EACH OTHER,
BUT WE ARE NOT LETHAL.
I REALLY RESENT THE WAY HE PUTS
YOUR LIFE ON THE LINE
WITHOUT A SECOND THOUGHT.
I DON'T WANT TO LOSE YOU, OK?
I DON'T WANT YOU DEAD.
I DON'T WANT YOU MAIMED.
I DON'T WANT YOU IN SOME COMA
IN A SWISS HOSPITAL.
I JUST WANT YOU TO THINK
ABOUT US,
ALL RIGHT,
AND MAKE A CHOICE TO NOT
JEOPARDIZE OUR FUTURE BY GETTING
ENTANGLED IN ANOTHER CASSADINE
WAR.
ALEXIS: I'LL THINK ABOUT IT.
NED: I LOVE YOU.
AND I DON'T WANT TO LOSE YOU.
ALEXIS: NO ONE HAS EVER LOVED
ME THE WAY THAT YOU LOVE ME.
AND IT MEANS EVERYTHING TO ME.

CHLOE: YOU DIDN'T HAVE
TO SEND THE MUSICIANS AWAY.
JAX: IT'S OK.
I WANTED TO SPEND SOME TIME
ALONE WITH YOU.
LET'S --
LET'S TRY TO WORK THROUGH THIS
DREAM.
CHLOE: IT'S JUST SO EERIE.
I CAN'T PUT MY FINGER ON IT,
BUT IT'S LIKE SUDDENLY I STARTED
HAVING THESE BIZARRE DREAMS.
JAX: WHICH TONY SAID WERE
EXPECTED.
CHLOE: BUT THE DREAM ISN'T
THE SAME EVERY TIME.
THE ONLY THING THAT'S THE SAME
IS THE MUSIC, AND THEN I COME
TO RUSSIA AND I HEAR IT.
JAX: WELL,
TCHAIKOVSKY'S A RUSSIAN
COMPOSER.
CHLOE: THIS DOESN'T SEEM ODD
TO YOU AT ALL?
JAX: WELL, I THINK IT'S
PROBABLY DIFFERENT FOR ME
BECAUSE I'M NOT THE ONE HAVING
THE DREAMS.
I MEAN, I KNOW THEY'RE UPSETTING
AND THEY'RE MOST PROBABLY
DIRECTLY LINKED TO YOUR MEDICAL
CONDITION.
I'M SURE THAT MUSIC BRINGS UP
ALL SORTS OF FEELINGS,
SOME OF WHICH YOU PROBABLY DON'T
WANT TO DEAL WITH.
CHLOE: OK, THIS IS GOING
TO SOUND REALLY CRAZY,
BUT IT'S ALMOST LIKE I KNEW THIS
WAS GOING TO HAPPEN,
LIKE THERE WAS A REASON FOR ME
TO BE HERE, LIKE SOME SORT
OF CREEPY DEJA VU.
JAX: THE MIND IS AN AMAZING
THING, CHLOE.
YOU KNOW, PERHAPS IT'S
TELLING YOU SOMETHING
IN YOUR DREAMS AND THAT'S WHAT
BROUGHT YOU HERE.
CHLOE: I THINK IT HAS
SOMETHING TO DO WITH THAT
MUSIC BOX.
I CAN'T EXPLAIN IT,
BUT THE MINUTE THAT MUSIC
STARTED PLAYING, IT WAS LIKE
I THOUGHT, "THAT'S -- THAT'S IT.
THAT'S WHY I'M HERE.
I'M HERE TO HEAR THIS."
DOES THAT SOUND CRAZY?
JAX: OBVIOUSLY, YOUR
SUBCONSCIOUS NEEDS TO WORK
THROUGH SOMETHING.
AND PERHAPS IT BROUGHT YOU HERE
TO GIVE YOU A CLUE.
CHLOE: I THINK IT HAS TO DO
WITH THAT MUSIC BOX.
JAX: YES, I GOT THAT.

HANNAH: YEAH.
TAGGERT: OH.
WHERE'D YOU LEARN TO PLAY LIKE
THIS?
HANNAH: MY DAD.
TAGGERT: HOW'S HE DOING?
HANNAH: HE'S IN PRISON,
TAGGERT, AND HE SHOULDN'T BE.
YOU KNOW, HE COULD'VE GOTTEN OUT
10 YEARS AGO, BUT HE MADE A DEAL
WITH THE F.B.I. SO THAT I COULD
KNOW HIM WHILE I WAS GROWING UP.
AND AFTER 20 YEARS OF RISKING
HIS LIFE, THE PEOPLE WHO PAY ME
MY PAYCHECKS DON'T EVEN KNOW
HE EXISTS.
YOU LOST.
YOU KNOW WHAT?
LET'S JUST PLAY FOR FUN THIS
TIME.
A.J.: NICE.
NICE TO SEE YOU TRADED UP.
DON'T LET ME INTERRUPT.
BESIDES, I'M PARCHED.
AHEM.
HEY, SEAN?
TAGGERT: THIS GUY'S JUST
GOING TO END UP BOTHERING YOU.
WHY DON'T WE GO SOMEPLACE ELSE?
HANNAH: I CAN'T LEAVE HIM
IN THIS CONDITION.
I FEEL LIKE I WANT TO HELP HIM.
TAGGERT: WHY?

TAGGERT: WHY WOULD YOU WANT
TO HELP THIS JERK?
HANNAH: BECAUSE I WAS WHERE
A.J. IS.
TAGGERT: OH.
HANNAH: YOU KNOW, I DID SOME
INCREDIBLY STUPID THINGS WHEN
I WAS HURTING OVER SONNY,
BUT SOMEBODY --
YOU --
YOU STEPPED IN AND YOU REALLY
HELPED ME.
I JUST FEEL LIKE I WANT
TO RETURN THE FAVOR.
TAGGERT: SO WE'LL GET HIM
A CAB.
HANNAH: NO.
TAGGERT: LOOK, I'LL GET ONE
OF THE BLACK-AND-WHITES TO MAKE
SURE HE GETS HOME.
HANNAH: NO, I JUST -- I WOULD
LIKE TO DRIVE HIM HOME.
TAGGERT: YOU KNOW, THIS ISN'T
REALLY THE WAY I PICTURED THIS
EVENING ENDING.
HANNAH: I KNOW.
I'M SORRY.
TAGGERT: A.J.'S NOT
YOUR PROBLEM.
HANNAH: WELL, TONIGHT
I'M MAKING HIM MY PROBLEM.
THANKS FOR UNDERSTANDING.
TAGGERT: I DON'T.
HANNAH: I'LL SEE
YOU IN THE MORNING, ALL RIGHT?
TAGGERT: YOU GOING TO BE
ALL RIGHT?
HANNAH: I'LL BE FINE.
DON'T WORRY.
GET OUT OF HERE.
DID YOU BRING YOUR CAR?
A.J.: UH, MAYBE, MAYBE NOT.
WHAT DIFFERENCE DOES IT MAKE?
HANNAH: I'D LIKE TO DRIVE
YOU HOME.
A.J.: UH, I DON'T NEED
A BABYSITTER.
BUT THANKS ANYWAY.
AND I'M NOT DRUNK.
I'M IN COMPLETE CONTROL.
THIS JUST HELPS ME FEEL BETTER.
HANNAH: WELL, THEN MAKE ME
FEEL BETTER
AND LET ME DRIVE YOU HOME.
A.J.: STUBBORN, AREN'T YOU?
HANNAH: SO I'VE BEEN TOLD.
A.J.: YEAH.
HANNAH: THANK YOU.

EMILY: I'M SO CONFUSED
RIGHT NOW.
I MEAN, I --
I LOVE A.J. SO MUCH.
AND I KNOW THAT MICHAEL IS
HIS SON, BUT I WANT TO DO WHAT'S
BEST FOR MICHAEL, YOU KNOW?
DOES THAT MEAN LIVING IN THIS
CRAZY HOUSE?
IS THAT SOMETHING I WOULD WANT
TO WISH ON ANYBODY?
NOT THAT HAVING CARLY
AS A MOTHER IS ANYTHING
BETTER, BUT --
JUAN: YOU KNOW THAT PRAYER
YOU WERE TELLING A.J. ABOUT?
HOW DOES THAT GO?
EMILY: "GOD, GRANT ME
THE SERENITY TO ACCEPT
THE THINGS I CAN'T CHANGE,
THE COURAGE TO CHANGE
THE THINGS I CAN,
AND THE WISDOM TO KNOW
THE DIFFERENCE."
JUAN: DOES THAT FIT
YOUR SITUATION?
HAVE YOU EVER BEEN ABLE
TO CHANGE THE WAY YOUR FAMILY
FIGHTS OR A.J.'S DRINKING?
EMILY: NO.
JUAN: WELL,
MAYBE IT'S TIME YOU TRIED THAT
SERENITY THING FOR YOURSELF.
EMILY: THANK YOU.
JUAN: KNOW WHAT?
WE NEED TO BE ALONE SOMEWHERE.
I MEAN, I DON'T LIKE DOING
THINGS AND ALWAYS WORRYING THAT
YOUR MOM OR YOUR DAD OR THE MAID
OR SOMEBODY'S GOING TO WALK
THROUGH THE DOOR.
EMILY: I KNOW THE PERFECT
PLACE WE CAN GO TOMORROW AFTER
SCHOOL.
JUAN: WHERE?
EMILY: YOU'LL SEE.
JUAN: OK.
TILL TOMORROW, THEN.

[CLOCK CHIMES]
CHLOE: EVERYONE WHO IS ANYONE
VISITED THIS COURT.
CAN YOU IMAGINE THE PEOPLE THAT
HEARD THAT CLOCK CHIME?
JAX: YOU GETTING TIRED?
CHLOE: NOPE.
I NEVER WANT THIS EVENING
TO END --
TCHAIKOVSKY'S "SLEEPING BEAUTY"
ASIDE.
YOU KNOW THE IRONY OF THAT
IS THAT THIS REALLY FEELS LIKE
A FAIRY TALE.
YOU'RE VERY GOOD AT THIS.
JAX: MAY I HAVE THE HONOR
OF ANOTHER DANCE?
CHLOE: WE'RE LACKING
MUSICIANS.
JAX: OH, SINCE WHEN DID
WE EVER NEED MUSICIANS?
CHLOE: WELL, GENERALLY WHEN
WE DON'T HAVE MUSIC, WE AT LEAST
HAVE THE RAIN.
JAX: WELL, YOU HAVE A VIVID
IMAGINATION.
USE IT.
[MUSIC BOX PLAYS
"SLEEPING BEAUTY" WALTZ]

ELIZABETH: SO, UH,
TOMORROW MORNING WE'RE GOING
TO FLY OUT, RIGHT?
NIKOLAS: YEAH.
YOU COLD?
ELIZABETH: NO, I'M OK.
NIKOLAS: HERE, HERE.
PUT THIS ON.
ELIZABETH: NO, NO, I'M FINE.
NIKOLAS: NO, NO, I INSIST.
THERE YOU GO.
ELIZABETH: YOU KNOW,
I'M NOT REALLY DISCOURAGED
BECAUSE I KNOW LUCKY'S OUT
THERE, AND HE'S GOING TO COME
HOME TO ME AND YOU AND
HIS FAMILY WHEN HE'S READY.
NIKOLAS: GOT THIS.
ELIZABETH: ALL RIGHT.
NIKOLAS: ALL RIGHT.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

JUAN: SO WHAT COMES NEXT?

EDWARD: I UNDERSTAND YOU HAVE
SOMETHING TO CELEBRATE.

ALEXIS: THERE IS NO HARD
EVIDENCE OF A DEAL BETWEEN ROY
AND THE FEDS.

HANNAH: WHAT'S GOING
ON WITH YOU?
ARE YOU IN SOME KIND OF DANGER?

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