GH Transcript Tuesday 4/4/00

 

General Hospital Transcript Tuesday 4/4/00

Provided by Laura

MARIA: I JUST ABOUT GAVE UP
ON YOU.
GEORGIE: WE MISSED YOU.
MARIA: OH, AND I MISSED
YOU, TOO.
MAXIE: CAN I RIDE PEACHES
FIRST THING IN THE MORNING?
MARIA: PEACHES?
IS THAT WHY YOU CAME HERE,
TO VISIT A HORSE?
I THOUGHT YOU CAME HERE
TO VISIT ME.
GEORGIE: WE DID.
MAXIE: BUT CAN I?
MARIA: WELL, WE'LL SEE.
NOW WAIT A MINUTE.
LET ME LOOK AT YOU.
DO YOU KNOW HOW YOU'VE GROWN?
MY GOODNESS.
ARE YOU THE SAME TWO
GREAT-GRANDDAUGHTERS WHO LEFT
HERE JUST A FEW MONTHS AGO?
GEORGIE and MAXIE: YES.
MAXIE: OF COURSE.
MARIA: OH, MY.
HOW WAS THE FLIGHT?
MAC: SMOOTH.
JUST GOT HUNG UP AT D.F.W.
MARIA: AW.
MAXIE: THE ELECTRIC TRAM GOT
STUCK, AND THEN WE MISSED
OUR CONNECTION.
MARIA: OH, NO.
WELL, OF COURSE, AND YOU'RE
ON NEW YORK TIME, TOO,
AREN'T YOU?
WELL, I'VE GOT YOUR ROOMS ALL
READY FOR YOU, SO YOU CAN BOTH
HOP INTO BED.
I'M SO GLAD YOU'RE HERE VISITING
ME WHILE YOUR MOMMY'S OFF TAKING
CARE OF HER FRIEND.
GEORGIE: MOMMY DOESN'T WANT
US ANYMORE.
SHE HAS A BOYFRIEND.

HELENA: NOW, YOU'RE CLEAR
ABOUT TOMORROW'S SCHEDULE?
MAKE SURE YOU DO.
WELL, THIS IS SO COMPLICATED
IT'S RIDICULOUS.
WELL, YOU'LL JUST SIMPLY HAVE
TO GIVE ME ALL OF THE FACTS.
I -- ALL RIGHT.
HOLD ON ONE MINUTE AND I'LL
WRITE THEM DOWN.
ALL RIGHT.
YES.
UH-HUH.
AND THE TIME?
THANK YOU.
WELL, LUCKY, I'M GOING
TO CONCEDE TONIGHT'S MATCH.
LUCKY: BEFORE IT STARTS?
HELENA: MM-HMM.
LUCKY: WELL, THAT'S NOT
MY VICTORY QUESTION, BY THE WAY.
HELENA: OH.
AND WHAT IS?
LUCKY: I DON'T KNOW YET.
HELENA: SO JUDICIOUS.
SO UNLIKE YOUR FATHER.
WELL, YOU CAN ASK YOUR QUESTION
AT BREAKFAST.
BUT TONIGHT, YOU NEED YOUR SLEEP
MORE THAN A GAME.
IT HAS BEEN A LONG,
FASCINATING DAY.
LUCKY: YES, IT HAS.
HELENA: TEXAS HOLDS A GREAT
MANY MEMORIES FOR YOU,
DOESN'T IT?
LUCKY: IT DOES.
I'LL SEE YOU IN THE MORNING.
HELENA: WE'VE ALMOST MADE IT
TO OUR LAST STOP, WHICH I THINK
YOU WILL FIND A FITTING END
TO OUR JOURNEY.
SLEEP WELL.
ELIZABETH: OK.
"IF YOU ANSWERED NO TO THE LAST
QUESTION, YOU'RE NOT READY
FOR PRIME TIME IN THE LOVE
DEPARTMENT."
EMILY: I ANSWERED YES.
ELIZABETH: I KNOW.
EMILY: OK.
ELIZABETH: OK, LISTEN.
"IF YOUR FANTASY LOVE LIFE
BECAME REALITY, WOULD THERE BE
PROBLEMS?"
EMILY: WELL, THAT'S
THE THING.
I MEAN, YES, THERE'S ALWAYS
GOING TO BE PROBLEMS BETWEEN ME
AND JUAN.
IT'S JUST GOING TO BE WHETHER
WE WORK THEM OUT OR NOT.
ELIZABETH: ALL RIGHT.
"IF YOU ANSWERED NO,
YOU'RE BEING UNREALISTIC
AND HEADED FOR DISAPPOINTMENT.
HAVE YOU DISCUSSED YOUR PAST
SEXUAL ACTIVITY WITH ONE
ANOTHER?"
WELL, HAVE YOU?
EMILY: YES.
ELIZABETH: OK.
"IF YOU ANSWERED YES
TO QUESTION 23, DID
YOUR CONVERSATION INCLUDE WHAT
KIND OF PROTECTION, IF ANY,
HE USED?"
EMILY: YES.
ELIZABETH: OK.
WELL, "DO EITHER OF YOU HAVE
A SEXUALLY TRANSMITTED DISEASE,
ALSO KNOWN AS AN S.T.D.?"
EMILY: ARE YOU SERIOUS?
THAT'S NOT VERY ROMANTIC.
ELIZABETH: OH, MY GOD.
LOOK -- IT SAYS, "IF YOU JUST
SAID, 'THAT'S NOT VERY
ROMANTIC,' ASK SOMEONE WHO HAS
AN S.T.D. TO TELL YOU HOW
ROMANTIC THAT REALLY IS."
EMILY: IT DOES NOT SAY THAT
IN THERE.
ELIZABETH: YES, IT DOES.
LOOK.
OK, LISTEN.
THE FINAL QUESTION.
"IF YOU HAVE SEX AND THEN BREAK
UP, WILL YOU REGRET HAVING SEX?"
EMILY: YES.
ELIZABETH: YES.
EMILY: YES.
ELIZABETH: OK, YEAH.
LET'S SEE IF YOU'RE READY.
[ELIZABETH HUMS]
ELIZABETH: HMM.
EMILY: "HMM"?
WHAT'S THAT?
WHAT'S "HMM"?
COME ON, DON'T TEASE ME.
WHAT DOES IT SAY?
ELIZABETH: OK, LISTEN.
ACCORDING TO KAREN McALPINE,
WHO LIVES IN DETROIT,
MICHIGAN, WHO KNOWS NOTHING
ABOUT YOU AND HAS NEVER MET YOU,
YOU ARE
READY TO GET BUSY WITH JUAN.
EMILY: BUT, SEE, THAT'S JUST
IT, ELIZABETH.
I MEAN, HOW WILL I KNOW
FOR SURE?
WHAT ABOUT YOU AND LUCKY?
MEAN, WHEN HE COMES BACK --

CHLOE: CAN'T SLEEP.
CHLOE: SEVERE HEADACHE.

SONNY: WHAT ARE YOU DOING
HERE?
CARLY: I HEARD YOU.
I THOUGHT SOMETHING WAS WRONG.
SONNY: YOU ALL RIGHT?
CARLY: I'M FINE.
YOU WERE HAVING ANOTHER
NIGHTMARE, HUH?
SONNY: YEAH, WHATEVER,
YOU KNOW.
SORRY I WOKE YOU.
YOU SHOULD GO BACK TO BED.
CARLY: YOU WERE DREAMING
ABOUT YOUR WIFE, WEREN'T YOU?

CARLY: RIGHT BEFORE I WOKE
YOU UP YOU SAID LILY'S NAME.
WHEN I STAYED WITH YOU BEFORE
JASON CAME HOME LAST SUMMER,
YOU TOLD ME YOU DREAM ABOUT
HER SOMETIMES.
SONNY: I'M ALL RIGHT.
DON'T WORRY ABOUT ME, OK?
CARLY: YOU SAID "DON'T GO."
WERE YOU SEEING HER WALK
TO THE CAR?
SONNY: YEAH.
I WAS WATCHING HER
WALK TOWARDS THE CAR.
SHE LOOKED BACK, SMILED.
BUT THEN ALL OF A SUDDEN,
SHE'S STANDING ON THE STAIRS
WITH OUR KID.
THEY'RE WAVING GOOD-BYE.
WHEW.
I KNOW WHAT'S GOING TO HAPPEN
NEXT, BUT I CAN'T STOP IT.
THEN YOU WOKE ME UP.
SONNY: HOW ABOUT YOU?
YOU ALL RIGHT AFTER, YOU KNOW,
A.J. KNOCKED YOU DOWN?
YOU GOT ANY ACHES AND PAINS?
CARLY: NAH.
I'M OK.
HE DIDN'T EVEN HIT ME.
I'M FINE.
SONNY: I KNEW HE WAS GOING
TO EXPLODE.
I SHOULD'VE STOPPED HIM.
CARLY: GOD, I'M FINE.
THE BABY'S FINE.
BUT IF HE HAD HURT ME
OR THE BABY, YOU'D BE THE FIRST
PERSON I TOLD.
WE'RE REALLY OK.
PROMISE.

MAC: GEORGIE, WHERE DID
YOU HEAR THAT MOMMY HAS
A BOYFRIEND?
GEORGIE: THAT'S WHERE SHE IS
RIGHT NOW, WITH HIM.
MAC: WELL, NOW, HONEY,
YOU REMEMBER WHAT THE NOTE SAID?
MOMMY IS HELPING A FRIEND, OK?
I MEAN, HIS SON IS MISSING,
AND THEY'RE TRYING TO FIND HIM.
IT DOESN'T MEAN THAT MOMMY
DOESN'T WANT TO BE WITH YOU.
YOU KNOW HOW MUCH YOUR MOMMY
LOVES YOU.
GEORGIE: IF SHE DID,
SHE WOULD BE WITH US.
MAXIE: OR AT LEAST EXPLAIN IT
TO US AND THEN SAY GOOD-BYE.
MAC: LOOK, WHAT DID I SAY
ON THE PLANE?
MAXIE: THAT MOM MAKES
MISTAKES BUT THAT SHE STILL
LOVES US.
MAC: WE ALL MAKE MISTAKES,
INCLUDING ME.
WE'RE GOING TO WORK THIS OUT.
MAXIE: EVERYONE KEEPS SAYING
THAT, BUT MOM STILL KEEPS
LEAVING US.
MARIA: DARLING, IF YOUR MOMMY
SAYS SHE'S HELPING A FRIEND,
THEN I BELIEVE HER.
AND SPEAKING OF MISTAKES,
IF YOU HURRY UP AND GET
INTO BED, I WILL TELL
YOU A STORY ABOUT THE TIME
I MADE THE MISTAKE OF
THE CENTURY.
MAC: WOW.
I WANT TO HEAR ALL ABOUT
THAT ONE.
COME ON, TIME FOR BED.
GEORGIE: WILL YOU STILL BE
HERE IN THE MORNING?
MAC: YOU BETCHA.
GOOD NIGHT.
MARIA: COME ON, DARLING.
LET ME HELP YOU WITH
YOUR LUGGAGE, MAKE SURE YOU'VE
GOT EVERYTHING.
MAC: CALL ME FOR THE STORY.
MARIA: OH, I WILL.
MAXIE: WILL WE BE IN THE SAME
CLASSES TOMORROW?
MARIA: YES, I CALLED
THE SCHOOL.
THEY'RE EXPECTING YOU.
MAXIE: CAN I RIDE PEACHES
TO SCHOOL JUST ONCE?
MARIA: WHERE WOULD
YOU PARK HER?
MAXIE: IN THAT FIELD NEXT
TO THE GYM.
[MARIA LAUGHS]

EMILY: YOU KNOW WHAT?
NEVER MIND.
YOU DON'T HAVE TO ANSWER THAT
QUESTION.
I KNOW IF YOU WANT TO TALK ABOUT
LUCKY THAT YOU WILL.
IT'S REALLY NONE OF MY BUSINESS.
I KNOW YOU JUST WANT HIM TO COME
HOME SAFE.
ELIZABETH: ACTUALLY,
IT'S EMBARRASSING HOW MUCH
I THINK ABOUT BEING WITH HIM.
I MEAN, WHEN I'M NOT TERRIFIED
THAT LUKE AND LAURA WON'T
FIND HIM.
I'M WONDERING IF HE'LL FEEL
THE SAME OR, YOU KNOW,
THINGS MAY HAVE CHANGED FOR HIM.
EMILY: I CANNOT IMAGINE THAT.
ELIZABETH: YEAH, BUT -- OK,
SAY HE MET SOMEONE ELSE,
OR WE LOOK AT EACH OTHER
AND NOTHING'S THE SAME
AND WE DON'T FEEL THAT -- THAT
THING WHEN YOU CAN HARDLY
BREATHE.
EMILY: YE, IT'S LIKE
YOUR BRAIN SPLITS OFF.
I MEAN, I CAN TOTALLY HAVE
JUAN'S EYES IN MY MIND AND BE
HAVING A CONVERSATION
WITH GRANDFATHER AT THE SAME
TIME.
ELIZABETH: AND YOU GET ALL
DIZZY?
EMILY: YES!
BUT, SEE, THAT'S JUST IT.
IS THAT BECAUSE I'M IN LOVE?
OR IS THAT BECAUSE THIS IS ALL
NEW TO ME?
ELIZABETH: FOR ME, IT WAS
LOVE, DEFINITELY.
ARE YOU IN LOVE WITH JUAN?
EMILY: WELL, SEE, WE HAVEN'T
EXACTLY SAID THE WORDS TO EACH
OTHER.
BUT I CAN'T IMAGINE FEELING
ANYTHING THAT I FEEL WITH JUAN
WITH ANYBODY ELSE.
AND I'M SURE THAT IF LUCKY
WALKED IN THIS DOOR RIGHT NOW,
HE WOULD TAKE YOU INTO HIS ARMS,
AND HE WOULD KISS YOU,
AND HE WOULD TELL YOU HOW
HE MISSED YOU EVERY SINGLE
SECOND, AND HE WOULD HOLD
YOU LIKE HE WAS NEVER GOING
TO LET YOU GO, WHICH HE NEVER
WILL.
ELIZABETH: YOU HONESTLY
THINK SO?
EMILY: ABSOLUTELY.
NOW, ME AND JUAN?
I JUST DON'T KNOW ABOUT THAT.

LILA: BRAVO.
MONICA: OH!
LILA.
LILA: OH.
SOMETIMES IT PAYS TO JUST SIT
QUIETLY AND READ.
THAT WAS JUST BEAUTIFUL, DEAR.
MONICA: WELL, THANK YOU.
WE DECLARED AN ARMISTICE
FROM ALL OF OUR PROBLEMS
TONIGHT.
WE'VE HAD A LOVELY MEAL.
ALAN: GREAT BAND.
MONICA: AND A NICE LITTLE
TABLE IN THE CORNER.
ALAN: I PARTICULARLY LIKED
THE FACT THAT THE MOST BEAUTIFUL
WOMAN IN THE ROOM WAS MY WIFE.
MONICA: OH, THANK YOU.
ALAN: ALL QUIET ON
THE HOME FRONT?
LILA: OH, YES.
YOUR FATHER IS ACTUALLY ASLEEP.
ALAN: OH, GOOD.
EDWARD: ALL RIGHT,
NOW, SOMETHING MUST BE DONE.
MONICA: OH, NO.
EDWARD: NOW, YOUR SON NEARLY
RUINED THE FAMILY BUSINESS.
AND HE WILL NOT RUIN THE FAMILY
HOTEL.
THE PORT CHARLES HOTEL MANAGER
JUST CALLED ME AND HE TOLD ME
THAT A.J. TRIED TO START A FIGHT
IN THE GRILL AND THAT HE TRASHED
THE LOBBY.
AND HE WAS SO DRUNK THAT
THEY REFUSED HIM A ROOM.
ALAN: SOMEONE FROM THE HOTEL
IS BRINGING HIM HOME, RIGHT?
EDWARD: YES.
YES, ANY SECOND NOW THE PRODIGAL
SON WILL BE DELIVERED
TO OUR FRONT DOOR.
NOW, WE'VE ALL AGREED
AS OF TONIGHT THIS DISGRACE
ENDS.
HE IS OUT OF HERE.

["ONCE UPON A TIME" PLAYS"]
[CAR TIRES SKID]
JAX: CHLOE!
[SCREAM]
JAX: CHLOE?
CHLOE: WHY AREN'T YOU ASLEEP?
JAX: BECAUSE YOU'RE NOT.
I WOKE UP AND YOU WEREN'T THERE.
HAVE YOU BEEN CRYING?
CHLOE: I JUST --
I JUST WOKE UP WITH WATERY EYES.
JAX: ARE YOU DODGING
MY QUESTION?
CHLOE: I DON'T HAVE THE RIGHT
ANSWER FOR YOU, JAX.
JAX: HEY.
HEY.

MARIA: OH, MAXIE AND THAT
HORSE.
THERE YOU ARE.
MAC: THANK YOU.
THANK YOU FOR THIS.
I REALIZE I DIDN'T GIVE YOU MUCH
NOTICE.
MARIA: OH, WELL, YOU KNOW,
IT MIGHT'VE BEEN EASIER IF I HAD
COME TO PORT CHARLES, BUT --
MAC: NO, NO, I REALIZE
YOU HAVE OBLIGATIONS HERE.
MARIA: DO YOU WANT TO GET
INTO THIS TONIGHT OR TOMORROW?
MAC: MARIA, I SWEAR TO YOU,
I NEVER SAID ANYTHING ABOUT
FELICIA HAVING A BOYFRIEND
TO GEORGIE.
MARIA: THIS HAS TO BE A BIG
MISUNDERSTANDING, MAC.
MAC: IT'S NOT.

ELIZABETH: HEY, EM,
ARE YOU THINKING ABOUT THAT
AGENT JUAN AUDITIONED FOR?
EMILY: YOU MEAN LYNN?
AND ALL THE OTHER GIRLS JUST
LIKE HER?
YEAH.
I MEAN, WHAT HAPPENS IF JUAN
DOES BECOME A MEGASTAR LIKE
MIGUEL MOREZ?
YOU KNOW THE TYPE OF GIRLS THAT
HANG AROUND GUYS LIKE THAT.
REMEMBER HOW WE ACTED WHEN
WE ONCE SAW 98 DEGREES
AND BOY ZONE WHEN THEY CAME HERE
LAST SUMMER?
I MEAN, JUAN IS A GUY.
HOW COULD HE NOT BE TEMPTED?
ELIZABETH: BECAUSE HE'LL
LOSE YOU.
EMILY: YEAH, BUT I WON'T BE
AROUND 24/7.
AND THINGS MIGHT HAPPEN THAT
I DON'T KNOW ABOUT.
AND IF THEY DO, THINGS WILL BE
OVER.
ELIZABETH: WELL,
THEN YOU KNOW WHAT I SAY
TO THAT?
WHATEVER.
BECAUSE YOU DESERVE A GUY WHO
COULD BE TEMPTED AND WALK AWAY
BECAUSE HE DOESN'T WANT
TO LOSE YOU.
EMILY: NOT EVERYONE CAN BE
A LUCKY.
ELIZABETH: WELL, THEN IF HE'S
NOT THAT KIND OF GUY, YOU DON'T
WANT HIM.
AND SO FAR, THIS IS ALL
HYPOTHETICAL, RIGHT?
FROM WHAT I'VE SEEN, THE GUY
ADORES YOU.
AND LIKE I'VE SAID BEFORE,
HE DOESN'T EVEN NOTICE ANY OTHER
GIRLS.
EMILY: AND THAT'S EXACTLY HOW
I WANT IT TO STAY.
SEE, WHY IS IT I ALWAYS WANT
WHAT I FEEL RIGHT NOW?
YOU KNOW, THE OTHER NIGHT
MY FAMILY WAS FIGHTING, AND JUAN
CLIMBED THROUGH THIS WINDOW
TO CHECK ON ME.
HE KNEW EXACTLY WHAT TO SAY.
AND THEN HE JUST HELD ME.
THE OTHER NIGHT WHEN HE CAME
OVER, I REALLY WANTED HIM
TO SLEEP OVER, YOU KNOW?
I THOUGHT MAYBE TAGGERT WOULD BE
OUT ON A STAKEOUT OR SOMETHING
AND MY PARENTS WOULD BE ASLEEP,
AND HE COULD JUST SLEEP HERE.
AND WE COULD SET THE ALARM
FOR REALLY EARLY IN THE MORNING,
AND THEN HE COULD LEAVE.
BESIDES, LATELY I'VE BEEN LIKE
THE FAMILY ANGEL COMPARED
TO MY TWO BROTHERS.
ALAN'S VOICE: HAVEN'T
YOU DONE ENOUGH DAMAGE
FOR A LIFETIME?
EDWARD'S VOICE: WELL,
HASN'T A.J.?
MONICA'S VOICE: WILL YOU TWO
KEEP YOUR VOICES DOWN?
ELIZABETH: ARE THEY FIGHTING?
ALAN'S VOICE: SORRY.
EMILY: YOU KNOW HOW SOME
FAMILIES KIND OF HAVE
A ANDFATHER CLOCK THAT CHIMES
IN THE MIDDLE OF THE NIGHT?
THIS WOULD BE OUR VERSION.
EDWARD: REGINALD!
MONICA: STOP BELLOWING,
EDWARD.
YOU'LL WAKE UP EVERYONE THIS
SIDE OF THE LAKE!
EDWARD: HOW DARE YOU BEHAVE
LIKE A DRUNKEN LOUT
IN A QUARTERMAINE HOTEL.
YOU HAVE CROSSED THE LINE
TONIGHT.
A.J.: GOOD EVENING,
GRANDMOTHER.
EDRD: DON'T SPEAK TO HER.
YOU'VE LOST THAT RIGHT!
LILA: A.J., HELLO, DEAR.
IT'S GETTING LATE.
I'M GOING UPSTAIRS TO BED.
AND, EDWARD, I THINK YOU SHOULD
DO THE SAME THING.
A.J.: GOOD NIGHT.
LILA: GOOD NIGHT, DEAR.
A.J.: NICE P.J.s.
YOU KNOW, THEY ALMOST MAKE
YOU LOOK HUMAN.
EDWARD: FAR TOO HUMAN WHERE
YOU'RE CONCERNED, A.J.
YOU KNOW -- YOU KNOW SOMETHING?
I LET MY HEART GET AHEAD
OF MY BRAIN WHEN I BACKED
YOU AS C.E.O.
AND HOW DID YOU RETURN
THE FAVOR?
YOU RETURNED IT BY DISGRACING
YOUR GRANDMOTHER AND ME AND BOTH
YOUR PARENTS.
ALAN: DO NOT SPEAK FOR ME.
MONICA: NOR FOR ME.
IF THERE WAS EVER A MAN TO DRIVE
ANOTHER MAN TO DRINK, IT'S YOU.
EDWARD: OH --
A.J.: THANK YOU FOR THOSE
KIND WORDS.
MONICA: DON'T YOU START.
I'VE HAD IT WITH YOU RAGING OUT
OF CONTROL AROUND HERE.
THIS IS NOT AN UPHOLSTERED DRUNK
TANK, A.J.
IT'S A HOME.
AND UNTIL YOU RESPECT IT
AND YOURSELF, I WANT YOU OUT
OF THE HOUSE.
ALAN: THAT IS NOT A SOLUTION.
MONICA: NEITHER IS ENABLING
HIM, WHICH IS WHAT GOT US HERE.
EDWARD: WHY DON'T YOU TELL
THEM WHOM YOU HIT WITH A BOTTLE
AND KNOCKED DOWN, A.J.?
A.J.: THAT WAS AN ACCIDENT.
MONICA: WHO?
A.J.: SHE WASN'T HURT.
MONICA and ALAN: WHO?
EDWARD: CARLY.
MONICA: OH, MY -- OH, MY GOD.
EDWARD: NOW, LOOK, A.J.
FIRST, YOU ROBBED US OF JASON,
RIGHT?
AND TONIGHT, YOU HAVE DESTROYED
ANY POSSIBILITY OF OUR EVER
GETTING LITTLE MICHAEL BACK
IN THIS HOUSE.
YOU SELF-DESTRUCT IF
YOU WANT TO.
BUT DO YOU HAVE TO TAKE THE REST
OF THE FAMILY DOWN WITH YOU?

CARLY: OK, LIKE --
CARLY: CAN YOU TELL?
RIGHT THERE.
I KNOW.
I'M A LITTLE OUT THERE.
SONNY: I DON'T FEEL NOTHING.
WHAT?
WHAT?
CARLY: OK, COME HERE.
SONNY: WAIT, WAIT, WAIT --
CARLY: NO, HERE, COME ON.
SONNY: WHAT ARE YOU DOING?
CARLY: COME ON.
SONNY: WHAT ARE YOU DOING?
CARLY: THIS IS GOING TO BE
REALLY GOOD.
[SONNY SIGHS]
CARLY: YOU'LL BE ABLE
TO SEE NOW.
OH!
OK.
SONNY: WHAT?
CARLY: GIVE ME --
SONNY: ALL RIGHT.
CARLY: IT'S, LIKE, RIGHT --
NO, IT'S, LIKE,
SORT OF RIGHT THERE.
CAN YOU FEEL THAT?
SONNY: YEAH, IT'S A LITTLE
BIT OF A -- YEAH, A LITTLE BUMP.
CARLY: WON'T BE LITTLE
FOR VERY LONG.
I GOT AS BIG AS A HOUSE
WITH MICHAEL.
SONNY: THANK YOU.
CARLY: JUST SIT DOWN THERE.
YOU KNOW,
I KNOW THAT MY JOB IS TO PROTECT
MYSELF AND THIS BABY.
SO I'M SORRY.
NEXT TIME A.J. AIMS A BOTTLE
AT YOU, I'LL HIDE.
AND THEN I'LL YELL.
SONNY: THIS IS NEVER GOING
TO HAPPEN AGAIN.
CARLY: I DID DAZZLE THAT
COFFEE GUY, THOUGH, DIDN'T I?
SONNY: YEAH, YEAH, YOU DID.
CARLY: LEAST HE LEFT BEFORE
A.J. STARTED THROWING THINGS.
SONNY: THAT'S TRUE.
AT LEAST I DIDN'T GET ARRESTED
THIS TIME.
MAYBE I SHOULD STOP MEETING
THIS GUY.
CARLY: MAYBE YOU SHOULD JUST
GO TO ANOTHER RESTAURANT.
SONNY: OH, NO, NO,
BECAUSE I LIKE THE COOK
AT THE GRILL.
CARLY: BOYS AND THEIR
TERRITORY.
I'M SORRY THAT I SCARED YOU
BY FALLING DOWN.
SONNY: THAT'S NOT WHAT
SCARED ME.

SONNY: WHEN YOU HIT THAT
TABLE, IT WAS, LIKE,
EVERYTHING WAS IN SLOW MOTION,
YOU KNOW?
EVERYTHING FALLING BUT ME NOT
BEING ABLE TO STOP IT.
DON'T EVER
PUT YOURSELF IN DANGER FOR ME.
NEVER.
YOU UNDERSTAND ME?
CARLY: I DO NOW.
SONNY: OK.
THAT'S -- THAT'S WHAT I --
THAT'S WHAT I WANTED TO SAY
DOWNSTAIRS, BUT I --
I DIDN'T HANDLE IT RIGHT.
CARLY: WELL, I COULD HAVE
BEEN A LITTLE MORE
UNDERSTANDING.
YOU'VE BEEN GOOD TO ME.
SONNY: YEAH.
CARLY: VERY GOOD,
MUCH TO MY AMAZEMENT.
YOU ASKED ONE THING --
THAT I RESPECT YOUR PRIVACY --
AND I DIDN'T DO IT.
I'M SORRY.
BUT I WILL.
AND I WANT YOU TO KNOW THAT
YOU CAN TRUST ME.
SONNY: IT'S BEEN POINTED OUT
TO ME THAT THERE'S A DIFFERENCE
BETWEEN LETTING YOUR MOTHER GO
INTO MY DESK AND SPYING
FOR THE F.B.I.
CARLY: ARE YOU SAYING THAT
YOU OVERREACTED?
SONNY: NO, NO, NO, NO.
I'M NOT, BUT I'M JUST SAYING
THERE'S A CHANCE THAT,
YOU KNOW, PEOPLE CAN LEARN
FROM THEIR MISTAKES AND --
MAYBE -- AND I'M WILLING TO TRY.
CARLY: YEAH?
SONNY: YEAH.
CARLY: ME, TOO.
IT'S BETTER THAN GOADING EACH
OTHER INTO SOMETHING CRAZY.
ENDS UP HURTING EVERYONE.
SONNY: WELL, I'D RATHER NOT
HURT YOU.

ALAN: ARE YOU SURE CARLY'S
ALL RIGHT?
A.J.: YEAH, SHE'S FINE.
EDWARD: LUCKY FOR YOU.
HEY, HEY, HEY.
DON'T GET COMFORTABLE THERE.
IF YOU THINK YOU'RE SLEEPING
HERE TONIGHT, YOU THINK AGAIN.
MONICA: YOU CAME AT CARLY
WITH A BOTTLE?
A.J.: NO, I WENT AT SONNY
WITH A BOTTLE.
CARLY BARELY GOT CLIPPED.
YOU KNOW HOW SHE IS.
SHE'S A DRAMA QUEEN.
EDWARD: I WANT HIM OUT
OF HERE.
HE IS A DISASTER WAITING
TO HAPPEN.
NOW, REGINALD WILL DROP YOU OFF
AT A REHAB CENTER, AND THEN
AFTER THAT, YOU'RE ON YOUR OWN.
ALAN: A.J., WOULD YOU LIKE
TO TRY AND GO TO A REHAB?
A.J.: OH, TRUST ME,
ANYONE WHO HEARS MY STORY WILL
THINK I DESERVE A DRINK.
ALAN: HE'S NOT READY.
MONICA: AND HE NEVER WILL BE
IF YOU GO AROUND ARRANGING
TO CLEAN UP HIS MESS FOR HIM.
ALAN: WHERE DID THAT COME
FROM?
MONICA: IT'S OBVIOUS YOU GAVE
INSTRUCTIONS TO THE HOTEL.
ALAN: WOULD YOU PREFER HE'D
DRIVEN HIMSELF HOME?
MONICA: I WOULD PREFER
YOU NOT WALK AHEAD OF HIM
AND MAKE IT EASIER FOR HIM
TO DESTROY HIS LIFE.
I WARNED YOU THAT WHEN
HE MARRIED CARLY HE'D START
DRINKING AGAIN.
BUT YOU WOULDN'T LISTEN,
AND BEING SUPPORTIVE OF HIM NOW
IS MAKING THINGS WORSE.
COME ON, I WENT THROUGH THIS
WITH YOU, ALAN.
I LEARNED.
YOU CUT YOUR LOSSES.
ALAN: WHERE WOULD YOU HAVE
HIM GO?
MONICA: NOT HERE.
I MEAN, DON'T YOU SEE THIS
FAMILY ISN'T HELPING HIM?
EDWARD: YOU SEE,
ALAN, WHAT YOU THINK IS
SUPPORT --
A.J.: "CODDLING.
IT'S CODDLING, AND I WON'T
HAVE IT!"
YOU KNOW, YOU, MOM --
YOU'RE RIGHT.
I'M OUT OF HERE TONIGHT.
EDWARD: YOU ARE NOT GOING
TO WANDER AROUND DRUNK
IN THE STREETS.
YOU WILL GET IN THE BACK SEAT
OF THE CAR, AND REGINALD WILL
DROP YOU OFF AT DETOX.
ALAN: THAT'S NOT HOW IT
WORKS.
A.J.: I CAN TAKE ANY CAR
ON THIS PROPERTY.
THE KEYS ARE LEFT ON THE DASH.
EMILY: A.J., YOU'RE NOT
DRIVING.
A.J.: WHAT?
EMILY: LOOK AT YOU.
YOU'RE LOADED.
MOM, ELIZABETH IS UPSTAIRS.
A.J.: YOU CAN ASSURE
YOUR FRIEND THAT I WILL BE
WITHOUT PASSENGERS, SO THERE
WILL BE NO INNOCENT PARTIES HURT
IF I HIT ANOTHER TREE.
MONICA: OH --
EMILY: A.J., YOU'RE TRYING
TO SCARE US.
I HATE THAT.
A.J.: SINCE WHEN DO YOU CARE
ABOUT WHAT I DO?
YOU KNOW, I REALLY DON'T GIVE
A DAMN IF I'M SCARING
OR PLEASING ANY OF YOU.
I'M LIVING TO PLEASE MYSELF, OK?

MARIA: MAC, I RAISED FELICIA.
I KNOW HER LIKE I -- WELL,
LIKE I KNOW MYSELF.
SHE LOVES YOU AND SHE LOVES
THOSE CHILDREN, AND I WILL NEVER
BELIEVE OTHERWISE.
MAC: I BELIEVED IN FELICIA,
TOO.
EVEN WHEN SHE WAS FLYING AROUND
THE GLOBE WITH LUKE SPENCER,
I HUNG IN.
MARIA: YES, BUT THOSE TRIPS
WERE ABOUT CESAR FAISON.
MAC: YEAH, A COUPLE OF THEM.
THERE HAVE BEEN AN AWFUL LOT
OF LIES, MARIA.
AND I KEPT BELIEVING HER.
I MEAN, I GUESS I WAS BLIND
BECAUSE I WANTED TO BE.
ANYWAY, I GOT MY PROOF.
WE TRIED TO PATCH THINGS UP.
I -- I MOVED OUT.
FELICIA AND THE GIRLS BEGGED ME
TO COME BACK, AND FELICIA
PROMISED THAT LUKE SPENCER WAS
BEHIND HER.
SEE, THAT WAS ONE OF
MY CONDITIONS FOR COMING BACK,
WAS THAT SHE HAD NOTHING ELSE
TO DO WITH LUKE SPENCER.
FELICIA GAVE ME HER WORD
THAT SHE WOULD NEVER SEE HIM
ANYMORE.
SHE SAID THAT FROM NOW ON,
HER LIFE WAS ABOUT ME
AND HER FAMILY.
AND A WEEK LATER,
SHE LEFT A NOTE SAYING THAT LUKE
NEEDED HELP AND THAT SHE WAS
GOING TO HELP HIM.
MARIA: BECAUSE HIS SON WAS
MISSING.
MAC: MARIA, AT THIS POINT,
I DON'T CARE IF FELICIA WAS
GOING OFF TO SAVE THE FREE
WORLD.
THERE ARE PEOPLE WHO CAN HELP
HER, THAT CAN DO THAT.
THERE ARE PEOPLE WHO CAN HELP
LUKE SPENCER.
I MEAN, THE GUY WAS MY BROTHER'S
BEST FRIEND.
I CAN HELP LUKE SPENCER.
MARIA: WHAT --
WHAT EXACTLY IS IN THAT NOTE?
MAC: IT'S NOT IMPORTANT
WHAT'S IN THE NOTE, MARIA.
FELICIA'S GONE.
OK?
LOOK, THIS SOLUTION WAS THE BEST
ONE I COULD THINK OF.
I DON'T KNOW HOW LONG THE GIRLS
WILL BE HERE.
MARIA: OH, MAC.
LOOK, AT THE HEART OF THIS
IS A MISUNDERSTANDING.
I'M SURE OF IT.
FELICIA LOVES YOU, MAC.
MAC: THEN WE HAVE DIFFERENT
DEFINITIONS OF LOVE.
MARIA: OH.

CHLOE: REMEMBER THAT DIARY
TONY JONES TOLD ME TO KEEP
OF MY SYMPTOMS?
JAX: "CAN'T SLEEP.
SEVERE HEADACHE.
I TOOK TWO PILLS.
THE PAIN KEEPS COMING,
PRESSURE ON MY LEFT TEMPLE.
VISION OK.
AFRAID."
I'M GOING TO CALL TONY.
CHLOE: NO, NO, NO, NO.
HE KNOWS.
I SAW HIM WHEN I GOT MY LAST
C.A.T. SCAN, AND I'LL SEE HIM
AGAIN WHEN I GET THE RESULTS.
JAX: CHLOE, COME ON.
CHLOE: NO, IT'S THE MIDDLE
OF THE NIGHT --
JAX: CHLOE, YOU'VE NEVER HAD
A HEADACHE THIS BAD.
HAVE YOU?
WHEN?
JAX: WHY DIDN'T YOU TELL ME
THAT YOU WERE IN SO MUCH PAIN?
CHLOE: FOR THE SAME REASON
YOU'VE BEEN HOLDING BACK
WITH ME, BECAUSE THIS IS HARD
ENOUGH ON YOU.
JAX: THE WORST THING YOU CAN
DO IS PRETEND.
WE CAN'T LIVE LIKE THAT,
NOT TOGETHER.

JAX: I ASKED YOU TO MOVE
IN BECAUSE WE'RE CONNECTED.
I WANT THAT.
I NEED IT.
AND I KNOW YOU FAR TOO WELL
TO LET YOU SUFFER IN SILENCE.
I LOVE YOU WAY TOO MUCH
FOR THAT.
CHLOE: I WASN'T TRYING TO --
OK, IT -- IT WASN'T MY INTENTION
TO PUSH YOU AWAY.
I LIVE HERE BECAUSE I WANT
TO SHARE MY LIFE WITH YOU, TOO.
BUT YOU CAN'T CURE THIS THING
IN MY HEAD OR MY EYESIGHT, JAX.
THIS IS MY ILLNESS, AND I HAVE
TO DEAL WITH THIS.
JAX: YES, BUT NOT IN SECRET.
OK, THE FACT THAT THE PAIN IS
WORSE, THAT IS CRUCIAL
INFORMATION ONCE I START
MY SEARCH FOR SPECIALISTS
AND NEW MEDICATIONS --
CHLOE: OK, SPEAKING OF NOT
PRETENDING -- I KNOW THAT
YOU STARTED THAT SEARCH
WEEKS AGO.
YOU CAN'T TELL ME THAT THOSE
CALLS YOU'VE BEEN FIELDING
FROM THE SWISS LABORATORIES HAVE
ANYTHING TO DO WITH YOUR LINE
OF WORK.
DO THEY?
JAX: NO, I'VE BEEN PUTTING
FEELERS OUT THERE.
THERE'S NOTHING WRONG WITH THAT.
CHLOE: YOU KNOW, IT JUST
MAKES ME FEEL PRESSURE TO BE
BETTER.
IT MAKES ME FEEL LIKE I CAN'T
SHOW YOU MY FEAR.
GOD KNOWS, I WANT TO BE
BETTER, JAX.
I DO NOT WANT TOO BLIND,
BUT I MIGHT.
AND I DON'T KNOW THAT BEING
WITH A BLIND WOMAN IS GOING
TO WORK FOR YOU.

A.J.: I'VE HAD IT WITH ALL
OF YOU, INCLUDING YOU,
LITTLE SISTER.
YOU KNOW, WHEN JASON WAS AROUND,
YOU DIDN'T CARE ABOUT ME.
NOW HE'S GONE, ALL OF A SUDDEN
YOU DO?
PLEASE.
YOU KNOW WHAT?
IT'S LIKE YOU SAID, MOM.
WE NEED TO BE RID OF EACH OTHER.
MONICA: THAT IS MANIPULATIVE
BULL.
A.J.: NO, IT IS NOT.
WE ABSOLUTELY NEED SOME SPACE
BETWEEN EACH OTHER.
GRANDFATHER, WELCOME.
TO FILL YOU IN ON WHAT'S GOING
ON, I'M LEAVING, THEY'RE NOT.
I'LL SENFOR MY THINGS.
EDWARD: BUT YOU WON'T BE
DRIVING ANYWHERE BECAUSE
REGINALD HAS TAKEN THE KEYS
TO EVERY CAR ON THE GROUNDS.
AND AS DRUNK AS YOU ARE,
YOU SURE WON'T GET VERY FAR
BY FOOT.
A.J.: WHATEVER.
RIGHT NOW, THE POINT IS, IS NOT
BE UNDER THIS ROOF.
I'M CERTAIN I CAN MAKE IT
TO THE BOATHOUSE.
EDWARD: THAT'S A VERY GOOD
PLACE FOR YOU, A.J.
I DON'T WANT HIM BACK IN HERE!
EMILY: WHAT HAPPENED TONIGHT?
ALAN: A.J. GOT INTO A FIGHT
AT THE GRILL.
HE KNOCKED CARLY OVER.
EMILY: WHAT?
IS SHE ALL RIGHT?
MONICA: YES.
LOOK, I AGREE WITH EDWARD.
HE CAN'T STAY HERE.
ALAN: SO HE IS NOW BANISHED
TO THE BOATHOUSE?
MONICA: WHY ARE YOU,
YOU OF ALL PEOPLE, INSISTING
ON ENABLING?
ALAN: THERE'S A DIFFERENCE
BETWEEN ENABLING AND SUPPORTING,
MONICA.
MONICA: WELL, WHICH ONE
ENCOURAGED HIM TO MARRY CARLY?
ALAN: LOOK, HE WANTED
TO MARRY CARLY.
BELIEVE IT OR NOT, HE LOVES HER.

SONNY: WELL, YOU SHOULD GO
BACK TO BED.
YOU KNOW, I'LL TRY NOT TO BOTHER
YOU AGAIN.
CARLY: THERE'S NO BOTHER.
GOOD NIGHT.
SLEEP WELL.
SONNY: YEAH, YOU, TOO.
CARLY: EXCUSE ME.

CHLOE: I'M NOT LOSING HOPE.
I JUST WANT YOU TO BE HONEST
WITH ME.
I MIGHT GO BLIND.
HOW DO YOU FEEL ABOUT THAT?
JAX: LIKE I TRUTHFULLY --
I DON'T KNOW WHAT THAT'S GOING
TO BE LIKE.
OK, ALL I KNOW IS WHATEVER
HAPPENS TO YOUR VISION,
I WILL STILL LOVE YOU
BECAUSE YOU WILL STILL BE CHLOE.
CHLOE: BUT WILL I?
WHAT I SEE AND WHAT I DRAW MAKES
ME WHO I AM, ALL THOSE THINGS
I ENJOY DOING.
THOSE THINGS MIGHT CHANGE.
WON'T I BE A DIFFERENT PERSON?
JAX: YOU'RE ASKING US
TO PREDICT THINGS THAT WE CAN'T.
AND I WON'T LOOK AHEAD
AND ENVISION PROBLEMS THAT ARE
NOT THERE.
CHLOE: IS IT WRONG TO BE
PREPARED?
JAX: WE CAN'T BE PREPARED
FOR THIS, CHLOE.
OK, WE HAVE TO TAKE THIS ONE DAY
AT A TIME.
WE HAVE TO ENJOY IT ONE DAY
AT A TIME.
LIFE.
CHLOE: I JUST WANT
YOU TO KNOW THAT YOU DON'T HAVE
TO STAY.
JAX: I WANT TO STAY.
HOW CAN I MAKE YOU UNDERSTAND
THAT?
WE HAVEN'T RUN OUT OF OPTIONS
HERE, CHLOE.
BESIDES,
I'M FALLING MORE AND MORE
IN LOVE WITH YOU EVERY DAY.
CALL ME CRAZY, BUT I AM.
CHLOE: CRAZY.
JAX: YEAH, CRAZY IN LOVE
WITH YOU.
CHLOE: ALL I WANT
IS FOR YOU TO JUST KEEP LOVING
ME AS LONG AS YOU CAN.
AND IF IT STOPS --
HEY --
I JUST WANT YOU TO TELL ME.
JAX: OK.
AND I WILL EXPECT THE SAME
FROM YOU, MADAM.
CHLOE: OK.
JAX: YOU READY TO GO TO BED?
CHLOE: NO.
NOT YET.

EMILY: WELL, WELCOME
TO A NIGHT AT THE
QUARTERMAINES'.
I HOPE YOU DIDN'T HAVE TO HEAR
THAT.
ELIZABETH: NO, NO, I DIDN'T
HEAR MUCH.
DID SOMETHING HAPPEN?
EMILY: A.J. GOT IN A FIGHT
AT THE P.C. GRILL AND KNOCKED
CARLY DOWN.
ELIZABETH: OH.
IS SHE OK?
EMILY: YES.
NOW HE'S TO SLEEP IN
THE BOATHOUSE.
SO IF YOU HEAR A SPLASH
IN THE MIDDLE OF THE NIGHT,
YOU MIGHT WANT TO WAKE ME UP.
SOMETIMES I WISH THAT I COULD
JUST GET OUT OF THIS HOUSE.
YOU KNOW, I WISH I WAS 18,
LIKE YOU ARE.
OH, GOD, I'M NEVER GOING TO GET
OUT OF HERE.
ELIZABETH: YOU KNOW WHAT?
I USED TO THINK THAT,
TOO, BUT I MADE IT,
AND IN THE MEANTIME, YOU'VE GOT
JUAN AND YOU'VE GOT THAT WINDOW,
AND DOES THAT DOOR LOCK?
EMILY: SUPPOSEDLY, THE KEY IS
LOST.
ELIZABETH: WELL,
NOW, EMILY, YOU'RE AN
ENTERPRISING YOUNG WOMAN.
SURELY YOU COULD FIX THAT.
SO,
DO YOU EVER THINK ABOUT WHERE
YOU'D LIKE YOUR FIRST TIME
TO BE?
EMILY: DEFINITELY NOT
IN A CAR.
ELIZABETH: OH, JEEZ, NO,
NOT IN A CAR.
EMILY: I HAVEN'T REALLY
FANTASIZED ABOUT DOING IT HERE,
YOU KNOW, JUST IN CASE SOMEONE
KNOCKED ON THE DOOR
OR SOMETHING.
I THINK THAT I'D REALLY WANT
JUAN TO TAKE ME SOMEWHERE FAR
AWAY WHERE WE COULD, YOU KNOW,
BE ALONE AND I WOULDN'T FEEL
UNCOMFORTABLE.
I'D KIND OF LIKE IT IF HE HAD IT
SET UP FIRST SO THERE WAS,
LIKE, CANDLES AND A FIREPLACE
AND A THUNDERSTORM.
WHAT?
I LIKE THUNDERSTORMS.
ELIZABETH: OK.
EMILY: WHAT ABOUT
YOU AND LUCKY?
ELIZABETH: I'M AFRAID
TO DREAM THAT FAR AHEAD.
EMILY: HE'S GOING TO COME
BACK, ELIZABETH.
I CAN FEEL IT.

LUCKY: ALMOST THERE.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

CHLOE: THE MEDICINE ISN'T
WORKING, IS IT?

BOBBIE: YOU LOOKING FOR ROY?
HANNAH: NO, I CAME
TO SEE YOU.

SONNY: I NEED YOU TO GO
TO PUERTO RICO FOR ME.
ROY: YOU'LL HAVE TO FIND
SOMEBODY ELSE, MAN.

LESLEY LU: HI.
STEFAN: HELLO, LESLEY LU.

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