GH Transcript Monday 4/3/00

 

General Hospital Transcript Monday 4/3/00

Provided by Laura

HELENA: SO INTENSE.
NOW WHAT ARE YOU THINKING?
LUCKY: I'M NOT.
HELENA: WELL, IF YOU'D RATHER
NOT SHARE YOUR FEELINGS,
HAVE THE COURTESY TO TELL ME
THAT.
BUT PLEASE DON'T INSULT
MY INTELLIGENCE BY PRETENDING
THAT YOUR MIND IS BLANK.
LUCKY: NOT BLANK.
RESTING.
HELENA: SO MUCH FOR
THE STIMULATION I'VE TRIED
SO HARD TO PROVIDE.
LUCKY: MAYBE I'VE BEEN
OVERSTIMULATED.
TOO MANY SIGHTS, TOO BRIEF
A TIME.
WHO KNOWS.
MAYBE I'M HOPELESS,
AND YOUR CUSTOMIZED TOUR IS LOST
ON ME.
HELENA: I SINCERELY DOUBT
THAT.
NOW, OF ALL THE PLACES
THAT WE'VE VISITED,
WHAT WAS YOUR FAVORITE SPOT?
LUCKY: TEXAS.
HELENA: BECAUSE IT WAS ONE
STEP CLOSER TO PORT CHARLES.
LUCKY: THAT, AND THE FACT
THAT IT'S MINE.
THE RANCH IN TEXAS WAS THE ONLY
PLACE THAT WAS REALLY EVER HOME
TO ME.
IT DOESN'T HAVE TO DO
WITH YOU OR THE CASSADINES.
IT DOESN'T HAVE TO DO
WITH MY PARENTS.
IT HAS TO DO WITH ME.

FELICIA: HELP ME!
OH! OH!
LAURA: OH.
HERE, HANG ON.
HANG ON.
FELICIA: I CAN'T!
LAURA: HANG ON.
NO, I'VE GOT YOU.
FELICIA: OH!
LAURA: OH, DON'T LOOK DOWN!
DON'T, DON'T.
COME ON, JUST --
FELICIA: I'LL PULL YOU OVER.
I CAN'T DO IT!
YOU CAN'T HELP M
I CAN'T DO THIS!
LAURA: GRAB ONTO MY ARM.
COME ON.
[FELICIA SCREAMS]
LUKE: HANG ON.
DON'T LOOK DOWN.
HANG ON.
OK.
PULL!
FELICIA: I -- I CAN'T --
LUKE: COME ON.
YOU CAN DO IT.
FELICIA: I CAN'T.

STEWARDESS: COCKTAIL?
SOFT DRINK?
MAC: NOT FOR ME, THANKS.
KIDS?
MAXIE: TWO COLAS, PLEASE.
GEORGIE: ARE WE ALMOST
THERE YET?
STEWARDESS: ABOUT AN HOUR
TILL EL PASO.
PRETTY GIRLS.
ARE YOU MEETING YOUR MOM
IN EL PASO?
MAXIE: NO.
OUR GREAT-GRANDMOTHER.
GEORGIE: WE'RE GOING TO LIVE
WITH HER.

BOBBIE: ROY, JUST STOP
AND THINK ABOUT THIS.
ROY: THAT'S ALL I'VE BEEN
DOING.
BOBBIE: YOU CAN'T TELL SONNY
THE TRUTH.
ROY: NO, NO.
WHAT I CAN'T --
WHAT I CAN'T DO IS LIVE LIKE
THIS.
I CAN'T.
BOBBIE: WOULD YOU RATHER DEAL
WITH SONNY'S KIND OF
CONSEQUENCES?
ROY: I'LL TAKE MY CHANCES
WITH HIM.
BOBBIE: YOU WANT TO GO BACK
TO PRISON?
ROY: NO, I DON'T WANT TO GO
BACK TO PRISON, BUT IT'S EITHER
THAT OR INFORM ON HIM.
BOBBIE: I PICK B.
ROY: HE SAVED YOUR LIFE,
BOBBIE.
BOBBIE: YOU SAVED MY LIFE.
ROY: I OWE THE MAN.
BOBBIE: YOU OWE ME.

RAE: HI.
YOU COMING OUT OR GOING IN?
JOHNNY: NEITHER.
RAE: OH, THIS IS
YOUR APARTMENT?
JOHNNY: NO.
RAE: OH. WELL, EXCUSE ME.
I JUST HAVE TO GO KNOCK, OK?
JOHNNY: I'M AFRAID I CAN'T DO
THAT.
RAE: WHY?
JOHNNY: YOU DON'T HAVE
AN APPOINTMENT.
RAE: NO. NO, I DON'T.
BUT THIS ISN'T GOING TO TAKE
VERY LONG.
JOHNNY: SORRY, MA'AM.
YOU'RE WASTING YOUR TIME.
RAE: EXCUSE ME, BUT HOW
EXACTLY DO YOU KNOW THAT?
I MEAN, DO YOU GET SORT
OF A SPECIAL VIBE BY JUST
STANDING HERE, OR DO YOU HAVE
SOME TELEPATHIC THING GOING
ON WITH WHOEVER LIVES IN THERE?
HI.
BENNY: IS THERE A PROBLEM?
RAE: IS THIS YOUR APARTMENT?
BENNY: WHY?
RAE: WELL, I NEED TO SEE
WHOEVER LIVES IN THERE.
BENNY: DOES HE KNOW YOU?
RAE: NO, ACTUALLY, NOT.
MY NAME IS RAE CUMMINGS.
BENNY: OK, LISTEN.
WHY DON'T YOU JUST WRITE HIM
A LETTER, OK?
RAE: YOU SEE, I'M IN AN AWFUL
HURRY, SO I THINK IT WOULD JUST
BE EASIER IF I JUST KNOCKED
ON THE DOOR, ALL RIGHT?
JOHNNY: NOBODY'S HOME.
RAE: OH.
WELL, ALL RIGHT.
I CAN WAIT.
BENNY: NO, MA'AM.
HE DOESN'T DEAL WITH STRANGERS.
RAE: SO THIS MYSTERY MAN --
THE ONE WITH NO NAME -- WHAT,
IS HE A DICTATOR IN EXILE?
BENNY: NO, HE'S A VERY
PRIVATE MAN.
RAE: OH, HE'S GOT PRIVACY
ISSUES, YEAH.
YOU KNOW, I'M REALLY VERY GOOD
WITH BADLY SOCIALIZED PEOPLE.
ESPECIALLY IF THEY HAVE A GOOD
SENSE OF HUMOR.
EVEN IF THEY DON'T.
BENNY: SEE, I'M AFRAID
WE CAN'T HELP YOU, MA'AM.
RAE: YEAH, RIGHT, I BET
YOU CAN'T HELP ME.
BUT I BET THE PHANTOM
IN THERE CAN.
I DON'T CARE IF HE'S THE WIZARD
OF OZ.
I HAVE TO SEE HIM.

SONNY: DON'T MOVE.
CARLY, DON'T MOVE.
CARLY: I'M FINE.
SONNY: STAY STILL.
CARLY: I'M ALL RIGHT.
A.J.: CARLY, I'M REALLY
SORRY.
I DIDN'T MEAN TO --
SONNY: WHAT ARE YOU, CRAZY?
[CROWD REACTS]

FELICIA: I -- I CAN'T --
I CAN'T --
LUKE: COME ON, YOU CAN DO IT.
FELICIA: I CAN'T.
LUKE: YOU CAN DO IT.
THAT'S IT.
OH! AH.
COME ON.
COME ON.
FELICIA: OH.
OH, GOD.
THAT WAS CLOSE.
LUKE: YEAH.
TOO CLOSE.
FELICIA: THANK YOU.
THANK YOU BOTH.
LUKE: ANYTIME, ANYTIME.
YOU ALL RIGHT, DARLING?
LAURA: I'M FINE.
FELICIA: I'M MUCH BETTER,
THANKS.
LAURA: NICE SAVE.
LUKE: YEAH, WELL, YOU CALLED.
I RAN.
LAURA: YEAH, MORE LIKE FLEW.
FELICIA: FORTUNATELY FOR ME.
LAURA: SO WHAT HAPPENED
TO YOU?
DID YOU TRIP OR SOMETHING?
FELICIA: I WAS FOCUSED
ON THAT.
LAURA: OH, MY GOD.
LUKE: LUCKY.
LAURA: HE WAS HERE.
LUKE: THIS IS FRESH.
LAURA: HE CAME BACK
TO OUR PICNIC SPOT.
LOOK!
FELICIA: THREE Ls.
THAT'S THE THREE OF YOU, RIGHT?
LAURA: YEAH.
LUKE: YEAH, THIS WAS REALLY
DONE RECENTLY.
LAURA: LIKE MAYBE EVEN TODAY.
LOOK.
LUKE: MAYBE, MAYBE.
FELICIA: AND THERE WAS
SOMETHING ELSE.
THERE WAS A MATCHBOOK COVER.
IT WAS --
LUKE: WHERE? SHOW ME.
FELICIA: OVER HERE IN THESE
BUSHES.
I TRIED TO REACH OUT FOR IT,
AND THAT'S WHY I FELL.
IT HAD BIG, BOLD PRINT ON IT.
I COULDN'T READ WHAT IT SAID.
LUKE: OH, IT'S GONE.
FELICIA: I MUST HAVE KNOCKED
IT DOWN.
LUKE: IT MUST HAVE FALLEN
DOWN IN THERE.
FELICIA: WELL, WE'D BETTER GO
CHECK IT OUT.
LUKE: YEAH.
LAURA: OH, NO.
THERE'S NO WAY WE CAN GO DOWN
THERE.
FELICIA: I'M NOT GOING
THAT WAY.
LUKE: YEAH, RIGHT.
NO, THERE MUST BE ANOTHER WAY
DOWN.
MAYBE UP AROUND YEAH.
FELICIA: YEAH.
LUKE: YEAH?
LAURA: OK.

BENNY: SEE, THE DOORMAN
REALLY SHOULDN'T HAVE LET
YOU IN IN THE FIRST PLACE.
RAE: ACTUALLY, THE DOORMAN
TOOK A LITTLE BREAK.
BENNY: UH-HUH.
RAE: BUT I MEAN, WHY WOULD
HE NEED A DOORMAN, THIS GUY?
I MEAN, HE'S GOT HIS OWN PRIVATE
SECURITY FORCE GOING HERE.
BENNY: WHY DON'T YOU LET ME
SHOW YOU DOWN TO THE LOBBY, OK?
RAE: NO, NO.
NO, NO, THANK YOU, REALLY.
I DON'T NEED A GUIDE.
WHAT I NEED IS TO FIND
AN ANTIQUE DESK WITH FAMILY
RECORDS IN IT.
BENNY: HMM. WELL,
MA'AM, YOU REALLY HAVE THE WRONG
PLACE.
RAE: THERE'S NO ANTIQUE DESK?
THIS IS PENTHOUSE FOUR.
NO ONE HAS BOUGHT A VICTORIAN
ROLLTOP DESK FROM A LITTLE
SHOP -- GIVE ME A MINUTE --
ON PORTMAN STREET?
BENNY: WE ARE NOT ALLOWED
TO DISCUSS THE CONTENTS OF THAT
APARTMENT.
RAE: YOU HAVE TO BE
KIDDING ME.
WHAT DO YOU THINK, I'M
WITH THE K.G.B.?
I'M ONLY TALKING ABOUT A PIECE
OF FURNITURE.
JOHNNY: I DON'T MEAN TO BE
RUDE, BUT I THINK --
RAE: OH, GEE, I'M SO RELIEVED
TO HEAR THAT.
BENNY: YOU --
RAE: FOR A MINUTE THERE,
I WAS WORRIED.
BENNY: MISS, YOU REALLY HAVE
TO GO NOW.
RAE: LOOK, I DON'T WANT
TO INTRUDE ON ANYBODY, REALLY.
I WILL BE HAPPY TO WAIT
IN THE HALL IF ONE OF YOU WOULD
JUST GO INSIDE, LOOK
IN THE DESK, AND SEE IF A BIBLE
IS IN IT.
BENNY: A BIBLE?
RAE: YES.
BENNY: JUST A MINUTE AGO,
YOU SAID YOU WERE LOOKING
FOR RECORDS.
RAE: WELL, THE RECORDS ARE
IN A BIBLE.
BENNY: JOHNNY, WOULD YOU HELP
ME SHOW THIS LADY OUT?
RAE: OH, BOY. I GIVE UP.
I REALLY GIVE UP.
I MEAN, MAYBE YOU COULD GIVE ME
A NUMBER.
I COULD CALL HIS SECRETARY
OR SOMETHING?
WHAT ABOUT A NAME?
IS THAT TOO MUCH TO ASK?
BENNY: HAVE A NICE EVENIN
RAE: "HAVE A NICE EVENING."

CARLY: SONNY.
TAGGERT: CORINTHOS,
YOU'VE MADE YOUR POINT.
CARLY: SONNY, LET HIM GO.
I'M OK.
YOU DON'T HAVE TO HURT HIM.
TAGGERT: TURN HIM LOOSE!
CARLY: LET HIM GO!
SONNY -- SONNY, ARE
YOU HEARING ME?
SONNY, LISTEN TO ME.
I'M OK.
THE BABY IS OK.
LET HIM GO.
LET HIM GO.
LET HIM GO.
LET HIM GO.
[A.J. COUGHS]
CARLY: OK, LET'S GO HOME.
TAGGERT: 10 SECONDS LATER,
THIS COULD HAVE BEEN
A COMPLETELY DIFFERENT STORY.
A.J.: DID YOU SEE THAT?
THAT GUY'S CRAZY!
TAGGERT: HAVE YOU EVER HEARD
OF ANGER MANAGEMENT --
CARLY: HEY, YOU KNOW WHAT?
WHY DON'T YOU BACK OFF HERE,
ALL RIGHT?
SONNY: YOU SURE YOU'RE ALL
RIGHT?
CARLY: I'M FINE.
I'M FINE, REALLY.
A.J.: I WANT HIM ARRESTED.
CARLY: WHY DON'T YOU JUST
IGNORE HIM.
A.J.: I WANT TO PRESS
CHARGES.
TAGGERT: HEY, I WOULDN'T PUSH
IT IF I WAS YOU.
SONNY: LET ME TELL
YOU SOMETHING.
IF YOU EVER SEE THIS WOMAN,
YOU DISAPPEAR BECAUSE
IF YOU EVEN GLANCE HER WAY,
I PROMISE YOU --
TAGGERT: HEY, HEY,
HEY, HEY, HEY, HEY.
I WOULDN'T GO THERE, SONNY.
CARLY: TAKE ME HOME.
COME ON.
SONNY: I'M WARNING YOU.
A.J.: OH, YEAH.
WHAT ARE YOU DOING?
TAGGERT: SHUT UP.
A.J.: WHAT, ARE YOU LETTING
HIM WALK OUT?
I WANT HIM ARRESTED NOW.
TAGGERT: FINE.
THEN I'M GOING TO BOOK
YOU ON TWO COUNTS OF AGGRAVATED
ASSAULT.
A.J.: WHAT ARE YOU TALKING
ABOUT?
THAT WAS AN ACCIDENT.
TAGGERT: YEAH, YEAH.
FLATTENING THE PREGNANT WOMAN
WAS AN ACCIDENT, BUT NOT RAISING
THE BOTTLE AT HIS HEAD.
NOW, YOU LISTEN TO ME,
YOU LITTLE PUNK.
WE DON'T HAVE CABLE IN LOCKUP.
BUT I'M SURE YOU AND SONNY COULD
SHARE A CELL TOGETHER, AND I'M
SURE THAT WOULD PROVE TO BE
QUITE ENTERTAINING.
CARLY: YOU WANT TO GO
FOR A WALK OR SOMETHING
FOR A LITTLE WHILE?
SONNY: NO, I DON'T WANT
YOU TO CATCH A COLD.
CARLY: NO, I'M FINE.
IT'S ACTUALLY NOT THAT BAD.
IT MIGHT MAKE YOU FEEL BETTER.
SONNY: ME?
I'M NOT THE ONE WHO FELL
ON THE FLOOR.
JUST WRAP YOURSELF UP
IN YOUR SCARF BECAUSE IT'S WINDY
OUT THERE.

BOBBIE: 20 YEARS AGO,
YOU DISAPPEARED FROM MY LIFE.
YOU DIDN'T GIVE ME A SAY.
PLEASE DON'T LEAVE ME AGAIN.
ROY: PLEASE DON'T MAKE THIS
HARDER THAN IT ALREADY IS.
BOBBIE: I'M TRYING TO MAKE IT
IMPOSSIBLE.
ROY: WHICH IS NOT WORKING
FOR ME BECAUSE I DON'T HAVE
A CHOICE.
BOBBIE: ROY, THERE'S ALWAYS
A CHOICE.
WE'VE BOTH MADE BAD ONES.
I LEFT YOU TO DIE,
BUT I PAID FOR THAT.
DON'T MAKE ME PAY FOR THAT
A SECOND TIME.
ROY: NO, NO.
THE MISTAKES WERE MINE.
BOBBIE: WE LOST 20 YEARS.
ISN'T THAT ENOUGH?
ROY: YOU -- YOU --
DO YOU REALLY THINK IT WOULD BE
FAIR TO SONNY --
BOBBIE: "FAIR TO SONNY"?
"FAIR TO SONNY"?
WHAT, YOU'RE TOO HONORABLE
TO LIE TO HIM?
WHAT ABOUT THE LIES YOU TOLD ME?
ROY: I REGRET EVERY ONE
OF THEM.
I REGRET THEM.
IF THERE WAS ANYTHING I COULD DO
TO CHANGE THE FACT THAT I DID
THAT, I -- I CAN'T TAKE THEM
BACK.
BOBBIE: HEY.
YEARS AGO, YOU PROMISED ME
A LIFE, AND YOU BROKE THAT
PROMISE, AND NOW YOU'RE READY
TO BREAK IT AGAIN.
WHY?
BECAUSE OF SONNY?
ROY: BECAUSE OF ME.

FELICIA: WELL, WE COULD COVER
THE AREA ONE MORE TIME.
LUKE: NO, I THINK IT WOULD BE
A WASTE OF TIME.
LAURA: WELL, AT LEAST WE KNOW
THAT OUR SON WAS HERE.
LUKE: LOOK, LET'S GO OVER EXACTLY WHAT
WE GOT
THE ROCK DOESN'T MEAN ANYTHING.
LAURA: HOW COULD YOU SAY
THAT?
LUKE: DARLING, IT DOESN'T
NECESSARILY MEAN ANYTHING.
ANYBODY COULD HAVE CARVED
HIS NAME IN THAT ROCK.
FELICIA: ARE YOU THINKING
THIS COULD BE A TRICK, THEN?
LUKE: I'M THINKING IT'S
POSSIBLE.
IT'S NOT A VERY SUBTLE TRICK,
BUT IT COULD BE.
FELICIA: IT'S VERY OBVIOUS.
HELENA PROBABLY PUT IT THERE
FOR YOU TO SEE IT.
LUKE: SO WHAT HAVE WE GOT?
WE'VE GOT A NAME ON A ROCK.
NOW, THAT IS EITHER A CLUE
TO WHERE LUCKY IS, OR IT'S A --
FELICIA: A RED HERRING
TO SEND US SOMEPLACE ELSE.
LAURA: NOW, WAIT A MINUTE,
WAIT A MINUTE.
THERE'S A PATTERN HERE,
REMEMBER?
HELENA IS RETRACING OUR STEPS.
SHE STARTED WITH THE
HAUNTED STAR AND THEN
TO THE ISLAND AND THEN HERE.
IT'S LIKE A GUIDED TOUR
OF OUR PAST, BASICALLY.
SO THEN THAT WOULD MEAN THAT
THE NEXT STOP WOULD HAVE
TO BE --
LAURA and LUKE: MARRAKESH.
FELICIA: SO THEN IT'S BACK
TO THE AIRPORT.
LUKE: WELL, YEAH.
IT'S BACK TO THE AIRPORT, SURE.
WE HAVE TO, YOU KNOW,
GET ON A PLANE, ALL THREE OF US,
OR A COUPLE OF US.
OR MAYBE I'LL JUST TAKE ONE.

MAC: WHY DON'T YOU CLOSE
YOUR EYES FOR A WHILE.
MAXIE: I'M NOT SLEEPY.
MAC: TOO MUCH COLA.
MY FAULT.
I SHOULD HAVE ASKED
FOR CAFFEINE-FREE.
MAXIE: NOTHING'S YOUR FAULT.
YOU DO EVERYTHING RIGHT.
MAC: NOBODY'S PERFECT, MAXIE.
MAXIE: EVERYBODY KEEPS SAYING
THAT, LIKE IT'S SOME EXCUSE.
GEORGIE THINKS WE'RE MOVING
TO TEXAS.
IS SHE RIGHT?
MAC: DO YOU WANT HER TO BE?
MAXIE: I DON'T WANT YOU TO BE
ALONE.
MAC: NOT ME.
HEY, I'VE GOT A TON OF WORK.
AND I'M GOING TO CALL YOU EVERY
NIGHT.
MAXIE: SO YOU'RE DROPPING US
OFF AND GOING RIGHT BACK?
TO YOU.
MAXIE: NOTHING FEELS GOOD.
MAC: YOU DON'T HAVE TO STAY
IN TEXAS.
OF FRIENDS AT THE SCHOOL.
MAC: WHAT ABOUT YOUR FRIENDS?
WHAT ABOUT YOU?
MAXIE: I'LL BE FINE WHEREVER.
I JUST WANT TO STAY IN ONE
PLACE.
THIS BACK-AND-FORTH THING IS --
WHY DON'T WE ALL LIVE
WITH MY GREAT-GRANDMOTHER.
ME, GEORGIE, AND YOU.

BOBBIE: SO WHAT ARE
YOU SAYING?
YOU'D BE HAPPIER IN A CELL?
ROY: I'M SAYING HAPPINESS IS
NOT AN OPTION FOR ME HERE.
BOBBIE: WHY?
BECAUSE YOU DON'T THINK
YOU DESERVE IT?
ROY: BECAUSE I CAN'T KEEP
LIVING A LIE, AND THE TRUTH IS
GOING TO SEND ME BACK TO PRISON.
BOBBIE: YOU'VE BEEN DOING IT
FOR 20 YEARS.
ROY, YOU LET ME THINK YOU WERE
DEAD.
YOU MADE FRIENDS WITH THUGS
AND TERRORISTS AND YOU TURNED
THEM IN.
ROY: OH, YOU DON'T THINK THAT
WAS ME THAT WOULD TURN
IN HIS FRIENDS, DO YOU?
BOBBIE: MEANING?
ROY: IT COULDN'T HAVE
BEEN ROY.
THAT MUST HAVE BEEN
THE F.B.I. INFORMER GUY, RIGHT?
MANNY SABOTA OR RICHARD GREEN
OR ALFREDO GUZMAN -- ONE
OF THOSE GUYS.
BOBBIE: WHAT DIFFERENCE DOES
IT MAKE WHAT NAME YOU USED?
ROY: THEY WEREN'T JUST NAMES.
THEY WERE FAKE LIVES, BOBBIE.
THEY DEVELOPED FAKE FRIENDSHIPS
THAT TURNED REAL.
UNTIL I BETRAYED THEM.
THIS SUCCESSION OF PHONY GUYS,
EACH WITH HIS OWN LITTLE STORY.
WITH A NASTY BETRAYAL AT THE END
OF IT, WHETHER IT WAS
THE NUMBERS RUNNER FROM LANSING
OR THE ARSONIST FROM BAYONNE
OR THE GUY WHO GOT DRUNK
IN THE TOPLESS BAR IN KEY WEST
AND SLASHED THE BOUNCER,
I BETRAYED A FRIEND AT THE END
OF EACH OF THEM.
BOBBIE: SO WHICH ONE OF THOSE
MEN RAISED YOUR DAUGHTER?
ROY: DADDY.
THE ONE NAMED DADDY.
YOU SEE, I WOULD COME HOME
BRIEFLY AND PLAY THE FAKE
F.B.I. AGENT, THE HERO,
WITH THIS
LITTLE GIRL.
ACTUALLY CONNECT.
AND THEN BETRAY HER WHEN
THEY WOULD CALL ME AND I'D WALK
AWAY, AGAIN, OUT OF HER LIFE.
YOU SEE, IT'S THE WAY IT WORKED.
IT WAS THIS SERIES OF
VICIOUS LITTLE FRAGMENTS,
PERFECTLY EMPTY, CLEAN,
UNTIL THE F.B.I. SCREWED IT UP
WHEN THEY SENT ME BACK
TO PORT CHARLES AND ASSIGNED ME
TO PLAY
MYSELF.
BOBBIE: STAY.
DON'T LEAVE ME.
ROY: YEAH, I KNOW, I KNOW,
I KNOW.
IT SEEMS SO SILE.
BUT YOU WOULD LEARN TO HATE
THE LIAR.
BOBBIE: I DON'T CARE WHAT
YOU TELL EVERYBODY ELSE AS LONG
AS YOU'RE HONEST WITH ME.
ROY: I CAN'T MAKE IT WORK
THAT WAY.
BOBBIE: TRY.

I'LL BE IN THE CLUB.

BENNY: WOULD YOU DO US ALL
A FAVOR -- AND PLEASE DON'T TAKE
THIS THE WRONG WAY -- BUT WOULD
YOU GET SOMETHING TO EAT
OR DRINK OR WHATEVER IT IS THAT
WILL DISTRACT YOUR MIND AND KEEP
YOUR EAR FROM THE DOOR.
BOBBIE: SURE.
YOU DON'T HAVE TO WORRY
ABOUT ME.
I'VE LEARNED MY LESSON.
YOU THINK ABOUT WHAT I SAID.
BENNY: CONGRATULATIONS.
ROY: FOR WHAT?
BENNY: ON YOUR PROMOTION.
YEAH, IT'S A RARE AND INCREDIBLE
THING.
SONNY DOESN'T TRUST ANYBODY.
YOU'RE THE EXCEPTION.

JOHNNY: YOU HAD A VISITOR.
SONNY: NOT NOW, JOHNNY.
JOHNNY: SHE WAS AL
PERSISTENT.
SONNY: JOHNNY, NOT NOW.
CARLY: BAD NIGHT.
CARLY: DO YOU KNOW WHAT I WAS
THINKING ALL THE WAY HOME
IN THE CAR?
DRIVING A.J. BACK INTO
THE BOTTLE WAS THE ONE THING
THAT I WANTED MORE THAN ANYTHING
IN LIFE.
MAKING A.J. DRINK
WAS MY ULTIMATE GOAL.
MARRYING HIM WAS JUST
A STRATEGY.
I KNOW YOU AND JASON THOUGHT
THAT I WAS NUTS, BUT MY GAME
PLAN WAS BASICALLY SOUND.
IT WAS A GREAT CONCEPT.
JUST LOUSY EXECUTION.
STORY OF MY LIFE.
BUT I HAVE TO HAND IT
TO HIS FAMILY, THOUGH.
YOU KNOW, THEY DESTROYED
A.J. BEYOND MY WILDEST DREAMS.
IF HE WEREN'T SUCH A JERK,
I'D KIND OF FEEL SORRY FOR HIM.
YOU KNOW?
NEXT TIME I SEE THAT IDIOT,
I'M GOING TO TURN --
SONNY: NO, NO, NO,
NO, NO, NO, NO, CARLY.
DO YOU HEAR ME?
THIS CAN'T EVER HAPPEN AGAIN.
BOTH OF THESE CONTAINERS
CAN GO INTO THE MICROWAVE.
ONE OF THEM
DOESN'T ALWAYS MAKE IT.

CARLY: WHAT'S YOUR PROBLEM?
WHAT'S THE MATTER WITH YOU?
I WAS AGREEING WITH YOU IS WHAT
I SAID.
I WOULD WALK AWAY FROM --
I WOULD AVOID HIM.
SONNY: AS USUAL,
YOU'RE MISSING THE POINT.
CARLY: A.J. WOULDN'T HURT ME,
SONNY.
I MEAN, NOT ON PURPOSE.
HE JUST TRIES TO ANNOY ME
TO DEATH.
SONNY: I DON'T CARE IF IT'S
A.J. OR SOME LUNATIC OFF
THE STREET.
I DON'T CARE IF IT'S A HIRED
ASSASSIN OR SOME GUY YOU THINK
YOU KNOW.
YOU DON'T JUMP IN THE MIDDLE
WHEN SOMEBODY'S COMING AFTER ME.
YOU STAY AWAY.
YOU DO WHAT YOU GOT TO --
YOU RUN.
I DON'T KNOW.
WHATEVER YOU GOT TO DO.
CARLY: YOU'RE WELCOME.
SONNY: OH.
YOU STILL DON'T GET -- YOU STILL
DON'T GET IT, DO YOU?
RLY: NO, I GET IT.
I GET IT.
SONNY: OH.
CARLY: ON YOUR LIST OF THINGS
THAT ARE IMPORTANT, THE BABY'S
NUMBER ONE --
SONNY: MM-HMM.
CARLY: THAT'S MORE IMPORTANT
THAN LOYALTY.
THAT'S MORE IMPORTANT THAN I AM.
AS FAR AS YOU'RE CONCERNED,
I'M JUST EXPENDABLE.
SONNY: WHY DO YOU THINK I GOT
YOU UNDER 24-HOUR GUARD?
CARLY: BECAUSE I'M PREGNANT
WITH YOUR CHILD, AND I CAN'T
DROP DEAD UNTIL THE BABY'S BORN.
SONNY: OK. YOU KNOW WHAT?
THINK WHAT YOU WANT.
I DON'T GIVE A DAMN.
THE ONLY THING THAT MATTERS IS
HOW YOU BEHAVE.
CARLY: HOW I BEHAVE.
WHAT AM I, A CHILD NOW?
SONNY: YOU ACT LIKE ONE,
I TREAT YOU LIKE ONE.
OK, THESE ARE THE RULES.
CARLY: OH --
SONNY: NUMBER ONE -- NO, NO.
NO, NO, LISTEN TO ME.
NUMBER ONE --
YOU DON'T JUMP IN THE MIDDLE
WHEN SOMEBODY'S COMING AFTER ME.
NUMBER TWO,
YOU DON'T GET INVOLVED IN ANY
OF MY BUSINESS.
CARLY: YOU KNOW --
SONNY: NO. THAT'S WHAT I'M --
CARLY: NO. YOU KNOW WHAT?
TO HELL WITH YOU AND YOUR STUPID
RULES.
WHAT'S IN THEM FOR ME?
I MEAN, YOU'RE A CONTROL FREAK.
THERE'S NOTHING IN IT FOR ME.
I DON'T GET A "THANK YOU"?
I DON'T GET A PAT ON THE BACK?
I DON'T GET A SMILE?
NOT FROM YOU.
NOT FROM YOU, NOT EVER?

MAC: I CAN'T MOVE TO TEXAS.
COME ON, I HAVE A WHOLE
DEPARTMENT COUNTING ON ME.
BUT WHEREVER YOU THINK YOU'LL BE
HAPPY, THAT'S WHERE I WANT
YOU TO BE.
MAXIE: YOU NEVER LET ANYBODY
DOWN.
YOU'RE NOT LIKE MOM.
I TRY MY BEST.
SO DOES GEORGIE.
WHAT ARE WE DOING WRONG?
MAC: NOTHING.
NOTHING.
YOU BOTH ARE TERRIFIC.
MAXIE: OUR OWN PARENTS DON'T
WANT US.
MAC: IS THAT WHAT YOU THINK?
IS THAT WHAT YOU THINK?
THAT THIS TRIP TO MARIAH'S IS
BECAUSE WE DON'T WANT YOU?
MAXIE: IT'S NOT YOU.
YOU'RE THE BEST, MAC.
BUT OUR REAL FATHER DOESN'T LOVE
US AT ALL.
[MAC SIGHS]
MAC: MAXIE, PEOPLE SHOW LOVE
IN DIFFERENT WAYS.
MAXIE: BY LEAVING THEIR KIDS
AND NOT COMING BACK?
MAC: FRISCO'S THE ONE MISSING
OUT.
MAXIE: THERE CAN'T BE MUCH
TO MISS.
MAC: OH, HEY.
YOU KNOW HOW UNTRUE THAT IS.
MAXIE: OUR OWN MOTHER DOESN'T
WANT US.
MAC: YES, SHE DOES, MAXIE.
SHE DOES.
FELICIA WILL BE BACK.
MAXIE: DO YOU BELIEVE THAT?
MAC: YES, I DO.
MAXIE: HONEST?
AND WE'LL BE A NORMAL FAMILY
AGAIN?
MAC: THERE ARE LOTS OF WAYS
TO BE A FAMILY.
MAXIE: YOU AND MOM ARE
GETTING DIVORCED?
MAC: HEY, COME ON, LOOK --
NOTHING HAS BEEN DECIDED.
MAXIE, LISTEN, YOU HAVE TO KNOW
IS.
YOU HAVE TO KNOW THIS.
NO MATTER WHERE YOU AND GEORGIE
LIVE, NO MATTER WHAT HAPPENS
TO FELICIA AND ME, YOU GUYS,
YOU TWO GIRLS, ARE MY HEART.
OK?
I CHOSE YOU.
I CHOSE YOU, AND I'M NEVER GOING
TO GIVE YOU UP, EVER.
NOW, YOU KNOW YOU CAN TRUST ME
ON THIS.
MAXIE: I LOVE YOU, TOO, MAC.
MAC: I'M NEVER GOING TO GIVE
YOU UP, EVER.

LAURA: 0617.
YEAH.
TWO IN THE NAME OF SPENCER,
ONE IN THE NAME OF
SCORPIO-JONES.k
GREAT.
THANK YOU.
BYE-BYE.
OK.
SO THAT'S IT.
WE'RE BOOKED ON A FLIGHT
TO J.F.K., AND THERE WE CONNECT
TO MARRAKESH.
LUKE: YEAH.
AND I'LL BET YOU BY THE TIME
OUR PLANE TAXIS TO A STOP
IN MARRAKESH, HELENA'S ALREADY
MOVED THE KID SOMEWHERE ELSE.
FELICIA: WHAT ARE
OUR OPTIONS?
LAURA: WELL, WHAT IF WE JUST
SKIP A BEAT, AND WE GO DIRECT
TO DUBLIN?
LUKE: HEY, THAT'S WORTH
A TRY.
LAURA: BUT WHAT IF WE'RE
WRONG?
LUKE: WELL, I MEAN, WE GOT
TO DO SOMETHING.
WE'RE WAY BEHIND IN THIS GAME.
IF WE DON'T CHANGE OUR STRATEGY,
WE'LL NEVER FIND HIM.
FELICIA: DUBLIN'S WHERE
YOU MOVED AFTER MARRAKESH?
LAURA: YOU GOT IT,
NANCY DREW.
LUKE: IT'S NOT A BAD IDEA.
HELENA WOULDN'T EXPECT US
LOOK, IF WE'RE IN TOUCH
WITH YOU BY CELL PHONE
AND WE TALK YOU THROUGH IT,
DO YOU THINK YOU CAN HANDLE
DUBLIN YOURSELF?
FELICIA: I KNOW I CAN.
LUKE: WELL, THEN YOU'RE ON.
COME ON.
WE GOT PLANES TO CATCH.
HELENA: SURPRISE.
IT'S A GIFT.
IT'S NOT A TEST.
HELENA: SHE'S LOVELIER THAN
EVER, ISN'T SHE?
CKY: WHAT'D YOU DO?
HELENA: NOTHING INTRUSIVE.
MY INVESTIGATOR WAS VERY
DISCREET.
BUT THERE ARE UPDATES ON NIKOLAS
AND ON YOUR SISTER, TOO.
GO AHEAD.
TAKE A LOOK.
LUCKY: NO.

HELENA: YOU'D RATHER READ
THE REPORTS IN PRIVATE?
LUCKY: I'M NOT GOING TO READ
THEM AT ALL.
HELENA: PROVING WHAT?
LUCKY: THERE ARE SOME THINGS
I HAVE TO FIND OUT FOR MYSELF.
NOT THROUGH SOME P.I.'S LENS.
HELENA: WELL, THAT'S VERY
BOLD AND MANLY OF YOU.
BUT HOLD ON TO THE PHOTOGRAPHS
ANYWAY.
LUCKY: THANKS.
BUT I DON'T NEED PHOTOS
TO REMIND ME OF THE PEOPLE THAT
I LEFT.
[KNOCK ON DOOR]

BOBBIE: I SAW BENNY GO.
BOBBIE: WHAT HAPPENED?
ROY: SONNY TRUSTS ME.
I'M THE SNITCH SUPREME.
TOMORROW I REPORT TO
THE PENTHOUSE FOR THE ASSIGNMENT
I CAME HERE TO GET.
BOBBIE: WHAT ARE YOU GOING
TO DO?
ROY: WHAT I SAID.
BOBBIE: MAY I MAKE
A SUGGESTION?
ROY: YOU ALREADY HAVE.
BOBBIE: ANOTHER ONE.
ROY: I'M LISTENING.
BOBBIE: GO TO THE PENTHOUSE
AND TELL THE TRUTH.
AND ASK FOR SONNY'S HELP.
[LAUGHTER]
[DOOR CLOSES]

SONNY: HEY.
HOW ARE YOU DOING, GUY?
COME HERE.
ALL RIGHT.
WHAT DO YOU GOT HERE?
CARLY: SORRY.
SONNY: IT'S ALL RIGHT.
CARLY: I WAS LOOKING
FOR HIS ELEPHANT BOOK,
AND HE SCAMPERED DOWN THE HALL.
SONNY: OH.
GAVE YOUR MA THE OLD SLIP, HUH?
WHAT'S THAT ABOUT, MICHAEL?
CARLY: I'LL TAKE HIM.
SONNY: YEAH. ALL RIGHT.
CARLY: OK. COME ON, HONEY.
OH, YOU'RE SO BIG.
SONNY: HEY, MICHAEL?
HEY?
CARLY: WHERE'S UNCLE SONNY?
SONNY: YOU GOING TO DREAM
ABOUT ELEPHANTS TONIGHT?
CARLY: YEAH, IF I EVER GET
HIM TO SLEEP.
CAN YOU SAY GOOD NIGHT?
CAN YOU SAY GOOD NIGHT?
MICHAEL: GOOD NIGHT.
CARLY: OH, MICHAEL.
YES, YOU'RE SO BIG.
SEE YOU.
NNY: ALL RIGHT.

A.J.: VODKA ON THE ROCKS.
BARTENDER: THERE'S A LIQUOR
STORE TWO BLOCKS DOWN.
LISTEN, I DON'T CARE WHO
YOUR FAMILY IS.
YOUR NEXT VICTIM'S GOING TO BE
OUT ON THE STREET.
A.J.: WH'D YOU SAY TO ME?
HEY. GET BACK HERE!
HANNAH: HEY.
I'M SRE IF YOU ASK VERY NICELY,
HE'LL SERVE YOU A CUP OF COFFEE
IN A PAPER CUP, HUH?
A.J.: YOUR BOYFRIEND CAME
BACK TO ARREST ME?
HANNAH: NO, I CAME BACK
TO DRIVE YOU HOME.
A.J.: HOW SWEET.
JOIN ME FOR A DRINK.
WHO NEEDS A BARTENDER?
HEY, MINIBARS DON'T THROW
ATTITUDE.
HANNAH: OH, COME ON.
NOT THIS AGAIN.
A.J.: PURELY PLATONIC.
HANNAH: RIGHT.
WHATUN.
A LINE OF BOTTLES WITH A GUY TOO
DRUNK TO SERVE AT A ROOM BOOKED
JUST FOR DRINKING.
A.J.: I USUALLY BOOK A SUITE,
AND IT WOULDN'T BE JUST
FOR DRINKING.
I HAVE TO PASS OUT SOMEWHERE.
HANNAH: NO, YOU DON'T.
A.J.: YEAH.
I'M ON A SCHEDULE.
HANNAH: KNOCK YOURSELF OUT.
A.J.: THAT'S THE PLAN.
HANNAH: NO MORE CHARGING
PEOPLE WITH BOTTLES, HUH?
A.J.: UNLESS I'M INSPIRED.
HEY, WHAT'S THE WORST THAT CAN
HAPPEN?
MINIBAR BOTTLES ARE TINY.

RAE: OH, HI
CAPPUCCINO, PLEASE.
BARTENDER: ANYTHING ELSE?
RAE: ACTUALLY, YES.
DO YOU KNOW THE BUILDING HARBOR
VIEW TOWERS?
BARTENDER: SURE.
RAE: YOU WOULDN'T HAPPEN
TO KNOW WHO LIVES IN
PENTHOUSE FOUR?
BARTENDER: SORRY, NO.
YOU SHOULD ASK THE MANAGEMENT.
RAE: WELL, THEY WOULDN'T EVEN
PART WITH A NAME.
I ACTUALLY SLIPPED BY
THE DOORMAN, BUT THERE WERE
A COUPLE OF SUITS IN FRONT
OF THE DOOR, IF YOU KNOW WHAT
I MEAN.
A.J.: YEAH, WELL,
THERE'S A GOOD REASON FOR THOSE
SUITS.
RAE: YES.
PROTECTION, I THINK.
TELL ME, DO I LOOK LIKE
THE DANGEROUS TYPE TO YOU?
HELLO.
HANNAH: HELLO.
A.J.: NOT FOR THE MAN INSIDE.
TO PROTECT THE REST OF US
FROM HIM.

LUKE: HOW ARE YOU DOING?
LAURA: I'M ALL RIGHT.
YOU?
LUKE: I'M HANGING IN.

RAE: SO, YOU DO KNOW WHO
LIVES IN PENTHOUSE FOUR?
A.J.: IT'S SAFER TO STAY
AWAY.
RAE: YOU SEE, I DON'T REALLY
WANT TO BOND WITH THIS GUY.
I -- I'M SORRY.
I SHOULD REALLY INTRODUCE
MYSELF.
I'M RAE CUMMINGS.
HANNAH: HELLO.
A.J.: HI. LOOK, I AM SPEAKING
FROM EXPERIENCE HERE.
THIS GUY IS --
HE'S A WALKING PLAGUE.
IF YOU DON'T BELIEVE ME,
JUST ASK THIS LADY.
HANNAH: WHAT DO YOU WANT
WITH THE MAN?
RAE: IT'S REALLY A LONG
STORY.
HANNAH: INVOLVING WHAT
GOVERNMENT AGENCY?
RAE: AGENCY?
WHO IS THIS GUY?
THE AYATOLLAH OF HELL,
IS THAT IT?
A.J.: CLOSE ENOUGH.
NAME'S SONNY CORINTHOS.
LIGHTEN UP, WILL YOU?
IF SHE WERE AN AGENT,
SHE'D ALREADY KNOW THAT.
RAE: THANK YOU, REALLY,
FOR THE WARNING AND
THE INFORMATION.
I APPRECIATE IT.
A.J.: HEY, LOOK, WOULD YOU --
WOULD YOU DO -- SORRY.
WOULD YOU DO ME A FAVOR
AND ORDER ME A VODKA
ON THE ROCKS, PLEASE?
HANNAH: THAT'S THE LAST THING
YOU NEED.
A.J.: WHY?
COME ON, WE COULD SIT HERE
AND ANALYZE SONNY, FEEDING BOTH
OF OUR ADDICTIONS AT ONCE.
HANNAH: I'M NOT ADDICTED
TO SONNY.
A.J.: YEAH.
AND I'M NOT ADDICTED TO ALCOHOL.
HANNAH: YOU DON'T SEE
THE DIFFERENCE HERE?
A.J.: WELL, WE'VE BOTH BEEN
CUT OFF.
BUT YOU CAN'T SNAG A COCKTAIL
FROM THE MINIBAR.
HANNAH: LOOK, SONNY AND I ARE
OVER.
YES, I CARE ABOUT HIM.
ALL RIGHT?
A.J.: MM-HMM.
HANNAH: JUST LIKE YOU CARE
ABOUT CARLY.
I SAW THE LOOK ON YOUR FACE
WHEN SHE FELL TO THE FLOOR.
A.J.: YEAH, WELL, YOU KNOW,
AS FOND AS I AM OF INSIGHTS,
I'VE HAD MY QUOTA FOR THE WEEK.
HANNAH: ONE?
A.J.: YEAH, THAT'S RIGHT.
SURE YOU DON'T WANT TO JOIN ME?
MINIBAR AWAITS.
HUH? SURE?
COME ON.

BOBBIE: OK.
YOU THINK YOU OWE SONNY,
SO HERE'S HOW TO PAY HIM BACK.
ASK HIM TO KEEP YOUR COVER
AND THEN FEED FALSE INFORMATION
TO THE FEDS.
ROY: SONNY WOULD NEVER GO
FOR THAT.
BOBBIE: YOU DON'T KNOW THAT
UNTIL YOU'VE TRIED.
ROY: WE HAVE BOTH SEEN HOW
HE REACTS TO PEOPLE WHO LIE
TO HIM.
YOU KNOW, IT'S ALL --
BOBBIE: ROY,
YOU AND SONNY COULD BOTH GAIN
FROM THIS.
ROY: HE DOESN'T NEED TO GAIN
FROM IT, BOBBIE.
HIS LIFE IS GOING TO GO
ON WITHOUT A HITCH.
BOBBIE: UNTIL THE NEXT
INFORMANT COMES ALONG.
YOU COULD STOP THAT IF YOU WORK
TOGETHER.
ROY: IT'S NOT VERY LIKELY.
BOBBIE: WHY NOT?
WHY NOT?
YOU TEAMED UP TO SAVE MY LIFE.
WHY NOT TO SAVE YOURS?
TELL SONNY THAT YOU WERE
COERCED.
TELL HIM THAT THE
F.B.I. THREATENED YOUR DAUGHTER.
ROY: MY DAUGHTER,
THE F.B.I. AGENT.
BOBBIE: HE DOESN'T HAVE
TO KNOW THAT.
ROY: YES, HE -- THE FACT IS
HE DOES HAVE TO KNOW IT.
AND I WANT HIM TO HEAR IT
FROM ME.
I'M THE ONLY PERSON
IN A POSITION TO CONFIRM THAT
HANNAH STOOD ON HER HEAD
TO PROTECT HIM.
HE NEEDS TO KNOW THAT.
BOBBIE: HANNAH.
SONNY.
YOU ARE STILL PROTECTING
EVERYBODY BUT YOURSELF.
20 YEARS AGO, YOU SAVED
MY BROTHER.
AND YOU KNOW WHAT?
YOU HAVEN'T CHANGED.
ROY: YOU NEED TO GET HOME
AFTER YOU MEET WITH SONNY.
ROY: IF THERE'S ANY WAY
FOR ME TO DO THAT, I
WILL, BUT --
BOBBIE: OK, I'M GOING TO TAKE
THAT AS A YES.
BOBBIE: I'LL SEE
YOU TOMORROW.

[SONNY MOANS]
SONNY: NO, DON'T -- DON'T.
DON'T GO.
LILY, NO!
LET -- COME BACK!
CARLY: SONNY?
SONNY?
SONNY: NO!
CARLY: SONNY.
CARLY: SHH.
OK.
OK.
SHH.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

EDWARD: THIS DISGRACE ENDS.
HE IS OUT OF HERE.

HELENA: WE'VE ALMOST MADE IT
TO OUR LAST STOP.

GEORGIE: MOMMY DOESN'T WANT
US ANYMORE.
SHE HAS A BOYFRIEND.

SONNY: YOU SHOULD GO BACK
TO BED.

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