GH Transcript Tuesday 2/29/00

 

General Hospital Transcript Tuesday 2/29/00

Provided by Laura

JAX: CHLOE SHOULD BE WAKING
UP.
ALEXIS: SHE WILL.
JAX: IT'S BEEN HOURS.
ALEXIS: JUST SEEMS LIKE THAT.
JAX: SHE HAS TO PULL THROUGH
THIS.
NED: SHE TOUGHED IT OUT
THROUGH THE NEUROSURGERY.
SHE WON'T QUIT ON US.

MONICA: OK, THANK YOU.
WELL, THE MORNING NURSE SAYS
THERE'S BEEN NO CHANGE.
EDWARD: WHAT'S THAT SUPPOSED
TO MEAN?
EMILY: THAT'S SUPPOSED
TO MEAN THAT SHE GOT THROUGH
THE NIGHT, GRANDFATHER.
EDWARD: WHAT'S THE USE
OF FUNDING A HOSPITAL WHEN
YOU DON'T EVEN GET A STRAIGHT
ANSWER?
ALAN: LOOK, IF THERE'S
NO CHANGE --
EDWARD: MAYBE CHLOE'S WORSE
AND THEY HAVEN'T EVEN SEEN FIT
TO TELL US ABOUT IT.
MONICA: EDWARD -- EDWARD,
WHY DON'T YOU HAVE SOMETHING
TO EAT?
EDWARD: ALAN, YOU'RE
THE CHIEF OF STAFF.
NOW, GO GET ON THAT PHONE
AND FIND OUT WHAT THE HELL'S
GOING ON.
ALAN: I'LL CALL TONY IF IT'LL
MAKE YOU FEEL BETTER.
EDWARD: OH.
WHAT MAKES YOU THINK ANYONE
WOULD BELIEVE TONY JONES?
HE'S PROBABLY HAVING ANOTHER
CRACKUP.
EMILY: MOM, YOU SAID THAT
THE SURGERY STOPPED
THE BLEEDING, RIGHT?
MONICA: RIGHT.
EMILY: AND THAT'S A GOOD
THING, RIGHT?
MONICA: YEAH.
EDWARD: IS CHLOE AWAKE YET?
ALAN: NO, AND THAT'S NOT
UNUSUAL AFTER NEUROSURGERY.
EDWARD: YOU WOULD DEFEND THAT
HOSPITAL NO MATTER WHAT.
ALAN: SOMETIMES ALL YOU HAVE
TO DO IS WAIT.
EDWARD: OH, GOD.
A.J.: GRANDMOTHER SAYS
FOR YOU TO CALM DOWN.
MONICA: HOW IS SHE?
EDWARD: LILA WAS TOO UPSET
TO COME DOWNSTAIRS THIS MORNING.
HOW DO YOU THINK SHE IS?
A.J.: WHY DON'T YOU GO SEE
HER?
EDWARD: AND TELL HER WHAT,
THAT HER COUSIN IS BEING TREATED
BY INCOMPETENTS?
ALAN: YOU CAN'T BLAME
THE HOSPITAL IF CHLOE'S BRAIN IS
BLEEDING.
MONICA: WHY DOES HE HAVE
TO BLAME ANYBODY?
A.J.: PLEASE.
DON'T TRY TO REASON WITH HIM
THIS MORNING.
EDWARD: ALL I --
EMILY: DO YOU THINK MAYBE
THIS WOULD WORK OUT IF EVERYONE
WAS A LITTLE NICER TO EACH OTHER
JUST FOR ONCE?

JUAN: NED?
NIKOLAS?
ANYONE HERE?
JUAN: THIS IS STUPID.
WELL, IF YOU'RE GOING TO DO IT,
DO IT AND STOP TALKING ABOUT IT.
JUAN: SEEMS LIKE
ALL OF THE TIME
PEOPLE CHANGE THEIR MINDS
ABOUT THE WAY LOVE SHOULD BE
WHEN I LOOK IN YOUR EYES
THERE'S NO WAY TO DENY
I KNOW IT'S JUST WHERE
I SHOULD BE
WHEN YOU HOLD ME CLOSE
MY HEART FEELS FREE
AND I DREAM OF
THE POSSIBILITY

ROY: OK, THAT --
LADRY.
YOU EVER HEAR OF KNOCKING?
LARKIN: YOU CALLED ME?
ROY: THIS IS FOR YOU.
LARKIN: YOU'RE KIDDING,
RIGHT?
ROY: YOU GOT ME BUSTED.
WHY SHOULDN'T I ASK THE BUREAU
TO REASSIGN YOU?
LARKIN: YOU CAN'T DO THAT.
ROY: YOU THINK I'M GOING
TO LET YOU SABOTAGE MY CASE?

BOBBIE: SAME NUMBERS.
WHY CAN'T I GET THE SAME ANSWER
TWICE?
BOBBIE: OH, DARN.
OH -- OOH, I DON'T BELIEVE IT.
TAMMY: ROUGH DAY, HUH?
BOBBIE: OH.
ELIZABETH: SHE'S NEVER LIKE
THIS.
BOBBIE: IT'S OK.
IT'S ALL RIGHT.
I GOT IT. I'M SORRY.
ELIZABETH: HERE.
LET ME GRAB THE BOOKS.
BOBBIE: OH, GOD.
NO, IT'S OK. I CAN DO IT.
WATCH OUT FOR YOUR CLOTHES,
ALL RIGHT?
ELIZABETH: NO, IT'S OK.
BOBBIE: DON'T WANT COFFEE ALL
OVER YOUR CLOTHES.
IT'S FINE.
YOU KNOW WHAT?
I'M GOING TO SIT HERE.
I'M GOING TO SIT HERE AND BE
VERY, VERY STILL.
ELIZABETH: ARE YOU OK?
BOBBIE: YEAH.
REMEMBER WHEN I TOLD YOU ABOUT
BAD BOYS WITH GOOD HEARTS,
HOW THEY CAN REALLY GET
TO YOU BUT YOU NEED TO STAY
AWAY?
ELIZABETH: YES.
BOBBIE: WELL, I HOPE YOU WERE
LISTENING BECAUSE I SURE WASN'T.
ELIZABETH: IS THIS ABOUT ROY
DiLUCCA?

BOBBIE: SO, WHAT DO YOU KNOW
ABOUT ROY DiLUCCA AND ME?
ELIZABETH: I'M WAY OUT
OF LINE, AREN'T I?
BOBBIE: LIKE, HAVE
YOU NOTICED SOMETHING?
ELIZABETH: WELL, YOU SEEMED
AWFULLY WORRIED ABOUT HIM
ON NEW YEAR'S AND --
BOBBIE: OH.
YEAH, WHEN I NEARLY SHOVED
YOU OFF THE DOCKS TRYING TO GET
TO HIM.
ELIZABETH: YEAH, THAT KIND
OF TIPPED ME OFF.
AND THEN YOU YELLED SOMETHING
ABOUT TAKING CRAZY CHANCES
AND HIM NOT DYING ON YOU AGAIN.
I SHOULDN'T HAVE BEEN LISTENING.
BOBBIE: YOU KNOW, YOU DIDN'T
HAVE A WHOLE LOT OF CHOICE.
ELIZABETH: YOU KNOW, I USED
TO FEEL THAT WAY ABOUT JASON.
I MEAN, TAKING CRAZY CHANCES.
I WANTED TO YELL AT HIM, TOO.
BOBBIE: TRUST ME --
DOESN'T DO ANY GOOD.
SEE, ROY --
WELL, HE GOT INTO SOME SERIOUS
TROUBLE, AND I THOUGHT HE WAS
DEAD.
AND THEN A FEW MONTHS AGO,
I TURN AROUND, AND THERE HE WAS.
ELIZABETH: SOMETIMES I DREAM
THAT ABOUT LUCKY.
BOBBIE: OH, HONEY, I'M SORRY.
I SHOULD'VE LEFT THAT PART OUT.
ELIZABETH: NO.
NO, NO, NO, IT'S OK.
IT'S A GOOD DREAM.
BOBBIE: IT'S JUST, YOU KNOW,
WITH ROY, IT'S LIKE 20 YEARS --
HE HASN'T CHANGED.
YOU KNOW, HE --
HE'S ALWAYS WANTED A LOT MORE
THAN HE HAS, AND HE'S STILL
TAKING ALL KINDS OF TERRIBLE
RISKS, AND THAT MEANS TROUBLE.
ELIZABETH: AND HE GETS
TO YOU, RIGHT?
BOBBIE: EXACTLY LIKE BEFORE.
ELIZABETH: WELL, IF I WERE
A TRUE FRIEND, I'D SAY STAY AWAY
FROM THAT WILD GUY BECAUSE HE'S
ONLY GOING TO BREAK YOUR HEART.
BOBBIE: MM-HMM.
AND I WOULDN'T LISTEN TO A WORD.
ELIZABETH: MM-HMM.
NOW, DO YOU WANT A FRESH CUP
OF COFFEE?
BOBBIE: NO, THANKS.
THERE'S SOMEONE I NEED TO SEE.
ELIZABETH: BE CAREFUL.
BOBBIE: YEAH.

ROY: SEE, WHEN THE COPS
BUSTED ME ON AN ANONYMOUS TIP,
I STARTED THINKING.
AND THE SOUP IN MY BRAIN
CONGEALED INTO THIS PICTURE
OF YOUR FACE.
LARKIN: NOW CORINTHOS KNOWS
HE CAN TRUST YOU.
ROY: AND WHAT IF THAT
ATTORNEY HADN'T SHOWED UP?
WHAT IF I'D BEEN CHARGED
WITH BRIBING A PUBLIC OFFICIAL?
LARKIN: CRIMINAL INFORMANTS
MESS UP CASES ALL THE TIME.
ROY: UH-HUH.
SO, WHERE ARE YOU GOING
WITH THIS?
WHAT DO YOU WANT TO SEE HAPPEN
HERE?
YOU WANT TO SEE ME BACK
IN THE JOINT?
IS THAT IT?
LARKIN: THAT'S UP TO YOU,
ROY.

EDWARD: WELL, IF YOU'RE ALL
JUST GOING TO SIT AROUND HERE
AND WORRY ABOUT CHLOE HERE,
YOU HAVE TO KEEP UP
YOUR STRENGTH.
HERE, HAVE SOME.
ALAN: I'LL CALL THE HOSPITAL
AGAIN IN A FEW MINUTES.
EDWARD: JUST LET YOUR STAFF
DO THEIR JOB, ALAN.
MONICA: WHEN TONY IS FINISHED
HIS ROUNDS, WE'LL GO SEE HER.
EDWARD: IF THERE'S A CHANGE,
THEY'LL LET US KNOW.
A.J.: GRANDFATHER'S RIGHT.
EDWARD: THIS IS THE POOREST
EXCUSE FOR A BLUEBERRY MUFFIN
I'VE EVER TASTED.
ALAN: LET'S GO YELL AT COOK
FOR A WHILE.
MONICA: YOU LIKE TO LIVE
DANGEROUSLY, DON'T YOU?
EMILY: COOK LOVES CHLOE.
EDWARD: YEAH, SHE DOES.
ALAN: SOMEBODY PLEASE CHANGE
THE SUBJECT.
A.J.: I CAN DO THAT.
YOU KNOW, I --
I GAVE CARLY PERMISSION TO TAKE
MICHAEL OUTSIDE TODAY.
MONICA: ISN'T IT A LITTLE
EARLY IN THE DAY TO BE
DISCUSSING CARLY?
EMILY: IS CARLY EVEN OUT
OF BED YET?
A.J.: BUT I DID ARRANGE
FOR THE SERVANTS TO LET ME KNOW
IF SHE TRIES TO LEAVE
OR IF SONNY SHOULD SHOW UP.
EMILY: WHY DON'T YOU JUST PUT
AN ELECTRICAL FENCE UP, A.J.?
A.J.: WHAT, YOU'RE ON CARLY'S
SIDE NOW?
EMILY: HOW CAN YOU POSSIBLY
BE THINKING ABOUT CARLY RIGHT
NOW WHEN CHLOE MAY NEVER WAKE UP
AGAIN?
MONICA: SHE WILL WAKE UP,
EMILY.
EMILY: WHAT IF SHE DOESN'T?
ALAN: YOU KNOW, SHE HASN'T
BEEN OUT OF SURGERY ALL THAT
LONG.
EMILY: YOU KNOW,
EVERYBODY SAID THAT JASON WAS
GOING TO BE ALL RIGHT,
AND HE WASN'T.
WHAT IF SOMETHING WORSE HAPPENS
TO CHLOE?
WHAT IF SHE DIES?
EDWARD: CHLOE ISN'T GOING
TO DIE.
EMILY: PEOPLE DIE ALL
THE TIME, GRANDFATHER,
AND THEY'RE NOT SUPPOSED TO!
OR SOMEONE HURTS THEM SO BAD
THAT THEY LEAVE AND THEY NEVER
COME BACK AGAIN AND ALL YOU CAN
DO IS MISS THEM.
MONICA: EMILY --
EMILY: I'M LEAVING.
ALAN: LET ME GIVE YOU A LIFT.
EMILY: I'LL MEET
YOU IN THE CAR.
A.J.: WOULD SOMEBODY
ENLIGHTEN ME HERE?
I MEAN, WHAT THE HELL JUST
HAPPENED?
A SECOND AGO, SHE WAS MY BUDDY.
THE NEXT MINUTE, WHAT,
I'M THE QUARTERMAINE FROM HELL?
MONICA: SHE'S A TEENAGER,
A.J.
GIVE HER A BREAK.
EDWARD: I'M GOING TO BE SURE
THAT LILA GETS SOMETHING TO EAT,
AND THEN I'M GOING TO GO CHECK
ON CHLOE.
ALAN: I'M SURE THE STAFF
LOOKING FORWARD TO IT.
EDWARD: WHY DID YOU LET THAT
LITTLE GIRL INTIMIDATE YOU?
A.J.: WHAT ARE YOU TALKING
ABOUT?
SHE'S A KID.
SHE'S UPSET.
EDWARD: YOU HAVE EVERY RIGHT
TO KEEP CARLY ON THIS PROPERTY,
AT LEAST UNTIL I CAN RESOLVE
THE SITUATION.
A.J.: WAIT A MINUTE.
CARLY IS MY RESPONSIBILITY,
GRANDFATHER.
I WILL HANDLE IT.
EVERYTHING WILL BE FINE.

JAX: HOW IS SHE?
TONY: THE SURGEONS MANAGED
TO EVACUATE THE HEMATOMA,
AND THEY RELIEVED THE PRESSURE
ON THE OPTIC NERVE.
JAX: AND WILL SHE BE ABLE
TO SEE?
TONY: I'M CAUTIOUSLY
OPTIMISTIC.
ALEXIS: WHAT DO YOU REALLY
THINK?
TONY: WELL, I HONESTLY DON'T
KNOW.
IF I HAD PERFORMED THE SURGERY,
I'D HAVE A STRONGER SENSE
OF WHAT'S HAPPENING.
NED: BUT YOU OBSERVED
THE WHOLE THING, RIGHT?
TONY: RIGHT.
THEY DID A TERRIFIC JOB,
BUT IT'S STILL BRAIN SURGERY.
IT'S RISKY.
OBVIOUSLY WE'LL KNOW A LOT MORE
WHEN SHE WAKES UP.
JAX: SHOULDN'T SHE BE AWAKE
BY NOW?
TONY: HER VITAL SIGNS ARE
STABLE.
SHE -- SHE HELD HER OWN
IN SURGERY.
THE THING IS CHLOE HAS BEEN
UNDER A LOT -- SHE'S HAD A LOT
OF TRAUMA IN THE PAST FEW WEEKS,
SO SHE MAY BE JUST SHUTTING DOWN
TO REST FOR A WHILE.
ALEXIS: SO, WHEN DO WE REALLY
START TO WORRY?
TONY: DON'T WORRY.
JUST FOCUS ON WHAT CHLOE NEEDS
RIGHT NOW.
MAKE SURE THAT ONE OF YOU IS
WITH HER AT ALL TIMES.
HOLD HER HAND, TALK TO HER,
TELL HER ANYTHING THAT'S
ON YOUR MIND.
TELL HER YOU LOVE HER.
TELL HER YOU'RE WAITING ON HER.
GIVE HER SOMETHING TO WAKE UP
TO.
NED: WE CAN MANAGE THAT.
TONY: OK.
I'LL CHECK BACK WITH YOU LATER.
JAX: THANKS.
JAX: WELL, THEY SAY I SHOULD
TELL YOU THAT I'M WAITING
FOR YOU, BUT YOU ALREADY KNOW
THAT, DON'T YOU?
CHLOE, I'M HERE,
AND I LOVE YOU,
AND I WANT YOU TO COME BACK.

NED: I'M GOING TO SPEAK
TO CHLOE'S SURGEONS AGAIN.
THIS ISN'T GOOD ENOUGH.
ALEXIS: ALL RIGHT,
WELL, NO NEED FOR A MELTDOWN.
YOU KNOW, WE GOT TO STAY CALM
FOR OUR FRIEND.
NED: THERE HAS TO BE
SOMETHING MORE WE CAN DO.
ALEXIS: YEAH, WELL,
WHEN YOU FIGURE OUT WHAT THAT
IS, YOU LET ME KNOW.
NED: SHE'S GOING TO GET
THROUGH THIS, RIGHT?
ALEXIS: RIGHT.
JAX: DOCTORS HAVE DONE ALL
THEY CAN, SO THE REST IS UP
TO YOU.
SO I WANT YOU TO WAKE UP.
COME ON.
WHAT HAPPENED TO THAT WOMAN THAT
STOWED AWAY ON MY PLANE,
JUMPED OFF A BRIDGE WITH ME,
ALWAYS DUMPS MY SAILBOAT?
YOU'RE NOT GOING TO LET ME GET
AWAY WITH SAYING THAT, ARE YOU?
SO, FIND A WAY TO COME BACK,
CHLOE.
JUST USE ALL YOUR STRENGTH.
FIGHT.
SHOW EVERYONE HOW TOUGH
YOU REALLY ARE.
DON'T BE LATE JUST THIS ONCE,
OK?
BECAUSE I REALLY NEED YOU.

AUDREY: IS CHLOE WORSE?
TONY: OH, NO, SHE'S HANGING
IN THERE.
ACTUALLY, IF I'D PERFORMED THAT
SURGERY, SHE'D BE AWAKE RIGHT
NOW.
AUDREY: YES, IT MUST HAVE
BEEN DIFFICULT FOR YOU TO STAND
BY AND WATCH.
TONY: NO.
NO, DON'T GET ME WRONG.
THEY DID A TERRIFIC JOB
IN THERE.
IT'S JUST --
I MISS IT.
I PROBABLY SHOULDN'T CONSULT.
AUDREY: IS THERE ANY CHANCE
THAT YOU'LL BE ABLE TO DO
SURGERY AGAIN?
TONY: WELL, MAYBE IF ANYTHING
HAD BEEN DONE RIGHT AFTER
THE ACCIDENT, MAYBE, BUT --
AUDREY: YES, I KNOW THAT WAS
A DIFFICULT TIME.
TONY: YEAH, THEY BROUGHT ME
IN TO E.R. THAT NIGHT, AND SOME
OF MY FRIENDS TURNED THEIR BACKS
ON ME.
BUT THE BONES WERE SET, I GOT
A CAST ON MY HAND, AND -- JUST
SOMETHING ON THE INSIDE KIND
OF DIDN'T GET FIXED.
AUDREY: WHAT ABOUT PHYSICAL
THERAPY?
TONY: I NEVER BOTHERED.
YOU WANT TO KNOW SOMETHING?
I DIDN'T REALLY WANT MY HAND
TO HEAL.
HOW'S THAT FOR CRAZY?
AUDREY: IT WAS A TERRIBLE
TIME.
I KNOW.
TONY: WELL, IF MY HAND GOT
WELL, THEN HOW WAS I SUPPOSED
TO CONTINUE TO JUSTIFY MYSELF
AND ALL THE CRAZY THINGS I DID?
YOU KNOW, I COULDN'T BE
THE LATE, GREAT, TERRIBLY WRONG
TONY JONES IF I WAS WELL,
COULD I?
ANYWAY, IT'S OVER.
AUDREY: ARE YOU SURE?
HAVE YOU SEEN A DOCTOR?
TONY: NO.
AUDREY: WELL, WHY NOT?
TONY: WELL, I GUESS I DON'T
WANT TO, YOU KNOW, HAVE FALSE
HOPE.
AUDREY: TONY, YOU WERE
THE BEST NEUROSURGEON I'VE EVER
SEEN.
SO JASON GOT AWAY WITH HURTING
YOU, AND THAT IS A TRAGEDY,
BUT HOW MUCH POWER ARE
YOU WILLING TO GIVE HIM NOW?
ARE YOU GOING TO SURRENDER
YOUR ENTIRE CAREER TO JASON
MORGAN?
HOW IS THAT GOING TO HELP
ANYONE?
TONY: YOU DO KNOW YOU SOUND
LIKE STEVE.
AUDREY: WELL, THANK YOU.
AND I THINK WE BOTH KNOW WHAT
HE'D SAY NEXT, DON'T WE?
IF THERE'S A CHANCE TO RECLAIM
YOUR SURGICAL GIFTS
AND YOU DON'T EVEN TRY,
MAYBE THAT IS THE WORST TRAGEDY
OF ALL.
HMM?

JUAN'S VOICE: SEEMS LIKE
ALL OF THE TIME
PEOPLE CHANGE THEIR MINDS
ABOUT THE WAY LOVE SHOULD BE
JUAN: THIS SUCKS.
JUAN'S VOICE: NO WAY
TO DENY
I KNOW IT'S JUST WHERE
I SHOULD BE
AND WHEN YOU HOLD ME CLOSE
JUAN: THIS IS WORSE.
JUAN'S VOICE: MY HEART
FEELS FREE
THE POSSIBILITY
OF THIS LOVE LASTING
EMILY: JUAN -- DON'T.
DON'T, DON'T. DON'T -- WAIT.

HANNAH: HI.
I HEAR YOU'RE GOING TO BE
A GRANDFATHER, MIKE.
ROY: I DON'T GET IT.
I REALLY DON'T UNDERSTAND.
I SCREW UP THE CORINTHOS CASE
AND GO BACK TO PRISON.
WHAT DO YOU GET?
THE CASE?
LARKIN: HE KNOWS I'M
AN AGENT.
ROY: OH, THAT'S RIGHT.
HE THREW YOU THROUGH THE WINDOW
AT KELLY'S, DIDN'T HE?
THAT WAS -- I WISH I'D HAVE BEEN
THERE FOR THAT.
LARKIN: WHERE'S THE
INFORMATION YOU WERE GOING TO BE
GETTING FROM THE HARBOR MASTER?
ROY: OH, YOU KNOW,
IT'S THE FUNNIEST THING --
HE WAS RELUCTANT TO SAY ANYTHING
TO ME ONCE YOU ARRANGED
FOR THE POLICE TO SHOW UP.
LARKIN: ALL I DID WAS GIVE
YOU AN EXCUSE.
YOU'RE PROTECTING CORINTHOS
THE SAME WAY YOUR DAUGHTER DID.
ROY: OK, OK, YOU NEED TO STOP
TALKING AND GO AWAY NOW.
LARKIN: WHAT ARE YOU TRYING
TO DO, BE THE GOOD DADDY --
ROY: JOHN ---
LARKIN: AND GIVE
YOUR DAUGHTER TO SONNY
CORINTHOS?
ROY: I SAID SHUT UP, MAN!
DO YOU READ ME?

BOBBIE: HEY --
ROY: GET OUT OF HERE --
BOBBIE: STOP IT.
THAT'S ENOUGH.
THAT'S ENOUGH.
WHAT'S GOING ON?
ROY: NOTHING.
NOTHING'S GOING ON.
LARKIN: YOU WANT TO EXPLAIN
IT, MR. DiLUCCA?
IF YOU DON'T, I WILL.
ROY: THAT SITUATION BEFORE
WHERE YOU FOUND MAC QUESTIONING
ME DOWN AT THE --
BOBBIE: YOU DON'T OWE ME ANY
EXPLANATIONS.
ROY: I HAD BEEN ARRESTED
FOR ATTEMPTING TO BRIBE A PUBLIC
OFFICIAL, AND AGENT LARKIN HERE
IS CONTINUING THE INTERROGATION.
LARKIN: JUST DOING MY JOB.
BOBBIE: WHILE YOU STILL HAVE
ONE.
PORT CHARLES CITY HALL.
DARA JENSEN'S OFFICE, PLEASE.
SHE'S AN ASSISTANT DISTRICT
ATTORNEY.
LARKIN: WOULDN'T YOU RATHER
BE TALKING TO MY BOSS?
BOBBIE: MY CONGRESSMAN IS
HANDLING THAT.
THANK YOU.
I'LL CALL BACK.
ONCE DARA PUTS IN A FEW CALLS
TO YOUR BOSS' BOSS --
LARKIN: I AM WITHIN MY RIGHTS
HERE.
BOBBIE: DO YOU THINK I CARE
ABOUT YOUR RIGHTS?
ROY DID HIS TIME, AND YOU ARE
GOING TO LEAVE HIM ALONE.
LARKIN: I WISH I COULD.
BOBBIE: GET OUT.
BOBBIE: THIS IS THE PART
WHERE YOU TELL ME TO MIND MY OWN
BUSINESS, RIGHT?
ROY: NAH.
THIS IS THE PART WHERE I SAY
THANKS.

MIKE: MY SON'S EXPECTING
A CHILD, YES.
HANNAH: WITH CARLY.
MIKE: WELL, IT'S YOUR FAULT
THAT HE GOT MIXED UP
WITH HER IN THE FIRST PLACE.
HANNAH: YOU'RE BLAMING ME?
MIKE: CARLY'S POISON FOR HIM.
BUT WHY SHOULD YOU CARE?
YOU'RE STILL COLLECTING THAT
GOVERNMENT PAYCHECK, RIGHT?
HANNAH: YOU KNOW WHAT, MIKE?
I DID EVERYTHING I POSSIBLY
COULD TO PROTECT SONNY, AND I'M
JUST ABOUT OVER HAVING TO DEFEND
MYSELF.
MIKE: YOU REALLY WANT TO HELP
MY SON?
THEN GET THE HELL OUT OF TOWN.
TAMMY: HEY, GRAMPS.
MIKE: TAMMY, I'M REALLY
WORRIED ABOUT SONNY.
TAMMY: AND THIS IS NEW?
HANNAH: HEY.
DON'T SIT HERE IF YOU WANT
TO GET WAITED ON.
TAGGERT: I'LL SETTLE
FOR THE COMPANY.
HANNAH: MIKE WANTS ME
TO LEAVE TOWN.
TAGGERT: SO, YOU ALL PACKED
AND READY TO GO?
HANNAH: WHY SHOULD I HAVE
TO LEAVE BECAUSE OF SONNY
CORINTHOS?
TAGGERT: THERE YOU GO.
HANNAH: NO ONE'S GOING
TO GUILT ME OUT OF PORT CHARLES.
ANY CHANCE FOR A CUP OF COFFEE
OVER HERE?
TAMMY: YEAH, I'LL BE RIGHT
WITH YOU -- LIEUTENANT.
HANNAH: THANKS -- TAMMY.
TAGGERT: YOU GO, GIRL.

JUAN: I TRIED, OK?
I MEAN, YOU HEARD HOW BAD THIS
SOUNDS.
I'M JUST A JANITOR TRYING TO ACT
LIKE SOME BIG SINGER,
LIKE THAT'S EVER GOING
TO HAPPEN.
I'M A JOKE.
EMILY: YOU KNOW WHAT?
YOU'RE RIGHT.
JUAN: HEY, WHAT ARE YOU --
NICE SHOT.
EMILY: THANK YOU.
SO, SHOULDN'T YOU BE SWEEPING
THE FLOORS OR SOMETHING?
JUAN: REVERSE PSYCHOLOGY,
RIGHT?
EMILY: WELL, WHO CARES THAT
YOU HAVE SOME KIND OF A TALENT?
I MEAN, WHY BOTHER TO USE IT?
JUAN: YOU THINK I'M LAZY?
EMILY: NO, I MEAN,
THERE'S ALWAYS GOING TO BE
A BUNCH OF SONGS.
YOU HAVE A NICE VOICE.
JUST BE CAREFUL CROSSING
THE STREET.
JUAN: ARE YOU OK?
EMILY: JUAN, I GET SAD WHEN
PEOPLE WASTE THINGS, YOU KNOW,
WHETHER IT BE YOUR VOICE
OR SPENDING TIME WITH SOMEONE.
THINGS DON'T ALWAYS LAST.
YOU MAY NOT HAVE IT FOREVER.
JUAN: WELL, HOW ABOUT
IF I GIVE YOU SOMETHING THAT
YOU CAN KEEP?
EMILY: WHAT?
JUAN: THIS.
AND THIS.
ELIZABETH: OH -- I'M SORRY.
EMILY: WE WEREN'T EXPECTING
ANYONE.
ELIZABETH: WELL, DO YOU WANT
ME TO KNOCK D THEN COME BACK
IN?
EMILY: NO, THAT'S OK.
ELIZABETH: YOU GUYS,
HOW'S CHLOE?
EMILY: WELL, SHE GOT THROUGH
THE NIGHT.
ELIZABETH: IS NED STILL
WITH HER?
JUAN: CHECKED IN THIS
MORNING.
EMILY: MY GRANDFATHER'S
A COMPLETE MESS.
AND MY PARENTS THINK THAT
SHE SHOULD HAVE BEEN AWAKE
BY NOW, BUT THEY'RE NOT SAYING
ANYTHING.
JUAN: MAYBE IT WOULD HELP IF,
YOU KNOW, WE KEPT THINGS GOING
HERE.
ELIZABETH: YEAH, THAT'S WHAT
I THOUGHT, TOO.
JUAN: HEY, IF I GO CHECK
NED'S OUTGOING MAIL,
WILL YOU COVER THE PHONES?
ELIZABETH: YEAH,
SURE, NO PROBLEM.
JUAN: COOL.
EMILY: SO, YOU THINK YOU CAN
FIND A SAFE PLACE FOR THIS?
JUAN: YOU TRUST ME?
EMILY: IT'S YOUR VOICE,
NOT MINE.
EMILY: GOOD CHOICE.
ELIZABETH: SO, YOU AND JUAN
MADE ANOTHER TAPE?
EMILY: WELL, JUAN DID.
ELIZABETH: UH-HUH.
EMILY: OH, WELL,
WHAT YOU SAW, THAT -- I MEAN,
WE -- WE WEREN'T, YOU KNOW --
ELIZABETH: REALLY?
AND SO WHAT WAS IT?
EMILY: WELL --
HE WAS JUST, YOU KNOW,
RECORDING A SONG, AND THEN --
THE NEXT THING THAT I KNEW --
ELIZABETH: HE WAS KISSING
YOU?
EMILY: EXACTLY.

ALAN: TONY SAID THE SURGERY
WENT VERY WELL.
MONICA: YES, BUT WE'RE UNDER
STRICT ORDERS FROM EDWARD
AND LILA --
ALAN: WE WANT TO KNOW EXACTLY
WHAT'S GOING ON.
MONICA: YEAH.
NED: WELL, TAKE A LOOK
AT THE CHART AND TELL US.
ALAN: WE HAVE.
EVERYTHING SEEMS TO BE JUST
FINE.
NED: EXCEPT SHE WON'T WAKE
UP.
ALAN: HAVE YOU BEEN HERE ALL
NIGHT?
ALEXIS: WE CAN'T LEAVE JAX.
NED: AND HE CAN'T LEAVE
CHLOE.
MONICA: WELL, I UNDERSTAND
THAT.
NED: I WAS SITTING
WITH HER LAST NIGHT, AND I WAS
REMINDED OF JASON, WHEN I SAT UP
WITH HIM.
AND ALL I WANTED TO DO WAS JUST
SHAKE HIM, JUST MAKE HIM COME
AROUND, FORCE HIM TO OPEN
HIS EYES.
MONICA: IT'S SO EASY
TO FORGET HOW PRECIOUS EVERY DAY
IS.
JAX: SO, HOW LONG ARE
YOU PLANNING TO HANG AROUND
HERE, CHLOE?
DON'T YOU HATE THE SMELL,
THE NOISE?
SO WAKE UP, AND WE'RE OUT
OF HERE.
FORGET ABOUT ALASKA.
QUIET PLACE.
I DON'T KNOW.
TROPICAL PLACE.
YOU KNOW, SOMETHING WARM.
PERHAPS THAT ISLAND WE WENT
TO OVER NEW YEAR'S.
WE COULD JUST KICK BACK,
RELAX, SIT ON THE BEACH,
LISTEN TO THE BREEZE
IN THE PALM TREES.
WE COULD DANCE ON THE BEACH
IN THE WARM TROPICAL RAIN
AND WATCH THE MOST MAGNIFICENT
SUNSETS.

EDWARD: HOW IS SHE?
NED: NOT GOOD.
EDWARD: CHLOE JUST NEEDS
HER REST, THAT'S ALL.
THERE'S NO REASON FOR YOU TO BE
UPSET.
I'LL TELL LILA THAT HER COLORING
IS FINE.
NED: YOU THINK SHE'LL BUY
THAT?
EDWARD: I HAVE TO TELL
HER SOMETHING.
EDWARD: WHY ARE YOU HOVERING?
JAX: HI, EDWARD.
EDWARD: WHO'D WANT TO WAKE UP
AND LOOK AT A MUG LIKE THAT?
JAX: NOW, YOU LISTEN
TO EDWARD.
JUST THIS ONCE, OK?
EDWARD: NOW, CHLOE, WE'VE ALL
HAD JUST ABOUT ENOUGH OF THIS,
SO I'M AFRAID YOU'RE GOING
TO HAVE TO COME BACK TO US RIGHT
NOW.
AND THAT IS NON-NEGOTIABLE.
LILA HAS HER HEART SET ON IT.
AND YOU KNOW HOW LILA IS.
HOW CAN I TELL HER THAT YOU'RE
STILL ASLEEP?
ESPECIALLY -- YOU HAVE WORK
TO DO.
YOU HAVE A WHOLE NEW COMPANY
TO BUILD.
I'M SURE YOU'LL FIND A WAY.
BUT I REALLY ADMIRE
YOU FOR MARRYING NED
FOR BUSINESS PURPOSES.
IT'S AS GOOD A REASON AS ANY,
I GUESS.
YOU SURE HAD US FOOLED
FOR MONTHS.
WELL, MOST OF US.
BUT YOU KNOW WHAT?
IT WAS A MANEUVER WORTHY
OF THE QUARTERMAINES.
AND YOU'D HAVE PULLED IT OFF,
TOO, IF IT HADN'T BEEN
FOR THAT -- THAT AUSTRALIAN.
DIDN'T TELL YOU TO STAY AWAY
FROM HIM?
YOU SEE, CHLOE, THIS IS WHY
YOU HAVE TO WAKE UP --
BECAUSE JAX IS HERE AND HE'S NOT
LEAVING.
AND, CHLOE, DEAR,
LILA NEEDS YOU.
WE ALL DO, DEAR.
JAX: THANKS, EDWARD.
EDWARD: DON'T THANK ME.
YOU GIVE HER A REASON TO WAKE
UP.
SHE SHOULD WAKE UP AT ANY
MOMENT.
ALEXIS: HOW DO YOU KNOW THAT?
EDWARD: BECAUSE SHE'S
A MORGAN AND LILA WON'T HAVE IT
ANY OTHER WAY.
NED: WELL, I HOPE YOU'RE
RIGHT.
EDWARD: CHLOE KNOWS HOW MUCH
THIS FAMILY NEEDS HER.
AND SPEAKING OF FAMILY --
NED: NO, NO, NO.
WE'RE NOT GOING TO DISCUSS
BUSINESS HERE, OK?
EDWARD: I HAVE A PROPOSITION
FOR YOU.

A.J.: HELLO, GRANDMOTHER.
HOW ARE YOU?
LILA: HAVE YOU HEARD
ANYTHING?
A.J.: NO, NOT YET.
HAVE YOU EATEN ANY BREAKFAST?
COULD I GET YOU SOME HOT TEA
OR HAVE COOK HEAT UP SOME
SCONES?
LILA: NO, THANK YOU, DEAR.
OH, YOU AND EDWARD.
A.J.: HOW CAN I HELP?
LILA: FIND A WAY
TO COMPROMISE WITH CARLY.
A.J.: GRANDMOTHER, CARLY HAS
USED MICHAEL HIS ENTIRE LIFE
TO GET WHAT SHE WANTS.
LILA: CARLY'S NOT THE ONLY
ONE, DEAR.
A.J.: I LOVE MICHAEL,
AND I WON'T GIVE HIM UP
TO ANYONE.
NOW, IF SHE WANTS HIM, SHE CAN
STAY.
YOU KNOW, I THINK I'M BEING VERY
GENEROUS BY OFFERING TO RAISE
SONNY'S CHILD.
AND IF SHE DOESN'T LIKE IT,
SHE CAN LEAVE.
I'M SORRY.
I AM REALLY SORRY IF THIS UPSETS
YOU, BUT I'M OVER IT, ALL RIGHT?
I'M THROUGH PUTTING UP WITH HER.

EMILY: SO, YOU SAID THAT
YOU WERE SORRY THAT
YOU AND LUCKY WAITED.
ELIZABETH: EMILY, YES, BUT --
EMILY: THAT YOU GUYS THOUGHT
THAT YOU HAD FOREVER.
ELIZABETH: THAT'S RIGHT.
EMILY: KIND OF LIKE CHLOE.
I MEAN, NOBODY EXPECTED THIS
TO HAPPEN.
ELIZABETH: THIS IS TRUE,
BUT --
EMILY: SO YOU THOUGHT YOU HAD
FOREVER, BUT YOU REALLY DIDN'T.
ELIZABETH: EMILY, IS JUAN
PRESSURING YOU?
EMILY: NO.
NO, NO, NO, NOT AT ALL.
OH, MY GOD.
ELIZABETH, DO YOU THINK THIS
COULD ALL BE, LIKE, IN MY HEAD
OR SOMETHING AND MAYBE HE'S NOT
FEELING THE SAME WAY?
ELIZABETH: EMILY, NO, I DON'T
THINK SO.
EMILY: WELL, I MEAN,
SOMEBODY ELSE COULD WALK
IN THE DOOR ANY MINUTE, AND HE'D
BE GONE LIKE THAT.
ELIZABETH: YEAH,
WELL, THAT'S NOT GOING
TO HAPPEN.
EMILY: NOBODY EXPECTS IT
TO HAPPEN.
ELIZABETH: HE DOESN'T EVEN
LOOK AT ANYONE ELSE.
EMILY: I'M GOING TO HAVE
TO KEEP IT THAT WAY.
ELIZABETH: WHY DON'T YOU JUST
WAIT UNTIL YOU'RE READY?
EMILY: WHEN WILL I KNOW I'M
READY?
YOU KNOW, WHEN WILL THAT BE?
I JUST WISH THINGS WOULD WORK
OUT LIKE A MOVIE, YOU KNOW?
LIKE WE'RE STARING IN EACH
OTHER'S EYES --
ELIZABETH: NEXT THING
YOU KNOW, EVERYTHING TURNS FUZZY
AND YOU'RE ROLLING AROUND
IN BED.
EMILY: EXACTLY.
NO, BUT SERIOUSLY, WHEN DO
YOU THINK I'LL KNOW?
ELIZABETH: DO YOU LOVE HIM?
EMILY: OF COURSE I LOVE HIM.
AND HE LOVES ME, TOO.
WE JUST HAVEN'T SAID IT OUT LOUD
YET.
BUT YOU KNOW WHEN SOMEONE LOVES
YOU, YOU KNOW?
ELIZABETH: I BELIEVE THAT.
EMILY: I THINK ABOUT HIM
PRACTICALLY EVERY SINGLE SECOND,
ELIZABETH.
I CAN'T EXAIN HOW I FEEL.
YOU KNOW WHAT I MEAN,
THOUGH, RIGHT?
ELIZABETH: YEAH, I KNOW.
EMILY: YOU THINK CHLOE HAS
ANY CHOCOLATES AROUND HERE?
ELIZABETH: OH, GOD.
EMILY, LISTEN TO ME.
I AM NOT -- I'M NOT ENCOURAGING
ANYTHING, BUT YOU GUYS DO KNOW
ABOUT PROTECTION, RIGHT?
EMILY: YEAH, UNLIKE CARLY,
THE WORLD'S WORST EVERYTHING.
ELIZABETH: ANYBODY CAN GET
CARRIED AWAY SOMETIMES,
EVEN IF YOU'RE NOT COMPLETELY
OUT OF YOUR MIND.

BOBBIE: CAN'T HANNAH HELP
YOU WITH LARKIN --
COMPLAIN TO HER BOSS OR JUST
DEAL WITH HIM AGENT TO AGENT?
ROY: I DON'T WANT TO PUT THIS
ON HANNAH.
IT'S BAD ENOUGH SHE'S GOT ME
FOR A FATHER AS IT IS.
BOBBIE: ROY, DON'T SAY THAT
EVER.
ROY: WELL, IT'S TRUE,
YOU KNOW.
IT'S NOT GOOD FOR HER CAREER
TO HAVE AN EX-CON FOR A DAD.
BOBBIE: THE F.B.I. MUST KNOW.
ROY: YEAH, I'M SURE IT'S
IN A FILE -- IN A FILE
SOMEWHERE.
BUT IT'S JUST BETTER IF MY NAME,
MY HISTORY, THE WHOLE IDEA
OF ME -- IF IT DOESN'T COME UP.
BOBBIE: HANNAH SHOULDN'T HAVE
TO HIDE THE WAY SHE FEELS ABOUT
YOU.
ROY: I'M LUCKY TO BE AROUND
HER.
WHY'D YOU STOP BY?

BOBBIE: LUKE.
I CAME TO SEE LUKE, AND I WAS
WONDERING IF YOU HEARD FROM HIM.
ROY: I HAVEN'T.
BOBBIE: OK.
THAT'S ALL I NEEDED TO KNOW.
ROY: OK.
BOBBIE: YOU KNOW,
MAC'S GETTING REALLY CONCERNED.
ROY: YEAH, I GOT THAT
YESTERDAY WHEN HE WENT OFF
ON ME.
BOBBIE: OH, YEAH.
RIGHT.
ROY: YOU WANT ME TO MENTION
IT?
BOBBIE: TO LUKE?
ROY: YEAH, ABOUT MAC.
BOBBIE: OH -- YEAH.
YEAH, SURE.
BECAUSE MAC NEEDS HIS WIFE,
SO THE SOONER THE BETTER.
ROY: OK, I'LL --
I'LL TELL LUKE IF HE CALLS.
BOBBIE?
BOBBIE: YEAH?
ROY: I SHOULDN'T HAVE KISSED
YOU.

ELIZABETH: I HAVE TO GO PICK
UP SOME FABRIC NOW.
EMILY: OK.
I'LL HOLD DOWN THE FORT.
ELIZABETH: THANK YOU.
HEY.
JUAN: HEY.
ELIZABETH: OH -- DID
THE MAILING GO OUT?
JUAN: YEAH, NO PROBLEM.
ELIZABETH: OK, GOOD.
I WON'T BE LONG.
JUAN: YOU'RE STILL HERE.
I'M GLAD.
EMILY: OH, WHAT, YOU THOUGHT
THAT I WAS LEAVING?
JUAN: NO.
I'M JUST GLAD THAT YOU'RE STILL
HERE.
EMILY: SO, WHAT'D YOU DO
WITH THE TAPE?
JUAN: WOULDN'T YOU LIKE
TO KNOW.
EMILY: DID YOU CHUCK IT
IN THE RIVER?
JUAN: I KNOW I SAID YOU COULD
HAVE THAT TAPE.
IT JUST REALLY ISN'T THAT GOOD.
EMILY: YOU'RE GIVING UP?
JUAN: NO.
WHAT I WANT TO DO --
EMILY: JUAN,
YOU'RE AN AMAZING SINGER.
YOU HAVE SO MUCH SOUL WHEN
YOU SING.
YOU HAVE A GIFT.
DON'T YOU REALIZE THAT?
JUAN: OK, YOU CONVINCED ME.
EMILY: I DID?
JUAN: WELL, NOT THAT I HAVE
A GIFT.
BUT IT WOULD BE STUPID TO WASTE
A CHANCE TO DO WHAT I LOVE.
EMILY: YES.
JUAN: BUT IF I'M GOING TO BE
GOOD, I HAVE TO WORK.
SO FROM NOW ON, YOU HAVE TO BE
HONEST.
YOU CAN'T JUST SAY EVERYTHING IS
GOOD.
YOU HAVE TO LISTEN HARD AND,
YOU KNOW, TELL ME WHAT NEEDS
TO BE BETTER.
EMILY: WAIT.
DO YOU WANT ME TO BE YOUR VOCAL
COACH?
IS THAT WHAT YOU'RE SAYING?
JUAN: WELL, IT WAS YOUR IDEA.
DON'T YOU THINK YOU SHOULD
AT LEAST HELP OUT?
EMILY: ALL RIGHT.
LET'S GET AT IT.

HANNAH: I PROTECTED SONNY
THE BEST I KNEW HOW.
I LOVED HIM.
IF HE DOESN'T BELIEVE ME,
IF HE CAN'T RESPECT THAT,
THERE'S NOTHING I CAN DO.
TAGGERT: RIGHT, EXCEPT
CONTINUE ON WITH YOUR OWN LIFE.
I MEAN, YOU STILL PLANNING
ON LEAVING THE BUREAU?
HANNAH: I MEAN, BUT CARLY?
I MEAN, COME ON.
TAGGERT: ON THE OTHER HAND,
WE COULD CELEBRATE WITH FRENCH
TOAST.
HANNAH: YOU KNOW,
SONNY DESPISES CARLY.
BUT YET HE'S GOING TO TREAT
HER LIKE THE BEST WOMAN ON EARTH
BECAUSE TO HIM SHE IS.
DOESN'T THAT SEEM IRONIC?
TAGGERT: OH, YEAH.
HANNAH: SONNY'S GOING TO BE
TIED DOWN TO HER FOR LIFE,
TIED DOWN TO THE WOMAN THAT HURT
HIM THE MOST AND DESERVES HIM
THE LEAST.

TAMMY: YOU KNOW,
MIKE, MAYBE IT'S TIME TO HAVE
A LITTLE FAITH IN SONNY.
MIKE: YEAH, BUT HE ALREADY
THINKS THAT HE OWES THIS CHILD
A PERFECT LIFE.
TAMMY: SO?
LET HIM FEEL THAT WAY.
MIKE: IT'S NOT GOING
TO HAPPEN, AND THEN HE'S GOING
TO BLAME HIMSELF.
TAMMY: MIKE, I'VE KNOWN SONNY
A LONG TIME.
HE'S A GOOD MAN, AND HE'S A VERY
POWERFUL MAN.
AND SONNY KNOWS HOW TO GET WHAT
HE WANTS.
MIKE: IN BUSINESS, YES.
BUT, I MEAN --
TAMMY: NO, NO, NO, NO.
IF SONNY WANTS THIS KID,
HE'LL GET IT.
AND IF SONNY WANTS TO BE A GOOD
FATHER -- WHOO -- WATCH OUT.

EDWARD: YOU DID A FINE JOB
AS E.L.Q. COUNSEL.
ALEXIS: STOP ME IF I'M WRONG,
BUT DIDN'T YOU DROP ME
FROM E.L.Q. WHEN I REPRESENTED
TONY?
EDWARD: EVERY SITUATION'S
DIFFERENT.
ALIS: HOW DO I KNOW
YOU WON'T DROP ME AGAIN?
NED: GOOD QUESTION.
EDWARD: WE'LL TRIPLE
YOUR SALARY.
ALEXIS: THAT ISN'T WHAT
I ASKED.
NED: SHE'S TOUGH.
EDWARD: AND WE'LL GIVE
YOU ANY KIND OF A PARACHUTE
YOU WANT.
ALEXIS: SO THE ONLY
STIPULATION IS IF I WORK
EXCLUSIVELY FOR E.L.Q.
EDWARD: WELL, I IMAGINE
YOU'LL HAVE LITTLE TIME
FOR ANYTHING ELSE.
ALEXIS: OH, YOU KNOW,
I HAVEN'T DONE CORPORATE
IN A LONG TIME.
EDWARD: THAT'S FINE.
ALEXIS: WELL, THANK YOU VERY
MUCH.
I'LL CONSIDER THE OFFER.
EDWARD: SO, WHEN CAN
YOU START?
TOMORROW?
ALEXIS: YOU CAN'T EXPECT ME
TO ABANDON MY CLIENT
IN THE MIDDLE OF A CASE,
CAN YOU?
NED: GOTCHA.
ALEXIS: HOW ABOUT AFTER
THE CUSTODY CASE IS SETTLED?
DOES THAT WORK FOR YOU?
EDWARD: HOW CAN YOU ALIGN
YOURSELF WITH A MAN LIKE SONNY
CORINTHOS?
ALEXIS: DIDN'T HE SAY THAT
HE WOULD TRIPLE MY SALARY?
NED: THAT'S WHAT I HEARD.
EDWARD: DO YOU THINK THAT
HE'S A SUITABLE FATHER
FOR ANYONE?
ALEXIS: AND A PLATINUM
PARACHUTE.
NED: LOOK.
EDWARD: WHAT? WHAT?

JAX: CHLOE?
CHLOE?
CHLOE: JAX?
JAX: HEY.
RIGHT HERE.
CHLOE: JAX.
I CAN SEE YOU.

>> ON THE NEXT
"GENERAL HOSPITAL" --

NIKOLAS: I DIDN'T KNOW THAT
YOU WERE WORKING HERE
AS A SINGER.

TAGGERT: THERE IS SOMETHING
THAT'S BEEN BOTHERING ME
FOR A FEW WEEKS NOW.

NED: YOU CAN SEE ME?
CHLOE: IT'S NOT PERFECT.
JAX: DON'T WORRY.
IT'LL CO.

ROY: I CROSSED THE LINE.
I DON'T HAVE THE RIGHT.
BOBBIE: YOU COULD START OVER.

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