GH Transcript Friday 2/25/00

 

General Hospital Transcript Friday 2/25/00

Provided by Laura

LUKE: LIGHTS ARE ON.
SMOKE IN THE CHIMNEY.
FELICIA: I CAN'T SEE ANYTHING
INSIDE.
CAN YOU?
LUKE: NO.
LUKE: THAT GUY AIN'T HERE
FOR THE ICE FISHING.
FELICIA: THAT WAS NO CASUAL
STROLL, EITHER.
LUKE: NO, HE'S ON PATROL.
FELICIA: GREAT.
THIS PLACE COULD BE CRAWLING
WITH GUARDS.
LUKE: WELL, THEY DON'T HAVE
GUARDS TO GUARD THE FURNITURE.
I THINK WE FINALLY FOUND MY SON.

HELENA: IMPRESSIVE.
YOU'RE A FORMIDABLE OPPONENT.
AND TO THINK, YOU WERE A NOVICE
AT THIS.
OF COURSE, YOU'VE HAD LITTLE
ELSE TO DO.
BUT HAPPILY, THAT'S ABOUT
TO CHANGE.
YOUR PERIOD OF CONFINEMENT IS
ABOUT TO END.
IN A MATTER OF WEEKS, I INTEND
TO RELEASE YOU.

STEFAN: YOU'RE CERTAIN
YOUR TEAM IS FULLY PREPARED?
I CAN'T AFFORD ANY MISTAKES.
NOW, THE MOMENT I ARRIVE,
YOU WILL ENTER THE HOUSE
AND TA THE HOSTAGE.
TWO HOURS.
ANY MORE THAN THAT, HELENA COULD
MOVE THE BOY AGAIN.
NO.
NO, YOU LISTEN TO ME.
THERE IS NO CONTINGENCY PLAN.
THIS HAS TO HAPPEN TONIGHT.
LAURA: WHAT HAS TO HAPPEN
TONIGHT?

JAX: YOU SAW?
CHLOE: A SHADOW.
YOU JUST MADE A SHADOW.
JAX: HOW COULD YOU TELL?
CHLOE: I DON'T KNOW.
DO IT AGAIN.
JAX: OK.
UM -- THERE.
WHAT DO YOU SEE?
CHLOE: SORT OF A LIGHTISH
GRAY.
JAX: WHAT ABOUT NOW?
CHLOE: BLACK?
JAX: NOW?
CHLOE: IT'S LIGHT AGAIN.
ARE YOU DOING THAT?
JAX: YES!
CHLOE: JAX --
JAX: YES! YES!
OH.

ROY: THIS SO-CALLED ANONYMOUS
TIPSTER, WHAT EXACTLY DID
HE TELL THE POLICE?
ALEXIS: THE WHO'S,
WHEN'S, AND WHAT'S OF THIS
MORNING'S DROP -- OR SO SAYS
THE POLICE REPORT.
ASIDE FROM SONNY AND
THE HARBORMASTER, WHO ELSE KNEW
ABOUT YOUR PAYOFF?
ROY: THERE WAS NO PAYOFF.
ALEXIS: REALLY?
OK.
I'LL REPHRASE THAT.
WHAT PSYCHIC FRIEND MIGHT HAVE
BEEN ABLE TO PREDICT THAT
YOU WOULD FIND A LARGE SUM
OF MONEY AND THEN TURN IT IN?
AND NOT ONLY THAT YOU WOULD FIND
IT, BUT WHERE AND WHEN?
ROY: NO FRIEND OF MINE.
ALEXIS: SO THE TIPSTER WAS
OBVIOUSLY A FABRICATION THAT
TAGGERT USED TO COVER
HIS TRACKS.
HE'S PROBABLY BEEN TAILING
YOU FOR A LONG TIME.
ROY: Y ME?
ALEXIS: BECAUSE YOU WORK
FOR SONNY CORINTHOS.
ROY: SO DO A LOT OF PEOPLE.
ALEXIS: THEY'RE NOT ALL
EX-CONS.
SEE, TAGGERT'S HOPING THAT
YOU SCREW UP SO HE CAN SQUEEZE
YOU FOR DIRT ON SONNY.
ROY: TAGGERT'S NOT AS SMART
AS HE THINKS HE IS.
ALEXIS: AND MAYBE YOU'RE JUST
A LITTLE TOO COCKY.
YOU SEE, SONNY SO FAR HAS NEVER
BEEN CAUGHT.
NO ONE HAS EVER BEEN ABLE
TO BRING HIM DOWN.
YOU, ON THE OTHER HAND,
HAVE ALREADY SERVED A LENGTHY
PRISON TERM.
I AM CURIOUS.
WHAT WOULD COMPEL YOU TO RISK
ANOTHER ONE?

CARLY: SO ARE YOU ON YOUR WAY
TO TAKE YOUR BLOOD TEST?
SONNY: YOU?
CARLY: JUST FINISHED.
SONNY: EVERYTHING ALL RIGHT?
CARLY: NOT REALLY.
SONNY: NOT REALLY?
THE BABY?
CARLY: THE BABY'S ALL RIGHT.
THE TEST ISN'T DANGEROUS
OR I WOULDN'T HAVE TAKEN IT,
ORDER OR NO ORDER.
SONNY: I WOULDN'T HAVE ASKED.
CARLY: YEAH.
WHATEVER YOU SAY.
SONNY: I MEAN, YOU KNOW,
YOU AND I DON'T -- WE DON'T DO
VERY WELL, BUT YOU GOT TO TRUST
ME ON THIS.
I -- I WOULD --
I'M NOT GOING TO DO ANYTHING
TO HURT THIS BABY.
NEVER.

SONNY: YOU EATING?
SLEEPING?
CARLY: I'M ALL RIGHT.
SONNY: HOW ARE THE
QUARTERMAINES TREATING YOU?
CARLY: EDWARD WAS EXTRA
SOLICITOUS TODAY.
HE OFFERED TO COME WITH ME,
HOLD MY HAND.
SONNY: WOW.
WHAT'S HIS ANGLE?
CARLY: YOU KNOW, THAT OFF
CHANCE THE BABY MIGHT BE
JASON'S.
OR THE GARDNER'S OR REGINALD'S
OR THE GUY WHO PRUNES THE TREES.
ANYBODY BUT YOU.
SONNY: YOU'RE NOT SAYING
THERE'S A CHANCE THAT --
CARLY: NO CHANCE, NO.
NOBODY GETS THAT ABOUT ME,
YOU KNOW?
I MEAN, MAYBE I HATE MY HUSBAND,
BUT THAT DOESN'T MEAN I SLEEP
AROUND, YOU KNOW?
OK, SO I OCCASIONALLY LOSE
MY MIND, BUT DOESN'T HAPPEN
EVERY DAY.
NOT LIKE, YOU KNOW,
WHAT HAPPENED WITH US.
SONNY: I GOT IT, I GOT IT.
CARLY: YOU GOT WHAT?
SONNY: THE GUY WHO PRUNES
THE QUARTERMAINES' TREES
WOULDN'T END UP IN YOUR BED.
CARLY: WHY, BECAUSE
HE DOESN'T MAKE ENOUGH MONEY?
SONNY: NO, BECAUSE YOU'RE NOT
A SLUT.
I KNOW.
I MEAN, I'VE CALLED YOU NAMES
AND -- DOESN'T MEAN I MEANT
THEM ALL.
NURSE: EXCUSE ME.
THE DOCTOR IS READY FOR YOU NOW.
SONNY: OK, I'LL BE THERE
IN A SECOND.
NURSE: SURE.
SONNY: ALL RIGHT.
I'LL SEE YOU LATER.
TAKE CARE OF YOURSELF.
CARLY: I TRY.
THANKS.
SONNY: YEAH.

LAURA: I WAS GOING TO SUGGEST
WE HAVE DINNER TONIGHT, BUT IT
SEEMS LIKE YOU'VE GOT OTHER
PLANS.
STEFAN: YES, I'M WINDING UP
A PROJECT.
LAURA: A PROJECT?
AT NIGHT?
STEFAN: IT WON'T BE NIGHT
EVERYWHERE.
LAURA: ARE YOU LEAVING AGAIN?
STEFAN: SO FULL OF QUESTIONS.
ANY PARTICULAR REASON?
LAURA: I GUESS JUST
BECAUSE YOU SEEM KIND OF ANXIOUS
ABOUT IT.
STEFAN: WELL, I AM
BECAUSE THIS PROJECT IS --
IS A BREAKTHROUGH FOR ME.
IT COULD ALTAR THE COURSE
OF OUR LIVES.
LAURA: STEFAN, WHAT BUSINESS
DEAL COULD POSSIBLY ACCOMPLISH
ALL OF THAT?
STEFAN: ONE THAT REMOVES
THE SPECTER OF MY MOTHER.
LAURA: OH, OK.
GOOD LUCK.
STEFAN: THANK YOU.
STEFAN: I'M GOING TO MAKE
YOU HAPPY.

ELIZABETH: HEY, BOBBIE.
YOU NEED ANY HELP?
BOBBIE: HI.
HOW ABOUT A STAFF OF
BOOKKEEPERS.
ELIZABETH: WHOA.
I MAY HAVE A CALCULATOR
IN MY PURSE.
BOBBIE: YEAH, BUT WOULD IT BE
ANY FASTER THAN THIS ONE?
ELIZABETH: NO.
BOBBIE: ACTUALLY, I'M ALMOST
FINISHED.
WELL, LOOK AT YOU.
YOU ARE LOOKING VERY CHIC TODAY.
ELIZABETH: OH.
CHIC ENOUGH TO BE A DESIGNER'S
ASSISTANT?
BOBBIE: OH.
ARE YOU INTERVIEWING FOR SOME
FABULOUS NEW JOB?
ELIZABETH: WELL, I SORT
OF ALREADY HAVE THE JOB.
IT STARTED THIS MORNING
AS A MATTER OF FACT.
THAT'S WHY I CAME IN HERE.
BOBBIE: OH.
I SEE.
I'M LOSING MY BEST WAITRESS
TO A DESIGNER.
ELIZABETH: NO. NO, NO, NO.
NOT COMPLETELY.
I MEAN, I DO HAVE TO CUT BACK
ON MY HOURS, BUT --
BOBBIE: HMM.
TWO JOBS AND A FULL-TIME COURSE
LOAD.
OH, HONEY, THAT SEEMS LIKE
AN AWFUL LOT TO ME.
ELIZABETH: I'M WORKING
FOR CHLOE MORGAN, SO IT'S GOING
TO BE A WHILE TILL SHE'S BACK
IN THE SWING OF THINGS, SO I'M
STILL GOING TO HAVE TIME TO HELP
YOU OUT HERE.
BOBBIE: HEY, HEY,
HEY, DON'T YOU WORRY ABOUT
ME, OK?
AND CONGRATULATIONS
BECAUSE I THINK IT'S ABSOLUTELY
FABULOUS.
AND IT'S ABOUT TIME YOU PUT ALL
OF THAT TALENT OF YOURS TO WORK.
ELIZABETH: OH, WELL,
MORE LIKE MY TELEPHONE SKILLS.
BOBBIE: YEAH, WELL, YOU GOT
TO START SOMEWHERE.
I CAN JUST SEE IT NOW -- MORGAN
AND WEBBER DESIGNS.
ELIZABETH: OH, DON'T HOLD
YOUR BREATH.
I'M BARELY SCRAPING
BY PORTRAIT 101.
AND BESIDES, CHLOE IS JUST
BRILLIANT IN WHAT SHE DOES.
BOBBIE: HOW'S CHLOE DOING?
SHE ANY BETTER?
ELIZABETH: SHE STILL CAN'T
SE BUT WE'RE ALL HOPING.
BOBBIE: GIVE HER MY BEST, OK?
ELIZABETH: I WILL.
ELIZABETH: BOBBIE,
DO YOU HONESTLY THINK THIS WORKS
FOR ME?
BOBBIE: OH, I THINK YOU LOOK
ABSOLUTELY SMASHING.
IT LOOKS LIKE IT WAS MADE
FOR YOU.
ELIZABETH: OH, GOOD,
BECAUSE I WAS THINKING ABOUT
GOING OUT AND BUYING MYSELF
A FEW MORE OF THESE.
BOBBIE: OH, WELL, GOOD IDEA.
IN THAT CASE, YOU'LL BE NEEDING
THIS.
ELIZABETH: OH, MY PAYCHECK.
I ALMOST FORGOT.
THANK YOU.
BOBBIE: HAVE FUN SHOPPING.
ELIZABETH: I WILL.
MAN: COULD WE GET A COUPLE
SPECIALS TO GO?
BOBBIE: OH, SURE.
ANYTHING ELSE?
MAN: MAKE THAT THREE
SPECIALS, WILL YOU?
BOBBIE: COMING RIGHT UP.
MAN: WHAT, ARE YOU EATING
FOR TWO NOW?
SECOND MAN: ONE'S FOR LUNCH.
ONE'S FOR DINNER.
I GOT STUCK WITH A DOUBLE SHIFT.
ROY DiLUCCA'S OUT TODAY.
I HEAR THE COPS DRAGGED HIM IN.

ROY: MY STOCK PORTFOLIO HAS
SOME HOLES IN IT, SO WORK
UNFORTUNATELY HAS PROVEN TO BE
A NECESSITY.
ALEXIS: YOU DON'T HAVE
TO WORK FOR SONNY CORINTHOS.
ROY: THE WHITE HOUSE WAS
FULLY STAFFED.
ALEXIS: THERE ARE OTHER JOBS.
ROY: THERE ARE OTHER CLIENTS.
WHY DO YOU REPRESENT HIM?
ALEXIS: FOR ONE THING,
HE PAYS HIS FEES ON TIME.
ROY: WELL, I'M VERY WELL
COMPENSATED, AS WELL, FOR A GUY
WHO CARTS COFFEE BAGS.
ALEXIS: AND IT'S WORTH ALL
THIS HASSLE?
ROY: NOBODY EVER HASSLES YOU?
ALEXIS: NOT LIKE THIS.
ROY: MUST BE THE SUIT.
MAYBE I SHOULD INVEST IN ONE.
ALEXIS: MAYBE YOU SHOULD HAVE
A BULLET-PROOF VEST WHEN YOU DO.
ROY: OUCH.
ALEXIS: SORRY.
JUST SEEMS TO ME YOU'VE WAITED
A LONG TIME TO START A NEW LIFE.
DON'T YOU FEEL THE LEAST BIT
VULNERABLE WORKING FOR A MAN WHO
ELUDES THE LAW?
ROY: NO OFFENSE, BUT DON'T
YOU HELP HIM DO THAT?
ALEXIS: EVERYONE IS ENTITLED
TO COUNSEL.
ROY: EVEN SERIAL KILLERS.
YOU REPRESENT THEM?
ALEXIS: HE'S NOT A SERIAL
KILLER.
I CHECKED.
ROY: JUST A THREAT
TO THE AMERICAN WAY OF LIFE.
ALEXIS: I DIDN'T SAY THAT.
ROY: SO WHAT ARE WE ARGUING
ABOUT?
ALEXIS: WERE WE ARGUING?
ROY: OH, THAT'S RIGHT.
I FORGOT, WE'RE ON THE SAME
SIDE.
ALEXIS: I'M BEGINNING
TO UNDERSTAND WHY SONNY WOULD
TRUST YOU WITH SUCH DELICATE
TASKS.
ROY: DELICATE TASKS LIKE
HAULING COFFEE BEANS, YOU MEAN?
ALEXIS: OOH, AND YOU'RE
QUICK, TOO.
QUICK ENOUGH TO FIND A NEW LINE
OF WORK.
ROY: THIS IS WHERE I AM NOW.
IN THE FUTURE, THERE WILL BE
PEACE IN THE VALLEY,
FRUIT HANGING FROM EVERY BRANCH
OF THE TREE.
ALEXIS: THAT'S BEAUTIFUL.
ROY: THANK YOU.
DARA: YOUR CLIENT CAN LEAVE
AFTER HE SIGNS A STATEMENT.
ALEXIS: TERRIFIC.
I WOULD LIKE TO TAKE A LOOK
AT THAT FIRST, PLEASE.
DARA: BE MY GUEST.
ALEXIS: THANK YOU.
ALEXIS: OK.
THIS LOOKS ALL RIGHT.
HERE YOU GO.
DARA: I'M GLAD YOU APPROVE.
ROY: MY THINGS, PLEASE.
DARA: YOU'LL GET
YOUR BELONGINGS AFTER YOU SIGN
HERE, HERE, AND HERE.
ROY: R FUTURE REFERENCE,
THERE ARE TWO Cs IN DiLUCCA.
DARA: WE'LL CHECK THAT
SPELLING FOR YOU.
ROY: THANKS.
ALEXIS: GOOD LUCK.
ROY: WHAT DOES THAT MEAN?
I'M ON MY OWN NOW?
ALEXIS: UNTIL NEXT TIME.
ROY: ASSUMING THERE IS A NEXT
TIME AND I STILL WORK FOR SONNY.
ALEX: RIGHT.
ROY: THANKS.
MAC: WHOA.
DON'T THANK ME YET.

ROY: IS THERE A PROBLEM?
MAC: WELL, THAT'S UP TO YOU,
DiLUCCA.
ROY: I'VE BEEN CLEARED TO GO.
ISN'T THAT WHAT YOU SAID?
DARA: YEAH, THAT WAS
MY UNDERSTANDING.
MAC: THERE ARE JUST A FEW
THINGS WE HAVEN'T COVERED YET.
ROY: THEN I BETTER GET
MY ATTORNEY TO COME BACK.
MAC: IT'S NOT ABOUT THIS
MORNING.
THERE'S ANOTHER MATTER WE HAVE
TO CLEAR UP.
YOU WON'T BE NEEDING YOUR LAWYER
FOR THAT.
ROY: I'M SUPPOSED TO TAKE
YOUR WORD ON THAT?
MAC: WOULD YOU EXPLAIN
TO MR. DiLUCCA THAT IT'S WITHIN
HIS BEST INTERESTS TO COMPLY
WITH MY REQUEST?
DARA: AS LONG AS NOTHING
YOU SAY IS PRESENTED IN COURT
AS EVIDENCE --
MAC: COMPLETELY,
COMPLETELY OFF THE RECORD.
NOW, ARE WE ALL MORE
COMFORTABLE?
MAC: YOU HAVE A HARD TIME
KEEPING OUT OF TROUBLE,
DON'T YOU, ROY?
ROY: ARE ALL YOUR QUESTIONS
ALONG THIS LINE?
MAC: YOU KNOW, YOU SEEM TO BE
DRAWN TO SHADY ASSOCIATES.
MUST BE A SELF-DESTRUCTIVE
QUALITY.
I'D THINK IN 20 YEARS YOU'D HAVE
LEARNED SOMETHING BY NOW.
BUT, YOU KNOW, THERE YOU GO
RIGHT DOWN THE SAME OLD
DEAD END.
ROY: THE COFFEE BUSINESS IS
BRAND-NEW TO ME.
MAC: I'M NOT REFERRING
TO THE COFFEE BUSINESS,
ROY, OR EVEN SONNY CORINTHOS
AT THE MOMENT.
NO, I'M REFERRING TO THE FACT
THAT YOU ENTER INTO PARTNERSHIPS
FOR THE PURPOSE OF LAUNDERING
MONEY.
ROY: I DON'T DO THAT.
MAC: 20 YEARS AGO,
THE CAMPUS DISCO,
A FRONT FOR FRANK SMITH.
NOW IT'S A SUPPOSED BLUES CLUB?
RIGHT THERE WITH YOUR SAME OLD
PARTNER IN CRIME.
ROY: YOU KNOW, I'D REALLY
LIKE MY KEYS BACK.
DO I NEED MY LAWYER FOR THAT?
MAC: LUKE SPENCER IS
AN INTERNATION JEWEL SMUGGLER.
HOW STUPID CAN YOU BE?
HE'S ALREADY COST YOU TWO
DECADES.
HOW MANY MORE YEARS YOU WANT
TO LOSE?
ROY: I THINK WE'RE DONE HERE,
COMMISSIONER.
MAC: YOU WANT TO GO DOWN
WITH YOUR LOWLIFE FRIEND?
BECAUSE I'M GOING TO NAIL BOTH
OF YOU.
WHY DON'T YOU GO DOWN AND THINK
ABOUT THAT IN LOCKUP WHILE I GET
A WARRANT TO SEARCH LUKE'S CLUB.
BOBBIE: MAC --
I NEED A WORD WITH YOU.

HELENA: WELL, IT'S BEEN
A DELIGHT, AS USUAL.
WE'LL HAVE TO DO THIS AGAIN
SOMETIME.
VERY SOON.
GUARD: SHALL I WALK
YOU TO YOUR CAR?
HELENA: ISN'T IT TIME
FOR YOU TO CHECK THE PERIMETER?
GUARD: YES, BUT I THOUGHT
I MIGHT PULL THE CAR AROUND.
HELENA: I CAN FIND MY OWN
CAR, THANK YOU.
YOU JUST MAINTAIN THE
ESTABLISHED ROUTINE.

FELICIA: WHAT NOW?
LUKE: WE WAIT.
TRY AND DECIDE HOW MANY GUARDS
THERE ARE, WHAT KIND OF PATROLS
THEY'RE ON.
AND THEN AFTER DARK,
WE GO IN AND GET LUCKY OUT.

CHLOE: THE ELEVATOR.
THERE WAS AN OVERHEARD LIGHT,
AND NOW IT'S GONE.
JAX: IS IT DARK NOW?
CHLOE: NO, THERE'S LIGHT
COMING FROM OVER HERE AND HERE.
JAX: YOU'RE GETTING GOOD
AT THIS, HUH?
YOU GOING TO BE OK?
CHLOE: YEAH.
JAX: I'M GOING TO GO SEE
IF I CAN FIND TONY, ALL RIGHT?
CHLOE: I'M GOING TO WATCH
YOU WALK AWAY.
JAX: HI.
AUDREY: OH, HI.
JAX: IS TONY JONEIN?
AUDREY: YOU'RE IN LUCK.
JAX: WOULD YOU TELL HIM THAT
CHLOE MORGAN IS HERE
AND SHE NEEDS HIM RIGHT AWAY?
AUDREY: IS EVERYTHING ALL
RIGHT?
JAX: YEAH, YEAH,
YEAH, EVERYTHING'S FINE.
I THINK CHLOE MAY BE STARTING
TO SEE.
AUDREY: OH, ALL RIGHT.
CHLOE: DASHINGLY ATTRACTIVE
MAN COMING UP ON MY RIGHT.
[JAX LAUGHS]
JAX: HOW DID YOU KNOW IT
WAS ME?
CHLOE: OH, YOU GIVE OFF
LITTLE ENERGY BEAMS.
JAX: I THOUGHT I CAST
SHADOWS.
CHLOE: YOU CAST THE
HANDSOMEST SHADOW OF ANY MAN
I'VE EVER MET.
JAX: YOU KNOW, YOU'RE
STARTING TO BECOME AN EXPERT,
AREN'T YOU?
CHLOE: DID SOMEBODY JUST
WALK BY?
JAX: YEAH.
CHLOE: I WAS RIGHT.
YOU KNOW WHAT THAT MEANS, JAX?
I MAY NOT HAVE TO HAVE SURGERY.
I MAY GET MY SIGHT BACK ALL
ON MY OWN.
JAX: WELL, I'M A BELIEVER.
CHLOE: SOMEBODY'S HERE.
TONY: JUST TONY JONES.
CHLOE: I SAW YOU COMING.
ARE U IMPRESSED?
CARLY: I -- I GOT TO SEE YOU.

SONNY: YOU ALL RIGHT?
CARLY: YEAH, I JUST GOT
TO TALK TO YOU.
SONNY: WHAT'S WRONG WITH YOU?
IT'S COLD OUT HERE.
HOW LONG HAS SHE BEEN WAITING?
YOU COULDN'T OFFER HER A CHAIR?
JOHNNY: MY INSTRUCTIONS WERE
NEVER TO L HER --
SONNY: WELL, YOUR
INSTRUCTIONS ARE CHANGED
AS OF NOW.
YOU DON'T -- YOU DON'T KEEP
A PREGNANT LADY STANDING
IN THE HALL.
YOU GET WHAT I'M SAYING?
JOHNNY: GOT IT.
SONNY: OK.
JOHNNY: SORRY.
SONNY: DON'T LET IT HAPPEN
AGAIN.
SONNY: WHY DIDN'T
YOU TELL HIM?
CARLY: HE'S GOING
TO BELIEVE ME?
I DON'T HARDLY BELIEVE IT
MYSELF YET.
SONNY: YOU WANT SOME HOT
CHOCOLATE?
HOT TEA?
CARLY: NO.
I WANT SOMETHING, BUT I NEED
A LOT MORE THAN THAT.
SONNY: WELL, YOU'RE NOT GOING
TO DRINK ALCOHOL, I'LL TELL
YOU THAT RIGHT --
CARLY: I'M NOT TALKING ABOUT
A COCKTAIL.
I COULDN'T KNOCK ONE BACK
IF I WANTED TO.
I'M JUST TIRED, YOU KNOW?
I'M TIRED, MAN, YOU KNOW?
I'M BONE TIRED.
DO YOU KNOW WHAT I'M SAYING?
SONNY: YOU WANT TO
STRETCH OUT?
CARLY: NO, I WANT --
I NEED SOME PEACE OF MIND.
WHERE DO I GO TO GET THAT?
SONNY: WELL, YOU CAME HERE.
CARLY: YEAH, IT'S HILARIOUS,
RIGHT?
THAT JUST GOES TO SHOW YOU HOW
DESPERATE I AM.
LOOK, YOU'RE THE ONE WHO TOLD ME
I SHOULD TAKE CARE OF MYSELF,
RIGHT?
SONNY: YEAH.
CARLY: HOW AM I SUPPOSED
TO DO THAT WHEN I'M BEING
ATTACKED ON ALL FRONTS?
SONNY: I'M NOT ATTACKING YOU.
CARLY: YOU ARE ATTACKING ME.
YOU'RE TRYING TO TAKE MY CHILD
FROM ME.
SONNY: AWAY FROM
THE QUARTERMAINES.
CARLY: SONNY, IF I LEAVE
THE QUARTERMAINES, THEN THEY'RE
GOING TO FIGHT ME FOR MICHAEL.
AND IF I STAY WITH THEM,
THEN YOU'RE GOING TO FIGHT ME
FOR THE BABY.
WHAT THE HECK AM I SUPPOSED
TO DO?
TEAR MYSELF IN HALF OR --
YOU KNOW --
SONNY: YOU KNOW WHAT?
YOU SHOULDN'T EVEN TALK LIKE
THAT.
CARLY: I'M BEING YANKED
IN A ZILLION DIFFERENT
DIRECTIONS.
CARLY: I DON'T KNOW.
I DON'T KNOW WHAT TO DO.
SONNY: WELL, YOU NEED TO CALM
DOWN IS WHAT YOU SHOULD DO.
CARLY: WHAT, WOULD I CALM
DOWN AND DECIDE WHICH BABY
I WANT TO KEEP?
I'M NOT GOING TO GIVE UP
ON MY KIDS.
YOU KNOW, SOMEBODY'S GOING
TO HAVE TO CUT ME A BREAK.
SONNY: SO YOU WANT IT
TO BE ME?
CARLY: I WANT -- I WANT
YOU TO COME UP WITH AN IDEA.
YOU KNOW, I WANT YOU TO COME UP
WITH SOME SUGGESTIONS.
I HAVEN'T HEARD ONE THING,
NOT ONE THING THAT WORKS
FOR EVERYBODY.
YOU KNOW, IT WORKS FOR YOU,
WORKS FOR THE QUARTERMAINES.
DOESN'T WORK FOR ME AND MY KIDS.
YOU SAY YOU LOVE MICHAEL.
WHAT DO YOU WANT ME TO DO, THEN?
YOU WANT ME TO ABANDON MY SON?
"I'M SORRY, MICHAEL, BYE-BYE.
MOMMY'S GOT TO GO"?
SONNY: YOU'RE GOING TO MAKE
YOURSELF SICK, CARLY.
CARLY: SO WHAT DO I DO,
SONNY?
SONNY: I DON'T KNOW.
WE'RE GOING TO FIGURE IT OUT.
BUT YOU CAN'T GO TO PIECES.
THAT'S NOT GOING TO HELP.
I MEAN, YOU KNOW, YOU LOOK
EXHAUSTED.
I MEAN, HAVE YOU EATEN?
CARLY: I HAD A SCONE TODAY.
YOU KNOW, THIS AFTERNOON,
THIS MORNING OR SOMETHING.
SONNY: WELL, I'LL MAKE
YOU SOMETHING.
CARLY: YOU'RE GOING TO COOK
FOR ME NOW?
SONNY: WHAT, YOU GOT
A PROBLEM WITH THAT?
CARLY: BESIDES DISBELIEF, NO.
SONNY: OK, WELL,
RELAX, LIE DOWN, CLOSE
YOUR EYES.
I'LL BE BACK IN A LITTLE BIT.

MAC: I'M IN THE MIDDLE
OF SOMETHING, BOBBIE.
BOBBIE: MAC, THIS CAN'T WAIT.
MAC: FINE.
TAKE A SEAT.
I'LL BE WITH YOU IN A SECOND.
BOBBIE: MAC --
HOW MANY YEARS HAVE WE BEEN
FRIENDS?
AND HOW MANY TIMES HAVE I SAID
"RIGHT NOW"?
THIS IS REALLY IMPORTANT, OK?
IT WON'T TAKE VERY LONG.
MAC: FINE. FINE.
DON'T MOVE.
COME WITH ME.
MAC: WHAT'S SO IMPORTANT?
BOBBIE: MAC, I REALLY
RESPECT YOU.
YOU ARE A VERY FAIR AND VERY
HONEST MAN.
AND I UNDERSTAND THAT YOU'RE
UPSET RIGHT NOW, BUT YOU'RE
RIDING OFF THE RAILS.
MAC: THAT'S YOUR URGENT
BUSINESS?
BOBBIE: WELL, YEAH.
WELL, WHAT WOULD YOU DO
IF YOU CAME TO THE HOSPITAL
AND YOU SAW ME ACTING
IRRATIONALLY?
MAC: THAT'S NOT YOUR CALL,
BBIE.
BOBBIE: WELL, WOULD YOU SHRUG
AND WALK AWAY, OR WOULD YOU PULL
ME ASIDE AND TRY TO CALM ME
DOWN?
MAC: I AM INTERROGATING
A SUSPECT.
BOBBIE: YOU'RE BADGERING
LUKE'S PARTNER BECAUSE YOU'RE
ANGRY WITH LUKE.
MAC: I AM -- DiLUCCA IS
AN EX-CON WHO IS INVOLVED
IN SUSPICIOUS --
BOBBIE: WHO ALSO HAPPENS
TO BE LUKE'S BEST FRIEND.
AND YOU THINK YOUR WIFE IS OFF
WITH LUKE, SO WHAT YOU'RE DOING
IS YOU'RE TAKING THAT OUT
ON ROY.
MAC: NO, BOBBIE.
YOU SEE, I DON'T "THINK."
I KNOW.
FELICIA CALLED.
SHE ADMITTED BEING WITH LUKE.
AND I ASKED HER TO COME HOME.
AND YOU KNOW WHAT SHE SAID,
BOBBIE?
SHE SAID NO.
BOBBIE: I'M SORRY, MAC.
LOOK, I KNOW YOU'RE HURTING.
ANYBODY WOULD BE IN YOUR PLACE.
BUT, WELL, TRY NOT TO JUMP
TO CONCLUSIONS, AS LEAST UNTIL
WE KNOW THE WHOLE STORY.
MAC: YOU WANT ME TO WAIT
FOR ALL THE DETAILS OF MY WIFE'S
AFFAIR?
THANK YOU VERY MUCH, BUT I THINK
I'LL SKIP THAT.
BOBBIE: WELL, MAC,
THERE COULD BE A VERY GOOD
EXPLANATION.
MAC: WHAT?
WHAT COULD THAT BE?
BOBBIE: LOOK, I'M NOT
DEFENDING FELICIA OR LUKE.
I'M JUST SAYING WHY DON'T
YOU WAIT, AND WE'LL SEE
IF THERE'S SOMETHING THAT CAN
EXPLAIN THE WHOLE MESS.
MAC: YOU KNOW WHAT?
IF YOU WANT TO STICK AROUND
FOR THE BIG EXPLANATION,
THAT'S FINE.
YOU DO I
BOBBIE: WELL, THEN WHAT ARE
YOU GOING TO DO, HUH?
WHAT ARE YOU DOING?
YOU'RE TURNING INTO SOMEBODY
WE DON'T KNOW, SOMEBODY WHO'S
ABUSING HIS POWER.
THAT IS NOT THE MAC I KNOW.
MAC: NO, IT DIDN'T USE TO BE.
BOBBIE: IT ISN'T NOW.
MAC: I'VE GOT TO GO BACK.
MAC: I HAVE NOTHING TO CHARGE
YOU WITH.
BUT I'M GOING TO BE WATCHING
YOU AND YOUR PAL.
YOU CROSS THE LINE,
DiLUCCA, YOU'RE MINE.
ROY: I'M CLEAR ON THAT.
BOBBIE: I HOPE EVERYTHING
TURNS OUT THE WAY YOU WANT
IT TO.
MAC: DON'T COUNT ON IT.
I'M NOT.

FELICIA: WHY DO YOU THINK
HELENA WOULD BRING LUCKY
SO CLOSE TO HOME?
LUKE: I DON'T KNOW.
MAYBE SHE'S TIRED OF
THE COMMUTE.
FELICIA: DO YOU THINK LUCKY
KNOWS WHERE HE IS?
LUKE: I DOUBT IT.
FELICIA: WELL, THE CARETAKER
SAID THAT HE HEARD THE GUARD
TELL LUCKY THAT THEY WERE ALMOST
HOME.
LUKE: YEAH, BUT I THINK
IF MY KID KNEW HE WAS ONLY
40 MILES FROM PORT CHUCK,
HE'D BE RUNNING INSTEAD
OF PLAYING ALONG.
FELICIA: YOU REALLY THINK
THAT'S WHAT'S HAPPENING?
LUKE: YES, I DO.
THERE'S NOT MUCH POINT
IN HIS FIGHTING WITH ALL THESE
GUARDS AROUND, SO MY INSTINCT IS
THAT HE'S PROBABLY LAYING LOW
AND WAITING FOR A CHANCE
TO BOLT.
AND WE'RE GOING TO GIVE HIM THAT
CHANCE.
ALL RIGHT, I'M GOING TO CHECK
THE AREA, SEE IF I CAN GET ANY
PATTERN ON THE GUARD'S PATROLS.
YOU KEEP AN EYE OUT,
SEE IF YOU CAN GET A HEAD COUNT.
FELICIA: OK.
LUKE: OK?
BE CAREFUL.
FELICIA: NO PROBLEM.

TONY: WELL, I SAY THAT
YOU ARE RIGHT TO BE ENTHUSIASTIC
BECAUSE PERCEIVING LIGHT
AND DARK IS A QUANTUM LEAP.
CHLOE: IT'S THE FIRST STEP
TO GETTING MY SIGHT BACK, RIGHT?
TONY: POSSIBLY.
JAX: POSSIBLY.
WHY CAN'T IT JUST BE YES?
TONY: WELL, BECAUSE WE HAVE
A LOT OF VARIABLES TO WORK
WITH -- THE BONE FRAGMENTS THAT
MAY CONTINUE TO SHIFT,
RESIDUAL PRESSURE ON THE OPTIC
NERVES -- SO I STILL CAN'T
COMPLETELY RULE OUT SURGERY.
CHLOE: BUT I MIGHT GET THERE
ON MY OWN, RIGHT?
TONY: LET ME PUT IT THIS
WAY -- I'M PLEASED WITH
YOUR PROGRESS.
I'M OPTIMISTIC.
I JUST WANT TO MONITOR
YOU CLOSELY.
CHLOE: SO CLOSELY I CAN'T
LEAVE TOWN?
TONY: HOW LONG WOULD YOU WANT
TO BE AWAY?
CHLOE: AS LONG AS POSSIBLE.
I'M SUDDENLY FASCINATED
WITH ALASKA.
I HEAR IT'S MAGICAL THIS TIME
OF YEAR.
TONY: WELL, I SUPPOSE AS LONG
AS YOU DIDN'T GET IN ANY
DOG SLED RACES, I DON'T SUPPOSE
IT'D BE ANY HARM.
JAX: WELL, YOU KNOW, IT'LL BE
THERAPEUTIC, IN MY MEDICAL
OPINION.
TONY: AND I ASSUME YOU'RE NOT
GOING ALONE.
CHLOE: I WOULD BE WITH A VERY
ATTENTIVE COMPANION.
TONY: WHO WILL MAKE SURE THAT
YOU TAKE CARE OF YOURSELF?
JAX: OH, I'M SURE HE WILL.
TONY: UH-HUH.
WELL, THEN I SAY GO.
HAVE FUN IN MODERATION.
AND THEN COME BACK IN AND SEE ME
WHEN YOU GET BACK.
CHLOE: THANK YOU, DR. JONES.
JAX: THANKS, TONY.
TONY: OK.
JAX: WELL, REALLY GOT
YOU SOLD ON ALASKA, HAVEN'T I?
CHLOE: HAVEN'T YOU NOTICED?
YOU'VE GOT ME SOLD, PERIOD.

ALEXIS: HI.
NED: HI.
ALEXIS: WHAT'S GOING ON?
NED: I DON'T KNOW.
I JUST GOT A MESSAGE FROM JAX.
ALEXIS: I KNOW.
MEET HIM HERE ASAP.
NED: I HOPE IT'S GOOD NEWS.
ALIS: SO DO I, BELIEVE ME.
NED: SOUNDS LIKE YOU ALSO HAD
A BANNER DAY.
ALEXIS: OH. YOU FIRST.
NED: NOTHING TRAGIC.
ALEXIS: WELL, THAT SOUNDS
LIKE WHAT YOU'D SAY WHEN
YOU DON'T WANT ME TO KNOW
THE DETAILS.
NED: NOTHING TRAGIC IS
A BAND.
ALEXIS: OH. GREAT NAME.
NED: GREAT BAND.
AND WE ALMOST SIGNED THEM.
BUT THEY WENT WITH ANOTHER
LABEL.
ALEXIS: OH, HONEY, I SURE
YOU'LL FIND ANOTHER BAND.
NED: HOPEFULLY VERY SOON.
OTHERWISE L&B WILL STAND
FOR "LOST AND BROKE."
BUT DON'T SAY ANYTHING TO CHLOE.
SHE DOESN'T NEED ANY MORE CAREER
PRESSURE.
ALEXIS: OH, WOULDN'T IT BE
GREAT IF SHE COULD FIND SOME WAY
TO START DESIGNING AGAIN?
NED: YES, IT'D BE FANTASTIC.
BUT SHE HAS WEIGHTIER ISSUES
TO DEAL WITH THAN TURNING THIS
SHIP AROUND.
YOUR TURN.
ALEXIS: YOU DON'T EVEN WANT
TO KNOW.
NED: OH, I GUESS THAT MEANS
STEFAN OR SONNY.
ALEXIS: YOU KNOW,
BEING SONNY'S ATTORNEY IS
A FULL-TIME, FULL-SERVICE JOB.
IT'S NOT ONLY CUSTODY AND RICO
VIOLATIONS, BUT THE POLICE ARE
TARGETING ALL THE MEN THAT WORK
FOR HIM.
NED: YOU KNOW, I HAVE A QUICK
FIX TO THE SONNY PROBLEM,
BUT I DON'T THINK YOU WANT
TO HEAR IT.
ALEXIS: I'D MUCH RATHER YOU'D
DO THIS -- WOULD YOU RUB
MY BACK?
JAX: LADIES AND GENTLEMAN,
ALLOW ME TO INTRODUCE
THE AMAZING, UNSTOPPABLE CHLOE.
ALEXIS: OH, YES.
CHLOE: NO, NO, NO.
NO APPLAUSE, PLEASE.
NOT UNTIL YOU'VE SEEN
THE DEMONSTRATION.
MY ASSISTANT WILL SET THE STAGE.
JAX: YES.
CHLOE: YEAH?
JAX: HERE WE GO.
CHLOE: OH, THE LIGHTS JUST
WENT OFF.
AND THERE ARE LIGHTS RIGHT
IN FRONT OF ME.
AND THEY JUST WENT OFF.
AND THEY JUST WENT BACK ON.
ALEXIS: EXCELLENT!
I KNEW YOU COULD DO IT.
THIS IS GREAT!
CHLOE: OH, NO, I'M NOT
THERE YET.
NED: I'M SO PROUD OF YOU.
ALEXIS: YOU'RE DOING REALLY
WELL!
WE'RE PROUD OF YOU.
NED: UNBELIEVABLE, FANTASTIC.
JAX: YEP, TODAY, YOU KNOW,
LIGHT AND DARK.
AND TOMORROW WHO KNOWS?

ELIZABETH: AM I TOO EARLY?
AUDREY: OH, HI.
OH, I'M RUNNING A LITTLE LATE.
ARE YOU STARVING?
ELIZABETH: NO. NO, NO, NO.
TAKE YOUR TIME.
I'LL JUST WAIT OVER THERE.
AUDREY: OH, GOOD.
ALL RIGHT.
LAURA: ELIZABETH.
IT IS YOU.
MY GOODNESS.
YOU LOOK SO SOPHISTICATED.
ELIZABETH: OH, WELL,
THANK YOU.
I HAVE A NEW JOB.
I'M CHLOE MORGAN'S NEW
ASSISTANT.
LAURA: OH.
DID SHE GO BACK TO WORK ALREADY?
ELIZABETH: NOT EXACTLY.
BUT WHEN SHE IS SHE'S GOING
TO BE STARTING OVER
FROM SCRATCH, SO SHE CAN'T LOSE
TRACK OF HER CLIENTS.
LAURA: WELL, IT'S VERY SMART
OF HER TO HIRE SOMEONE AS POISED
WITH PEOPLE AS YOU ARE.
WHAT?
SOMETHING I SAID?
ELIZABETH: WELL -- "POISED."
IT'S NOT HOW I THINK OF MYSELF.
LAURA: REALLY?
I THINK YOU'VE GROWN UP SO MUCH
SO QUICKLY.
IT'S JUST AMAZING
HOW QUICKLY THINGS CHANGE.

BOBBIE: SO, ONCE AGAIN,
YOU DIDN'T SNAP MY HEAD OFF
FOR MEDDLING IN YOUR PRIVATE
AFFAIRS.
SO AREN'T YOU CONCERNED THAT
THIS IS GOING TO BECOME A HABIT?
ROY: YOU MEDDLING OR
ME BEING SQUEEZED
BY THE LAW?
BOBBIE: BOTH, I GUESS.
ROY: WELL, YOU ALWAYSS HAD
A TENDENCY TO STICK
YOUR NOSE IN.
BOBBIE: OH.
THANK YOU.
WELL, YOU ALWAYSS HAD A RECKLESS
STREAK, SO NOTHING'S CHANGED.
ROY: A LOT HAS CHANGED.
BOBBIE: OH. OK.
WHAT'S CHANGED FROM YOUR POINT
OF VIEW?
ROY: YOU'RE A NURSE,
YOU'RE A MOTHER --
BOBBIE: NO, NO, NO, NO.
I DIDN'T MEAN ME.
I MEANT YOU.
WHAT'S THE DIFFERENCE BETWEEN
NOW AND THEN?
ROY: I'M NOT ON THE FAST
TRACK TO PENTONVILLE.
BOBBIE: YOU NEVER THOUGHT
YOU WERE.
ROY: BUT THIS TIME I'M
REALLY NOT.
MY SITUATION IS DIFFERENT.
BOBBIE: WELL, NOT FROM WHAT
I CAN SEE.
ROY: WELL, THAT'S
BECAUSE YOU CAN'T SEE THE BIG
PICTURE.
BOBBIE: OH, REALLY?
ROY: YEAH.
BOBBIE: OH.
WELL, THAT'S WHAT YOU SAID
20 YEARS AGO.
ROY: YOU GOT TO TRUST ME.
BOBBIE: ANOTHER THEME
FROM THE PAST.
ROY: BOBBIE,
YOU SHOULD TRUST ME.
I'M ASSOCIATED WITH PEOPLE NOW
WHO HAVE THE POWER TO KEEP ME --
THEY'VE GOT MY BACK,
SO TO SPEAK.
BOBBIE: OK.
I KNOW SONNY'S VERY LOYAL
AND HE HAS CONTACTS, BUT DO
YOU REALLY THINK HE'S GOING
TO HELP YOU WHEN HE FINDS OUT
YOU'RE HANNAH'S FATHER?
ROY: THAT'S WHY HE CAN'T
KNOW.
BOBBIE: SO ANOTHER WHOLE HUGE
PART OF YOUR LIFE HAS TO STAY
IN THE SHADOWS.
YOU HAVE TO WATCH EVERYTHING
YOU SAY AND DO.
DO YOU WANT TO LIVE LIKE THAT?
ROY: NO, I DON'T.
BUT RIGHT NOW I HAVE TO.

CARLY: I'VE ALWAYS HATED
FISH.
SONNY: NOW YOU TELL ME.
CARLY: NO, I MEAN, I'VE
NEVER HAD SMOKED SALMON
BEFORE -- IN AN OMELETTE,
ESPECIALLY.
IT'S REALLY GOOD.
IT'S DELICIOUS, ACTUALLY.
THANK YOU.
SONNY: NO BIGGIE.
YOU KNOW, YOU NEED PROTEIN.
IT WAS QUICK.
YOU FEELING BETTER?
CARLY: ABOUT SMOKED SALMON?
YEAH, SURE.
FUTURE STILL LOOKS KIND
OF BLEAK, THOUGH.
SONNY: THEN WHY NOT --
WHY NOT STOP OBSESSING ABOUT
THE FUTURE AND CONCENTRATE
ON THE HERE AND NOW?
CARLY: WHAT SHOULD I DO,
SONNY?
WHAT, DO YOU THINK I SHOULD
BUILD MYSELF A NICE, SAFE PLACE
BETWEEN YOU ON ONE SIDE
AND THE QUARTERMAINES
ON THE OTHER SIDE?
SONNY: WOULD YOU STOP LUMPING
ME WITH THE QUARTERMAINES?
I'M NOTHING LIKE THEM.
CARLY: YEAH, YOU'RE BOTH
TRYING TO TAKE MY BABY
FROM ME, SO --
SONNY: I'M NOT TRYING TO TAKE
ANYTHING.
I'M JUST DEMANDING THAT,
YOU KNOW, I HAVE A RIGHT TO BE
IN MY OWN BABY'S LIFE.
I GREW UP WITHOUT A FATHER.
I'M NOT GOING TO DO THAT
TO MY OWN KID.
CARLY: YEAH, WELL, I GREW UP
WITHOUT A FATHER, TOO.
MY ADOPTIVE FATHER TOOK
OFF, SO --
SONNY: SO WHAT ARE
YOU SAYING, THAT YOU TURNED OUT
ALL RIGHT?
CARLY: WHAT ARE YOU SAYING,
THAT A MOTHER IS EXPENDABLE?
SONNY: NO.
CARLY: ONLY IF SHE'S ME,
RIGHT?
SONNY: I DIDN'T SAY THAT.
CARLY: NO, YOU DID SAY THAT.
YOU KNOW WHAT?
YOU'VE SAID THAT MANY,
MANY TIMES.
SONNY: ALL RIGHT.
YOU KNOW WHAT?
CARLY: WHAT?
SONNY: I TAKE IT BACK.
I'M NOT GOING TO TAKE YOUR BABY
FROM YOU.

CARLY: THAT LAST THING,
CAN I HAVE THAT IN WRITING?
SONNY: CAN YOU LISTEN
TO MY SIDE FOR FIVE SECONDS?
YOU'RE GOING TO GIVE BIRTH
TO MY ONE AND ONLY CHILD.
DO YOU WANT ME TO PRESS MY NOSE
TO THE QUARTERMAINE GATES
AND WATCH WHILE THEY RAISE
MY KID?
CARLY: FINE.
THEN YOU NEED TO GET ME OUT
OF THERE.
THE HITCH IS WITH MICHAEL.
CAN YOU DO THAT?
[KNOCK ON DOOR]
JOHNNY: HE SAYS HE HAS
TO TALK --
EDWARD: HOW PREDICTABLE
OF YOU TO SWOOP DOWN ON THIS
GIRL THE MOMENT MY BACK IS
TURNED.
ARE YOU ALL RIGHT, DEAR?
CARLY: I'M FINE, EDDIE.
I WAS JUST GETTING SOME --
EDWARD: NO, NO, YOU DON'T
NEED TO EXPLAIN.
COERCION IS WHAT SONNY DOES
BEST.
SONNY: EDWARD, YOU GOT TWO
CHOICES -- YOU EITHER LET
YOURSELF OUT OR WAIT TILL YOU'RE
TAKEN OUT.
EDWARD: OH, I HAVE NO WISH
TO LINGER HERE.
I ONLY CAME TO BRING YOU THIS.
AS YOU CAN SEE, IT'S
A RESTRAINING ORDER KEEPING
YOU 50 FEET AWAY FROM CARLY.

BOBBIE: SO, NOT TO RUB IT IN,
BUT I THINK I WON.
ROY: WE WERE HAVING
A CONTEST?
BOBBIE: NO, WE WERE HAVING
OPPOSING POINTS OF VIEW.
YOU THINK EVERYTHING'S
DIFFERENT, AND TO ME
EVERYTHING FEELS THE SAME.
ROY: YEAH, I KNOW.
IT'S ALL --
IT'S ALL TRASH.
IT'S BAD.
EVERYTHING, IT'S ALL BAD,
IT'S ALL GOING TO BE BAD.
I GUESS EVENTUALLY IT'LL TURN
INTO WHATEVER IT'S SUPPOSED
TO TURN INTO.
AT LEAST YOUR WHOLE WORLD ISN'T
HANGING ON MINE THIS TIME.
YOU DON'T HAVE TO CARE.
YOU HAVE THE SHELTER OF A LITTLE
DISTANCE.
BOBBIE: ROY, I DON'T HAVE
TO CARE, NO.
AND MAYBE I SHOULDN'T, BUT
I CAN'T HELP IT.
I DO.

JAX: HERE'S TO CHLOE,
WHO REFUSED TO GIVE UP.
CHLOE: AND TO THE PEOPLE WHO
REFUSED TO LET ME.
TO THE MAN I ADORE MORE THAN
CHOCOLATE AND TO THE DEAREST
FRIENDS IN THE WORLD.
NED: TO TURNING THE TIDE.
ALEXIS: TO ULTIMATE TRIUMPH.
JAX: TO DRINKING THIS BEFORE
IT GOES FLAT.
ALEXIS: GOOD IDEA.
THIS IS GOOD.
JAX: OH, YEAH.
CHLOE: OH, MY GOD.
JAX: CHLOE?
CHLOE: OH, MY GOD. MY HEAD --
JAX: WHAT'S WRONG?
ALEXIS: WHAT'S WRONG?
JAX: HEY --
CHLOE: OH, MY --
OH, MY GOD.

LAURA: I HOPE YOU HAVEN'T
GIVEN UP ON ART SCHOOL.
ELIZABETH: OH, NO.
NO, BUT IT MAY GIVE UP ON ME.
LAURA: OH, LIKE ALL GREAT
ARTISTS, YOU MAY BE AHEAD
OF YOUR TIME.
ELIZABETH: WELL, TOO BAD
van GOGH DIDN'T OPT
FOR THE CLOTHING BIZ.
COULD'VE SAVED HIM AN EAR.
I NEVER THOUGHT I'D LAUGH AGAIN.
LAURA: I KNOW.
NEITHER DID I.
ELIZABETH: YOU FEEL LIKE
YOU CAN'T GO ON, AND THEN
SOMEHOW YOU JUST DO.
HOW DOES THAT HAPPEN?
LAURA: WE GROW, I THINK.
ELIZABETH: SO THE PERSON
I WAS A YEAR AGO TRANSFORMED
INTO SOMEBODY ELSE?
LAURA: NO.
STILL ELIZABETH, BUT OLDER
AND WISER.
I MEAN IT.
I AM REALLY IMPRESSED.
AND I THINK THAT LUCKY WOULD
HAVE BEEN, TOO.

LUKE: OK.
THAT'S ONE INSIDE AND TWO OUT.
IT'S NOT GOING TO GET ANY BETTER
THAN THIS.
FELICIA: OK, LET'S DO IT.
LUKE: HOLD ON.
SOMEBODY'S MOVING.
FELICIA: THE WINDOW.
LUKE: IT'S LUCKY.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

CHLOE: OH, MY HEAD -- JAX --
ALEXIS: OH, WAIT --

EDWARD: COME ON, MY DEAR.
LET'S GO.

LAURA: I JUST CAN'T HELP
WONDERING WHAT HE WOULD HAVE
LOOKED LIKE NOW.

LUKE: HE'S ALIVE.
HE'S RIGHT THERE.
FELICIA: WHAT DO YOU WANT
TO DO?
LUKE: WE'RE GETTING HIM OUT
OF THERE.

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