GH Transcript Wednesday 12/15/99

 

General Hospital Transcript Wednesday 12/15/99

Provided by Laura

[TELEPHONE RINGS]
ALEXIS: ALEXIS DAVIS.
HELLO?
ALEXIS: UH, JAX --
THIS CALL --
IT'S A LITTLE STRANGE.
JAX: IT'S JAX.
WHERE ARE YOU?
NO SLIP-UPS, NOTHING UNEXPECTED?
NO, NO, NO, NO.
DON'T TELL ME WHERE YOU'RE
GOING.
JUST BE CAREFUL WHEN YOU GET
THERE.
YEAH, YEAH.
WE'RE ALL DOING FINE.
BUT, LISTEN, YOU CAN'T CALL HERE
ANYMORE, OK?
AT LEAST NOT FOR A WHILE.
ALL RIGHT, WELL, KEEP MOVING.
AND WATCH YOUR BACK, OK?
JAX: IT WAS A WRONG NUMBER.
EMILY: I CAN'T BELIEVE THIS
PLACE IS GOING TO BE A RECORDING
STUDIO SOON.

JUAN: WELL, THANKS TO ME.
I OFFICIALLY DISCOVERED
THE SPACE FOR L&B CORPORATE
HEADQUARTERS.
CHLOE: SO I NEED TO HAVE TWO
ROOMS UPSTAIRS FOR DESIGNS
AND THE BIG SQUARE ONE
FOR FITTINGS.
NED: WHERE DOES THAT LEAVE
STORAGE SPACE?
CHLOE: HMM.
WHAT ABOUT THE LITTLE ROOM
TO THE LEFT OF THE STAIRS?
JUAN: SOUNDBOARD.
EMILY: GUITARS.
JUAN: AASS.
EMILY: HMM, DRUMS
AND SINGERS.
JUAN: BACKGROUND SINGERS.
NED: I'LL MAKE SURE
EVERYTHING'S UP TO CODE.
CHLOE: AND THE LIGHTING
UPSTAIRS HAS GOT TO BE FULL
SPECTRUM.
THAT'S REALLY THE ONLY WAY I CAN
SEE COLOR.
JUAN: VIDEO SCREENS.
EMILY: COFFEE AND DOUGHNUTS.
JUAN: STRONG COFFEE.
MOST RECORDING SESSIONS RUN ALL
NIGHT LONG.
EMILY: YEAH.
WE'LL PROBABLY NEED EXTRA
DOUGHNUTS.
JUAN: EXECUTIVE
VICE-PRESIDENT'S OFFICE.
MITANG EIS]
THANK YOU
THANK YOU VE MUSIC
EMILY: OH, VIS!
NED: ELS?
JUAN! [NORMAL VOICE]
SO, WHAT DO YOU WANT TO DO HERE?
I'VE GOT SOME IDEAS ABOUT
THE SOUND BOARD.
NED: I THINK YOU'D BETTER
CHECK OUT THE CLEANING SUPPLIES.
THIS PLACE STILL SMELLS LIKE
LAST WEEK'S CASSOULET.
JUAN: SURE.
NO PROBLEM.
EMILY: WELL, I GUESS WE'RE
GOING TO GO UPSTAIRS, THEN.
JUAN: WHAT'S CASSOULET?
NED ON ALEXIS SHS UP
TH T PAPERWORK AND WSIGN
THE OTTELINE-
CHLOE B RERDS D CHE
MORGAN DESIGNS WILL BE
A BRILLIANT MATCH.
NED: YES, FROM A BUSINESS
STANDPOINT.
BUT ARE YOU REALLY READY TO,
YOU KNOW, WORK WITH ME?
CHLOE: I --
NED: HOUR BY HOUR?
CHLOE: CANNOT IMAGINE
A MORE PERFECT PARTNER THAN
MY DEVOTED, LOVING,
AND COMPLETELY UNFAITHFUL
HUSBAND.
NED: OH.
YOU'RE A WIFE AFTER MY OWN
HEART.

EDWARD: HEY.
WHY ISN'T THAT TREE DECORATED?
ALAN: IN OTHER WORDS,
GOOD MORNING, ALL.
EDWARD: AM I THE ONLY ONE
IN THIS HOUSE WHO REALIZES THAT
IT'S ALMOST CHRISTMAS?
MONICA: OH, THAT'S WHY
THERE'S A TREE IN THE DEN.
EDWARD: YES, YOU GO AHEAD.
MOCK EVERYTHING THAT MATTERS
IN THIS FAMILY.
ALAN: IT WAS A JOKE, FATHER.
EDWARD: LOOK, THIS IS
MICHAEL'S FIRST CHRISTMAS
IN THIS HOUSE, AND BY GOD,
WE'RE GOING TO GET IT RIGHT.
I WANT EVERYONE HERE THIS
AFTERNOON TO DECORATE THAT TREE,
THEN NEXCEIONS
A.J. M BOED A DAY
EDWARD: RENALDI,
TELL COOK THAT WE NEED SOME
MULLED WINE AND SOME OF THOSE
SILLY CHRISTMAS COOKIE THINGS
THAT SHE ALWAYS BAKES
AND WHATEVER MICHAEL WANTS.
A.J.: WHAT'S THE RUSH?
IT'S NEARLY TWO WEEKS TILL
CHRISTMAS.
EDWARD: OH, THAT'S RIGHT.
YOU PROCRASTINATE.
THAT'S JUST WHAT I'M LOOKING
FOR IN A C.E.O.
MONICA: BACK OFF, EDWARD.
A.J.: IT'S OK.
I CAN HANDLE IT.
EDWARD: SURE, JUST LIKE
YOU HANDLED THE DYNATECH
DISASTER
ALAN: WELL, I WOULD LOVE TO
SPEND THE AFTERNOON WITH YOU,
FATHER, BUT UNFORTUNATELY I'VE
GOT A WHOLE LOAD OF PARS I'VE
GOT TO WADE THROUGH BEFORE
I TAKE OVER AS CHIEF OF STAFF.
MONICA: EXCUSE ME.
ARE YOU SAYING THAT I MADE
A MESS OF THINGS?
ALAN: NO, I'M NOT SAYING
THAT.
MONICA: I MEAN, YOU ALWAYS
HAVE TO QUALIFY A COMPLIMENT.
ALAN: WAIT A MINUTE.
MONICA: THE FACT THAT I TOOK
OVER THE JOB TO KEEP ANYBODY
ELSE FROM TAKING IT AWAY
FROM YOU --
ALAN: YOU KNOW WHAT?
ANYBODY IN THIS TOWN COULD HAVE
BOUGHT BETTER OFFICE SOFTWARE
THAN YOU DID.
MONICA: JUST BECAUSE
YOU DON'T KNOW HOW TO USE
A COMPUTER --
ALAN: YOU CAN'T FIND
E REDENTIN THERE.
MONICA: WHILE YOU RON I
TRYING TO CLEAN THE MESS YOU'VE
OBVIOUSLY MADE, I'M GOING TO BE
IN SURGERY ALL DAY.
EDWARD: SO, WHO DOES THAT
LEAVE?
LILA AND MICHAEL?
A.J.: WELL, WHAT ABOUT YOU?
EDWARD: WELL, NO.
NOW, SOME PEOPLE HAVE TO WORK
FOR A LIVING.
MONICA: NOT ALL.
CARLY.
WHAT ARE YOU GOING TO BE DOING
TODAY?
EDWARD: CARLY AND A.J. ARE
HAVING LUNCH WITH THE
DYNATECH C.E.O.
A.J.: NO, NO, NO, NO, NO.
I AM. CARLY ISN'T.
EDWARD: SHS YO ONL
CHAN TO VE TT DE.
ALAN: HOW DO YOU EXPECT
PEOPLE TO DO GOOD WORK WHEN
YOU ALWAYS INSU THE
MONICA: NOW YOU'RE SAYING
THAT A.J. IS NOT DOING GOOD
WORK?
A.J.: IT'S JUST CALLED DAMAGE
CONTROL.
EDWARD: YOU DON'T STAND
A CHANCE WITHOUT HER HELP.
ALAN: IS IT IMPOSSIBLE
FOR YOU TO SUPPORT ANYBODY
IN THIS FAMILY?
MONICA: YOU'RE SUCH A FINE
EXAMPLE.
EDWARD: WHAT IS SO DIFFICULT
ABOUT A MAN REALIZING --
A.J.: IT'S MY DEAL.
ALAN: DON'T YOU START
WITH ME.
MONICA: YOU SHOULDN'T HAVE
STARTED WITH ME --
ALAN: DON'T YOU START
WITH ME.
EDWARD: IF N WERE HERE
THIS WOULDN'T HAVE HAPPENED.
ALAN: THE SOFTWARE OULDT
HA GOT IN THE THING AWRY-
WARD ES NOBODY HERE
ABOUT CHRISTMAS IN THIS HOUSE?
CARLY: HO, HO, HO.
ALAN: IT'S YOU I DON'T CARE
ABOUT.
EDWARD: NOW, LOOK.

[KNOCK ON DOOR]
BOBBIE: HEY, LUKE?
ROY: HEY.
BOBBIE: OH.
DON'T TELL ME YOU LET LUKE DUMP
THE BOOKS ON YOU.
ROY: UH --
YEAH, AND IT AIN'T PRETTY.
BOBBIE: IS HSTILTRYI
TO FURE T HOTO WITH
AFTER FELICIA?
ROY: YEAH, BUT NOT THIS
MINUTE.
BOBBIE: ROY, YOU WANT TO TELL
ME WHERE MY BROTHER IS?
RO KE -LUKE
ISN JA.
[CELL DOOR OPENS]
TAGGERT: WELL, SO MUCH
FOR TEACHING HIM A LESSON.
MAC: HAVE YOU CALLED
INTERPOL?
TAGGERT: I'M ON MY WAY.
LUKE: I DIDN'T --
WHAT?
OH.
DID YOU FIND HER?
MAC: WHAT DO YOU THINK?
LUKE: DID YOU LOOK?
MAC: YOU READY TO TELL ME ALL
YOU KNOW, SPENCER?
FELICIA'S JUST A PAWN
TO YOU IN ALL THIS, ISN'T SHE?
I MEAN, JUST ANOTHER WAY TO GET
TO FAISON.
LUKE: OH, LOOK.
WE HAVE DONE THIS DANCE ALREADY,
BUBBA.
MAC: IF YOU'D HAVE BEEN
STRAIGHT WITH ME FROM
THE ART
LUKE: YEAH, I'D
IN AEXIC JAIAND U'D
ILL LOONG F FAIN.
WHERE'S MY COFFEE?
MAC: FORGET THE COFFEE.
YOU DON'T GET COFFEE.
WHERE THE HELL IS MY WIFE?

FELICIA: WHAT HAPPENED?
LET ME OUT!

BOBBIE: SO, THIS JAIL WHERE
LUKE IS -- IS IT IN THIS
COUNTRY?
ROY: IT'S NOT TOO FAR AWAY.
BOBBIE: DO I WANT TO KNOW
WHAT HE DID?
ROY: IT'S MORE A CASE OF WHAT
HE DIDN'T DO.
BOBBIE: HE WENT AFTER
FELICIA.
HE DIDN'T WORK WITH MAC.
HE DIDN'T FIND FELICIA, SO MAC
GOT FRUSTRATED AND LOCKED
HIM UP.
ROY: SO NY WDS, AH.
BOBBIE: WELL, THAT MAKES
SENSE.
WHERE WAS LUKE WHEN HE GOT
ARRESTED?
ROY: WELL, I'M NOT SURE
EXACTLY, BUT IT WASN'T FAR
FROM HERE.
BOBBIE: FELICIA'S BEEN CLOSE
BY ALL THIS TIME?
ROY: MAYBE SHE STILL IS.
BOBBIE: WERE YOU WITH LUKE
WHEN HE GOT ARRESTED?
ROY: I'M STAYING AS FAR AWAY
FROM THE COPS AS I POSSIBLY CAN,
BOBBIE.
ALL I KNOW IS THAT
LUKE AARENY MIED H BY
BY LITE WHE, A THEN MAC
SHED U WITH SWAT TEAM
AND LUKE ENDED UP IN JAL.
I WAS HIS ONE PHONE CALL.
BOBBIE: IF THE THREE
OF YOU HAD BEEN WORKING
TOGETHER, FELICIA MIGHT BE HOME
BY NOW.
DID YOU EVER STOP TO THINK
OF THAT?
INSTEAD YOU'RE CHASING EACH
OTHER ALL OVER THE STATE --
OR ALL AROUND THE BLOCK, FOR ALL
I KNOW -- AND FOR WHAT?
SO MAC CAN COME TO THE HOSPITAL
AND GRILL ME, AND LUKE CAN SPEND
THE NIGHT IN JAIL AND YOU CAN
SIT HERE TRYING TO FIGURE OUT
HOW TO WTE O CIGARS
ASN OFFICE EXPENSE
MEANWHILE ATS IT
IS IT'S SO KIND OF AUY
THING?
IS IT PHYSICALLY IMPOSSIBLE
FOR THE THREE OF YOU TO SIT DOWN
AND POOL YOUR INFORMATION
AND FIND MY BEST FRIEND?
ROY: SO FAR IT HAS BEEN,
YEAH.
BOBBIE: IS LUKE OK?
DID YOU SEE HIM?
ROY: I DON'T DO JAIL.
NOT EVEN FOR LUKE.
BOBBIE: WHAT KIND OF BAIL ARE
WE TALKING ABOUT?
ROY: I'LL LET YOU KNOW.
BOBBIE .
LL LE I' TAKE CARE OF IT
RO LL D
BOBBIE: WHY DOES EVERY MAN
I CARE ABOUT END UP JAIL?
ROY: YOU'RE ASKING ME?

LUKE: I GOT A CONSTITUTIONAL
RIGHT TO A CUP OF COFFEE.
MA W DID YOU ND
FAISON'S UNKE
LUKE: IT CE TOE
A DAM LT NIT.
I WAS SLEEPING SO WELL.
MAC: LUKE, WHERE DO YOU THINK
THEY ARE NOW?
LUKE: WHERE DO YOU THINK,
MAC?
HE'S GOT A 12- TO 18-HOUR LEAD
ON US.
WOULD THAT BE EUROPE,
CALIFORNIA?
MAYBE HE'S ON A PLANE
TO SINGAPORE BY NOW.
MAC: YOU HAVE TO KNOW MORE
THAN THIS.
LUKE: I KNOW THAT I CAN'T
HELP YOU FIND FELICIA IF I'M
LOCKED UP IN HERE.
MAC: IF I LET YOU OUT,
WILL YOU KEEP ME POSTED?
LUKE: YES,
BUT I WORK ALONE.
NOTHING PERSONAL.
I JUST WORK ALONE.
MAC: THAT'S NOT GOOD ENOUGH.
LUKE: WELL, GREAT.
YOU KNOW, YOU ARE THE POLICE
COMMISSIONER AND I'M NOT.
HELL, YOU'RE THE HUSBAND AND I'M
NOT.
MAC: WELL, THAT'S RIGHT.
LUKE: IF IT MAKES YOU FEEL
BETTER TO KEEP ME LOCKED UP
IN HERE, I THINK YOU SHOULD DO
THAT.
MA U KN, FELICIA S
RE GOOTO Y WHEN LUCKY
DIED
LUKE: THIS HAS NOTHING TO DO
WITH MY SON.
MAC: E DEVES ETER.
LUKE: DO YOU KNOW WHY
SHE DIDN'T TELL YOU HE WAS
STALKING HER, MAC?
YOU KNOW WHY SHE WOULDN'T LET ME
TELL YOU?
BECAUSE SHE WAS PROTECTING YOU.
IS THIS WHAT IT'S GOING TO GET
HER?
MAC: SPENCER'S RELEASED.
GET HIM OUT OF HERE.

JUAN: ANYTHING I CAN HELP
YOU WITH?
NED: JUAN, I THINK IT'S TIME
FOR YOUR VERY FIRST EXECUTIVE
DECISION.
JUAN EAT.
NED: GO OUT AND BUY SOME AL
CLEANING SUPPLIES.
JUAN RE.
EMILY: AHEM.
WELL -- DON'T WORRY.
WE WILL HAVE THE JOB DONE.
NED: AS LONG AS SCHOOL COMES
FIRST.
EMILY: IT WILL, I PROMISE.
NED: ALL RIGHT.
GO GET THEM.
CHLOE: WELL, FINE.
THEN I WILL CALL THE BUTTON GUY
MYSELF.
I DON'T CARE IF HE YELLS.
IT IS MY WAY OR THE FREEWAY.
WAIT -- HIGHWAY. HIGHWAY.
OPLEAY TT ALTHE ME
OVER HER
THERE, HOW CAN EVERYONE
AN AEL LE YO
GOOD-BYE.
NED: I'M IMPRESSED.
CHLOE: OH.
YOU KNOW, EVERYONE HAS GIVEN UP
SO MUCH FOR ME.
WHY CAN'T I STAND UP TO SOME
LITTLE MAN WHO SELLS BUTTONS
ON SEVENTH AVENUE?
NED: WORKS FOR ME.
CHLOE: ALL I CAN SAY IS NOW
THAT L&B AND CHLOE MORGAN
DESIGNS HAVE MERGED,
EVERYONE ELSE STEP ASIDE.

CHLOE: LOOK, I WON'T ARGUE
WITH YOU.
YOU CAN EITHER PRODUCE BUTTONS
THE COLOR OF MIST OR YOU CAN'T.
NO, WE'RE NOT DISCUSSING SILVER.
IT IS SIMPLY MY WAY
OR THE HIGHWAY.
THAT'S RIGHT.
WHAT MAKES YOU THINK WOU PAY
RE?
OK.
SEND ME SOME SAMPLES,
BUT MY PRICE REMAINS FIRM.
I LOOK FORWARD TO RECEIVING
THEM.
GOOD-BYE.
ALEXIS: OH, WELL,
THAT'S GREAT.
NED: ISN'T SHE GREAT?
ALEXIS: VERY GOOD.
YOU HAVE EXCELLENT TASTE
IN PARTNERS.
NED: THANK YOU.
ALEXIS: YOU, TOO.
CHLOE: THANK YOU.
ALEXIS: ACTUALLY,
IT'S MY HUSBAND I'M A LITTLE
CONCERNED ABOUT.
CHLOE: HOW IS HE?
ALEXIS: LET'S JUST SAY THAT
JERRDIDN SHOUP
FOA MEING.
NED: AND THAT ALLOU KW.
ALEXIS: HAVEO INNTIO
OF GTINGISBAED.
I JUST THINK THAT JAX MIGHT NEED
A LITTLE ATTENTION.
CHLOE: WHERE'S THAT LEASE?
LET ME SIGN IT.
DO YOU HAVE A PEN?
ALEXIS: RIGHT HERE.
CHLOE: THANK YOU.
ALEXIS: THERE YOU GO.
CHLOE: WHERE DO I SIGN?
RIGHT HERE?
ALEXIS: MM-HMM.
CHLOE: OK.
ALEXIS: GOOD.
NED: THERE YOU GO.
GET OUT OF HERE.
CHLOE: OK. GOOD-BYE.
NED: BYE-BYE.
ALEXIS: BYE.
NED: HEY, THANK YOU
FOB BRINGING THIS OVER.
ALEX: YOU DON'T THINK I DID
THIS AA FAR, DO YOU?
NED: OH, DO YOU EXPECT TO GET
PAID?
ALEXIS: WELL PAID.
NED: OH.
WELL, MAY I SUGGEST
AN INSTALLMENT PLAN?
ALEXIS: YES, PLEASE.

CAY: LOOK, LIKET'S ST
YOU AND ME, HUH, MR. MAN?
WHAT YOU GOT THERE?
MICHAEL: MAMA.
CARLY: YEAH?
WHAT DO YOU THINK ABOUT THIS,
HUH?
WHERE SHOULD WE PUT IT?
RIGHT THERE?
DOES THAT LOOK GOOD?
HMM?
MICHAEL: TREE.
CARLY: THAT'S A TREE.
MOMMY THOUGHT WE WERE GOING
TO BE DECORATING THE TREE
WITH JASON HIS AR, T
WON.
MICHAEL: NO
CARLY: NO, WE WON'T, HONEY.
I'M SORRY.
BUT WHO KNOWS, MICHAEL?
MAYBE NEXT YEAR.
MAYBE THE YEAR AFTER THAT.
SOMETIME -- SOON.
WE'RE GOING TO BE TOGETHER AGAIN
SOON.
I PROMISE YOU THAT.
ALL RIGHT, MICHAEL.
WH DO YOU THINK ABOUT THE,
HM
U LI THA
LILE R PEAS.
WHERE SHOULD WE PUT THEM?
JUST THROW THEM AROUND HERE LIKE
THIS?
EDWARD: WELL, THAT'S REALLY
LOOKING GOOD.
YOU KNOW WTHAT'S WHAT I LIKE
ABOUT YOU, CARLY.
YOU REALLY KNOW HOW TO GET
THINGS DONE.
DOESN'T SHE, MICHAEL?
HMM?
YOU KNOW, WHEN YOUR FATHER
AND YOUR GRANDFATHER --
MICHAEL: DA-DA.
EDWARD: MM-HMM -- WERE
YOUR AGE, THEY LIKED CHRISTMAS
BETTER THAN ANYTHING, HUH?
HOW ABOUT YOU?
CARLY: WELL, N YOU SAY
MERRY CHRISTMAS"?
EDWARD: AND YOU'RE FINALLY
HERE IN THIS HOUSE FOR
YOUR FIRST CHRISTMAS, AND YOU'RE
WITH YOUR FAMILY WHERE
YOU BELONG AND WHERE YOU'RE
GOING TO STAY.
CARLY: YEAH, EDDIE.
WHY DON'T YOU GIVE US A HAND?
EDWARD: NO, I DON'T HAVE TIME
FOR THAT NONSENSE.
LETICIA?
CARLY: HEY, WE'RE RIGHT
IN THE MIDDLE OF DECORATING
THE TREE.
EDWARD: THE TREE ISN'T GOING
ANYWHERE, DEAR.
LETICIA?
WHERE IN --
WHAT TOOK YOU SO LONG?
MICHAEL NEEDS HIS NAP.
CARL , HE DOESN'T.
WARD OK, CANINIS
DECORATING THIS TERNN,
AND YOU VE SEPLA TO ,
YO LADY
CARLY: OH, NO, I DON'T.
LETICIA -- OK.
YOU KNOW WHAT?
COME -- COME --
WHY DON'T YOU TAKE MICHAEL
IN TO SEE COOK.
SEE IF SHE HAS ANY NEW DESSERTS.
LETICIA: COME ON, BABY.
CARLY: HE LOVES TO LICK
THE BOWL.
EDWARD: YOU'RE GOING TO RUIN
THAT LITTLE BOY'S TEETH.
CARLY: AND SAVE ME SOME
CHOCOLATE CHIPS.
EDWARD: WE'LL SEE YOU LATER,
SONNY BOY.
L RIT.
, SHOULDN'T YOU BE GETTING
READY FOR YOUR YNATH
LUNCHEON?
CARLY: I'M NOT HAVING LUNCH
WITH THOSE PEOPLE.
EDWARD: YOU'RE ALREADY
RUNNING LATE, DEAR.
CARLY: NO.
A.J. DOESN'T EVEN WANT ME THERE.
EDWARD: HE BLEW THE DEAL
THE LAST TIME BECAUSE HE PUSHED
TOO HARD TRYING TO IMPRESS YOU.
CARLY: NICE TRY, EDWARD.
EDWARD: LOOK, THE LEAST
YOU COULD DO IS JUST SUPPORT
HIM.
CARLY: A.J. REALLY WANTS
TO IMPRESS YOU, NOT I.
EDWARD: NOT ME, DEAR.
SEE, ALL QUARTERMAINE MARRIAGES
ARE ROCKY FROM TIME TO TE.
IT MAKES TM STNGER
CARL VE Y BEE
GOSSING TH THE SERVANTS
AGAIN?
EDWARD: HASN'T THIS FAMILY
BEEN GENEROUS WITH YOU?
HAVEN'T WE TRIED TO MAKE
YOU FEEL WELCOME HERE?
CARLY: OUTSIDE OF CORRECTING
MY GRAMMAR CONSTANTLY, YEAH.
EDWARD: YOU KNOW, I -- I AM
SO IMPRESSED BY THE WAY YOU'VE
BEEN ABLE TO FIT IN SO QUICKLY,
AND I AM PROUD TO CLAIM
YOU FOR MY GRANDDAUGHTER-IN-LAW.
BUT RIGHT NOW, A.J. NEEDS YOU.
THE COMPANY NEEDS YOU.
CARL AH, LL, 'S N
MY COMPANY IS I
EDWARD: IT'S MICHAEL'S.
ORT WILL BE.
JUST SOMETHING FOR YOU TO THINK
ABOUT.

ROY: HEY.
LUKE: ANY CALLS?
ANYTHING WEIRD?
ROY: NO, NO CALLS.
NO WEIRDNESS.
NO NOTHING.
IT'S BEEN AS QUIET AS A TOMB
AROUND HERE.
SO, THE POLICE COMMISSIONER
DOESN'T LIKE YOU TOUCH, OES ?
LUKE: OH
U PIED UON TT SULETY,
DIDN'T YOU?
ROY: YOU DUG A TUNNEL
OR WHAT?
LUKE: NO, BUBBA LET ME GO.
I GET ON HIS NERVES.
ROY: GO FIGURE.
LUKE: YEAH, GO FIGURE.
SO NOW, THANKS TO THE COPS,
FAISON'S GOT FELICIA, HE'S GOT
THE DIAMONDS, AND HE'S GOT
A 24-HOUR LEAD.
HE COULD BE ANYWHERE
IN THE WORLD BY NOW.

[DOOR OPENS]
FELICIA: YOU CAN'T KEEP HIM
HERE.
FAISON: I APOLOGIZE FOR
THE POOR CONDITIONS.
FELICIA: LUKE WILL COME
FOR ME.
HE GOT CLOSE, DIDN'T HE?
AND YOU PANICKED.
FAISON: I'M SORRY I HAD
TO DRUG YOU AND BRING YOU HERE,
BUT SPENCER LEFT ME NO CHOICE.
HE WAS LOCKED UP LAST NIGHT,
O, YOU KNOW B Y YOUR HUSBAND.
THE LOGIC OF SMALL-TOWN
POLICEMEN HAS ALWAYS ESCAPED ME.
FELICIA: MAC WON'T STOP
LOOKING UNTIL HE FINDS ME.
NEITHER WILL LUKE.
FAISON: AND WHO WILL BE
THE LUCKY GUY?
HMM?
I BROUGHT YOU A PIECE OF FRUIT.
FELICIA: I DON'T WANT THAT.
I WANT OUT OF HERE.
FAISON: WHEN ARE YOU EVER
GOING TO LEARN TO APPRECIATE
WHAT'S RIGHT IN FRONT OF YOU?
FELICIA: I'M NOT HUNGRY
FAISON: MAYBE NOT YET.
FAISON: AND, FELICIA,
BY THE WAY,
WOULD YOU STOP POUNDING
ON THE WINDOW?
BRINGS BACK TERRIBLE MEMORIES.

ROY: YOU KNOW, MAYBE FELICIA
IS STILL CLOSER THAN WE THINK.
LUKE: NOPE.
FAISON'S ALREADY HIDDEN
HER IN PLAIN SIGHT RIGHT UNDER
OUR NOSES.
ROY: SO, WHAT DO YOU THINK?
LUKE: I'M THINKING
SWITZERLAND.
ROY: WHY?
LUKE: BECAUSE TH'S WRE
HE KRI KEE HISANK
COUN.
ROY: TH'S FAISON'S ALIA
AS T DIAND G?
LUKE: THAT'S RIGHT.
ROY: BUT ISN'T SWITZERLAND
KIND OF FAR AWAY?
LUKE: THAT'S WHY HE WOULD
TAKE HER THERE.
ROY: IF HE DID.
LUKE: BUT THAT'S WHERE
HIS BANK ACCOUNTS ARE, YOU SEE?
ROY: UH-HUH.
BUT, I MEAN, YOU'RE PLANNING
TO ACCESS THOSE ACCOUNTS?
THE WHOLE POINT OF A SWISS BANK
ACCOUNT IS ITS ANONYMITY, RIGHT?
LUKE: YEAH, BUT YOU'RE
UNDERESTIMATING THE NIMBLE
FINGERS OF MY EUROPEAN CONTACTS.
ROY: FAIR ENOUGH.
WHEN DO WE LEAVE?
LU: YOU CAN'T.
YOU STAY
RO U'REIDDI.
LUKE: NO, N.
SOMEDODY'S GOT TO BE HERE
WAHINGHE CB INASE M
ON A WILD-GOOSE CHASE
AND SOMETHING HAPPENS.
ROY: OK.
BUT YOU HAVE TO PROMISE ME THAT
YOU'LL STAY OUT OF JAIL.
LUKE: I'LL TRY.
ROY: TRY REAL HARD, LUKE.
LUKE: HEY, DON'T WORRY.
I'LL BE YODELING BY THIS TIME
TOMORROW.
ROY: GOOD LUCK.

[CAR HUMS]
[MUSIC PLAYS]
CARLY: I'M NOT GOING TO THAT
LUNCH.
A.J.: I COULD USE
THE SUPPORT.
CARLY: YEAH?
SO COULD I.
A.J.: IT'LL GET GRANDFATHER
OFF MY BACK.
CARLY: SUPPORT GOES BOTH
WAYS.
A.J.: OK, WHAT DO YOU WANT?
CARL M.
YOU OW.
A.: YEAHI CABE
A PPORVE HUSBAND BY GIVING
YOU A DIVORCE.
THAT MAKES A LOT OF SENSE.
CARLY: YOU KNOW WHAT, A.J.?
FROM THE MINUTE I ASKED
YOU FOR A CHANGE, YOU THREATENED
TO TAKE MY LITTLE BOY AWAY
FROM ME.
SO WHAT DO YOU WANT?
A.J.: OUR LITTLE BOY.
CARLY: YOU BROUGHT THAT
SHRINK IN HERE
YOU'VE BEEN HOLDING FERNCLIFF
OVER MY HEAD.
AND NOW YOU'D LIKE ME TO GO OUT
AND CHAT IT UP WITH A BUNCH
OF CORPORATE JERKS OVER LOBSTER
BISQUE?
SORRY.
A.J.: STENDON'T YOU THINK
ERE'TOO NY BDS
ONHE TE?
CARLY: OH, A.J. --
WE USED TO BE FRIENDS, RIGHT?
A.J.: YEAH.
CARLY: WE BOTH KNEW THE DEAL
WHEN WE GOT MARRIED.
WHY DID YOU CHANGE THE RULES?
A.J.: I DIDN'T.
CARLY: OK, FINE.
YOU KNOW WHAT?
I'LL DECORATE YOUR LITTLE
CHRISTMAS TREE, BE NICE
TO YOUR MOTHER.
I'LL EVEN TOLERATE YOUR BRATTY
LITTLE SISTER, AND I'LL BE
THE PERFECT FE IFRON
OF THE FAMILY.
BUT AT WE-EY,
BUSHY-TAILED, LITTLE WIFE THAT
YOU USED TO TROT OUT IN PUBLIC?
SHE'S OUT OF THE BUSINESS.
A.J.: WELL, I'LL GET ALONG
WITHOUT YOU SOMEHOW, CARLY.
OH, AND BY THE WAY,
THE TIME YOU SPEND WITH MICHAEL
WILL BE HERE.
CARLY: IN THIS ROOM?
A.J.: IN THIS HOUSE,
ON THE GROUNDS.
CARLY: OK.
SO NOW I'M UNDER HOUSE ARREST.
A.J.: CALL IT WHATEVER
YOU WANT.
LISTEN TO ME.
THE FIRST TIME YOU TAKE OUR SON
OFF OF THIS PROPERTY, YOU'LL BE
SORRY.
HAVE A NICE DAY.

[KNOCK ON DOOR]
JAX: IT'S OPEN.
BOBBIE: HI.
I GOT HERE AS SOON AS I COULD.
JAX: JERRY CALLED.
BOBBIE: IS HE ALL RIGHT?
JAX: I THINK SO.
BOBBIE: BUT WHAT
IF THE F.B.I. TRACES THAT CALL
TO THIS NUMBER?
JAX: WELL, I TOLD HIM NOT
TO CALL, AT LEAST FOR A WHILE.
IF THE FEDS WANT TO PUSH IT
BEYOND THAT, THEN I'LL DEAL
WITH IT.
BOBBIE: DID YOU GO TO SAY
GOOD-BYE TO HIM?
JAX: YEAH
ON THE DOCKS.
BOBBIE: HE WAITED FOR ME,
DIDN'T HE?
JAX: AS LONG AS HE COULD.
BOBBIE: I JUST MISSED HIM.
AGAIN.
HE ASKED ME TO GO WITH HIM.
JAX: THAT DOESN'T
SURPRISE ME.
BOBBIE: AND LUCAS, TOO.
I MEAN, CAN YOU JUST SEE US?
OFF ON SOME ISLAND SOMEWHERE
LIKE ROBINSON CRUSOE.
CRUISING UP AND DOWN
THE FRENCH RIVIERA
I AN, COULDN'T GO.
I MEAN, I COULDN'T DO THAT
TO LUCAS AND I COULDN'T LEAVE
CARLY.
BUT I HAVE TO ADMIT,
I WAS TEMPTED.
JAX: YEAH.
MY BROTHER LOVES YOU.
BOBBIE AH.
JAX: D EV THEHORTIME
U HA--
JERRY'S BETTER FOR IT.
BOBBIE: THANK YOU.
JAX: YOU'RE STILL PART
OF THE JACKS FAMILY, YOU KNOW.

JUAN: NED'S ALWAYS GOING
TO THINK OF ME AS JUST
A JANITOR, NO MATTER WHAT I DO.
EMILY: YEAH, PROBABLY.
I MEAN, HERE YOU'LL BE,
20 YRS FROM NOW, STILL MOPNG
E FLR, A MAY EVE ONC
A WHILE HLL L YOU, JAX
JUAN: 20 YEARS FROM NOW?
TRY 20 MONTHS.
NO, 20 DAYS.
I'LL PRACTICALLY BE RUNNING THIS
PLACE.
YOU KNOW, I MEAN, NED'S GOING
TO REALIZE THAT THIS COMPANY
NEEDS ME.
I'LL PROVE IT TO HIM.
I'LL FIND A WAY.
EMILY: YOU REALLY THINK SO?
JUAN: YEAH.
I MEAN, I'LL BOOK ALL THE ACTS
FROM HERE TO MANHATTAN.
AND I'LL BE INLL T BES
UBS ERY GHT TH T SUI
THE NEY, HE SLE.
EVERYBODY'LL LOOK AT ME AND SAY,
"IT'S THAT GUY FROM L&B."
EMILY: YEAH.
AND YOU'LL STILL BE
MY BOYFRIEND.
EMILY: YOU SSED SPO
JUAN: WHER
HEY!
L RIT, TT'S .
EMILY: UHH, UH,
I COULD GET YOU.
NO, NO, NO, NO, NO.
DON'T YOU -- JUAN, STOP!
STOP IT!
NO!
[EMILY SCREAMS]
EMILY: DON'T! AH!

CHLOE: HI.
I'M ON A MISSION FROM YOUR WIFE.
JAX: IT'S NICE TO SEE YOU.
CHLOE: YEAH, YOU, TOO.
I HAVE ENGLISH MUFFINS,
LOTS OF MARMALADE.
JAX H. O, NI.
CHLOE: ANBLACCOFF.
JAX: THANK YOU.
CHLOE: DO YOU HAVE ANY IDEA
WHERE JERRY IS?
JAX: SURE.
BUT IF I TOLD YOU, I'D HAVE
TO KILL YOU.
CHLOE: JAX, HE TOOK
YOUR MONEY AND HE RAN.
JAX: I'LL MAKE SOME MORE.
CHLOE: I'M SO SORRY
YOU HAVE TO GO THROUGH ALL THIS.
JAX: YOU KNOW, WHEN WE WERE
KIDS, JERRY TOOK CARE OF ME ALL
THE TIME.
HE COVERED FOR ME.
SHOWED ME HOW TO FIND WATER
IN THE OUTBACK AND HOW TO FIND
MY WAY HOME.
I GOT TO SEE HIM EVERY DAY.
AND THEN WHEN HE TURNED 18,
HE DISAPPEARED, CAME
E MACAL OTHER THATOULD
JU SHOUP O OF WHER
OR CL WIOUT RNIN.
ONE MORNING HE CALLED ME
AT 3:00 A.M.
HE SAID, "MATE, I'M IN LONDON.
I GOT A COUPLE OF MODELS THAT
WANT TO MEET YOU.
YOU GOT A PLANE TICKET WAITING
FOR YOU AT THE AIRPORT."
OR HE WOULD CALL AND SAY,
"COME AND GET ME, LITTLE
BROTHER.
I RAN INTO A BIT OF TROUBLE
IN THE AMAZON."
YOU KNOW, ONE ME WWATCD
ANCLIP FROM THE TOP
OF AN ICEBERG IN ANTARCTICA.
AND THEN WHEN THE ADVENTURE WAS
OVER, JERRY DISAPPEARED.
AND I DIDN'T GET TO SEE HIM
AGAIN UNTIL HE SHOWED UP HERE.
AND HE STAYED.
I COULDN'T BELIEVE IT.
GOT TO SEE HIM EVERY DAY.
AND I THOUGHT I ALWAYS WOULD.
I KEEP THINKING THAT HE'S GOING
TO WALK THROUGH THAT DOOR
AND ALL THIS IS JUST A BAD
DREAM.
BUT I KNOW IT'S NOT.
AND THAT'S WHAT MAKES IT
SO HARD.

[DOORBELL RINGS]
BOBBIE: IT'S OPEN!
ROY: HEY --
BOBBIE: HI.
ROY: LET ME --
BOBBIE: NO, 'S O
RO , PLEASE.
BOBBIE: IT'S ALL RIGHT.
IT NOTHAT AVY.
ROY: PLEASE, PLEASE, PLEASE?
BOBBIE , THANKS.
AH -- UM -- DOWN THERE.
THAT'S GOOD.
RIGHT BY THE DESK.
SOME KIDS FROM THE OUTREACH
PROGRAM ARE COMING BY TO PICK
THIS UP, SO --
THANKS.
ROY: SURE.
BOBBIE: I'M TRYING TO GET ALL
OF JERRY'S STUFF OUT OF THE WAY
BEFORE LUCAS COMES BACK.
ROY: HMM.
WELL, I SUPPOSE I SHOULD'VE
CALLED --
BOBBIE: IS IT FELICIA?
ROY: IT'S LUKE.
HE'S OUT OF JAIL.
SCORPIO LET HIM GO.
BOBBIE: OH.
STILL NO WORD FROM FELICIA?
ROY: NO.
BOBBIE: OH, THAT'S GREAT.
THAT MEANS LUKE IS GOING TO TAKE
OFF ALONE AGAIN AFTER FELICIA,
AND THEN MAC'S GOING TO GO AFTER
HIM, AND THE WHOLE THING'S GOING
TO START ALL OVER AGAIN.
AND FELICIA IS STILL NO CLOSER
TO BEING FOUND.
ROY: CAN I HELP YOU HERE?
BOBBIE: NO, THANK YOU.
I MADE THIS MESS.
I WILL CLEAN IT UP MYSELF.
RO .
BOBBIE D, IEVEREALID
JERRY HATHI SUCH STUFF.
ROY: HE HASN'T EVEN GONE
TO TRIAL YET, YOU KNOW?
BOBBIE: YEAH, WELL, I DON'T
THINK A TRIAL IS GOING TO BE
A PROBLEM.
ROY: HE HAS A GREAT LAWYER.
BOBBIE: YEAH, WELL --
YOU KNOW,
YESTERDAY ON THE DOCKS,
THAT BOAT THAT I WATCHED SAIL
AWAY?
ROY: JUMPED BAIL?
BOBBIE: AT'SHE ROR.
ROY: WELL, YOU HEAR A LOT
OF RUMORS IN A TOWN LIKE THIS.
BOBBIE: YEAH.
MOST OF THEM AREN'T WORTH
REPEATING, SO --
ROY: SO I WON'T SAY ANYTHING.
BOBBIE: JERRY WANTED TO --
HE WANTED TO BUILD THIS BIG
HOUSE FOR LUCAS AND FOR ME
WITH A LOT OF ROOM FOR ALL
OF HIS STUFF
AND THIS GREAT BIG BARN
FOR THUNDER IN THE BACK YARD.
YESTERDAY WAS THE LAST TIME
I SAW HIM.
HE CAME TO THE HOSPITAL
TO SEE ME AND LUCAS WAS THERE,
SO HE SAID TO LUCAS THAT HE WAS
GOING AWAY.
LUCAS GOT PRETTY UPSET, SO --
THAT'S WHY I WAS LATE TO GET
TO THE DOCKS.
GOD, I MISS FELICIA.
MAC'S TURNING INTO THIS PERSON
I DON'T EVEN KNOW.
LUKE IS RUNNING AROUND,
TAKING ALL KINDS OF CRAZY
CHANCES.
HE'S SO MUCH WORSE THAN WAS
BEFORE LUCKY DIED.
D WH IF LICIS HURY?
WH IF E'S RED?
I AN, ANT HELP
HER SO MUCH, AND THERE'S NOTHING
THAT I CAN DO!

LUKE: HIRAM AND ORVILLE HAVE
BEEN OVERUSED LATELY.
LET'S SEE.
WHAT HAPPENED TO --
OK, JIMMY WAYNE.
THAT'S GOOD -- NOPE.
JIMMY WAYNE'S PASSPORT HAS
EXPIRED.
THAT LEAVES ME WITH
CAROJACKN.
T(A'S GOOD FOR HER.
AND WHAT HAVE I GOT HERE -- FRED
HOLT.
FRED HOLT.
I HAVEN'T BEEN FRED HOLT
IN A WHILE.
FRED HOLT WORKS FOR ME.
[TELEPHONE RINGS]
LUKE: FRED HOLT --
LUKE SPENCER.
[WHISTLING]
FAISON: HELLO, SPENCER.
LUKE: WHERE THE HELL ARE YOU?
FAISON: I'M SO SORRY
YOU AND FELICIA MISSED EACH
OTHER YESTERDAY.
WHAT'S THAT NDANTURN
PHRE?
SOMETHING ABOUT TWO SHIPS?

CARLY: ALL RIGHT, LILA,
HOW ABOUT THIS ONE?
WHERE SHOULD WE PUT IT?
LILA: ANYWHERE YOU CHOOSE,
DARLING, WILL BE LOVELY.
CARLY: I'M THINKING OVER HERE
NEEDS A LITTLE SOMETHING.
ERE GO.
LILA: METIS IT A GOOD
IDEA TO KNOW WHEN TO STOP.
CARLY: GOOD POINT.
CARLY: OH, MY GOSH.
WHERE DID YOU GET THIS?
I GAVE IT TO JASON.
LILA: JASON GAVE IT TO ME.
CARLY: U'REIDDI.
AS AORNANT?
LILA: METHG TOEMEMR
HIBY.
CARLY: MICHAEL --
MICHAEL, HONEY, LOOK AT THIS.
LOOK.
IT'S FROM JASON.
SEE?
IT'S ALMOST LIKE HE'S HERE
WITH US, HUH?

ALAN: THE ONLY DOCTOR EVER
TO TAKE AN HOUR OFF FROM WORK.
MONICA: I DIDN'T SAY THAT.
I JUST SAID LET'S JUST DECORATE
THE TREE AND GET --
ALAN: OH, WOW!
MONICA: OH, MY --
ALAN: WOW!
MONICA: WELL.
I GUESS YOU REALLY DID HAVE
SOMETHING TO DO WITH YOUR DAY.
ALAN: IT LOOKS WONDERFUL.
MONICA: AH.
CARLY: THANK YOU.
LILA: LET'S ALL MAKE
A SPECIAL EFFORT TO ENJOY
THE HOLIDAYS THIS YEAR,
FOR MICHAEL'S SAKE.
CARLY: LOOK, MICHAEL,
ISN'T IT PRETTY?
HUH?
BOBBIE: NO, LUCAS CAN RIDE
THUNDER A LITTLE LONGER.
THAT'S FINE.
THANKS FOR CHECKING IN, BETTY.
BETTY?
TELL HIM TO HAVE FUN, HUH?
ROY: DO YOU WANT ME TO DROP
SOME OF THESE OFF?
BOBBIE: NO.
THANKS.
BECAUSE THE KIDS WILL BE BY.
ROY: OH.
ALL RIGHT.
BOBBIE: I'M SORRY TO STICK
YOU WITH CLEANUP AGAIN.
ROY: YOU KNOW I DON'T MIND.
BOBBIE: AND THANKS
FOR LETTING ME KNOW ABOUT LUKE.
ROY: YEAH.
I'LL CALL AGAIN IF I HEAR
ANYTHING ELSE.
BOBBIE: JERRY WAS ALWAYS
WALKING OFF WITHOUT HIS KEYS.
ROY: HE USED TO LIVE
AT THE PORT CHARLES HOTEL?
BOBBIE: YEAH, FOR A WHILE.
DID I EVER TELL YOU HOW WE MET?
ROY: NOPE.
BOBBIE: WELL, I WAS LOOKING
DOWN THE STREET ONE DAY
AND THERE WAS THIS SHOE, AND IT
SORT OF JUST FELL OUT OF THE SKY
RIGHT IN FRONT OF ME.
SO I LOOK UP, AND THERE'S THIS
JACKET SAILING THROUGH THE AIR.
AND THEN THIS GUY, MOSTLY
DRESSED, CLIMBING DOWN THE FIRE
ESCAPE.
AND HE SMILED AT ME, AND HE WAS
GONE.
ROY: THAT'S A COOL ENTRANCE.
SO THAT WAS JERRY?
BOBBIE: YEAH, WELL, I GUESS
THMA YOU HAD ME BACK A LITTLE
EARLIER THAN EXPECTED,
IF YOU KNOW WHAT I MEAN?
ROY: WE, IT HAPPENS.
BOBBIE: WELL --
YOU CAN'T BE LATE FOR
WORK, SO --
ROY: YOU GOING TO BE ALL
RIGHT?
BOBBIE: YEAH.
ROY: I'M NOT THAT LATE.
BOBBIE: GO.
ROY: I COULD LL I--
BOBBIE: NO, NO.
YOU GO.
ROY: YEAH.
OK.

LUKE: WHERE THE HELL
IS FELICIA?
FAISON: CALM DOWN, SPENCER.
TRY TO LISTEN.
AND I WILL TELL YOU ALL YOU NEED
TO KW.
FAISON'S VOICE: THE FIRST
WOMAN I EVER LOVED, THE FIRST
I EVER KILLED --
THERE SHE WAS.
I COULD SEE HER THROUGH A
ROUND WINDOW IN THE DOOR.
I COULDN'T HEAR WHAT
SHE WAS SAYING, BUT
WAS OBVIOUSLY SHE WAS
TELLING ME
THAT SHE LOVED ME,
BEGGING ME TO OPEN THE DOOR.
BUT OF COURSE I COULDN'T DO
THAT.
AND SHE WAS POUNDING THE DOOR,
AND I COULD SEE HOW LIFE WAS
SUCKED OUT OF HER, AND SHE
FINALLY COLLAPSED.
FELICIA: YOU'RE GOING TO KILL
ME JUST LIKE YOU KILLED
YOUR FIANCEE.
YOU'RE GOING TO KILL ME!

>>ON THE NEXT "GENERAL HOSPITAL" --

HELENA: SUPPORT ME NOW
OR SUFFER THE CONSEQUENCES.

FELICIA: IF I DIE,
THEN YOU DIE.
FAISON: ARE YOU AFRAID?

LUKE: HIS INSTRUCTIONS WERE
VERY SIMPLE -- COME ALONE
OR HE KILLS HER.

SONNY: I WANT TO KNOW ABOUT
JASON.

ELIZABETH: WHAT ABOUT HIM?
CARLY: JASON GOT SHOT.
BOBBIE: I KNOW.

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