GH Transcript Tuesday 11/9/99

 

General Hospital Transcript Tuesday 11/9/99

Provided by Laura

[DOOR OPENS and CLOSES]
LUKE: GO AWAY.
YOU'RE FIRED.
PICK ONE AND BEAT IT.
ROY: I'M IMPRESSED --
YOU'RE VERTICAL.
LUKE: AM I STANDING?
ROY: MORE OR LESS.
LUKE: YEAH, WELL, LISTEN,
WHAT DOES THIS LOOK LIKE TO YOU?
ROY: PUREED MOLD.
LUKE: I LOVE YOU.
THIS IS NOT MOLD, MAN.
THIS IS A SECRET, SACRED AZTEC
HANGOVER MEDICINE JUICE.
ROY: YEAH.
LUKE: IT'S EITHER THAT
OR IT'S A RECIPE FROM SOME
LITTLE OLD LADY IN TEXAS.
I CAN'T REMEMBER -- DON'T DO
THAT.
IT'S VERY POTENT!
IT'S VERY --
IT'S -- IT'S --
ROY: THIS NEEDS TABASCO,
DUDE.
LUKE: TABASCO.
YEAH, YEAH, FUNNY MAN.
FUNNY MAN.
OK.
THIS IS SERIOUS STUFF.
LUKE: OK.
HOW BAD OFF WAS I LAST NIGHT?
[LUKE BELCHES]
ROY: DEFINE "BAD."
LUKE: WELL, WHAT DID I SAY
OR DO THAT I'M GOING TO REGRET?
ROY: NOT A THING.
YOU DID OFFER TO MAKE ME
A PARTNER IN THIS PLACE.
LUKE: RIGHT.
THAT MUST HAVE BEEN IN THE SAME
CONVERSATION WHERE I TURNED OVER
CUSTODY OF MY DAUGHTER AND ALL
MY WORLDLY POSSESSIONS TO YOU.
ROY: YEAH, WELL, I'M GLAD
I CHECKED BEFORE I GOT
A HAIRCUT.

BOBBIE: OH, THANKS.
ELIZABETH: CAN I GET
YOU ANYTHING ELSE?
TOAST, AN ENGLISH MUFFIN?
BOBBIE: OH, NO, NOT
ON YOUR LIFE.
I'M GETTING MARRIED IN LESS THAN
TWO WEEKS, AND I KNOW IT'S NOT
GOING TO MAKE ANY DIFFERENCE
BECAUSE MY DRESS HAS ALREADY
BEEN FIT, BUT I'VE SWORN OFF ALL
SWEETS AND BREADS UNTIL AFTER
THE CEREMONY.
ELIZABETH: I THINK EVERYBODY
SAYS THAT.
BOBBIE: YEAH, I GUESS IT'S
PART OF THE RITUAL OF BEING
A BRIDE.
AND SO IS GOING ON A HONEYMOON,
WHICH IS WHY I'VE GOT TO GET ALL
OF THE BOOKS DONE FOR KELLY'S
IN ADVANCE.
WHY ARE YOU EVEN HERE?
SHOULDN'T YOU BEEN IN SCHOOL?
I THOUGHT THIS WAS LISA'S SHIFT.
ELIZABETH: WELL, SHE ASKED ME
TO TAKE IT, AND I DON'T HAVE
CLASS TILL LATER.
BOBBIE: YOU KNOW, YOU'VE BEEN
WORKING AN AWFUL LOT LATELY.
I MEAN, NOT THAT I MIND.
YOU ARE OUR BEST WAITRESS, BUT
SHOULDN'T YOU BE IN SCHOOL,
YOU KNOW?
OUT AND ABOUT, MEETING PEOPLE,
MAKING FRIENDS?
ELIZABETH: WELL,
ACTUALLY, I ASKED FOR MORE
HOURS.
I HAVE TO PAY MY SHARE
OF MY STUDIO.
BOBBIE: STUDIO?
I DIDN'T EVEN KNOW YOU HAD
A STUDIO.
WHEN DID THIS HAPPEN?
ELIZABETH: FOR MY BIRTHDAY.
GRAM WANTED TO HELP ME BUY
A CAR, BUT I TOLD HER THAT I WAS
FINE TAKING THE BUS, SO I TOLD
HER WHAT I REALLY WANTED WAS
A STUDIO THAT I COULD PAINT IN.
SO SHE AGREED TO SPLIT THE RENT
WITH ME.
BOBBIE: WELL, THAT'S GREAT.
SO, DID YOU FIND A PLACE YET?
ELIZABETH: YEAH, AND IT'S
REALLY CLOSE.
IT'S IN THE BRICK BUILDING
BEHIND THE ELM STREET PIER
ON THE THIRD FLOOR.
IT'S NOT REALLY FANCY AND IT'S
KIND OF LITTLE, BUT THE LIGHTING
IS GREAT.
SO MUCH BETTER THAN MY BEDROOM
OR GRAM'S GARAGE.
PLUS I CAN MAKE A MESS AND NOT
EVEN BOTHER ANYONE.
BOBBIE: I'M SURE AUDREY
APPRECIATES THAT.
ELIZABETH: OH, AND IT HAS
A GREAT VIEW.
YOU CAN LOOK OUT OVER THE WATER.
IT KIND OF FEELS LIKE YOU'RE
STANDING ON THE PIER -- WHICH IS
PROBABLY WHY THE RENT'S SO HIGH.
SO, IF YOU HAVE ANY OTHER HOURS
TO GIVE ME, IT'D BE GREAT.
BOBBIE: I'LL KEEP THAT
IN MIND.
ELIZABETH: OK.
EMILY: HEY.
ELIZABETH: NO, I HAVE NOT
SEEN JUAN YET.
EMILY: OH.
HE WAS SUPPOSED TO BE
DOWNSTAIRS.
NED AND CHLOE WERE GOING TO MEET
HIM DOWN HERE.
IT'S HIS FIRST OFFICIAL DAY
AT L&B.
ELIZABETH: SO YOU STOPPED
BY TO WISH HIM LUCK?
EMILY: WELL, NED BASICALLY
GAVE HIM THE JOB, BUT I ASKED
HIM TO, SO I JUST WANT TO MAKE
SURE EVERYTHING'S OK, YOU KNOW?
ELIZABETH: WELL, WHY WOULDN'T
IT BE?
JUAN: HEY.
SO, HOW DO I LOOK?
EMILY: FINE.
JUAN: "FINE."
NO, NO, I LOOK SHARP,
I LOOK COOL, I LOOK LIKE
THE SMARTEST, MOST EFFECTIVE
JUNIOR RECORD EXECUTIVE L&B
COULD EVER WANT TO HIRE?
EMILY: NOW DO YOU SEE
THE PROBLEM?
ELIZABETH: MM-HMM.
JUAN: WHAT?

JAX: CAUGHT YOU.
ALEXIS: WHAT EXACTLY DID
YOU CATCH ME AT?
NOT INFIDELITY.
JAX: NO, NO, THAT YOU'VE BEEN
DOING SINCE THE DAY WE WERE
MARRIED.
THIS IS INFINITELY WORSE.

STEFAN: LOOK AT THIS.
LAURA: A REPORT FROM BIOSCAN
LABORATORIES?
STEFAN: THOSE STRANDS OF HAIR
I FOUND IN THE SECRET
PASSAGEWAY --
I HAD THEM ANALYZED.
THEY'RE SYNTHETIC, JUST
AS I EXPECTED.
NOW, WHY WOULD HELENA NEED A WIG
THE APPROXIMATE LENGTH AND COLOR
OF YOUR HAIR EXCEPT TO ENSURE
ANY WITNESS WOULD TAKE
HER FOR YOU WHEN SHE PUSHED
KATHERINE FROM THE PARAPET?

CARLY: HEY, JOHNNY.
NICE TIE.
JOHNNY: YOU GAVE IT TO ME.
CARLY: DO I HAVE AN EYE
OR WHAT?
SONNY HOME?
JOHNNY: YES.
CARLY: JASON AND HANNAH
AREN'T HERE, ARE THEY?
JOHNNY: NO.
CARLY: GOOD.
I NEED TO SPEAK TO HIM
FOR A MINUTE.
JOHNNY: OK.
CARLY: THANKS.
JOHNNY: CARLY'S HERE.
CARLY: HI.
SONNY: HOW DO YOU KNOW I'M
NOT BUSY, CARLY?
CARLY: WE'RE ALL BUSY, SONNY.
I KNOW YOU DON'T THINK I'M
ENTITLED TO AN OPINION ABOUT
ANYTHING THAT YOU DO --
SONNY: THAT'S RIGHT, SO WHY
DON'T WE SKIP THE WIT AND WISDOM
OF CARLY BENSON QUARTERMAINE
AND GET RIGHT TO THE POINT.
CARLY: OK.
I'M JUST CURIOUS WHEN YOU'RE
PLANNING ON GETTING RID
OF YOUR F.B.I. GIRLFRIEND.

SONNY: HOW DO YOU KNOW HANNAH
ISN'T UPSTAIRS RIGHT NOW
LISTENING TO US?
CARLY: I ASKED JOHNNY
IF SHE WAS HERE.
SONNY: WELL, WHAT IF HE'D
BEEN WRONG?
HE'S NOT OUT THERE 24 HOURS
A DAY.
CARLY: HANNAH, YOU HERE?
GUESS SHE'S NOT HERE.
CAN I HAVE PERMISSION TO BREATHE
NOW, SIR?
SONNY: SO, WHAT ARE YOU HERE
FOR?
YOU WANT TO THROW
AN "I TOLD YOU SO"
IN MY FACE?
GO AHEAD.
YOU EARNED IT.
JUST ONE.
CARLY: THAT'S NOTHING
TO GLOAT ABOUT, SONNY.
COME ON.
I'M NOT THAT SICK.
I'M NOT HAPPY ABOUT THIS.
I JUST HAVE A POINT TO MAKE --
JUST ONE -- AND THEN I'LL LEAVE.
I TOLD YOU THE NIGHT THAT
YOU WERE ARRESTED THAT HANNAH
WOULD BRING YOU DOWN.
NOW, YOU KNOW THAT YOU CAN
PREVENT IT, SO WHY ARE
YOU LETTING HER?
WHY IS SHE STILL HERE?
SONNY: I DON'T OWE
YOU SQUAT -- APOLOGIES,
REASONS, NOTHING.
CARLY: FAIR ENOUGH.
SONNY: BESIDES WHICH,
EXPLAINING MY LIFE, MY BUSINESS
TO YOU IS LIKE TEACHING
ASTRONOMY TO A CAT.
BUT IF YOU MUST KNOW,
I AM TAKING ADVANTAGE
OF A ONCE-IN-A-LIFETIME
OPPORTUNITY TO FEED BAD
INFORMATION TO THE FEDS.
DOES THAT MEET UP TO YOUR
SATISFACTION?
CARLY: NO.
I THINK IT'S A CROCK.
I THINK YOU WANT TO HURT HANNAH
JUST LIKE SHE HURT YOU.
I THINK --
I THINK YOU WANT TO USE HER JUST
LIKE SHE USED YOU.
AND I DON'T BLAME YOU.
I DON'T BLAME YOU, SONNY,
BUT IT'S NOT SMART, MAN.
SHE CAME HERE WITH A JOB TO DO,
AND YOU ARE GIVING HER ALL
THE TIME IN THE WORLD TO DO IT.
AND IF YOU WANT TO GO TO PRISON,
THAT'S YOUR DEAL, YOU KNOW.
IT'S YOUR PREROGATIVE.
IT'S A FREE COUNTRY.
BUT YOU'RE NOT -- YOU ARE NOT
GOING TO TAKE JASON WITH YOU.

LUKE: ROY, MY FRIEND, LOOK,
YOU'VE BEEN GONE.
YOU'VE BEEN OUT OF CIRCULATION.
YOU'VE BEEN PRACTICALLY OUT
OF MY MEMORY FOR 20 YEARS.
ROY: HMM.
SO EVERYBODY KEEPS TELLING ME,
LUKE.
LUKE: WELL, FRANKLY, THE LAST
TIME YOU HAD EXPERIENCE
WITH A CLUB, IT WAS A DISCO,
THE CAMPUS DISCO.
ROY: MM-HMM.
WELL, IT'S LIKE I TOLD YOU LAST
NIGHT.
I'M NOT GOING TO HOLD
YOU TO SOME RIDICULOUS
PROPOSITION YOU MADE UNDER
THE INFLUENCE, YOU KNOW?
I AM DOING FINE.
LUKE: OH.
OH, SO NOW YOU'RE GOING TO TURN
ME DOWN?
WELL, WHAT ARE YOU GOING TO DO
WITH YOUR LIFE, MAN?
YOU JUST GOING TO WORK YOUR WAY
UP TO BEING HEAD COFFEE BAGGER?
ROY: I'VE DONE WORSE.
LUKE: NOT RECENTLY.
ROY: I'VE DONE WORSE
WITH YOU -- 20 YEARS AGO
WITH FRANK SMITH.
THAT WAS WORSE, OK?
DRIVING THAT MAN'S CAR -- IT WAS
LIKE DRIVING ON THE BACKS
OF THE DEAD.
LUKE: OK, LOOK, THE --
THE ONLY REASON I EVEN BROUGHT
UP THE DISCO WAS THAT I --
I DON'T WANT YOU TO COME IN HERE
WEARING GOLD CHAINS
AND BELL-BOTTOMS, PARTNER.
ROY: OH --
LUKE: REALLY, IT'S --
ROY: LUKE, DAMN IT,
DON'T -- DON'T -- DON'T DO THAT.
YOU KNOW, YOU DON'T HAVE TO DO
THAT.
WHAT I AM TO YOU I'M ALWAYS
GOING TO BE TO YOU, ALL RIGHT?
THIS IS YOUR PLACE.
I GOT NO STAKE TO BRING TO IT.
DON'T KNOW WHAT THE HELL KIND
OF PARTNERSHIP WE COULD EVEN
HAVE.
LUKE: HOLD IT JUST A --
WHAT ARE YOU DOING THAT FOR?
NOW YOU'RE JUST JUMPING TO SOME
CONCLUSION, MAN.
LET'S -- LET'S TALK ABOUT IT.
LET'S JUST AGREE THAT WE'RE
GOING TO DO IT.
ROY: WELL, IF IT'S OK
WITH YOU, I'M NOT GOING TO QUIT
MY DAY JOB.
LUKE: WELL, THAT'S SMART
BECAUSE I DON'T KNOW IF THIS
PLACE CAN PROVIDE BOTH OF US
WITH A DECENT INCOME.
ROY: SO, WHAT TIME DO WE OPEN
FOR DINNER?
LUKE: WHEN I FEEL LIKE IT.
ROY: I'M NOT KIDDING, LUKE.
I'M GOING TO COME BACK.
LUKE: WELL, DO IT.
COME BACK.
ROY: OK, AND I'M -- I'M
PROBABLY GOING TO HAVE ONE
OF THOSE MIRROR BALLS WITH ME.
LUKE: OH.
ROY: YOU KNOW, TASTEFUL --
TASTEFULLY SIZED.
LUKE: OH, DON'T DO THAT.
ROY: PARTNER.

JAX: YOU SWEAR TO TELL
THE TRUTH, THE WHOLE TRUTH,
AND NOTHING BUT THE TRUTH?
YOU'RE ON YOUR WAY TO WYNDEMERE,
RIGHT?
ALEXIS: I'M REPRESENTING
MY BROTHER ON A MURDER CHARGE.
PHYSICALLY MEETING WITH CLIENTS
IS MORE OR LESS STANDARD
PROCEDURE.
JAX: ALL RIGHT, WILL
YOU PROMISE ME THAT'S WHERE IT
ENDS?
WILL YOU SWEAR TO ME THAT YOU'RE
NOT ANGLING FOR A SHARE
OF THE FAMILY FORTUNE THAT
ALMOST GOT YOU KILLED?
ALEXIS: I COULD SAY YES,
BUT WHAT IF MY HUSBAND NEEDS
THE MONEY?

LAURA: I DON'T UNDERSTAND
YOU.
YOU'VE GOT TO SHOW THIS TO MAC.
HE'LL KNOW WHAT IT MEANS.
STEFAN: HE WON'T.
HOW COULD ANYONE, EXCEPT THOSE
OF US WHO HAVE LIVED WITH HER,
UNDERSTAND WHAT MY MOTHER IS
CAPABLE OF?
AND HOW CAN I PROVE I ACTUALLY
FOUND THOSE WIG FIBERS HERE
IN THE HOUSE?
SCORPIO THINKS I'LL DO ANYTHING
TO AVERT SUSPICION FROM YOU.
LAURA: WHAT ABOUT TELEPHONE
RECORDS?
IF YOUR MOTHER WAS USING ARI
TO DO HER LEGWORK, SHE WOULD
HAVE HAD TO HAVE MADE THE PHONE
CALLS FROM HERE.
STEFAN: YES, I CHECKED.
THERE WERE CALLS MADE FROM HERE
TO HER YACHT.
AND TO A FLORIST I'D NEVER
HEARD OF.
PROBABLY THE ONE RESPONSIBLE
FOR THE FLOWERS KATHERINE DENIED
SENDING YOU.
BUT THERE'S NO WAY OF PROVING
HELENA COULD HAVE MADE THOSE
CALLS.
LAURA: UNLESS WE CAN PROVE
THAT SHE'S NOT PARALYZED.
THERE MUST BE A WAY.
HOW?
STEFAN: LEAVE THAT TO ME.
LAURA: I'M SORRY.
I CAN'T DO THAT.
PLEASE DON'T BE ANGRY WITH ME
FOR SAYING THIS, BUT THAT
EPISODE WITH THE LIGHTER
FLAME -- THAT'S AS CLOSE
AS I EVER WANT TO SEE YOU GET
TO BECOMING YOUR MOTHER'S SON.
STEFAN: YOU NOTICE,
OF COURSE, I DIDN'T ACTUALLY
HARM HER.
LAURA: I KNOW.
I KNOW.
AND I'M NOT PUTTING
HER WELL-BEING AHEAD OF YOURS.
I'M NOT.
IT'S JUST THAT --
I DON'T KNOW.
I'M AFRAID -- NOT OF THE POLICE.
I'M AFRAID THAT -- THAT THIS IS
GOING TO CHANGE US SOMEHOW.
IT'S GOING TO CHANGE WHO WE ARE.
I WANT TO FIND YOUR MOTHER
GUILTY AS BADLY AS YOU DO --
BUT CAREFULLY, PLEASE.
WE HAVE SO MANY GHOSTS BETWEEN
US ALREADY.
STEFAN: THIS IS OUR END
GAME -- MY MOTHER'S AND MINE.
BUT I CAN PROMISE YOU I WILL
TAKE NO ACTION THAT I HAVE NOT
CONSIDERED WITH GREAT CARE.

JAX: ALEXIS, LISTEN TO ME.
BECAUSE IF YOU THINK YOUR LIFE
MEANS LESS TO ME THAN
MY BROTHER'S FREEDOM DOES,
THEN YOU ARE SERIOUSLY MISTAKEN.
ALEXIS: THAT'S THE NICEST
SCOLDING ANYONE HAS EVER
GIVEN ME.
NOW IT'S YOUR TURN TO LISTEN
TO ME.
YOU KNOW HOW NATURE INTERVENES
TO KEEP YOU FROM REMEMBERING HOW
AWFUL IT FELT TO BREAK AN ARM
OR BURST AN APPENDIX?
WHICH IS WHY I CAN REMEMBER
BETTER THAN YOU CAN THE STATE
OF MIND THAT YOU HAD A YEAR AGO
WHEN THEY HAULED YOUR
BROTHER OFF.
JAX: OH.
ALEXIS: I NEVER WANT TO SEE
THAT STATE OF SHOCK OR EMPTINESS
ON YOUR FACE AGAIN,
AND I BELIEVE THAT I HAVE
THE POWER TO PREVENT THAT.
CAN YOU HONESTLY SAY THAT
YOU WOULDN'T DO THE SAME THING
FOR ME?
AND DON'T SAY YES, BECAUSE
I WOULDN'T BELIEVE YOU.
THERE ARE CERTAIN THINGS A WIFE
JUST KNOWS.
JAX: RIGHT.

ELIZABETH: JUST WILL
YOU PLEASE BE CAREFUL?
HOLD ON WITH BOTH OF YOUR HANDS.
BOBBIE: WHAT AM I SUPPOSED
TO DO, PUT THE LIGHT BULB
IN WITH MY NOSE?
ROY: SO, HOW MANY NURSES DOES
IT TAKE TO CHANGE A LIGHT BULB?
BOBBIE: COULD YOU PLEASE NOT
STAND BEHIND ME?
ROY: I JUST GOT HERE.
WHERE AM I SUPPOSED TO STAND?
BOBBIE: SOMEWHERE ELSE.
ROY: YOU NEED A HAND
WITH THAT?
BOBBIE: NO, IT'S
A LIGHT BULB, BOY, NOT A FLAT
TIRE -- WHICH I COULD ALSO
CHANGE ALL BY MYSELF.
ELIZABETH: SO, HOW MANY
NURSES DOES IT TAKE TO CHANGE
A LIGHT BULB, ROY?
I'M ELIZABETH.
ROY: HI.
NONE.
THOSE SHEETS WERE FRESH LAST
WEEK.
WHY CHANGE IT?
BOBBIE: OH, THAT WAS CUTE.
VERY CUTE.
WE JUST LOVE ANTI-NURSE HUMOR
AROUND HERE.
ELIZABETH: OH, ARE YOU OK?
BOBBIE: YEAH, I'M FINE.

SONNY: YOU THINK THE SUN
NEEDS YOU TO HELP IT RISE?
YOU THINK THAT IF YOU DON'T PAY
ATTENTION, ALL THE OCEANS
DRY UP?
THE WORLD DOESN'T NEED
YOU TO GET ON WITH ITS BUSINESS,
AND NEITHER DO I.
JUST BECAUSE YOU DON'T KNOW WHAT
I'M DOING DOESN'T MEAN I DON'T.
CARLY: WHAT ARE YOU DOING?
DO YOU KNOW WHAT I LIKE LEAST
ABOUT YOU?
SONNY: WHAT?
CARLY: CAN I TELL YOU?
SONNY: YEAH.
CARLY: YOU'RE MORE
OF AN INGRATE THAN I AM, SONNY.
SONNY: OH --
CARLY: OH, NO.
YOU HAVE THIS EGO -- YOUR EGO IS
EVERYTHING, MAN.
IT DOESN'T MATTER --
SONNY: MM-HMM.
CARLY: IT DOESN'T MATTER WHO
GETS IN YOUR WAY OR HOW MUCH
YOU OWE THEM.
IF THEY CROSS YOU OR
IF YOU DON'T LIKE THEIR TONE
OF VOICE, THEY'RE DIRT.
SONNY: SO, HOW MUCH DO
YOU THINK I OWE YOU,
EXACTLY, CARLY?
CARLY: WELL --
I'M NOT TALKING ABOUT ME.
I'M TALKING ABOUT JASON,
FOR GOD'S SAKES.
LOOK, EVERY SECOND THAT HANNAH
IS HERE, EVERY MINUTE,
SHE'S COLLECTING INFORMATION
ABOUT YOU, ABOUT JASON,
ABOUT EVERYBODY ELSE THAT COMES
THROUGH THE DOOR.
DO YOU CARE?
DO YOU CARE?
NO, YOU DON'T CARE.
YOU WANT HER HERE SO YOU CAN
KICK HER AROUND A LITTLE BIT
MORE?
NEVER MIND WHOEVER ELSE YOU'RE
PUTTING AT RISK, RIGHT?
SONNY: YOU THINK JASON LIKES
YOU GOING AROUND BEHIND
HIS BACK, TELLING OTHER PEOPLE
HOW TO TREAT HIM?
CARLY: WHEN IT COMES TO YOU,
THAT'S WHAT HAS TO BE DONE
BECAUSE, WHEN IT COMES TO YOU,
JASON WON'T STAND UP
FOR HIMSELF.
HE LOVES YOU TOO MUCH.
HE'D LET YOU SELL HIM DOWN
THE RIVER IF YOU WANTED TO.
BUT I WON'T, SONNY.
NOT EVER.
SO, HERE'S THE DEAL.
EITHER YOU GET RID OF HANNAH,
OR I WILL.

SONNY: YOU NEED NOT TO BE
IN THIS ROOM RIGHT NOW,
FOR MY SAKE AND FOR YOURS.
CARLY: SONNY, TELL ME THAT
I'M WRONG, MAN.
TELL ME HOW YOU'RE FIGURING
YOU'RE GOING TO PROTECT
YOUR BEST FRIEND IN ALL THIS.
SONNY: NOTHING'S GOING
TO HAPPEN TO JASON HE CAN'T BE
PROTECTED FROM.
CARLY: WHAT DO YOU THINK?
WHAT DO YOU THINK?
YOU THINK THERE'S STILL A CHANCE
FOR YOU AND HANNAH?
IS THAT WHAT YOU THINK?
YOU THINK MAYBE SHE REALLY LOVES
YOU, MAN?
HMM?
YOU THINK MAYBE SHE'LL GIVE UP
EVERYTHING AND COME BACK,
BE WITH YOU?
WHAT IF IT DOESN'T PAY OFF?
WHAT IF YOUR LITTLE GAMBLE
DOESN'T PAY OFF?
WHAT HAPPENS?
YOU GO TO JAIL.
SO DOES JASON.
THAT MAKES HIM WHAT?
YOUR WAGER.
HE MEANS A LOT TO YOU, BUT NOT
AS MUCH AS YOUR LITTLE ITALIAN
PRINCESS?
SONNY: YOU KNOW NOTHING ABOUT
MY LIFE, THE VALUE I PLACE
ON THINGS.
WHAT JASON MEANS TO ME,
WHAT ANYBODY MEANS TO ME --
YOU KNOW NOTHING ABOUT THAT,
SO WHAT ARE YOU TALKING --
CARLY: DON'T KID YOURSELF.
YOU'RE NOT COMPLICATED.
YOU'RE SELFISH.
SONNY: ALL RIGHT,
YOU'RE GOING TO WALK OUT OF HERE
RIGHT NOW, AND YOU'RE GOING
TO KEEP YOUR MOUTH SHUT.
I KNOW WHAT HANNAH SCOTT IS,
AND I KNOW WHAT SHE'S GOING
TO BE LEFT WITH BY THE TIME I'M
DONE WITH HER.
YOUR SERVICES IN BURNING
THE WITCH AT THE STAKE ARE NOT
REQUIRED, AND JASON DOESN'T NEED
YOU TO GO MIXING IT UP
WITH THE F.B.I., BELIEVE ME.
IF ANYBODY'S GOING TO PUT HIM
IN FEDERAL PEN, IT'S GOING
TO BE YOU.
NOW, THIS IS MY BUSINESS.
YOU CROSS ME IN IT, CARLY,
AND YOU WILL BE ONE SORRY LITTLE
GIRL.
CARLY: BIG MAN.
MAYBE YOU CAN MAKE ME THINK
YOU'D HURT ME, BUT YOU'RE
OVERESTIMATING YOURSELF,
SONNY, IF YOU THINK YOU CAN MAKE
A WOMAN WHO YOU HATE THINK THAT
YOU LOVE HER.
IT'S NOT AS EASY AS IT SOUNDS.
JUST TRUST ME.
AND YOU KNOW WHAT?
I DON'T KNOW IF THEY'RE GOING
TO LOCK YOU UP AND THROW AWAY
THE KEY, BUT I HALFWAY HOPE THAT
THEY DO.
BUT IF JASON MORGAN GOES DOWN
WITH YOU, IT'S ON YOUR HEAD,
MAN.

BOBBIE: PARTNERSHIP
WITH LUKE?
ROY: YEAH.
WELL, YOU KNOW, WHEN LUKE'S
SERIOUS ABOUT SOMETHING
FOR 12 WHOLE HOURS, IT'S LIKE
IT'S A DONE DEAL IN HIS MIND.
BOBBIE: JUST LIKE THE OLD
DAYS, HUH?
ROY: NO.
NO, IT'S NOT, AND THAT'S --
THAT'S WHAT I WANT TO MAKE
CLEAR.
I MEAN, IT DOES SEEM LIKE LUKE
AND I ARE REAL TIGHT STILL --
WHICH NOT SEEING HIM
FOR 20 YEARS PROBABLY HELPED
BECAUSE USED TO BE WE WERE
ALWAYS ON THE VERGE OF PUNCHING
EACH OTHER'S LIGHTS OUT.
BUT -- BUT IT IS DIFFERENT.
I MEAN, HE'S WORKING FOR HIMSELF
NOW, NOT FRANK SMITH.
AND IT'S NOT ABOUT THE FUN.
HE'S SUPPORTING A KID.
AND I'VE GOT TO HUSTLE SOME
MONEY FOR MY, YOU KNOW,
LONG-DELAYED ADULTHOOD.
EVEN THOUGH I HAVE NOTHING
TO BRING TO THE PARTY EXCEPT
A STRONG BACK AND A LOT OF FREE
EVENINGS.
SO, I MEAN, I KNOW IT'S NOT
GOING TO BE AN EQUAL PARTNERSHIP
UNTIL I EARN IT, IF IT EVEN
LASTS THAT LONG.
BUT I JUST THOUGHT THAT I SHOULD
RUN THE IDEA BY YOU FIRST.
BOBBIE: WHY?
I DON'T EXPECT YOU NOT TO BE
FRIENDS WITH LUKE.
ROY: WELL, I DIDN'T THINK
YOU DID.
BOBBIE: YOU, OF ALL PEOPLE,
SHOULD KNOW BETTER THAN TO WORRY
ABOUT THINGS BEING 50/50
WITH LUKE.
I MEAN, IF HE LOVES YOU,
WHATEVER HE'S GOT IN HIS POCKET
IS YOURS -- WHICH MOST PEOPLE
WOULD SAY IS THE DOWNSIDE.
ROY: GUESS I'M GOING TO HAVE
TO SPELL THIS OUT.
I DON'T WANT YOUR BROTHER'S CLUB
TO BE A PLACE YOU WANT TO AVOID.
BOBBIE: WHY WOULD I?
ROY: BECAUSE ME BEING BACK IS
HARD.
YOU KNOW, YOU ASKED ME FOR SOME
ROOM, AND I KNOW THAT I DON'T
FIT IN WITH THE WAY THINGS ARE
FOR YOU NOW.
BOBBIE: ROY, YOU DON'T REALLY
THINK THAT I WALK AROUND
DREADING THAT I MIGHT SEE YOU?
IF I DID THAT TO YOU, IF I MADE
YOU FEEL THAT WAY, I AM
SO SORRY.
ROY: NO, YOU DIDN'T --
YOU DIDN'T DO ANYTHING, BOBBIE.
BOBBIE: DID I NOT SAY IT?
I GUESS I DIDN'T.
WHEN I SEE YOU, MY HEART IS
SO HAPPY.
I LOVE KNOWING THAT YOU'RE ALIVE
AND STRONG AND HEALTHY
AND HANDSOME AS EVER.
AND I LOVE KNOWING THAT YOU BEAT
FRANK SMITH AND NOT VICE VERSA.
BECAUSE IT TAKES ONE OF THE MOST
PAINFUL THINGS THAT EVER
HAPPENED IN MY LIFE AND TURNS IT
INTO SOMETHING GOOD.
GRANTED, I NEED TO THINK
OF A NEW WAY TO SEE YOU -- NOT
AS A GHOST
OR AS MY FIANCE BECAUSE I'VE
ALREADY GOT ONE OF THOSE.
BUT IN THE MEANTIME, YOU WORK
WHERE YOU WANT TO WORK
AND YOU BE WHERE YOU WANT TO BE,
AND DON'T YOU DARE EVER LET
ANYBODY MAKE YOU FEEL THAT
YOU OUGHT TO HIDE YOUR FACE.
ROY: THANKS.

JUAN: I COULD RENT ONE
OF THOSE POWER WAXERS.
YOU KNOW, I'VE NEVER USED ONE
BEFORE, BUT I'M SURE THEY COME
WITH INSTRUCTIONS.
NED: WHOA, WHOA.
JUAN: NO, OR A RUG SHAMPOOER
IF YOU DON'T HAVE ANY HARDWOOD
FLOORS.
NED: JUAN, I DON'T HAVE
ENOUGH FLOORS, PERIOD, TO KEEP
YOU BUSY RIGHT NOW.
NOW, I'M LOOKING TO MOVE L&B OUT
OF THE GATEHOUSE, BUT I REALLY
HAVEN'T FOUND THE RIGHT
PROPERTY YET.
EMILY: WELL, THERE'S LOTS
OF "FOR SALE" AND "FOR RENT"
SIGNS ALL AROUND OUR SCHOOL.
IF YOU WANT, I CAN FIND YOU SOME
PHONE NUMBERS.
NED: WELL, YOU KNOW, I HAVE
NEVER BEEN SO BOMBARDED
BY HELPFULNESS IN MY LIFE.
THANK YOU.
EMILY: ALL RIGHT,
WELL, WE BETTER GET TO SCHOOL.
JUAN: I'LL SEE YOU
AT THE GATEHOUSE LATER?
HOPE THOSE FLOORS ARE READY
FOR ME.
EMILY: DO I HAVE SOMETHING
ON MY FACE?
CHLOE: NO, NO, NO.
I LOVE WHAT YOU'RE WEARING.
IT'S GIVING ME AN IDEA.
EMILY: WHAT, THIS?
CHLOE: MM-HMM.
JUAN: SHE HAS NO IDEA SHE'S
BEAUTIFUL.
CAN YOU BELIEVE THAT?
I MEAN, SHE THINKS SHE'S
AVERAGE.
EMILY: ALL RIGHT,
CAN WE PLEASE GO NOW?
BYE.
NED: BYE.
CHLOE: BYE.
JUAN: LET'S FACE IT.
I MADE AN EXCELLENT IMPRESSION.
EMILY: YEAH, YOU DID.
BUT DO ME A BIG FAVOR.
WHEN YOU'RE TALKING TO PEOPLE
ABOUT ME, PLEASE DON'T USE
THE WORD "BEAUTIFUL"
OR "AVERAGE," OK?
JUAN: YOU WANT TO KNOW
SOMETHING?
I HAVE THIS GUT FEELING THAT I'M
GOING TO END UP RUNNING THAT L&B
SOMEDAY.
YOU MAY LAUGH NOW, BUT I CAN SEE
IT HAPPENING.
YOU KNOW, YOUR COUSIN STARTS
TRUSTING ME, MOVES ON
TO SOMETHING ELSE, AND HANDS
THE REINS OVER TO ME -- SINCE
WHO ELSE IS THERE?
EMILY: I'M NOT LAUGHING.
JUAN: YEAH.
LET'S SEE SONNY TRY TO TELL ME
I'M SOME IGNORANT HICK THAT
DOESN'T KNOW ANYTHING THEN.
NED: THANKS, ELIZABETH.
ELIZABETH: THANK YOU.
NED: IT WAS GREAT.
SO, ARE WE READY?
CHLOE: YOU GO AHEAD.
I'M GOING TO FINISH THIS WHILE
IT'S STILL FRESH IN MY MIND.
NED: WHAT IS THAT THAT YOU'RE
SKETCHING ON?
CHLOE: I DON'T TRAVEL
WITH PAPER, AND YOUR BRIEFCASE
WAS OPEN.
NED: FINE.
I'LL JUST TAKE THE CONTRACT OUT.
UM --
THIS ISN'T WHAT EMILY WAS
WEARING, WAS IT?
CHLOE: YEAH.
YEAH, IT WAS.
SHE AND JUAN RATE VERY HIGH
ON THE ADORABLENESS METER.
NED: OH, YES, I NOTICED.
YES, THERE'S NO ACCOUNTING
FOR LOVE.
I'VE EVEN SEEN A GROWN WOMAN
HEAD OVER HEELS FOR A GUY WHO
KEEPS TRYING TO DROWN HER.
CHLOE: ACCIDENTS HAPPEN.
NED: AS A CONCERNED HUSBAND,
THE NEXT TIME YOU'RE STRANDED
WITH THIS GUY, DO ME A FAVOR --
MAKE IT ON DRY LAND.
NOT THE MOUNTAINS OR THE DESERT.

ELIZABETH: HERE YOU GO.
CHLOE: WHAT --
WHAT DO YOU THINK?
ELIZABETH: ME?
CHLOE: YEAH.
DOES IT LOOK CLUNKY TO YOU?
ELIZABETH: NO, I THINK IT
LOOKS BEAUTIFUL.
SORRY.
CHLOE: NO, I APPRECIATE
THE COMPLIMENT.
ELIZABETH: BUT YOU WANT HELP,
RIGHT?
I COMPLETELY UNDERSTAND HOW
YOU FEEL.
SOMETIMES I'LL DRAW SOMETHING
OVER AND OVER AGAIN, AND I KNOW
IT'S NOT RIGHT, SO I'LL ASK
SOMEBODY ELSE TO GET A FRESH
OPINION, AND THEY'LL SAY,
"IT'S BEAUTIFUL."
BUT I FEEL LIKE TELLING THEM,
"THANKS, BUT TELL ME WHAT'S
REALLY WRONG WITH IT."
CHLOE: EXACTLY.
ELIZABETH: EXCEPT I GUESS I'M
NO BETTER BECAUSE, TO ME,
THAT OUTFIT LOOKS PERFECT.
CHLOE: REALLY?
ELIZABETH: MM-HMM.
CHLOE: WELL, MAYBE,
THEN, I NEED TO JUST WALK AWAY
FROM IT.
SOMETIMES I DO THAT.
I WALK AWAY, AND WHEN I COME
BACK, I CAN SEE EXACTLY WHAT WAS
BOTHERING ME.
DOES THAT EVER WORK FOYOU?
ELIZABETH: NO, I'VE NEVER
TRIED IT.
USUALLY I'LL WORK A THING
TO DEATH AND I'LL EITHER END UP
HATING IT, TEARING IT UP,
OR LOVING IT AND CONVINCING
MYSELF THAT I'M A BRILLIANT
ARTIST.
CHLOE: WHAT MEDIUM DO
YOU WORK IN?
ELIZABETH: OH, NO, NO, NO.
I DIDN'T MEAN THAT -- I MEANT
I CONVINCE MYSELF THAT'M
A BRILLIANT ARTIST.
TO EVERYONE ELSE, I'M JUST
AN ART STUDENT.
CHLO BUT DO YOU LOVE WHAT
YOU DO, WHATEVER ART YOU MAKE?
ELIZABETH: I THINK I LOVE
IT -- WHEN I'M NOT TEARING
MY HAIR OUT.
MUST BE NICE TO HAVE A JOB DOING
WHAT YOU WANT.
CHLOE: I AM INCREDIBLY
FORTUNATE.
PLUS I HAD HELP FROM A DOTING
GREAT-UNCLE, AND I STUCK
WITH IT.
THAT IS THE BEST ADVICE I CAN
GIVE.
IF YOU DON'T GIVE SOMETHING
A TRY, YOU'LL NEVER KNOW WHAT
YOU COULD DO.
THAT PROBABLY SOUNDS
NAUSEATINGLY SELF-IMPORTANT.
ELIZABETH: ACTUALLY,
IT SOUNDS A LOT LIKE SOMETHING
MY BOYFRIEND USED TO SAY.
JAX: HEY.
ELIZABETH: CAN I GET
YOU ANYTHING?
JAX: YEAH, SURE.
I'LL HAVE A COFFEE.
MILK AND SUGAR.
THANKS.
MIND IF I JOIN YOU?
CHLOE: ARE YOU SURE IT'S
SAFE?
JAX: AS LONG AS WE STAY
ON OPPOSITE SIDES OF THE TABLE.
CHLOE: I'M NOT SURE
I WANT TO.
JAX: NEITHER AM I.
WHICH IS WHY I PLAN TO TAKE
YOU SOMEPLACE WHERE THERE ARE
NO TABLES, NO GERTRUDE,
NO IMPEDIMENTS OF ANY KIND.

JOHNNY: LUKE'S HERE.
HE WANTS TO KNOW IF --
SONNY: I CAN SEE WHO IT IS,
JOHNNY.
THANKS.
LUKE: BAD TIME?
SONNY: AS A MATTER OF FACT --
LUKE: ALL RIGHT, I'LL MAKE IT
SHORT.
LOOK, IT TURNS OUT THAT
OUR PARTNERSHIP ISN'T AS EASY
TO DISSOLVE AS WE THOUGHT IT WAS
GOING TO BE, SO I NEED
YOU TO SIGN A TRANSFER
OF OWNERSHIP.
SONNY: YOU COULDN'T SEND
ANYTHING TO MY ATTORNEY?
YOU'RE IN THAT MUCH OF A RUSH?
LUKE: WELL, YEAH, THERE IS
KIND OF A RUSH.
SEE, I'VE GOT A NEW PARTNER.

ROY: MR. SOREL.
I'M SORRY TO BE LATE.
I FORGOT MY LUNCH.
SOREL: IN THE IMMORTAL WORDS
OF ONE OF OUR GREAT PRESIDENTS,
ASK NOT WHAT I CAN DO
FOR YOU BUT WHAT YOU CAN DO
FOR ME.
WHAT CAN YOU DO, DeLUCA?
ROY: WELL, I TAKE IT THAT
SONNY CORINTHOS, HIS BUSINESS,
HIS ASSOCIATES -- THAT THEY'RE
OF SOME INTEREST TO YOU.
SOREL: I DON'T SAY YES,
I DON'T SAY NO.
ROY: UH-HUH.
WELL, IF THAT WAS THE CASE, I AM
WELL-PLACED TO BE YOUR EYES
AND EARS BECAUSE BY DAY I WORK
AT HIS WAREHOUSE AND BY NIGHT
I'LL BE WORKING WITH HIS FORMER
PARTNER AT A CLUB THEY USED
TO RUN TOGETHER, A PLACE CALLED
LUKE'S.
SOREL: YEAH.
I KNOW THE DIVE.
ALL RIGHT.
YOU KEEP YOUR EARS OPEN.
AS SOON AS YOU COME BY THE SORT
OF INFORMATION THAT YOU SUSPECT
MIGHT BE VALUABLE TO ME,
WHATEVER SORT THAT MAY BE,
YOU LET ME KNOW.
AND IF YOUR GUESS IS RIGHT,
DeLUCA, I WILL NOT BE STINGY
IN EXPRESSING MY GRATITUDE.
THAT GOOD ENOUGH?
ROY: IT'S GOOD ENOUGH.
SOREL: ALL RIGHT.
YOU KNOW, DeLUCA, THERE IS
NOTHING WRONG WITH BEING HUNGRY.
THERE'S NOTHING WRONG
WITH AMBITION.
AS LONG AS IT'S PROPERLY
CHANNELED.
ROY: I'LL KEEP THAT IN MIND,
SIR.

CHLOE: THIS PLACE -- IS IT
NEAR WATER?
JAX: WOULD YOU LIKE IT TO BE?
CHLOE: I ALWAYS ENJOY GETTING
SOAKING WET WITH YOU,
BUT I WOULD PREFER IT
AS AN OPTION AND NOT
AN INEVITABLE CONCLUSION.
JAX: OK, SO WHAT WE REQUIRE
IS A VERSION OF HEAVEN THAT IS
NOT ON THE WATER BUT NEAR
THE WATER.
ANY OTHER REQUESTS?
CHLOE: SHOULD I PACK A BAG?
JAX: THAT WOULD BE ADVISABLE.
CHLOE: AS SIGRID
OR MRS. ASHTON?
JAX: HOW WOULD YOU FEEL ABOUT
A THIRD IDENTITY?
CHLOE: FOURTH.
REMEMBER, I'M ALSO
MRS. LASSENPFEFFER.
JAX: WHAT IF YOU WERE JUST
CHLOE AND I WERE JUST JAX
IN A ROOM TOGETHER, WITH NO ONE
THREATENING TO BARGE IN,
NOTHING AT STAKE BUT HOW
WE FEEL?
CHLOE: THAT WOULD BE FINE.
JAX: I JUST WANTED TO MAKE
SURE BEFORE I MADE THE
ARRANGEMENTS.
CHLOE: I'VE NEVER BEEN SURER
OF ANYTHING IN MY ENTIRE LIFE.
JAX: GOOD.
THEN TELL THAT RIDICULOUS
HUSBAND OF YOURS THAT YOU'RE
LEAVING HIM.
CHLOE: WHEN?
JAX: TOMORROW AFTERNOON.
MEET ME AT 3:00 AT THE
ELM STREET PIER.
CHLOE: WE'RE NOT GOING
BY BOAT.
JAX: I'M NOT TAKING ANY
CHANCES THIS TIME --
INCLUDING GERTRUDE SEEING US
LEAVE THE HOTEL TOGETHER.
CHLOE: TOMORROW AFTERNOON
AT 3:00.
I'LL BE THERE.
JAX: I'LL BE WAITING.

ROY: HEY, YOU.
BOBBIE: HI.
YOU DIDN'T GET THAT SANDWICH
FROM US.
ROY: NO.
WHAT, DID THEY PASS A LAW, A GUY
CAN'T MAKE HIS OWN LUNCH?
BOBBIE: HMM.
EXCEPT THAT THAT SANDWICH IS
NOTHING BUT BREAD AND MEAT.
ROY: I LICKED OUT THE CAVIAR
FIRST.
SO, YOU ON YOUR LUNCH BREAK,
TOO?
BOBBIE: NO, ACTUALLY,
I'M GOING TO MY OTHER JOB
AT THE HOSPITAL.
ROY: HMM.
SO, ALL YOU DO IS WORK, HUH?
BOBBIE: YEAH.
WELL, YOU KNOW.
IT'S A NICE WALK FROM JOB
TO JOB.
ROY: POP SNYDER'S STILL
AROUND THE CORNER FROM G.H.?
BOBBIE: YEAH, BUT POP DIED.
HIS BROTHER RUNS IT NOW, THOUGH.
THEY CALL HIM POP, TOO.
ROY: DO THEY STILL SELL THAT
RED LICORICE YOU LIKE?
BOBBIE: WHAT A THING
TO REMEMBER.
ROY: YOU KNOW ME.
WHEN SOMETHING IS FIRST-RATE,
IT STICKS IN MY MIND.
BUT, YOU KNOW --
DO YOU SUPPOSE AN ENGAGED LADY
COULD ACCEPT A COUPLE ROPES
OF LICORICE FROM A FORMER
ACQUAINTANCE WITH HALF
HIS PAYCHECK STILL LEFT?
BOBBIE: WELL, I THINK I'D
HAVE TO LOOK THAT UP IN A BOOK
OF ETIQUETTE, BUT I THINK IT
WOULD BE OK.

ALEXIS: ALL RIGHT.
BUT WYNDEMERE HAS TO HAVE SEEN
MANY A BLOND WIG IN ITS DAY.
WASN'T KATHERINE WEARING
A HAIRPIECE AT THE BACCHANALIA?
LAURA: YOU KNOW WHAT?
I HAVE TO GO PICK UP LESLEY LU.
SHE HAS A HALF A DAY AT SCHOOL.
DON'T BE DISCOURAGED.
I'LL CALL YOU LATER.
STEFAN: ALL RIGHT.
ALEXIS: ALL RIGHT, I'M SORRY.
I'M NOT SAYING THAT
YOUR DETECTIVE WORK ISN'T
STELLAR.
IT'S JUST THAT IT'S --
STEFAN: IT'S INSUFFICIENT
TO TAKE TO THE POLICE.
I KNOW.
ALEXIS: MM-HMM.
STEFAN: BUT I ALSO KNOW
HELENA IS FEIGNING PARALYSIS.
ALEXIS: AND HOW DO YOU KNOW
THAT?
I MEAN, WHEN YOU HAVE A STROKE,
DON'T YOU DO MOST OF
YOUR RECOVERY RIGHT AWAY?
STEFAN: THE DOCTORS
CLASSIFIED IT AS A SEIZURE,
I BELIEVE.
ALEXIS: CAUSED BY WHAT?
STEFAN: OF UNKNOWN ORIGIN,
IT WOULD SEEM.
ALEXIS: HMM.
OH, DEAR.
STEFAN: WHAT?
ALEXIS: YOU DID THIS TO HER,
DIDN'T YOU?
STEFAN: I DON'T FOLLOW YOU.
ALEXIS: WHAT DID YOU USE?
POISON, PILLS, WHAT?
STEFAN: THE DOCTORS
CLASSIFIED IT AS A SEIZURE.
THEY WERE QUITE CERTAIN
OF THEIR DIAGNOSIS.
ALEXIS: BUT I'M NOT THINKING
LIKE A DOCTOR RIGHT NOW.
I'M THINKING LIKE A
CASSADINE.
STEFAN: MEANING?
ALEXIS: MY GOD.
SO YOU KNOW THAT WHATEVER
YOU GAVE HER CAN BE UNDONE,
THERE'S SOME ANTIDOTE,
THERE'S SOME WAY TO UNDO THIS
WHOLE THING.
OH.
I DON'T THINK THIS DISCLOSURE IS
GOING TO SIT VERY WELL
IN YOUR DEFENSE.
YOU'RE GOING TO HAVE TO FIND
ANOTHER WAY TO PROVE THAT SHE'S
FAKING HER PARALYSIS.
DOES LAURA KNOW?
APPARENTLY NOT.
I WOULD SUGGEST IT WOULD BE
IN YOUR BEST INTEREST TO KEEP IT
THAT WAY.

SONNY: ROY DeLUCA?
LUKE: YEAH, THAT'S RIGHT.
SONNY: JUST OUT OF PRISON,
PUNCHING A TIME CLOCK
IN MY WAREHOUSE --
WHERE IS HE GOING TO GET
THE WHEREWITHAL TO INVEST?
LUKE: WELL, YOU KNOW, I CAN'T
REALLY TALK ABOUT ANOTHER GUY'S
FINANCES, BUT I CAN TELL
YOU THAT MONEY'S IMPORTANT TO ME
BUT, RIGHT NOW, WHAT'S MORE
IMPORTANT IS TO HAVE A PARTNER
WHO'S ON THE PREMISES,
TAKING CARE OF THINGS WHEN I'M
GONE.
SONNY: ALL RIGHT.
ANYTHING ELSE?
LUKE: NOPE.
YOU?
SONNY: IT'S ALL GOOD.
LUKE: GLAD TO HEAR IT.
THANKS.
SONNY: GET RID OF THAT,
WILL YOU?

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

TONY: HELLO, HELENA.
NICE TO SEE YOU AGAIN.

MONICA: THE CARLY SHOW IS
OVER.
CARLY: EXCUSE ME?

JERRY: I NEED YOUR HELP, JAX.
I'M IN BIG TROUBLE.

JASON: IT'S TOMORROW NIGHT,
10:00, PIER 17.

HANNAH: THIS IS AGENT SCOTT.
MIKE: HANNAH?

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