GH Transcript Friday 10/29/99

 

General Hospital Transcript Friday 10/29/99

Provided by Laura

ALEXIS: GREAT ROOM.
JAX: YEAH.
IT'S NICE.
ALEX: DID YOU SEE THAT
LOBBY?
THERE'S ENOUGH FLOOR WAX
TO QUALIFY AS AROMATHERAPY.
JAX: WELL, I PROMISE
YOU EVERY ONE OF YOUR SENSES
WILL GET ALL THE PAMPERING IT
NEEDS WHILE WE'RE IN THIS PLACE.
ALEXIS: OH, THIS IS GREAT.
I KISS YOUR FEET.
CHLOE: AFTER MY PEDICURE.
DOES YOUR ROOM HAVE A SET
OF THESE?
ALEXIS: HIS AND HER LOOFAS.
JAX: OOH.
NED: WELL, IF SO,
I'M CONFISCATING THEM.
JAX: OH, WOULD YOU RELAX?
NED: IT'S A SPA!
I'M RELAXED ALREADY!
JAX: OH, YES, I CAN SEE THAT.
CHLOE: YOU KNOW, THEY'RE NOT
GOING TO SPRINKLE FAIRY DUST
ON YOU.
YOU HAVE TO COOPERATE A LITTLE
BIT.
YOU HAVE TO GET INTO THIS JUST
A LITTLE BIT, YOU KNOW?
JAX: YEAH.
CHLOE: NOTHING'S GOING
TO CHANGE OR GET ANY WORSE WHILE
WE'RE GONE.
LIKE GERTRUDE.
ALEXIS: AND JERRY.
CHLOE: YES, TO NAME TWO OFF
THE TOP OF OUR HEADS.
SO YOU GOT TO JUST THINK ABOUT,
WELL, "WHY ARE WE IN A SCENIC,
HEALTHFUL, BEAUTIFUL SETTING
LIKE THIS ANYWAY"?
NED: TO DO THINGS
WITH YOUR CLOTHES OFF?
ALEXIS: GOOD ANSWER.
NED: AH.
JAX: SEE, I WAS GOING TO SAY
THAT IF HE DIDN'T.

FELICIA: HI.
HI.
BOBBIE: HI.
HE'S HERE.
I DON'T THINK HE'S LEFT
THE CLUB.
FELICIA: WHO?
BOBBIE: FELICIA, WHAT WOULD
YOU DO IF FRISCO SUDDENLY SHOWED
UP WITHOUT WARNING OUT
OF THE BLUE?
FELICIA: WELL,
I'D PROBABLY MAKE HIM A NICE
DINNER.
WHY?
BOBBIE: WELL, IT'S NOT EVEN
REMOTELY THE SAME.
FORGET I ASKED.
FELICIA: ASKED WHAT?
BOBBIE: WELL, FOR ONE THING,
FRISCO HASN'T BEEN GONE ANYTHING
LIKE 20 YEARS AND HE'S NOT DEAD
AND YOU'RE OVER HIM -- WELL,
ACTUALLY, THAT PART'S THE SAME.
FELICIA: OH.
GOD, I HOPE HE'S NOT DEAD.
BOBBIE: DID I SAY THAT?
I'M SORRY.
I DIDN'T MEAN TO SAY THAT.
20 YEARS AGO, I WAS IN LOVE
WITH A GUY, A FRIEND
OF MY BROTHER'S WHO WAS SHOT
AND KILLED, AND AT THE TIME
I THOUGHT IT WOULD KILL ME, TOO.
FELICIA: YEAH. ROY.
I KNOW.
YOU WERE ENGAGED TO HIM.
BOBBIE: WELL, I MAY HAVE
PICTURED ANGELS CARRYING HIM OFF
TO PARADISE, BUT IN REALITY IT
WAS THE F.B.I., AND THE LAST
STOP WAS PENTONVILLE.
AND NOW --
FELICIA: HE'S HERE?
BOBBIE: YEAH.
FELICIA: WHAT ARE YOU GOING
TO DO?
BOBBIE: WELL, I'VE BEEN
SITTING HERE THINKING ABOUT IT,
AND I DON'T SEE THAT THERE
REALLY ANYTHING THAT I NEED
TO DO.
FELICIA: OH.
WELL, WHAT'S HE LIKE NOW?
BOBBIE: HOW WOULD I KNOW?
IT'S BEEN 20EARS.
FELICIA: YEAH.
HE'S NOT THE SAME, YOU KNOW?
BOBBIE: I DIDN'T SAY THAT.
LUKE: HI.
FELICIA: HI.
LUKE: SO, HAVE YOU FIGURED
OUT WHY A GUY NOT BEING DEAD
MAKES HIM LESS DATEABLE
IN MY SISTER'S ESTIMATION?

LAURA: SO YOU SAW LUKE, THEN?
ROY: YEAH.
YEAH, WE -- WE CAUGHT UP.
IT WAS GOOD.
LAURA: OH.
AND BOBBIE?
ROY: YEAH.
LAURA: HOW WAS THAT?
ROY: WELL, I FIGURED IT WOULD
GO ONE OF THREE OF FOUR WAYS,
AND IT -- IT PRETTY MUCH WENT
ALL OF THEM AT ONCE.
LAURA: WELL, SHE --
ROY: SHE'S GETTING MARRIED.
I KNOW.
LAURA: NO, THAT'S NOT WHAT
I WAS GOING TO SAY.
IT TOOK HER A REALLY LONG TIME
TO PUT HERSELF BACK TOGETHER
AFTER SHE LOST YOU.
I DON'T KNOW.
MAYBE WE ALL HAVE TO DO THAT
EVERY FEW YEARS.
WHAT?
I -- I KNOW.
I'VE CHANGED.
ROY: OH, NO -- I'M -- OH --
SORRY.
I JUST -- IT'S ME.
I'M --
I'M SORRY.
LAURA: WHAT?
ROY: I'M JUST STARING
AT EVERYTHING.
IT'S SO WEIRD.
YOU KNOW, I -- I --
IT'S LIKE I CAN'T GET IT THROUGH
MY HEAD THAT I'M WALKING AROUND
STILL BREATHING.
I DIDN'T KNOW ANYBODY'D BE HERE
TO CARE ONE WAY OR THE OTHER,
YOU KNOW?
I THOUGHT I'D BE STARTING
OVER -- NEW FACES, NEW STREET
NAMES, NEW BUILDINGS, EVERY NOW
AND THEN MAYBE A FLASH
OF SOMETHING I REMEMBERED,
BUT IT'S NOT LIKE THAT.
IT'S LIKE SOMEBODY HIT
THE TURNTABLE AND THE NEEDLE
JUST SKIPPED.
YOU LOOK GREAT.
LAURA: THANKS.
SO DO YOU.
ROY: I'M GLAD TO BE OUT.
LAURA: WHERE WERE YOU BEFORE
PENTONVILLE?
ROY: NAH.
OUR UNDERAGE WAITRESS.
LAURA: NOBODY EVER ASKS ME
FOR MY I.D. ANYMORE.
CAN YOU BELIEVE THAT?
ROY: OH, THAT'S A CRIME.
THAT SECTION WE CREATED
AT THE DISCO JUST FOR YOU,
THE LAURA BALDWIN SECTION,
WHERE WE DIDN'T SERVE DRINKS --
LAURA: OH, BOY.
I DOUBT THE STATE WOULD GO
FOR THAT THESE DAYS.
ROY: YEAH.
WELL, SO WHAT EVER HAPPENED?
YOU KNOW, I --
I GUESS YOU PROBABLY HAD TO BE
THERE.
LAURA: WHAT?
ROY: WELL, I JUST -- I ALWAYS
HAD THE FEELING THAT
YOU AND LUKE WOULD GET TOGETHER.
LAURA: WE WERE MARRIED.
WE HAD TWO CHILDREN.
ROY: OH.
LAURA: I GUESS WHEN YOU SAW
HIM, THAT SUBJECT DIDN'T
COME UP.

SOREL: I'M CONCERNED THAT
YOU'VE MISUNDERSTOOD ME, SIR.
SONNY: NO, I DON'T WANT
TO UNDERSTAND YOU.
IF MY PARTNER CAN'T HEAR IT,
I'M NOT INTERESTED.
SOREL: I WAS JUST TRYING
TO SUGGEST THAT MORGAN -- HOW
SHALL WE SAY -- STRETCHES
THE LIMITS.
AND I'M SURE A CONFRONTATION IS
THE LAST THING THAT
YOU PERSONALLY WANT RIGHT NOW.
SONNY: IF MORENO HAS
A PROBLEM WITH OUR TERMS,
YOU TELL HIM I SAID SPEAK TO ME
DIRECTLY.
SOREL: WHAT IF I WERE TO TELL
YOU THAT I'M TRYING TO OPEN UP
A DIALOGUE, LET'S SAY?
SONNY: BETWEEN YOU AND ME?
I'D SAY I'M CLOSING IT.
NOW GET THE HELL OUT
OF MY SIGHT.
SOREL: ALL RIGHT.

CARLY: YOU KNOW, I NEVER HAD
A REAL HIGH OPINION OF HANNAH.
I MEAN, I CALLED HER A LOT
OF NAMES, LIKES TRASH, SLUT.
SLUT.
THAT'S EXACTLY WHAT SHE IS, MAN.
SHE IS A GOVERNMENT-PAID HOOKER.
SHE WAS PAID MONEY TO WORK
HER WAY INTO SONNY'S BED AND PUT
HIM IN PRISON.
JASON: OBVIOUSLY THEY THOUGHT
SONNY WAS WORTH THE TIME
AND EFFORT.
CARLY: YOU KNOW THAT HE LOVES
HER.
YOU KNOW THAT I'M RIGHT.
JASON, WE CAN'T TELL HIM.

JASON: ALL I'VE BEEN WAITING
FOR IS PROOF, AND NOW
WE HAVE IT.
CARLY: EXACTLY.
PROOF IS POWER, JASON, SO WE GO
TO HANNAH AND WE TELL
HER WE KNOW.
AND WE MAKE HER DISAPPEAR.
JASON: TO BE REPLACED
BY WHAT?
CARLY, YOU THINK THE F.B.I.'S
JUST GOING TO GIVE UP?
CARLY: AS LONG AS YOU KNOW
THAT THEY'RE WATCHING, WHY DOES
SONNY HAVE TO?
I MEAN --
I MEAN, HE WAS ARRESTED.
THAT'S WARNING ENOUGH.
ALL HE HAS TO KNOW IS THAT
HANNAH DISAPPEARED.
JASON: LOOK, IT'S REALLY
NICE -- I MEAN THIS -- IT'S
REALLY NICE WHAT YOU'RE TRYING
TO DO AND MAYBE
IT COULD EVEN WORK.
BUT I CAN'T.
CARLY: WHY?
JASON: IT'S THE WRONG THING.
CARLY: BUT WHY?
I MEAN, IF IT'S FOR THE GUY'S
OWN GOOD --
JASON: CARLY, SONNY IS
THE ONLY ONE WHO NEVER LIED
TO ME -- NEVER -- OR DID
SOMETHING WORSE BECAUSE IT WAS
FOR MY OWN GOOD.
NO.
HE GETS TO DECIDE WHAT TO DO
ABOUT HIS OWN LIFE.
I OWE HIM THAT.
CARLY: OK.
BUT WHAT IF, YOU KNOW -- WHAT IF
HE LOCKS HIMSELF IN
THE PENTHOUSE AND HE JUST STARTS
SMASHING THINGS AND FONDLING
BROKEN GLASS?
I MEAN, IS THAT WHAT YOU WANT
TO HAPPEN?
BECAUSE I DON'T.
JASON: NO, I DON'T.
BUT --
CARLY: BUT WHAT?
JASON: IT IS NOT OUR CHOICE
TO MAKE.

LUKE: IT'S LIKE WE PICKED UP
WHERE WE LEFT OFF -- OR MORE
LIKE WE PICKED UP BEFORE WE LEFT
OFF, BEFE THE GRIM REAPER GAVE
US THAT FALSE ALARM.
YOU KNOW, I NEVER EXPECTED IT
WAS POSSIBLE, BUT AFTER
20 YEARS, ROY STILL FEELS LIKE
MY BROTHER.
FELICIA: I THINK IT'S
AN AMAZING STORY.
BUT STILL, YOU KNOW, A LOT
HAPPENS TO A PERSON IN 20 YEARS.
MAYBE IT'S A GOOD IDEA JUST
TO STEP BACK AND TRY TO REMEMBER
HE'S NOT THE SAME GUY THAT
HE USED TO BE.
BOBBIE: YEAH.
I WASN'T EVEN CARLY'S AGE WHEN
I KNEW HIM.
I MEAN, AND HE WAS JUST OLD
ENOUGH TO BE VERY GLAMOROUS
TO ME.
YOU KNOW, HE HAD HIS OWN MONEY,
HAD HIS OWN CAR.
HE HAD THESE GREAT CLOTHES --
WELL, FOR THE 1970s THEY WERE
GREAT CLOTHES.
LUKE: YOU GET THE FEELING
THAT THATOOTHY AUSTRALIAN IS
LOOKING NOT SO GOOD RIGHT NOW?
BOBBIE: DO YOU SEE HOW HE IS?
HE WOULD TELL ME THAT I HAVE
UNSOLVED FEELINGS FOR CLAUDE
IF HE THOUGHT I WOULD POSTPONE
MY WEDDING.
LUKE: NOT CLAUDE.
I WANT YOU WITH SOMEONE
EMPLOYED.
CLAUDE'S BEEN FIRED --
OVER AND OR AGAIN.
BUT SHE HAS MARRIED WORSE.
BOBBIE: WE'RE DONE NOW.
I'M NOT GOING TO DISCUSS
MY EMOTIONAL LIFE WITH
YOU ANYMORE.
BYE.
LUKE: BYE.

[KNOCK ON DOOR]
JAX: I'LL GET IT.
MAN: MR. LASSENPFEFFER?
AM I PRONOUNCING IT CORRECTLY?
ALEXIS: POSSIBLY.
MAN: DO I HAVE THE RIGHT
SUITE?
JAX: WELL, THAT DEPENDS.
CHLOE: OH, GOOD.
ARE YOU MY IN-ROOM MASSAGE?
MAN: MRS. LASSENPFEFFER.
CHLOE: YES. COME ON IN.
JAX: SORRY ABOUT THAT.
YOU CAN'T BE TOO CAREFUL THESE
DAYS.
CHLOE: YOU CAN SET UP
WHEREVER YOU LIKE.
NED: WHY DIDN'T YOU GIVE US
A NAME THAT I COULD PRONOUNCE?
JAX: YOU'RE HAVING A MASSAGE
IN HERE?
CHLOE: YEAH.
ISN'T THAT ALL RIGHT?
I THOUGHT EVERYONE HAD PLANS.
ALEXIS: WELL, HE DOESN'T WANT
A SEAWEED WRAP.
CHLOE: OH.
NED: WELL, I PREFER,
YOU KNOW, TO BE WRAPPED IN MUD.
I USED TO DO IT ALL THE TIME
AS A CHILD -- VOLUNTARILY.
JAX: YOU GOING TO HAVE
A MASSAGE IN HERE WITH A PERFECT
STRANGER, WITH NO CLOTHES ON?
CHLOE: I THINK HE'LL HAVE
HIS CLOTHES ON.
JAX: WELL --
NED: JAX, YOU BETTER COME
WITH ME.
HEY, DO YOU THINK THEY'LL LET ME
THROW MUD AT HIM MYSELF?
ALEXIS: NO.
LISTEN, WHAT'S MY NAME?
I MIGHT NEED IT BEFORE
I DETOXIFY.
CHLOE: PIPER.
ALEXIS: OH.
PETER AND PEPPER.
YOU GOT TO BE KIDDING.
NED: I'LL MEET YOU
DOWNSTAIRS.
JAX: OK.
SO YOU COULDN'T HAVE PICKED ANY
EASIER NAMES LIKE, PERHAPS,
SMITH OR JONES?
MASSEUR: READY WHEN YOU ARE,
MA'AM.
CHLOE: YOU AND NED PLAY
NICELY NOW.
JAX: OK.
BYE.
JAX: OK.
MASSEUR: DO YOU PREFER LOTION
OR OIL?
CHLOE: OIL, I THINK.
MASSEUR: ONE MOMENT.
JAX: AHEM.
CHLOE: OH!
THAT'S NOT MUSTARD, IS IT?
MMM.
YOU HAVE STRONG HANDS.
DON'T BE AFRAID TO USE THEM.
I'M NOT MADE OUT OF GLASS.
CHLOE: GOTCHA.
JAX: HEY, YOU DIDN'T SEE
THE WAY THAT GUY WAS LOOKING
AT YOU.
CHLOE: I THINK I LIKE THE WAY
YOU LOOK AT ME BETTER --
AS LONG AS YOU GIVE A DECENT
MASSAGE.
JAX: HOW HARD CAN IT BE?

LUKE: I KNOW WHAT YOU'RE
THINKING.
YOU'RE THINKING "WHAT HAPPENED
TO LUKE SPENCER,
THE INCURABLE CYNIC,
THE SUSPICIOUS CONSPIRATOR WHO
THINKS BEHIND EVERY SMILE IS
A TICKING TIME BOMB?"
WELL, I AM SUSPICIOUS BY NATURE.
AND I ALSO KNOW THAT 20 YEARS
IN A CAGE CAN CHANGE A MAN,
BUT WHAT IT'S DONE TO ROY
I DON'T KNOW BECAUSE I HAVEN'T
SEEN YET.
ALL I KNOW IS THAT WHATEVER
CHANGES THEY PUT HIM THROUGH
WERE BECAUSE OF ME.
HE DID THOSE 20 YEARS FOR ME.
ROY: LUKE WAS SO FULL
OF QUESTIONS, I NEVER GOT AROUND
TO ASKING HIM HOW HE SPENT
THE LAST 20 YEARS.
LAURA: YOU ALWAYS WERE
A GENTLEMAN.
A LITTLE ROUGH AROUND THE EDGES,
BUT ALWAYS REALLY CONSIDERATE.
ROY: DON'T HAVE SO MANY EDGES
ANYMORE.
YOU TWO DIVORCED NOW?
LAURA: I DON'T KNOW WHY.
I DON'T ASK.
BUT IT'S BEEN, YOU KNOW,
OVER A YEAR NOW SINCE WE LIVED
TOGETHER.
ROY: HMM.
TWO KIDS.
LAURA: ONE NOW.
ROY: OH.
OH, LAURA.
LAURA: I THINK YOU WOULD HAVE
REALLY LIKED OUR SON.
HE WAS AN AWFUL LOT LIKE LUKE.
AND OUR DAUGHTER, LESLEY LU,
STARTS KINDERGARTEN THIS YEAR.
ROY: LESLEY LU.
LOVE IT.
YOU KNOW WHAT ELSE LUKE
AND I DID?
WE TOOK A DRIVE UP TO
LOOKOUT POINT.
YEAH.
AND NOT TO LOOK FOR CAR KEYS.
THAT WAS PRETTY GUTSY OF YOU,
BY THE WAY.
LAURA: I DIDN'T KNOW WHAT
I WAS DOING.
ROY: YEAH, WELL, THAT WAS
YOU.
YOU JUST DID STUFF AND WORRIED
ABOUT IT LATER.
LAURA: YEAH.
YOU KNOW, I --
I DIDN'T KNOW THAT HE WAS
ORDERED TO DO THE MURDER.
I JUST KNEW THAT, YOU KNOW,
HE WAS TALKING LIKE EVERYTHING
WAS GOING TO BE OVER THAT NIGHT,
THAT IT WOULD BE THE END OF HIM.
AND I GOT SCARED.
ROY: YOU WERE RIGHT TO BE.
LAURA: BUT I ALWAYS FELT LIKE
I WAS THE ONE WHO GOT
YOU KILLED.
ROY: WELL, I'M SORRY.
I'M SORRY THAT I TOOK SO LONG
TO CORRECT THE IMPRESSION.
LAURA: BUT WHY DID YOU GO
INSTEAD?
I MEAN, WHY?
ROY: WELL,
I MUST'VE THOUGHT IT WOULD'VE
BEEN WORSE IF I DIDN'T.
AND WHO'S TO SAY I WASN'T RIGHT?
SEE, I KNOW SOMETHING NOW THAT
I DIDN'T KNOW THEN.
YOU KNOW, WE TALK ABOUT THAT
NIGHT, THAT CHAIN OF EVENTS
AND SAY, "LOOK WHAT THAT MADE
OF THE PAST 20 YEARS."
BUT WE COULD JUST AS EASILY BE
TALKING ABOUT THE NEXT MORNING
OR THE NEXT AFTERNOON
OR THE MONTH BEFORE, YOU KNOW?
IT ALL COUNTS.
THERE ARE NO SPARE PARTS.
IT'S ALL GOING SOMEPLACE.
AND YOU'RE NOT DRIVING.
YOU'RE JUST A PASSENGER, MOSTLY.
YOU THROWING THOSE KEYS
INTO THE DARK -- YOU MIGHT HAVE
SAVED LUKE'S LIFE.
BUT MAYBE YOU SAVED MINE, TOO.
AND I CAN'T THINK YOU WISH YOU'D
DONE ANYTHING DIFFERENTLY.
LAURA: THANK YOU.
ROY: AH.
LAURA: YOU KNOW WHAT?
I'VE GOT A LITTLE GIRL I HAVE
TO TAKE TRICK-OR-TREATING.
ROY: OH, WELL, YOU BETTER HOP
TO IT.
IF SHE'S ANYTHING LIKE
HER MOTHER, SHE'LL BE OUT THERE
ON HER OWN LOOKING FOR A HAUNTED
HOUSE OR SOMETHING.
LAURA: OH, DEAR.
ROY: YEAH.
LAURA: WELL, HOW CAN I GET
IN TOUCH WITH YOU?
ROY: OH, I'M AROUND.
US DEAD GUYS, WE'RE ALWAYS
UNDER FOOT.
LAURA: WELL, I'M
IN THE BOOK, SO --
ROY: OK.
LAURA: IT'S REALLY BEEN NICE
TO SEE YOU AGAIN.
ROY: LIKEWISE, LAURA.
LAURA: TAKE CARE.
ROY: OK.
CARLY: HI.
ROY: HI.
CARLY: HAVE YOU NOT BEEN
WAITED ON YET?
I CAN TAKE CARE OF IT.
ROY: UH -- OK.

CARLY: HI.
HANNAH: HI.
CARLY: WHERE'S ELIZABETH?
HANNAH: OH.
IS SHE ONE OF YOUR NEW FRIENDS,
TOO?
CARLY: AH. DAMMIT.
NOW, YOU SEE WHAT YOU JUST DID?
WE JUST LOST ANOTHER CUSTOMER.
HANNAH: "WE"?
CARLY: WHAT ARE YOU
STARING AT?
I DON'T HAVE ANY OPERA TICKETS
FOR YOU TODAY.
SORRY.
WHERE'S MY MOTHER?
HANNAH: WELL, NOW THAT WE'RE
ALL SUPPOSED TO BE FRIENDS,
I'M NOT TOO SURE HOW TO ACT.
CARLY: YOU NOT KNOW HOW
TO ACT?
COME ON.
YOU KNOW, WE COULD SIT AROUND
AND MAKE SMALL TALK.
WE COULD MAKE POLITE
CONVERSATION, TALK ABOUT MUTUAL
ACQUAINTANCES, ONE OF WHOM
I JUST RAN INTO.
HANNAH: OH.
JASON?
HOW UNUSUAL.
CARLY: NO, ACTUALLY, I THINK
HIS NAME IS PROF. RUSSELL
BRADBURN.
ISN'T THAT YOUR EX?

JOHNNY: HE'S BEEN LOOKING
FOR YOU.
JASON: YOU CAN TAKE OFF.
IT'S OK.
I'LL BE HERE.
SONNY: WHERE THE HELL
YOU BEEN?
SOREL GOT IN MY FACE
AT THE DOCKS.
I TELL YOU WHAT, I WANTED
TO BEAT THAT GUY UP.
JASON: WHAT'D HE WANT?
SONNY: WELL, POINT IS
YOU SHOULD'VE BEEN THERE,
HELP ME OUT, YOU KNOW?
JASON: I HAD SOMEONE I HAD
TO TRACK DOWN.
SONNY: WHO?
JASON: THE LEAK WE HAD.
SONNY: RIGHT.
JASON: YOU KNOW, THE ONE THAT
ALMOST GOT YOU ARRESTED,
ALMOST GOT THE WAREHOUSE RAIDED.
SONNY: YEAH, YEAH, YEAH.
JASON: WE KNEW SOMEBODY
SOMEWHERE WAS TALKING.
SONNY: WELL, I KNEW YOU WERE
WORKING ON IT.
I MEAN, I DIDN'T -- WOULD HAVE
BEEN NICE TO KEEP ME INFORMED.
JASON: I JUST HAD TO BE SURE.
SONNY: OH.
I GUESS YOU ARE NOW.
JASON: BECAUSE I KNEW
THAT IT WOULD BE --
SONNY: COME ON.
WHAT?
JASON: IT WOULD BE HARD.
SONNY: WHAT?
WHAT ARE YOU --
TELL ME.
JASON: IT'S HANNAH.

SONNY: I TRUST YOU.
I TRUST YOU MORE THAN ANYBODY
ON THIS EARTH.
AND I TRUST YOU BLIND.
AND I KNOW YOU UNDERSTAND WHAT
HANNAH MEANS TO ME,
THE LOVE SHE'S GIVEN ME, THE --
THE ACCEPTANCE THAT SHE'S SHOWN,
THE WAY SHE'S MADE IT POSSIBLE
FOR ME TO CONNECT WITH MIKE.
SHE'S MADE ME FEEL THINGS THAT
I THOUGHT WERE TORN OUT OF ME
AND SCARRED OVER.
SO,
WHAT I'M TRYING TO SAY IS
I LOVE HER.
SO YOU BETTER BE VERY,
VERY SURE BEFORE YOU ASK ME
TO PUT ALL THAT IN A HEAP
AND SET A FIRE TO IT.
JASON: I AM SURE.
SHE IS A FED.
AND I GOT THE PROOF.

HANNAH: WHY ARE YOU LYING?
CARLY: WHY WOULD I BOTHER?
HANNAH: I DON'T BELIEVE
YOU JUST HAPPENED TO RUN
INTO HIM.
CARLY: WHEN DID I SAY THAT?
STILL, IT'S A NICE BUILDIN
IT'S NOT BAD.
HANNAH: WHAT BUILDING?
CARLY: THE ONE YOUR EX
LIVES IN.
WHERE ELSE WOULD I FIND HIM?
I MEAN, I'M GLAD THAT HE'S
MANAGED TO FIND, YOU KNOW,
A PLACE THAT HE FEELS
COMFORTABLE SINCE YOU CAN'T
HARDLY EXPECT HIM TO HOP A PLANE
AND FLY HALFWAY ACROSS
THE COUNTRY EVERY TIME HE WANTS
TO SEE YOU.
HE'S GOT A HOT FUSE.
I THINK YOU GUYS HAVE THAT
IN COMMON.
BUT STILL, IT WAS A NICE
CONVERSATION.
IT WAS GOOD.
AND I'M SURE HE'LL TELL
YOU ABOUT IT.
HANNAH: I'M SO GLAD WE'RE
WE'RE PALS.
CARLY: YEAH, ME,
TOO, WHILE IT LASTS.
HANNAH: MM-HMM.
WELL, YOU KNOW WHAT?
CARLY: WHAT?
HANNAH: YOU'RE GOING TO BE
SUCKING IT UP FOR A LONG TIME
BECAUSE I PLAN TO BE A PERMANENT
PART OF SONNY'S LIFE.
CARLY: PLANS CHANGE.
CARLY: UGH.
HOW'D YOU GET HERE?
YOU SLIP IN THE BACK DOOR?
BOBBIE: GOD PUT ME ON THIS
EARTH TO MAKE YOUR LIFE
MISERABLE.
CARLY: YOU KNOW WHAT?
CAN WE STOP THIS, PLEASE?
BECAUSE SOMEHOW WE MANAGED
TO SWITCH SIDES, AND IT'S JUST
A LITTLE TOO WEIRD FOR ME.
WHAT'D YOU DO TO HER?
JERRY: WHO?
BOBBIE: ME.
CARLY: YOU'RE A BAD
INFLUENCE.
JERRY: YOU'RE A BAD SEED.
BOBBIE: CARLY --
CARLY: MY MOTHER WILL NEVER
LOVE YOU.
BOBBIE: THAT IS ENOUGH.
JERRY: WELL, WE CAN'T ALL BE
NONSTOP SUNSHINE AND CHEERS,
CAN WE?
CARLY: OK, YOU KNOW WHAT?
I THINK I'M GOING TO COME BACK
WHEN YOU'RE ALONE BECAUSE
I DOUBT YOU'RE GOING TO SEE MUCH
OF ME WHEN YOU BECOME
MRS. BAD INFLUENCE.

LUKE: AND NOW I CAN'T EVEN
REMEMBER WHY I DID IT,
WHY I INSISTED ON TAKING HER UP
TO LOOKOUT POINT TO SAY
GOOD-BYE.
I MEAN, THAT DOESN'T EVEN SEEM
LIKE ME.
IT'S NOSTALGIC OR SOMETHING.
BUT IF I HADN'T DONE IT,
MY WHOLE LIFE WOULD'VE BEEN
DIFFERENT --
IF I'D HAD A LIFE AFTER THAT
NIGHT.
FELICIA: I'M GOING TO HAVE
TO BE EVEN NICER TO LAURNOW.
LUKE: WHY DO YOU SAY THAT?
FELICIA: FOR NOT ALLOWING
YOU TO THROW YOUR LIFE AWAY.
I WOULD HAVE DONE THE SAME
THING.
LUKE: ISN'T THAT WHAT YOU'VE
BEEN DOING FOR THE LAST FEW
MONTHS?
FELICIA: WELL, IT STARTED OUT
THAT WAY.
[KNOCK ON DOOR]
LUKE: GO AWAY.
ROY: WAS IT SOMETHING I SAID?
LUKE: OH, ROY.
COME IN.
ROY: HEY, I COULD GO.
I COULD COME BACK.
FELICIA: NO, THAT'S ALL
RIGHT.
WE WERE JUST TALKING ABOUT YOU.
LUKE: ROY DeLUCA, MY OLDEST
FRIEND, FELICIA SCORPIO,
THE POLICE COMMISSIONER'S WIFE.
ROY: OH. HI.
FELICIA: HELLO.

CHLOE: THEY SAY YOU'RE
SUPPOSED TO DRINK PLENTY
OF WATER AFTERWARDS.
JAX: WHY?
CHLOE: I DON'T KNOW.
BUT MY MOUTH IS A LITTLE DRY.
JAX: YOU KNOW, I WASN'T SURE
I KNEW HOW TO DO THAT.
CHLOE: YOU COULD MAKE
A SECOND CAREER OF IT.
JAX: WASN'T SURE I'D KNOW
WHEN TO STOP.
CHLOE: YOUR HANDS WERE
PERFECT GENTLEMEN.
JAX: I'M NOT SURE I HAVE
STOPPED.
LUKE: FELICIA LIVED
IN THE SAME BROWNSTONE
AS BARBARA JEAN FOR A LONG TIME,
DIDN'T YOU?
FELICIA: MM-HMM.
YEAH, I DID.
ANY FRIEND OF LUKE'S
AND BOBBIE'S CAN COME KNOCKING
ON MY DOOR ANYTIME.
ROY: WELL, THANK YOU.
THANKS.
I --
I JUST WANTED TO LET YOU KNOW
THAT I TOOK YOUR ADVICE
AND FILLED SONNY IN ABOUT OLD
TIMES.
FELICIA: SONNY CORINTHOS?
ROY: YEAH.
LUKE: ROY IS NOW A WAGE SLAVE
AT THE COFFEE WAREHOUSE.
WELL, THAT'S GOOD, ROY.
YOU MIGHT NOT KNOW IT TO LOOK
AT SONNY, BUT HE HAS ON OCCASION
FOUND HIMSELF ON THE DIFFICULT
SIDE OF THE LEGAL AUTHORITIES,
ONE OF THEM BEING FELICIA'S
HUSBAND.
ROY: UH-HUH.
YEAH, WELL, THAT CAN HAPPEN.
SO, IT WAS GOOD TO MEET YOU.
FELICIA: OH, YEAH, SAME HERE.
LUKE: OH, HEY, WHY RUSH OFF?
ROY: OH, I HAVE BILLBOARDS
TO DEFACE, HUBCAPS TO LIBERATE,
YOU KNOW, QUARTERS TO FIND UNDER
SOFAS.
LUKE: HE'S MY OLDEST FRIEND
IN THE WORLD.
ISN'T HE GREAT?
I OWE HIM A LOT.
MOST RECENTLY, I OWE HIM
FOR TAKING THE GUN OUT
OF MY BACK -- FAISON'S GUN --
AND HE DID IT THE GOOD
OLD-FASHIONED WAY --
WITH A LEAD PIPE.
FELICIA: WHAT LEAD PIPE?
WHAT GUN?
LUKE: DIDN'T I JUST COVER
THAT?
FELICIA: WELL, WHERE WAS I?
LUKE: RIGHT HERE.
IN THE CLUB.

HANNAH: SHE OFFERED
YOU MONEY?
AGENT LARKIN: TO WHISK
YOU AWAY WITH ME, YEAH.
HELL, SHE'S A QUARTERMAINE.
THINK I SHOULD'VE TAKEN
THE MONEY?
HANNAH: BUT HOW DID SHE FIND
THE APARTMENT?
AGENT LARKIN: SHE SAID
SHE FOLLOWED ME.
HANNAH: DOESN'T THAT STRIKE
YOU A LITTLE ODD?
YOU'RE A TRAINED AGENT.
SHE HAS THE POWERS OF
OBSERVATION OF A FRUIT FLY.
AGENT LARKIN: SHE'S RICH.
SHE'S BORED.
SHE'S FIXATED ON MORGAN.
I MEAN, WHAT BETTER WAY
TO IMPRESS HIM THAN BY DOING
A BIG FAVOR FOR HIS BOSS, RIGHT?
NO.
IT'S ANNOYING, BUT I DON'T THINK
IT'S SINISTER.
BUT TO BE ON THE SAFE SIDE,
I'M GOING TO BE MOVING NEXT
WEEK.
HANNAH: GOOD, BECAUSE YOU'RE
STARTING TO BECOME A LIABILITY.
AGENT LARKIN: I AM?
HANNAH: I'M ABOUT TO CHANGE
ADDRESSES, AS WELL.
I'M MOVING IN WITH CORNITHOS.
THAT WAY I'LL HAVE ACCESS
TO EVERYTHING.
AGENT LARKIN: BE CAREFUL.
AND BE QUICK.
MIKE: WAS THAT HIM?
HANNAH: MIKE.
MIKE: YOUR SAN DIEGO
BOYFRIEND?
HANNAH: YEAH.
WHY?
MIKE: WELL, IT'S JUST THAT
WHAT I SAW FROM A DISTANCE,
IT LOOKED LIKE HE WAS GIVING
YOU SOME KIND OF TROUBLE.
HANNAH: YEAH, I DON'T KNOW
WHAT TO DO.
HE WON'T LEAVE ME ALONE.
MIKE: THIS IS WHAT YOU'RE
KEEPING FROM SONNY?
HANNAH: I DON'T KNOW HOW
TO TELL HIM.
MIKE: JUST SAY THE WORDS.
TRUST ME, DON'T LET THIS GO
BECAUSE IF HE'D SEEN WHAT I JUST
SAW, THERE'S -- HE'D THINK ALL
THE WRONG THINGS.
THERE'D BE NO WAY OF ASKING HIM
TO LISTEN THEN.
HANNAH: I KNOW.
YOU'RE RIGHT.
MY ONLY HOPE OF NOT LOSING HIM
IS TO RISK LOSING HIM.
MIKE: BUT IT WON'T COME
TO THAT.
LISTEN, HE'LL UNDERSTAND.
HANNAH: I GUESS.
WE'LL SEE.
THANK YOU.

SONNY: I CAUGHT HANNAH GOING
THROUGH MY DESK.
SHE SAID SHE WAS LOOKING
FOR MIKE'S NUMBER.
HOW ABOUT A PHONE BOOK, HONEY?
I BELIEVED HER.
YOU KNOW --
I BELIEVED EVERYTHING SHE SAID.
I DON'T KNOW WHAT I THINK I'M
GOING TO FIND IN THERE.
GO AHEAD.
JASON: THAT'S PROF. BRADBURN.
SONNY: YEAH?
JASON: THE GUY WHO CALLS
HANNAH IS DR. BRADBURN.
SONNY: RIGHT.
JASON: OK, NOW, THIS GUY IS
HER CONTACT OR SUPERIOR OR BOTH.
SONNY: WHERE'D YOU GET THIS?
JASON: CARLY GOT SUSPICIOUS
AND FLEW TO SAN DIEGO AND RIPPED
IT OUT OF A YEARBOOK THERE.
OK, THEN I RAN A TRACE
ON HANNAH'S GUN.
AND IT TURNED OUT TO BE
F.B.I.-ISSUE.
SO I TAILED HER
TO HER NEXT MEETING WITH THIS
GUY.
AND THAT WAS LAST NIGHT.
SONNY: SHE TOLD ME SHWAS
WASHING HER HAIR.
JASON: I FOLLOWED HIM
TO HIS APARTMENT.
I WAITED THIS MORNING UNTIL
HE LEFT --
SONNY: RIGHT.
JASON: AND THEN I BROKE IN.
THERE WAS AN F.B.I. FILE
WITH SURVEILLANCE PHOTOS, A COPY
OF A HANDWRITTEN LOG THAT HANNAH
KEPT -- WHO YOU MEET,
WHO YOU CALL,
HOW YOU GET TO THE ISLAND.
SONNY: HOW BAD IS IT, JASON?
JASON: WELL, IF ALL THEY HAVE
IS WHAT I FOUND, THEN I THINK
YOU'RE OK.
THERE'S NO ACCOUNT NUMBERS,
NO PASSWORDS, NOTHING LIKE THAT.
SONNY: AND THE DAMAGE IS
MINIMAL.
THAT'S GOOD, RIGHT?
JASON: YEAH.
YOU KNOW, THEY DIDN'T HAVE A LOT
THAT I COULD TAKE THAT WOULD BE
MISSED RIGHT AWAY.
JASON: EXCEPT FOR THIS.
SONNY: THANK YOU.

CHLOE: ARE WE --
JAX: YEAH, I THINK SO.
UNLESS --
CHLOE: DON'T ASK ME ANY
QUESTIONS.
I'M NOT GOOD AT TESTS.

FELICIA: DUMPED HIM
IN THE WOODS?
THAT SEEMED LIKE A SANE WAY
TO YOU TO DEAL WITH A SOCIOPATH?
LUKE: NO, I WANTED TO KILL
HIM.
BUT ROY'S A LITTLE SQUEAMISH
RIGHT NOW ABOUT THE IDEA
OF MURDER.
FELICIA: DO YOU UNDERSTAND
THERE'S NO PLACE FOR THIS
TO ESCALATE WITHOUT SOMEBODY
GETTING SHOT?
LUKE: YES, AND I'M GLAD
YOU DO.
SO I THINK YOU'LL AGREE THAT
IT'S TIME NOW FOR YOU TO STAY
CLEAR OF THE WHOLE THING.
FELICIA: OH.
SO YOU DON'T NEED ME NOW.
LUKE: OF COURSE I NEED YOU.
I NEED YOU ALIVE.
AND COULD WE STOP PRETENDING
THIS IS ONLY ABOUT FAISON?
I'M SO FAR PAST THAT BY NOW.

SOREL: EXCUSE ME, BUT WHO'S
MILLIONS ARE UNDER DISCUSSION
HERE?
WE THINK THAT WE HAVE A RIGHT
TO CHECK ON OUR MONEY'S
PROGRESS.
JERRY: DO I HAVE A SIGN ON ME
THAT SAYS "SAME-DAY LAUNDRY"?
YOUR MILLIONS WILL BE BACK
IN THE STATES NEXT WEEK,
CLEANED AND READY TO SPEND.
SOREL: THAT'S ALL I NEEDED
TO HEAR.
JERRY: AND THEN I'LL BE
WASHING MY HANDS OF YOU.
IT'S TIME FOR ME TO LIVE
A NORMAL LIFE.
ROY: MR. SOREL?
I WAS --
I WAS THINKING IT MIGHT BE YOU.
ROY DeLUCA, SIR.
SOREL: DeLUCA.
ROY: YEAH.
SOREL: YES, HAVEN'T I HEARD
THAT NAME?
ROY: IT'S POSSIBLE.
I'M JUST OUT OF PENTONVILLE.
SOREL: OH.
ROY: COUPLE OF FRIENDS THERE
SAID YOU WERE SOMEBODY I SHOULD
LOOK UP WHEN I GOT OUT.
SOREL: WELL, LIFE IS SHORT.
YOU DO WHAT YOU CAN
FOR THE OTHER GUY, AND HE DOES
FOR YOU.
AM I RIGHT?
ROY: ABSOLUTELY.
SOREL: HOW'S LIFE
ON THE OUTSIDE TREATING
YOU SO FAR?
ROY: OK.
I GOT A JOB AT THE
CORINTHOS-MORGAN WAREHOUSE.
SOREL: I SEE.
ROY: WOULDN'T MIND FINDING
SOMETHING BETTER.
SOREL: WELL, I MIGHT HAVE
SOMETHING FOR YOU.
ROY: REALLY?
SOREL: SOMETHING
IN YOUR LINE.
KEEP IN TOUCH.
ROY: WILL DO, SIR.
THANK YOU.

[KNOCK ON DOOR]
CARLY: YOU TOLD HIM?
HOW'D IT GO?
I MUST BE GETTING SMARTER
OR SOMETHING.
I JUST SUDDENLY REALIZED
I SHOULDN'T BE HERE.
I DIDN'T WANT YOU TO BE ALONE,
JASE, SO I --
BUT THAT'S MY PROBLEM, REALLY.
AND I'M THE LAST THING THAT
YOU NEED RIGHT NOW, SO I'LL
THINK ABOUT THAT NEXT TIME
BEFORE I SHOW UP.

[SONNY SIGHS]
HANNAH'S VOICE: WHAT THE HELL
IS GOING ON?
AGENT'S VOICE: WE'VE ARRESTED
MR. CORINTHOS FOR RACKETEERING.
HANNAH'S VOICE: WITHOUT
INFORMING ME?
SONNY CORINTHOS IS MY MARK.
THIS IS MY CASE.
HOW DARE YOU STEP ON MY BUST?
AGENT'S VOICE: WELL,
THERE WASN'T TIME TO ADVISE YOU.
HANNAH'S VOICE: BECAUSE
YOU MOVED TOO SOON.
AGENT'S VOICE: I DON'T
THINK SO.
HANNAH'S VOICE: I'VE WORKED
LONG AND HARD TO GET CLOSE
TO SONNY, TO MAKE HIM TRUST ME.
I HAVE INSIDE ACCESS.
I'M GOING TO GET THE INFORMATION
THAT WILL BRING HIM DOWN.
AGENT'S VOICE: WE MAY BE ABLE
TO GET THE INFORMATION
WITHOUT YOU.
HANNAH'S VOICE: YOU'RE NOT
CUTTING ME OFF MY CASE.
SONNY CORNITHOS IS GOING
TO PRISON --
[KEY TURNS IN LOCK]
HANNAH'S VOICE: AND HE'S
GOING TO KNOW I PUT HIM THERE.
[SONNY TURNS TAPE RECORDER OFF]
HANNAH: ARE YOU ALONE?
I THOUGHT I HEARD VOICES.
SONNY: NOBODY BUT ME.
I THOUGHT YOU'D NEVER GET HERE.

>> STAY TUNED FOR SCENES
FROM THE NEXT
"GENERAL HOSPITAL."

>> ON THE NEXT
"GENERAL HOSPITAL" --

GERTRUDE: GOTCHA!

ALL: SURPRISE!

FAISON: WE HAVE SOME
UNFINISHED BUSINESS.
YOU'RE PLAYING A DANGEROUS GAME.

HANNAH: I HAVE TO TELL
YOU SOMETHING ABOUT MYSELF.

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