GH Transcript Friday 8/6/99

 

General Hospital Transcript Friday 8/6/99

Provided by Laura

ALEXIS: NO, THE 16th ISN'T
GOING TO WORK.
I'M GOING TO BE IN COURT.
I'M SORRY.
JAX: WELL, THEN WHAT DO
YOU BRING TO THE TABLE IF I'M
BEARING ALL THE FINANCIAL RISKS?
ALEXIS: WELL, THAT MIGHT WORK
OUT FINE, THEN.
WHY DON'T YOU CLEAR IT
WITH THE JUDGE AND I'LL CLEAR IT
WITH MY CLIENT.
JAX: YOU PUT UP 60%
OF THE MONEY FOR 40%
OF THE PROFIT?
WHAT DO YOU TAKE ME FOR?
ALEXIS: YEAH, 10:00 SHOULD BE
FINE.
LISTEN, DID I MENTION THAT
MY CLIENT'S BRINGING
HIS ACCOUNTANTS?
JAX: UH-HUH?
WELL, HOW LONG A TRIAL PERIOD?
UNDER WHAT TERMS?
ALEXIS: I KNOW.
I REALIZE THAT YOU'RE ADVISING
YOUR CLIENT NOT TO SETTLE.
JAX: NO, NO, NO.
NOT SIX MONTHS.
ALEXIS: BUT STILL --
JAX: ACTUALLY, YEAH, MAKE IT
SIX MONTHS AND --
HEY, ESCAPE CLAUSE?
ALEXIS: SUBJECT TO
TERMINATION AT THE DISCRETION
OF EITHER CLIENT.
JAX: OK.
ALEXIS: OK?
JAX: YEAH, I'M HERE. YEAH.
ALEXIS: WELL, THEN --
JAX: SUBJECT TO TERMINATION
AT THE DISCRETION OF EITHER
PARTY.
ALEXIS: ALL RIGHT.
JAX: UH-HUH.
ALEXIS: ALL RIGHT.
ALL RIGHT.
JAX: GREAT.
THEN IT'S SETTLED.
ALEXIS: DO YOU WANT TO WORK
SOMETHING UP THAT YOU CAN
PREVIEW?
JAX: HOW SOON CAN YOU HAVE
THE PAPERWORK HERE?
[KNOCK ON DOOR]
ALEXIS: WE CAN DO THAT.
JAX: GREAT. THANKS.
ALEXIS: WE COULD DO THAT.
JAX: HEY!
HEY, WHY AREN'T YOU TWO IN ROME
ON YOUR HONEYMOON?
ALEXIS: HOLD ON JUST
FOR ONE SECOND.
I HAVE TO SIGN FOR SOMETHING.

ELIZABETH: HEY.
NIKOLAS: HOW DID YOU BEAT ME
HERE?
ELIZABETH: WELL, IF YOU EVER
IN YOUR LIFE TOOK A BUS,
YOU'D KNOW IT'S A FAIRLY
EFFICIENT MEANS OF
TRANSPORTATION.
PLUS, I BET YOU'RE ONE OF THOSE
GROCERY SHOPPERS WHO ACTS LIKE
A PRODUCE INSPECTOR -- SQUEEZE
EVERY PEACH, YOU TEST EVERY
BANANA FOR BRUISES.
NIKOLAS: I THOUGHT YOU WERE
AT WORK.
YOU KNOW, IF I'D KNOWN YOU WERE
WAITING --
ELIZABETH: OH, HEY,
I COULD STAY OUT HERE ALL DAY
LONG.
YOU KNOW, THE SUN, THE WOODS --
THERE'S ALWAYS A BREEZE.
NIKOLAS: THE PLACE LOOKS
PRETTY GOOD, TOO -- THANKS
TO MY DECORATOR.
AND, OF COURSE, YOUR SHOPPING
BUDDY EMILY.
ELIZABETH: IT'S BEEN TOUGH
WITH HER GROUNDED.
I MEAN, I DON'T MIND HITTING
THE THRIFT SHOPS ALONE,
BUT I NEED SOMEBODY RIGHT
AT MY ELBOW, TELLING ME WHAT
GOOD TASTE I HAVE.
SO --
NIKOLAS: HEY.
WELL, WHAT GOOD TASTE YOU HAVE.
OR IS IT MORE CONVINCING
IF I OPEN IT UP FIRST?
ELIZABETH: WELL, WAIT.
IT'S NOT A PURCHASE.
THIS IS A GIFT.
NIKOLAS: OH?
ELIZABETH: ON ONE CONDITION.

KATHERINE: "WAIT AT LEAST
THREE MINUTES BEFORE READING
RESULTS.
IF YOU SEE A PLUS SIGN, YOU ARE
PREGNANT."
ALL RIGHT, NIKOLAS.
OUR THREE MINUTES ARE UP.

[KNOCK ON DOOR]
HANNAH: THEY TOLD ME THIS WAS
THE RECREATION ROOM.
JUAN: DO YOU WANT TO COME
IN AND RECREATE?
JUAN: ACTUALLY, IT'S
THE DUNGEON.
YOU KNOW, NOT SO HARD TO GET IN,
BUT HARD TO GET OUT.
HANNAH: I GUESS SO.
THEY TOLD ME AT FIRST YOU WERE
DISCHARGED, AND THEN THEY TOLD
ME YOU WEREN'T.
JUAN: JUST CHECKING.
HANNAH: FOR?
JUAN: I KNOW THEY WON'T LET
SONNY COME HIMSELF --
DR. QUARTERMAINE AND MY FATHER.
THAT'S OK.
JUST TELL HIM THAT THIS LEG
THING IS --
HANNAH: JUAN, I HAVEN'T SEEN
SONNY, AND I DON'T KNOW WHEN
I WILL.
JUAN: I THOUGHT YOU WERE
HIS GIRLFRIEND.
NEVER MIND.
FORGET IT.
IT'S NONE OF MY BUSINESS.
I MEAN, IT'S NOT LIKE I WAS
EXPECTING HIM.
IT'S NOT LIKE I THOUGHT
HE SENT YOU.
HE MADE IT PRETTY CLEAR THAT
HE DOESN'T CARE WHAT HAPPENS
TO ME.
HANNAH: NOW HOLD ON A SECOND.
THAT'S NOT TRUE.

SONNY: WHO WAS ON THE PHONE?
JASON: IT WAS MIKE.
SONNY: WHAT'D HE WANT?
JASON: TO CHECK ON YOU.
SONNY: MIKE NEVER JUST SAYS,
"HOW'S SONNY?"
WHAT ELSE DID HE WANT?
JASON: HE WONDERS WHAT YOU'RE
DOING.
HE WONDERS WHO YOU'VE SEEN.
YOU KNOW, HE --
SONNY: NOTHING. NOBODY.
WHO'S HE HAVE IN MIND?
JASON: HANNAH.
SONNY: WHY THE HELL'S THAT
ANY OF HIS BUSINESS?
JASON: MAYBE --
SONNY: MAYBE WHAT?
JASON: YOU KNOW,
SONNY, MAYBE HE CAN BACK OFF
AND LEAVE YOU ALONE WHEN YOU SAY
TO BECAUSE MIKE'S GOT PRACTICE,
HE UNDERSTANDS.
SONNY: UH-HUH.
JASON: BUT HANNAH DOESN'T.
ALL SHE KNOWS IS YOU KEEP
PUSHING HER AWAY.
SONNY: OH, SO YOU'RE THINKING
ABOUT HANNAH'S FEELINGS.
THAT'S GOOD. THAT'S NICE.
YOU'RE A NICE GUY.
BUT YOU KNOW WHAT?
THE HELL WITH YOU AND MIKE BOTH.
YOU KNOW WHY?
IT DOESN'T MATTER WHAT HANNAH
UNDERSTANDS!
I CAN'T HAVE HER AROUND!

FAISON: IT'S BEEN A LONG TIME
SINCE I SAW YOU.
BACK THEN, YOU WERE NOT
MRS. SCORPIO BUT
MRS. JONES, I BELIEVE?
FELICIA: I WAS MRS. SCORPIO
IN THE PARKING LOT.
AND IN THE ALLEY BEHIND
THE SUPERMARKET, I WAS
MRS. SCORPIO, TOO.
WHAT DO YOU WANT WITH ME,
FAISON?
FAISON: WELL,
YOU'RE THE ONE WHO'S BEEN
FOLLOWING ME.
I ASSUMED YOU HAD A REASON.
IF NOT, IT'S ALL RIGHT WITH ME.
THERE'S NO HARD FEELINGS.
I'LL JUST SAY IT WAS VERY NICE
TO SEE YOU AGAIN AND I BELIEVE
YOU'LL BE ON YOUR WAY

TAGGERT: MAC.
THE TAIL WE HAD ON YOUR WIFE
JUST REPORTED IN.
THEY LOST HER.
MAC: WHERE?
TAGGERT: HEADING NORTH
ON WATER STREET, ON FOOT.
MAC: WATER STREET.
TAGGERT: SHE WAS MOVING
SO FAST, THE OFFICERS I HAD
ASSIGNED TO HER SAID SHE MIGHT
HAVE BEEN FOLLOWING SOMEONE.
MAC: LET'S GO.

FAISON: I ASSURE YOU I HAVE
NO INTENTION OF DETAINING YOU.
IN FACT, I WAS QUITE SURPRISED
TO SEE YOU HERE.
FELICIA: SPARE ME THE ACT.
YOU TEASED ME.
YOU LEAD ME HERE.
YOU KNEW EXACTLY WHAT YOU WERE
DOING.
AND NOW YOU'VE GOT ME TRAPPED.
THE DOOR IS LOCKED BEHIND ME.
FAISON: OH, YEAH, BUT THAT'S
BECAUSE IT'S A SECURITY DOOR.
MOST INCONVENIENT.
BUT FORTUNATELY, I HAVE THE KEY.
MRS. SCORPIO,
MAKE UP YOUR MIND.
I THOUGHT YOU WERE ANXIOUS TO BE
ON YOUR WAY.
FELICIA: I HAVE LEARNED
FROM EXPERIENCE NOT TO TAKE
ANYTHING FROM YOU.
FAISON: A KEY?
YOU THINK IT'S, WHAT,
POISONOUS TO TOUCH?
A BOOBY TRAP?
I DIDN'T KNOW I HAD SUCH
A SINISTER REPUTATION.
FAISON: OUR LITTLE
MISUNDERSTANDING ASIDE, IT WAS
VERY NICE TO MEET YOU AGAIN.
DO SAY HELLO TO YOUR HUSBAND,
WILL YOU?
NOW WHAT?
FAISON: CAN'T TEAR YOURSELF
AWAY?
FELICIA: IF I LEAVE AGAIN,
YOU'RE GOING TO DISAPPEAR.
AND I WANT ANSWERS.
FAISON: ANSWERS?
FELICIA: YOU'RE SUPPOSED
TO BE DEAD.
YOU DIED EIGHT YEARS AGO
IN AN EXPLOSION OUT TO SEA
WITH ROBERT AND ANNA.
BUT HERE YOU ARE.
AND YOU'RE ALIVE.
ROBERT AND ANNA MUST BE
ALIVE, TOO.
I WANT TO KNOW.
WHERE ARE THEY?

HANNAH: HERE.
JUAN: THANKS.
HANNAH: DOES IT STILL HURT?
JUAN: I THINK THOSE ARE JUST
TO MAKE SURE IT DOESN'T GET
INFECTED WHERE THEY TOOK OUT
MY SPLEEN.
HANNAH: YOU WERE SAYING
SOMETHING ABOUT YOUR LEG?
JUAN: IT'S NICE OF
YOU TO COME AND SEE ME.
I MEAN, SURE, WE LIVE
IN THE SAME BUILDING,
BUT YOU DON'T REALLY KNOW ME.
ONLY THING WE HAVE IN COMMON IS
SONNY.
NAMELY, THAT YOU'RE HIS FRIEND
AND I'M NOT.
HANNAH: NO. WAIT A MINUTE.
DIDN'T ANYONE TELL YOU HE WAS
HERE ALL NIGHT WHEN YOU WERE
ADMITTED?
HE HARDLY LEFT THE I.C.U. WHEN
YOU WERE THERE.
AND IF HE HASN'T BEEN BACK SINCE
THEN, IT'S NOT BECAUSE
HE DOESN'T CARE OR EVEN
BECAUSE OF THE HOSPITAL RULES.
HE REALLY WANTS THE BEST
FOR YOU, JUAN.
HE REALLY DOES.
JUAN: RIGHT.
HANNAH: IT'S TRUE.
YOU HAVE NO IDEA HOW MUCH HE'S
AGONIZED OVER YOU,
WHAT'S HAPPENED TO YOU,
WHAT THE BEST THING TO DO
FOR YOU WOULD BE.
IT'S JUST
HE WANTS YOU SAFE.
HE REALLY WANTS THE BEST
FOR YOU, JUAN.
AND YES, HE DOESN'T THINK THAT
INCLUDES HIM.
JUAN: WHAT KIND OF SENSE DOES
THAT MAKE?
HANNAH: GOOD QUESTION.

ALEXIS: HAVE A WONDERFUL
TIME.
NED: WHY SHOULD I?
ALEXIS: HONEYMOON'S
A HONEYMOON.
NED: NOT WITHOUT
YOU IT ISN'T.
ALEXIS: YOU'LL BE IN ROME.
THERE'S A LOT OF THINGS TO DO
IN ROME.
NED: WHAT IF I DON'T WANT TO?
ALEXIS: THERE'S A LOT
OF THINGS TO EAT IN ROME.
I ADORE YOU.
I DO.
ESPECIALLY YOUR LONG FACE RIGHT
NOW.
AND YOU'RE ACTING ALL RELUCTANT
TO GO AND EVERYTHING.
I'M FINE ABOUT THIS.
I AM, REALLY.
YOU ENJOY CHLOE.
IT'S NOT GOING TO LAST THAT
LONG.
NED: YOU KNOW, DON'T TELL JAX
THIS, BUT I THINK HE MAY HAVE
BEEN RIGHT.
THIS WHOLE MARRIAGE
OF CONVENIENCE THING -- IT COULD
BE A COMPLETE FIASCO.
ALEXIS: AND WHO IS
HE TO TALK?
HE'S THE ONE THAT STEPPED UP
AND SAID "MARRY ME"
IN LAS VEGAS.
IT'S NOT A FIASCO.
IT'S JUST AUNT GERTRUDE.
I KNOW CHLOE WARNED US ABOUT
HER, BUT SHE DIDN'T
REALLY WARN US ABOUT HER.
AND AT SOME POINT SHE'LL GET
TIRED OF TRAILING US, AND THEN
THINGS WILL GET BACK TO THE WAY
THEY USED TO BE.
NED: MAYBE.
BUT THE ATTORNEY THAT YOU PUT
ON HOLD?
HE PBABLY WILL HAVE HUNG UP.
ALEXIS: HELLO?

JAX: OH, AND I ALMOST
FORGOT -- CAFE ENRICO.
CHLOE: AND THE OWNER'S NAME,
LET ME GUESS, WOULD BE --
JAX: ANTONIO.
ENRICO WAS HIS FATHER,
AND HE MADE THE VERY BEST
GELATO.
BUT IT DIDN'T BECOME THE BEST
GELATO UNTIL ANTONIO TOOK OVER.
CHLOE: I'VE DONE COLLECTIONS
IN ROME FOR SIX YEARS AND I HAVE
NEVER HEARD OF THE BEST GELATO.
JAX: WELL, I ONLY FOUND
THE PLACE BECAUSE I GOT
INTO A TRAFFIC ACCIDENT RIGHT
OUT FRONT.
AND THEY THOUGHT THAT I WAS
HURT, SO THEY BROUGHT ME FOOD.
CHLOE: THE SAME THING
HAPPENED TO ME AT A SHOE SHOP
IN LONDON.
I DROVE THROUGH A PLATE GLASS
WINDOW AT A VERY SLOW,
SAFE SPEED, AND I FOUND
A WONDERFUL INVENTORY THERE,
BUT NOT THE BEST WAY TO SHOP.
JAX: SO, THERE YOU GO.
NED: WHAT'S THIS?
THESE ARE ALL THE PLACES THAT
WE HAVE TO TRY TO DINE AT?
CHLOE: IT IS DOUBTFUL ANY
OF OUR CLOTHES ARE GOING TO FIT
WHEN WE GET HOME.
NED: IT'S A GOOD THING YOU'RE
A DESIGNER.
JAX: I THINK LOTS OF DINNERS,
YOU KNOW, WITH A LOT
OF CANDLELIGHT IS EXACTLY WHAT
YOU TWO ARE GOING TO HAVE TO DO
BECAUSE, YOU KNOW, GERTRUDE IS
GOING TO HAVE A PRIVATE
DETECTIVE WATCHING EVERY MOVE
YOU MAKE.
NED: DID YOU HEAR THAT, WIFE?
WE ARE GOING TO BE ON A RIGOROUS
PROGRAM OF DINING OUT,
STROLLING UNDER THE STARS,
AND GAZING AT ONE ANOTHER
LONGINGLY.
CHLOE: THE DISCIPLINE WILL
BE GOOD FOR ME.
NED: SEE YOU IN A
COUPLE WEEKS.
ALEXIS: I'LL BE COUNTING
THE HOURS.
AND NOT JUST THE BILLABLE ONES,
FOR A CHANGE.
CHLOE: I'LL SAY HELLO
TO ANTONIO FOR YOU.
JAX: GREAT.
OH, AND FACE HIM WHENEVER
POSSIBLE.
WHEN YOU WALK AWAY FROM HIM,
BACK UP.
NED: I'LL EXPLAIN ON THE WAY
TO THE AIRPORT.
CHLOE: OH. OK.
NED: LET'S GO.
JAX: ALL RIGHT.
JAX: SEE YOU LATER.
CHLOE: BYE.
JAX: BYE, GUY

NIKOLAS: I HAVE TO PROMISE
TO NOT HANG THIS IN THE HOUSE
UNLESS YOU SAY I CAN?
ELIZABETH: THAT'S RIGHT.
NIKOLAS: BUT YOU'RE GOING
TO SAY I CAN, RIGHT?
I MEAN, OTHERWISE YOU WOULDN'T
HAVE BROUGHT IT TO ME.
ELIZABETH: OH, QUESTIONS,
QUESTIONS.
YOU'RE LIKE A LITTLE BOY.
YOU KNOW I CAN TAKE IT BACK.
NIKOLAS: NO. NO, NO, NO.
IT'S -- IT'S ALL RIGHT,
I PROMISE.
NIKOLAS: IT'S MY SISTER.
IT'S LESLEY LU.
ELIZABETH: YEAH.
NIKOLAS: I CAN'T LET YOU WALK
AWAY FROM THE HOUSE WITH THIS.
LET ME BUY IT FROM YOU, PLEASE?
ELIZABETH: NO.
NO, NO, I TOLD YOU IT WAS
A GIFT.
NIKOLAS: WELL, MAYBE,
MAYBE NOT.
YOU HAVEN'T MADE UP YOUR MIND.
ELIZABETH: IT'S YOURS.
KEEP IT, HANG IT, HIDE IT --
WHATEVER YOU WANT.
NIKOLAS: THEN WHY DID
YOU MAKE ME PROMISE?
ELIZABETH: BECAUSE I NEEDED
TO WATCH YOU OPEN IT.
YOU KNOW, EVERYBODY'S DIFFERENT.
WHAT I LIKE MAY NOT BE WHAT
YOU LIKE, AND I DIDN'T WANT
YOU GETTING STUCK WITH SOMETHING
HANGING IN YOUR HOUSE JUST
BECAUSE.
NIKOLAS: YOU WANTED TO KNOW
I LIKED IT.
ELIZABETH: RIGHT.
NIKOLAS: AND WASN'T JUST
SAYING SO.
ELIZABETH: RIGHT.
NIKOLAS: BUT I DON'T REMEMBER
SAYING SO.
IT'S ONLY THE MOST PERSONAL,
MOST MEANINGFUL THING
YOU COULD'VE GIVEN ME.
THANK YOU.
ELIZABETH: OH.
WELL, GEE, THAT'LL MAKE SHOPPING
FOR YOUR NEXT BIRTHDAY PRESENT
EVEN HARDER.
NIKOLAS: THANK YOU.
LAURA: WHAT'S THIS?
ELIZABETH: LAURA.
LAURA: HI. A NEW PAINTING.
NIKOLAS: YEAH, LOOK. SEE?
LAURA: OH, MY GOSH.
IT'S LULU.
NIKOLAS: ISN'T IT --
LAURA: OH, IT'S SO BEAUTIFUL.
AND THAT'S AT YOUR FATHER'S
COUNTRY HOUSE.
NIKOLAS: ISN'T IT GREAT?
LAURA: IT REALLY IS.
ELIZABETH: YEAH, THE FLOWERS,
THE LITTLE GIRL.
IT'S VERY CUTTING EDGE.
LAURA: OH, MY GOODNESS.
I LOVE IT.
THIS ONE I KNOW WASN'T PAINTED
FROM LIFE, THOUGH, BECAUSE
SHE WOULD NEVER SIT STILL
THAT WAY.
ELIZABETH: OH, SPEAKING
OF SITTING STILL TOO LONG,
I GOT TO GET BACK TO WORK.
NIKOLAS: I OWE YOU BIG TIME
FOR THIS.
WHAT ABOUT THAT MOVIE YOU WANTED
TO GO SEE WITH OUR GROUNDED
MUTUAL FRIEND?
ELIZABETH: IT'S A
CHICK FLICK, THE KIND YOU HATE.
NIKOLAS: WELL, I DID SAY
BIG TIME, SO I'LL SEE YOU AFTER
WORK?
ELIZABETH: GREAT, I'LL GO
CHECK THE SHOWTIMES.
SEE YOU.
NIKOLAS: SEE YOU.
LAURA: BYE.
NIKOLAS: OH, CAN YOU BELIEVE
SHE DID THIS?
LAURA: YES.
IT'S BEAUTIFUL.
SHE OBVIOUSLY CARES VERY MUCH
ABOUT YOU.
YOU SEEM VERY FOND OF HER, TOO.
NIKOLAS: SHE'S THE BEST.

JOHNNY: HERE'S THE MAIL.
JASON: THANKS.
SONNY: SORRY FOR
YELLING AT YOU THAT WAY.
JASON: NO, THAT'S OK.
SONNY: NO.
JASON: NO, IT DOESN'T
BOTHER ME.
I'M USED TO YOU.
SONNY: HANNAH'S NOT.
THAT NIGHT HER EX TURNED UP
AND I SAW HIM GRAB HER THAT WAY?
SHE WAS SCARED THAT NIGHT.
NOT OF HIM.
OF ME.
DO YOU KIND OF GET A LITTLE BIT
WHY I CAN'T SEE HER NOW?
AND I TELL YOU SOMETHING --
THIS KID JUAN, I CAN'T
BELIEVE IT.
I MEAN, HE GOES TO WORK
FOR MORENO TO TRY TO IMPRESS ME,
AND WHAT HAPPENS?
THEY BEAT HIM WITHIN AN INCH
OF HIS LIFE.
WHY?
BECAUSE THEY THINK HE'S MY SPY,
MY MESSENGER -- WHATEVER.
ANYWAY, YOU KNOW WHAT?
LISTEN, I'M IN THE DARK.
AND IT'S ALL HAPPENING
BECAUSE OF ME.
IT TOOK EVERYTHING FOR ME NOT
TO GO OFF IN THE E.R.
THEN HIS FATHER SHOWS UP,
STARTS BLAMING ME,
WHICH, YOU KNOW, IS PROBABLY
FAIR BECAUSE, WHERE HE SITS,
I GOT MY NAME ALL OVER IT.
BUT I'M STANDING THERE
AND I WANT TO --
I WANT TO BEAT HIM TO A PULP
BECAUSE HE ALLOWED HIS SON
TO HOP ON A PLANE TO THE STATES
IN THE FIRST PLACE.
THIS IS THINGS I DO NOT WANT
HANNAH TO SEE.
AM I RIGHT?
JASON: I DON'T KNOW.
SONNY, I GET THAT THIS IS
SOMETHING THAT YOU'RE DOING
FOR HER SAKE.
BUT WHAT IF SHE DOESN'T?
YOU KNOW, WHAT IF SHE THINKS
THAT YOU JUST LOST INTEREST
AND GIVES UP AND SHE GOES BACK
TO SAN DIEGO OR WHEREVER?

FAISON: HOW COULD I,
LIVING MY QUIET LITTLE LIFE,
HAVE IMAGINED THAT I WOULD BE
THE SUBJECT OF SUCH HEATED
SPECULATIONS?
I ONLY SEE A FEW PEOPLE.
I'M NATURALLY SHY.
SO I TEND TO MY FEW MODEST
INVESTMENTS.
FELICIA: YOU'VE BEEN WORKING
AS A JEWEL FENCE.
YOU'RE KNOWN TO INTERPOL
AS "THE GARDENER."
FAISON: THE GARDENER?
FELICIA: THE GARDENER.
FAISON: WOW.
FELICIA: MAC AND I HEARD
A TAPE -- OR SO WE THOUGHT IT
WAS YOU.
WE DIDN'T KNOW FOR SURE.
WE SHOULD'VE REMEMBERED
YOUR FONDNESS FOR ORCHIDS.
FAISON: MM-HMM.
FELICIA: THE GARDENER.
HOW APPROPRIATE FOR
CESAR FAISON.
FAISON: YES.
FELICIA: ONLY WE THOUGHT
YOU WERE DEAD.
FAISON: WHATEVER WOULD GIVE
YOU THAT IMPRESSION?
FELICIA: WHERE ARE ROBERT
AND ANNA?
FAISON: ROBERT SCORPIO?
FELICIA: AND
ANNA DEVANE SCORPIO.
WHAT HAVE YOU DONE WITH THEM?
FAISON: WELL, I HAVEN'T HEARD
FROM THEM IN YEARS.
ANOTHER MAN WOULD BE QUITE
OFFENDED.
NO ONE COULD HAVE BEEN MORE
LOYAL, FORGIVING, ATTENTIVE
WITH THEM THAN I.
BUT YOU KNOW WHAT FREE SPIRITS
THEY WERE.
FELICIA: YOU WERE ON THE BOAT
WITH THEM.
FAISON: BOAT?
FELICIA: OFF THE
VENEZUELA COAST.
THERE WERE PICTURES!
FAISON: I DON'T SEE HOW
THAT'S POSSIBLE.
FELICIA: OH, OK.
I GET THAT YOU FAKED YOUR DEATH.
DID YOU FAKE ROBERT AND ANNA'S
DEATH?
FAISON: WHY WOULD I GO
TO THE TROUBLE?
HMM?
THEY DESERVED TO DIE --
ROBERT FOR HIS SINGLE-MINDED
PERSECUTION OF ME, AND ANNA
FOR HAVING THE BAD TASTE
TO CHOOSE HIM.
WELL, IF YOU SAY THEY DIED
IN A BOAT EXPLOSION, IT'S FINE
WITH ME.
ALL I CAN ADD IS
GOOD RIDDANCE.
FELICIA: THEN THEY REALLY
ARE DEAD.
FAISON: I HAVEN'T HAD
A CHRISTMAS CARD FROM THEM.
HAVE YOU?
FELICIA: YOU KILLED THEM.
YOU DESERVE TO PAY FOR THAT
AND FOR EVERY EVIL THING THAT
YOU HAVE EVER DONE.

NIKOLAS: ISN'T IT INCREDIBLE?
LAURA: IT IS.
NIKOLAS: OH, I KNOW.
MY FATHER WOULD SAY THAT
MY VOCABULARY'S PRETTY MUCH GONE
TO HELL.
"'INCREDIBLE' SIGNIFIES
SOMETHING INCURRING DISBELIEF,
NIKOLAS."
LAURA: OH, DEAR.
NIKOLAS: OK, BUT
THE PAINTINGS I GREW UP
WITH ON THE WALLS, THEY WERE --
YOU KNOW, THERE WAS NOTHING
PERSONAL ABOUT IT.
BREASTPLATES FROM SUITS OF ARMOR
AND MEDIEVAL PAINTINGS OF SAINTS
BEING SLAUGHTERED.
PORTRAITS OF SOME DEAD CZAR
HANGING WITH MY DEAD ANCESTORS
HOLDING A HORSE.
LAURA: I REMEMBER.
I REMEMBER.
IT REALLY WASN'T ABOUT BEING
SURROUNDED BY BEAUTY.
IT WAS ABOUT KEEPING
A DEATH GRIP ON SOME CERTAIN
TRADITION THAT WAS LONG GONE
AND I THINK MOSTLY IMAGINARY.
NIKOLAS: EXACTLY.
THIS -- THIS IS --
THIS IS DIFFERENT.
I MEAN, TO WATCH ELIZABETH TAKE
ELEMENTS THAT I RECOGNIZE
FROM HER LIFE -- FROM YOURS
AND MINE, TOO -- AND TO MAKE
SOMETHING SO -- SO BEAUTIFUL --
SHE -- SHE SEEMS TO BE GETTING
MORE AND MORE A SENSE
OF HERSELF, IN SPITE OF,
YOU KNOW, WHAT'S HAPPENED.
LAURA: YOU'VE BEEN A VERY
GOOD FRIEND TO HER.
YOU'VE REALLY ENCOURAGED
HER AND COMFORTED HER.
AND I THINK THAT YOUR BROTHER
WOULD BE REALLY GRATEFUL.
NIKOLAS: SHE'S EASY TO BE
NICE TO.
WE WERE ALREADY FRIENDS.
IT'S NOT AS IF I HAVE TO MAKE
SOME KIND OF SPECIAL EFFORT.
LAURA: YOU KNOW,
UNDER DIFFERENT CIRCUMSTANCES,
SHE'S EXACTLY THE KIND OF GIRL
THAT I COULD REALLY PICTURE
YOU WITH.
NIKOLAS: NO.
NO.
LAURA: YOU DON'T THINK SO?
NIKOLAS: I DON'T KNOW ABOUT
OTHER CIRCUMSTANCES, BUT WHAT
I DO KNOW IS SHE WAS THE GIRL
WHO WAS IN LOVE WITH LUCKY.
AND I THINK THAT SHE STILL IS,
YOU KNOW?
I DON'T THINK SHE WOULD DENY
THAT.
LAURA: I THINK YOU'RE
PROBABLY RIGHT.
AND I THINK IT'S GOING TO TAKE
HER A LONG, LONG TIME TO HEAL.
AND AFTER EVERYTHING THAT'S
HAPPENED TO YOU WITH KATHERINE,
NIKOLAS, I JUST DON'T WANT
TO SEE YOU GET HURT AGAIN.
NIKOLAS: SOMEBODY SOMEWHERE
IS GOING TO BREAK MY HEART,
AND I DON'T THINK THERE'S MUCH
YOU CAN DO TO PREVENT THAT.
BUT IT'S NOT GOING TO BE
ELIZABETH.
IF YOU'RE WORRIED I FEEL
ANYTHING BUT FRIENDSHIP FOR HER,
PLEASE DON'T.
I -- I'M LUCKY'S BROTHER TO HER.
I'LL ALWAYS BE THAT,
AND I'M PRETTY CLEAR ON THAT.

SONNY: THERE ARE CERTAIN
THINGS NO WOMAN SHOULD HAVE
TO TAKE.
DO YOU UNDERSTAND WHAT
I'M SAYING?
JASON: NO, BUT I KNOW THAT'S
WHAT YOU THINK.
IT ALWAYS SEEMS TO ME THAT WOMEN
ARE A LOT BETTER AT PUTTING UP
WITH CRAP THAN WE ARE.
SONNY: I KNOW HANNAH LIKES
TO SEEM TOUGH, BUT YOU THREATEN
HER INDEPENDENCE, EVEN OFFER
HER CAB FARE, SHE GETS
DEFENSIVE.
BUT THERE'S SOMETHING UNDERNEATH
SHE'S CARRYING AROUND.
SHE'S BEEN HURT.
I DON'T KNOW WHEN, I DON'T KNOW
BY WHO, BUT SHE'S BEEN HURT BAD.
I SWORE I WOULDN'T BE THAT THING
THAT HURTS HER AGAIN.
WHEN I'M THROWING THINGS ACROSS
THE ROOM BECAUSE I'M SO ANGRY,
I DON'T WANT TO HAVE TO WATCH
HER FLINCH BECAUSE SHE THINKS
I'M THROWING IT AT HER.
I REFUSE.
JASON: OK.
SONNY: "OK," WHAT?
JASON: OK.
SONNY: WHO ARE YOU TO SIT
IN JUDGMENT OF ME?
JASON: CAN YOU AT LEAST TELL
HER WHAT YOU JUST TOLD ME?
SONNY: WELL, IF YOU'RE ANY
INDICATION, WHAT GOOD IS IT
GOING TO DO?
JASON: WELL, YOU KNOW WHAT,
SONNY?
IF SHE'S LIKE MOST PEOPLE,
LIKE BRENDA --
SONNY: OH, NOW WE'RE GOING
TO BRENDA.
JASON: FOR INSTANCE,
YOU KNOW, SHE'D PROBABLY RATHER
HAVE A CHOICE THAN FEEL LIKE
SHE'S BEEN DUMPED FOR NO REASON.
BUT YOU KNOW WHAT?
THAT'S NOT HOW YOU DO THINGS.
THAT'S COOL. IT'S YOUR LIFE.
SONNY: YOU'RE DAMN RIGHT.
I DON'T WANT TO LOSE HANNAH.
YOU KNOW, I WANT HER TO WAIT
FOR ME.
BUT IF SHE'S NOT, AT LEAST
SHE DIDN'T RUN IN TERROR.
[KNOCK ON DOOR]
JOHNNY: BENNY'S HERE.
HE SAID IT'S IMPORTANT.
SONNY: ALL RIGHT.
ALL RIGHT.
BENNY: JASON.
IT'S GOOD TO SEE YOU, MAN.
JASON: HEY, BENNY.
BENNY: SO HOW'S IT GOING?
SONNY: WHAT KIND OF INANE
QUESTION IS THAT, BENNY?
BENNY: WELL, DO YOU WANT
TO MAYBE STEP IN THE STUDY?
SONNY: NO, I DO NOT.
WHATEVER YOU HAVE TO SAY,
YOU CAN SAY IT IN FRONT
OF JASON.
BENNY: SINCE WHEN?
YOU GAVE ME VERY SPECIFIC
ORDERS --
SONNY: I KNOW WHAT
I GAVE YOU!
NOW, BENNY, WHAT, YOU THINK
I'M IMPAIRED?
NOW, I'M GIVING YOU VERY
SPECIFIC ORDERS AT THIS MOMENT
THAT IF YOU THINK YOU GOT
SOMETHING IMPORTANT TO SAY,
SAY IT.
BENNY: CARLOS IS HERE.
SONNY: WHOA.
WHERE?
BENNY: HE'S IN TOWN.
YOU HAVE --
I THOUGHT YOU MIGHT NOT REMEMBER
THIS.
YOU HAVE A VERY IMPORTANT
MEETING WITH HIM THIS AFTERNOON.
IT'S ONE WHERE I CANNOT FILL
IN FOR YOU.
SONNY: NAH, TELL HIM I CAN'T
MAKE IT.
BENNY: NO, SONNY, I CANNOT
DO THAT.
SONNY: TELL HIM --
BENNY: SONNY --
SONNY: TELL HIM I'LL
RESCHEDULE!
BENNY: I CANNOT DO THAT.
THIS IS VERY IMPORTANT.
IF HE --
LISTEN, HE CAME HERE A VERY
LONG WAY.
THIS IS A SNUB.
JASON: BENNY, BENNY --
HE'S RIGHT. I'LL GO.
SONNY: NO, YOU WON'T.
JASON: NO, IT'S THE LOGICAL
THING TO DO.
SONNY: BENNY, CAN YOU GIVE ME
FIVE MINUTES?
WILL YOU, PLEASE?
SONNY: WHAT THE HELL DO
YOU THINK YOU'RE DOING?

HANNAH: SOMETHING ABOUT
HIS LEG.
MIKE: BUT WHAT?
HANNAH: THEY'RE DOING TESTS.
BUT HIS SPIRITS ARE OK.
REALLY.
EXCEPT WHEN THE SUBJECT
OF YOUR SON COMES UP.
MIKE: WAIT A MINUTE.
HE BLAMES MICHAEL FOR --
HANNAH: NO, NO, HE --
HE FEELS ABANDONED.
IMAGINE THAT.
ARMANDO: EXCUSE ME.
EXCUSE ME.
I'M LOOKING FOR THE MANAGER.
TAMMY: OH.
WELL, THAT WOULD BE ME.
ARMANDO: ARMANDO SANTIAGO.
I BELIEVE MY SON HAS BEEN
STAYING HERE.
TAMMY: OH, YEAH, SURE, JUAN.
HE'S A SWEET KID.
WELL, SEMISWEET, LET'S JUST SAY,
LIKE THE CHOCOLATE.
ARMANDO: I'VE COME TO COLLECT
HIS THINGS AND SETTLE HIS BILL.
TAMMY: OK, SURE.
ALL HIS THINGS ARE UPSTAIRS.
I'D BE GLAD TO SHOW YOU UP
THERE.
BUT AS FOR HIS ROOM AND BOARD,
WELL, THAT'S TAKEN CARE OF.
THERE'S A FRIEND OF YOUR BOY.
I DON'T KNOW -- MAYBE HE'S
A FRIEND OF YOURS, TOO --
SONNY CORINTHOS?
ARMANDO: HE IS NO FRIEND
TO MY FAMILY, I ASSURE YOU.
KINDLY RETURN HIM HIS MONEY
AND TELL HIM I MEANT WHAT
I SAID.
HE SHOULD HAVE NEVER BEEN
ALLOWED ANYWHERE NEAR MY SON.
TAMMY: MR. SANTIAGO,
I DON'T KNOW WHAT YOU HEARD --
ARMANDO: IT IS HIS FAULT JUAN
WAS BEATEN NEARLY TO DEATH --
MIKE: EXCUSE ME.
ARMANDO: ON A CITY STREET.
MIKE: EXCUSE ME.
DID YOU SAY THAT TO SONNY?
ARMANDO: YES, I DID.
MIKE: YOU'RE A FOOL.

MIKE: WHAT ELSE WAS SONNY
SUPPOSED TO DO?
HE PUT THE KID UP HERE.
HE PAID HIS BILLS.
HE EVEN MADE HIM STICK
TO A CURFEW, FOR GOD'S SAKE.
ARMANDO: YOU SEEM TO IMAGINE
YOU KNOW A GREAT DEAL
OF THE SITUATION.
EXCUSE ME IF I THINK OTHERWISE.
MIKE: NO, I DON'T EXCUSE YOU.
YOU'RE RESPONSIBLE FOR YOUR KID,
NO ONE ELSE.
TAMMY: MIKE, LET'S JUST --
ARMANDO: POINT OF FACT --
MR. CORINTHOS CALLED ME TO SAY
JUAN WAS FINE AND HE WOULD LOOK
AFTER HIM.
MIKE: WELL, THAT'S TERRIFIC.
AND WHERE WERE YOU?
WHEN YOU FOUND OUT WHERE
YOUR SON WAS, WHY WEREN'T
YOU ON THE FIRST PLANE HEADED
THIS WAY?
TAMMY: OK, THIS IS NOT
HELPING AT ALL.
MIKE: NO, NO, NO, NO, NO.
HE'S FEELING GUILTY AND HE'S
BLAMING MY SON BECAUSE HE CAN'T
BE BOTHERED TO TAKE CARE
OF HIS OWN.
HANNAH: MIKE --
ARMANDO: YOU ARE THAT MAN'S
FATHER?
MIKE: THAT'S RIGHT.
HANNAH: LOOK, WE'RE ALL UPSET
ABOUT WHAT HAPPENED TO JUAN.
BUT BEATING EACH OTHER UP IS
A PRETTY INAPPROPRIATE WAY
OF SHOWING IT, DON'T YOU THINK?
TAMMY: OK.
WHY DON'T I GO AHEAD AND SHOW
YOU JUAN'S ROOM.
RIGHT THIS WAY.
MIKE: I MEAN, WHERE -- WHERE
DOES A GUY LIKE THAT GET OFF
DUMPING ON SONNY?
I MEAN, HOW IS IT SONNY'S FAULT
THAT THE KID'S IN TROUBLE?
HE WOULD'VE DONE ANYTHING --
ANYTHING FOR LILY'S KID.
AND RIGHT NOW HE'S BLAMING
HIMSELF FOR EVERYTHING BAD
THAT'S EVER HAPPENED TO JUAN.
HANNAH: MR. SANTIAGO'S JUST
A WORRIED FATHER A LONG WAY
FROM HOME.
MIKE: YEAH, WELL,
WHY COULDN'T HE KEEP HIS MOUTH
SHUT?
I MEAN, SONNY BEATS HIMSELF UP
BAD ENOUGH WITHOUT HELP
FROM OTHER PEOPLE.

SONNY: WHY YOU DOING THIS?
JASON: BECAUSE IT MAKES
SENSE.
SONNY: TO WHO? NOT TO ME.
YOU GOT YOURSELF IN KNOTS
GETTING OUT.
I WASN'T ABLE TO.
BUT IF I HAD, I'D HAVE STAYED
OUT.
JASON: THERE WERE REASONS,
PEOPLE IN MY LIFE, BUT THEY'RE
NOT THERE ANYMORE.
BESIDES, THE COPS NEVER REALLY
BOUGHT THAT I WAS OUT
AND NEITHER DID MORENO.
NOW, IF IT'S THE SAME
FOR CARLOS, THEN FOR A CHANGE
WE HAVE AN ADVANTAGE.
PLUS HE'S USED TO ME.
SONNY: HE'S USED
TO REALITY, TOO.
SOMETIMES PLANS CHANGE.
JASON: SONNY, WE BOTH KNOW
YOU CAN'T AFFORD TO MAKE
AN ENEMY OF CARLOS.
HE FLEW ALL THE WAY
TO PORT CHARLES TO SEE YOU,
AND IF YOU BLOW HIM OFF --
BENNY'S RIGHT -- THAT'S WHAT
YOU'D BE DOING.
SONNY: GIVE ME 15 MINUTES.
JASON: FOR WHAT?
SONNY: I GOT TO GET CLEANED
UP AND GO.
JASON: THAT'S A BAD IDEA.
SONNY: WOULD YOU MAKE UP
YOUR MIND?
JASON: WHAT IS CARLOS GOING
TO THINK WHEN HE SEES YOUR HAND?
WHAT'S HE GOING TO DO WHEN
YOU START BREAKING THINGS LIKE
YOU'VE BEEN DOING HERE
AND YELLING AT HIM LIKE YOU'RE
YELLING AT ME?
SONNY: I'M FINE.
WHAT, YOU THINK I'M
A BASKET CASE?
JASON: NO, I THINK SOMEBODY
HAS TO GO, AND IT'S BETTER
IF IT'S ME.
AND I THINK IF YOU'RE HONEST,
YOU KNOW IT, TOO.
LOOK, I CAN HOLD THE LINE
WITH HIM.
HE'S GOING TO WANT THE SAME
THING HE ALWAYS WANTS.
BUT I'LL TELL HIM AS LONG
AS IT'S OUR TRANSPORT NETWORK,
WE'RE NOT MOVING HIS DRUGS.
WE DON'T LIKE THE PRICE.
WE DON'T LIKE THE RISK.
WE DON'T LIKE THE FREAKS IT
COMES WITH.
SONNY: MY.
MY TRANSPORT NETWORK.
JASON: I'LL TELL BENNY
I'M GOING.
NOW, LOOK, I'M GOING TO TAKE
FRANCIS AND I'LL TAKE MARTY
AND A BOX OF THOSE CIGARS
YOU IMPORT FOR LUKE.
I'LL GIVE THEM TO HIM.
I'LL SAY THEY'RE FROM YOU,
THAT YOU'D BE HERE BUT
YOUR WIFE'S KID'S IN
THE HOSPITAL.
IT'LL CHECK OUT.
ALL RIGHT?
AND I'LL BE BACK.
SONNY: DO WHAT YOU WANT.

FAISON: OF COURSE, IT COULD
BE ARGUED THAT YOU'RE NOT
A GUEST, MRS. SCORPIO,
BUT AN INTRUDER,
SINCE YOU'RE HERE WITHOUT
AN INVITATION, INSISTING
ON STAYING WHEN ASKED TO LEAVE.
FELICIA: YOU'LL NEVER MAKE IT
OUT OF PORT CHARLES.
MY HUSBAND WOULD NEVER LET
THE MAN WHO KILLED HIS BROTHER
STROLL BLITHELY AROUND
THE STREET.
FAISON: THERE'S THAT
ACCUSATION AGAIN.
I'M TRYING TO TAKE IT
WITH A LITTLE SENSE
OF HUMOR, BUT --
WHY WOULD I WANT TO LEAVE?
I'VE ALWAYS BEEN FOND
OF PORT CHARLES.
I CAME TO MISS IT.
THAT'S WHY I RETURNED.
FELICIA: WELL, I HOPE
YOU ENJOYED THE SIGHTS
BECAUSE YOU'RE NOT GOING TO SEE
THEM ANYMORE BECAUSE YOU'LL BE
IN PRISON.
FAISON: I DON'T UNDERSTAND.
IT'S TRUE THAT I, IN THE PAST,
WASN'T TOO LUCKY IN PICKING
MY BUSINESS PARTNERS,
AND PERHAPS CERTAIN OF THESE MEN
DID SOME QUESTIONABLE ACTS,
BUT I DIDN'T.
I WAS BLAMELESS
ALL ALONG.
AND I'M LOOKING FORWARD TO CLEAR
MY NAME ONCE AND FOR ALL.
AND, OF COURSE, TO
RENEW OUR ACQUAINTANCE.
IT'S HARD TO BELIEVE,
BUT YOU ARE EVEN MORE BEAUTIFUL
THAN WHEN I SAW YOU
THE FIRST TIME,
ALL THOSE YEARS AGO.

JAX: NO, WEDNESDAY I HAVE
A DINNER PARTY IN MANHATTAN.
WHAT ABOUT THURSDAY?
ALEXIS: WON'T WORK.
I HAVE A DEPOSITION
FOR THE TOXIC WASTE DUMPING
SUIT, AND THAT'LL PROBABLY --
OH, WAIT A MINUTE.
WAIT A MINUTE.
THAT'S BEEN RESCHEDULED
TO FRIDAY.
JAX: WELL, I DON'T WANT
TO BOOK YOU SOLID.
I JUST THOUGHT THAT IF YOU MAYBE
HAD A FREE EVENING, YOU KNOW --
ALEXIS: ACTUALLY, I WAS
HOPING YOU'D BOOK ME SOLID
FOR THE NEXT COUPLE OF WEEKS.
JAX: OH.
HAVING A FEW REGRETS, ARE WE?
NO, THAT WASN'T AN "I TOLD
YOU SO."
ALEXIS: IT WAS A VERY NEAR
RELATIVE, THEN.
JAX: WELL --
ALEXIS: I'M FINE ABOUT THIS.
IT'LL BE OVER SOON.
JAX: YOU JUST DIDN'T
REALIZE HOW
DIFFICULT IT WAS GOING TO BE.
NONE OF US DID.
YOU KNOW, I MEAN, WE THOUGHT
THAT LIFE COULD PRETTY MUCH GO
ON THE SAME AS IT HAD,
AND, WELL --
ALEXIS: I'M NOT WHINING
ABOUT IT.
I'M JUST SAYING THAT IF I SAY
"MISS HIM," ARE YOU GOING
TO LAUGH AT ME?
JAX: NO.
ALEXIS: YES, YOU ARE.
GO AHEAD.
BECAUSE THE TRUTH IS I SPENT
MORE TIME WITH HIM TODAY THAN
I WOULD'VE IF HE HAD STAYED WERE
IN THE FIRST PLACE.
IT'S JUST THAT --
IT'S LIKE IF YOU WENT CAMPING
TO THE GREAT ALASKAN OUTDOORS.
THAT'S SOMETHING YOUR FAMILY
WOULD DO, RIGHT?
JAX: I SUPPOSE.
ALEXIS: RIGHT.
AND YOU SUDDENLY GET THERE
AND YOU REALIZE THAT YOU'VE LOST
YOUR -- WHAT IS THAT STUFF
CALLED THAT YOU USE TO REPEL
BEARS WHEN THEY'RE GOING
TO ATTACK YOU?
JAX: BEAR REPELLENT?
ALEXIS: RIGHT.
JAX: THERE'S NO SUCH THING.
ALEXIS: OH.
WELL, THERE SHOULD BE.
JAX: OK.
ALEXIS: IN ANY CASE,
LET'S JUST ASSUME THAT THERE IS.
YOU'VE FORGOTTEN IT, AND SINCE
YOU LOST IT, IT'S ALL YOU CAN
THINK ABOUT.
NOW, IT'S NOT THAT YOU WOULD
EVER USE IT OR NEED IT.
IT'S JUST THAT IT GIVES
YOU THE SENSE -- THIS IS
THE STUPIDEST COMPARISON I'VE
EVER MADE.
WHY AM I TALKING ABOUT BEAR
REPELLENT?
JAX: YEAH, IT'S PRETTY
STUPID.
BUT YOU KNOW WHAT?
I CAN'T HAVE MY WIFE PINING OVER
ANOTHER MAN AND MAKING UP
IMAGINARY WILDERNESS PRODUCTS.
ALEXIS: I WAS JUST --
JAX: WHAT YOU NEED IS
A DISTRACTION.
WHICH IS WHAT YOU'RE GOING
TO GET.

JAX: FIRST YOU'RE GOING
TO CANCEL EVERYTHING.
ALEXIS: I CAN'T DO THAT.
WHY WOULD I DO THAT?
JAX: DO YOU REALLY WANT
TO SPEND THE NEXT TWO WEEKS
PRACTICING LAW WHILE THE MAN
YOU LOVE IS CAVORTING
THE STREETS OF ROME WITH ANOTHER
WOMAN?
ALEXIS: SHE'S NOT ANOTHER
WOMAN AND HE'S NOT CAVORTING.
I'M FINE ABOUT THIS.
I GAVE THEM MY BLESSINGS.
JAX: NO, IT'S VERY BIG
OF YOU, YES.
YES, BUT I'VE NEVER SUBSCRIBED
TO THE IDEA THAT VIRTUE IS
ITS OWN REWARD.
NO, NO, NO.
VIRTUE SHOULD GET ITS OWN
FREQUENT FLYER MILES LIKE
EVERYONE ELSE.
AND YOURS HAVE JUST EARNED
YOU A ROUNDTRIP, COURTESY
OF YOUR FRIENDLY LAS VEGAS
BRIDEGROOM.
ALEXIS: YOUR ROUNDTRIPS HAVE
A TENDENCY TO TURN INTO
ONE-WAYS.
I'VE SEEN ENOUGH OF THE SAHARA,
THANK YOU.
JAX: WHAT, THE INSIDE
OF A CAVE?
WELL, DON'T WORRY BECAUSE
I WOULDN'T PICK THE SAHARA
FOR A HONEYMOON, EITHER.
WELL, I OWE YOU ONE, DON'T I?
SO WE LEAVE TONIGHT.
ALEXIS: I CAN'T DO THAT.
I MEAN, ESPECIALLY NOT --
WHERE WE GOING?
JAX: WHERE ELSE?
ALEXIS: DO THEY SPEAK ITALIAN
THERE AND HAVE A PLACE
FOR THROWING CHRISTIANS
TO THE LIONS?

[KNOCK ON DOOR]
KATHERINE: I KNOW
YOU DON'T WANT TO SEE ME.
NIKOLAS: WHATEVER IT IS
YOU HAVE TO SAY, I'M NOT
INTERESTED.
KATHERINE: THEN I'LL
BE BRIEF.
I'M PREGNANT.

HANNAH: I WANT TO SEE HIM,
JOHNNY.
JOHNNY: I'LL TELL HIM
YOU'RE HERE.
HANNAH: NOT GOOD ENOUGH.
JOHNNY: I'LL TELL HIM
YOU'RE HERE.
MS. SCOTT --
HANNAH: MS. SCOTT REFUSES
TO WAIT IN THE HALL AND HAVE
JOHNNY TURN HER AWAY AGAIN.
IF YOU WANT TO THROW ME OUT,
YOU'LL HAVE TO DO IT YOURSELF.

FAISON: SURE.
IT'S ONE OF FATE'S MORE
GROTESQUE JOKES THAT THE MOST
BEAUTIFUL AND UNFORGETTABLE
WOMEN ARE MARRIED INTO
THE SCORPIO FAMILY,
CHOOSE TO JOIN THEIR LIVES
TO MEN WHO ARE NOT WORTHY
OF THEM.
POOR ANNA.
IN THE END, HER BAD JUDGMENT
KILLED HER.
FELICIA: NO, YOU DID.
FAISON: IT'S AN UNSPEAKABLE
WEIGHT IN MY HEART TO THINK
OF YOU MAKING THE SAME
NEEDLESS ERROR,
TO THINK OF SUCH BEAUTY AND FIRE
BEING SNUFFED OUT SO
SENSELESSLY.
MAC: DON'T MOVE!
CESAR FAISON.
WHATEVER SICK GAME YOU'RE
PLAYING, FAISON, IT'S OVER NOW.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

JAX: OLD MARRIED COUPLE
ALREADY.
LOOKS LIKE WE GOT HERE JUST
IN TIME.

NIKOLAS: WHAT ARE
YOU AFTER NOW?
KATHERINE: A LITTLE CIVILITY
FROM THE FATHER OF MY CHILD.

MAC: HOW DID YOU MANAGE
TO SURVIVE?
FAISON: I HAVE NO IDEA
WHAT YOU'RE TALKING ABOUT.

HANNAH: I WANT TO HELP YOU,
SONNY.
LET ME IN.

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