GH Transcript Monday 7/19/99

 

General Hospital Transcript Monday 7/19/99

Provided by Laura

LUKE: HOW DID YOU FIND OUT
WHO THE OTHER SKULL BELONGS TO?
FELICIA: I HAD ASKED MAC
TO RUN A CHECK FOR ME,
AND HE DID.
THIS IS -- THIS IS THE ARMY
RECORDS OF ELLIOT THOMPSON,
LILA'S FIANCE.
YOU'RE NOT GOING TO BELIEVE
WHAT'S IN HERE.
LUKE: A LITTLE NOTE THAT SAYS
"IF I AM FOUND DEAD IN A CRYPT
IN OYSTER BAY, LOOK NO FURTHER
THAN EDWARD QUARTERMAINE."
FELICIA: SOMETHING LIKE THAT.
LUKE: YEAH, THAT'S WHAT
I THOUGHT.
FELICIA: BUT I'M THINKING
THERE MIGHT BE A DIFFERENT
ANSWER TO THAT, AND WE HAVE
TO PROVE THAT.
NOW, IF YOU'RE NOT GOING TO TRY
TO THINK THAT, YOU CAN'T LOOK
AT WHAT'S INSIDE.
LUKE: YOU ARE SUCH A TEASE.
FELICIA: I'M SERIOUS.
LUKE: WELL, I TOLD YOU,
WHATEVER WE DO
IS UP TO YOU.
FELICIA: OK.
THIS IS THE PICTURE THAT
WE FOUND IN THE BOX THAT LILA
GAVE US.
LUKE: RIGHT.
1942, EDWARD, ELLIOT.
FELICIA: ARE YOU READY?
LUKE: I'M ALWAYS READY, BABY.
FELICIA: GET READY.
LUKE: I'M READY.
FELICIA: THIS IS ELLIOT
THOMPSON'S PASSPORT.
HE HAD THIS PICTURE TAKEN
THE DAY THAT HE REPORTED
FOR ARMY DUTY.
LUKE: HOLY BLACKMAIL.
COME TO PAPA.
FELICIA: LUKE, NOW --
LUKE: HEY, DO YOU STILL
FANTASIZE ABOUT ME -- I MEAN,
IN ANY WAY AT ALL?
FELICIA: EDWARD POSED
AS ELLIOT.
LUKE: YEAH, AND WE KNOW WHY.
WE KNOW WHY HE COULD GET AWAY
WITH IT -- BECAUSE ELLIOT WAS
DEAD, STUFFED IN A DRAWER
WITH EDWARD'S OLD PAPA.
ONE GUESS WHO PUT HIM THERE.

LILA: EDWARD, I JUST HEARD.
FELICIA AND LUKE HAVE BEEN
FOUND.
EDWARD: WHERE?
LILA: OYSTER BAY.
I DON'T KNOW THE DETAILS,
BUT THE IMPORTANT THING IS
THEY'RE SAFE.
EDWARD: OH.
AND TO THINK THAT YOU
SUSPECTED ME.
LILA: OH, MY DEAR,
I'M SO SORRY ABOUT THAT.
EDWARD: WELL, IT'S HIGH TIME
THAT YOU GUESSED WRONG.
LILA: I THOUGHT YOU'D ALREADY
RETIRED FOR THE EVENING.
EDWARD: WELL, I GOT
DISTRACTED BY OUR PAST.
LILA: YOU'RE WORRIED?
EDWARD: NO, I WOULDN'T SAY
THAT.
THESE LETTERS ARE FULL
OF OUR LOVE.
AND TO THAT DEGREE, I'M GRATEFUL
TO FELICIA FOR TRACKING THEM
DOWN AND TO CHLOE FOR TAKING
SUCH GOOD CARE OF THEM.
LILA: BUT YOU DIDN'T WANT ME
TO PUBLISH THE MEMOIRS.
EDWARD: I KNOW THAT I'M
THE REASON THAT YOU DID.
I KNOW THAT YOU'RE ANGRY WITH ME
BECAUSE I WAS PULLING THE FAMILY
STRINGS AND YOU JUST WANTED
TO SHOW EVERYONE HOW DIFFERENT
I USED TO BE.
LILA: ANGER ISN'T THE REAL
REASON THAT I AGREED
TO THE MEMOIRS.
I DECIDED THAT ONE DARK MOMENT
SHOULDN'T SILENCE ALL THE LOVELY
MEMORIES OF OUR FALLING IN LOVE.
EDWARD: HMM.
AND WE DID FALL SO HARD, HMM?

EMILY: JUAN, IT'S EMILY.
CAN YOU HEAR ME?
JUAN?
LISTEN TO ME.
THE GUY WHO BEAT YOU UP --
HE'S GONE.
HE'S GONE. HE LEFT.
NO, NO, , NO, NO, NO.
DON'T -- DON'T TRY TO MOVE,
PLEASE.
[JUAN GROANS]
EMILY: DON'T TRY TO MOVE.
JUAN, DON'T TRY TO MOVE, PLEASE.
OH.
LISTEN, I HAVE TO GO GET HELP.
JUAN: NO.
EMILY: YES.
I HAVE TO GO --
JUAN: NO.
EMILY: SOMEBODY CALL 911!
WE NEED PARAMEDICS!
YES, I HAVE TO GO GET HELP,
JUAN.
PLEASE.
NO, NO, NO!
DON'T TRY TO MOVE.
NO. WAIT, LISTEN.
JUAN: OW!
EMILY: SORRY.
I'M SORRY. I'M SORRY.
WHAT? WHAT? WHAT?
[JUAN GROANS]
EMILY: GOD.
WHAT IS THAT?
ARE YOU -- DID SOMEBODY STAB
YOU?
DID HE STAB YOU?
[GROANING]
EMILY: OH, GOD.
OH, GOD.
OK, LISTEN, YOU NEED TO LAY
DOWN.
WE NEED TO GET PRESSURE.
JUAN: JUST HELP ME.
EMILY: NO, NO, NO, NO.
WE NEED TO GET PRESSURE.
YOU HAVE TO LAY DOWN.
JUAN: JUST HELP ME.
EMILY: OK, FINE.
EASY.
EASY. GOD.
EASY, EASY.
OH, GOD.
EASY.
OK, SLOWLY.
SOMEBODY CALL 911!
COME ON, JUAN.
JUAN: EMILY --
EMILY: SLOWLY.
JUAN: EMILY --
EMILY: NO, NO, NO.
WE'RE GOING TO DO THIS MY WAY.
STAY HERE, OK?
DON'T MOVE.
DON'T MOVE.
EMILY: I NEED HELP.
I'M -- I'M IN THE ALLEY,
OFF OF PIER 19.
IT'S THE ALLEY RIGHT ACROSS
FROM PIER 19.
MY FRIEND HAS BEEN VERY BADLY
BEATEN UP.
HE'S BLEEDING, AND HE HAS
INTERNAL INJURIES.
OH, BARELY.
YEAH, I'LL MAKE SURE YOU SEE ME.
BYE.
JUAN, THE PARAMEDICS ARE COMING.
LISTEN TO ME.
THEY'RE COMING, OK?
OH, MY GOD.
JUAN? JUAN?
JUAN -- OH, NO!

[SIREN]
EMILY: JUAN, DON'T WORRY.
THE DOCTORS AT GENERAL HOSPITAL
ARE REALLY GREAT, OK?
AND I PROMISE WHEN WE GET THERE,
I WON'T LEAVE YOU ALONE.
I PROMISE, OK?
WE'LL STAY TOGETHER.
I KNOW HOW HORRIBLE IT IS TO BE
IN A HOSPITAL BY YOURSELF.
OVER HERE!
OVER HERE! HEY!
COME HERE!
PARAMEDIC: THE POLICE HAVEN'T
ARRIVED YET?
EMILY: IT'S OK.
PARAMEDIC: ALL RIGHT.
WE NEED YOU TO MOVE ASIDE.
THIS IS A FRIEND OF YOURS?
EMILY: YES.
PARAMEDIC: ON THREE -- ONE,
TWO, THREE.
ALL RIGHT.
WHAT'S HIS NAME?
EMILY: JUAN SANTIAGO.
PARAMEDIC: AGE?
EMILY: UH -- MAYBE 16?
PARAMEDIC: ALL RIGHT,
HOW LONG HAS HE BEEN
UNCONSCIOUS?
EMILY: WHEN I MADE
THE PHONE CALL TO YOU GUYS,
HE WENT UNCONSCIOUS.
PARAMEDIC: OK, DO YOU KNOW
IF HE'S ALLERGIC TO ANY
MEDICATIONS?
SECOND PARAMEDIC: HE'S GOT
A STRONG RADIAL PULSE.
FIRST PARAMEDIC: AT LEAST ONE
RIB PERFORATING THE LEFT SIDE.
EMILY: NO --
PARAMEDIC: HE'S GOT A BLOOD
PRESSURE 110 BY PALPATION.
HE NEEDS TWO LARGE-BORE I.V.s.
SECOND PARAMEDIC: YEAH,
HE'S NOT RESPONDING TO ANY
PAINFUL STIMULI.
EMILY: OH, GOD, PLEASE LET
HIM BE OK.
PARAMEDIC: GET HIM ON SOME
0-2.
PUT A C-COLLAR ON HIM.
SECOND PARAMEDIC: GOT IT.

HANNAH: THIS FEELS BETTER.
I DON'T LIKE IT WHEN WE FIGHT.
SONNY: I DON'T LIKE IT,
EITHER.
I MEAN, I DO UNDERSTAND
WHY YOU LIED ABOUT YOUR
EX-BOYFRIEND.
I MEAN, I DON'T -- I DON'T LIKE
IT, YOU KNOW, BUT I UNDERSTAND,
AND I KNOW IT PUSHED MY BUTTONS,
AND I'M SORRY.
HANNAH: I'M JUST AS GUILTY.
SONNY: WHEN I AMBUSHED
YOU IN YOUR APARTMENT?
HANNAH: I DON'T RESPOND WELL
TO THAT KIND OF FEELING, BUT IS
IT POSSIBLE THAT WE CAN MAKE
A DEAL?
WE DON'T MAKE EACH OTHER PAY
FOR ANYTHING THAT HAPPENED
BEFORE WE MET.
SONNY: DEAL.

EDWARD: YOU KNOW, IF IT
HADN'T BEEN FOR THAT ONE
MISTAKE, I WOULD HAVE BEEN
ON THE PHONE WITH EVERY
PUBLISHING HOUSE IN TOWN TO HAVE
THESE MEMOIRS PRINTED.
HMM -- THE BEGINNINGS OF A LOVE
THAT LINKED A REPROBATE LIKE ME
TO A LADY LIKE YOU --
NOW, THAT SHOULD BE HONORED.
YOU KNOW THAT OUR COURTSHIP WAS
THE TURNING POINT OF MY LIFE.
WHEN I READ THESE LETTERS
OR WHEN I HEAR YOU TELL FELICIA
ABOUT WHAT YOU REMEMBER -- LIKE
THE GARDEN PARTY AND THE FIRST
TIME I TOOK YOU TO OYSTER BAY
AND YOU WALKED IN THE ROOM
AND I THOUGHT "THERE,
THAT'S WHERE SHE BELONGS."
OH.
AND THE PICNICS -- HOW YOU WERE
RESPONSIBLE FOR EVERY DETAIL.
LILA: OH, I SPENT WEEKS
PLANNING EVERY MOUTHFUL.
EDWARD: HMM.
LILA: I CAN STILL REMEMBER
THOSE MENUS.
AND THEN YOU WALKED IN.
AND I COULD SCARCELY BREATHE,
LET ALONE -- LET ALONE EAT.
EDWARD: BUT NOTHING MATTERED
BECAUSE WE WERE TOGETHER.
LILA: WELL, THAT'S NOT
ENTIRELY TRUE.
I WAS SO TERRIFIED WHEN
YOU SHIPPED OUT, ESPECIALLY
THE SECOND TIME.
EDWARD: HMM.

LUKE: WHY ARE YOU
SO RELUCTANT TO BLAME LILA'S OLD
MAN?
FELICIA: BECAUSE I CAN'T
BELIEVE THAT EDWARD IS CAPABLE
OF YOU KNOW WHAT.
LUKE: OH, PLEASE.
HE'S AS RUTHLESS AS THEY COME.
FELICIA: RUTHLESS
IN BUSINESS, YES, BUT MURDER?
UH-UH.
LUKE: WELL, LET'S TAKE A WALK
DOWN MEMORY LANE, SHALL WE?
IT'S THE SUMMER OF 1942.
EDWARD'S IN LOVE WITH LILA.
LILA'S IN LOVE WITH EDWARD.
BUT LILA HAS A FIANCE NAMED
ELLIOT.
NOW, EDWARD'S OLD MAN,
MEAN GEORGE, HE CALLS EDWARD
IN ONE DAY AND SAYS HE DOESN'T
LIKE IT.
HE'S PUTTING HIS FOOT DOWN.
"YOU MAY NOT TAKE LILA AWAY
FROM ELLIOT BECAUSE IT'S BAD
FOR BUSINESS."
FELICIA: HMM.
LUKE: IT'S SO BAD
FOR BUSINESS THAT GEORGE
THREATENS TO DISINHERIT EDWARD.
THEN, CONVENIENTLY,
SUDDENLY, MEAN OLD GEORGE DROPS
DEAD.
ONE OBSTACLE DOWN.
ONE TO GO -- ELLIOT.
AND THERE ISN'T MUCH TIME
BECAUSE BOTH BOYS ARE ABOUT
TO BE SHIPPED OFF TO WAR.
LOOK, WHAT MADE EDWARD
HIS MILLIONS, YOU KNOW?
WHAT IS HIS -- WHAT IS HIS M.O.?
FELICIA: HE CRUSHES
THE COMPETITION.
LUKE: HE ELIMINATES
THE COMPETITION.
IN THIS CASE, HE WHACKED ELLIOT.
AND HE STUFFED HIM IN A DRAWER
IN THE FAMILY CRYPT
WITH HIS MEAN OLD DADDY.
THAT FAMILY CRYPT IS,
OF COURSE, OUR SPECIAL PLACE.
FELICIA: I'M GLAD MAC DIDN'T
LEAVE YOU IN THERE.
LUKE: ME, TOO.
RIGHT.
ANYWAY,
EDWARD TAKES ELLIOT'S INDUCTION
PAPERS AND HE REPORTS
TO ELLIOT'S ARMY BASE AND HE'S
THERE JUST LONG ENOUGH TO WRITE
AT LEAST ONE LETTER TO LILA,
THE ONE THAT WE FOUND
HALF-BURNED AND SIGNED "E."
AND THEN HE SHIPS OUT
WITH ELLIOT'S UNIT.
AND NOBODY'S THE WISER THAT
DISGUISED AS ELLIOT IS
EDDIE THE Q.
THEY AIN'T GOT A CLUE.
IN EUROPE, EDWARD THOMPSON --
I MEAN, ELLIOT THOMPSON -- GOES
INTO BATTLE AND IS LOST
IN BATTLE THE VERY FIRST DAY
AND HE'S NEVER FOUND.
AND TRAGICALLY, HIS
BROKENHEARTED FIANCEE BACK
IN THE STATES GRIEVES HIS LOSS.
HE REUNITES WITH LILA.
THEY HAVE ONE GLORIOUS NIGHT
TOGETHER, AND THEN HE REPORTS
TO THE NAVY
AND HE'S SHIPPED OUT AS HIMSELF
NOW.
NOW HE'S EDWARD.
HE'S SHIPPED OUT TO THE PACIFIC,
WHERE HE SERVES HONORABLY
OR HE PAYS SOME SPUD TO CLAIM
THAT HE WAS.
THEN HE COMES BACK.
HE'S REUNITED WITH HIS
SWEETHEART.
HE MARRIES HER.
AND NOBODY'S THE WISER
THAT THE SECRET,
THE GRISLY SECRET REMAINS
IN THE CRYPT, DECAYING
AND DISAPPEARING WITH POOR
LOVESTRUCK ELLIOT.
FELICIA: MM-HMM.
AND THE WAY YOU PUT IT, IT MAKES
ABSOLUTE PERFECT SENSE,
EXCEPT FROM THE VERY BEGINNING
WHERE EDWARD AND LILA KNOW
ANYTHING ABOUT MURDERING.
THAT'S THE MISSING PART.
AND THAT'S THE PART THAT I DON'T
BUY.

CHLOE: NED, YOU DON'T HAVE
TO WALK ME BACK EVERY TIME
I VISIT THE GATEHOUSE.
NED: WELL, IT'S THE LEAST
A FIANCE CAN DO.
AND THE MORE I LOOK LIKE A REAL
FIANCE, THE BETTER.
YOU KNOW, WITH GRANDFATHER
AND YOUR AUNT GERTRUDE,
THERE'S NO TELLING WHAT SPIES
MIGHT BE LURKING AROUND
THE DOOR!
CHLOE: Should we whisper in
case it's bugged?
NED: NO, I THINK WE'RE OK.
YOU SEE THAT CHAIR?
THAT'S MY GRANDFATHER'S FAVORITE
CHAIR TO DO HIS WHEELING
AND DEALING, AND I DON'T THINK
HE WOULD RISK GETTING CAUGHT
ON TAPE.
CHLOE: I CAN'T HELP IT.
I LIKE EDWARD.
I ONLY WISH WE COULD CONFIDE
IN HIM LIKE WE DID WITH LILA.
NED: WELL, IF WE DID,
IN ABOUT 10 SECONDS HE WOULD BE
THROWING US TO THE DOGS
AND YOUR COMPANY TO
AUNT GERTRUDE.
SO OUR JOB IS TO MAKE
GRANDFATHER BUY THAT WE ARE
ENGAGED.
OH -- WHICH MEANS YOU NEED
AN ENGAGEMENT RING.
CHLOE: OH.
NED: WOULD YOU LIKE
TO DESIGN IT?
CHLOE: NO.
WHATEVER YOU PICK WILL BE FINE.
NED: WELL, LET ME ASK YOU,
THEN -- WHAT WOULD BE
YOUR FANTASY ENGAGEMENT RING?
CHLOE: A SAPPHIRE.
BUT DON'T TAKE THAT LITERALLY.
NED: HMM.
SAPPHIRES.
WHAT DO WE HAVE HERE?
ABRACADABRA.
EMERALDS, RUBIES
DIAMONDS AND SAPPHIRES
MAKE THIS BE THE ONE
MY LADY DESIRES.
CHLOE: HOW DID YOU DO THAT?

FELICIA: LUKE, CAN I REMIND
YOU THAT LILA QUARTERMAINE IS
AS SMART AS THEY COME,
ESPECIALLY WHEN IT COMES
TO EDWARD?
IF EDWARD KILLED ELLIOT
THOMPSON, THEN HE COULDN'T HIDE
THAT FROM LILA.
SHE WOULD KNOW.
LUKE: I --
I THINK SHE DID KNOW.
FELICIA: AND KEPT IT QUIET?
NO.
NO, NEVER IN A GAZILLION
YEARS.
COULD I BELIEVE THAT SHE WOULD
WANT EDWARD OVER THE FIANCE THAT
HER FATHER WAS FORCING
HER TO HAVE?
YES.
COULD I BELIEVE THAT SHE WOULD
DUMP ELLIOT THOMPSON?
YES.
BUT TO PARTICIPATE IN MURDER?
NO. NO WAY.
LUKE: NO, WAIT.
I DIDN'T SAY "PARTICIPATE."
I SAID SHE KNEW ABOUT IT,
AS IN SHE KNEW AND DIDN'T
REPORT IT.
FELICIA: THAT 60-YEAR
MARRIAGE DOES NOT HAVE
AT ITS FOUNDATION A MURDER.
LUKE: WELL, THEN, YOU EXPLAIN
TO ME WHY THAT LETTER,
THE HALF-BURNED LETTER THAT
WE FOUND THAT WAS CONVENIENTLY
SIGNED "E", WHY IT WAS MAILED
FROM ELLIOT'S ARMY BASE.
BECAUSE IF EDWARD WASN'T
IMPERSONATING ELLIOT, HOW COULD
THIS HAVE HAPPENED?
ELLIOT WAS ALREADY DEAD,
STUFFED IN THE DRAWER.
AND IN THE SAME LETTER,
EDWARD WRITES, AS ELLIOT,
"DON'T SPEND TOO MUCH TIME
AT THE CEMETERY, LILA."
EXPLAIN THAT.
FELICIA: I CAN'T.
I CAN'T DO THAT RIGHT NOW,
BUT I WILL.
LUKE: OK, THEN ALSO,
WHEN YOU GET AROUND TO IT,
EXPLAIN TO ME WHY MR. ED ALSO
WRITES IN THAT LETTER, "THE REST
WILL TAKE CARE OF ITSELF"?
NOW, I MEAN, WHY DOES HE MEAN
BY "THE REST" IF IT ISN'T,
YOU KNOW, ELLIOT ASLEEP
ON THE SLAB?
FELICIA: SINCE WHEN IS
"THE REST" SHORTHAND FOR MURDER?
I MEAN, "THE REST" COULD BE
ANYTHING.
IT COULD BE THE REST
OF THEIR WEDDING PLANS
OR THE REST OF THEIR LIVES
OR THE REST OF THE PEOPLE
THEY WERE GOING TO INVITE OVER
FOR CHRISTMAS.
LUKE: OK.
WELL, YOU KNOW, YOU HAVE
A POINT.
WE'LL HAVE TO CONFRONT THEM.
FELICIA: NO.
NO, WE CAN'T CONFRONT THEM.
THAT WOULD BE THE SAME THING
AS ACCUSING THEM.
I AM NOT GOING TO CONFRONT THEM
ABOUT MURDER UNLESS I HAVE GOOD,
STRONG EVIDENCE.
LUKE: WELL, WHAT THE HELL IS
THIS?
LEMON MERINGUE?
FELICIA: WELL, YES,
IT'S -- YES.
THAT IS A PICKLE, ISN'T IT?
I'M JUST GOING TO HAVE TO GO
BACK TO OYSTER BAY.
LUKE: ALL RIGHT.
THEN I'LL GO.
I'LL GO ALONE BECAUSE SOMEBODY
AT CLAM ON THE WATER HATES
OUR GUTS.
AND ALSO, BUBBA WILL HATE MINE
IF HE THINKS THAT YOU'VE GONE
BACK THERE WITH ME.
FELICIA: HE KNOWS THAT
I'M STILL DIGGING, AND BESIDES,
HE GAVE ME ELLIOT THOMPSON'S
ARMY RECORDS.
BESIDES, IF YOU GO BACK,
I'M JUST GOING TO HAVE TO COME
BACK AND RESCUE YOU.
I MEAN, THIS IS GOING TO BE
A LOT QUICKER.
LUKE: "QUICKER"?
FELICIA: YEAH.
LUKE: YOU KNOW, WHY DO I HAVE
THE VISION OF A HANGMAN SAYING
TO THE CONVICTED, "COME THIS
WAY, IT'S A SHORTCUT"?
FELICIA: THAT'S OK.
IF YOU DON'T WANT TO GO,
I'M GOING TO GO.
LUKE: NO, I'M -- I'M IN.
I'M IN, I'M IN.
FELICIA: OK.
WELL, I'M GOING TO CHECK
WITH MAC, AND YOU CHECK
WITH WHOEVER, AND THEN WE'LL
COORDINATE OUR SCHEDULES.
LUKE: RIGHT.
YOUR PEOPLE CAN TALK
TO MY PEOPLE, AND THEY CAN ALL
LEAVE MESSAGES ON THEIR
MACHINES.
FELICIA: WE'RE ALMOST THERE.
I KNOW IT.
LUKE: I KNOW.
BYE.
FELICIA: BYE.

PARAMEDIC: 16-YEAR-OLD MALE,
HISPANIC ASSAULT VICTIM.
BOBBIE: OH, MY GOD.
EMILY.
EMILY: SOMEBODY HELP HIM.
BOBBIE, HELP HIM, PLEASE.
HELP HIM, PLEASE.
BOBBIE: WILL YOU CALL DOCTORS
ALAN AND MONICA QUARTERMAINE?
EMILY: I'M ALL RIGHT.
IT'S HIM. IT'S HIM.
I'M FINE. I'M FINE.
PARAMEDIC: PULSE IS 124.
B.P., 112/58.
PATIENT HAS GOOD RESPIRATORY
EFFORT, BUT HE REMAINS ALTERED.
CHEM STRIP OF 120.
ABDOMINAL TRAUMA WITH
DISTENSION.
AT LEAST ONE COMPOUND RIB
FRACTURE PIERCING THE LEFT
TORSO.
TONY: I KNOW THIS KID.
GET HIM INTO TRAUMA ONE.
JUAN, CAN YOU HEAR ME?
ALL RIGHT, HOW LONG'S HE BEEN
UNCONSCIOUS?
PARAMEDIC: APPROXIMATELY
15 MINUTES.
EMILY: I NEED TO GO WITH HIM.
BOBBIE: EMILY, STAY HERE,
HONEY.
COME ON OVER HERE. SIT DOWN.
EMILY: I NEED TO GO WITH HIM.
BOBBIE: OVER HERE, ALL RIGHT?
IS THIS HIS BLOOD?
EMILY: UH -- YEAH.
BOBBIE: ALL RIGHT.
HAVE A SEAT.
FIRST, I WANT TO GIVE
YOU A QUICK CHECK, ALL RIGHT?
HE A FRIEND OF YOURS?
EMILY: YEAH.
BOBBIE: YEAH?
SO, HONEY, WHAT HAPPENED?
EMILY: UM -- WE WERE JUST
TOGETHER AND THEN HE GOT A PAGE
AND HE LEFT AND I WENT AFTER HIM
BECAUSE I HAD TO SAY
SOMETHING AND --
AND I HEARD A NOISE AND --
AND HE WAS LYING THERE
AND HE WAS BLEEDING AND --
AND HE DIDN'T WANT ME TO CALL
FOR HELP.
HE COULDN'T STAND UP, AND I --
AND I CALLED 911, AND THEN WHEN
I CAME BACK, HE WAS UNCONSCIOUS.
BOBBIE: ALL RIGHT.
LISTEN, I'M GOING TO GO CHECK
ON HIM, OK?
EMILY: OK.
BOBBIE: A NURSE IS COMING
OVER IN A MINUTE BECAUSE WE NEED
TO GET A FAMILY HISTORY.
ARE YOU OK?
EMILY: YES. GO, GO.
BOBBIE: ALL RIGHT.

[TELEPHONE RINGS]
HANNAH: LET IT GO.
SONNY: IT'S TEMPTING,
BUT, YOU KNOW, WHEN SOMEBODY
CALLS ON MY PRIVATE LINE,
IT'S FOR A REASON.
SONNY: YEAH?
EMILY: SONNY, IT'S EMILY.
SONNY: WHERE ARE YOU?
EMILY: I'M AT THE EMERGENCY
ROOM, WITH JUAN.
HE GOT BEATEN UP, AND THEY WANT
TO KNOW ABOUT HIS FAMILY
HISTORY, AND I DON'T KNOW WHAT
TO SAY, SO I THOUGHT THAT I'D
CALL YOU.
SONNY: NO, NO, NO.
IT'S GOOD THAT YOU CALLED.
I'M ON MY WAY.
I'M LEAVING.
ARE YOU-ALL OK?
EMILY: JUST HURRY.

TONY: SET UP A CENTRAL LINE,
PLEASE.
WHOEVER DID THIS CERTAINLY SEEMS
TO HAVE KNOWN WHAT THEY WERE
DOING.
BOBBIE: HOW DO YOU KNOW THIS
KID?
TONY: I MET HIM AT KELLY'S.
I ALSO PULLED HIM FROM ANOTHER
FIGHT.
I TRIED TO GET HIM IN LAURA'S
OUTREACH PROGRAM AT
THE HOSPITAL, BUT HE WASN'T
INTERESTED.
BOBBIE: EMILY SAID SHE CALLED
SONNY, THAT HE WOULD KNOW
THE FAMILY HISTORY.
TONY: IT JUST PROVES
MY THEORY ONCE AGAIN -- GOD HELP
ANYONE THAT SONNY CORINTHOS
TOUCHES.
SONNY: ALL RIGHT, DO ME
A FAVOR, OK?
THIS IS JUAN'S FATHER'S NUMBER.
KEEP TRYING TO REACH HIM,
ALL RIGHT?
SONNY: IS THIS HIS BLOOD
OR YOURS?
EMILY: HIS.
IT WAS THAT GUY WHO WORKS
FOR MORENO WHO BEAT HIM UP --
YOU KNOW, THE ONE THAT JUMPED
JASON IN THE ALLEY AND --
SONNY: SOREL?
EMILY: YEAH.
SONNY: WHERE'S JUAN?
EMILY: HE'S IN THERE.
HE'S ALIVE, BUT HE'S DOING
REALLY BAD.
SONNY: IT'S ALL RIGHT.
IT'S ALL RIGHT.
DOES YOUR FAMILY KNOW THAT
YOU'RE HERE?
EMILY: YEAH.
THEY'RE ON THEIR WAY.
SONNY: ALL RIGHT.
TELL ME THE REST.
EMILY: HE WOULDN'T STOP.
JUAN WAS LYING THERE AND HE JUST
KEPT KICKING HIM.
SONNY: DID SOREL SEE YOU?
EMILY: AM I IN TROUBLE --
SONNY: NO, NO.
EMILY: NOW THAT HE KNOWS THAT
I SAW HIM?
SONNY: DON'T WORRY ABOUT IT.
I'LL HANDLE IT.
THIS IS VERY IMPORTANT.
YOU GOT TO UNDERSTAND WHAT I'M
SAYING RIGHT HERE, OK?
YOU CAN'T TELL ANYBODY
YOU RECOGNIZED WHO DID THIS --
NOT THE COPS, NOT YOUR FAMILY.
IT'S THE ONLY WAY TO KEEP
YOU SAFE.
EMILY: ALL RIGHT.
SONNY: I'M SORRY THIS HAD
TO HAPPEN, AND I'M SORRY YOU HAD
TO GET DRAGGED INTO THIS.
EMILY: HE WANTED TO SPY
ON MORENO FOR YOU.
SONNY: HE WHAT?
EMILY: TO PROVE HE COULD HELP
YOU.
HE WANTED YOU TO LIKE HIM.
SONNY: YOU PROBABLY SAVED
HIS LIFE.
MONICA: EMILY!
OH, MY GOD.
ALAN: HONEY, WHERE ARE
YOU HURT?
EMILY: NO, NO.
I'M NOT THE ONE THAT'S HURT.
I'M FINE.
MONICA: WELL -- JASON?
IS IT JASON?
HOW BAD IS IT?
EMILY: NO, NO --
MONICA: WHAT HAVE YOU DONE
TO HIM?
ALAN: SHH!
EMILY: IT'S NOT JASON.
HE'S NOT EVEN HERE.
IT'S JUAN.
ALAN: JUAN?
MONICA: JUAN? WHO'S JUAN?
SONNY: HE'S A KID I KNOW
FROM PUERTO RICO.
I KNOW HIS FAMILY.
MONICA: OH, THAT'S WONDERFUL.
NOW YOU'VE INVOLVED ANOTHER ONE
OF MY CHILDREN IN YOUR FILTHY
BUSINESS!
EMILY: MOM!
ALAN: SHH.
EMILY: PLEASE DON'T.

CHLOE: OH.
HOW DID YOU KNOW?
NED: WHEN IT COMES TO WOMEN
AND PRECIOUS GEMS, I'M A GENIUS.
HOWEVER, I HAVE TO SAY IN THIS
CASE, JAX GAVE ME THE IDEA.
I HOPE IT WORKS.
CHLOE: MAY I?
NED: NO.
NOT YET.
I KNOW YOUR UNCLE'S WILL STATES
THAT YOU HAVE TO HAVE A PROPER,
TRADITIONAL WEDDING, SO I THINK
WE NEED TO DOCUMENT THIS DEAL --
OR RATHER, BETROTHAL --
FOR EVERYONE TO SEE, SO --
CHLOE: THAT IS A GREAT IDEA.
NED: I'LL PUT THE CAMERA
HERE.
CHLOE: OH.
NED: YOU HOLD THAT.
CHLOE: OK.
NED: SIT DOWN OVER HERE.
AND HOPEFULLY THIS WORKS.
OK, HERE WE GO.
THIS ONE'S FOR OUR DEAR
AUNT GERTRUDE.
OH, NOW, THAT WAS NICE.
THAT WAS NICE.
CHLOE: CAN I TRY ONE?
NED: OH, SURE.
YOU JUST PRESS THAT LITTLE
BUTTON RIGHT THERE.
CHLOE: YOU HOLD -- ACT LIKE
YOU'RE GIVING ME THE RING RIGHT
NOW.
NED: OH, OK.
BEAUTIFUL!
BEAUTIFUL.
CHLOE: CAN I LOOK AT IT NOW?
NED: NO, NO, NO, NO, NOT YET.
SIT DOWN.
SIT RIGHT OVER THERE.
AHEM.
CHLOE MORGAN,
WILL YOU MARRY ME FOR ONE YEAR?
WILL YOU HONOR ME, CHERISH ME,
AND FAKE IT WITH ME UNTIL
YOUR AUNT SAYS UNCLE?
WILL YOU ACCEPT MY FAMILY
AND THE PRESENCE OF THE WOMAN
I LOVE WHENEVER POSSIBLE?
AND IN RETURN -- IN RETURN
I PROMISE TO DEFEND YOUR COMPANY
FROM A TAKEOVER.
AND ABOVE ALL ELSE,
I PROMISE TO GET AROUND THAT
WILL AND FOIL THE EVIL
AUNT GERTRUDE.
SO WHAT DO YOU SAY?
CHLOE: WHAT WAS THE QUESTION?
NED: WILL YOU MARRY ME?
CHLOE: NED.
YOU HAVE GONE TO SO MUCH TROUBLE
TO TURN THIS LUDICROUS
PREDICAMENT INTO SOMETHING
SPECIAL.
YES, I WILL MARRY YOU.
NED: OH. THANK YOU.
I WAS STARTING TO SWEAT THERE,
ACTUALLY.
LET ME SEE YOUR HAND.
OH, THAT'S NICE.
CHLOE: THANK YOU.
THANK YOU, ALEXIS.

CHLOE: YOU SEEM LIKE
YOU WOULD MAKE AN IDEAL HUSBAND.
WHY HASN'T IT WORKED OUT
FOR YOU?
NED: WRONG PERSON
OR WRONG PRIORITIES.
CHLOE: IS THAT WHY
YOU HAVEN'T ASKED ALEXIS
TO MARRY YOU?
YOU'RE GUN-SHY?
NED: I GUESS THIS IS WHAT
AN ARRANGED MARRIAGE IS LIKE,
ISN'T IT?
YOU GET MARRIED AND THEN YOU GET
TO KNOW ONE ANOTHER.
CHLOE: NED, I WOULD BE
SO UNDERSTANDING IF YOU WANTED
TO BACK OUT.
JUST THE FACT THAT YOU WERE
WILLING TO CONSIDER IT WILL BE
ONE OF MY MOST CHERISHED
TREASURES.
NED: I'M IN.
GOOD NIGHT.
CHLOE: GOOD NIGHT.
EDWARD: CHLOE, WHAT ARE
YOU DOING SITTING ALONE HERE
IN THE DARK?
CHLOE: I WAS ADMIRING
A SAPPHIRE IN THE MOONLIGHT.
LOOK WHAT YOUR GRANDSON GAVE ME.
EDWARD: WELL.
I HAVE TO HAND IT TO NED.
HE'S PULLING OUT ALL THE STOPS
TO PLAY YOUR KNIGHT IN SHINING
ARMOR.
HMM.
CHLOE: NED'S NOT A KNIGHT.
HE'S A PRINCE.
EDWARD: WELL, I'M SORRY
TO BURST YOUR BUBBLE.
CHLOE: MUST YOU?
EDWARD: WELL --
CHLOE: AGAIN?
EDWARD: REGARDLESS OF WHAT
YOU HAVE HEARD, I LOVE NED.
I VALUE HIM, AND I ALSO KNOW
WHAT HE IS.
HE IS THE MOST RUTHLESS
BUSINESSMAN I HAVE EVER
ENCOUNTERED.
CHLOE: FOR SOMEONE YOU LOVE
SO MUCH, THAT IS A RATHER
UNFLATTERING THING TO SAY,
AND IT'S ALSO UNTRUE.
NED AND I ARE MARRYING FOR LOVE.
EDWARD: OH.
THIS FROM A YOUNG WOMAN WHO CAN
RECITE BY HEART 60-YEAR-OLD
COURTSHIP LETTERS?
YOU KNOW, IT SADDENS ME THAT
YOU OF ALL PEOPLE CAN MAKE
A MOCKERY OF LOVE.

SONNY: NEITHER EMILY
OR THE BOY WHO'S HURT IS
INVOLVED IN WHAT YOU'RE
THINKING.
EMILY: I CALLED SONNY HERE.
MONICA: THAT IS EXACTLY
MY CONCERN.
EMILY: MOM, YOU DON'T
UNDERSTAND.
MONICA: I UNDERSTAND THAT
THERE IS NO EARTHLY REASON
FOR MY DAUGHTER TO HAVE
YOUR NUMBER.
EMILY: MOM.
MONICA: I KNOW WHAT HE IS
CAPABLE OF AND THE KIND
OF PEOPLE HE ATTRACTS,
AND I DON'T WANT YOU TO HAVE
ANYTHING TO DO WITH IT.
EMILY: MOM, JUAN IS
MY FRIEND, ON MY OWN, OK?
HE JUST GOT BEATEN UP,
AND YOU DON'T EVEN SEEM TO CARE.
YOU HAVEN'T EVEN ASKED HOW
HE IS.
ALAN: EMILY, EMILY --
MONICA: NO, I --
ALAN: SHH! BOTH OF YOU.
IS THIS ABOUT DRUGS?
STRAIGHT ANSWER.
EMILY: NO.
ALAN: ALL RIGHT, THEN.
TELL ME WHAT HAPPENED.
WERE YOU THERE?
EMILY: I FOUND HIM THERE.
I MEAN, YOU TWO ARE DOCTORS.
I MEAN, YOU SHOULD BE CHECKING
ON HIM RIGHT NOW.
MAC: EMILY?
ARE YOU ALL RIGHT?
ALAN: SOMEONE BEAT UP ONE
OF HER FRIENDS.
MAC: WHO?
EMILY: JUAN SANTIAGO.
MAC: AND HE IS?
SONNY: I KNOW HIS FAMILY.
MAC: ARE THEY HERE?
SONNY: THEY'RE IN
PUERTO RICO.
I'M TRYING TO REACH THEM.
MAC: WHAT CAUSED THE FIGHT?
EMILY: I DON'T KNOW.
MAC: DID YOU RECOGNIZE
THE ASSAILANTS?
EMILY: NO.
I GOT THERE WHEN IT WAS OVER.
FELICIA: AUDREY, HI.
AUDREY: OH, HELLO, FELICIA.
FELICIA: HAVE YOU SEEN MAC?
AUDREY: MAC?
NO, NO.
IS HE SUPPOSED TO BE HERE?
FELICIA: WELL, HE GOT
SIDETRACKED ON HIS WAY HOME,
SOMETHING TO DO WITH SOME KIND
OF AN ASSAULT THAT WAS DOWN
ON THE DOCKS.
AUDREY: OH.
I KNOW EMILY QUARTERMAINE
BROUGHT IN SOMEONE WHO WAS
INJURED TONIGHT.
IF THAT'S THE CASE MAC'S
FOLLOWING, YOU MIGHT FIND HIM
DOWN IN THE O.R. WAITING ROOM.
OR OTHERWISE, TRY E.R.
FELICIA: OK. I WILL.
THANK YOU.
AUDREY: MM-HMM.
FELICIA: NICE TO SEE YOU.
AUDREY: GOOD TO SEE YOU.

EDWARD: LILA AND I WERE
PERUSING THESE LETTERS TONIGHT.
NOW, YOU MADE A TREASURE
OF THEM, SO THAT MEANS THAT
YOU DO APPRECIATE TRUE LOVE.
OOH.
I'VE MADE MISTAKES.
GOD KNOWS I'VE TESTED THIS.
BUT, YOU KNOW,
THIS LOVE IN THESE LETTERS
HAS LASTED OVER HALF A CENTURY.
AND IT STILL LASTS.
THESE LETTERS ARE MORE THAN JUST
A RECORD OF OUR PASSIONATE
YOUTH.
THEY SERVE AS A REMINDER THAT
MY FEELINGS FOR MY WIFE ARE JUST
AS DEEP AS EVER.
AND THAT, MY DEAR --
THAT'S LOVE.
CHLOE: YES, I KNOW, AND THAT
IS WHAT I WANT WITH MY LIFETIME
PARTNER.
EDWARD: YOU WON'T GET IT
FROM NED.
NOW, YOU SAY WHAT YOU WILL.
LOVE IS NOT A PART OF
YOUR EQUATION.
SO, LILA'S WAITING.
I'D BETTER GO SEE HER,
BUT I WANT TO LEAVE
YOU WITH THIS --
MARRIAGE ENTERED INTO
WITHOUT LOVE IS DOOMED.
GOOD NIGHT.
CHLOE: EDWARD?
EDWARD: HMM?
CHLOE: IS THIS THE SAME
GUIDANCE YOU GAVE TO CARLY
AND A.J.?
AND YOU CALL NED A RUTHLESS
BUSINESSMAN.
CHLOE: OH.

MAC: EMILY, I NEED
YOU TO TELL ME EVERYTHING
YOU REMEMBER.
EMILY: JUAN AND I WERE
HANGING OUT, AND THEN HE LEFT.
BUT I REMEMBERED SOMETHING I HAD
TO TELL HIM, SO I FOLLOWED HIM.
MAC: SO IF YOU FOLLOWED HIM,
YOU MUST HAVE SEEN THE
ASSAILANTS.
EMILY: NO.
UM -- I WASN'T, YOU KNOW,
RIGHT BEHIND HIM.
I WAS KIND OF FAR AWAY.
I WENT DOWN A WRONG STREET,
AND THEN I WENT RIGHT PAST
THE ALLEY, AND THAT'S WHEN
I HEARD HIM.
MAC: JUAN?
EMILY: YEAH.
HE WAS LAYING THERE, GROANING.
MAC: AND YOU DIDN'T SEE
ANYBODY, EVEN RUNNING AWAY?
EMILY: NO.
MAC: OK, YOU SAY YOU HEARD
NOISES.
WHAT KIND OF NOISES?
EMILY: UH -- KICKING NOISES,
YOU KNOW, LIKE HE WAS BEING
KICKED, LIKE HE WAS GETTING
BEATEN UP.
MAC: I'M SURPRISED YOU WENT
TO GO CHECK THAT OUT.
DID YOU THINK IT COULD BE JUAN?
EMILY: I DON'T KNOW WHAT
I THOUGHT.
MAC: WELL, YOU MUST HAVE
THOUGHT IT MIGHT BE JUAN.
EMILY: I KNOW HE WENT IN THAT
DIRECTION.
MAC: SO YOU HAVE NO IDEA WHO
MIGHT HAVE WANTED TO BEAT
HIM UP?
YOU SAY YOU HEARD NOISES.
DID YOU HEAR ANY VOICES?
OK, YOU SAW JUAN, AND YOU WENT
OVER TO HIM.
WAS HE CONSCIOUS?
DID HE SAY ANYTHING?
EMILY: HE DIDN'T WANT ME
TO CALL FOR HELP.
HE TRIED TO GET UP,
BUT HE COULDN'T STAND UP.
SO THAT'S WHEN I WENT
AND I CALLED 911, AND WHEN
I CAME BACK, HE WAS UNCONSCIOUS.
MAC: CAN YOU FILL
IN THE BLANKS?
SONNY: I WOULD IF I COULD.
MAC: LET ME REPHRASE
THE QUESTION.
WHAT DOES THIS ASSAULT HAVE
TO DO WITH YOU, MORENO,
AND YOUR TERRITORY WAR?
SONNY: SORRY, BUT I ONLY KNOW
THIS KID THROUGH HIS PARENTS
IN PUERTO RICO.
HE CAME HERE, WHAT,
A COUPLE OF WEEKS AGO?
AND EXCEPT FOR ME SETTING UP
A ROOM FOR HIM AT KELLY'S,
I HAVEN'T HAD ANY CONTACT
WITH HIM.
AND, NO, COMMISSIONER,
I DO NOT KNOW WHO DID THIS
TO HIM.
MAC: RIGHT.
EXCUSE ME.
SONNY: PARDON ME.
HANNAH: HI.
I FINALLY GOT AHOLD OF JUAN'S
FATHER'S HOUSE, BUT I MISSED HIM
BY 10 MINUTES.
I TALKED TO THE HOUSEKEEPER.
SHE SAID HE HAD LEFT ON SOME
BUSINESS EMERGENCY.
I GAVE HER NO INFORMATION.
I GAVE HIM YOUR PHONE NUMBER,
AND I SAID FOR HIM TO CALL
YOU AS SOON AS POSSIBLE.
SONNY: THANKS.
HANNAH: HOW IS HE?
SONNY: I DON'T KNOW.
WE DON'T KNOW YET.
TONY: EXCUSE ME.
THERE'S NO REAL CHANGE.
WE HAVE LISTED HIM IN CRITICAL
CONDITION BECAUSE OF
THE ABDOMINAL TRAUMA
AND THE INTERNAL HEMORRHAGING.
WE HAVE AN O.R. THAT'S ABOUT
TO BE AVAILABLE, SO WE'RE GOING
TO TAKE HIM IN FOR A LAPAROTOMY
TO ASSESS THE DAMAGE INSIDE.
NOW, HAS ANYONE BEEN ABLE
TO REACH HIS PARENTS?
SONNY: YEAH, I CALLED
HIS FATHER, BUT HE HASN'T CALLED
ME BACK.
TONY: OK.
YOU CAN WAIT IN THE WAITING ROOM
ON THE 10th FLOOR.
BE SURE AND LET THE NURSES KNOW
AS SOON AS HIS FATHER CALLS.
AND IF THEY CAN, ONE
OF THE SURGICAL TEAM WILL COME
OUT AND TRY TO LET HIM KNOW
WHAT'S HAPPENING.
AND JUAN HAS BEEN IN AND OUT
OF LUCIDITY, BUT HE HAS ASKED
TO SPEAK WITH YOU.
SONNY: YOU WANT TO COME?
MONICA: EMILY IS GOING HOME.
EMILY, HE HAS TO GO
INTO SURGERY.
LOOK, YOU CAN SEE HIM LATER.
ALAN: YOUR MOTHER'S RIGHT.
LET THE DOCTORS DO THEIR JOB
AND HELP HIM.
EMILY: BUT, I --
SONNY: EMILY, EMILY,
YOUR PARENTS ARE RIGHT.
I'LL STAY HERE, AND I'LL CALL
YOU IF I HEAR ANYTHING.
EMILY: PROMISE?
SONNY: YEAH.
EMILY: OK.
SONNY: ALL RIGHT.

FELICIA: MAC?
MAC: HI.
FELICIA: HI.
MAC: WHAT ARE YOU DOING HERE?
I THOUGHT YOU'D BE DEAD
ON YOUR FEET AFTER OYSTER BAY.
FELICIA: I NEEDED TO SEE YOU.
IS EMILY QUARTERMAINE OK?
MAC: YEAH.
A FRIEND OF HERS WAS ASSAULTED
TONIGHT.
ALAN AND MONICA ARE TAKING
HER HOME.
FELICIA: OH, GOSH.
I KNOW YOU'RE IN THE MIDDLE
OF SOMETHING, BUT YOU KNOW THAT
FILE YOU GOT FOR ME OF LILA'S
OLD FIANCE?
I NEED TO DISCUSS THAT WITH YOU.
MAC: CAN IT WAIT TILL I GET
HOME?
FELICIA: WELL, SURE.
YEAH, OK.
YEAH, OK. I'LL SEE YOU THERE.
MAC: FELICIA, WAIT.
ARE YOU OK?
FELICIA: YEAH. I'M OK.

TONY: TYPE AND CROSS SIX
UNITS OF PACKED RED BLOOD CELLS.
WHAT ARE HIS HEMOGLOBIN
AND HIS HEMATOCRIT LEVELS?
BOBBIE: HIS HEMOGLOBIN HAS
DROPPED TWO GRAMS, AND
HIS HEMATOCRIT HAS GONE DOWN
WITH IT.
TONY: ALL RIGHT.
DRAW A.B.G.s ON SIX LITERS
AND CONTINUE WITH CRYSTALLOIDS,
PLEASE.
[FELICIA WHISTLES]
[CAR DOOR OPENS]
[CAR DOOR CLOSES]
[CAR STARTS and DRIVES OFF]
TONY: SO WHATEVER YOU HAVE
TO SAY TO EACH OTHER, MAKE IT
SHORT.
SONNY: HEY, JUAN, IT'S SONNY.
YOU'RE GOING TO BE OK.
JUAN: IT WOULD HAVE WORKED.
SONNY: DON'T TALK.
WE'LL -- WE'LL TALK LATER.
JUAN: I WANTED TO SHOW
YOU THAT I WAS GOOD ENOUGH, DAD.
SONNY: IT'S SONNY.
I CALLED YOUR FATHER.
JUAN: SONNY --
JUAN: I KNOW YOU'RE MY DAD.

>> STAY TUNED FOR SCENES FROM
THE NEXT "GENERAL HOSPITAL."

KATHERINE: IT'S GOOD TO SEE
YOU HERE.
ABOUT TIME YOU SAW YOUR SON'S
OFFICE.

EMILY: I'M GOING
TO THE HOSPITAL.
MONICA: NO, YOU'RE NOT.

TONY: YOU REMEMBER THE KID
I BROUGHT BY LAST WEEK?
NOW HE'S FIGHTING FOR HIS LIFE.

SONNY: HE TOLD ME HE KNEW
I WAS HIS FATHER.
HANNAH: IS THAT TRUE?

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