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Another World Transcript Wednesday 7/26/06
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Provided By
Boo
Proofread By
Ebele
John: Dr. Peterson has the results of the C.V.S. Her secretary said that she would call us in a few minutes, tell us herself.
Sharlene: Boy, I hope the baby's ok.
John: Me, too.
Sharlene: Well, John, this will be a relief. As soon as we have the results for sure, then everything will be --
John: Everything's what, fine? Is that what you're going to say, everything is going to be fine?
Sharlene: John, if they can tell that the baby is yours --
John: How could you go to Grant Harrison and let him talk you into giving a key to you to his apartment?
Sharlene: You don't understand.
John: You're damn right, I don't understand. What else haven't you told me?
Sharlene: Nothing, because I was afraid that you'd be furious and -- and that it would upset you.
John: You went ahead and did it anyway.
Sharlene: Because I'm trying to get well. I'm trying to figure out what I did with him when I -- what Sharly and Grant did. I need your support.
John: Then stop lying to me.
Sharlene: I'm not lying, John.
John: You went to see Grant at the Old mill. You didn't bother to tell me about it. Am I supposed to understand that?
Sharlene: I didn't go to see him. He found me there.
John: Oh, I see. And he just forced the key into your hand, huh?
Sharlene: He did not force the key on me. He offered it to me and I took it, but not because I wanted to go to his suite.
John: Why do you need a key to his apartment anyway?
Sharlene: So that I could spend some time there. I'm trying to find out who I was when I was there. I'm trying to get better.
John: At what cost, Sharlene?
Sharlene: What?
John: Must we destroy our marriage in order for you to get well?
Rachel: I know you're not pleased, Iris. I know how you feel about Paulina.
Iris: Huh, you've disgraced my father's memories.
Rachel: I did what he asked me to do, Iris.
Iris: No, my father would never have welcomed a con artist without one ounce of proof to support their claim.
Rachel: I've made my decision.
Iris: Pity you had not waited.
Rachel: Waited for what, Iris?
Iris: For me to prove that Paulina is the little liar I know she is.
Rachel: And where were you going to get this proof?
Iris: I have someone working on it.
Rachel: I see. So why didn't you tell me this? Have you gotten anything significant out of this?
Iris: We will. I just hope it's not too late.
Rachel: It's already too late, Iris.
Paulina: I'm sorry, am I interrupting?
Iris: Yes, as a matter of fact.
Rachel: It's all right, Paulina. How was your walk?
Paulina: It was wonderful, thank you.
Iris: I can already see the dollar signs.
Paulina: Money has never been an issue for me, Iris.
Iris: Good. Because it will be a cold day in hell before you get your hands on any of this family's money.
Paulina: I am now part of this family.
Rachel: Paulina, there are certain conditions that have to be fulfilled.
Paulina: Conditions?
Iris: She was all ready to write out a check this afternoon.
Rachel: I made my decision today. It had nothing to do with money.
Jake: Hello, Wendy, this is Jake. Jake McKinnon. Is Iris there? I need to reach her. Then let me tell you something. You tell her I need to talk to her yesterday. You got it? Thank you. Yee! Oh, ho-ho, I dubbed thee, I -- a copy.
Paulina's voice: I know and I owe that all to you.
Ken's voice: Oh, forget it. I'm happy for you.
Paulina's voice: When I first read Maria's letter, you know, I -- I didn't know where to begin.
[Knock on door]
Jake: Yeah?
Marley: Jake, it's Marley. May I come in?
Jake: Only if you promise never to leave. You are going to get everything you want, starting right now. Come here.
Vicky: Hi, could you page Dr. Frame for me, please? Yes, you can. I do it all the time. Yeah, I'll hold. Candy striper. Oh, no mousse today.
Jamie: Dr. Frame.
Vicky: Hi.
Jamie: Who is this?
Vicky: It's Marley. I have to see you.
Marley: Boy, what are you so happy about anyway?
Jake: Things are just starting to fall in place.
Marley: How can you say that? Unless we're talking about two different things.
Jake: We're not.
Marley: Jake, we can't get through dinner without an interruption. We keep saying we're going to give each another chance, but we don't get any closer to --
Jake: What do you mean, we don't get any closer? What is wrong?
Marley: I know -- I know I wasn't really very nice when you came over and --
Jake: Who said that?
Marley: Vicky did.
Jake: Since when did you start listening to Vicky?
Marley: When she makes sense, I listen.
Jake: None of her business.
Marley: No, she had a good point.
Jake: What's the point?
Marley: Do you remember when we were here last night and -- and...
Jake: And?
Marley: Jake, we -- listen -- we were here last night.
Jake: Here.
Marley: And we couldn't quite come together because I was -- I was taking a step forward and we would take a step forward, yet then we would jump two steps --
Jake: We never did that.
Marley: Jake, there is a reason that we are not coming together, and we are not dealing with that reason.
Jake: I know how to deal with it.
Marley: How?
Jake: Marley, you think too much.
Marley: I do --
Jake: Me, too. I think too much, too. But you know what? We're going to quit thinking, and we're going to start being more -- we're going to start being more spontaneous.
Marley: Ok, how?
Jake: We're going to go shopping.
Marley: We're going to shop spontaneously together?
Jake: Last time we went shopping, we -- we haggled over the price of hamburgers. That's all we did.
Marley: I thought you liked that I was thrifty.
Jake: I hated that you were thrifty.
Marley: But you always told me that I was so cute when I carried around my little folder of coupons.
Jake: Honey --
Marley: Oh, don't "honey" me. I am dealing with the end of an illusion here.
Jake: All right, the place that we're going to go does not accept coupons.
Marley: Jake, you just bought a car. What else do you want?
Jake: Art.
Marley: Art who?
Jake: Artwork.
Marley: Artwork.
Jake: I am going to get something so ostentatiously enormous --
Marley: Oh, yippee.
Jake: Yet tasteful and trendy, and you're going to pick it out.
Marley: No, Jake. I think we should just get a couple of posters framed for that wall.
Jake: No, you don't understand. You don't understand -- I want something original. And I'm going to get something special for you.
Marley: No, please don't spend any money on me. Jake!
Jake: Iris and I just signed a contract.
Marley: You did?
Jake: I am loaded and I want to spend it all on you.
Marley: Jake.
Jake: Marley.
Marley: What?
Jake: You're right. We don't spend enough time together. So, I want to take you to Stafford Gallery because I know how much you love art.
Marley: Ok, ok, I'll go. But I'm not going to buy anything.
Jake: You'll see.
Marley: I was in a really rotten mood when I came over here.
Jake: Hmm, and now?
Marley: Oh, I love seeing you happy and I always have.
Rachel: It's going to be a long time before any financial settlement can be worked out for you, Paulina.
Paulina: Oh -- well, of course. I understand that.
Rachel: I mean there's no predicting how long it will take. There's a lot of red tape.
Iris: Until pigs fly.
Paulina: But you haven't changed your mind about what you said this morning.
Rachel: We just welcomed you into our family, Paulina.
Paulina: I know. I'm sorry.
Rachel: Once the attorneys have looked at all of the paperwork --
Iris: Hang on. Have you already started things in motion here?
Rachel: Yes, Cass and his people are taking the necessary steps.
Iris: What steps?
Rachel: Iris, first of all, the codicil has to be verified in probate court. It's going to be very difficult to divide Mac's estate.
Paulina: I understand.
Rachel: There are liquidations, stock transfers. It's a great deal of money, Paulina. While Mac was alive, he taught us the value of it. I will try to do the same thing while we're waiting.
Iris: I can't believe I'm hearing this.
[Phone rings]
Iris: I can't believe it's happening.
Rachel: Excuse me. Yes? Yes, Wendy -- yes, she's here. It's for you.
Iris: Hello, Wendy, I told you not to dist -- thank you. I have to make a call.
[Phone ringing]
Marley: Jake, are you going to get that?
Jake: Let it ring. Come on.
[Phone continues ringing]
Iris: If that machine picks up...
Paulina: Rachel, would it be all right if I started using the family name?
Rachel: Yes, of course.
Iris: I think I'm going to lose my lunch. Where are you, idiot? I should have known.
Ken: Well, it's nice to see you, too, Iris.
Iris: Well, you have a great nose for news, Mr. Jordan, don't you?
Rachel: That's enough, Iris.
Iris: Enough? Why, this man is like a bloodhound. As soon as there's anything about my father's estate or this little gold digger, well, he just pops up like magic.
Rachel: I invited him over here. Do you feel any better?
Iris: Rachel, I don't think anything would make me feel better right now.
Ken: I take it a decision's been reached.
Iris: Yes, and it's insane.
Jamie: Marley?
Vicky: [Softly] Yes?
Jamie: I can hardly hear you.
Vicky: [Clears throat] Is this better?
Jamie: Yes, yes, it's much better. Is something wrong?
Vicky: Everything's wrong.
Jamie: Look, hold on one second. I have to sign something.
Jamie: Ok, I'm back.
Vicky: May I see you later?
Jamie: Sure. Is this about the clinic?
Vicky: No.
Jamie: Then what's up?
Vicky: It's about us.
Jamie: Us?
Vicky: I need to know where we stand.
Jamie: Marley, you're losing me.
Vicky: I -- I need to understand the feelings between us.
Jamie: Where is this coming from? We decided that our relationship would be strictly business.
Vicky: I know.
Jamie: Unless you decided to change your mind.
Vicky: I'm confused.
Jamie: That makes two of us.
Vicky: Jamie, there -- there's been a lot of chaos in my life and we really need to talk. Can I see you?
Jamie: Look, I'm -- I'm still on duty and I'm waiting for a long-distance call about an organ donor.
Vicky: When will you be free?
Jamie: How about -- about half an hour?
Vicky: Half an hour should do it.
Jamie: What?
Vicky: Thank you, Jamie. This means a lot to me.
Jamie: It means a lot to me, too.
Vicky: How's the docks?
Jamie: That's great, sure. What cross street?
Vicky: Uh --
Jamie: Wait, how about where we had coffee the other day when we met the contractor at the clinic?
Vicky: Ok. Where was that again?
Jamie: Between Bay Fifth Street and Eighth Avenue.
Vicky: Ok. I'll see you in about an hour.
Jamie: Great. Oh, Marley --
Vicky: Yes?
Jamie: I'm glad you called.
Vicky: Me, too. Bye. I'll show both of them.
Sharlene: You mean everything to me. You don't know that anymore, do you?
John: We never used to keep secrets from one another.
Sharlene: You're so angry at Grant, I thought if -- if I could handle this on my own --
John: Why? Why would you think that?
Sharlene: Because, John, you've already done too much for me.
John: Sharlene, I love you. I thought we were in this together.
Sharlene: Yes, but, John, there are some things that I have to do on my own. For me, without Sharly --
John: Well, you are.
Sharlene: John, I don't ever want to need her again.
John: You haven't needed Sharly since Frankie's wedding.
Sharlene: I know that, but look how close I came to destroying myself. And hurting you and -- John, I can't ever let that happen again. Please just -- just let me get through this on my own, in my own way. I'm doing this because I love you so much. John, we're waiting to hear about our baby. Please don't turn away from me now.
Nurse: I don't believe it. Dr. Hudson's wife had a thing with Congressman Harrison.
Doctor: Sally.
Sally: No really, Paul. She's pregnant and she had a paternity test. Did you know that?
Jamie: What she had was a C.V.S. Any pregnant woman of her age would consider the same option.
Sally: Sure.
Jamie: I thought you knew better, Sally.
Sally: Dr. Frame, I wasn't --
Jamie: Look, I could have you fired for what you're saying.
Sally: Sorry.
Jamie: Sally, you have no right to talk that way about anyone associated with this hospital, either as a patient or as a staff member. Do you understand?
Sally: It won't happen again. It's not my fault she's pregnant.
Paul: She's not the only one talking, Jamie.
Jamie: I know. I've heard.
Paul: It's not going to be easy to stop these rumors for much longer. Don't make Sally the scapegoat.
Jamie: Look, I don't want John to hear any of this.
Paul: I'll do what I can.
Jamie: Thank you, Paul. Listen, could you cover for me for an hour? I've got to do something important.
Paul: Yeah, I guess.
Jamie: Look, I've already made the rounds, but I am expecting a phone call from the donor center.
Paul: If I take the call, I'll call your beeper.
Jamie: Great. I owe you one.
Paul: Yeah, I'll remember you said that.
Sharlene: Right. Yes, I do, I do. I understand. No, thank you very much. Bye. The baby is fine. No physical problems.
John: Thank God, thank God.
Sharlene: She asked me if I wanted to know the sex. I told her no. Was that ok?
John: Of course, it's ok.
John: And?
Sharlene: And the baby is ours, John. She said she could tell that, too. I knew it all along.
John: Yeah, I -- I did, too.
Sharlene: The baby is ok, John.
Sharlene: I want to buy things. I want to buy baby clothes and I want to buy a cradle. I want to --
John: Great. Great.
Sharlene: John, what? What?
John: Grant Harrison. What he has put us through.
Sharlene: John, you think he lied to me?
John: Think? Sharlene, I'm sure of it.
Sharlene: John, he told me we never made love the first time I asked him. Then when he found out that I was pregnant, he said he knew the baby was yours.
John: I think that everything Grant has ever told you is nothing more than a very well thought-out manipulation.
Sharlene: Why -- why would he want to lie to me? What would he gain?
John: You.
Sharlene: How?
John: Sharlene, he knows how vulnerable you are. He knows how unsure you are of the time that you spent together. He would do anything to split us up.
Sharlene: Well, that's not going to happen.
John: He wants you to leave me.
Sharlene: John, no. He is happy for us. I told you that. I don't want to fight about Grant Harrison. I don't want to do that. We -- we are going to have a baby -- a wonderful, healthy baby.
John: And I'm happy about that. You know that, don't you?
Sharlene: Do you know how many times I have dreamed of telling you that I'm carrying your child?
John: And now you have.
Sharlene: It's not supposed to be this way.
John: No. No, it's not.
Ken: What are you looking at me like that for, Iris? I thought we'd buried the hatchet.
Iris: Oh, I was just curious about what your attitude was about the new addition.
Ken: Oh, I'm very happy for you, Paulina.
Paulina: Thank you, Ken.
Iris: I just get that funny feeling that you've been pushing this.
Rachel: He didn't push it, Iris.
Ken: And even if I had, it wouldn't have done any good. This was Rachel's decision to make. And she's made it. Paulina, I know your mother would've been very happy for you.
Paulina: I think so, too.
Ken: Rachel, you must feel like the weight of the world is lifted off your shoulders.
Iris: Yes, and dropped on mine.
Rachel: I am sorry you feel that way, Iris.
Ken: Well, Paulina, I think we should help you celebrate.
Rachel: Yes, a special family dinner.
Paulina: Oh, that would be very nice.
Rachel: Would you like to join us, Iris?
Iris: Oh, I think before you get out the ticker-tape parade, I'll just toodle off. But it's not over yet, darlings.
Paulina: Well, I -- I think I'll go on up to my room if that's all right with you.
Rachel: Don't let Iris bother you.
Paulina: She doesn't.
Rachel: Good.
Rachel: Well, it's done. The last thing that Mac needed from me is done.
Jake: Whoa, what do you think of that one? Hmm? This is the one.
Marley: Oh, I can't imagine anybody not liking this one.
Jake: Caroline, wrap it up!
Marley: [Whispering] Hush. My goodness, please be serious.
Caroline: Did I hear a man calling -- hey.
Marley: Hi -- hi, Caroline.
Caroline: Nice to see you.
Marley: Oh, thank you. Jake is living out his life's fantasy today.
Jake: Yes, I am living out my life's fantasy. How much for this baby right here?
Caroline: This one?
Jake: Yeah.
Caroline: Well, the price is on the corner right here.
Marley: Jake -- I'll take care of him.
Jake: Uh, yes, you will take a check, right?
Marley: Jake.
Jake: I mean, it's good. You always know where to find me.
Caroline: Yes, I --
Marley: I know you are really busy, Caroline. We'll just be on our way. Jake.
Jake: I bet you didn't think you were going to make a sale like this today, did you?
Caroline: You're really serious about this, aren't you?
Jake: As a matter of fact, you can call Mrs. Fleischmann at Bay City National. She is my personal --
Marley: Jake, you don't just buy a painting in one day and say that you --
Jake: Look at this. Look at this. Now that would go-- it would be incredible on the far --
Marley: Oh, I can't imagine it.
Caroline: Have you come into an - inheritance or something?
Jake: What does that mean, the triangles and the -- the - slashes?
Caroline: Well, the -- the triangles and the slashes, they are not so important. What really is important, though, is the sense of freedom. And there is a sense of lack of intention. And then there's also instinct and energy and life and power.
Jake: So you mean that the -- the painting's got its own -- its own power?
Caroline: That's exactly what I mean.
Jake: You know what, I want to buy that one.
Marley: Holy smokes, Jake. Enough --
Jake: As long as you throw in the frame, gratis.
Marley: All right, you know what, honey? I know you are having a whole bunch of fun, but I don't think that you want to mortgage off your company for a wall hanging.
Jake: Oh, honey, I work for Iris Wheeler. Do you know what that means?
Caroline: Maybe I'll just leave you two to discuss it in the meantime.
Jake: Ok. I like that painting.
Marley: I think you've gone off the deep end.
Jake: You're never going to have to clip coupons again.
Marley: No?
Jake: Dip into your trust fund to pay the phone bill. You are going to have everything you want. Everything.
Marley: Jake?
Jake: Yes?
Marley: I don't care about money.
Jake: I care about money. Because with money comes power. And when you have power, no one will ever get the better of me again.
Marley: You're talking about Donna.
Jake: No, I'm not talking about Donna. I am talking about us.
Marley: Oh, honey, I know she pulled her support out of the company, but I really think you're going way too far here.
Jake: Honey, life is going to be very easy for you from now on out. Look at that statue.
Marley: Jake McKinnon.
Jake: I love you.
Jamie: Marley.
Vicky: Thank you for coming.
Jamie: What are you up to? I thought that you wanted to forget that it ever happened.
Vicky: I did. But Vicky thinks that I've changed since France.
Jamie: Changed -- changed how?
Vicky: Do you think I have?
Jamie: Marley, you know what that time meant to me. Always thought that it meant something else to you. But I guess it didn’t.
Vicky: Well, maybe we should've been talking about it all along.
Jamie: About what happened?
Vicky: Yes.
Jamie: Marley, what are you trying to tell me?
Vicky: I think we should go over it all. Don't you?
Jamie: Go over it?
Vicky: Yes, so we can put what happened there in perspective. What happened to us in France, Jamie?
Ken: It must feel good to put the past to rest.
Rachel: I wish you felt the same way.
Ken: Me?
Rachel: Yes, you told me that you had so much anger against Mac when you came back here.
Ken: I left most of that behind when I talked to him in Maine.
Rachel: Still, helping me with Paulina must have brought it all out.
Ken: I suppose, but it's gone now. One thing I learned, Rachel, is that carrying a lot of anger and bitterness around never did anybody any good.
Rachel: I only had you to talk to about this.
Ken: Or argue with.
Rachel: Yes, but even when we disagreed, you -- I always felt you supported me. And you didn't -- you didn't tell me what to do. You wouldn't even give me your opinion unless I asked. And I appreciate that.
Ken: Rachel --
Rachel: I know you've tried to be straightforward about things that are very difficult for you.
Ken: All I ever wanted was to keep you from being hurt.
Rachel: You haven't hurt me. You've helped me. And I'm grateful for that.
Jake: There you go.
Marley: I think I'm going to pass out.
Caroline: Well, I'll just call my delivery man and you'll have the paintings tomorrow. And the other one will go to Vicky's place?
Jake: Caroline, it was a pleasure doing business with you.
Caroline: Mr. McKinnon, the pleasure was all mine. You, too, Marley. Congratulations.
Jake: You look pale.
Marley: I can't believe you did that.
Jake: It felt great, it felt great.
Marley: Jake, you did not have to buy that painting for me.
Jake: Come here.
Marley: Oh.
Jake: When you look at this painting... when you look at this painting, I don't want you to look at it and think about the price tag. I want you to look at this painting and think of me and you and how much fun we had buying it.
Marley: Oh, honey, I am not having fun. I am hyperventilating.
Jake: Money is never going to be a problem with us ever, ever again.
Marley: I don't think I can handle all this excitement.
Marley: Jake?
Jake: Yes?
Marley: I don't care about money.
Jake: I care about money. Because with money comes power. And when you have power, no one will ever get the better of me again.
Marley: You're talking about Donna.
Jake: No, I'm not talking about Donna. I am talking about us.
Marley: Oh, honey, I know she pulled her support out of the company, but I really think you're going way too far here.
Jake: Honey, life is going to be very easy for you from now on out. Look at that statue.
Marley: Jake McKinnon.
Jake: I love you. I love you.
Jamie: Marley.
Vicky: Thank you for coming.
Jamie: What are you up to?
Vicky: What do you mean?
Jamie: Marley, it's not like you to call me away from work. What's going on?
Vicky: I'd -- I talked to Vicky and she was very helpful.
Jamie: Vicky? Helpful?
Vicky: She has a good sense about this sort of thing.
Jamie: You told Vicky?
Vicky: Told her what?
Jamie: About us.
Vicky: What about us?
Vicky: Marley, has something happened?
Vicky: I -- I -- I don't want to rush into anything.
Jamie: I know.
Vicky: Especially after what happened to us in France.
Jamie: I understand.
Vicky: I mean, it -- it was a really special time.
Jamie: I still think about it. But I thought that you wanted to forget that it ever happened.
Vicky: I did. But Vicky thinks that I've changed since France.
Jamie: Changed -- changed how?
Vicky: Do you think I have?
Jamie: Marley, you know what that time meant to me. Always thought that it meant something else to you. But I guess it didn’t.
Vicky: Well, maybe we should've been talking about it all along.
Jamie: About what happened?
Vicky: Yes.
Jamie: Marley, what are you trying to tell me?
Vicky: I think we should go over it all. Don't you?
Jamie: Go over it?
Vicky: Yes, so we can put what happened there in perspective. What happened to us in France, Jamie?
Ken: It must feel good to put the past to rest.
Rachel: I wish you felt the same way.
Ken: Me?
Rachel: Yes, you told me that you had so much anger against Mac when you came back here.
Ken: I left most of that behind when I talked to him in Maine.
Rachel: Still, helping me with Paulina must have brought it all out.
Ken: I suppose, but it's gone now. One thing I learned, Rachel, is that carrying a lot of anger and bitterness around never did anybody any good.
Rachel: I only had you to talk to about this.
Ken: Or argue with.
Rachel: Yes, but even when we disagreed, you -- I always felt you supported me. And you didn't -- you didn't tell me what to do. You wouldn't even give me your opinion unless I asked. And I appreciate that.
Ken: Rachel --
Rachel: I know you've tried to be straightforward about things that are very difficult for you.
Ken: All I ever wanted was to keep you from being hurt.
Rachel: You haven't hurt me. You've helped me. And I'm grateful for that.
Jake: There you go.
Marley: I think I'm going to pass out.
Caroline: Well, I'll just call my delivery man and you'll have the paintings tomorrow. And the other one will go to Vicky's place?
Jake: Caroline, it was a pleasure doing business with you.
Caroline: Mr. McKinnon, the pleasure was all mine. You, too, Marley. Congratulations.
Jake: You look pale.
Marley: I can't believe you did that.
Jake: It felt great, it felt great.
Marley: Jake, you did not have to buy that painting for me.
Jake: Come here.
Marley: Oh.
Jake: When you look at this painting... when you look at this painting, I don't want you to look at it and think about the price tag. I want you to look at this painting and think of me and you and how much fun we had buying it.
Marley: Oh, honey, I am not having fun. I am hyperventilating.
Jake: Money is never going to be a problem with us ever, ever again.
Marley: I don't think I can handle all this excitement.
Jake: I do. You look beautiful. You know that?
Marley: Kiss me.
Jake: Kiss you?
Caroline: Ahem.
Jake: Is there a problem?
Caroline: Oh no, there's just somebody outside who wants to see you, Jake.
Jake: Where? Outside?
Caroline: Yeah, I don't know. It's something about business.
Jake: Ok, I'll be right back.
Marley: Do you want me to go with you?
Jake: No, I can -- I can handle this all by myself.
Jake: What the hell are you doing on my motorcycle?
Sharlene: So what are you saying?
John: I feel cheated.
Sharlene: I know.
John: When we found out that you were pregnant, the first thing we talked about was whether the baby was mine or Grant's.
Sharlene: I always knew --
John: These past couple of weeks we've been waiting for tests, praying that everything was all right. We couldn't share that with each other.
Sharlene: I wanted to.
John: And now that we know that the baby is all right, that everything is ok and that it's mine, we're not even sharing that. This is a hell of a way to welcome a child into our lives.
Sharlene: We both have to work hard to make things right for us, for all of us, John.
John: Well, I am not sure that I can do that anymore.
Sharlene: Where are you going?
John: I have to get to work.
Sharlene: I'm happy, John. I'm happy I'm having your baby.
John: I'm happy, too.
Sharlene: Please try to forget about everything. Just try to do that and think about what this means to -- to us.
John: I'll call you later.
Sharlene: John.
Sally: Dr. Hudson?
John: Yeah, Sally?
Sally: Your secret's out.
Paul: Sally.
Sally: We're all really thrilled for you and your wife. Congratulations.
John: Thank you.
Sally: You must be so ecstatic.
Paul: Sally, that's enough.
Sally: Yes, doctor.
Paul: I think you should know, John. There's been a lot of talk among the staff. I'm afraid.
John: Because of my wife and Grant Harrison?
Paul: I just thought you should know. I know how hard it is to do your job right when you've got personal matters. I'll see you later.
John: Sharlene.
Sharlene: You don't look so good, doc.
John: I've been better.
Sharlene: Yeah, I know. That's why I followed you over here. One of the nurses congratulated me on the baby.
John: Yeah. Word's out.
Sharlene: You know, you haven't done this. It's a little early for kicks.
John: You feel different.
Sharlene: I know.
John: Sharlene, I'm sorry.
Sharlene: We're ok, you know that? We'd feel a lot better if Daddy would hold us.
Paulina: I know how to ride a bike, Jake.
Jake: What are you doing here? What if a cop stops you? You can't even -- you don't even have a license to drive this thing.
Paulina: Does this mean I don't get a kiss hello?
Jake: You just surprised me.
Paulina: Well, I have a bigger surprise. I'm a Cory.
Jake: Rachel came through, huh?
Paulina: All the way. I finally have the family I always wanted, my father's name.
Jake: Not to mention you're an heiress.
Paulina: All in all, it's been a pretty satisfying day.
Jake: Yeah, well, good for you, good for you.
Paulina: That's why I tracked you down. I had to see you.
Jake: Paulina, look, I am -- I am really kind of busy right now.
Paulina: Oh, Jake, I want to celebrate, come on.
Jake: I -- I can’t. I got a couple of things I have to take care of.
Paulina: Marley's in there, isn't she?
Jake: Yes.
Paulina: And let me guess, you didn't tell her about us --
Jake: I am breaking it to her right now as we speak.
Paulina: You know, it's really sweet the way you care about her feelings so much.
Jake: I'm a sweet guy.
Paulina: My offer still stands.
Jake: What's your offer?
Paulina: Well, if you can't tell her, I will.
Jake: No, Paulina. No.
Paulina: No, I'm not going to take no for an answer, ok?
Jake: Hey, listen, just give me five minutes and I'll tell her and I'll be right back out, ok?
Paulina: I still didn't get that kiss.
Jake: That's a kiss. See you.
Marley: Jake, I've been thinking. With all the money you spent on these paintings, don't you want to buy something else? Like a house?
Jake: Actually, I do want to buy a house with you. Look, there's a messenger outside. If I don't handle it, I'll have a crisis for Iris in the next hour.
Marley: Iris found out that you were here? How?
Jake: I mentioned it to her this morning. Do you mind?
Marley: No, getting used to it.
Jake: Hey, it's almost over.
Marley: What is?
Jake: In the next couple of days, I will not owe my time to anyone but you. I love you. Bye.
Jamie: You want me to tell you what happened?
Vicky: Yes. I mean, I want to know what it meant to you.
Jamie: Marley, how come you didn't want to hear this when you came back from France?
Vicky: A girl can change her mind, right?
Jamie: You know what that time meant to me.
Vicky: Mm-hmm.
Jamie: Especially that night in Nice, at the inn.
Vicky: The inn?
Jamie: The inn, yes. You remember, don't you? I'll never forget. But you said that you had to try and fix your life for Jake.
Vicky: I did. But I -- I guess I wasn't admitting what I truly felt.
Jamie: Marley.
Vicky: Jamie, what exactly happened for you that night at the inn in -- in France?
Jamie: You showed me that I could feel things that I thought I could never feel again.
Vicky: What things exactly?
Jamie: You made me find a new place in my heart to --
Vicky: To?
Jamie: To care on a much deeper level than I have ever cared before.
Vicky: How much deeper, exactly?
Iris: Well, that's what I'm paying you for, Darryl. You're my attorney and I'm paying you to find a loophole. Of course there's one. Now, why don't you just go home and memorize that will and find a gap? Or if you can't find one, pretend -- no, Darryl, I'm not exactly asking you to lie. I just want you to stall Rachel and Cass Winthrop until I can prove that that -- that Paulina Cantrell is lying through her teeth. Oh, come on, Darryl. Be a good boy. I am sure you can do it. Stall. Bye.
Iris: Where are you, Jake?
Jake: Move over.
Paulina: I didn't crash on the way over here, you know.
Jake: No one drives the bike except me. All right? I'll have to hide my keys.
Paulina: I'll find them.
Jake: I'm sure you will.
[Motorcycle revving]
Caroline: So I guess Jake went off with her?
Marley: I'm sorry?
Caroline: The girl who's working with him.
Marley: Paulina?
Caroline: That's the one. She arrived in a motorcycle and she asked me to come and get him for her.
Marley: I see.
Caroline: Yeah, and she also said not to tell him who it was. But I guess he explained all that. Here's Jake's receipt. Congratulations.
Vicky: When exactly did this deeper feeling start for you?
Jamie: On the beach that night.
Vicky: Right.
Jamie: And then the pool. Oh, the pool.
Vicky: The pool.
Jamie: But then I think it was at the inn when I realized so much.
Vicky: Jamie?
Jamie: Yes?
Vicky: This -- this sounds an awful lot like --
Jamie: Like what, Marley?
Vicky: Are you saying -- I mean, is this how -- did we actually -- are you in love with me?
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