All My Children Transcript Friday 7/13/07
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Provided By Suzanne
Proofread by Gisele
[Music plays at Fusion's photo shoot as Ava poses]
Singer: When it's right when it's right when it's right when it's right
Kendall: All right. Ok, good. You guys, take five and let's get set up. It's time to move on to the day shoot. Good job, Ava. All right, come on! Let's get moving. That was the easy part.
Ava: This is just so much harder than I thought.
Greenlee: Well, that's why we usually hire professionals.
Annie: Lay off, Greenlee.
Babe: Ava, can I get you anything? Would you like a drink?
Greenlee: So, how much longer till I can call an agency?
Kendall: I want Ava, she stays.
Greenlee: Come on, Kendall. You saw her.
Kendall: Ok, all right, so she's a little stiff.
Greenlee: "A little"? Plywood has more personality. I hope we have a shot we can use.
Kendall: You saw her towards the end, Greenlee. She was finally getting it, ok? We have what we need.
Greenlee: All right. You just let me know when I can cash in on the "I told you sos."
Kendall: Ok, maybe if you spent a little more time trying to help Ava instead of complaining about her, then we'd get something done.
Greenlee: Ok. Fine -- she's your problem.
Kendall: Listen, we -- we need Ava, ok? It's a little too late to change in the game now.
Babe: Amanda, hey. What are you doing there?
Di: Is there a problem downstairs?
Amanda: Kendall asked me to come.
Greenlee: Oh, good -- another brilliant idea.
Kendall: Amanda came up with this idea. She helped, so I want her to help us get it off the ground.
Annie: Well, that sounds great. I could actually use some help with the photos.
Di: Oh. That's me.
Annie: Do you think -- I actually have a few things that I could show you.
Di: It's Di. Did you call the distributor? Yeah, I mean, get them on the phone.
Greenlee: Amanda, do you have any experience?
Di: They're having problems with the samples.
Annie: Babe can show Amanda what we need.
Greenlee: Oh, good -- the blind leading the blind.
Kendall: Ok, all right. Di, call the DSM and then she can help us with the samples for New York.
Babe: Welcome to the fun house, Amanda.
Annie: Don't feed the animals.
Greenlee: Our new team player is already late to the party.
Kendall: Just ignore her.
Amanda: Look, I'm sorry I was late. I was tied up.
Kendall: Please tell me it wasn't J.R.
Amanda: Ok -- it wasn't J.R.
Greenlee: Well, thank God Amanda Dillon's here. Now we can take an early lunch.
Annie: We have a ton to do before the concept launch. We need all the help we can get.
Greenlee: Ok. Well, then let's just hire every bum off the streets.
Annie: If you don't want to be here, we can handle this alone.
Greenlee: Fine. Let's just work on the stills, shall we?
Kendall: Ok, guys, let's get our star ready for the next half of the shoot.
Di: Yeah. Are you ready -- turn night into day?
Ava: No, Di, I'm so nervous.
Di: No, no, no, you'll be fine.
Ava: No, Di, I was a nervous wreck during the night shoot, and that was just me being me.
Di: Ok, well --
Ava: I'm going to be a wreck during the day shoot.
Di: No, you'll be fine. We're going to help you out, just like we did in the last set.
Ava: But I have to be Lily this time.
Di: You've done it before.
Ava: Yeah, but I'm calling the shots then. Everyone is breathing down my neck and barking orders at me. And the photographer is right in my face.
Di: Ok, well, just pretend that he's not there.
Ava: It -- it's like the lens is inside me. I mean, I can be Lily on the outside, but I can't on the inside.
Ryan: Jonathan, you with me?
Jonathan: Ryan. Hi.
Ryan: Hi. You didn't hear the bell?
Jonathan: No, I guess not. What -- what's going on? I'm -- I'm just a little out of it. It was a late night.
Ryan: Ah, late night.
Ryan: Well, I just wanted to come by and tell you that I'm heading out of town on business.
Jonathan: Ok, good. What -- on what, a hot prospect?
Ryan: Yeah, the one that you reviewed for me, top of your list.
Jonathan: Really? So you found an investor?
Ryan: Zach, actually, and we are going to New York today.
Jonathan: Congratulations. Ok, uh -- no. In all honesty, if you -- if you find your startup capital, I do think it'll work out for you.
Ryan: Feels good, doesn't it?
Jonathan: Exactly. Yeah. No -- anything I can help with, you know.
Ryan: You sure you don't want to join us for the meeting?
Jonathan: I'm positive, but you and Zach have a good time. I'm -- I've got a lot of stuff going on here, so I'm going to stick around -- I could check in on Annie and Emma if you need me to.
Ryan: No, no, I'm good. We're only going to be there overnight, it's no problem. Thank you, though.
Ryan: It's sort of corny, but it's the first time either one of us has been out of town since we got married.
Jonathan: Yeah, you're right -- that is a little corny.
Ryan: Wow. Thank you very much.
Jonathan: I've got it, thanks.
Ryan: Speaking of corny --
Ryan: What about you?
Jonathan: Oh, you -- with Ava?
Jonathan: At the Yacht Club?
Ryan: Right, the place that she didn't show up at because she was actually at Fusion?
Jonathan: It was -- it worked out, actually. She wants to work there, so --
Ryan: You know, I saw her applying for a job as Lily, and that sort of crashed and burned for her, didn't it?
Jonathan: Hmm. Well, that's interesting because they hired her, and she's working, right now.
Ryan: Wow -- really?
Jonathan: Yeah, yes.
Ryan: Ok. Your older brother's officially surprised.
Jonathan: Yeah, obviously. Uh -- no, man, it's impressive. You know, when she -- she wants something, she gets it and -- I mean, that's great.
Ryan: Great, huh?
Jonathan: Yes. People respect that.
Ryan: And you're one of those people?
Jonathan: I am one of those people, yes. I like her -- a lot.
Ryan: Ok, you know, it's -- it's your life and you make --
Ryan: The choices that --
Jonathan: We could be something really good together, ok?
Ryan: Or it could blow up in your face.
Jonathan: Or I'm a big boy, and we don't need to have this conversation.
Ryan: I'm sure we don't. I'm just saying --
Jonathan: Ryan, I love you. If you don't have anything nice to say, don't say anything right now.
Ryan: Look, you're my brother, and I love you. I just don't want to see you get hurt, that's all.
Jonathan: I'm going to hurt you.
Ryan: Don't you dare. I'm very fragile.
Kendall: Ok, we need fresh and clean.
Babe: Yeah, think spring water flowing.
Greenlee: Green and something, just not dark.
Annie: Like freshly mown grass.
Greenlee: Yes. Listen to Susie suburbs.
Di: Yeah, and her hair just needs to be something simple, nothing elaborate, just something down.
Kendall: All right, wait, wait, wait, hold on one second. I have a photo of Lily right here.
Amanda: Oh, yeah, that's the look, yeah.
Kendall: We want the innocence.
Greenlee: Can you do that, Ava?
Annie: Think purity.
Ava: Can't we just use photos from the night shoot? I mean, seriously.
Greenlee: We chose you because you look like Lily, so suck it up and be Lily.
Di: You're going to do great. You're going to do great. I'll be in there to check on you in a minute.
Kendall: What -- what are you doing here? Honey, you -- I thought you were in New York right now.
Zach: I'm not going to leave without kissing my wife.
Kendall: Oh, oh. Honey, that's sweet, but we're crazy right now.
Zach: "Sweet"? Well, I couldn't say good-bye this morning because you left so early, so --
Kendall: Well, ok -- well, we have the shoot, we have the presentation and everything --
Zach: So I thought I'd give this good-bye thing another shot.
Kendall: Yeah? Oh, well, ok. All right.
Annie: Greenlee, what about the cover? Hello?
Babe: We can't use track four. It's -- it's too long and the lead-in time is off. I can't get it to work.
Greenlee: What happened to "it's so perfect"?
Babe: I was wrong.
Greenlee: Well, we don't have time for wrong, Babe.
Annie: What about the title track? Take the bridge.
Babe: That's a great idea, thank you. I'll check into it.
Amanda: Hey, can somebody take a call about the prelaunch agenda?
Greenlee: Yeah, I can.
Annie: Amanda, would you mind confirming with travel, please?
Amanda: Yes, I'm on it.
Annie: Thank you.
Zach: Busy, busy.
Kendall: Ok, ok, Zach, my love, meet Fusion Green.
Zach: Wow, this is nice, slick.
Kendall: Nice, right? Yeah. So we're -- we're almost done. We just need to add the photos.
Zach: Photos. How is Lily's sister doing?
Kendall: Uh, we'll be ok.
Amanda: Ok, you guys, you guys, the night photos are uploaded.
Kendall: Oh, good.
Amanda: All right. There we go.
Kendall: Let's see.
Kendall: God, she looks great.
Amanda: Oh, that's nice.
Zach: Hey, not bad, huh?
Kendall: Yeah, that's good!
Babe: I have the musicians on the line. They aren't sure if they can dub the Green song by the end of the day.
Di: That was the factory. We may not have samples for tomorrow.
Greenlee: We need those samples.
Annie: Well, some scent sticks are here -- we could take those to the launch.
Greenlee: Oh, God. Well, can we smear them on our face?
Kendall: No blood yet.
Zach: How long is that going to last?
Kendall: I don't know. I just hope we make it to New York, because we can't afford any cat fights. There's too much riding on this.
Singer: Everybody knows that this is nowhere what do you suppose
Colby: Sean? Hey. Sean, wake up.
Sean: Hey -- hey. Uh, I'm up.
Colby: Yeah -- sure you are. What the heck are you doing here?
Sean: Oh, I finished up community service and -- ahem -- I knew you had an early shift, so I thought I would wait for you.
Colby: Oh, my God. You're a wreck, go home and get some sleep.
Sean: No, no, I'm up. I'm up, now.
Colby: Yeah, I'm falling asleep just looking at you.
Sean: Ouch. What, I'm -- I'm that exciting, huh?
Colby: You want some coffee or something?
Sean: Yes, yes. Coffee would be amazing. Who needs sleep? I just want to be here with you.
Krystal: Oh, hey. Surprised to see you here this early, huh?
Tad: Who are you kidding, man? I've been up for hours.
Krystal: Yeah? Can I get you anything?
Tad: Thank you.
Krystal: Uh -- excuse me?
Tad: Thank you --
Tad: For Jenny's christening. It was perfect.
Krystal: Hmm, it was, wasn't it?
Krystal: Oh, man. I tell you, there's just nothing like spending a day like that with family.
Tad: I agree. And that's exactly what we are -- family, right?
Krystal: Yep. Yep.
Tad: So what do you say to the idea that we make it official?
Adam: Oh. Good morning, Erica. You look radiant.
Erica: Adam, you called this meeting. What do you want?
Erica: Adam, I can't buy your company back for you.
Adam: No, no, no, I have a much, much better proposition. After you and that buffoon Montgomery get a divorce, why don't you and I try it again?
Erica: Ok, Adam, I have a lot of things to do.
Adam: You were a fool to marry Jack.
Erica: I'm a fool?
Adam: Mm-hmm. You know, when you mentioned that $1 million that somebody put up to facilitate your divorce, I got to thinking about that for quite a while and I finally said to myself, "Why didn't I?"
Erica: Do I have to make a list?
Adam: Erica, we both know that I am the only man worthy of you. You know me, Erica, all my flaws.
Erica: Adam Chandler has flaws?
Adam: Well, not that many, mind you, but you know them all.
Adam: You know, when Krystal's baby was stolen, you were a good friend to me.
Erica: I accused you of taking the baby.
Adam: And you were right, about one thing -- how wrong that woman was for me.
Erica: Well, even you can do better, Adam.
Adam: Huh. And I'm also right about Jack Montgomery -- how wrong Jack is for you.
Erica: Is this about money?
Adam: No, don't suspect my motives.
Erica: Well, Adam, you asked me for a loan.
Erica: Your financial troubles are public knowledge by now.
Adam: Yeah, well, of course, your son-in-law is not a worthy adversary, actually. You and I can teach Zach Slater a thing or two. We would be good together. Our past marriages have simply been a question of bad timing. So, why don't we give it another shot, ok? You know it's not going to be boring.
Erica: There are many things I could call you, Adam Chandler, but "boring" is not one of them.
Adam: Ok, well, then you admit the idea has appeal?
Erica: Ok, yes. Let's get married.
Adam: You mean it?
Erica: Well, sure. I mean, why settle for love when you can have adventure and friction and fun, and definitely we would have fun.
Adam: Oh, yeah.
Erica: I mean, there'd be some bumps, of course, but even those would be delicious.
Adam: Well, when I -- when I spoke of -- um --
Erica: Careful, Adam. Don't cross me, I'll nail your door closed.
Adam: That -- that's the Erica I know and -- and, uh -- love. Oh, I -- I've got to be back.
Erica: What? No, you're not leaving? Adam, you can't leave -- you've got to stay. We have wedding plans to make. I mean, my 11th wedding -- that has to be really spectacular.
Adam: 11? I -- I don't want a public spectacle.
Erica: No, of course not, you're right. We do know each other very well, and this is not about you and me. This is about Krystal.
Annie: Why can't we use logo 42?
Greenlee: Um -- do you like that one? I was kind of a fan of this one.
Annie: Oh. That's not bad, either.
Greenlee: Multiple images.
Annie: Yeah. Go for it.
Babe: I'm sorry -- am I seeing things?
Kendall: Shh. No, no, no, don't ruin it.
Greenlee: We're going to need copy right there.
Greenlee: Hmm -- making love under a full moon.
Annie: On a beach?
Greenlee: You want to know if Josh and I got it on?
Annie: Well, I'd be happy that you're trying new things, yeah.
Greenlee: You have your life, I have mine.
[Elevator doors open]
Annie: Hey. Is everything ok?
Ryan: Yeah. Zach and I just wanted to meet here before we left.
Annie: Well, lucky me.
Ryan: And we wanted to say good-bye to our wives. So there.
Erica: You don't want me, Adam.
Adam: I never stopped.
Erica: You don't want anyone but --
Adam: No, no. Don't -- don't even say it.
Erica: Krystal, even though she betrayed you.
Adam: No, now I am throwing myself at your feet, Erica.
Erica: So you'll forget her.
Adam: Already done.
Erica: Or get back at her. I mean, which is it?
Adam: Can we focus on us?
Erica: There is no "us," Adam. Admit it -- admit it. This is about Krystal.
Adam: All right! All right, I love Krystal, I still love Krystal. I don't want to, but I do. And it hurts like hell.
Krystal: Can I get you some breakfast, coffee, --
Tad: Nope, not hungry.
Krystal: Where is Colby? I need her in the back to help me out.
Tad: Colby's outside. I'm sorry -- are we not talking about us anymore?
Krystal: There is no "us."
Tad: I kind of missed the little segue.
Krystal: It's you and me and our daughter.
Tad: Well, why don't you let me lay out my plans first before --
Krystal: There's nothing to plan, ok? We have a daughter, and we're parenting together.
Tad: And you don't think that means something?
Krystal: It took us this long to get our friendship back together, tad. That is as far as it goes. That is as far as it is ever going to go. What? What? What is so funny?
Tad: The fact that you just thought I was, you know -- you thought I meant "us."
Krystal: Gee, what made me think that? What -- is that crazy?
Tad: Well, apparently to you it is, yeah. Look, you could relax, take a deep breath. Don't cut your finger off or anything. When I said "make it official," I wasn't talking about marriage or even dating.
Krystal: Well, you ought to be a little bit careful because usually when people talk about making it "official," they're talking about marriage and commitment and dating.
Tad: Why don't you just relax for a second, let me tell you what I'm thinking.
Krystal: I'm relaxed.
Tad: Please? Now, you know as well as I do, for me to say -- for me to say that I love my daughter, and I love being in her life is -- is just flat out an understatement --
Krystal: I know.
Tad: Because as far as I'm concerned, she saved mine. She showed up in my world exactly when I needed her to. And I hate the idea of being there half the time. I mean, I want to be there at night to tuck her in and -- and kiss her. I want to be there in the morning, you know, to ask her what she wants for breakfast -- you know, scrambled eggs or an omelet or French toast. I want to sit down with her in the evening for dinner.
Krystal: I know, but isn't this arrangement that we have -- it's working, I think.
Tad: Well, no, no, it's working, it's working. It's fine for now, but, I mean, can you honestly look me in the eye and tell me you're ok with the idea that someday I'm going to phone you and tell you that Jenny said her first word? Or God forbid, took her first step, and you weren't there to see it?
Krystal: No, no.
Tad: I want -- I'm greedy. I want to be part of the whole thing. And I know I'm asking for a lot, Krystal -- I realize that. I -- look, I know we're not a couple. I know we're not going to be a couple.
Krystal: No, we're not going to be a couple.
Tad: Well, God knows you're certainly pretty firm on that fact, but, look, the truth is -- no -- the truth is I'm a part of your life. Yes, I'm a part of Jenny's life, a part who wants to be officially involved.
Krystal: I don't blame you. Listen, I miss that little peanut like crazy when you've got her.
Tad: I rest my case. So what if I told you I think I've got a way that you and I can both be there all the time -- for her? It'll be the three of us.
Tad: Be our own family.
Krystal: What are you talking about?
Sean: After you left yesterday, I listened to your playlist.
Colby: Yeah? What'd you think?
Sean: It was great. Every song reminded me of the time I spent with you.
Colby: That's my boy, you got it. That was the point.
Sean: And the last song, you played that when I was crashing at your place.
Colby: Very good.
Sean: Yes, and there was another one I liked, too -- the one about the moon?
Colby: Oh, yeah.
Sean: Yeah. It reminded me of the night that we sat outside your window and stared up and -- endless possibilities.
Colby: Wow, you do pay attention.
Sean: When it comes to you.
Sean: Ok. Ok, I never thought I would do this, but -- ahem -- I have to.
Sean: I can't tell you till it's finished, and you can't watch. Um -- you want to grab me that coffee? I just need, like, a few minutes.
Colby: Right now?
Sean: Yeah, while the inspiration's fresh. I need a knife.
Greenlee: Did the campaign finish itself? Let's get to work.
Annie: So, how is my little girl?
Ryan: She talked my ear off at breakfast this morning.
Annie: Yeah. She was so excited about her sleepover.
Ryan: Yeah? Wish you could come with me for a sleepover in New York. We got a nice hotel all lined up.
Annie: Hmm. What, and leave all this?
Ryan: I'm going to miss you.
Annie: Hmm. You'll survive, and so will I.
Di: Annie, can you take a look at these numbers?
Annie: Yeah -- hmm. Duty calls.
Annie: It's ok.
Ryan: Kendall, give Spike a kiss for me.
Kendall: Oh, you guys will be back tomorrow.
Ryan: Yeah, just in time to take him before you go to the big city.
Kendall: Yes. Good luck.
Amanda: That is so not a happy look on Greenlee's face.
Babe: I don't know -- sometimes I feel bad for her. It's got to be hard.
Amanda: Does she always have to be a bitch?
Babe: She's trying.
Amanda: Well, I guess it'll never be easy. Annie's with Greenlee's ex.
Babe: I'm working with you, and you're with J.R.
Amanda: You hate me, don't you?
Babe: I am over J.R. You can have him.
Amanda: Oh, ok, this is really weird.
Babe: No, it's not. I just -- I was surprised, that's it. I mean, heck, you're the one that told me to choose Josh, and did I listen? So, I promise you I'm not going to be on your case.
Amanda: It's not serious.
Babe: Once you're in J.R.'s bed, it's serious.
Annie: Well, good luck.
Zach: Let's get going.
Ryan: Yeah, we should -- we should get out of your way.
Annie: You're never in the way.
Kendall: Wait, wait -- do you guys want to stay for the shoot?
Zach: Oh, no.
Kendall: Come on, it'll be fun. Stay. All right!
Ava: How do I look?
Greenlee: Listen, we're not going to have time for reshoots.
Ava: What do you want me to do?
Kendall: Just listen to the photographer.
Ava: I don't think I can do this --
Greenlee: Ok, are you guys ready? We're going to need touchup.
Di: Yeah, just a little bit of lip-gloss, though.
Annie: Lots of close-ups. We want to focus on that -- those eyes, that innocence.
Ava: But I'm not innocent.
Greenlee: It's called "acting." You said you wanted to be an actor, right?
Kendall: Ignore her.
Ava: It's kind of hard, ok? Ok -- um -- thank you. Uh-huh. What about this?
Kendall: Uh -- less smile.
Ava: Ok, um -- what about this?
Di: Hey, are you ok?
Ava: No, I'm not ok!
Kendall: All right. All right, Ava, just relax, ok?
Greenlee: This isn't working. She's hopeless.
Ava: Oh, come on! Ok, I can't do this! I'm not Lily! I don't smile like Lily, and I don't act like Lily!
Amanda: Hey, listen -- listen --
Amanda: You almost had it. Ok? Don't worry about us.
Di: Just -- hey, remember -- remember the wedding? Remember how everybody was smiling at you? How'd that make you feel?
Amanda: Oh, there --
Di: Ok, yeah, that's it, that's it, that's good. Just go with that, go with that. Just keep that.
Singer: Ooh, ooh ooh, ooh ooh, ooh ooh, ooh something's turning in the world today color shines across my shades of gray
Greenlee: This isn't working. What's plan B?
Kendall: Honey, you're looking at it, ok? Because we don't have time to get anyone else, all right? What do you guys think?
Babe: She's just nervous.
Di: She's going to get it.
Greenlee: Before tomorrow?
Di: Yeah, just give her a chance.
Singer: I'm stepping out into the same old streets
Singers: Same old streets
Singer: Exciting move into a different beat hey, hey a change of attitude and it's all because of you ooh, ooh all because of you ooh, ooh, ooh all because of you
Kendall: All right, everybody. Ladies and gentlemen, that's a wrap.
Kendall: That is a wrap!
Ava: Whoo! Was I any good at all?
Di: You were fantastic, Ava!
Babe: You were perfect.
Kendall: You were amazing.
Amanda: You did it.
Babe: We're lucky to have you.
Annie: And there you have it.
Ryan: It looked great, great.
Amanda: Ok, Tyra Banks.
Zach: Very nice.
Kendall: Yes! Oh! Thank God.
Sean: No, no, no. Drop the coffee. Drop the coffee.
Colby: What the heck --
Sean: Turn around.
Colby: Ok. Can I get a hint?
Sean: No, no. No, no, you can't.
Colby: How long am I standing here for?
Sean: Just -- just, you know, keep your pants on.
Colby: Oh -- did I tell you that Krystal made me Jenny's godmother?
Sean: Well, you did deliver her.
Colby: Yeah, but we're not family. Not really. And I've been back home a year now, and I just expected to jump into an instant family.
Sean: Yeah, it's not so easy, is it?
Colby: Nope. My dad was with Krystal, and I hated her, and Babe and J.R. were together, and I was jealous. It was tough. I just wanted it to be about me 24/7. But yesterday, I officially became part of another family -- Jenny's, and that includes Joe Martin and Opal and Jamie and, you know, all those people I never really expected.
Sean: Yeah, I was hoping for the whole family thing when I moved here, too.
Colby: Hey, do you remember the first time I met you? We trashed your Uncle Jack's house, and Erica got so pissed. Huh!
Sean: Yeah, I had it pretty good for a while, and then Erica bailed.
Colby: Which leaves your mom.
Sean: Yeah, yeah. I'd rather be alone, thanks. And if she got the message, maybe she's gone, and why I got into the whole sketchy Ava situation --
Colby: Uh-uh. I don't want to talk about that.
Sean: No, but I think Erica and Jack are figuring it out.
Colby: You like Erica, don't you?
Sean: Yeah, I do. She's -- you know, she gets me. She sees through all my BS, and she makes my uncle happy.
Colby: Well, maybe things will work out. I'm just glad I gave us both a shot.
Sean: Me, too. You're the reason I stayed. No, hey -- I see you. Turn around. I'm not finished.
Tad: Just look at that lawn.
Tad: When I saw the picture, all I could think about were the words "swing set."
Tad: No, actually, that's not true. All I could think about was the word "camcorder" so I could take home movies of you chasing her around the swing set.
Tad: Look here. You can't see it, but the side of the house, second floor -- there is a room that's perfect for Jenny. It's got a big brown window, and it's got this window seat. You know, it's the kind of place you just want to cuddle up with her and read her children's stories.
Tad: And there's a little dressing room. It's off to the left. You could convert it into a playroom.
Tad: And then there's a -- there's a -- there's another child's room. It's right across the hall. It'd be perfect for -- for -- it wouldn't be for us, anyway. It doesn't matter.
Krystal: For Kate?
Tad: Well, let's just say it's there if we ever -- ever need it. In any case, look, the kitchen is -- is absolutely enormous, all right? The whole place is enormous. There's room for J.R. and Babe, Jamie --
Krystal: You thought of everything, haven't you?
Tad: If a fleet comes in, you could put them up. There's a basement for -- for children's birthday parties. And the -- the ceilings and the living room -- they just scream for a Christmas tree.
Tad: A Frank Capra movie. And I don't think I can get Jimmy Stewart.
Krystal: Well, no, he's dead, I think.
Tad: I'll offer him more money. It's not hard to imagine, you know, a room full of presents and wading through all the wrapping paper and all that.
Krystal: I know. I get it, I get it, I get it. You really want us to -- to live with you, huh?
Tad: Well, this is a good thing for you, too, ok? Because the closet in the master bedroom is bigger than your bedroom in the condo.
Krystal: I'm not surprised.
Tad: You -- you can have it, ok? Plenty of storage space.
Tad: A big old beautiful attic. Good place to keep all the memorabilia kids tend to pile up -- Christmas cards, stuff like that.
Krystal: Mm-hmm. Well, you sure are painting a pretty picture, Tad.
Tad: Well, it might be unorthodox, but who cares?
Krystal: Ok, and what is going to happen when Jenny says, "Why aren't Mommy and Daddy sleeping in the same bedroom like all my other friends' parents do?"
Tad: By the time she's old enough to ask the question, most of her friends' parents won't be sleeping in the same bedroom, either.
Tad: Listen, the world is full of families that are making up the rules as they go along. Why shouldn't we? Huh? I mean, whatever happens, whatever comes up, I'm sure you and I can work through it together.
Krystal: And you really think that you and me and Jenny living together under one roof is going to work?
Tad: I really think that my boys are grown, and they're off doing their own thing. I think I really need a -- I'm begging you. I mean, I -- I told you the other week, I can't see myself doing the serious relationship thing.
Krystal: Well, I got to tell you something, Chester, I do see myself doing the serious relationship thing at some point --
Tad: No, I'm not saying you got to check into a nunnery -- fine. You know -- look, just -- you've given up on Adam, right? Right?
Krystal: Yes, yes.
Tad: Ok, well, that's the only thing I care about, because I don't want him coming anywhere near our daughter ever again. Other than that, if you come across somebody you want to get busy with, then -- then, you know, we'll -- we'll just cross that bridge, you know, when we get to it.
Krystal: You got a Jacuzzi?
Tad: I'll buy you one --
Tad: Have it put in. We can do this. We can make this work, be our own kind of new family.
Adam: That woman is no longer a part of my life.
Erica: But you can't stop your feelings.
Adam: I can sure as hell try.
Erica: Adam, you can't choose who to fall in love with. I mean, even if it ends, even if you break up with that person, you can't just decide not to love them. Love makes you do things that you would never expect. As -- as hard as you try to stop, if it's meant to be, you just cannot pull away. You don't want to love them, but it's impossible not to. Because they really are your other half, they really are part of your life.
Adam: You speaking from experience?
Adam: You still love Jack, don't you?
Adam: Does he know?
Erica: Adam, please. My entire show is -- is depending on this.
Adam: I have bigger issues than your ratings. Your secret is safe.
Erica: Thank you.
Adam: That's enough about your true love. And I do not want to love Krystal anymore. Tell me how to rip her out of my life.
Erica: Oh, you're not just in love, you are hopelessly in love.
Adam: You and Jack are beneath hopeless.
Erica: Oh, well, you are a mess, because you love Krystal but you refuse to be with her, because you, Adam Chandler, you never forgive a woman who betrays you.
Adam: I've forgiven you.
Erica: Well, I'm not the love of your life. Boy, I can't believe I'm about to say to you what I am, but -- ok, here you are. Adam, maybe it's time that you tried to forgive Krystal.
Ava: God, I'm wiped!
Kendall: Ok, I hate to break it to you, but we need you for more stuff.
Ava: What? I've been working since dawn!
Kendall: Ok, but we have the presentation tomorrow, and we're going to need you for that in the morning in New York.
Di: You got to get prepped.
Greenlee: Yeah, and we still have a ton of work to do on the campaign.
Kendall: Ok, tell you what -- why don't we all stay here and finish up what we're doing, and then we can all head to our place and finish working until we leave in the morning? Ok, Amanda, why don't you --
Zach: I have an idea -- how about you remember that you're pregnant? No more all-nighters.
Kendall: No, I'm fine. Honey, I'll take a nap.
Ava: I'd kill for a nap!
Kendall: Ok, Ava, why don't you go home, take a nap, and then come back to our house later on -- but don't -- don't touch your hair. We need the day look for the presentation.
Ava: But I don't want to be my sister forever.
Greenlee: Well, not very grateful for someone who begged for this job.
Di: Ava, it's just another day.
Kendall: Yeah, please? We really need this.
Ava: Fine. Look at me, I'm Lily -- yay.
Amanda: The day photos are up. I think I found the one.
Kendall: All right, great. Ok, well, let's call Annie -- she has final say.
Amanda: Ok, well, where is she?
Kendall: I -- she must be with Ryan.
Annie: What are you thinking?
Ryan: I'm just thinking I don't want to leave you.
Annie: We will be back together before you know it.
Weatherman: The forecast --
TV announcer: 9-year-old metro girl has a new lease on life, thanks to surgery at the hospital for sick children.
TV announcer: Tracy Hooper was --
[TV turns off]
Jonathan: Hey, Lily. What --
Ava: No, it's me -- Ava.
Colby: Ok, is it ok to look? You know, there are so many salt and pepper shakers I can fill.
Sean: All done.
Colby: Yeah, I want to see it.
Sean: Ok, but before I show you this, let's be clear. Ok, I'm not -- I'm not soft or whipped --
Sean: Or lame.
Colby: Ok, nobody thinks you are.
Sean: You know, this is -- this is graffiti.
Colby: Ok, I got you. Let's see it, big, strong man. Come on, show me. Oh, my -- Sean! I love it! Oh -- oh, my --
[After Sean shows Colby what he just carved into a wooden post -- a heart containing their initials SM & CC, they kiss]
Singer: If you don't mind love
Tad: It was Aidan, I got to go. He needs me for something. You haven't asked me about the house, which I assume means no.
Krystal: I'll think about it.
Tad: That's all I can ask.
Singers: Don't you ever turn your back, no
[Music plays at the Yacht Club]
Adam: Forgiveness? No. No, it's -- it's out of the -- it's -- it's not on the table, forget it. No forgiveness.
Erica: I know that neither one of us likes to lose, Adam. When we fight, we fight to win.
Adam: Oh. When does it feel like victory?
Erica: When you follow your heart. And, Adam -- hey, you just had a heart attack. So maybe it's trying to tell you something -- that maybe if you continue like this, you'll have another one.
Adam: So, what, I just give up and give in?
Erica: Well, I surrendered -- and I wound up winning. The same thing could happen to you.
Singers: All this I got
Zach: Keep your mom in line. If she gives you any trouble, kick her.
Kendall: Yeah, ok. You and Ryan have fun. Don't do anything weird or crazy.
Ryan: You ready?
Zach: Yeah, let's go.
Kendall: Good luck.
Zach: Ok, see you.
Kendall: Bye, bye, bye.
Ryan: Bye. Bye.
Kendall: It's just for one night. We'll be good, all right?
Annie: Yeah, that's fine.
[The elevator returns and both Zach and Ryan go to their wives for more kisses, while Greenlee watches sadly]
>> On the next "All My Children" --
J.R. (to Krystal): If I didn't know better, I'd say that you're still in love with my dad.
Kendall (to Greenlee, Annie, and Babe): This is good, this is bonding -- that's what tonight is all about. No Josh-bashing in this house.
Amanda: But it's ok to bash J.R.?
Erica (to Jack): Who's my mystery donor?
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