All My Children Transcript Monday 12/18/06
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Proofread by Gisele
Colby: "Josh! Oh, Josh, don't stop! Oh, Josh -- oh, you're so amazing. Oh, Josh, yes --"
Josh: This again? Get out!
Colby: I only came by to talk.
Josh: You had to break into my room, roll around on the bed, just to talk?
Colby: Uh -- it's -- it's important.
Josh: Get the memo, Colby -- you're a kid, I'm an adult. The last time I was nice to you, you charged me with statutory rape.
Colby: That was a big mistake. I'm sorry about that.
Josh: Done. Over. Out, now. I've had a rough -- day.
Colby: I heard. Are you ok?
Josh: You know, this isn't cute or funny. Excuse me, can I use you for a second? Thank you. Whatever happens next, you're a witness. All right, Colby. Let's hear this one. What are you really doing here?
Emma: Why are you crying?
Annie: He's just sad, sweetheart. He misses Erin.
[Emma sweetly gives Ryan a big hug as Kendall walks in the door pushing Spike’s stroller.]
Emma: Don't be sad.
[After Emma hands him a hand-made card, Ryan picks her up and Kendall silently departs.]
Di: Hey. Any -- any leads about Erin’s killer?
Aidan: Nope. I've been all over Fusion -- the roof, the basement, everywhere. There's nothing.
Di: I'm sorry. Maybe something will break tomorrow. Call me if -- if you hear any news.
Aidan: Why? Where are you going? You taking a late shift over at the casino?
Di: No, no, I'm going to -- I'm going to Fusion. I'm going to fill in for Erin for a little while.
Aidan: Yeah, like hell you are. You're not going anywhere near that place.
Zarf: Where did you get that?
Zach: You left it behind last recording session. It's supposed to be the, what, cover art, I was told.
Zarf: You were told wrong.
Zach: I was? Hmm. It's good, though. Looks like Simone a little bit -- you know, a girl laying down, flower in her hair. Not a gardenia, not a white ribbon, but very close. Was she your first victim?
Zarf: What makes you think she's a real person?
Zach: Prove to me she's not.
Zarf: Who says I killed her?
Zach: I have it right here -- in your own words.
Colby: I can't talk about personal stuff in front of the help.
Josh: Oh, it's not getting that personal. I'm not risking being in here, with you, alone.
Colby: Chill out, Josh.
Josh: What'd you put in my room? Where is it?
Colby: You know, you should really be thinking about lowering your dosage.
Josh: You're radioactive, you know that?
Colby: Well, we all make mistakes in our youth.
Josh: Did J.R. put you up to this or is this your own idea?
Colby: What are you looking for?
Josh: Is this the maid that let you in here without a key?
Maid: No, sir.
Colby: I do have excellent powers of persuasion.
Josh: Did you call the cops yet, tell them to barge in on us? Or you going subtle this time, maybe plant some drugs?
Colby: You know, did it ever occur to you that we're on the same side?
Josh: She lied to have me arrested.
Colby: Get over it. Babe is stressing my brother out, and the last thing J.R. needs is his cheating wife. So, you still want her for yourself? Am I not making any sense?
Josh: Get out!
Colby: I'm just saying, you know, if you want Babe and -- and you want to ravish her some more, get a move on!
Kendall: What the hell is this? What's going on?
Josh: Thank you. You won't be needed anymore. So I walk in here, Colby’s in my room setting me up for who-knows-what.
Colby: I am not setting you up for anything.
Kendall: Josh, watch the baby. Get –
[Kendall grabs Colby by the hair and throws her out of Josh’s room.]
Kendall: Out now, you nasty little skank. Now.
Colby: Ooh, this is assault.
Josh: This is great.
Kendall: You're lucky I'm not escorting you out by your face.
Colby: Oh, I'll sue.
Kendall: Well, good luck, with my brother as the witness.
Colby: Ow, ow --
Kendall: Quit whining, get the hell out!
Josh: Nice work.
Kendall: Well, she deserved it.
Josh: She's not worth the energy. So what's got you all feisty?
Ryan: Thank you, Emma, for the card. It was very, very sweet.
Emma: Do you feel better now?
Ryan: I do feel a little better. Thank you.
Annie: You made Ryan feel better? I'm very proud of you, sweetheart. That's what we all want.
Emma: Mommy, you did, too. You hug him again.
Annie: Well -- um --
Ryan: You know what? I think somebody is up past her bedtime.
Annie: Yes. You go back to bed. I'll come check on you soon, ok?
Ryan: Off you go. Off you go. Great little girl.
Annie: Yeah. Kids -- they always want to make things better. Big girls know that not everything can be.
Ryan: Too bad, huh?
Annie: You loved your sister, Ryan. You're entitled to whatever you feel. You're allowed to yell or get mad or shed all the tears you need to.
Jonathan: We -- we picked up Erin’s stuff at Fusion. We found something.
Aidan: Have you lost your mind or something? You can't do that. You can't go to Fusion.
Di: Excuse me, I am going to do this.
Aidan: Di, two women have been murdered there. Whoever did it could try again.
Di: Good thing there's security.
Aidan: We're having enough trouble protecting the women on staff without adding you to the mix.
Di: Listen, Aidan, you and I left Erin at that bar, and the next thing we know, she winds up dead.
Aidan: Yeah, I know that. But there is a killer out there targeting women at Fusion. Who's to say he's not going to try and kill you next, huh?
Di: That's kind of the plan. Hmm.
Zarf: Anyone who listens to what I say is a fool.
Zach: You took a lot of time with this sketch.
Zarf: I doodle. Some people draw boxes and flowers, I draw women.
Zach: Yeah, but people don't usually write down when they want to kill somebody.
Zarf: So why would I?
Zach: I don't know, but you did right here -- "me or her."
Zarf: Since I'm right here, it doesn't look very good for "her," does it? Or should it have been "her or me"? I've never been much into grammar.
Zach: "Everywhere I went, I saw you. Every time I slept, I dreamt you. Even when I tried, I couldn't forget you. I couldn't love you. You had a hold on me, and I couldn't shake it. You had a part of me that wouldn't die. You had my life, so I must take yours. You or me. Must be me. I must save me. I tried to scare you away, I tried to ignore you, I tried to hate you. I tried to bore you, I tried for years, and you would not go away. Now I have to kill you. Now I am killing you, now I have killed you. It's the only way." The only way.
Zarf: Sounds like self-defense to me. You have a good lawyer?
Zach: Why? You need one?
Zarf: I never released that. You give that to the police, I'll have you arrested.
Zach: Who's the woman, Zarf?
Zarf: If I told you, you'd never believe me.
Josh: Kendall, are you ok?
Kendall: Maybe. Maybe not. How hard is it to fold a blanket?
Josh: Relax. It's just a blanket.
Kendall: I need your help.
Josh: Sure. Did something happen at Fusion? Is everyone ok?
Kendall: No, no, no, we're fine, we're fine. Everyone's fine. My guard is in the hall.
Josh: Maybe he can protect you from your baby things.
Kendall: It's about Ryan.
Josh: Well, his company's got a huge stake in Fusion. You think he's in danger -- because of Erin and Simone?
Kendall: No, it's about that woman using Erin’s death to get her hooks into Ryan.
Josh: Who, Annie McDermott? Why do you care? You're with Zach. Am I missing something?
[Ryan holds a Revolution Comics Group book of “Dynamite Kiddo.”]
Ryan: It's in absolutely perfect condition.
Jonathan: Your note to Erin is right there.
Ryan: "You can do anything you want. You're my hero. Stay strong."
Annie: That's wonderful.
Jonathan: Ryan gave it to Erin when we were little kids.
Amanda: And she kept it this whole time. It must've really meant a lot to her.
Annie: See? You don't need to feel so bad about the past.
Jonathan: What? Hey, wait a minute. You -- you're not back to that again, are you?
Zach: You can't tell me anything that I couldn't handle.
Zarf: So you think.
Zach: Instead of me handing this over to the police, why don't you tell me who it's about?
Zarf: Remind me again why I'm giving you this interview?
Zach: Because two innocent women are dead for no apparent reason.
Zarf: Of course. You want me to grieve, to cry. The world demands large displays of grief as proof of innocence.
Zach: The world demands a lot of things. We're talking about you right now.
Zarf: Are we really? Seems like you're the one with issues.
Zach: Tell me about her.
Zarf: Just because I believe those two lovely women are in a better place. Just because I have -- I am in touch with the spiritual plane.
Zach: Oh, man, I'm trying not to lose my temper with you.
Zarf: Without grief, you suspect me -- l'estranger, the artist type. It must be the one who doesn't fit in. Which one doesn't look and act and talk like all the others?
Zach: I don't care what you look like, and I don't care what you do. What I care about is that two women -- dead.
Zarf: I asked Simone to a little private party, she refused. I killed her -- seems logical.
Zach: You're the last one to see her, you said so yourself.
Zarf: And I don't take rejection well?
Zach: I don't know. Do you?
Zarf: I recognize you. My father was like you -- had to have all the answers. You can't protect these women. It must tear you up. And the best evidence you can come up with is a doodle and a song.
Zach: For now.
Zarf: What about better evidence? What about this? Recognize this?
[Zarf pulls a white ribbon out of his pocket and holds it up in front of Zach’s face.]
Zach: How do you know about her?
Zarf: "Her"? I'm not the only one with a secret.
Zach: How do you know?
Zarf: You have a "her," too. Where are the lyrics to your song? Your aura's looking viridian -- high mental and emotional stress.
Zach: How do you know about her? Did you put that note on my door?
Zarf: More to the point -- did you kill her?
Zach: How do you know about her?
[Bianca walks in as Zach attacks Zarf.]
Bianca: What are you doing?
Singer: What if I've achieved stays and ruins my day? Then I'll make believe this adventure leads good times wasting away you don't have a part to play but some thinking all your will
[While listening to music on her laptop, Colby monitors the webcam in Josh’s room.]
Sean: Sweet -- webcam. I love me some voyeur action. Got anything on the PVU girls' dorm?
Colby: You horn dog.
Sean: Get your peeping on.
Colby: I'm doing an investigation.
Singer: Where we are
Sean: You're investigating Dr. Josh? What's the double feature today?
Colby: Josh was just talking to his sister -- nothing to see.
Sean: Huh. Too bad.
Colby: I'm not doing this for myself. Unlike some people, sex isn't the only thing on my mind.
Sean: You mean, unlike most people?
Colby: Show's over.
Sean: Come on, tell me. You know, you might need some help with the recon.
Colby: You know, sorry, I have a headache. Not today.
Sean: You're killing me here. Come on.
Colby: Promise you won't say anything?
Sean: Who am I going to tell?
Singer: Mommy's gonna dance
Colby: I'm doing this for my brother.
Sean: He wants some videos while he's laid up?
Colby: No, I'm going to find out if Babe’s lying or not.
Sean: By spying on Josh's love shack?
Singers: Doesn't matter where we are darker is the night brighter is the light
Kendall: Annie McDermott can't wait to comfort Ryan. "Ooh, Ryan, let me hold you, let me help you. Why don't you come cry on my shoulder?"
Josh: I'm still not seeing the problem.
Kendall: Well, there is no problem -- for me personally. I mean, I have Zach. I'm happy with Zach.
Kendall: This really has nothing at all to do with my love life. It's about Spike. Ryan is Spike's father.
Josh: Yeah. So? Mommy gets hers, but not Daddy? Seems a little unfair to me, doesn't it, big guy?
Kendall: I don't know. Never mind. Maybe I -- maybe I should just forget the whole thing. I mean, I'm -- I'm sure it was just a lie. Maybe I should've never listened.
Josh: Ok, I'm your brother and all, but I must've missed the Kane mind-reading gene.
Kendall: It's David Hayward.
Josh: Are you kidding me? Huh -- I need another drink.
Kendall: No, let -- he -- he came over to my house right before he left town. He dropped this big old bomb in my lap -- some news about Annie’s daughter.
Josh: Listen to me. Emma is not Tad and Dixie’s daughter. End of story. I don't know why you're believing that garbage.
Kendall: Help me find out if Ryan is that little girl's father.
Ryan: I shouldn't have left you when you were kids.
Jonathan: Ryan, don't you get it? You were our hero. This comic book is just a piece of you. Yes, Erin and I missed you when you left. We were -- we were scared. Then you became our inspiration.
Ryan: I was a coward. I ran away.
Jonathan: No, no, no, no. You got out. You did it on your own. You showed us that we could, too.
Ryan: Thank you, Jonathan. Really, thank you for trying to make me feel better. But I remember Erin in Canada. I remember how angry she was at me.
Jonathan: She was trying to protect me. She didn't know that you were trying to help.
Ryan: I should've protected you both.
Jonathan: We understood. We let go of the past a long time ago.
Annie: Maybe you should, too.
Amanda: Erin's face was so proud whenever she mentioned you.
Jonathan: Ryan, she loved you.
Jonathan: So do I. Hey, man, it's time to let all that go. Please. Come on, Erin -- Erin wouldn't want you feeling bad.
Annie: She kept this because she loved you.
Jonathan: She -- uh -- she always had a part of you. Now you can always have a part of her.
[Jonathan hears a noise upstairs]
Aidan: You want a murderer to try and kill you?
Di: Key word there is "try."
Aidan: So are you trying to make this harder on me and security? Is that it?
Di: Oh, come off it, Aidan. You know me. You investigated my history yourself. You know that I was involved with a criminal in my past, a predator who -- who met young girls right off the bus.
Aidan: And how is that supposed to make me feel better?
Di: Listen, I spent a year in prison. I defended myself against the worst of the worst. I can handle this.
Aidan: Well, you think you can -- until you end up dead.
Di: Admit it -- you know I can handle it.
Aidan: Di, you don't even know what you're looking for. It could be a man, it could a woman, it could be a mail-delivery guy --
Di: Ok, I know, I know -- it could be anybody!
Di: I know! But this guy is not going in there and shooting everyone, he's not ambushing. He's -- he's using poison.
Aidan: And how is he poisoning people? We don't know that, do we?
Di: Well, listen, I'm a suspicious lady. I'll be careful.
Aidan: Well, "careful" is not good enough for me.
Di: Well, you know, I am not going to be a victim, and I am not going to let other women be victims, either. We don't have to be.
Aidan: How is keeping yourself out of danger being a victim? Tell me that.
Di: I was at ConFusion with Erin. We had this great moment, and we found our way, finally, to being friends again. And, Aidan, half an hour later, she was gone.
Aidan: This is not your fault, Di.
Di: I know. It's some bastard's, and I want to nail him for it.
Aidan: Well, let us handle this, then.
Di: Oh, how, Aidan? Are you going to dress up like a woman and go work at Fusion? Listen, if this guy is after women, then I'm ready. I'm more ready than other women are. Let him come.
Aidan: Di, I know you think this makes sense, but listen. I just -- I -- I don't want to -- I don't want to lose you. All right?
Zach: Carl, I got this one.
Bianca: Oh -- uh -- could you just leave us alone for a second? Wait, Zach, let him go.
Zarf: I can handle the big guy.
Bianca: What is going on? What did I miss?
Zarf: Your charming protector here thinks I killed your friends.
Zach: He hasn't convinced me otherwise.
Zarf: He'd like some privacy to beat it out of me.
Bianca: No one is beating anyone.
[Zach groans and shoves Zarf aside.]
Zach: What do you know?
Bianca: Why do you think that Zarf would hurt anyone?
Zarf: Apparently, I'm too creative for my own good.
Bianca: What, this is it? This is not good enough.
Zach: What about this? Here -- look familiar? He drew it.
Bianca: Uh -- yeah, it does look familiar. It looks like about a hundred other paintings I've seen. It's, like, not original -- no offense.
Zarf: None taken.
Bianca: It's not a unique pose. And Zarf has no reason to hurt anyone.
Zach: That we know of yet.
Zarf: Your friend here doesn't understand my art. The song is a metaphor, my friend, for the part of us that we want to go away. You have a part like that, too. A part that makes you feel what you don't want to feel.
Zach: We're not done.
Zarf: But we are.
Zarf: It's been fun.
Bianca: What is going on? I've never seen you like this before.
Zach: This is all my fault.
Bianca: No, you're not responsible for any of this.
Zach: Kendall could be next. Don't you see that?
Bianca: Well -- yeah, and any of us could. But the police are on it, and we have security guards --
Zach: No, try and listen to me, I did this. I brought this on all of you.
Bianca: Ok, wait, explain to me. How did you bring this on us?
Zach: These killings are a message to me.
Bianca: Zach, you have nothing to do with Erin or Simone’s deaths.
Zach: I don't know what the connections are. I don't know. If I did, I would stop them, but I don't.
Bianca: No, look, you could not have prevented this.
Zach: How could he know? How would Zarf know? He had no idea of knowing any of that.
Bianca: How could he know what?
Zach: And why would he care, you know? I mean, why --
Bianca: Why -- why would he care about what? That doesn't --
Zach: I got to go. You should go, too.
Bianca: No, I'm staying here. I'm -- I'm decorating for Christmas. It's --
Zach: You are, huh?
Bianca: Depressing around here.
Zach: I don't want you here by yourself.
Bianca: I'm not by myself. He's here, and he's not going to let anybody in.
Zach: You don't need to stay here. It's not --
Bianca: I want to be here, ok? I'm fine. Really.
Di: I don't want to lose you, either.
Aidan: Well, then don't set yourself up, then. This is a police investigation, and I'm a professional.
Di: And I'm here to help out.
Aidan: Di, look, I get you're tough, ok, but you're not invincible, and I don't want you to think that you are.
Di: You know, women are dying, and -- and it's women that have been really good to me. I can't just sit back and do nothing. This is my way of giving back to them, Aidan.
Aidan: And you're willing to give your life for that?
Di: Listen, I'm not going to die! Cops do this kind of stuff all the time. They -- they set up decoys --
Aidan: Yeah, well, cops are trained.
Di: I'm going, and I don't want you to try and stop me.
Annie: Well, Emma crashed. She's totally out.
Jonathan: I'm sorry if I spooked you guys. I keep -- expecting to see Erin come around the corner. You know, come out of the kitchen with a cup of coffee, or come running down the -- come running down the stairs late for work. Ryan, I don't think I can stay here. I just -- I see Erin -- I see Erin everywhere.
Ryan: Why don't you come stay with me for a while, or -- or we'll find you a new place to stay if you want.
Annie: Yeah, stay with Ryan till you figure out what you want.
Jonathan: No, no. If -- if Kendall and Spike end up moving, you're not going to keep the condo.
Amanda: What about Wildwind? Julia has plenty of rooms in that huge place, and I'm sure she wouldn't mind. You know everybody there.
Ryan: Good group of people.
Amanda: We would love to have you there.
Jonathan: No. No, no, I can't -- I can't leave now. I can't leave Annie here alone, now that Erin’s gone.
Annie: Jonathan, stop.
Jonathan: You're going to need me around.
Annie: No -- I am a grown woman. Emma and I can take care of ourselves, we have for a long time. You need to do what you have to do.
Amanda: It'll be good for you to be around people.
Ryan: Don't look at me, man.
Jonathan: Ok. Yeah. All right, it's "take me to your leader."
Josh: So Hayward had no physical proof that Ryan was Emma’s father? Nothing but the words out of his lying yap?
Kendall: Hmm, right, but what if Ryan is?
Josh: Well, considering the source, I don't even know why we're paying attention to this.
Kendall: Ok, I asked Annie who Emma’s father was on Thanksgiving, and she used an anonymous donor.
Josh: So what? Thousands of guys donate.
Kendall: And Ryan was a donor a long time ago here. He -- he went to one of the places that -- that Greg Madden bought, and Greg was Annie’s Ob-Gyn, so it all adds up.
Josh: It adds up to a long shot.
Kendall: Please, Josh, this is driving me nuts. I need to find out the truth.
Josh: What did Zach say? You haven't mentioned it to him.
Kendall: Well, I -- I haven't really -- there isn't -- I haven't really found out anything yet.
Josh: Well, why bring up all this drama if you don't have to?
Kendall: Exactly. That's why I need your help.
Kendall: Well, you have medical contacts. I'm sure you can get the test done discreetly and accurately.
Josh: Greg screened tons of donors. It's more -- it's more likely that --
Josh: Do you realize who Emma’s father could be?
Kendall: Greg Madden?
Josh: What would you do then?
Kendall: Well, if Greg Madden was Emma’s biological father, I wouldn't say a word.
Josh: And what if he's not?
Kendall: As long as Ryan isn't the father, I won't tell Annie anything.
Josh: What if Ryan is the father? It was so frustrating, like a mystery I couldn't solve.
Kendall: I'm not sure what I'd tell Ryan if -- if Emma is his.
Josh: Well, I'd think about that before you say anything.
Kendall: Yeah, but he's going through so much already. I mean, and here's me and Zach and Spike -- we're all happy. We're a family -- a family that he wanted.
Josh: Ryan's not going to love Spike any less.
Kendall: Well, it doesn't stop me from worrying that -- that he'll back away and start spending less time with his son. I mean, if Emma is Ryan’s little girl --
Josh: Bam -- instant family.
Kendall: Yeah, I know, I know. I'm horrible. I know.
Josh: No, you're not horrible. You're just worried that Ryan is going to spend more time with the kid he doesn't have to share.
Kendall: Ok, I know. I'm selfish, all right? But Ryan -- he -- he's already dating Annie, and she's not nearly good enough for him.
Josh: Well, who is -- next to you?
Kendall: Ryan just lost his sister. He's vulnerable right now, and that woman is using her death to reel Ryan in.
Josh: Well, if that's what Ryan wants, who cares?
Kendall: But Ryan doesn't know what he wants.
Josh: Doesn't he get a life outside being a part-time dad?
Kendall: Yeah -- with the kind of woman he deserves. Not to settle for this one, especially when he's so upset that he couldn't have me.
Josh: You know, you really are your mother.
Colby: Thank you. Babe has J.R. pinned on Little Adam’s custody, but that won't matter once my brother has proof she's a cheating ho.
Sean: Enter you, the budding director?
Sean: None-of-your-business? Party of one, your table's ready.
Colby: Sean, my brother can't move. He can't even watch his back, so I have to do it for him.
Singer: Our chemistry is on the fritz
Sean: You're one scary little sneak. But cute.
Colby: This is the best Christmas present I can give my brother.
Sean: Hey, if you ever want to, you know, see me in bed, forget the cam --
Colby: Ok, just --
Sean: Just come over.
Colby: No, stop. Your warranty ran out a while ago.
Sean: Hey -- while you're at it, do you have any ideas on how to keep Josh's dad away from Erica?
Colby: I did get a great deal on the spycam.
Sean: Yeah, if Erica really is doing the no-pants dance, the last thing Uncle Jack needs is a streaming video of it.
Colby: Yeah, good call.
Sean: I don't want to break them up. You know, Uncle Jack wants Erica back home.
Colby: You know, it's hard to get a woman to give up room service.
Sean: See, I thought -- for 30 seconds -- about, you know, setting fire to the Valley Inn.
Colby: No, too messy.
Sean: Yeah. Then there was the, you know, faking the emergency.
Colby: Too predictable.
Sean: Yeah. Then I just thought about punching Dr. Jeff.
Colby: My money's on him.
Sean: I got nothing.
Singers: Darker is the night brighter is the light
Colby: I bet I can get Erica home back in time for Christmas.
Sean: No, no way. Look, no way you can get Erica back home before Christmas.
Singer: Doesn't matter where we are
Colby: I bet I can.
Singers: Darker is the night
Sean: Bring it.
Singer: Brighter is the light
Colby: Ok. How about if I make it happen, you have to take me out for New Year’s. Huge club in New York, limo, fake ID -- the works.
Sean: And you get Erica home by Christmas?
Colby: Wrapped up under the tree.
Colby: Wait, one other thing. If I get Erica to come home, you have to help me bust Babe and Josh.
Aidan: Fine. Go work at Fusion if you want.
Aidan: And what? And nothing. You can do what you want. I'm not going to stop you.
Di: That's better.
Aidan: But you just know that I've got your back, starting from right now.
Bianca: Oh --
Zarf: Are you afraid of me, Bianca? Do you really think I'd hurt you?
[Walking alone outside, Zach has a vision of Kendall lying dead on the rocks.]
Kendall: All right, ok. So I don't trust Annie.
Kendall: And I'm not a saint.
Kendall: And you're my brother. So you going to do this DNA test on that kid or not?
Josh: You know, if someone in this town bought stock on the local DNA lab, they'd be loaded.
Kendall: That's true. But the joke's over. So, are you in?
Josh: Are you sure you really want to know? You could just forget about this.
Kendall: Oh, believe me, I have tried. I really have, but this is -- I have to get this off of my conscience. So, hopefully, it will turn out negative, and then I can just forget it.
Josh: Not sure how I would score a sample off the little girl.
Kendall: Well, we'll figure it out -- if you'll run the test. So, will you do this for me?
Josh: I'm in.
Ryan: I know what you did for Jonathan.
Annie: I didn't do a thing.
Ryan: He needs to be with friends right now to keep him from brooding. It was good.
Annie: Being around friends is important right now.
Ryan: Now that it's just us, are you really going to be ok?
Annie: I'm ok. Very ok.
Ryan: What you did for me today -- sticking by me -- was amazing.
Annie: Why wouldn't I? I care about you.
Ryan: You're amazing.
Annie: Pretty normal.
Ryan: Even that -- even that's amazing.
[Ryan fervently kisses Annie]
>> On the next "All My Children" --
Zarf (to Bianca): What's my deep, dark secret, Miss Smarty-Pants?
Julia (to Jamie who’s dressed as an elf): You're perfect.
Jamie (to Julia): Why did I let you talk me into this?
Babe (to Little Adam): Ok, let's see -- hmm, drums, a real-life pony -- that'd be fun, Mama would have fun with that -- baby brother.
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