AMC Transcript Wednesday 10/2/02

 

All My Children Transcript Wednesday 10/2/02

By Amanda
Proofread by Kathy

>>Previously on "All My Children" --

Anna: I think I have what we need to put David away. It's on my desk.

Jack: Well, we'll get it tagged, bagged, and locked up safe where it doesn't fall into the wrong hands.

Trey: You're scared that I'm close to something, and it's more than just my paternity, isn't it? It has something to with you and Erica Kane.

Man: Erica, where are you?

Man: Erica?

Erica: Ugh! Oh! Oh!

Leo: Stop. Think about what you're doing.

David: Leo, Leo, everything that's important to me is at stake here. Did you hear what Anna just told Jackson? There's evidence that can destroy me sitting on her desk.

Leo: Every cop at that station knows who you are. If you try to go into Anna’s office right now, they will arrest you.

David: All right, I got to figure it out. I'm going to go. I got to go! What? What?

Leo: No. No. Just let me do it. Let me get rid of the evidence.

Brooke: Edmund? Maddie's asleep, finally.

Edmund: Was it the storm?

Brooke: She just had a lot of energy and, you know, I thought it was the best thing just to let her talk.

Edmund: About?

Brooke: About her angel mommy.

[Doorbell rings]

Brooke: Oh.

[Phone rings]

Brooke: Oh. Well, you --

Edmund: I'll get the phone.

Brooke: Okay. Hayley, Mateo.

Mateo: Where's my sister?

Edmund: Maria isn't here.

Mateo: Well, congratulations, Brooke. You won.

Aidan: Yes. I will. I appreciate your call, Doctor. Thanks.

Maria: Doctor?

Aidan: Yeah, it was Joe Martin. He called to let me know my auntie's in the hospital.

Maria: Oh, my God.

Aidan: She collapsed.

Maria: You're kidding. She didn't lose the baby?

Aidan: The baby's fine.

Maria: Is she all right?

Aidan: Do you care?

David: You're going to -- you're going to steal the evidence for me? Leo, you've just been cleared of all charges.

Leo: It's easier for me than it is for you, right?

David: No, you're legal problems are over. You're free and clear. I can't --

Leo: This has to be done. It has to be done. It's just a bag of evidence, right, on her desk?

David: No, I'm sorry, I don't feel comfortable with it.

Leo: Shh. Chill out. This is on me. Now, go see Greenlee. She's at home right now. Look, you're going to need an alibi, right? So leave a message on your service from her phone. It'll be a record.

David: You don't have to take this risk, Leo.

Leo: I know I don't, but you believe in me just like I believe in you. So wait for me at Greenlee's, all right? I'll meet you there.

David: Leo --

Leo: Yeah, yeah, yeah.

Chris: Erica? Eric-- Erica? You hurt?

Chris: What happened?

Chris: This is special agent Stamp. There's been an accident. We need an ambulance right away, please. The Enchantment building, penthouse.

Greenlee: David.

David: Hello, Greenlee.

Greenlee: What are you doing here?

David: I need a favor.

Leo: Hey. I'd like to speak to the chief, please.

Sergeant: The chief is indisposed.

Leo: Really? Well, I hope it's nothing serious. I'm her brother-in-law. Well, ex-brother-- my name is Leo --

Sergeant: I know who you are, Mr. du Pres.

Leo: Well, then you know that I'm instrumental in finding the missing Proteus money, right?

Sergeant: What you turned in was a bunch of worthless stock.

Leo: Yeah, not worthless to me, Sarge. See, those stocks bought my freedom and, well, I'd like a receipt, please.

Sergeant: Receipt?

Leo: A receipt. A written acknowledgment for something that's been received?

Sergeant: Like I said, the chief isn't in right now.

Leo: Sarge, I -- I turned those certificates over to the D.A. and he said he was going to turn them over to the police.

Sergeant: If the D.A. said that --

Leo: Whoa, whoa, whoa, what do you mean "if"? You don't have them? Where are they?

Sergeant: Hey, take it easy, okay?

Leo: You lost them? You can't be serious.

Sergeant: We don't lose evidence here.

Leo: I want to speak to your supervisor, now.

Leo: Ah!

Officer: Whoa, whoa, whoa. You okay, buddy?

Leo: It's -- it's a migraine. I just need to lie down for a minute in a dark place, if I could. Oh! What about right over there?

Officer: That's the chief's office.

Leo: That'll be perfect. She's family. She won't mind.

Sergeant: Hey. Where do you think you're going?

Edmund: Maria is with Aidan. It's her choice. And Maddie called and asked Brooke to come over here.

Hayley: You don't need have to explain to us.

Edmund: Seems that I do.

Mateo: This is Maria’s home. It always has been. Sam and Maddie belong to her. There's nothing that you can --

Edmund: Mateo. Please, let's go outside.

Hayley: This has -- this has been very hard for Mateo. He -- he had no right to talk to you that way.

Brooke: Oh, my God, he does. He does. I knew Maria was alive and I didn't do anything, I didn't tell anybody.

Hayley: Uh, yeah, I know that, and now you seem to be waiting for everyone in town to tie you up and burn you at the stake, and they're just not going to do that, Brooke.

Brooke: No, I'm not expected that, but you might want to check Mateo’s jacket pockets for matches.

Hayley: It's not Mateo you're worried about. It's not even Edmund you want to forgive you.

Brooke: Oh, do you think I'm waiting for him to forgive me?

Hayley: No. But -- I don't know. I don't think you'll ever forgive yourself. And I think that's because you still love Edmund, don't you?

Maria: Oh, wait, wait, wait, you think that Anna collapsed because of me?

Aidan: You are the only one that can put that David away.

Maria: I'm supposed to testify against him because he saved my life?

Aidan: The police have reason to believe that the guy has used experimental drugs.

Maria: Penicillin was an experimental drug!

Aidan: Why do you defend him? I always thought you were better than that.

Maria: "Better than that"?

Aidan: Forget about it.

Maria: No. No, no, what -- no, what did you mean by that?

Aidan: He uses women, okay? He exploits them.

Maria: How?

Aidan: How do you think?

Maria: So what are you saying? You think that he seduced me and he charmed me and somehow now I'm under his spell?

Aidan: I don't know. You tell me.

Maria: Go to hell.

Paramedic: Watch out. We've got a male, late 20s, L.O.C. for about 20 minutes.

Nurse: Get Dr. Hubbard!

Frank: I'm here, guys, I'm here. What do we got?

Paramedic: Head injury, Doc. A whole lot of blood, he's out like a light.

Frank: Is he responsive to pain?

Paramedic: Oh, yeah.

Frank: That's good. What are his vitals?

Paramedic: B.P. is 100/70, his pulse is 72 and strong.

Frank: Okay, let's get him into cube 5. Let's go, guys.

Chris: Doc, doc, can you tell us anything?

Frank: He's unconscious. I'll have to let you know after I examine him.

Chris: Right.

Erica: What have I done? What have I done?

Greenlee: Is it Anna? How is she?

David: She's stable, but she still doesn't want to see me.

Greenlee: Well, I thought you were with Leo. Where'd he go?

David: He's going to be here soon, but before he gets here, I need to ask you for a favor.

Greenlee: Okay. What is it?

David: I want you to hurry up and get out of town.

Greenlee: If you'd been paying attention, that's exactly what I've been trying to do.

David: I want you to try harder, okay? I need you to get on the next plane to Paris, get an apartment for you and Leo on the Rue de whatever, and then come back here and get him.

Greenlee: Why are you telling me this?

David: I don't want Leo around.

Greenlee: Well, David, you're in trouble. And until you're in the clear, Leo is not going to go anywhere.

David: Well, that might not happen ever, okay? You're his wife. You have to get him to see that this is his last chance.

Greenlee: His last chance for what?

David: To get away from his damn family. Greenlee, just do it, okay? You're the only one who can.

Officer: This guy took sick, Sergeant. He's going to lie down.

Sergeant: In the chief's office?

Officer: He says he's family.

Leo: Guys, I'll be fine if I can just lie down for a couple of minutes, okay?

Sergeant: Listen, I just spoke to my supervisor. Those stocks you turned in are going to make the case against Proteus.

Leo: That's -- thank you.

Sergeant: This department, this whole community owes you a debt of gratitude.

Leo: Thank you, Captain. Thank you so much, but if I could just lie down for just a minute, that'd be --

Sergeant: Oh, sure. Sure, go ahead. I'm sure the chief won't mind.

Sergeant: You going?

Leo: Yeah.

Sergeant: I thought you were really feeling bad.

Leo: Yeah, I do, I do, but I feel worse and I think that I should just go to a hospital.

Sergeant: Well, hold on. Let me see if I can arrange for a squad car to get you over there real quick.

Brooke: Of course I still love Edmund. I never stopped loving him, you know? God knows I tried.

Hayley: Well, you gave him up. I mean, even though you had to work with him so closely, side by side, you still let him be, go off and get married and have children.

Brooke: I just wanted him to be happy.

Hayley: Yeah, but don't you see that -- don't you see what you gave up? Don't you see how you suffered just to let everyone else be happy?

Brooke: I just told myself that, you know, one day it would be my turn. I just -- I don't want to always be the loser and the fool and the weak one.

Hayley: I don't think you're the weak one at all. I mean, because you love someone so much, because you love Edmund so much, I think that makes you incredibly strong because you don't settle for anything less.

Brooke: That's absurd, all right? What good does it do me loving Edmund? He's not mine. I can't have him.

Hayley: I want you to know that I love Maria. I do. But I love you, too. And I don't think you should just give up Edmund without -- without a fight. I think you should fight for Edmund.

Edmund: Mateo, you're making a bad situation worse.

Mateo: Maria should be here with her children and with you.

Edmund: She will not be here, okay? She wants to be there with -- with Aidan.

Mateo: And you're permitting that?

Edmund: What do you want me to do?

Mateo: Well, you're her husband.

Edmund: She doesn't remember me, okay? She doesn't remember you or Sam or Maddie.

Mateo: She will.

Edmund: That's what we all want, okay? But wishing it doesn't make it so.

Maria: You know, I am so sick of having to justify myself and all my choices to everybody. It's just unbelievable. The bottom line is David Hayward saved my life! I'm supposed to be upset because he broke a law or a couple of ethical rules to do it?

Aidan: No. No. But I think you should tell the truth.

Maria: I'm telling the truth! You know, all I can tell is tell my truth, and that's that I am Maureen Gorman, a healthy, almost normal, reasonably happy human being until just recently.

Aidan: Happy? You can honestly say you're happy, living in hiding and not remembering?

Maria: Well, yeah, you know, I worked with kids, the children, and I loved that. I painted little tattoos of dinosaurs and butterflies on their arm and they liked it, it made them smile, and it made me happy, so I was as happy as anyone is.

Aidan: That's remarkable.

Maria: How is that remarkable? Why? You know, I may not be the person that everybody wants me to be, but I am here, damn it! I'm here and I'm living and I'm breathing and I'm feeling, and all of that I have to thank for stupid David Hayward! So if you're aunt wants somebody to help her punish him, then she's just out of luck because she's going to have to find herself a good divorce attorney or something. I don't think this is funny. What? Why are you laughing?

Aidan: I never had the chance to meet Maria, but if Maureen is half the woman that Maria is, I can understand why everybody in this town is so eager to have her back.

Frank: All right, let's get him all sewn up. See when C.T. can take him for a scan.

Nurse: Right away.

Chris: Erica? Erica? Are you okay? Is there anything I can get for you?

Erica: Oh. How -- how is he?

Chris: I guess they're still working on him. You still haven't told me what happened.

Erica: I was waiting for you. You were supposed to be there. Why weren't you?

Chris: I didn't -- I didn't know you were planning something special and -- Erica, what happened? What did Trey do?

Trey's voice: Erica? Where are you? Erica?

Chris: Erica, talk to me, please. What's going on?

Erica: It was a power failure. It was so dark. So dark, except for the lightning. And I heard a voice.

Chris: Trey's?

Chris: What did he want?

Erica: I -- I don't know. I don't know. I didn't see his face until after --

Zeke: Ms. Kane?

Erica: Doctor, how is he?

Zeke: Well, Mr. Kenyon appears to be stable.

Erica: Has he regained consciousness? I mean, I know that I am not a family member --

Chris: Erica, Dr. McMillan is not Trey's doctor.

Zeke: I'd just like to talk to you, Ms. Kane, see how you're doing.

Erica: Me? Oh, well, I'm -- I'm fine. This is not my blood. No, this is his.

Zeke: Still, what happened was very traumatic, I'm sure.

Erica: Are you Dr. McMillan, the -- the psychiatrist? Well, what -- what do you want with me? I told you I'm fine.

Zeke: I'm glad to hear that. But while we're waiting here, it might be a good idea just to talk about what happened.

Erica: A good idea? Whose good idea?

Chris: That was mine, Erica.

Erica: You? You think that I need a psychiatrist?

Kendall: Erica Kane on a shrink's couch. Finally.

Chris: Kendall --

Kendall: You might start by telling Dr. McFreud here about the night you grabbed a letter-opener and stabbed your dear husband Dimitri.

Chris: Kendall --

Kendall: Poor Erica. All she did was clobber my roommate.

Zeke: You're going to have to take this elsewhere.

Kendall: Sorry, I was sent for.

Chris: By who?

Kendall: The hospital called looking for Trey's next of kin because she practically killed him.

Erica: I didn't mean to.

Kendall: Oh, oh, is that how you're going to play it, meek and confused? Of course, it works every time.

Zeke: I will not allow this here.

Kendall: You know, if I so much as jaywalk, I've got the cops crawling all over me. This one here, she clobbers someone over the head, just like she stabbed her ex-husband, and she didn't mean to do that, either.

Erica: No, I didn't.

Chris: You've been told to get out, Kendall, so why don't you just get out.

Kendall: What's it going to be this time, Erica? If Trey dies because of what you just did to him, what are you going to do, claim self-defense? Ha. "Ladies and gentlemen of the jury, he was so mean and scary, but please, you have to believe me, really, I'm the victim here."

Erica: Please. Please understand. I -- I heard a voice, and I -- I can't explain that.

Kendall: I can. You heard his voice -- Richard Fields, my father, the man who raped you.

Brooke: Maria was alive and I pretended that she didn't exist and her children are aching for her to remember them, and you're telling me that I should fight for Edmund?

Hayley: He loves you.

Brooke: He used to love me. Or at least he loved who he thought I was.

Hayley: Look, all I'm saying is Edmund is going to choose who he's going to choose. But you know what? I think you should let it be his choice.

Mateo: Are you saying you're willing to give up on Maria?

Edmund: I'm not going to push her.

Mateo: That's not what I'm asking.

Edmund: I loved your sister very much.

Mateo: What do mean, "loved"? You still love her.

Edmund: I don't know who she is anymore, Mateo.

Maria: I'm sorry, I -- I didn't mean to go off on you like that.

Aidan: Hey, don't worry. You know, feel free. You can chew my ear off anytime.

Maria: Well, thank you. This is really the only place I feel like I can be myself -- whoever that might be that I am when I'm here feeling that.

Aidan: Uh-huh, well --

Maria: If you understood that.

Aidan: I think I did, yeah. But I really don't think it's your fault that Anna’s in the hospital.

Maria: Good, because it's not and, you know -- although I was kind of rude to her.

Aidan: She's a big girl and I think she can look after herself.

Maria: Yeah. And I should, too, you know? I really -- I need to find my own place, I think.

Aidan: You're going to move out? But I thought you said you -- I thought you said you felt good here.

Maria: Oh, I do. I do. It's just that you can't sleep in that chair forever and I am so not sleeping in that chair.

Aidan: I have slept in worse places than that chair, believe me.

Maria: I know. It's just that you don't have to keep taking care of me, and I'm not some freak basket case who can't take care of herself.

Aidan: I know, I know, I'm sure that you will do quite well looking after yourself.

Maria: So then there's no real reason that I shouldn't leave.

Aidan: Yes, there is. There's a damn good reason. You can't leave because I'd miss you.

Greenlee: You always have an angle, David. Why do you want to get rid of me?

David: I don’t. It's -- actually, I would love for the complete opposite of what I'm asking from you. I would love for Leo to stay here for the rest of his life, you know, do my dirty work, get caught up in Vanessa's schemes, and try to become pals with our new brother, Trey, or whoever the hell he is. Look, Greenlee, do I have to spell this out for you? Come on, I don't have to tell you what Leo needs, do I?

Greenlee: I need to get Leo the hell away from you.

David: All right, that's right, that's right, you do. So why don't you do it, okay? Because if he stays here, we're going to eat him alive. We can't help ourselves.

Leo: Hey!

Greenlee: Where have you been?

Leo: Nowhere special. Just, you know -- oh, God, you know, I'm thirsty. Could you get me a glass of water, honey?

Greenlee: Water?

Leo: Yeah, I'm really thirsty.

Greenlee: Coming right up.

Leo: Thank you.

David: I owe you.

Leo: Shut up.

Leo: Thanks. So --

Greenlee: I thought you were thirsty.

Leo: Thank you.

Greenlee: You're welcome. Now, what's in the bag?

Greenlee: And please don't say "what bag?"

David: Leo -- Leo was trying to help me. He --

Leo: David, just -- never mind. This is probably a conversation that Greenlee and I should have by ourselves.

David: You sure about that?

Leo: Yeah.

Greenlee: Hmm, he is.

Leo: Yeah.

David: Whatever he says, it doesn't change what we talked about, all right? Thanks.

[Door opens and closes]

Greenlee: All right, then. What's in the mysterious plastic bag? And I'll know if you lie to me.

Leo: I was -- okay, I was -- I was at the police station and, well, I ended up in the general proximity of the evidence that they're going to use against David --

Greenlee: You stole evidence? After everything we've been through, you -- you'd risk something like that? Leo!

Hayley: You know, everybody always says that Maria was the love of Edmund's life, and there is no question that's true, but before Maria and after Maria, Edmund loved you.

Brooke: And look what I did to him.

Hayley: Well, do you remember before you got married what you told me about how you were feeling? How you were full of dread and you didn't want to live here, you didn't want to live in Maria’s shoes, and do you remember what I told you? That you should forget about Maria and grab hold of happiness.

Brooke: You didn't mean at Maria’s expense. You thought she was dead. For God's sakes, how can you stand there and excuse what I did? I put myself first, over a man I supposedly love, over his children.

Hayley: You think that because you lied to him he's going to stop loving you? Because it just doesn't work that way. Where's Mateo?

Edmund: He's out in the car making a phone call. He said he'd wait for you there.

Hayley: Oh.

Brooke: Uh -- I should get going.

Hayley: Well, good night.

Edmund: Thanks for your help with Maddie.

Brooke: Uh, give her a kiss for me.

Edmund: So, Enzo made a big splash in New York, huh? Doctors said they're going to write him up in all the papers?

Hayley: That's what they say. She's a good person, you know.

Edmund: I don't want to talk about this. Ahem. She knew what she was doing and she didn't care.

Hayley: She cared too much.

Edmund: Hayley, why are you saying this to me?

Hayley: Because she loved you. She loved you more than she loved anyone in her life and she was afraid that she was going to lose you.

Edmund: Doesn't matter now. I could never look at her the same way again.

Hayley: I understand that, but I happen to believe when two people love each other so much and meant so much to each other that just maybe they can make something good come out of all this mess.

Mateo: I know what you're up to, Brooke.

Brooke: Mateo, the only thing I want is to leave Edmund and Maria alone so that they can get back to their lives together. The only reason I came over here was --

Mateo: Because Maddie called you. You're using Maddie to get closer to Edmund. So you're using a little, innocent girl to get what you want. Haven't you done enough harm already?

Maria: Well, we barely know each other. I mean, you hardly talk about yourself.

Aidan: That's because there's nothing -- there's nothing to talk about. And what there is, it's boring.

Maria: Mm-hmm. That's what you want me to think. But why?

Aidan: You think I'm keeping something from you?

Maria: Well, everybody keeps something from everybody.

Aidan: Well, you don’t.

Maria: How could you even say that? Here I'm a mother and a doctor and all these things that are locked up. Don't even know how to get to them.

Aidan: Everybody goes through things in life that changes them.

Maria: Yeah. I didn't choose to change.

Aidan: Well, I didn't, either. I grew up, I went to war, and I saw things that changed me forever. Like I said, it's a long story.

Maria: Yeah, but you're still that person that you were before you went to war, aren't you? I mean, you didn't become a whole new person.

Aidan: Didn't I? Why do you think me and you get along so well? Hmm?

Erica: I don't know what you mean because I didn't hear him. I, uh -- it was Trey's voice that I heard because Trey was the one who was there.

Kendall: Yeah, you heard Trey's voice because Trey sounds exactly like Richard Fields. See, Trey and Richard Fields -- they have the same voice. Scary, isn't it?

Chris: Come over here. Did you have anything to do with this?

Kendall: Oh, this is so freaking typical. Erica bludgeons someone over the head and I'm to blame for it?

Chris: How do you know about Trey and Richard Fields' voices?

Kendall: Well, I have ears. I live with Trey. I hear his voice all the time. And I've got tapes of Richard Fields' old movies, so I heard the similarities.

Chris: What was he doing over there? What did he want from her?

Kendall: How the hell should I know? We live together. We're not joined by the hip.

Frank: Trey has regained consciousness. He's out of immediate danger for now.

Erica: Oh, well, will he make a full recovery?

Frank: Right now things look good.

Chris: I'd like to talk to him, just ask him a few questions.

Frank: It'd be better if you could wait, Sir. Whoa, you can't go in there.

Kendall: Oh, I'm -- I'm his roommate.

Frank: Right.

Kendall: His best friend, actually.

Frank: He needs rest right now.

Kendall: I just want to hold his hand and tell him that his loved ones are rooting for him. Please?

Frank: All right, you got one minute.

Kendall: Okay, thanks.

Zeke: Your -- your blood pressure seems to be pretty normal.

Chris: Trey's -- he's conscious again and Dr. Hubbard thinks he'll be fine.

Zeke: That's great news, I'm sure.

Erica: Yes, that is great news. Oh, it's really good. I -- I would like to go home now.

Chris: Doc, thanks a lot for coming down, and we'll call you if we need you again.

Zeke: No problem. Good night, now.

Chris: Good night.

Erica: Good night. Oh, I just -- I can't even imagine what you're thinking about me.

Chris: I think you're the bravest woman I've ever known.

Leo: Greenlee, you don't know what it means to me to be able to help David.

Greenlee: No, I know exactly what it means. You're the one who doesn't.

Leo: My whole childhood, Vanessa made him out to be some kind of a hero, some kind of a God that I would never be able to measure up to, so --

Greenlee: You never even met him till three years ago. How close can you be really? And you never even knew Trey existed.

Leo: Well, they're in my life now.

Greenlee: Yeah. Yeah, they are.

Leo: But that's not a bad thing. And besides, this is it. This is -- this is my last caper, I swear to you.

Greenlee: You know what? As long as you're anywhere near your family, your last caper will always be your next one. I'm leaving.

Leo: What do you mean you're leaving? When?

Greenlee: Since tonight, since now. As of this time tomorrow, we'll have a signed lease on an apartment in Paris.

Leo: What are you -- I don't under-- we talked about this.

Greenlee: And then I'm coming back for you.

Leo: This -- this can't wait?

Greenlee: No. No, no, it can't wait because it might cost us everything.

Leo: Greenlee –

David: The vial, the vial, the vial. Where the hell is the damn vial?

Mateo: You know, why don't you just go away and let Maria and Edmund have a chance. Let Maria come back and take care of her own daughter.

Edmund: Mateo --

Mateo: What? I'm just trying to have Maria come back here to where she belongs, to be home.

Hayley: Let's just go, please? Can we go? Let's go.

Brooke: It's not Mateo’s fault, all right? I just -- I shouldn't have come.

Edmund: Brooke, would you please stop apologizing? Everything is not your fault. I'm glad you came tonight.

Brooke: You're glad?

Edmund: Nobody else could've taken care of Maddie the way you did, so thank you.

Brooke: I -- you're welcome, Edmund.

Aidan: You see, I can't get back to who I was back then, either.

Maria: Have you tried?

Aidan: You just can't go home again.

Maria: What am I -- what am I doing here then?

Aidan: Look, you can stay -- you can stay as long as you like. See, the thing is I feel safe with you, too.

Erica: I'm not brave. I'm dead tired and I need a long, hot bath.

Chris: Erica, you have been holding everything in lately and doing it with such grace. I can't even begin to understand the pain you've had to live through.

Erica: Oh, no. Really, look, just -- the lights went out and I was afraid of the thunder and lightning, and that's all.

Chris: I'm not talking about tonight.

Erica: Well, I don't want to discuss it. I -- I want to forget tonight just like everything else.

Chris: Sweetheart, Sweetheart, come here. Look, you're safe now, and no one is ever going to hurt you ever again.

Erica: That's true. No one is ever going to hurt me again because I won't let them. And if they do, they will regret it. It's who I am, Chris.

Chris: I know. And you're not going to chase me away, you got that? I'm going to be here, right by your side, no matter what. Come on.

Frank: Oh, you're still here. Listen, it's time to go.

Frank: All right, just wrap it up, okay?

Kendall: What did you -- Trey, what did you want with Erica? Trey, answer me.

Trey: Just before she hit me, in that split second, I was calling her name and she heard his voice -- Richard Fields. Vanessa was in Hollywood all that time. You know she would've done anything to get ahead.

Kendall: Are you saying that Richard Fields and Vanessa --

Trey: What if they did? What if you and I are brother and sister?

>> On the next "All My Children" --

Erica: I need to know what you were up to last night. Why did you come after me?

Chris: Now, you tell me about your connection to Richard Fields or I'm going to get ugly!

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