AMC Transcript Thursday 5/9/02

 

All My Children Transcript Thursday 5/9/02

Provided by Suzanne
Proofread by Kathy

>> Previously on "All My Children" --

Simone: Hello?

Roger: I want to see you.

Simone: I'm in Greenlee's office.

Roger: Uh-oh. Bad timing.

Mia: I need to withdraw $20,000.

Kendall: What? What do you want from me now?

Ryan: I want you to trust me.

Erica: I just feel that we haven't seen the last of Kendall. And God knows what she'll do next.

Chris: Well, then there's only one thing left for me to do, and that's to move in here.

Greenlee: Let's go with this.

Simone: Well, how do you decide?

Greenlee: Intuition. It's a gift. Leo! We're not ready for you.

Leo: Having fun?

Greenlee: Uh-huh. I love this job.

Simone: You know, Leo, you should come work for Revlon, too.

Leo: Uh.

[Simone laughs]

Greenlee: Oh, Leo.

Simone: Aw.

Greenlee: Look at -- you're so sweet.

Leo: I know I am, but who sent the flowers?

Greenlee: You didn't?

Leo: Uh-uh.

Man: Are you Ms. Torres?

Greenlee: I'll take them. Thank you.

Man: Have a good day.

Greenlee: Flowers from your mystery guy.

Leo: Oh.

Greenlee: "Thinking of you right now." Ah -- I bet I can guess who he is.

Roger: The flowers were sent to Simone Torres? Good. Perfect.

Mia: All right. Here. This is it. You are not getting another penny out of me. I don't care how you threaten me. I don't care.

Trey: You make demands on me, Mia? Really? Is that really what you want to do right now?

Mia: Who are you calling? You're going to call Liza? Go ahead, call Liza. I don't care. She doesn't scare me, Trey.

[Phone rings]

Womanís voice: Hi. Melody, Bob, and Will aren't home right now, but leave a message after the beep and we'll make sure to get back to you.

Mia: You have the number of the people who adopted my son?

Trey: I have everything I need to ruin your son's life. Make that your last thought at night before you go to sleep.

Mia: You know what? You're a sorry excuse for a human being.

Jake: Hey! What's going on here?

Erica: You would do that? You would do that for me?

Chris: Sweetheart, I -- I want you to be safe. So if that means me moving to your guest room for the time being, well, then, so be it.

Erica: You can move into the guest room for the time being -- for the time being. But after a while, we can talk about your moving in here permanently.

Jack: Well, that didn't take long, did it?

Kendall: You better put me down! Ryan, put me down! I'm going to kill you! I am going to kill you if you do not put me down right now!

Ryan: All right, there you go.

Kendall: Get out of my way, Ryan!

Ryan: I'm not in your way, Kendall. You are.

Kendall: I am so sick to death of your little pep talks and your little lessons of the day. Will you just stop trying to change me?

Ryan: For the millionth time, I am not trying to change you. And everything I tell you, you know already, so just get out of your own way before you ruin your life, Kendall.

Kendall: Who the hell are you to care about my life?

Ryan: Haven't you figured that out yet? Or am I just the guy that you're sleeping with?

Kendall: I never said that. Do I treat you like that's what I think?

Ryan: No, you don't, and I don't treat you like that, either.

Kendall: No, you donít.

Ryan: So then what and when are you going to believe in me and believe in what I feel for you? What's it going to take, Kendall?

Kendall: Ryan, what are you saying?

Ryan: I understand you. And those dark thoughts that go through your mind -- I've had those and I've let those get to me.

Kendall: We're kindred spirits, huh?

Ryan: And I'm not going to give up on you, Kendall. No matter how much you pull away from me, I'm not going to give up.

Kendall: You know what I need from you, Ryan?

Ryan: What?

Kendall: I don't know, I don't know, but what I don't need is you telling me that you're here for me one minute and to grow up the next. If you're here for me, then why aren't you on my side?

Ryan: I am on your side, but you're just screwing up all over the place.

Kendall: Me? What about that mother-daughter tag team who's out to get me?

Ryan: Yeah, what about them?

Kendall: Oh. I -- I didn't make Bianca drink and drive, but I'm the one facing charges. Bianca grabbed the champagne and she got behind the wheel of her own car. Why don't you tell her to grow up? And God only knows what's going to happen with that Valley Inn thing now that they went and blabbed to their lap dog Jackson Montgomery.

Ryan: Kendall, that Valley Inn thing involved you pointing a gun at your own mother. Your problem is you have such lousy judgment.

Kendall: What?

Ryan: Yes, everything you do is about revenge, how revenge is the only thing that matters to you. How could you even say that?

Kendall: Because it's true.

Ryan: No, it isn't, and it's a waste of time even saying it.

Kendall: Why? What's life except hour after hour of feeling bad and feeling empty? Ryan, when you've got nothing and you can't believe in anything, revenge is the only thing to make you feel like you're not dead. Can you get that?

Ryan: No. Actually, I canít.

Bianca: Did I miss something?

Chris: Bianca, I'm going to be moving up into the guest room for a little while until we figure out what's going on with your -- with Kendall.

Bianca: Mom, are you really that afraid of Kendall?

Erica: Honey, the last time the gun wasn't loaded, but who knows what she's going to dream up next time? And with Chris here, I will certainly sleep better.

Jack: Ahem. You're just getting back on your feet, buddy. Don't you think maybe you might be taking on too much too soon?

Chris: I'm making progress, Counsel, but thank you for your concern.

Jack: Well, my only real concern is that you are able to take care of the job you said you'd do for Anna Devane with regards to Proteus.

Chris: Oh, I don't think you have to worry about that. You see, I'm the answer to your prayers, Jackson.

Jack: Well, that's up to Anna. She hires and fires as she sees fit. It's just that an able-bodied man would have a hard time working for both Erica Kane and Anna Devane. I would think for you, it would be quite a challenge.

Erica: Chris doesn't work for Anna Devane. He works with her. And as for helping me, that is purely a gesture of friendship and one for which I am extremely grateful.

Jack: Oh, yes, we know how grateful you can be.

Chris: You know, I don't foresee any problems, Jackson, but if you have any lingering doubts, you can stop by anytime you want. You'll find me busy at my computer -- oh, yeah -- tracking down Vanessaís lost millions. Oh, I almost forgot. I have to stop by Myrtle's to pick up my files. Would you like to take a ride, Bianca?

Bianca: Sure. Yeah. In fact, I have a few things that I need to pick up from Myrtle's, as well. Uncle Jack.

Jack: Hmm?

Bianca: Thank you -- for our little talk outside.

Jack: Sure. You stay strong. Love you.

Bianca: I love you.

Chris: I'll be back. Oh, Jackson, by the way, if you're going to stop by, would you call first?

Jack: Classy guy. You sure you know what you're getting into, getting re-involved with Chris Stamp?

Erica: Here we are again.

Jack: Yeah, I know you don't like me telling you how to live your life, and believe me, I don't like feeling like I have to tell you how to live your life.

Erica: No, that is not what I meant.

Jack: What?

Erica: I meant here we are again -- with you being eaten alive with your jealousy.

Greenlee: Flowers at home? Flowers at the office? Phone calls when you least expect them? All that stuff goes a long way to making Mr. Right.

Simone: Well, he's not Mr. Right.

Greenlee: Why not?

Simone: Because, I told you. I don't even know him that well.

Greenlee: Well, he obviously wants to get to know you. It's just all so incredibly romantic. You can admit that much, can't you?

Simone: Well, I -- he's -- well, he definitely knows how to make a woman feel --

Greenlee: Yes?

Leo: You know, I -- I shouldn't be listening to this. I can feel my Y-chromosomes just oozing away by the second.

Greenlee: Here, why don't you take a tour of the executive washroom? It's like Buckingham Palace in there.

Simone: You know what? No, no, you don't have to leave. I actually have to jet -- if that's okay.

Greenlee: Oh, don't go yet.

Simone: Well, I didn't realize that I'd be here so late, and I have dinner plans -- a date -- with my -- my father.

Greenlee: It's going to be great working together.

Simone: Ah, yes. I'll see you, then. And thank you so much for thinking of me for this job.

Greenlee: Oh, are you kidding? I'm lucky to get you.

Leo: Hey, I'm the one who hooked you guys up. Why aren't you thanking me?

Greenlee: And to think I didn't trust you. I thought you were after Leo.

Simone: Oh. Well, that was crazy.

[Leo laughs]

Simone: Well, we'll see you in the morning.

Greenlee: Oh, and if you talk to your gentleman friend, tell him he has great taste in flowers -- and women.

Leo: Okay.

Greenlee: Okay what?

Leo: Give it here.

Greenlee: What?

Leo: All your charm, devotion, and compliments. I thought that I was very patient throughout that whole little episode, so --

Greenlee: Oh. Oh-ho. You were. And I bet you Simone's guy isn't half as cute and sweet as you are.

Leo: Oh, that's a very good start. So you'll never guess what I've been thinking about all day.

Greenlee: Me?

Leo: Yeah, of course, and me and our wedding. You're not going to believe this, but I've actually been having, like, these -- visualizing these concepts of, like, flower arrangements and ice sculptures and music, believe it or not.

Greenlee: Really?

Leo: Yeah.

Greenlee: And your Y-chromosomes aren't crying out in pain?

Leo: Yeah, I'm serious, Greenlee. I want this wedding to be beyond perfect. Tell me what I should do. Anything. Anything that'll make it everything you want it to be.

Greenlee: Actually, there is something you can do --

Leo: Whatever -- tell me.

Greenlee: To make this wedding beyond perfect.

Leo: You tell me what it is, I'll do it.

Greenlee: Oh, Leo, you're the best.

Leo: What did I just agree to, exactly?

Greenlee: After we say, "I do," we get out of this town for good.

Mia: It's nothing, Jake. It's -- you know, Trey and I -- we have a history, and sometimes we don't always agree.

Trey: Oh, be honest. We always end up yelling at each other. Now, I appreciate your coming to Mia's rescue, but she doesn't need rescuing, right?

Jake: Even so, you need to hit the road.

Trey: I'll go, and I won't make any sudden movements.

Jake: You know, I know that you're the father of the child she had to give up, so don't play games with me.

Trey: Really? Well, that's news to me -- that Mia would tell you that.

Jake: Well, Mia and I are becoming a lot closer. She's not afraid to tell me anything about her past.

Trey: And you believe everything you hear?

Jake: What are you getting at?

Trey: What am I getting at? Would you like to tell Jake, Mia, or should I?

Jake: You gave Mia a hard time last night, and you're doing it again, and it's going to stop right now. Now, I asked you nice to leave.

Trey: Oh, but Mia was just about to tell you something.

Jake: Mia can tell me without you here. Now get the hell out of here, now.

Jake: Mia, you're shaking. Is there anything I can do? Just talk to me.

Mia: Yes. Leave me alone.

Jack: What?

Erica: Come sit with me for a minute.

Jack: Why?

Erica: Just for a second. Because -- I actually have heard from my sources that right now you happen to be involved in dating a veritable assembly line of beautiful young women.

Jack: Well, I don't like to brag, but, yes, your sources would be correct.

Erica: Well, please, Jack, for my sake --

Jack: Hmm.

Erica: Would you please tell me that they're not all petite with dark hair and big brown eyes?

Jack: No, actually, I'm finding that the old axiom about variety being the spice of life is so true.

Erica: Good. Good, because I want you to find someone that you can love with all your heart. I really want that for you, Jack. Why can't you want that for me?

Jack: I do, because I know that you are someone who is born to love.

Erica: Oh.

Jack: No, and you -- listen to me. And you were just going to keep going through men -- one right after the other -- until you find the right one, the one you can love forever.

Erica: Chris Stamp might just be that man.

Jack: Well, then, there's nothing I can do or say to keep you apart.

Erica: Why don't you just let me find out?

Jack: I'm trying to help you do just that. I'm trying to show you the dangers, the pitfalls.

Erica: What dangers?

Jack: Right now you have a major crisis with both your daughters. Don't you think it might be romantic suicide to bring a live-in boyfriend into the mix?

Erica: Chris isn't -- my living arrangements are -- I guess you don't need to know that, do you?

Jack: No, I donít. And neither does Bianca. She's coming back here to live after a major trauma and heartbreak.

Erica: I would never do anything to offend Bianca, and you know that. And Chris would never, either. You know very well that Bianca's welfare is my first priority. And I could never care for a man who didn't know that, too, and Chris does.

Jack: Okay. What about your other daughter?

Erica: What other daughter? She's dead.

Ryan: There's better ways to live your life, Kendall. I know you know that.

Kendall: I know I'm out of here.

Ryan: I'm not going to let you go. Not now.

Kendall: Why are you doing this? Why do you keep coming back to me, even when you find that everything I do breaks your code of honor?

Ryan: Because something about you woke me up, Kendall, and I just can't seem to get enough of you.

Kendall: Oh, that's right -- you "get" me.

Ryan: Yes. There's that, that you like to feel lost and to feel nothing. Guess what -- that doesn't work, Kendall. It doesn't. And if you're hell-bent on destroying Erica and Bianca's lives, well, you're just going to end up ruining your own. And why do I care? I don't know. But I really want to see you happy.

Kendall: I don't see how that could be. This -- this is who I am. This is what I've become. This is what I'm used to. This is all I've known for so, so long. I can't -- I can't make that stop, and you can't, either.

Ryan: You think you need payback to feel alive? Is that what you think, Kendall? Just wait, okay, because you have no idea how alive I can make you feel if you just let me. Do you believe that?

Leo: I don't understand. You want to leave here? What, just when you have Pine Valley at your feet, Greens? Come on.

Greenlee: How many times have you said you couldn't wait to get out of here?

Leo: Me? So you want to leave for my sake?

Greenlee: No, not just you. But imagine what our life could be like away from here. You know, Revlon is offering me a chance to run their offices in Paris.

Leo: Wow. You've -- you've really been thinking about this, haven't you?

Greenlee: Yeah, and even though we could be perfectly happy here, I mean, how can we ignore that possibility?

Leo: So, you actually want to move to Paris?

Greenlee: What's not to want? I mean, we are talking about Paris. Weekends in the Alps, in St. Tropez. Come on, Leo. It'll be a fresh start, just the two of us.

Leo: Greenlee, I could live anywhere with you, anywhere.

Greenlee: Me, too.

Leo: But --

Greenlee: So why not Paris?

Leo: I just want to make sure that you want to leave here for the right reasons, that's all.

Greenlee: How about this? We'll be young, rich, in love, and in the most gorgeous city in the world. Have I convinced you yet?

Leo: Sorry. I can't go.

Simone: Are you trying to ruin my life or your daughter's?

Roger: Simone. What you're saying is very wise. There is no sane justification for us being together, but when I opened the door just now and I saw you there, I felt it again. I -- I just want to be with you, that's all.

Simone: Greenlee is my friend. You're married, Roger.

Roger: My marriage is a technicality.

Simone: You know, I don't think I can keep this up, you know, even if I wanted to.

Roger: All right, then. You're strong. I can be stronger. We'll end it. I'll leave you alone. I won't bother you again. Simone? There are no words.

Greenlee: You won't go with me if I go to Paris?

Leo: Look, I canít. They told me that I can't go anywhere.

Greenlee: Who told you?

Leo: Well, the police, the DA's office, the U.S. Penal Code. Greenlee, I got to stick around here until Vanessaís case is completely cleared up. I'm a material witness, remember?

Greenlee: Because of the money and the hotel safe?

Leo: Yeah. They think that I'm holding out on them, so --

Greenlee: Yeah, but all that stuff will be cleared up by the time we get married, won't it?

Leo: Who knows?

Greenlee: Well, I'm not talking about running away tomorrow. I mean, our wedding is still two months away and that's happening.

Leo: Yeah.

Greenlee: Oh, it's going to be so sensational.

Leo: Hmm.

Greenlee: We'll rub everyone's noses in our happiness and our success. I'm talking about after that. We can go then. Tell me we can.

Leo: I wish that I could, Greenlee, but I just -- I don't know how long this trial stuff is going to last.

Greenlee: Oh, well. Whatever. We can think about that tomorrow, right?

Leo: Oh, Greenlee, I feel bad about this. You know that, don't you? Whatever you want is what I want.

Greenlee: I know that.

Leo: I just don't have that kind of freedom right now.

Greenlee: I understand.

Leo: And I wish that I could just, you know, get rid of Vanessa and wipe away everything she's done to you, but I can't do that.

Greenlee: No, I'm fine, Leo! I am. Look around -- this is my fabulous office. I'm the fair-haired girl at Revlon. And if that weren't enough, you love me. I mean, what have I got to complain about?

[Intercom buzzes]

Greenlee: Yes? Oh, yeah, yeah. Yeah, I'll be right there. I got to go to publicity. I'll catch you later?

Leo: Mm-hmm. Sure. Bye, Sweetie.

[Phone rings]

Anna: Devane. Hello? Hello?

Leo: Yeah --

Anna: Yeah?

Leo: Anna, this is Leo. I need to see you right away.

Anna: Uh -- no. I'm -- I'm swamped. Can we speak in the morning?

Leo: No, I canít. This can't wait. Listen, Anna, I got a deal for you.

Anna: What kind of deal?

Leo: You're going to like it when you hear it, I guarantee it, and if you don't -- well, never mind. You're going to like it. Where are you right now so I can talk to you about it?

Anna: I'm at Oak Haven.

Leo: Why? Did something happen?

Anna: No. It's police business. That's why I'd rather wait till the morning.

Leo: No, no, it can't wait. In fact, it's poetic justice my mother's a loony and she's currently residing at the Oak Haven, so it's as good a place as any. So I'm going to be right over there. Just stick around.

Ryan: There are too many ways why happiness is impossible. Believe me, I've gone over all of them, Kendall. But I have a feeling about us, about you and me. I believe in us. I don't know why. Can you let that be enough?

Mia: There's nothing you can do about my problems with Trey. There's nothing I really want you to do, okay?

Jake: Okay, Mia. I'm not going to push you. You already have someone.

Mia: Jake.

Trey: So, I'm your baby's father, huh? You know, that's funny when you think about it.

Mia: You know what? You have your money. Get the hell out of my life!

Trey: I'll be in touch.

Mia: Mm-hmm.

Trey's voice: I have everything I need to ruin your son's life. So make that your last thought at night before you go to sleep.

Jake: Okay. Here's the deal. I'm a lousy listener. I'm sorry. Truce?

Erica: And do you know what the most wonderful thing about you is?

Jack: Do tell.

Erica: That when you finally realize that you're wrong and I'm right --

Jack: Mm-hmm.

Erica: You'll be the first to admit it.

Jack: No. You know what the most wonderful part about me is, is that should this thing blow up in your face, I'll still let you cry on my shoulder.

Erica: Oh. Well, that, too.

Jack: Mm-hmm.

Erica: But it's not going to happen this time, Jack.

Jack: We'll see.

Chris: Oh, good! Uncle Jack is still here.

Jack: You guys need any help?

Chris: Nah, we're doing great.

Jack: Bianca, my love, I will see you later. Take care, okay?

Bianca: Thank you.

Jack: You bet.

[Door closes]

Erica: So, did you get everything you need?

Chris: That's it. I don't want to fill your house up with police stuff.

Erica: Oh, really, I want you to be comfortable.

Chris: Well, normally, I'd put this in storage, but I'm going to be using it on a daily basis.

Erica: Well, Chris, just, please, take as much space as you need.

Chris: Okay, I will, but we're going to be finished before you know it.

Erica: Okay. Listen, you two have been working very, very hard, so why don't you two just sit down and relax. I will go to the kitchen and I will whip you up a snack.

Chris: Wait a minute, wait a minute. Bianca, help me out with this. Did the word "kitchen" just come out of your mother's mouth?

Erica: Oh. You just wait, you know? You just might be surprised.

Chris: Well, I'm already surprised. You do know that the kitchen is that way?

Erica: Why does everybody say that? Really, you just wait because I'm going to show you.

Chris: No, no, no, no, no. Never mind, never mind. I've just recently had a near-death experience, so now I'm not taking any unnecessary chances.

Erica: Oh, you think you're so funny.

Bianca: It's okay, Chris. It's not going to be lethal. She calls Coral up on her cell phone and she talks her through the whole thing.

Chris: Oh! Well, I tell you what -- let's leave Coral out of this and I'll whip us up something great.

Erica: Are you sure?

Chris: Yeah.

Erica: All right.

Chris: And you ladies just kick back your feet right over there. You know, I haven't felt this good since -- since I don't know when.

Erica: I'm going to come with you. I'm going to watch.

Chris: Ah! You want to learn something.

Kendall: No one has ever been that way to me, ever.

Ryan: You've never been serious with anyone?

Kendall: "Serious"? There was Del. He's Dixie Martin's brother. I thought he was the one for a while, but he wasn't.

Ryan: Why?

Kendall: Hmm, things happened. I -- I went home to be with my mom, my Florida mom, after my dad died, and, I don't know, things just got hairy. I guess the hairy part was Del couldn't put up with my crap. Who could?

Ryan: It's a challenge, I guess.

Kendall: You'll find out.

Ryan: Hmm. I think I have a way to make it work.

Kendall: What do you have in mind? A personality transplant? I told you, I'm already --

Ryan: Run away with me, Kendall.

Jake: I'm sorry I snapped at you. It just kind of left bad taste in my mouth. Maybe it's the sauerkraut.

Mia: You had every right to snap at me, okay?

Jake: No, I didn't. It's none of my business, you know, your history with this guy. It's just that -- you know what? I shouldn't even worry about it. And actually, I wasn't worried. I wasn't worried because you have an incredible left hook. Really, I'm serious. If he gets you riled up again, then you just -- you ought to deck him.

Mia: Well, maybe I will. I'm sorry that I told you to go away because it was basically the exact opposite of what I wanted.

Jake: Hmm. You mean the dogs worked?

Mia: They worked great, Jake.

Roger: I have no intention of apologizing.

Simone: Hmm.

Roger: It's time you get what you need.

Simone: Hmm, hmm. You naughty boy.

[Knock on door]

Simone: Yeah.

[Roger sighs]

Man: The kid delivered.

Anna: Leo, I don't think it's such a good idea that you're in the vicinity of your mom.

Leo: Yeah, well, it is if we can put Vanessa away for good.

Anna: What do you have in mind?

Leo: Cut me a deal.

Jake: So what's that?

Mia: Oh --

Jake: What's that smile about? What is it?

Mia: I'm just looking at you and it's giving me an idea, an idea --

Jake: Really?

Mia: Yeah, I haven't had this kind of idea in a long time.

Jake: Wow, that sounds really promising.

Mia: Well, it's kind of -- it's a proposition.

Jake: That sounds even more promising.

Mia: I want to bring you home to my family.

Kendall: Run away?

Ryan: Yeah. I mean, what's here? Really, reminders of lousy times that we've had that we can easily remember without being reminded. Let's just -- let's just go. Let's just get on the bike and go, just the two of us for good.

Kendall: Yeah, but there's my court date.

Ryan: Yeah, well, as soon as that's settled, we'll just -- we'll just leave.

Kendall: You said just the two of us were good. What does that mean?

Ryan: I don't know. But the best shot of us being what we can be is out of Pine Valley. So what do you say? Are we leaving?

Kendall: Yeah.

Ryan: Yeah.

Erica: Bianca, we're ready to eat now, honey! Bianca, can you come down now? Bianca?

Bianca: Oh, sorry, Mom. I didn't hear you calling. I'll be down in a second.

Chris: She'll be down in a second.

Erica: Oh, I'm so glad you're here.

Chris: Sweetheart, I'm going to take care of you and Bianca. I promise.

Roger: Did he cooperate?

Man: It took him long enough. But lawyer boy knew he had to come through or else.

[Phone rings]

Simone: Hello?

Greenlee: Hi, Simone.

Simone: Greenlee. What do you want?

Greenlee: Sorry to bother you, but there's been a change in the schedule for the photo shoot tomorrow. I'm going to need you a half-hour earlier.

Simone: Uh -- no problem. I'll see you then.

Greenlee: I got you at a bad time, huh? You having fun with Daddy?

Simone: What?

Greenlee: You left early to go have dinner with your dad. Is that over with?

Roger: Sweetheart?

Simone: Uh -- uh --

Greenlee: Who was that?

Simone: That was my dad. We're actually still here at dinner. Well, I have to go, Greenlee. Call me anytime later if you need me. Okay?

Roger: Did she believe you?

Greenlee: "Sweetheart." "Sweetheart." That wasn't Simone's father. I've heard that voice before.

Leo: Look, Vanessa sitting in a padded cell doing scene studies with herself doesn't do us or you or anybody any good if the drug fortune is missing, right?

Anna: Mm-hmm.

Leo: So I think I might be able to help you with that. But in return, I want you see if you can maybe get the charges dropped against me.

Anna: Oh. Really?

Leo: Yeah.

Anna: That's an interesting proposition. Why haven't you made it before?

Leo: Well, like I said, Greenlee and I don't stand a chance if we're anywhere near this woman. And I have to be free to give her what she wants, which is to be a million miles away from that freak show.

Anna: Leo, have you known all along where this money is?

Leo: No, but I'm pretty sure she does.

Anna: You think you can get that out of Vanessa?

Leo: I'm willing to try.

Anna: She's homicidal -- and perhaps more towards you than anyone.

Leo: Because? What, you think that I -- I still love her? Is that what you think?

Anna: You tell me.

Leo: Anna, I love Greenlee, and I'm going to do whatever I can to take care of her. I've messed up with that girl so many times that I have to do whatever I can. Otherwise -- just please, help me. Okay? And if I can't swing this, you don't lose anything. I'm the one who has a lot to lose here.

Anna: That's what I'm thinking.

Leo: Don't worry about that, okay? Just worry about getting the charges dropped. And you have to admit that if I lead you to that drug money you're going to look pretty damn good, hmm? Hmm.

Anna: Yeah. All right. All right, you -- you bring us to the money and I'll get you what you want.

Leo: Thank you.

Anna: But be careful, though, I'm telling you.

Leo: I will.

Anna: Officer, can you open --

Leo: All right. Have guards ready.

Anna: Yeah. We're ready. Go on.

Leo: Hello, Mother. Oh, come on. We can't stay mad at each other. That's why I'm here -- because I missed you.

>> On the next "All My Children" --

Adam: Are you trying to destroy Chandler Enterprises, or you just want to get yourself thrown in jail?

Brooke: What's the occasion?

Edmund: They're not from me, Brooke. Why don't you ask Tad?

Greenlee: I know why you haven't told me who your mystery guy is.

Vanessa: Come give Mother a hug.

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