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Interview with James Roday, Dulé Hill,
and Steve Franks of "Psych" on USA Network 12/10/13
These guys are always funny, but this was a
particularly hilarious call. They were just such goofs....
it was even more entertaining than the show! And I like
their show a lot.
PSYCH THE MUSICAL
Moderator: Lynn Weiss
December 10, 2013
4:25 pm CT
Operator: Ladies and gentlemen thank you for standing by.
Welcome to the Psych The Musical Conference Call.
During the presentation, all participants will be in a
listen-only mode. Shortly, we’ll conduct a
question-and-answer session. At that time if you have a
question, please press the 1 followed by the 4 on your
If at any time during the conference you need to reach an
operator, please press star, 0.
As a reminder, this conference is being recorded Tuesday,
December the 10th, 2013.
I would now like to turn the conference over to Lynn Weiss.
Please go ahead, ma'am.
Lynn Weiss: Hi everybody. Welcome to the Psych The Musical
Conference Call. Thank you so much for joining us. As you
all know, Psych The Musical will premiere on USA this Sunday
on USA at 9:00 Eastern, 8:00 Central, and on the line of
course we have James Roday, Dulé Hill, and Psych crater
So (Eric), you can get started. Thank you so much again
Operator: All right. So ladies and gentlemen if you'd like
to queue up for a question, please press the 1 followed by
the 4 on your telephone. You'll hear a three tone prompt
acknowledging your request.
If your question has been answered and you'd like to
withdraw your registration, please press the 1 followed by
the 3. And if you're using a speakerphone, please lift your
handset before entering your request.
Just one moment for the first question please.
And our first question comes from the line of Jim Halterman
with TVFanatic.com. Please go ahead.
Jim Halterman: Hey guys. Thanks for your time today.
Congratulations on this episode.
Dulé Hill: Thank you.
James Roday: Thank you Jim.
Jim Halterman: Now as daunting as this probably was going
into, what was the biggest challenge for each of you in
putting this together or performing in it?
Dulé Hill: Well for me it was writing. I mean to write all
those songs out of my brain - you know, my name is Dulé Hill
and I wrote every song. It really was a hard thing to do.
No you know I'm lying.
Steve Franks: Now you know for me - this is Steve Franks.
I'm the series creator. For me, doubling all of Dulé’s
dancing in the close-ups was really hard, because I - you
know, I haven’t tapped for very long, but it was worth it.
It was great. It was like one of those great body switching
movies and we really enjoyed it.
But I tell you, we learned a lot about ourselves and our -
all those around us by switching bodies for a very short
Jim Halterman: How about you Mr. Roday?
James Roday: I think my neatest trick was being in Hawaii
the entire time while my stunt double did the entire thing.
Nobody said a word. Nobody questioned it for one second. I
don’t know. I thought that was a pretty good work by me.
Jim Halterman: Steve, can you talk a little bit about just
Steve Franks: (Unintelligible)...
Jim Halterman: Yes, go ahead. Sorry, go ahead.
Steve Franks: Oh, no. I was going to say if I could just
answer for James and Dulé on their part. I can’t begin to
tell you how many times - how many takes we did of these
enormous dance pieces that went up and down stairs and were
jumping and leaping and stuck - you know, it was a very,
very difficult lip synch that these things were pretty
flawless throughout the whole course of the thing and
hitting all the steps. And I just - I can’t begin to tell
you how tired I imagined they were watching them.
And they were always - not only were they willing to do
another take, often times I'd yell, “Cut,” and they would
just immediately say, “Let’s do another one.”
So, I just can’t imagine the level of what is - I mean the
physical peak that these guys must be in.
Jim Halterman: Okay.
James Roday: Well after all the work that Steve did just to
get us there, there was no way that we weren’t going to step
up to deliver the goods. I mean, he wrote - I think he wrote
37 original songs which he narrowed down to 21, which he
narrowed down to 12. You know, he wrote the whole thing. He
conceived it. He composed it, you know, with Adam Cohen and
he directed it. I mean it was a gargantuan, Herculean task
that he took on.
So in some ways when you think about it, you know, Dulé and
I had the easy job of just bringing it to life.
Jim Halterman: Wow. Amazing.
Dulé Hill: And to go back to answer your question what was
daunting about it was - think about what Roday just said is
we didn’t have any extra time. That’s what made it so
Man: True. Yes.
Dulé Hill: I think if we’d known we got an extra you know
five days to do, then maybe it wouldn’t seemed so big for
us, but the fact that we were doing a two hour movie special
with music and all those things, new songs by Steve Franks
and everything in the same timeframe as it took us to
normally do a normal episode, which we already have trouble
making anyway, that was daunting.
Steve Franks: And the rest of the episode - it wasn’t like
the rest of the episode was a bunch of them standing around
in the Psych office and having conversations. There was
chases through the woods and there was a - this enormous you
know fight with a hanging scene. And it was a big episode if
you don’t even put the musical numbers into it.
And after that, you know - and most importantly, it was -
you know, it was - add to the you know Episodes 14 and 15 of
the seasons. So we’ve already shot 13 episodes. We’re at the
end of our run. Usually if you come up at that time,
everybody’s running on fumes anyway, so it was - I think
that across-the-board, everyone was really running on
adrenaline, and you know we still don’t know how we finished
Jim Halterman: Okay.
James Roday: It’s insane. It’s insane that we shot an
episode after that. What was that? I have no idea.
Dulé Hill: I have no idea.
Steve Franks: I'm trying to remember. It wasn’t - you didn’t
direct though, right James, because usually (unintelligible)
- James usually directs the last one and the first one.
James Roday: Dude, it wasn’t me. It was some poor episode
that got stuck with that slot.
Jim Halterman: Wow.
Can you guys tell me who of the cast surprised you the most
as far as their singing or dancing? Maybe you didn’t know
they were capable of it but then they’ve knocked it out of
the park. Is there somebody in particular that just kind of
blew you away?
Dulé Hill: For me I would vote it Tim Omundson. I mean I
think he has an amazing baritone voice. I mean all jokes
aside, I think he really is a wonderful singer and I always
knew that Tim could sing, but I was really impressed with
how - the tone of his voice and how - you know, how much of
a pure singer he is.
I always say that I would love to see him actually go and do
another musical on film or on TV or on stage, because I just
think he’s that good.
James Roday: Yes. I totally agree with that.
And I was also really proud of Kurt Fuller, who claimed to
be tone deaf and right up until the last second wasn’t even
going to sing his song. We were going to - he was going to
lip synch it to another man’s voice. It was going to be like
a gag. But at the last second he decided to sort of shed his
inhibitions and give it a shot and I think he sounds great.
And I can’t imagine that song not being performed by him and
piping in another voice. It just would not have been the
same. So credit to a non-singer stepping up and going for
Dulé Hill: But - you know, and I would say the one cast
member who was not on the show at the time but he was with -
actually didn’t like in a musical was (Kurt Smith). And that
would probably would be because he wasn’t in the episode,
but I didn’t like his voice in the musical episode of Psych.
(Kurt Smith). It was non-existent.
Jim Halterman: Okay. That’s awesome.
Well guys, congratulations. I'll let some other people ask
questions. Thanks a lot.
Dulé Hill: Okay.
James Roday: Thank you.
Steve Franks: All right, thanks a lot.
James Roday: We really covered a lot of ground with that.
Dulé Hill: I know. You know what? I think the key is with
the first question, answer all the other questions.
Steve Franks: By the way, I think - I just - we want to
congratulate our moderator, (Eric), on being named the new
Movie Phone guy. I want to give him his due as well.
Operator: Well, thank you very much. It’s a great honor.
Our next question comes from the line of Joshua Maloney,
Niagara Frontier Publications. Please go ahead.
Joshua Maloney: Hey guys. Thanks for your time today.
James Roday: Yes, man.
Steve Franks: How’s it going?
Joshua Maloney: So you know when you look into - at social
media and things of that nature, it’s really incredible to
see sort of the level of support you guys have from your
fans. I don’t know of another show that has as much trust as
yours does. I'm pretty sure if you guys did the phone book
that people would watch it and be thrilled about it.
So I'm just wondering, you know, how much did that help
Steve Franks: By the way, we did the phone book once. It was
a terrible episode, so...
Joshua Maloney: Oh, well. I guess I stand corrected.
But I mean, how much did the...
Steve Franks: But we did...
Joshua Maloney: ...fan support from the fan base - how much
did that really help you guys to bring this idea to fruition
and really sell it to the network?
Steve Franks: I think we did something really smart and we -
before we (unintelligible) a concept or anything locked in,
we went ahead and made a big announcement that it was going
to happen, which kind of forced everybody’s hand, most
importantly our own. So you know, we announced it at Comic
Con in front of a big crowd with the President of the studio
there knowing there was no turning back at that point.
And so we were able to sort of drum up our own social media
support from the stage of Comic Con.
Unfortunately, we probably should’ve had more details worked
out before we did it, but I think it worked out great. And
our fans do - you know, despite that terrible episode where
we did the phone book - and by the way, I think the problem
was we did the letter J, which I thought - I was really
pushing for Q, but everybody thought it was too out there.
So - but I think our fan base, you know, they supported us
when we did Twin Peaks. They supported us when we did Clue.
This really seemed kind of safe compared to many of the
things we’d done in the past.
Joshua Maloney: Right.
Yes. And I mean you guys have done a lot of really
interesting, really wild and crazy things. When you first
sort of had the idea of doing a musical, I mean what was the
reaction among the cast and the crew?
Steve Franks: For the crew, I know that the crew was really
looking forward to it, and I just wanted to see James and
Dulé sing while the cameras were rolling, because they were
constantly singing when the cameras weren’t rolling. So it
was a sort of itch that needed to be scratched.
But for me, it was - I mean to me, it was the moment that I
had sort of hoped to - the pinnacle of the show for me. I
can’t speak for James and Dulé, so I'll let them.
Dulé Hill: I mean we were excited to do it, but as I said
earlier, it was daunting because it’s a lot like - we’re a
basic cable show. We don’t have all this extra you know cash
flowing around to you know do - well what we do, we always
fit within our budget, and I didn’t know how we were going
to do it. And then when I heard that we were doing original
songs, not - weren’t going to “Glee” it up, I was like, “I
don’t know how we’re going to do this.” It was a little
daunting, but I was definitely game for it.
I said, “You know what? We’re Psych. We always swing for the
fences. Let’s go for it.”
James Roday: Yes. Steve has been so generous with letting
the - you know, us and me especially, and some of the other
writers have the autonomy to sort of you know do crazy
things to his show over the years that it - knowing that
this was sort of like his baby. This is his crown jewel.
This was like his legacy. If every other episode of Psych
somehow got destroyed or locked away in a vault and the only
thing that stayed was the Psych musical, I think he could
still feel pretty good about it.
Like knowing that that’s where his head was at was a no - I
mean it was just a no-brainer. It was just - I was like - I
was - I mean he could’ve told me to jump off of a building.
I was Denzel Washington in Glory. I was going to pick up the
flag like no matter what. No matter how crazy it sounded. No
matter how daunting it sounded. No matter how many naysayers
or concerns there were, I was going to pick up pom-poms and
if we went down, we were going to go down together.
So, that was my mentality.
Joshua Maloney: All right, thanks guys. And Steve, maybe you
could send me that phone book episode. I'd like to see that
Steve Franks: I have only the rough cut. We really haven’t
James Roday: Bruce Greenwood...
Steve Franks: But it’ll be DVD extra.
James Roday: Bruce Greenwood is great in it.
Steve Franks: Hey by the way, I just got a text and (Eric)
our moderator has just been selected the announcer for this
year’s Golden Globes, and I - double congratulations. What a
day for you, (Eric).
James Roday: The longer we can keep this going, the more
jobs he’s going to get.
Dulé Hill: You know what I'm saying?
Operator: Well thanks gentlemen. Let’s keep this rolling.
Our next question coming from the line of Jamie Steinberg
with Starry Constellation Magazine. Please go ahead.
Dulé Hill: What’s happening Jamie?
Jamie Steinberg: Hi guys.
Dulé Hill: How you doing?
Jamie Steinberg: (Unintelligible)...
James Roday: Hi Jamie. Good to hear you.
Jamie Steinberg: Yes. And if you'll humor me for just a
minute, Steve wanted us to ask if we’d ever met you in
person what your perfect vulgar improv response to was that
SOB just punched me in the nose.
Steve Franks: Do you remember that James?
James Roday: That SOB just punched me in the nose?
Steve Franks: Yes. Do you remember at the - I don’t know if
we can recite it on - it was one of my insider tidbits, but
remember you were supposed to - at the very end of the first
Dulé Hill: Oh, yes.
James Roday: Oh, yes. Yes.
Steve Franks: You were supposed to say, “That SOB just
punched me in the nose,” but actually, we - I don’t think we
can recite it - or repeat it because kids are
James Roday: I had an (unintelligible) - I said something
different, Jamie, and it’s for the Cinemax at night version.
Steve Franks: Jamie, you have to meet James in person and he
will make sure that there are no children around and then he
will whisper it to you.
James Roday: Cinemax After Dark is what that was.
Steve Franks: Or if you happen to go to New York and see
After Midnight, then Dulé Hill will tell you in person, but
you have to give proof of purchasing a ticket, not getting a
ticket for free. You have to purchase the ticket.
James Roday: Yes. You can’t second act that. Don’t drum up
some second act nonsense. Actually, there is no second act,
so you'll be fine.
Dulé Hill: There is no second act. It’s one act. On a side
note, if you want to...
Jamie Steinberg: Congratulations Dulé on the success of your
play. It’s amazing.
Dulé Hill: Thank you. Thank you very much. I'm having a good
Jamie Steinberg: Were there any dancing...
Dulé Hill: On a side note, if anybody’s wondering what I am
doing right now, I am eating. I'm eating (unintelligible)
and spring rolls right now.
James Roday: Nice.
Dulé Hill: (Unintelligible), but that’s what I'm doing. I'm
stuffing my belly.
James Roday: Spring it up baby.
Jamie Steinberg: Were there any dancing injuries during the
Dulé Hill: During the musical? Injuries? No, I don’t think
James Roday: Shockingly, I think we all made it out of there
unscathed, which is crazy because we all deserved to get
injured, but somehow none of us did.
Dulé Hill: No.
Jamie Steinberg: What was the hardest number to nail then
from the - with the cast?
James Roday: I’d say it was probably the opening number just
because there were so many elements involved. The numbers
kind of got smaller as they went along, but that first one
was huge with all kinds of backup dancers and choreography
and timing issues, and you know the lip synching at the same
time. That was definitely - that definitely felt like the
biggest challenge for me. And luckily we knocked it out on
the first day. And after we did that, I think it kind of - I
think it gave us all a little bit of a boost.
Like, “Hey, we just knocked out the monster. Like we’re
going to be good.”
Steve Franks: Well - and you know - and remember, the next
day was when you were making up a song, which is the second
James Roday: Oh, yes.
Steve Franks: We did, “I Heard it Both Ways” on two separate
days, so that - obviously that would’ve been more
challenging for Dulé who walked around and followed on that
one (unintelligible) the Tango.
Dulé Hill: That was a very hard number for me to
(unintelligible). I mean, I really - I had to do a lot of
sweat and tears to get that number right.
Steve Franks: But we had shot the first half of “I Hear it
Both Ways” before the worst torrential rain storm of the
season came in, and we shot it at the hospital location, and
that went very smoothly and it was great. And then we went
down this park that when I scouted it was the most
picturesque beautiful park. It was perfect, and it started
to rain. And by the time we started - they started dancing,
the mud was so thick that you would leave like an inch deep
footprint in there and James and (Tim) are tangling and
throwing each other around out there. It was quite the
challenge in terms of production-wise.
Dulé Hill: (Well, James) did take a spill when he went over
James Roday: Oh, I did and I had to go over the bench. It
was like mud slide happening situation. I went down. I went
down but I got up.
Steve Franks: And the funny thing is I had had the special
effects guys rig a bench that would spring over and it
didn’t work as we’d hoped through all their great efforts,
and James got there on the day and said, “Why don’t I just
ride it over?” So he actually did the full-on Gene Kelly
right there and rode the thing down and he was perfect every
James Roday: I had recently seen (unintelligible) again for
the first time in many years, and you know Ewan McGregor did
all of those (toilet takes) himself and I was like, “You
know what? I'm doing this bench thing. I'm doing it.”
Dulé Hill: Here’s what I'll tell you. Roday rode that thing
and he rode it hard. He fell hard, and he got back up even
James Roday: That’s right guys. All of that’s true.
Jamie Steinberg: Will we be able to buy the music online at
Steve Franks: You will. We’ve just mastered the soundtrack.
It’s going to be a digital soundtrack and we’re hoping - and
I'm not 100% sure this is correct, but we’re hoping to have
it released on iTunes a few hours after the New York
premier, so maybe like midnight after the show airs.
And I have to say that it’s my favorite album of all time.
Jamie Steinberg: Okay, thank you guys so much.
Steve Franks: It really does (unintelligible)...
Steve Franks: By the way guys, I just wanted to chime in
real quickly. I just got a Google alert that (Eric) our
moderator is the new male voice of Siri and I'm really
excited for you (Eric).
James Roday: Guys, that’s a huge one. That’s...
Dulé Hill: Wow.
James Roday: That’s - I don’t know if we’re going to be able
to top that. That’s everything. Everybody’s got an iPhone.
Operator: Well, thanks again gentlemen. I appreciate
everything you're doing for me here on the call this
And our next question coming from the line of Suzanne Lanoue
with The TV MegaSite. Please go ahead.
Suzanne Lanoue: Hi. How are you guys today?
James Roday: Hi Suzanne.
Steve Franks: Great.
James Roday: Thanks for waiting patiently.
Suzanne Lanoue: Oh, it’s been hilarious. Thanks.
I was wondering does every single regular cast member sing
and dance in this?
James Roday: No.
Dulé Hill: Most sing. One of us does spoken word.
James Roday: Yes. There was one cast member who got off
without having to carry a tune.
Steve Franks: And that was Corbin Bernsen. And I found out
after the fact he really wanted to participate and so that’s
really on me because I had assumed that - I had asked him
and I said this I think a lot of times, so this won’t - this
will not be a unique quote to anybody, but I'd asked him if
he could sing when I was putting it together and he said he
could talk sing, and I thought that meant, “Okay, I really
But, it turns out he really wanted to talk sing. So I - that
was my bad and my failure, and now I'm on the hook to write
another musical and I'm thinking future musical and just so
I can cast Corbin Bernsen in it to do a talk singing part.
Suzanne Lanoue: What? Like William Shatner talk singing,
James Roday: That’s correct.
Steve Franks: Or a little Rex Harrison perhaps.
Suzanne Lanoue: Oh.
So when - did you - any of the cast members have to do any
special preparations as far as getting in shape for dancing
or getting their voice worked - anything like that? Voice
Dulé Hill: I mean we probably should’ve but we didn’t have
the time to. So no - yes.
James Roday: We should’ve done a lot of prep for this thing
and we just didn’t have the luxury of doing it. We met with
the choreographer for half of a Saturday and he ran us
through every number. And it was like, “Okay guys, that’s -
you're all going to remember that, right?”
And then that was it. That’s what we got. And then you know,
when we got on set it was like, “Oh, some of this kind of
sort of feels familiar,” but there was definitely a lot of
kind of on the spot regurgitation and a little bit of sort
of audible - we called some audibles and you know, it’s - it
worked out. Like it - it somehow came together and I'm very
proud of everyone.
Dulé Hill: Yes. And Paul Becker was the choreographer. I
mean he did a good job of taking I guess our bodies and what
we can do and using that instead of trying to just you know
turn Roday into Baryshnikov or turn Tim into somebody else,
or even myself into somebody. So this is what you can do?
This is how we’ll work it into this - into the show.
But I definitely take my hat off to Paul Becker for doing
Steve Franks: Yes, Paul was fantastic, and you know he
wanted so much out of us. He was like, “What days can we
have rehearsals?” And we - you know, this had come over just
prior to this there’d been a hiatus and these guys, James
and Dulé, and - you know, Dulé had had a well-deserved break
for just a couple days set up. He had tickets to I think a
Jets game and you cut into a big chunk of this just to
record the songs the week before.
So you know, so much of it was - you know, I have these
terrible drawings on my script of what I assumed might
happen, and you know I gave Paul the parameters. And Paul
and I were never even in the same country until we started
shooting, so it was a lot of let’s see what we have and make
it work there.
But, I think that’s what kind of gives the energy and the
excitement to it because I think we were - you know, we
would - we found the shortcomings on the spot and we had no
choice but to fix it and we knew we had no extra time to fix
it either. So we were operating on a regular schedule.
James Roday: It was crazy. I mean just to echo something
that Dulé said earlier, like it was actually Paul’s initial
sort of instinct to try to turn Tim into Gene Kelly and me
into Mikhail Baryshnikov, and we’re both like, “Paul, it’s
just not going to happen. Just look at our skill set.”
The odd part of it was that he knew Dulé was a trained
dancer and so he wanted to turn Dulé into Mandisa, the
former American Idol contestant, which made no sense in the
context of our musical or what we were doing. So Dulé had to
also say, “Paul, not happening because it just doesn’t make
Suzanne Lanoue: All right, thank you guys.
Steve Franks: Thanks.
Operator: Ladies and gentlemen, as a reminder if you do wish
to queue up for a question, you may do so by pressing the 1
followed by the 4 on your telephone.
Our next question coming from the line of Sabienna Bowman
with TV Equals. Please go ahead.
Sabienna Bowman: Hi guys.
Okay, my question for you is what would be your favorite
number from the episode? And I'll get you guys to use your
psychic abilities; what number do you think will be the
Steve Franks: I think - you know oddly enough, my favorite
is the - and I love them all. I love them all in big ways,
but there’s a special place in my heart for the song that
Jimmi Simpson sings to Ally Sheedy as she’s being carted off
into the afterlife.
And just because that song and that scene encapsulates
everything that our show is about because it’s ridiculous
and it’s heart breaking at the same time and it’s just - it
has all the emotions that we hope to play on the show and
it’s probably the favorite thing I've ever gotten to shoot
on the show and one of the few - one of the great memories.
I mean James actually stayed afterwards, done shooting in
(unintelligible), stayed to watch us shoot that, and I
turned to him after the first take and I said, “When I think
back to the show in 50 years, this is probably the night I'm
going to remember.”
Sabienna Bowman: Oh, that’s awesome.
Dulé Hill: Now I think that might be a spoiler alert, I
think, or is that - I think Steve just kind of gave a
spoiler alert, so you might want to delete...
Steve Franks: Well, we’re not - it’s reviewed right? We’re
clear to - people have seen it. You know, they - how many
people - you know, have you seen the show? Here’s my
Sabienna Bowman: Yes. I've seen it.
Dulé Hill: Oh, okay.
Steve Franks: So there you go. There you go.
Dulé Hill: All right.
Steve Franks: Okay. By the way...
James Roday: I'm actually - I'm glad (unintelligible)...
Dulé Hill: (Unintelligible).
Steve Franks: Please do not print until after the show that
Jimmi Simpson’s in the episode. How’s that?
James Roday: I'm glad that Steve gave that answer first,
because it’s my answer too, and I always feel a little weird
about it because he wrote all of these incredible songs,
these big numbers and - that we’re all in and you know, we
regulars of the show are dancing and running around and
jumping up and down and giving everything we have, but I
have to agree. My personal favorite is the quiet sort of
sendoff between two guest stars. It’s really poignant for
And I think - you know, I was heavily involved in the
Yin/Yang sort of mini-franchise, or whatever you want to
call it, and watching that character resolve after four,
five years, however long she was with us, I don’t know. It
was oddly poignant for me. And it was. Steve nailed it. It’s
Psych ridiculous with like this undercurrent of like, “Why
am I touched by this? Like I have no business being touched
by this.” But I think it works to great effect and it’s my
favorite as well.
Sabienna Bowman: Awesome.
Dulé Hill: Well for me when I - that piece was being filmed,
I don’t - I believe I was at home on my couch watching TV,
or if anything I was in my trailer sleeping, so I don’t have
anything to say about how poignant it was to see it being
filmed and everything because I wasn’t there.
But for me, actually it was the opening number of the
musical, “Under Santa Barbara Skies”, because I feel like
Steve did a great job of capturing exactly what this show is
in those first few minutes. If you've never seen an episode
of Psych and you watch that musical number and listen to the
words and see what’s happening on the screen, you get the
whole picture of what Psych is. I thought that was a pretty
brilliant stroke right there to be able to do that and
launch us off into this musical episode.
Sabienna Bowman: Exactly. I think that one was great. Thank
you so much guys.
James Roday: Yes.
Operator: And we have no further questions from the phones
at this time. I'll turn it back over to you Ms. Weiss.
Lynn Weiss: Okay. Thank you.
Thanks everybody for joining the call today, and if you have
any questions please reach out to me. I think everyone knows
how to reach me. And our thanks to Steve, and James, and
Dulé for their time.
James Roday: Thank you guys.
Dulé Hill: Bye.
James Roday: Happy holidays.
Steve Franks: See you.
Dulé Hill: (Unintelligible).
Steve Franks: Thanks a lot everybody.
Operator: Ladies and gentlemen, that does conclude the
conference call for today.
Lynn Weiss: Thank you. Bye-bye.
Operator: Thank you for your participation and you may
disconnect your lines.
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