We Love TV!
This is just an unofficial fan page, we have no connection
to any shows or networks.
Please click here to vote for our site!
By
Suzanne

Interview with Stephen Nathan and Hart Hanson of "Bones" on
FOX 3/28/12
I love the show "Bones", and it's always nice to chat
with the people who star in the show as well as the people behind the
scenes. This was a fun call!
FBC PUBLICITY: Bones Conference Call
March 28, 2012/10:30 a.m. PDT
SPEAKERS
Kim Kurland
Stephen Nathan
Hart Hanson
PRESENTATION
Moderator: Ladies and gentlemen, thank you for standing by. Welcome to
the Bones conference call. At this time all participants are in a
listen-only mode. Later we will conduct a question and answer session.
Instructions will be given at that time. (Operator instructions) As a
reminder this conference is being recorded. I would now like to turn the
conference over to your host, Kim Kurland. Please go ahead.
K. Kurland: Hello, I just wanted to thank you for participating in the
call today. We are very excited for the episode of Bones for their time
period premier on Monday at 8 p.m., our first episode since November, so
it’s definitely been a while and we’re very excited to have it back on
the air.
Moderator: (Instructions given.) Your first question comes from the line
of Jenny Rardan from Tvismypacifier.com. Please go ahead.
J. Rardan: Hello, guys, thanks for taking our calls.
S. Nathan: Hello, Jenny, thanks for calling.
J. Rardan: I’ve spoken with both of you a few times now and it’s always a
pleasure.
Man: Uh oh.
J. Rardan: I follow you guys both on Twitter, too, and that’s quite a bit
of fun, actually.
H. Hanson: Who do you like better? You can start a fight between us now.
S. Nathan: I have a knife, by the way.
J. Rardan: I am certainly not taking sides. Okay, well, let’s see. My
first question is I don’t know if I’ve ever heard a definitive answer
you had on this. How is the number of episodes that we’re going to be
getting going to play out?
S. Nathan: You haven’t heard a definitive answer, because there isn’t one
yet. All we know is that we have a season ender, and that will leave us
with four extra episodes that have to be able to be slotted anywhere at
any time without notice. That’s all we know.
H. Hanson: There’s been no word from Fox when they want to air it,
whether they want to air them in the summer, or whether they want to
save them for next season or slot them in next season.
S. Nathan: We just don’t know, so that actually made from some four kind
of interesting episodes.
H. Hanson: Yes. I mean it might be that the executives at Fox just watch
them at lunch just amongst themselves. We haven’t been told.
J. Rardan: Fair enough. Okay, my follow-up is I got this on Twitter. Will
the FBI become an obstacle for Booth and Brennan at work, especially now
that they’re going to have the baby, and they’re living together, and
all that?
H. Hanson: We’re not planning a storyline in which the FBI says you can’t
be partners. We discussed it and then we thought, God, if we tell that
story, there isn’t a single audience member who’s going to go, oh my
God, I wonder if they’ll never be allowed to work together again. So we
just decided not to do—it may come up time to time, especially from
Sweets that it’s odd to have a couple working together, but it’s not the
oddest thing in the world. So, Stephen, you do you have anything more?
S. Nathan: No, I think the most important thing for us is to keep the
show on the same footing it’s been for seven years, which is this is a
murder show, and Booth and Brennan are always going to be working
together to solve these murders. So we don’t ever intend to take that
away. That’s not to say that it won’t be incredibly difficult for them,
but it won’t be because of any bureaucratic nonsense that it will make
it difficult. It’ll just be them working together, the difficulties they
have working together as they always have.
J. Rardan: Okay, great, thank you, guys, very much.
H. Hanson: Thanks, Jenny.
Moderator: Your next question comes from the line of Kyle Nolan from
Noreruns.net. Please go ahead.
K. Nolan: Hello, guys, thanks for taking time to talk to us.
H. Hanson: Hello, Kyle, how are you doing?
K. Nolan: Good. So in the spring premier Daisy is back and then the
following episode, it looks like Finn Abernathy returns, when working on
an episode, when in the process do you decide which intern is be used?
H. Hanson: It’s a twofold thing. One is we figure out who we haven’t seen
for a while. Two, we figure out who would best fit the story, and then
three, we find out if that person is available. Usually all three of
those things don’t occur at the same time.
S. Nathan: Sometimes we have finished a script, are very, very excited
that the intern of our choice is going to be in it, only to find out
that they’re unavailable, so we have to rewrite the script. But we’ve
been very fortunate, because these stories were very, very specific. We
wanted Daisy, definitely wanted Daisy to be in the episode where the
baby is born, and things are starting an arc in the episode following,
so we were glad that worked out, too. She’s just been a phenomenal
addition to the show.
K. Nolan: With the arrival of the baby, can we still expect the same
format of primarily focusing on that case of the week, or will there be
more time spent on showing the new parents and what it’s like at home
for them?
S. Nathan: There’s always been that balancing act in the show of their
personal life and the cases, but we’re a murder show, so that will not
change. But when we do go home, they have a new arrival, which changes
their lives, so the baby will be a part of the show, because it’s a part
of their lives. But somebody is still going to be murdered in a heinous
and cruel way, and we will be revolted at the beginning of the show as
we always have been and hopefully we’ll catch them.
H. Hanson: The balance won’t change, but the context will.
S. Nathan: Oh, that was great.
H. Hanson: I had the time to think up a succinct response while you were
talking.
S. Nathan: No, that was one great sentence. I’m going to use that.
K. Nolan: Okay, thank you, guys.
H. Hanson: Thank you.
Moderator: Your next question comes from the line of Paulette Cohn from
Xfinity TV. Please go ahead.
P. Cohn: Thank you.
H. Hanson: Hello, Paulette.
P. Cohn: Hello, guys. So the arrival of the baby has to change Brennan in
some ways. Can you address that a little bit?
H. Hanson: Well, sure. We’ve always seen Brennan as a character who,
because of her upbringing, was kind of afraid of life, did not want to
engage with life, or had to be protected by a veneer of rationality and
logic and science. The first thing to come and challenge to breech those
walls was Booth who made her confront, lead a more dangerous life, at
least emotionally in that her happiness is contingent upon another
person’s happiness. And now she has a child, and you might be able to
avoid a lover as someone whose happiness, your happiness is contingent
upon, but definitely not a child. So that’s what she is contending with,
she is now a big open bruise because of another human being and she will
find that very disorienting.
One sentence, Stephen. That was really good.
S. Nathan: You’re on fire today. Brennan is so objective even about
herself that she is caught off guard by all these new feelings. I think
that’s what’s great for us in terms of writing the show. We get to see a
character who is as astonished by these new feelings and this new
behavior as the audience is. We saw that in the first six episodes when
the hormones were going crazy and she was crying, which she had never
done before. She has different emotions that she’s unaccustomed to, so
all of that will continue.
H. Hanson: There’s a story in one of our four hanging chad stories. One
of the victims is a kid, and Brennan turns to Booth and says in a very
shocked way, “I find I have a great need to go see Christine,” and it
makes no rational sense; and that’s sort of what Stephen is talking
about is she’s just shocked that someone has gotten so deeply into her
heart.
S. Nathan: We’ve done that actually in the second episode back. It’s the
first time she is going back to work, and she has to deal with leaving
Christine for the first time. Emily just did a wonderful job. It’s a
great new area for us to explore.
P. Cohn: Booth has been a father before. He has a son, but he was really
kind of chauvinistic in that he didn’t want them to buy a house and use
her money, so they found this house. Is the house going to be ready, and
is he going to give at all on the issue of the fact that she makes more
money, and she can do more for this child maybe financially?
S. Nathan: They’re dealing with it. It’s back and forth. It’s what
happens in any couple. The need to compromise and the ability to do so
are not always the same.
H. Hanson: I’m really glad you said that because a lot of feedback that
we get is that Booth is perfect and Brennan isn’t, and Booth is not
perfect. He’s not perfect, and he has to, in his own way, has to give up
as much as she does in this new life, and that is an ongoing, what is
it, field between them that they have to plow. It’s like how much is she
going to pay for and how much is he going to pay for? We get a lot of
comedy out of it, as well as character stuff. It’s a good, fertile field
for us. I’m going to leave the field metaphor alone now.
S. Nathan: But you got a plow, you got a field. The next answer has to
with the harvest.
H. Hanson: I got to lay fallow for a month.
S. Nathan: But the house is not in the shape it was in the last episode.
P. Cohn: Because that could be comedy as well as they try to fix that,
so—
S. Nathan: Yes, it’s comedy, but it’s a little too dangerous. It requires
a tetanus shot.
P. Cohn: Thank you.
H. Hanson: Thank you.
Moderator: Your next question comes from the line of Jamie Ruby from
Scifivision.com. Please go ahead.
S. Nathan: Hello, Jamie.
J. Ruby: So can you talk about the decision to reveal Brennan’s pregnancy
before you kind of revealed that Booth and the—
S. Nathan: Are you on a speakerphone? I’m sorry, are you on a
speakerphone, because it’s really hard to hear you.
H. Hanson: I think I heard it.
J. Ruby: No, I’m not.
H. Hanson: I think I heard the question. It was the whole question of
revealing that Brennan was pregnant before revealing that Booth and
Brennan were lovers.
J. Ruby: Right.
H. Hanson: Or had ever had sex, I can’t stand the word lovers. I can’t
stand it. I think only English people can say that.
We always knew that the end season six would be the reveal that Booth
and Brennan had slept together. We knew that they were going to sleep
together. What changed everything was when Emily confided in us that she
was pregnant, and we decided to adjust the storyline for season seven
accordingly. So season seven would have been the story of how Booth and
Brennan come to grips with the fact that they are now intimate and
sexually involved. We threw out probably a half a season there, perhaps
more and inserted that they were going to have a child.
So really the only thing that changed in season six was the very last
scene where she turns to Booth and says, “I’m pregnant and you’re the
father.” That scene, of course, would not have existed. Otherwise mostly
that season would have been intact as it was. What we have to do now is
show the romance in a couple that’s been together and has a child. What
America is going to miss is the unfolding courtship of Booth and Brennan
and we could not be happier to avoid that.
J. Ruby: Okay. The other thing is you talk about Brennan going back to
work and that. Is this going to be, though, like a big space of time, or
does she not really want to take maternity leave once the baby is born?
S. Nathan: You mean is it going to be a lot of time before she goes back
to work?
J. Ruby: Right.
H. Hanson: It’s actually a short amount of time.
S. Nathan: No, it’s a short amount of time. There’s probably six weeks or
so, maybe eight weeks between the time the baby arrives and she goes
back to work.
H. Hanson: She gets oddly about the same amount of time as Emily had.
S. Nathan: Yes.
H. Hanson: We did not want to do a story where our main crime solver was
at home for a number of episodes. That seemed to us to be a really good
way to lose a ton of viewers and momentum, so it’s right back into the
fray. Mind you, we do contend with, as Stephen said, we have to contend
with who’s going to take care of the baby, and how is Brennan going to
juggle her being a mom living with Booth, how is Booth going to juggle
her and the baby and do their jobs. But they’re still doing their jobs.
S. Nathan: Yes, we didn’t want to turn the show into some sort of
domestic show where the murder was a secondary aspect. The murder is
still the primary focus of the show, and their domestic lives are
crucial and important and what we love about the show, but people are
still dead.
J. Ruby: Okay, thanks a lot, guys.
S. Nathan: Thank you.
H. Hanson: Thanks.
Moderator: Your next question comes from the line of Vlada Gelman from TV
Line. Please go ahead.
V. Gelman: Hello, guys.
S. Nathan: Hello.
H. Hanson: Hello.
V. Gelman: Thanks for chatting.
S. Nathan: Thank you.
H. Hanson: Thank you.
V. Gelman: I was wondering with the shortened season and the four
episodes that have to stand alone, where there any character arcs or
some more serialized storylines that you had to push off until next
year?
S. Nathan: The four actual episodes will not be arc related. They have to
be able to stand on their own, so those four episodes we were able to do
stories that we wouldn’t have normally done in a regular lineup of—
H. Hanson: Very, very standalone and maybe even a bit odd with the gags
to them, what’s the world they have conceits to them or—
S. Nathan: Yes, they’re more stylized than we normally would do, and we
were able to try to tackle stories that we might not normally have
tackled, because we don’t know how old the baby is going to be. We don’t
know what’s going to happen between relationships between people, so
these really were standalone.
H. Hanson: We have to hope that Hodgins’ hair doesn’t change too much.
S. Nathan: Yes, that’s right and the baby could be in college.
H. Hanson: Were you asking also if we had to jettison any arcs because of
a shorter season?
V. Gelman: Yes, were there any like more serialized or character heavy
arcs that you had to push off?
H. Hanson: Yes, but we knew what was coming when we started the season,
so it’s not like we started some and then withdrew them; but we have
many, many arcs and ideas, a bin-full of ideas for them that we simply
didn’t pull out, because it wasn’t going to go in this year. I’m pretty
sure the one that we would’ve gotten to, had we had a normal length of a
year would be some more Booth family stuff. I still want to do a Hodgins
family surprise. But those just went away, because of the shortened
season and because we had these strong B stories, character stories
connected to the baby.
Did I interrupt you, Stephen?
S. Nathan: No, no, I was going to say—
H. Hanson: I wasn’t apologizing, I was gloating.
S. Nathan: I enjoyed it. There are five fewer episodes, so that’s a lot
of missing arcs, but they’ll be back if we’re back.
V. Gelman: That kind of goes into my follow-up question when people have
babies, usually it brings in extended family. Are we going to be seeing
any of that on the show?
S. Nathan: Yes, yes, we will. We’ll certainly see some of the people,
we’re going to see Brennan’s dad. He’ll return. We’ve already seen
Booth’s grandfather this year under sad circumstances. Certainly going
into next year, we’re going to see the extended families.
V. Gelman: Thanks, guys.
H. Hanson: Thank you.
S. Nathan: Okay.
Moderator: Our next question comes from the line of Marisa Roffman,
Givememyremote.com.
H. Hanson: Marisa.
S. Nathan: Hello, Marisa.
M. Roffman: Okay, … at the June finale Pelant that is going to scare the
crap out of people with the season finale, so can you guys ... it up.
H. Hanson: Pelant is going to scare the crap out of people in the season
finale.
S. Nathan: Yes, there will be no crap in people anymore after Pelant’s
episode. He really is going to turn the series on its head for a little
bit. He has much more power than any of our serial bad guys have had in
the past.
M. Roffman: Interesting. I know obviously Cam has a storyline coming up.
Her daughter is dating a …, but is there anything else aside from that
in the last batch of episodes?
S. Nathan: She’s been very heavily involved this season in the lab with
our people kind of as the boss. She’s sort of taken that role, that role
has been expanded a bit, so you’ll see that in subsequent episodes. We
have a lot planned for Cam personally, but as Hart said earlier, our
hands were a little bit tied this year because of the five fewer
episodes, we weren’t able to give some of the other characters that we
love, Hodgins and Cam, more extensive arcs. We will be doing that if we
get picked up.
H. Hanson: We’ll get picked up, Stephen.
S. Nathan: We will?
H. Hanson: Yes.
S. Nathan: And we’re so heavy.
M. Roffman: Thanks, guys.
H. Hanson: Thank you.
S. Nathan: Okay, thanks.
Moderator: The next question comes from Colleen Pinto the Voice of TV.
Please go ahead.
S. Nathan: How are you doing?
H. Hanson: I’m not going to make a Voice of TV joke this time. You’re
tired of all my Voice of TV jokes.
C. Pinto: Oh, come on, that’s my favorite part.
H. Hanson: I have nothing prepared.
C. Pinto: Okay. Early seasons, seasons one and two, Angela and Brennan
were very, very close, always had heart to hearts and fans really seemed
to enjoy those. Are there going to be more now that they’re both sort of
in the same place in their life, new mothers in very strong
relationships?
H. Hanson: Stephen, I’m looking at you with consternation in my face.
There are two episodes that we’ve done in the last month that have good
Angela and Brennan stuff in them. It’s not all over the baby, by the
way, not all over the fact that they are moms. That’s certainly helps,
but—
S. Nathan: But we’ve had a few, especially one where Angela and Brennan
kind of leave the lab and play hooky. We do have them, and Cam is also
now involved in sort of that kind of relationship. She’s become a bit
closer to Angela and Brennan. But Angela and Brennan do, we do see them
quite intimately in a few episodes.
H. Hanson: Angela has her own issues with how she’s changed, being a
married woman with a child that we explore a little bit; and so she is
better situated to understand what Brennan is going through feeling that
she’s changed, although Angela is more nostalgic for who she used to be
I think than Brennan is. She’s more reflective. But yes, in my mind it’s
come up at least three times in the last six episodes and, in fact, at
least one really strong storyline.
I think in the season ender the audience will get a very good feeling
for how close Angela and Brennan are. In some ways Angela knows Brennan
better than Booth does in that way that another friend of the same sex
can understand you more than your partner.
S. Nathan: And she knows Brennan better than Brennan does.
H. Hanson: That’s true, yes. That’s a good line, Stephen.
S. Nathan: You can have that one. I’ll take that context one. I like the
context one because it sounds smarter.
C. Pinto: Okay, great. Now in the episode coming up on April 2nd, we find
out that Brennan gives in to Booth and allows the baby to be baptized.
Are there going to be any other concessions, like will—
S. Nathan: The baby is not baptized in that episode.
C. Pinto: Well, yes, but she allows that it can happen.
H. Hanson: Yes, my glib response is every single episode where they have
anything to do with home and kids is a constant trade-off between the
two, as to what they are willing to give up for the other one for the
other.
S. Nathan: We’ve seen seven years of these two people having such a
different view of life and that will not change.
C. Pinto: Okay, and really quickly, is stapes a reference to the 100th
episode?
H. Hanson: What, …
C. Pinto: Yes.
H. Hanson: That’s very good. It’s a little echo. It’s a little hello and
echo, very good.
C. Pinto: Oh, you’re lying. You just thought of that because I said it.
H. Hanson: No, we give little waves. We give tons of little waves, and I
have to say a ton of them come down from the writers’ room, and we don’t
even know they’re there until they’re there.
S. Nathan: The pause you heard was because there stapes does appear
again, and we’re working on that actually as we speak as we were this
morning.
H. Hanson: So we thought you knew something that wasn’t yet out.
C. Pinto: No, I’m not that good. I’m not that privileged.
H. Hanson: No.
C. Pinto: I’m working on it.
H. Hanson: This is scary.
C. Pinto: Okay, well, thanks.
H. Hanson: Thank you.
S. Nathan: Okay, thank you.
Moderator: The next question comes from the Jenny Rardan
Tvismypacificer.com. Please go ahead.
J. Rardan: I didn’t expect to get back in.
H. Hanson: You’re back again. Everything we told you before, not true.
S. Nathan: It was just a big lie.
J. Rardan: Oh, okay, well darn. Now I just had a quick question. Who is
the brilliant mind, I’ll let you two fight it out, who is the brilliant
mind behind the storyline about where Brennan is giving birth? I don’t
want to give it away for the people who haven’t watched the episode yet,
but I watched it and it is pure brilliance.
H. Hanson: We had a discussion about it, but I think we got it handed,
Stephen, am I wrong, that was your idea?
S. Nathan: You know what, to be perfectly honest, I don’t know if it was.
I think Jon might have had a huge—I think Jon Collier I think came up
with that. We had many, many, many discussions. There were so many
things thrown into the hopper, and I think Jon Collier who wrote that
episode, you know what, it’s so funny after doing what we’ve done now is
713 episodes and it’s very difficult to—
H. Hanson: We don’t always remember.
S. Nathan: Yes, sometimes I go home and I wake up. I’m in bed with Hart’s
wife, he’s in bed with mine. I don’t know. We don’t know what the hell
is going on anymore.
J. Rardan: Well, just tell everyone involved that it was like you said,
it was just pure brilliance.
H. Hanson: There’s a ton of, Jon Collier wrote that episode and he’s a
terrific writer and there’s a ton of my pal Stephen Nathan in there.
S. Nathan: It all runs together. The overlap is appreciated. Thank you.
J. Rardan: Thanks, guys.
Moderator: The next question comes from Emanuel Ducasse Tele 7. Go ahead.
E. Ducasse: Hello, a quick question for Hart Hanson. I guess your work or
schedule, … and Bones because you have a new show The Finder. So my
question is did the cast of Bones feel concerned that your attention
would not be 100% focused on the original show?
H. Hanson: Yes. Bones is a pretty tight theatre company. We’re a pretty
tight bunch. We’ve been together a long time, and there was concern, but
it was of that nature. I don’t think they thought the show was going to
fall apart. Stephen Nathan has been here since the first episode, and
it’s not like if I died, the show would go on. There might be more jokes
in it and more references to bagels, but otherwise, Stephen is perfectly
capable.
So they weren’t worried on a professional level. It’s just like what is
going to happen to our plucky gang. It’s mostly a pleasure to work on
Bones and we like each other, so I think it was more like as if I was
moving a block away or something.
But my office is in the same place. Both shows are shot on the lot.
Stephen and I, we share a, what do you call this thing, Stephen, a
porch? Our offices share this ugly little porch. We cannot get away from
each other, and the actors are just a stage away, so they wander into my
office. I think they mostly realized that since I wasn’t physically
going anywhere, that they had nothing to worry about.
And as I say, Stephen Nathan is a very confidence inspiring guy. He just
stepped into the gap that I left. Now The Finder hasn’t been shooting
for how long now, Stephen, a month, maybe more. We’re enjoying working
more closely again, but did that answer your question?
E. Ducasse: Yes, perfectly. Why only John Francis Daley and TJ Thyne have
been guest starred on The Finder, why only these two actors from the
original show?
H. Hanson: We, being Bones, Bones shut down for a period of time and
wasn’t shooting. It was during that time that we could use Bones actors
on The Finder, so we figured out very quickly, John was the first one,
because the story of having someone down to look at Walter’s mental
competency was a good storyline for us and a really natural fit. And
then the next story that suggested TJ was a conspiracy theorist story.
If it had been another kind of story, then we would have brought down
Cam or Angela. Of course, Emily couldn’t be in it because she was busy
having a baby. David, we could have had him in an episode, but he very
much wanted to direct an episode, so that’s when he directed was during
that downtime. I hope, I’m knocking on wood, we have an uphill climb,
but if The Finder comes back, then eventually everybody will be on it.
E. Ducasse: Okay, French director Francois Velle is back for the first
time to direct episode 14 of that season, what does he bring to the show
when he’s directing?
S. Nathan: This is Stephen. Francois has been a fabulous addition to the
show and he’s perfect for the episode that he’s directing now. It’s one
of our most serious episodes, and he just has a tremendous sensitivity
and a beautiful connection with the show and he’s just a wonderful
director.
H. Hanson: Also a French accent.
S. Nathan: Yes, and the French accent is very good. It make everybody
hungry.
E. Ducasse: Okay, my last question, where does the station number 447
come from?
S. Nathan: We can’t tell you.
H. Hanson: We can’t tell you that yet.
S. Nathan: All will be revealed in the fullness of time.
K. Kurland: Okay, we have to wrap it there. I’m sorry, we have to wrap it
there, everyone. We’ve gone a little bit over, so I apologize.
H. Hanson: Okay, well, thank you very much, everybody.
Back to the Main Articles
Page
Back to the Main Primetime TV Page
We need more episode guide recap writers, article
writers, MS FrontPage and Web Expression users, graphics designers, and more, so
please email us
if you can help out! More volunteers always
needed! Thanks!
Page updated 4/14/15
    
|